subject:(Poem)

Colorado State University

1. Giamo, Thomas Crane. Recite.

Degree: Master of Fine Arts (M.F.A.), English, 2011, Colorado State University

► This poem evolved in slow stutters after I had returned to Colorado from India and Kashmir last summer and started transcribing two, small notebooks of… (more)

▼ This poem evolved in slow stutters after I had returned to Colorado from India and Kashmir last summer and started transcribing two, small notebooks of language fragments collected over the two month visit – transliterations of conversations overheard in foreign languages, scattered impressions, lists (dear human), articulations of single words on single pages, fundamental and simple words in English (okay, thank you) to remind myself that I'd retained the traces of a language among an alien syllabary. It felt like some of the writing recorded in these notebooks had captured the speed and emotional registers of the visit: one intense and draining month in Srinagar, Kashmir filming a "guerrilla" documentary with my brother about human rights abuses against the Kashmiri people by Indian security forces occupying the Valley, another month by myself rattling around on trains and walking cities in a narcotic daze through walls of white heat in the desert region of Rajasthan, with a detour to Varanasi, one of the oldest and continuously settled sites of humankind where bodies are always burning on the shore of the river Ganges. What I transcribed from the notebooks was the residue of whatever fleeing voices had come to populate my own voice through India and Kashmir (there are human beings everywhere). And so the poem arose out of a writing process which was from the very beginning a recitation. I didn't feel the need to expand the writing once the notebooks were transcribed, by inscribing within them a writing from a different time and place, by developing these original annunciations (what is your good name / your own far country) from the place of the my new present, Colorado. I thought instead to use the next months to write within these fragments, executing a writing distilled from the present but curtailed and structured by these recordings from the past – stole away cargo from an ocean and more away – allowing not the present to recuperate the past but the past to push apart the shifting contours of the present writing going forward. Advisors/Committee Members: Beachy-Quick, Dan (advisor), Steensen, Sasha (committee member).

Subjects/Keywords: poetry; poem

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APA (6^th Edition):

Giamo, T. C. (2011). Recite. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/59823

Chicago Manual of Style (16^th Edition):

Giamo, Thomas Crane. “Recite.” 2011. Masters Thesis, Colorado State University. Accessed March 03, 2021. http://hdl.handle.net/10217/59823.

MLA Handbook (7^th Edition):

Giamo, Thomas Crane. “Recite.” 2011. Web. 03 Mar 2021.

Vancouver:

Giamo TC. Recite. [Internet] [Masters thesis]. Colorado State University; 2011. [cited 2021 Mar 03]. Available from: http://hdl.handle.net/10217/59823.

Council of Science Editors:

Giamo TC. Recite. [Masters Thesis]. Colorado State University; 2011. Available from: http://hdl.handle.net/10217/59823

University of Toronto

2. WIJERATNE, DINUK. First Winter.

Degree: 2017, University of Toronto

URL: http://hdl.handle.net/1807/82384

►

Thesis (orchestral composition) Duration: 9 minutes Instrumentation: 2 flutes (2nd doubling piccolo), 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba,… (more)

▼

Thesis (orchestral composition) Duration: 9 minutes Instrumentation: 2 flutes (2nd doubling piccolo), 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, 2 percussion, harp, strings ABSTRACT The concept of this single-movement, 9-minute, tone poem is essentially the dichotomy of ‘nature’ and ‘humankind’, placed in the context of the age when the very first humans set foot on an untouched Canadian landscape, more than 12,000 years ago. The music does not seek to be programmatic, culturally or historically-specific in any way. Nor is the dichotomy of nature and humankind presented as an adversarial one. Rather, the music aims to explore the various emotions that any human being might feel upon first discovering a new landscape, and eventually when having to mesh with this landscape. These might well include feelings of mystery, awe, trepidation, and excitement, to name a few. There are three main sections to this piece. The first (until b.41) primarily aims to evoke an untouched natural, wintery landscape. The proto-melody, that begins at b.41 and develops quickly, signals the first motivations of humankind. The 4-chord chorale at b.141 heralds the final section, which signals the first dawn of spring, and a general sense of optimism. There are a select few deliberate examples of tone-painting: bars 29-32 depict a tree branch collapsing under the weight of accumulating snow, and bars 102-121 are inspired by birds in flight. At the very end, there remains the dichotomy of nature’s constancy and humankind’s footprint. This particular piece marks a stark departure from my usual compositional style, which is typically explicit in its explorations of the boundaries between cultures, and between composition and improvisation. The purpose of this thesis has been to set aside my usual preoccupations with rhythm and melody to explore instead a more textural world of shifting colours and emotions, where rhythmic material is organic as opposed to constructed, and melodic material is - at most - fragmented.

D.M.A.

Advisors/Committee Members: Hatzis, Christos, Music.

Subjects/Keywords: Orchestra; Symphonic Poem; Tone Poem; 0214

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APA (6^th Edition):

WIJERATNE, D. (2017). First Winter. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/82384

Chicago Manual of Style (16^th Edition):

WIJERATNE, DINUK. “First Winter.” 2017. Doctoral Dissertation, University of Toronto. Accessed March 03, 2021. http://hdl.handle.net/1807/82384.

MLA Handbook (7^th Edition):

WIJERATNE, DINUK. “First Winter.” 2017. Web. 03 Mar 2021.

Vancouver:

WIJERATNE D. First Winter. [Internet] [Doctoral dissertation]. University of Toronto; 2017. [cited 2021 Mar 03]. Available from: http://hdl.handle.net/1807/82384.

Council of Science Editors:

WIJERATNE D. First Winter. [Doctoral Dissertation]. University of Toronto; 2017. Available from: http://hdl.handle.net/1807/82384

University of Florida

3. Tisdale, Ashley S. The Fickleness of Water.

Degree: M.F.A., Creative Writing - English, 2015, University of Florida

URL: https://ufdc.ufl.edu/UFE0048898

► "The Fickleness of Water" is a collection of poems that deals with the absence and abundance of things, as well as the position of the… (more)

Subjects/Keywords: mfa – poem – poetry

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APA (6^th Edition):

Tisdale, A. S. (2015). The Fickleness of Water. (Masters Thesis). University of Florida. Retrieved from https://ufdc.ufl.edu/UFE0048898

Chicago Manual of Style (16^th Edition):

Tisdale, Ashley S. “The Fickleness of Water.” 2015. Masters Thesis, University of Florida. Accessed March 03, 2021. https://ufdc.ufl.edu/UFE0048898.

MLA Handbook (7^th Edition):

Tisdale, Ashley S. “The Fickleness of Water.” 2015. Web. 03 Mar 2021.

Vancouver:

Tisdale AS. The Fickleness of Water. [Internet] [Masters thesis]. University of Florida; 2015. [cited 2021 Mar 03]. Available from: https://ufdc.ufl.edu/UFE0048898.

