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You searched for subject:(Piano music Analysis appreciation ). Showing records 1 – 30 of 109257 total matches.

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University of Oklahoma

1. Joly, Luciana Carina. Selections from Almeida Prado's Jardim Sonoro: A Critical Edition for Pianists and Teachers.

Degree: DMA, 2011, University of Oklahoma

 The information provided through the close examination of these pieces contributes to the accessibility of Prado's music for piano teachers and pianists interested in broadening… (more)

Subjects/Keywords: Piano music – Analysis; appreciation

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APA (6th Edition):

Joly, L. C. (2011). Selections from Almeida Prado's Jardim Sonoro: A Critical Edition for Pianists and Teachers. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/318732

Chicago Manual of Style (16th Edition):

Joly, Luciana Carina. “Selections from Almeida Prado's Jardim Sonoro: A Critical Edition for Pianists and Teachers.” 2011. Doctoral Dissertation, University of Oklahoma. Accessed October 23, 2019. http://hdl.handle.net/11244/318732.

MLA Handbook (7th Edition):

Joly, Luciana Carina. “Selections from Almeida Prado's Jardim Sonoro: A Critical Edition for Pianists and Teachers.” 2011. Web. 23 Oct 2019.

Vancouver:

Joly LC. Selections from Almeida Prado's Jardim Sonoro: A Critical Edition for Pianists and Teachers. [Internet] [Doctoral dissertation]. University of Oklahoma; 2011. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/11244/318732.

Council of Science Editors:

Joly LC. Selections from Almeida Prado's Jardim Sonoro: A Critical Edition for Pianists and Teachers. [Doctoral Dissertation]. University of Oklahoma; 2011. Available from: http://hdl.handle.net/11244/318732


University of Oklahoma

2. Biggs, Nicole Elizabeth. Howard Ferguson's Contributions to Piano Literature and Pedagogy.

Degree: DMA, 2011, University of Oklahoma

 Conclusions of this document indicate that: (1) Ferguson's solo piano compositions are of a high quality and bolster twentieth-century piano repertoire, and (2) his written… (more)

Subjects/Keywords: Piano music – Analysis; appreciation

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APA (6th Edition):

Biggs, N. E. (2011). Howard Ferguson's Contributions to Piano Literature and Pedagogy. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/319066

Chicago Manual of Style (16th Edition):

Biggs, Nicole Elizabeth. “Howard Ferguson's Contributions to Piano Literature and Pedagogy.” 2011. Doctoral Dissertation, University of Oklahoma. Accessed October 23, 2019. http://hdl.handle.net/11244/319066.

MLA Handbook (7th Edition):

Biggs, Nicole Elizabeth. “Howard Ferguson's Contributions to Piano Literature and Pedagogy.” 2011. Web. 23 Oct 2019.

Vancouver:

Biggs NE. Howard Ferguson's Contributions to Piano Literature and Pedagogy. [Internet] [Doctoral dissertation]. University of Oklahoma; 2011. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/11244/319066.

Council of Science Editors:

Biggs NE. Howard Ferguson's Contributions to Piano Literature and Pedagogy. [Doctoral Dissertation]. University of Oklahoma; 2011. Available from: http://hdl.handle.net/11244/319066


University of Oklahoma

3. Downs, Leslie. SPANISH DANCES AND THE PIANO MUSIC OF ALBÉNIZ, GRANADOS, FALLA, TURINA, AND MOMPOU.

Degree: DMA, 2010, University of Oklahoma

 The goal of this text is to provide pianists who are interested in the Spanish repertoire with a reference manual that offers a brief history… (more)

Subjects/Keywords: Piano music – Analysis, appreciation; Piano music – Spain; Dance music – Spain

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APA (6th Edition):

Downs, L. (2010). SPANISH DANCES AND THE PIANO MUSIC OF ALBÉNIZ, GRANADOS, FALLA, TURINA, AND MOMPOU. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/319023

Chicago Manual of Style (16th Edition):

Downs, Leslie. “SPANISH DANCES AND THE PIANO MUSIC OF ALBÉNIZ, GRANADOS, FALLA, TURINA, AND MOMPOU.” 2010. Doctoral Dissertation, University of Oklahoma. Accessed October 23, 2019. http://hdl.handle.net/11244/319023.