Council of Science Editors:

Tisdale AS. The Fickleness of Water. [Masters Thesis]. University of Florida; 2015. Available from: https://ufdc.ufl.edu/UFE0048898

NSYSU

4. Liao, Tsai-yi. "none".

Degree: Master, Chinese Literature, 2010, NSYSU

URL: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0729110-054134

Subjects/Keywords: poem-rhyme

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APA (6^th Edition):

Liao, T. (2010). "none". (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0729110-054134

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Liao, Tsai-yi. “"none".” 2010. Thesis, NSYSU. Accessed March 03, 2021. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0729110-054134.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Liao, Tsai-yi. “"none".” 2010. Web. 03 Mar 2021.

Vancouver:

Liao T. "none". [Internet] [Thesis]. NSYSU; 2010. [cited 2021 Mar 03]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0729110-054134.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Liao T. "none". [Thesis]. NSYSU; 2010. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0729110-054134

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

NSYSU

5. Huang, Sheng-hsiung. none.

Degree: Master, Chinese Literature, 2005, NSYSU

URL: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0530105-160326

Subjects/Keywords: anecdote; poem

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APA (6^th Edition):

Huang, S. (2005). none. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0530105-160326

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Huang, Sheng-hsiung. “none.” 2005. Thesis, NSYSU. Accessed March 03, 2021. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0530105-160326.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Huang, Sheng-hsiung. “none.” 2005. Web. 03 Mar 2021.

Vancouver:

Huang S. none. [Internet] [Thesis]. NSYSU; 2005. [cited 2021 Mar 03]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0530105-160326.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Huang S. none. [Thesis]. NSYSU; 2005. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0530105-160326

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

NSYSU

6. Huang, Shr-Hau. Graphene Mediated Saturable Absorber on Stable Mode-locked Fiber Lasers Employing Different Dispersants.

Degree: Master, Electro-Optical Engineering, 2012, NSYSU

URL: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0904112-064653

► Stable passive mode-locked fiber lasers(MLFLs) employing graphene saturable absorber (SA) are demonstrated. The graphene were dispersed in de-ionized water by two different dispersants including fluorinated… (more)

Subjects/Keywords: TCP; POEM; Mica; dispersants; graphene

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APA (6^th Edition):

Huang, S. (2012). Graphene Mediated Saturable Absorber on Stable Mode-locked Fiber Lasers Employing Different Dispersants. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0904112-064653

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Huang, Shr-Hau. “Graphene Mediated Saturable Absorber on Stable Mode-locked Fiber Lasers Employing Different Dispersants.” 2012. Thesis, NSYSU. Accessed March 03, 2021. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0904112-064653.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Huang, Shr-Hau. “Graphene Mediated Saturable Absorber on Stable Mode-locked Fiber Lasers Employing Different Dispersants.” 2012. Web. 03 Mar 2021.

Vancouver:

Huang S. Graphene Mediated Saturable Absorber on Stable Mode-locked Fiber Lasers Employing Different Dispersants. [Internet] [Thesis]. NSYSU; 2012. [cited 2021 Mar 03]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0904112-064653.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Huang S. Graphene Mediated Saturable Absorber on Stable Mode-locked Fiber Lasers Employing Different Dispersants. [Thesis]. NSYSU; 2012. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0904112-064653

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Ontario Institute of Technology

7. Ambiganithy, Pavidra. Forget-Me-Not.

Degree: 2010, University of Ontario Institute of Technology

URL: http://hdl.handle.net/10155/83

A poem about change

Subjects/Keywords: poem; poetry

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APA (6^th Edition):

Ambiganithy, P. (2010). Forget-Me-Not. (Thesis). University of Ontario Institute of Technology. Retrieved from http://hdl.handle.net/10155/83

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Ambiganithy, Pavidra. “Forget-Me-Not.” 2010. Thesis, University of Ontario Institute of Technology. Accessed March 03, 2021. http://hdl.handle.net/10155/83.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Ambiganithy, Pavidra. “Forget-Me-Not.” 2010. Web. 03 Mar 2021.

Vancouver:

Ambiganithy P. Forget-Me-Not. [Internet] [Thesis]. University of Ontario Institute of Technology; 2010. [cited 2021 Mar 03]. Available from: http://hdl.handle.net/10155/83.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ambiganithy P. Forget-Me-Not. [Thesis]. University of Ontario Institute of Technology; 2010. Available from: http://hdl.handle.net/10155/83

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Podder, Soumen. Samasamayik bangla kabitay 1971 2010 nisarger shailpik nirman;.

Degree: 2015, Assam University

URL: http://shodhganga.inflibnet.ac.in/handle/10603/36499

newline

Bengali Poem

Advisors/Committee Members: Gun, Suman.

Subjects/Keywords: Bengali Poem

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APA (6^th Edition):

Podder, S. (2015). Samasamayik bangla kabitay 1971 2010 nisarger shailpik nirman;. (Thesis). Assam University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/36499

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Podder, Soumen. “Samasamayik bangla kabitay 1971 2010 nisarger shailpik nirman;.” 2015. Thesis, Assam University. Accessed March 03, 2021. http://shodhganga.inflibnet.ac.in/handle/10603/36499.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Podder, Soumen. “Samasamayik bangla kabitay 1971 2010 nisarger shailpik nirman;.” 2015. Web. 03 Mar 2021.

Vancouver:

Podder S. Samasamayik bangla kabitay 1971 2010 nisarger shailpik nirman;. [Internet] [Thesis]. Assam University; 2015. [cited 2021 Mar 03]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/36499.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Podder S. Samasamayik bangla kabitay 1971 2010 nisarger shailpik nirman;. [Thesis]. Assam University; 2015. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/36499

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of North Texas

9. Lischau, Carol. "Counting Out The Harvest".

Degree: 2016, University of North Texas

URL: https://digital.library.unt.edu/ark:/67531/metadc862729/

► "Counting Out The Harvest" is a collection of poems exploring intimate encounters. The poems reflect on encounters with memories, family, and the natural and cosmic… (more)

Subjects/Keywords: counting; harvest; poem; poetry

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APA (6^th Edition):

Lischau, C. (2016). "Counting Out The Harvest". (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc862729/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lischau, Carol. “"Counting Out The Harvest".” 2016. Thesis, University of North Texas. Accessed March 03, 2021. https://digital.library.unt.edu/ark:/67531/metadc862729/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lischau, Carol. “"Counting Out The Harvest".” 2016. Web. 03 Mar 2021.

Vancouver:

Lischau C. "Counting Out The Harvest". [Internet] [Thesis]. University of North Texas; 2016. [cited 2021 Mar 03]. Available from: https://digital.library.unt.edu/ark:/67531/metadc862729/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lischau C. "Counting Out The Harvest". [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc862729/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Bekmezci, Emine Selcen. Ülkü Tamer'in şiirleri üzerine bir araştırma: A research on the poems of Ülkü Tamer.