MLA Handbook (7th Edition):

Downs, Leslie. “SPANISH DANCES AND THE PIANO MUSIC OF ALBÉNIZ, GRANADOS, FALLA, TURINA, AND MOMPOU.” 2010. Web. 23 Oct 2019.

Vancouver:

Downs L. SPANISH DANCES AND THE PIANO MUSIC OF ALBÉNIZ, GRANADOS, FALLA, TURINA, AND MOMPOU. [Internet] [Doctoral dissertation]. University of Oklahoma; 2010. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/11244/319023.

Council of Science Editors:

Downs L. SPANISH DANCES AND THE PIANO MUSIC OF ALBÉNIZ, GRANADOS, FALLA, TURINA, AND MOMPOU. [Doctoral Dissertation]. University of Oklahoma; 2010. Available from: http://hdl.handle.net/11244/319023


University of North Carolina – Greensboro

4. Seyfried, Daniel S. Forging a performance practice for Debussy’s Douze Études: a historical and analytical approach.

Degree: 2017, University of North Carolina – Greensboro

 This document integrates discussions of historical and analytical findings to support a performance practice surrounding Debussy’s Douze Études (1915). Historical observations are used to build… (more)

Subjects/Keywords: Debussy, Claude, – 1862-1918. – Etudes, – piano; Piano music – Analysis, appreciation

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APA (6th Edition):

Seyfried, D. S. (2017). Forging a performance practice for Debussy’s Douze Études: a historical and analytical approach. (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21969

Chicago Manual of Style (16th Edition):

Seyfried, Daniel S. “Forging a performance practice for Debussy’s Douze Études: a historical and analytical approach.” 2017. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed October 23, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21969.

MLA Handbook (7th Edition):

Seyfried, Daniel S. “Forging a performance practice for Debussy’s Douze Études: a historical and analytical approach.” 2017. Web. 23 Oct 2019.

Vancouver:

Seyfried DS. Forging a performance practice for Debussy’s Douze Études: a historical and analytical approach. [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2017. [cited 2019 Oct 23]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21969.

Council of Science Editors:

Seyfried DS. Forging a performance practice for Debussy’s Douze Études: a historical and analytical approach. [Doctoral Dissertation]. University of North Carolina – Greensboro; 2017. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21969


University of Oklahoma

5. Leung, Adelaide. Samuel Barber's Souvenirs: A Comparative Study of the Solo, Duet, and Orchestral Versions.

Degree: DMA, 2010, University of Oklahoma

 Souvenirs is one of Samuel Barber\'s least known piano works despite possessing many of the trademark elements – beautiful melodies, elegance, compositional variety, and emotional appeal –… (more)

Subjects/Keywords: Piano music – Analysis, appreciation; Piano music – Interpretation (Phrasing, dynamics, etc.); Musical analysis

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APA (6th Edition):

Leung, A. (2010). Samuel Barber's Souvenirs: A Comparative Study of the Solo, Duet, and Orchestral Versions. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/320314

Chicago Manual of Style (16th Edition):

Leung, Adelaide. “Samuel Barber's Souvenirs: A Comparative Study of the Solo, Duet, and Orchestral Versions.” 2010. Doctoral Dissertation, University of Oklahoma. Accessed October 23, 2019. http://hdl.handle.net/11244/320314.

MLA Handbook (7th Edition):

Leung, Adelaide. “Samuel Barber's Souvenirs: A Comparative Study of the Solo, Duet, and Orchestral Versions.” 2010. Web. 23 Oct 2019.

Vancouver:

Leung A. Samuel Barber's Souvenirs: A Comparative Study of the Solo, Duet, and Orchestral Versions. [Internet] [Doctoral dissertation]. University of Oklahoma; 2010. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/11244/320314.

Council of Science Editors:

Leung A. Samuel Barber's Souvenirs: A Comparative Study of the Solo, Duet, and Orchestral Versions. [Doctoral Dissertation]. University of Oklahoma; 2010. Available from: http://hdl.handle.net/11244/320314


University of Hong Kong

6. 黃學慧.; Wong, Hock-wei, Wendy. Containing the German within: the unpublishedpiano works of Dohnanyi Erno.

Degree: M. Phil., 2006, University of Hong Kong

published_or_final_version

abstract

Music

Master

Master of Philosophy

Subjects/Keywords: Piano music - Analysis; appreciation.

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APA (6th Edition):

黃學慧.; Wong, Hock-wei, W. (2006). Containing the German within: the unpublishedpiano works of Dohnanyi Erno. (Masters Thesis). University of Hong Kong. Retrieved from Wong, H. W. [黃學慧]. (2006). Containing the German within : the unpublished piano works of Dohnanyi Erno. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3736688 ; http://dx.doi.org/10.5353/th_b3736688 ; http://hdl.handle.net/10722/52176

Chicago Manual of Style (16th Edition):

黃學慧.; Wong, Hock-wei, Wendy. “Containing the German within: the unpublishedpiano works of Dohnanyi Erno.” 2006. Masters Thesis, University of Hong Kong. Accessed October 23, 2019. Wong, H. W. [黃學慧]. (2006). Containing the German within : the unpublished piano works of Dohnanyi Erno. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3736688 ; http://dx.doi.org/10.5353/th_b3736688 ; http://hdl.handle.net/10722/52176.

MLA Handbook (7th Edition):

黃學慧.; Wong, Hock-wei, Wendy. “Containing the German within: the unpublishedpiano works of Dohnanyi Erno.” 2006. Web. 23 Oct 2019.

Vancouver:

黃學慧.; Wong, Hock-wei W. Containing the German within: the unpublishedpiano works of Dohnanyi Erno. [Internet] [Masters thesis]. University of Hong Kong; 2006. [cited 2019 Oct 23]. Available from: Wong, H. W. [黃學慧]. (2006). Containing the German within : the unpublished piano works of Dohnanyi Erno. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3736688 ; http://dx.doi.org/10.5353/th_b3736688 ; http://hdl.handle.net/10722/52176.

Council of Science Editors:

黃學慧.; Wong, Hock-wei W. Containing the German within: the unpublishedpiano works of Dohnanyi Erno. [Masters Thesis]. University of Hong Kong; 2006. Available from: Wong, H. W. [黃學慧]. (2006). Containing the German within : the unpublished piano works of Dohnanyi Erno. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3736688 ; http://dx.doi.org/10.5353/th_b3736688 ; http://hdl.handle.net/10722/52176


Kansas State University

7. Freitag, Deanna. A recital.

Degree: 1980, Kansas State University

Subjects/Keywords: Piano music – Analysis; appreciation

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APA (6th Edition):

Freitag, D. (1980). A recital. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/9419

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Freitag, Deanna. “A recital.” 1980. Thesis, Kansas State University. Accessed October 23, 2019. http://hdl.handle.net/2097/9419.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Freitag, Deanna. “A recital.” 1980. Web. 23 Oct 2019.

Vancouver:

Freitag D. A recital. [Internet] [Thesis]. Kansas State University; 1980. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/2097/9419.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Freitag D. A recital. [Thesis]. Kansas State University; 1980. Available from: http://hdl.handle.net/2097/9419

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kansas State University

8. Mueller, Joan R. A recital.

Degree: 1981, Kansas State University

Subjects/Keywords: Piano music – Analysis; appreciation

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APA (6th Edition):

Mueller, J. R. (1981). A recital. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/9516

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mueller, Joan R. “A recital.” 1981. Thesis, Kansas State University. Accessed October 23, 2019. http://hdl.handle.net/2097/9516.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mueller, Joan R. “A recital.” 1981. Web. 23 Oct 2019.

Vancouver:

Mueller JR. A recital. [Internet] [Thesis]. Kansas State University; 1981. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/2097/9516.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mueller JR. A recital. [Thesis]. Kansas State University; 1981. Available from: http://hdl.handle.net/2097/9516

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kansas State University

9. Torkelson, Suzanne K. A recital.

Degree: 1981, Kansas State University

Subjects/Keywords: Piano music – Analysis; appreciation

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APA (6th Edition):

Torkelson, S. K. (1981). A recital. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/9542

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Torkelson, Suzanne K. “A recital.” 1981. Thesis, Kansas State University. Accessed October 23, 2019. http://hdl.handle.net/2097/9542.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Torkelson, Suzanne K. “A recital.” 1981. Web. 23 Oct 2019.