Degree: Dil ve Tarih-Coğrafya Fakültesi, 2019, University of Ankara

URL: http://hdl.handle.net/20.500.12575/69119

► ÖZET İkinci Yeni şairleri şiir anlayışı ve arayışında ortak noktalarda buluşmuş ancak kendi şiirlerini kendi anlayışları ile örmüştür. İkinci Yeni'nin diğer şairlerinde olduğu gibi Ülkü… (more)

▼ ÖZET İkinci Yeni şairleri şiir anlayışı ve arayışında ortak noktalarda buluşmuş ancak kendi şiirlerini kendi anlayışları ile örmüştür. İkinci Yeni'nin diğer şairlerinde olduğu gibi Ülkü Tamer de ilk şiirlerinden başlayarak hareketin imkânlarını kendi şiirini var etmek için kullanmış, önceliği hep şiire vererek sanat hayatını sürdürmüştür. Dünya görüşünü oluşturan yapıcı tavır, kavgadan ve kaba gürültüden uzak durma çabası şiirlerine de yansıtmıştır. Sloganlar atan şiir değil, bilgi, zekâ ve incelikle örülmüş, sevginin sezildiği şiirlerle edebiyat dünyasında var olmuştur. Modern hayatın insana dayattıklarından, kentin ve kalabalığın verdiği bunalımdan kaçışı da ölüm temi ile şiirlerine almıştır. Toplumsal ve siyasal olayları insan onurunu her şeyin üstünde tutan yaklaşımı da içine alarak şair duyarlılığı ile gözler önüne sermiştir. Hem serbest şiirin hem Halk şiiri tarzının başarılı örneklerini veren şair bunu dilin olanaklarını bilmek, kullandığı aracı tanımak olarak düşünür. Bilgi ve kendini geliştirme çabası olmadan başarılı bir şiirin olamayacağını ortaya koyar. Onun şiirlerinde dilin yapısını bozma amacından ziyade var olan dilin imkânlarını genişletmek, dile derinlik, sözcüklere çağrışım gücü katarak şiiri zenginleştirmek gayreti görülür. Kullandığı imgeler; zor anlaşılmak, anlamı belirsizleştirmek amacını taşımaz. İmgelerinde anlamı bulmak, şiire anlam yüklemek ve her okumada yeni tatlar keşfederek şiiri yeniden üretmek imkânını okuyucuya sunmak amacı görülür. Şairliğin yanı sıra çevirmenlik, yayıncılık, tiyatro oyunculuğu, gazete yazarlığı gibi yaptığı bütün işler şiirlerini beslemiştir. Aynı zamanda çocukluğu, memleketi ve eğitimi de onun şairliğini besleyen, kuvvetlendiren derin bir kaynak olmuştur. Şiirimize İkinci Yeni çizgisinde başlayıp hareketin sona ermesinden sonra da devam eden Ülkü Tamer; yazıları, çevirileri ve şiirleriyle Türk edebiyatına ve şiirine değerli katkılar sağlamış, saygın duruşuyla kendisine özel bir yer edinmiş önemli bir şairdir. ABSTRACT The poets of the Second New have met in the common points where as they have veawed their poems with their own perspectives. Like other poets of the Second New Tamerhas used the facilities of the movement to buıild his own poem since the beginning, he has always put poem in the first place thought his art life. The costartive attitude, staying away from fight and rough noise which represent his life style have also reflected to his poems. He has existed in the literature world not with sloganic poems but with poems veawed with knowledge, intelligence and sensation and which love can be felt. He has studied public and public political issues with a sensitiveness of a poet keeping the honour of human above everthing. The poet who has put forward the successful examples of both free poem and Public poem considerss this a having a good knowledge of facilities of the language of facilities of the language and knowing the instrument that he uses. He explains that a succesful poem without knowledged and the effort of self improvement. One can see the… Advisors/Committee Members: Kul, Erdoğan (advisor).

Subjects/Keywords: Ülkü Tamer; Şiir; Poem

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APA (6^th Edition):

Bekmezci, E. S. (2019). Ülkü Tamer'in şiirleri üzerine bir araştırma: A research on the poems of Ülkü Tamer. (Doctoral Dissertation). University of Ankara. Retrieved from http://hdl.handle.net/20.500.12575/69119

Chicago Manual of Style (16^th Edition):

Bekmezci, Emine Selcen. “Ülkü Tamer'in şiirleri üzerine bir araştırma: A research on the poems of Ülkü Tamer.” 2019. Doctoral Dissertation, University of Ankara. Accessed March 03, 2021. http://hdl.handle.net/20.500.12575/69119.

MLA Handbook (7^th Edition):

Bekmezci, Emine Selcen. “Ülkü Tamer'in şiirleri üzerine bir araştırma: A research on the poems of Ülkü Tamer.” 2019. Web. 03 Mar 2021.

Vancouver:

Bekmezci ES. Ülkü Tamer'in şiirleri üzerine bir araştırma: A research on the poems of Ülkü Tamer. [Internet] [Doctoral dissertation]. University of Ankara; 2019. [cited 2021 Mar 03]. Available from: http://hdl.handle.net/20.500.12575/69119.

Council of Science Editors:

Bekmezci ES. Ülkü Tamer'in şiirleri üzerine bir araştırma: A research on the poems of Ülkü Tamer. [Doctoral Dissertation]. University of Ankara; 2019. Available from: http://hdl.handle.net/20.500.12575/69119

University of Vermont

11. Dolbashian, Aidan Charles. Blowing My Lines.

Degree: English, 2016, University of Vermont

URL: https://scholarworks.uvm.edu/hcoltheses/100

► As a form, prose poetry is largely considered to have originated in 19^th century Europe, namely France and Germany, as a transgression against traditional… (more)

Subjects/Keywords: prose; poem; prose poetry

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APA (6^th Edition):

Dolbashian, A. C. (2016). Blowing My Lines. (Thesis). University of Vermont. Retrieved from https://scholarworks.uvm.edu/hcoltheses/100

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Dolbashian, Aidan Charles. “Blowing My Lines.” 2016. Thesis, University of Vermont. Accessed March 03, 2021. https://scholarworks.uvm.edu/hcoltheses/100.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Dolbashian, Aidan Charles. “Blowing My Lines.” 2016. Web. 03 Mar 2021.

Vancouver:

Dolbashian AC. Blowing My Lines. [Internet] [Thesis]. University of Vermont; 2016. [cited 2021 Mar 03]. Available from: https://scholarworks.uvm.edu/hcoltheses/100.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dolbashian AC. Blowing My Lines. [Thesis]. University of Vermont; 2016. Available from: https://scholarworks.uvm.edu/hcoltheses/100

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Oregon

12. Price, Wesley. Under the Spreading Chestnut Tree.

Degree: M.M., School of Music and Dance, 2014, University of Oregon

URL: http://hdl.handle.net/1794/17886

► This composition is a symphonic poem for full orchestra roughly eighteen minutes in length. The work takes both its title and inspiration from George Orwell's… (more)

Subjects/Keywords: Composition; Music; Orchestra; Symphonic poem

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APA (6^th Edition):

Price, W. (2014). Under the Spreading Chestnut Tree. (Masters Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/17886

Chicago Manual of Style (16^th Edition):

Price, Wesley. “Under the Spreading Chestnut Tree.” 2014. Masters Thesis, University of Oregon. Accessed March 03, 2021. http://hdl.handle.net/1794/17886.

MLA Handbook (7^th Edition):

Price, Wesley. “Under the Spreading Chestnut Tree.” 2014. Web. 03 Mar 2021.

Vancouver:

Price W. Under the Spreading Chestnut Tree. [Internet] [Masters thesis]. University of Oregon; 2014. [cited 2021 Mar 03]. Available from: http://hdl.handle.net/1794/17886.