Vancouver:

Torkelson SK. A recital. [Internet] [Thesis]. Kansas State University; 1981. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/2097/9542.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Torkelson SK. A recital. [Thesis]. Kansas State University; 1981. Available from: http://hdl.handle.net/2097/9542

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Carolina – Greensboro

10. Allred, Karen A. Sergei Lyapunov's Preludes for solo piano, Op. 6 : an analysis for performance.

Degree: 2007, University of North Carolina – Greensboro

 "The purpose of this study is to provide a performer's guide and an analysis of Lyapunov's Op. 6 Preludes, thereby contributing to the achievement of… (more)

Subjects/Keywords: Piano music – Analysis; appreciation

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APA (6th Edition):

Allred, K. A. (2007). Sergei Lyapunov's Preludes for solo piano, Op. 6 : an analysis for performance. (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1081

Chicago Manual of Style (16th Edition):

Allred, Karen A. “Sergei Lyapunov's Preludes for solo piano, Op. 6 : an analysis for performance.” 2007. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed October 23, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1081.

MLA Handbook (7th Edition):

Allred, Karen A. “Sergei Lyapunov's Preludes for solo piano, Op. 6 : an analysis for performance.” 2007. Web. 23 Oct 2019.

Vancouver:

Allred KA. Sergei Lyapunov's Preludes for solo piano, Op. 6 : an analysis for performance. [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2007. [cited 2019 Oct 23]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1081.

Council of Science Editors:

Allred KA. Sergei Lyapunov's Preludes for solo piano, Op. 6 : an analysis for performance. [Doctoral Dissertation]. University of North Carolina – Greensboro; 2007. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1081


McGill University

11. Peletsis, Anna. Piano Music of Georgs Pelēcis : a study of selected works.

Degree: Doctor of Music, Schulich School of Music, 2017, McGill University

Note:

This paper discusses three works for piano by the Latvian composer Georgs Pelecis: Prelude in F major from Descendente per Tertias (2008), Marche funèbre… (more)

Subjects/Keywords: Pelēcis, Georgs, 1947-  – Piano music.; Pelēcis, Georgs, 1947-  – Criticism and interpretation.; Piano music  – Analysis, appreciation.; Piano  – Performance.; Academic theses.

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APA (6th Edition):

Peletsis, A. (2017). Piano Music of Georgs Pelēcis : a study of selected works. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile151824.pdf

Chicago Manual of Style (16th Edition):

Peletsis, Anna. “Piano Music of Georgs Pelēcis : a study of selected works.” 2017. Doctoral Dissertation, McGill University. Accessed October 23, 2019. http://digitool.library.mcgill.ca/thesisfile151824.pdf.

MLA Handbook (7th Edition):

Peletsis, Anna. “Piano Music of Georgs Pelēcis : a study of selected works.” 2017. Web. 23 Oct 2019.

Vancouver:

Peletsis A. Piano Music of Georgs Pelēcis : a study of selected works. [Internet] [Doctoral dissertation]. McGill University; 2017. [cited 2019 Oct 23]. Available from: http://digitool.library.mcgill.ca/thesisfile151824.pdf.

Council of Science Editors:

Peletsis A. Piano Music of Georgs Pelēcis : a study of selected works. [Doctoral Dissertation]. McGill University; 2017. Available from: http://digitool.library.mcgill.ca/thesisfile151824.pdf


Michigan State University

12. Armstrong, Stephen Samuel. Liszt, his scholars, and the B-minor Ballade : a study of textural transformation.

Degree: 2014, Michigan State University

Thesis M.A. Michigan State University. Musicology 2014.

Franz Liszt (1811-1886) has long been valued as a colorful and controversial figure in nineteenth-century music, but the… (more)

Subjects/Keywords: Liszt, Franz, 1811-1886. Ballades, piano, no. 2, B minor; Liszt, Franz, 1811-1886 – Criticism and interpretation; Ballades (Instrumental music) – Analysis, appreciation; Piano music – Analysis, appreciation; Musical analysis; Music

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APA (6th Edition):

Armstrong, S. S. (2014). Liszt, his scholars, and the B-minor Ballade : a study of textural transformation. (Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:2739

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Armstrong, Stephen Samuel. “Liszt, his scholars, and the B-minor Ballade : a study of textural transformation.” 2014. Thesis, Michigan State University. Accessed October 23, 2019. http://etd.lib.msu.edu/islandora/object/etd:2739.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Armstrong, Stephen Samuel. “Liszt, his scholars, and the B-minor Ballade : a study of textural transformation.” 2014. Web. 23 Oct 2019.