Council of Science Editors:

Price W. Under the Spreading Chestnut Tree. [Masters Thesis]. University of Oregon; 2014. Available from: http://hdl.handle.net/1794/17886

13. Bates, Sarah. 36 Yellow Fields to One White Rhino.

Degree: MFA, 2017, Northen Michigan University

URL: https://commons.nmu.edu/theses/126

► 36 Yellow Fields to One White Rhino, a collection of poetry which circles around the northern white rhinoceros facing extinction, interrogates a number of… (more)

Subjects/Keywords: poem; rhino; essay; loss; landscape

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APA (6^th Edition):

Bates, S. (2017). 36 Yellow Fields to One White Rhino. (Thesis). Northen Michigan University. Retrieved from https://commons.nmu.edu/theses/126

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bates, Sarah. “36 Yellow Fields to One White Rhino.” 2017. Thesis, Northen Michigan University. Accessed March 03, 2021. https://commons.nmu.edu/theses/126.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bates, Sarah. “36 Yellow Fields to One White Rhino.” 2017. Web. 03 Mar 2021.

Vancouver:

Bates S. 36 Yellow Fields to One White Rhino. [Internet] [Thesis]. Northen Michigan University; 2017. [cited 2021 Mar 03]. Available from: https://commons.nmu.edu/theses/126.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bates S. 36 Yellow Fields to One White Rhino. [Thesis]. Northen Michigan University; 2017. Available from: https://commons.nmu.edu/theses/126

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Southern California

14. Zhou, Tian. Cliffs in splendor.

Degree: DMA, Composition, 2011, University of Southern California

URL: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/657916/rec/1380

► Cliffs In Splendor is a fifteen-minute piece for full orchestra completed in the fall of 2011. The work, consisting of three major parts, begins slowly… (more)

Subjects/Keywords: symphonic; tone poem; orchestral

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APA (6^th Edition):

Zhou, T. (2011). Cliffs in splendor. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/657916/rec/1380

Chicago Manual of Style (16^th Edition):

Zhou, Tian. “Cliffs in splendor.” 2011. Doctoral Dissertation, University of Southern California. Accessed March 03, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/657916/rec/1380.

MLA Handbook (7^th Edition):

Zhou, Tian. “Cliffs in splendor.” 2011. Web. 03 Mar 2021.

Vancouver:

Zhou T. Cliffs in splendor. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2021 Mar 03]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/657916/rec/1380.

Council of Science Editors:

Zhou T. Cliffs in splendor. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/657916/rec/1380

Boise State University

15. Green, Michael McKee. Three Quarters.

Degree: 2019, Boise State University

URL: https://scholarworks.boisestate.edu/td/1530

► Three Quarters makes retrospection into prospection. Following its speaker from the near-present to the near-past, the text imposes a spiritual and affective pilgrimage onto nine… (more)

Subjects/Keywords: poetry; poem; Donne; mirror; Poetry

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APA (6^th Edition):

Green, M. M. (2019). Three Quarters. (Thesis). Boise State University. Retrieved from https://scholarworks.boisestate.edu/td/1530

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Green, Michael McKee. “Three Quarters.” 2019. Thesis, Boise State University. Accessed March 03, 2021. https://scholarworks.boisestate.edu/td/1530.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Green, Michael McKee. “Three Quarters.” 2019. Web. 03 Mar 2021.

Vancouver:

Green MM. Three Quarters. [Internet] [Thesis]. Boise State University; 2019. [cited 2021 Mar 03]. Available from: https://scholarworks.boisestate.edu/td/1530.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Green MM. Three Quarters. [Thesis]. Boise State University; 2019. Available from: https://scholarworks.boisestate.edu/td/1530

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Maryland

16. Morris, Ruth Elizabeth. Falling Out of the Sky.

Degree: Creative Writing, 2016, University of Maryland

URL: http://hdl.handle.net/1903/18439

► “Falling Out of the Sky” is a collection of poems, both formal and free verse, that explores an intimate familial landscape. In particular, these poems… (more)

Subjects/Keywords: Creative writing; poem; poetry

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APA (6^th Edition):

Morris, R. E. (2016). Falling Out of the Sky. (Thesis). University of Maryland. Retrieved from http://hdl.handle.net/1903/18439

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Morris, Ruth Elizabeth. “Falling Out of the Sky.” 2016. Thesis, University of Maryland. Accessed March 03, 2021. http://hdl.handle.net/1903/18439.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Morris, Ruth Elizabeth. “Falling Out of the Sky.” 2016. Web. 03 Mar 2021.

Vancouver:

Morris RE. Falling Out of the Sky. [Internet] [Thesis]. University of Maryland; 2016. [cited 2021 Mar 03]. Available from: http://hdl.handle.net/1903/18439.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morris RE. Falling Out of the Sky. [Thesis]. University of Maryland; 2016. Available from: http://hdl.handle.net/1903/18439

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Boise State University

17. Wanzenried, Michael. Auto/Aura.

Degree: 2015, Boise State University

URL: https://scholarworks.boisestate.edu/td/898

► I will make the poems of materials, for I think they are to be the most spiritual poems, And I will make the poems of… (more)

▼ I will make the poems of materials, for I think they are to be the most spiritual poems, And I will make the poems of my body and of mortality —Walt Whitman, Leaves of Grass, section 6 Auto/Aura attempts to follow through on Whitman’s project by literally using materials from the world to create a situation that challenges the traditional reader-poet relationship. The poems here diverge from the page into a three-dimensional setting to continue in a largely personal and arbitrary lineage (as all poet-historical lineages tend to be according to Jerome Rothenberg) of 19th and 20th century poetic practices that viewed the visual component of the poem as just as an important component of the poem as the content itself. From Mallarme’s “Un Coup de Des…” to Ezra Pound through the Brazilian Concrete Poets and into contemporary video poetics (among many others), the use of white space, indentation, shifts in typography, nonsensical sounds, images, and scrambled syntax have been seen as invaluable elements in communicating reality as a complex palimpsest of events, ideas, people, and sensations. Shifting the conventional location of the poem (away from the page or computer screen) functions much like the white space between lines and stanzas does in many poems. It destabilizes the relation between different points on the page and challenges the reader to make (or intuit) certain connections. And while the space between those points may only consist of a ¼” stripe of empty page, the reader might discover that they’ve jumped from ancient Rome into a kind of present moment, and a new narrator has replaced another. This kind of juxtaposition has allowed poets to manipulate multiple perspectives, effectively enabling the poem to draw from and speak through (almost simultaneously) any number of subjects. One effect that this kind of practice has had, where a poem does not necessarily have a purpose to announce, is that the poem (and poet) has been able to push back against the reader’s expectations, allowing for a more complicated version of reality to emerge than some thought possible through traditional poetics. In many ways, a significant cross-section of 20th century poetry (often referred to as avant-garde or experimental) has seemed interested in implicating the reader in the construction of the poem’s meaning. This, in addition to the loss of faith in a universal aesthetic, has led to a poetic practice that has been exploring how human experience is an intersection of various—personal, social, historical—trajectories. In many ways, the goal of Auto/Aura hopes to continue that tradition of integrating the reader into the world of the poem. Thematically, the poems here concern themselves with how aspects of power, violence, history, and identity resonate and cycle through time. As I have tried to present these poems, the reader has to relinquish some of their physical control over the text in order to become more fully engaged with what is before them. In asking the reader to sit and track the visuals of “Call and Response”,…

Subjects/Keywords: poetry; video poem; fiber art; installation poem; Digital Humanities; Poetry

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APA (6^th Edition):

Wanzenried, M. (2015). Auto/Aura. (Thesis). Boise State University. Retrieved from https://scholarworks.boisestate.edu/td/898

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Wanzenried, Michael. “Auto/Aura.” 2015. Thesis, Boise State University. Accessed March 03, 2021. https://scholarworks.boisestate.edu/td/898.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Wanzenried, Michael. “Auto/Aura.” 2015. Web. 03 Mar 2021.

Vancouver:

Wanzenried M. Auto/Aura. [Internet] [Thesis]. Boise State University; 2015. [cited 2021 Mar 03]. Available from: https://scholarworks.boisestate.edu/td/898.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wanzenried M. Auto/Aura. [Thesis]. Boise State University; 2015. Available from: https://scholarworks.boisestate.edu/td/898

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. 武琦; WU QI. 城市与文学：唐代长安诗歌研究 = LITERATURE AND THE CITY: A STUDY OF POEMS ON THE ANCIENT TANG CAPITAL, CHANG'AN.

Degree: 2014, National University of Singapore

URL: http://scholarbank.nus.edu.sg/handle/10635/107428

Subjects/Keywords: Chang’an; Literati; Tang Poem; City Poem; Capital Poem

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APA (6^th Edition):

QI, �. W. (2014). 城市与文学：唐代长安诗歌研究 = LITERATURE AND THE CITY: A STUDY OF POEMS ON THE ANCIENT TANG CAPITAL, CHANG'AN. (Thesis). National University of Singapore. Retrieved from http://scholarbank.nus.edu.sg/handle/10635/107428

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

QI, 武琦; WU. “城市与文学：唐代长安诗歌研究 = LITERATURE AND THE CITY: A STUDY OF POEMS ON THE ANCIENT TANG CAPITAL, CHANG'AN.” 2014. Thesis, National University of Singapore. Accessed March 03, 2021. http://scholarbank.nus.edu.sg/handle/10635/107428.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

QI, 武琦; WU. “城市与文学：唐代长安诗歌研究 = LITERATURE AND THE CITY: A STUDY OF POEMS ON THE ANCIENT TANG CAPITAL, CHANG'AN.” 2014. Web. 03 Mar 2021.

Vancouver:

QI �W. 城市与文学：唐代长安诗歌研究 = LITERATURE AND THE CITY: A STUDY OF POEMS ON THE ANCIENT TANG CAPITAL, CHANG'AN. [Internet] [Thesis]. National University of Singapore; 2014. [cited 2021 Mar 03]. Available from: http://scholarbank.nus.edu.sg/handle/10635/107428.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

QI �W. 城市与文学：唐代长安诗歌研究 = LITERATURE AND THE CITY: A STUDY OF POEMS ON THE ANCIENT TANG CAPITAL, CHANG'AN. [Thesis]. National University of Singapore; 2014. Available from: http://scholarbank.nus.edu.sg/handle/10635/107428

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

UCLA

19. Walker, Daniel. Music as Representational Art.

Degree: Music, 2014, UCLA

URL: http://www.escholarship.org/uc/item/1vv9t9pz

► ABSTRACT OF THE DISSERTATIONVolume IMusic as Representational ArtVolume IIAwakeningbyDaniel WalkerDoctor of Philosophy in MusicUniversity of California, Los Angeles, 2014Professor Ian Krouse, ChairThere are two volumes… (more)

▼ ABSTRACT OF THE DISSERTATIONVolume IMusic as Representational ArtVolume IIAwakeningbyDaniel WalkerDoctor of Philosophy in MusicUniversity of California, Los Angeles, 2014Professor Ian Krouse, ChairThere are two volumes to this dissertation; the first is a monograph, and the second is a musical composition, both of which are described below.Volume IMusic is a language that can be used to express a vast range of ideas and emotions. It has been part of the human experience since before recorded history, and has established a unique place in our consciousness, and in our hearts by expressing that which words alone cannot express. My individual interest in the musical language is its use in telling stories, and in particular in the form of composition referred to as program music; music that tells a story on its own without the aid of images, dance or text. The topic of this dissertation follows this line of interest with specific focus on the compositional techniques and creative approach that divide program music across a representational spectrum from literal to abstract. Four paradigms that encompass this spectrum are presented with examples from the orchestral canon to illuminate the paradigm characteristics, and the techniques and creative focus of the music. The paradigms are then used as a prism through which a contemporary case study piece may be examined in detail.The case study piece, Pied Piper Fantasy, Concerto for Flute and Orchestra by John Corigliano (1981), was chosen because it is a late 20th Century work that portrays transparent source material, and for the composer's clarity, and ingenuity in setting the story musically.Two fundamental limitations apply to this dissertation, and to the music chosen for study. First, the music must speak for itself without the aid of text through spoken narration, or sung lyrics. And second, only orchestral works are considered - chamber music and solo instrumental works are not included. The focus of the dissertation is concentrated on story-telling in the language of music, with the full forces of a symphonic orchestra as its voice.The composition that accompanies this monograph is a single movement work for orchestra that portrays an end-of-life metamorphosis; a metamorphosis that strips away a lush exterior to set free the purity, and simplicity that lies within.Volume IIAwakening, is a large scale work for orchestra. It depicts the transition from one form of energy and consciousness to another - from rich experience to simple purity. In my personal view, this is the process that occurs at the end of life, so elements of the piece connect directly to the human experience as life draws to a close.For the journey out of life, I took inspiration from an aspect of eastern belief called Yamantaka. Yamantaka can be thought of as a deity who guides an individual to the final level of consciousness, and Yamantaka also refers to the pathway itself. This particular deity/pathway is the last step out of the repetitive reincarnation cycle of samsara, and therefore…

Subjects/Keywords: Music; musical narrative; program music; symphonic poem

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APA (6^th Edition):

Walker, D. (2014). Music as Representational Art. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/1vv9t9pz

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Walker, Daniel. “Music as Representational Art.” 2014. Thesis, UCLA. Accessed March 03, 2021. http://www.escholarship.org/uc/item/1vv9t9pz.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Walker, Daniel. “Music as Representational Art.” 2014. Web. 03 Mar 2021.