Vancouver:

Armstrong SS. Liszt, his scholars, and the B-minor Ballade : a study of textural transformation. [Internet] [Thesis]. Michigan State University; 2014. [cited 2019 Oct 23]. Available from: http://etd.lib.msu.edu/islandora/object/etd:2739.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Armstrong SS. Liszt, his scholars, and the B-minor Ballade : a study of textural transformation. [Thesis]. Michigan State University; 2014. Available from: http://etd.lib.msu.edu/islandora/object/etd:2739

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

13. Stravinsky, Igor. The rite of spring : an original piano transcription of Stravinsky's 1913 ballet with annotations and historical notes.

Degree: Music, 2011, University of California – San Diego

 Despite a century of notoriety and several published solo piano arrangements, The rite of spring remains relatively unperformed as a piano piece. Though a number… (more)

Subjects/Keywords: Stravinsky, Igor 1882-1971. appreciation Analysis; Piano music Arranged; Arranged Ballets; Arrangement (Music)

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APA (6th Edition):

Stravinsky, I. (2011). The rite of spring : an original piano transcription of Stravinsky's 1913 ballet with annotations and historical notes. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/6fk7s71w

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stravinsky, Igor. “The rite of spring : an original piano transcription of Stravinsky's 1913 ballet with annotations and historical notes.” 2011. Thesis, University of California – San Diego. Accessed October 23, 2019. http://www.escholarship.org/uc/item/6fk7s71w.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stravinsky, Igor. “The rite of spring : an original piano transcription of Stravinsky's 1913 ballet with annotations and historical notes.” 2011. Web. 23 Oct 2019.

Vancouver:

Stravinsky I. The rite of spring : an original piano transcription of Stravinsky's 1913 ballet with annotations and historical notes. [Internet] [Thesis]. University of California – San Diego; 2011. [cited 2019 Oct 23]. Available from: http://www.escholarship.org/uc/item/6fk7s71w.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stravinsky I. The rite of spring : an original piano transcription of Stravinsky's 1913 ballet with annotations and historical notes. [Thesis]. University of California – San Diego; 2011. Available from: http://www.escholarship.org/uc/item/6fk7s71w

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of British Columbia

14. Silvester , Trudy Helen. comparative study of selected Twentieth-century piano works involving the elements of chance and indeterminacy.

Degree: 1971, University of British Columbia

 A study of selected chance and indeterminate piano pieces was made with a two-fold purpose: (1) to provide an intermediate stage between the composition and… (more)

Subjects/Keywords: Aleatory music; Piano music  – Analysis , appreciation.

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APA (6th Edition):

Silvester , T. H. (1971). comparative study of selected Twentieth-century piano works involving the elements of chance and indeterminacy. (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/33656

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Silvester , Trudy Helen. “comparative study of selected Twentieth-century piano works involving the elements of chance and indeterminacy. ” 1971. Thesis, University of British Columbia. Accessed October 23, 2019. http://hdl.handle.net/2429/33656.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Silvester , Trudy Helen. “comparative study of selected Twentieth-century piano works involving the elements of chance and indeterminacy. ” 1971. Web. 23 Oct 2019.

Vancouver:

Silvester TH. comparative study of selected Twentieth-century piano works involving the elements of chance and indeterminacy. [Internet] [Thesis]. University of British Columbia; 1971. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/2429/33656.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Silvester TH. comparative study of selected Twentieth-century piano works involving the elements of chance and indeterminacy. [Thesis]. University of British Columbia; 1971. Available from: http://hdl.handle.net/2429/33656

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

15. Thys, Marcelo. Almeida Prado and his extramusical inspirations : a study focused on selected piano works.

Degree: Doctor of Music. Performance Studies., Schulich School of Music., 2015, McGill University

Note:

This paper discusses works by Brazilian composer Almeida Prado that use different types of extramusical inspirations: Cartas Celestes Volume III, Poesilúdios (n. 2, 4,… (more)

Subjects/Keywords: Prado, Almeida.; Music  – 20th century  – History and criticism.; Piano music  – Analysis, appreciation.

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APA (6th Edition):

Thys, M. (2015). Almeida Prado and his extramusical inspirations : a study focused on selected piano works. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile137732.pdf

Chicago Manual of Style (16th Edition):

Thys, Marcelo. “Almeida Prado and his extramusical inspirations : a study focused on selected piano works.” 2015. Doctoral Dissertation, McGill University. Accessed October 23, 2019. http://digitool.library.mcgill.ca/thesisfile137732.pdf.