Vancouver:

Walker D. Music as Representational Art. [Internet] [Thesis]. UCLA; 2014. [cited 2021 Mar 03]. Available from: http://www.escholarship.org/uc/item/1vv9t9pz.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walker D. Music as Representational Art. [Thesis]. UCLA; 2014. Available from: http://www.escholarship.org/uc/item/1vv9t9pz

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

San Jose State University

20. Alfaro, Megan Rene Fowler. Depth Charge.

Degree: MFA, English and Comparative Literature, 2018, San Jose State University

URL: https://doi.org/10.31979/etd.369a-a4j3 ; https://scholarworks.sjsu.edu/etd_theses/4960

► Depth Charge is a collection of poetry by Xennial poet Megan Alfaro, whose influences are Anne Sexton, Sylvia Plath, Elizabeth Bishop, and Brigit Pegeen… (more)

Subjects/Keywords: Creative Writing; Literary; Literature; Poem; Poems; Poetry

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APA (6^th Edition):

Alfaro, M. R. F. (2018). Depth Charge. (Thesis). San Jose State University. Retrieved from https://doi.org/10.31979/etd.369a-a4j3 ; https://scholarworks.sjsu.edu/etd_theses/4960

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Alfaro, Megan Rene Fowler. “Depth Charge.” 2018. Thesis, San Jose State University. Accessed March 03, 2021. https://doi.org/10.31979/etd.369a-a4j3 ; https://scholarworks.sjsu.edu/etd_theses/4960.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Alfaro, Megan Rene Fowler. “Depth Charge.” 2018. Web. 03 Mar 2021.

Vancouver:

Alfaro MRF. Depth Charge. [Internet] [Thesis]. San Jose State University; 2018. [cited 2021 Mar 03]. Available from: https://doi.org/10.31979/etd.369a-a4j3 ; https://scholarworks.sjsu.edu/etd_theses/4960.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alfaro MRF. Depth Charge. [Thesis]. San Jose State University; 2018. Available from: https://doi.org/10.31979/etd.369a-a4j3 ; https://scholarworks.sjsu.edu/etd_theses/4960

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Gökçek, Sefa. Kemal Özer’in şiirlerinde insan .

Degree: ESOGÜ, Fen Edebiyat Fakültesi, Türk Dili ve Edebiyatı, 2014, Eskisehir Osmangazi University

URL: http://hdl.handle.net/11684/737

► Yapılan çalışmada İkinci Yeni Dönemi ve Toplumcu Gerçekçi Dönem’de eserler veren Kemal Özer’in şiirlerinde “insan” kavramının ele alınış biçimi incelenmiştir. İkinci Yeni Dönemi’nde Özer’in “insan”ı… (more)

Subjects/Keywords: Kemal Özer; Şiir; İnsan; Poem; Human

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APA (6^th Edition):

Gökçek, S. (2014). Kemal Özer’in şiirlerinde insan . (Thesis). Eskisehir Osmangazi University. Retrieved from http://hdl.handle.net/11684/737

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Gökçek, Sefa. “Kemal Özer’in şiirlerinde insan .” 2014. Thesis, Eskisehir Osmangazi University. Accessed March 03, 2021. http://hdl.handle.net/11684/737.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Gökçek, Sefa. “Kemal Özer’in şiirlerinde insan .” 2014. Web. 03 Mar 2021.

Vancouver:

Gökçek S. Kemal Özer’in şiirlerinde insan . [Internet] [Thesis]. Eskisehir Osmangazi University; 2014. [cited 2021 Mar 03]. Available from: http://hdl.handle.net/11684/737.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gökçek S. Kemal Özer’in şiirlerinde insan . [Thesis]. Eskisehir Osmangazi University; 2014. Available from: http://hdl.handle.net/11684/737

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Mashashetri K. Vidharbhatil Adivasi Lokgeetancha Abhyas;.

Degree: Arts, 2015, Sant Gadge Baba Amravati University

URL: http://shodhganga.inflibnet.ac.in/handle/10603/50063

None newline

Advisors/Committee Members: Mandwakar B.

Subjects/Keywords: Marathi Literature; Poem

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APA (6^th Edition):

K, M. (2015). Vidharbhatil Adivasi Lokgeetancha Abhyas;. (Thesis). Sant Gadge Baba Amravati University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/50063

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

K, Mashashetri. “Vidharbhatil Adivasi Lokgeetancha Abhyas;.” 2015. Thesis, Sant Gadge Baba Amravati University. Accessed March 03, 2021. http://shodhganga.inflibnet.ac.in/handle/10603/50063.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

K, Mashashetri. “Vidharbhatil Adivasi Lokgeetancha Abhyas;.” 2015. Web. 03 Mar 2021.

Vancouver:

K M. Vidharbhatil Adivasi Lokgeetancha Abhyas;. [Internet] [Thesis]. Sant Gadge Baba Amravati University; 2015. [cited 2021 Mar 03]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/50063.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

K M. Vidharbhatil Adivasi Lokgeetancha Abhyas;. [Thesis]. Sant Gadge Baba Amravati University; 2015. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/50063

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Vermont

23. Hall, Alexandria Kathleen. Northeasterners.

Degree: English, 2015, University of Vermont

URL: https://scholarworks.uvm.edu/castheses/13

Northeasterners is a collection of poetry focusing on place and language as they shape identity, particularly with regards to growing up as a young woman in working-class, rural Vermont. Advisors/Committee Members: Major Jackson.

Subjects/Keywords: poetry; lyric; creative; Vermont; prose poem; chapbook

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APA (6^th Edition):

Hall, A. K. (2015). Northeasterners. (Thesis). University of Vermont. Retrieved from https://scholarworks.uvm.edu/castheses/13

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hall, Alexandria Kathleen. “Northeasterners.” 2015. Thesis, University of Vermont. Accessed March 03, 2021. https://scholarworks.uvm.edu/castheses/13.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hall, Alexandria Kathleen. “Northeasterners.” 2015. Web. 03 Mar 2021.

Vancouver:

Hall AK. Northeasterners. [Internet] [Thesis]. University of Vermont; 2015. [cited 2021 Mar 03]. Available from: https://scholarworks.uvm.edu/castheses/13.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hall AK. Northeasterners. [Thesis]. University of Vermont; 2015. Available from: https://scholarworks.uvm.edu/castheses/13

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Louisiana State University

24. Jordon, Tamyka Rochelle. Bratya, A Symphonic Poem.

Degree: MM, Music, 2015, Louisiana State University

URL: etd-11162015-121120 ; https://digitalcommons.lsu.edu/gradschool_theses/4082

► Bratya, ‘brothers’ in Russian, is a tone poem inspired by characters in Dostoevsky’s The Brothers Karamazov. The novel is long, complex, and largely considered the… (more)

▼ Bratya, ‘brothers’ in Russian, is a tone poem inspired by characters in Dostoevsky’s The Brothers Karamazov. The novel is long, complex, and largely considered the author’s magnum opus. I focus on each brother: Dmitri, Ivan, Smerdyakov, and Alexei. Each movement attempts to capture the essence and personality of each brother. The first movement “Mitya”, a nickname for the eldest brother Dmitri, attempts to personify the character’s stormy, passionate nature. His strained relationship with his father, obsession with the siren-like Grushenka, and his general inability to control his emotions are largely to blame for Dmitri’s imprisonment. Specific traits and episodes that inspired Mitya’s include his military experience, the scene where he and Grushenka profess their mutual love, and his arrest for the murder of his father. Because he is a military man and frequent presence at the local bar, I like to imagine a slightly intoxicated Dmitri, dancing and laughing boisterously with his fellow officers, hence the Cossack dance (C-E). On the night of his arrest, Dmitri spots Grushenka and the two commit themselves to each other (E-F). Although Dmitri is innocent, the circumstantial evidence against him is overwhelming and he eventually lands in a labor camp in Siberia(G). The second movement entitled “Ivan” is inspired by Ivan’s atheism, his inability to reconcile his own personal logic and reason with his desire to acknowledge a higher power, and ultimately his descent into madness. Dostoevsky is famous for writing characters who are burdened by guilt, real or imagined. Ivan is no exception. Ivan is horrified to discover Smerdyakov is responsible for the death of their father and that Smerdyakov was able to justify the murder with Ivan’s “there is no god, do what thou wilt” philosophy. On his journey home from that revelation, he manages to convince himself his own guilt is misplaced considering he technically did not do anything (A-E). Ironically, Ivan the atheist hallucinates Lucifer himself is in his bedroom casting him all the blame. This is apparently too much for Ivan who begins to lose touch with reality (E-G). “Smerdyakov” is the title of the third movement and the “illegitimate” brother. He did not grow up with the patriarch Fyodor claiming him but everyone has a sneaking suspicion that he is Fyodor’s child. Smerdyakov’s rumored mother was a mentally challenged village girl cruelly nicknamed “Reeking Lizaveta”. Fyodor is said to have raped her in a drunken stupor and thus came Smerdyakov, which translates to “son of the reeking one”. Fyodor’s two loyal servants take the child in as their own, trying to instill some good in him despite his father. The attempt is fruitless as Smerdyakov is child who likes to feed nails to dogs and hang up dead cats. He also suffers from epilepsy. Smerdyakov, a devoted follower to Ivan, slyly makes certain that Ivan will be absent the night of the murder. He fakes a seizure, sealing his own alibi, and when the coast is clear, commits the murder. Thinking Ivan will be pleased to find…

Subjects/Keywords: orchestra; dostoyevsky; tone poem; karamazov; russian music

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APA (6^th Edition):

Jordon, T. R. (2015). Bratya, A Symphonic Poem. (Masters Thesis). Louisiana State University. Retrieved from etd-11162015-121120 ; https://digitalcommons.lsu.edu/gradschool_theses/4082

Chicago Manual of Style (16^th Edition):

Jordon, Tamyka Rochelle. “Bratya, A Symphonic Poem.” 2015. Masters Thesis, Louisiana State University. Accessed March 03, 2021. etd-11162015-121120 ; https://digitalcommons.lsu.edu/gradschool_theses/4082.

MLA Handbook (7^th Edition):

Jordon, Tamyka Rochelle. “Bratya, A Symphonic Poem.” 2015. Web. 03 Mar 2021.

Vancouver:

Jordon TR. Bratya, A Symphonic Poem. [Internet] [Masters thesis]. Louisiana State University; 2015. [cited 2021 Mar 03]. Available from: etd-11162015-121120 ; https://digitalcommons.lsu.edu/gradschool_theses/4082.

Council of Science Editors:

Jordon TR. Bratya, A Symphonic Poem. [Masters Thesis]. Louisiana State University; 2015. Available from: etd-11162015-121120 ; https://digitalcommons.lsu.edu/gradschool_theses/4082

Montana Tech

25. Willett, Connor D. BEST PLAYED IN E MINOR.

Degree: MFA, 2015, Montana Tech

URL: https://scholarworks.umt.edu/etd/4517

PROOF If celestial bodies belonged to no one, then nature would thrive. The dirt I sleep on is plotted. The river I cannot feel is dammed. I am guilty of sun loving, close to naming it as my own. I am empty irised for now.

Subjects/Keywords: fun; poetry; headcheese; music; murder; poem; Poetry

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APA (6^th Edition):

Willett, C. D. (2015). BEST PLAYED IN E MINOR. (Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/4517

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Willett, Connor D. “BEST PLAYED IN E MINOR.” 2015. Thesis, Montana Tech. Accessed March 03, 2021. https://scholarworks.umt.edu/etd/4517.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Willett, Connor D. “BEST PLAYED IN E MINOR.” 2015. Web. 03 Mar 2021.

Vancouver:

Willett CD. BEST PLAYED IN E MINOR. [Internet] [Thesis]. Montana Tech; 2015. [cited 2021 Mar 03]. Available from: https://scholarworks.umt.edu/etd/4517.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Willett CD. BEST PLAYED IN E MINOR. [Thesis]. Montana Tech; 2015. Available from: https://scholarworks.umt.edu/etd/4517

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Sydney

26. Bell, Gregory Stuart. John Donne: Love and Voices in the Elegies and Songs and Sonnets.

Degree: 2015, University of Sydney

URL: http://hdl.handle.net/2123/15326

► This thesis argues that Donne's Elegies and Songs and Sonnets found a readership trained to appreciate his words. It draws on the work of Wolfgang… (more)

Subjects/Keywords: John Donne; Elegies; Songs; Sonnets; Poetry; Poem

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APA (6^th Edition):

Bell, G. S. (2015). John Donne: Love and Voices in the Elegies and Songs and Sonnets. (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/15326

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bell, Gregory Stuart. “John Donne: Love and Voices in the Elegies and Songs and Sonnets. ” 2015. Thesis, University of Sydney. Accessed March 03, 2021. http://hdl.handle.net/2123/15326.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bell, Gregory Stuart. “John Donne: Love and Voices in the Elegies and Songs and Sonnets. ” 2015. Web. 03 Mar 2021.

Vancouver:

Bell GS. John Donne: Love and Voices in the Elegies and Songs and Sonnets. [Internet] [Thesis]. University of Sydney; 2015. [cited 2021 Mar 03]. Available from: http://hdl.handle.net/2123/15326.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bell GS. John Donne: Love and Voices in the Elegies and Songs and Sonnets. [Thesis]. University of Sydney; 2015. Available from: http://hdl.handle.net/2123/15326

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Miami University

27. Younkin, Christopher Stuart. Origami.

Degree: MA, English, 2013, Miami University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=miami1368116187

► This creative thesis is divided into two parts. The first part, "Origami," features short poems that meditate in the space where the everyday world disrupts… (more)

Subjects/Keywords: Language Arts; poem; poetry; haiku; lyric; narrative

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APA (6^th Edition):

Younkin, C. S. (2013). Origami. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1368116187

Chicago Manual of Style (16^th Edition):

Younkin, Christopher Stuart. “Origami.” 2013. Masters Thesis, Miami University. Accessed March 03, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=miami1368116187.

MLA Handbook (7^th Edition):

Younkin, Christopher Stuart. “Origami.” 2013. Web. 03 Mar 2021.

Vancouver:

Younkin CS. Origami. [Internet] [Masters thesis]. Miami University; 2013. [cited 2021 Mar 03]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1368116187.

Council of Science Editors:

Younkin CS. Origami. [Masters Thesis]. Miami University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1368116187

University of KwaZulu-Natal

28. Xaba, Melusi. Indikimba yokudingiswa ezinkondlweni zikaMazisi Kunene zesiZulu.

Degree: 2018, University of KwaZulu-Natal

URL: http://hdl.handle.net/10413/15913

► Lona ngumsebenzi wocwaningo ohlelwe ngokwalezi zahluko eziyisikhombisa.Ucwaningo olwenziwe kulo msebenzi lumayelana nendikimba yokudingiswa etholakala ezinkondlweni zesiZulu zikaMazisi Kunene. Isahluko sokuqala Kulesi sahluko ilapho kuthulwa khona… (more)

Subjects/Keywords: Zulu poem.; Kunene Mazisi.; Racism.; Exile.; Freedom.