MLA Handbook (7th Edition):

Thys, Marcelo. “Almeida Prado and his extramusical inspirations : a study focused on selected piano works.” 2015. Web. 23 Oct 2019.

Vancouver:

Thys M. Almeida Prado and his extramusical inspirations : a study focused on selected piano works. [Internet] [Doctoral dissertation]. McGill University; 2015. [cited 2019 Oct 23]. Available from: http://digitool.library.mcgill.ca/thesisfile137732.pdf.

Council of Science Editors:

Thys M. Almeida Prado and his extramusical inspirations : a study focused on selected piano works. [Doctoral Dissertation]. McGill University; 2015. Available from: http://digitool.library.mcgill.ca/thesisfile137732.pdf


McGill University

16. Chaulk, Jeremy. Kaikhosru Shapurji Sorabji's Toccata Seconda.

Degree: Doctor of Music, Schulich School of Music, 2015, McGill University

Note:

The Toccata Seconda occupies a unique place in Sorabji’s oeuvre: it was written on the cusp of his mature language, and was also the… (more)

Subjects/Keywords: Sorabji, Kaikhosru Shapurji, 1892-1988. Toccatas, piano, no. 2.; Piano music  – Analysis, appreciation.; Music  – 20th century.

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APA (6th Edition):

Chaulk, J. (2015). Kaikhosru Shapurji Sorabji's Toccata Seconda. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile137512.pdf

Chicago Manual of Style (16th Edition):

Chaulk, Jeremy. “Kaikhosru Shapurji Sorabji's Toccata Seconda.” 2015. Doctoral Dissertation, McGill University. Accessed October 23, 2019. http://digitool.library.mcgill.ca/thesisfile137512.pdf.

MLA Handbook (7th Edition):

Chaulk, Jeremy. “Kaikhosru Shapurji Sorabji's Toccata Seconda.” 2015. Web. 23 Oct 2019.

Vancouver:

Chaulk J. Kaikhosru Shapurji Sorabji's Toccata Seconda. [Internet] [Doctoral dissertation]. McGill University; 2015. [cited 2019 Oct 23]. Available from: http://digitool.library.mcgill.ca/thesisfile137512.pdf.

Council of Science Editors:

Chaulk J. Kaikhosru Shapurji Sorabji's Toccata Seconda. [Doctoral Dissertation]. McGill University; 2015. Available from: http://digitool.library.mcgill.ca/thesisfile137512.pdf


University of Oklahoma

17. Hoepfner, Gregory F. F. Abditory: A piano concerto.

Degree: DMA, School of Music, 1997, University of Oklahoma

 This document contains the complete musical score of the piano concerto entitled Abditory. In addition to providing a copy of the full score as an… (more)

Subjects/Keywords: Concertos (Piano) Scores.; Music.; Concertos (Piano) Analysis, appreciation.

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APA (6th Edition):

Hoepfner, G. F. F. (1997). Abditory: A piano concerto. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/5503

Chicago Manual of Style (16th Edition):

Hoepfner, Gregory F F. “Abditory: A piano concerto.” 1997. Doctoral Dissertation, University of Oklahoma. Accessed October 23, 2019. http://hdl.handle.net/11244/5503.

MLA Handbook (7th Edition):

Hoepfner, Gregory F F. “Abditory: A piano concerto.” 1997. Web. 23 Oct 2019.

Vancouver:

Hoepfner GFF. Abditory: A piano concerto. [Internet] [Doctoral dissertation]. University of Oklahoma; 1997. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/11244/5503.

Council of Science Editors:

Hoepfner GFF. Abditory: A piano concerto. [Doctoral Dissertation]. University of Oklahoma; 1997. Available from: http://hdl.handle.net/11244/5503


University of Alberta

18. Chu, Esther Yu-Hui. On the musical silk route: piano music of Alexina Louie.

Degree: Doctor of Music, Department of Music, 1997, University of Alberta

Subjects/Keywords: Piano music – Analysis, appreciation.; Piano music – Chinese influences.; Louie, Alexina, 1949-  – Piano music.