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APA (6^th Edition):

Xaba, M. (2018). Indikimba yokudingiswa ezinkondlweni zikaMazisi Kunene zesiZulu. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/15913

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Xaba, Melusi. “Indikimba yokudingiswa ezinkondlweni zikaMazisi Kunene zesiZulu.” 2018. Thesis, University of KwaZulu-Natal. Accessed March 03, 2021. http://hdl.handle.net/10413/15913.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Xaba, Melusi. “Indikimba yokudingiswa ezinkondlweni zikaMazisi Kunene zesiZulu.” 2018. Web. 03 Mar 2021.

Vancouver:

Xaba M. Indikimba yokudingiswa ezinkondlweni zikaMazisi Kunene zesiZulu. [Internet] [Thesis]. University of KwaZulu-Natal; 2018. [cited 2021 Mar 03]. Available from: http://hdl.handle.net/10413/15913.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Xaba M. Indikimba yokudingiswa ezinkondlweni zikaMazisi Kunene zesiZulu. [Thesis]. University of KwaZulu-Natal; 2018. Available from: http://hdl.handle.net/10413/15913

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Pretoria

29. [No author]. ‘Bamasemola’ : seretotumišo sa E.M. Ramaila .

Degree: 2008, University of Pretoria

URL: http://upetd.up.ac.za/thesis/available/etd-08052008-141944/

► The purpose of this study is to trace and describe the form, origin and history of the praise poem ‘Ba Masemola’. This praise poem was… (more)

▼ The purpose of this study is to trace and describe the form, origin and history of the praise poem ‘Ba Masemola’. This praise poem was included in the volume Seriti sa Thabantsho (1956). In that period, E. M. Ramaila collected and transcribed traditional praise poems of different groups, such as the Bapedi, the Batau, the Mapulana, and others. During his collection, Ramaila urged these groups not to forget their descent and history, and pointed out that these particulars were all brought together in their praise poems. Of the clans that are represented by their praise poems in this volume, only the Batau are discussed in this study. The Batau is a large group that is in its turn divided into five smaller groups, namely the Mphanama, Masemola, Nchabeleng, Makobe and Bakgaditsi groups. From among these smaller units the ‘Ba Masemola’ are selected for closer examination. Among the praise poems about the ‘Ba Masemola’ different kings are praised, for instance Mokwene, Tseke, Mabowe, and others. Not all these poems will be scrutinised, though occasional reference will be made to them. The most important concepts that are discussed in this study are the following: the praise poem, the narrative poem (poem with epic characteristics) and the epic. These genres share certain characteristics, yet also differ from each other. With regards to the content of the poem, several important characters are praised. The foremost figures that are mentioned here are the praise poet, the praised one and the ‘audience’. Their conduct differentiate them from characters found in (other) narratives works. The actions that are described can be divided into two groups, namely those that operate autonomously from other actions, and those that link with other actions. Nevertheless, all these happenings belong to the past. The milieu in this praise poem largely corresponds to that found in the narrative works, mainly because in the traditional settings, the praise poem is a declamatory piece that has several characteristics in common with the stage performance. In the description of the structural composition of this praise poem, a distinction will be made between the poem as literary work and the poem as verse. In the first case the theme, title and structure of the poem will be examined. The description of the structure of ‘Ba Masemola’ entails the different techniques Ramaila employs to carry across his ‘message’ and elucidates his point of view. In the examination of the verse composition, the first emphasis is on metrical principles that govern form, i.e correspondence and co-ordination, and the way in which Ramaila used them is then illuminated. In the stylistic finish of the poem there is a noticeable emotional charge. This can be mentioned as an important quality of the poem, and brings to the fore the bravery and fearlessness of the clan of GaMasemola. Advisors/Committee Members: Prof M J Mojalefa (advisor).

Subjects/Keywords: Correspondence; Structuring techniques; Totem; Descent; Praise poem; Narrative; Epic poem; Epic; Title; Verse composition; Stylistics; Stylistic techniques; UCTD

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APA (6^th Edition):

author], [. (2008). ‘Bamasemola’ : seretotumišo sa E.M. Ramaila . (Masters Thesis). University of Pretoria. Retrieved from http://upetd.up.ac.za/thesis/available/etd-08052008-141944/

Chicago Manual of Style (16^th Edition):

author], [No. “‘Bamasemola’ : seretotumišo sa E.M. Ramaila .” 2008. Masters Thesis, University of Pretoria. Accessed March 03, 2021. http://upetd.up.ac.za/thesis/available/etd-08052008-141944/.

MLA Handbook (7^th Edition):

author], [No. “‘Bamasemola’ : seretotumišo sa E.M. Ramaila .” 2008. Web. 03 Mar 2021.

Vancouver:

author] [. ‘Bamasemola’ : seretotumišo sa E.M. Ramaila . [Internet] [Masters thesis]. University of Pretoria; 2008. [cited 2021 Mar 03]. Available from: http://upetd.up.ac.za/thesis/available/etd-08052008-141944/.

Council of Science Editors:

author] [. ‘Bamasemola’ : seretotumišo sa E.M. Ramaila . [Masters Thesis]. University of Pretoria; 2008. Available from: http://upetd.up.ac.za/thesis/available/etd-08052008-141944/

30. Das, Mousumi. Unis sataker bangla akhyan kabye itihas o purankathar punarnirman; Ekti adhyayan.

Degree: 2015, Assam University

URL: http://shodhganga.inflibnet.ac.in/handle/10603/36344

newline

Poem of Rangalal Bandhopadhayaya, Poem of Madhusudan Dutta

Advisors/Committee Members: Bhattacharjee, Tapodhir.

Subjects/Keywords: Poem of Rangalal Bandhopadhayaya; Poem of Madhusudan Dutta

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APA (6^th Edition):

Das, M. (2015). Unis sataker bangla akhyan kabye itihas o purankathar punarnirman; Ekti adhyayan. (Thesis). Assam University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/36344

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Das, Mousumi. “Unis sataker bangla akhyan kabye itihas o purankathar punarnirman; Ekti adhyayan.” 2015. Thesis, Assam University. Accessed March 03, 2021. http://shodhganga.inflibnet.ac.in/handle/10603/36344.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Das, Mousumi. “Unis sataker bangla akhyan kabye itihas o purankathar punarnirman; Ekti adhyayan.” 2015. Web. 03 Mar 2021.

Vancouver:

Das M. Unis sataker bangla akhyan kabye itihas o purankathar punarnirman; Ekti adhyayan. [Internet] [Thesis]. Assam University; 2015. [cited 2021 Mar 03]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/36344.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Das M. Unis sataker bangla akhyan kabye itihas o purankathar punarnirman; Ekti adhyayan. [Thesis]. Assam University; 2015. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/36344

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Open Access Theses and Dissertations