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APA (6th Edition):

Chu, E. Y. (1997). On the musical silk route: piano music of Alexina Louie. (Doctoral Dissertation). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/zk51vj40c

Chicago Manual of Style (16th Edition):

Chu, Esther Yu-Hui. “On the musical silk route: piano music of Alexina Louie.” 1997. Doctoral Dissertation, University of Alberta. Accessed October 23, 2019. https://era.library.ualberta.ca/files/zk51vj40c.

MLA Handbook (7th Edition):

Chu, Esther Yu-Hui. “On the musical silk route: piano music of Alexina Louie.” 1997. Web. 23 Oct 2019.

Vancouver:

Chu EY. On the musical silk route: piano music of Alexina Louie. [Internet] [Doctoral dissertation]. University of Alberta; 1997. [cited 2019 Oct 23]. Available from: https://era.library.ualberta.ca/files/zk51vj40c.

Council of Science Editors:

Chu EY. On the musical silk route: piano music of Alexina Louie. [Doctoral Dissertation]. University of Alberta; 1997. Available from: https://era.library.ualberta.ca/files/zk51vj40c


University of Oklahoma

19. Soo, Rosalyn Wai-yan. Selected intermediate to early-advanced works for piano solo by Violet Balestreri Archer: An analysis for teaching and performance.

Degree: DMA, School of Music, 1997, University of Oklahoma

 Furthermore, each of the four analytical chapters features teaching and performance suggestions, with attention to pianistic and technical aspects for practice, teaching, and performance. The… (more)

Subjects/Keywords: Piano music Analysis, appreciation.; Music.; Archer, Violet. Piano music.; Education, Music.

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APA (6th Edition):

Soo, R. W. (1997). Selected intermediate to early-advanced works for piano solo by Violet Balestreri Archer: An analysis for teaching and performance. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/5437

Chicago Manual of Style (16th Edition):

Soo, Rosalyn Wai-yan. “Selected intermediate to early-advanced works for piano solo by Violet Balestreri Archer: An analysis for teaching and performance.” 1997. Doctoral Dissertation, University of Oklahoma. Accessed October 23, 2019. http://hdl.handle.net/11244/5437.

MLA Handbook (7th Edition):

Soo, Rosalyn Wai-yan. “Selected intermediate to early-advanced works for piano solo by Violet Balestreri Archer: An analysis for teaching and performance.” 1997. Web. 23 Oct 2019.

Vancouver:

Soo RW. Selected intermediate to early-advanced works for piano solo by Violet Balestreri Archer: An analysis for teaching and performance. [Internet] [Doctoral dissertation]. University of Oklahoma; 1997. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/11244/5437.

Council of Science Editors:

Soo RW. Selected intermediate to early-advanced works for piano solo by Violet Balestreri Archer: An analysis for teaching and performance. [Doctoral Dissertation]. University of Oklahoma; 1997. Available from: http://hdl.handle.net/11244/5437


Rhodes University

20. Du Plessis, Jacques. Analysing from experience : Gustav Mahler’s Quartetsatz for piano and strings.

Degree: M.Mus., Faculty of Humanities, Music and Musicology, 2015, Rhodes University

 Musical analysis has traditionally been located within the context of musicology. It is therefore an activity usually considered the purview of music scholars rather than… (more)

Subjects/Keywords: Mahler, Gustav, 1860-1911.  – Quartet, piano, violin, viola, cello, A minor; Musical analysis; Music appreciation; Phenomenology and music

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APA (6th Edition):

Du Plessis, J. (2015). Analysing from experience : Gustav Mahler’s Quartetsatz for piano and strings. (Masters Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1017818

Chicago Manual of Style (16th Edition):

Du Plessis, Jacques. “Analysing from experience : Gustav Mahler’s Quartetsatz for piano and strings.” 2015. Masters Thesis, Rhodes University. Accessed October 23, 2019. http://hdl.handle.net/10962/d1017818.

MLA Handbook (7th Edition):

Du Plessis, Jacques. “Analysing from experience : Gustav Mahler’s Quartetsatz for piano and strings.” 2015. Web. 23 Oct 2019.

Vancouver:

Du Plessis J. Analysing from experience : Gustav Mahler’s Quartetsatz for piano and strings. [Internet] [Masters thesis]. Rhodes University; 2015. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/10962/d1017818.

Council of Science Editors:

Du Plessis J. Analysing from experience : Gustav Mahler’s Quartetsatz for piano and strings. [Masters Thesis]. Rhodes University; 2015. Available from: http://hdl.handle.net/10962/d1017818


University of Oklahoma

21. Whitmore, Keith. The piano music of Percy Grainger: An analysis of ten original works.

Degree: DMA, School of Music, 2004, University of Oklahoma

 Percy Grainger (1882 – 1961) was a very popular pianist and composer at the turn of the twentieth century. He was born in Australia, studied in… (more)

Subjects/Keywords: Grainger, Percy, 1882-1961.; Piano music Analysis, appreciation.; Music.

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APA (6th Edition):

Whitmore, K. (2004). The piano music of Percy Grainger: An analysis of ten original works. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/755

Chicago Manual of Style (16th Edition):

Whitmore, Keith. “The piano music of Percy Grainger: An analysis of ten original works.” 2004. Doctoral Dissertation, University of Oklahoma. Accessed October 23, 2019. http://hdl.handle.net/11244/755.

MLA Handbook (7th Edition):

Whitmore, Keith. “The piano music of Percy Grainger: An analysis of ten original works.” 2004. Web. 23 Oct 2019.

Vancouver:

Whitmore K. The piano music of Percy Grainger: An analysis of ten original works. [Internet] [Doctoral dissertation]. University of Oklahoma; 2004. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/11244/755.

Council of Science Editors:

Whitmore K. The piano music of Percy Grainger: An analysis of ten original works. [Doctoral Dissertation]. University of Oklahoma; 2004. Available from: http://hdl.handle.net/11244/755


McGill University

22. Loftus, Gili. À la Clara: Recapturing Clara Wieck-Schumann’s Transitional Pianism.

Degree: Doctor of Music. Performance Studies., Schulich School of Music, 2017, McGill University

Note:

Clara Schumann was a highly creative and entrepreneurial musician, a performer who from an early age learned how to assume control of her performing… (more)

Subjects/Keywords: Schumann, Clara, 1819-1896  – Criticism and interpretation.; Piano music  – Analysis, appreciation.; Music  – Germany  – History and criticism  – 19th century.; Academic theses.

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APA (6th Edition):

Loftus, G. (2017). À la Clara: Recapturing Clara Wieck-Schumann’s Transitional Pianism. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile149269.pdf

Chicago Manual of Style (16th Edition):

Loftus, Gili. “À la Clara: Recapturing Clara Wieck-Schumann’s Transitional Pianism.” 2017. Doctoral Dissertation, McGill University. Accessed October 23, 2019. http://digitool.library.mcgill.ca/thesisfile149269.pdf.

MLA Handbook (7th Edition):

Loftus, Gili. “À la Clara: Recapturing Clara Wieck-Schumann’s Transitional Pianism.” 2017. Web. 23 Oct 2019.

Vancouver:

Loftus G. À la Clara: Recapturing Clara Wieck-Schumann’s Transitional Pianism. [Internet] [Doctoral dissertation]. McGill University; 2017. [cited 2019 Oct 23]. Available from: http://digitool.library.mcgill.ca/thesisfile149269.pdf.

Council of Science Editors:

Loftus G. À la Clara: Recapturing Clara Wieck-Schumann’s Transitional Pianism. [Doctoral Dissertation]. McGill University; 2017. Available from: http://digitool.library.mcgill.ca/thesisfile149269.pdf


McGill University

23. Vromet, Jonathan. L’application des principes pianistiques à l’orgue.

Degree: Doctor of Music. Performance Studies., Schulich School of Music, 2017, McGill University

Note:

The goal of this project examined how different parameters of pianistic technique can be useful in organ playing. Since the second half of the… (more)

Subjects/Keywords: Ligeti, György, 1923-2006. Etudes, organ, no. 2.; Piano  – Technique.; Organ music  – Analysis, appreciation.; Music  – 20th century  – Performance.; Academic theses.

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APA (6th Edition):

Vromet, J. (2017). L’application des principes pianistiques à l’orgue. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile149276.pdf

Chicago Manual of Style (16th Edition):

Vromet, Jonathan. “L’application des principes pianistiques à l’orgue.” 2017. Doctoral Dissertation, McGill University. Accessed October 23, 2019. http://digitool.library.mcgill.ca/thesisfile149276.pdf.

MLA Handbook (7th Edition):

Vromet, Jonathan. “L’application des principes pianistiques à l’orgue.” 2017. Web. 23 Oct 2019.

Vancouver:

Vromet J. L’application des principes pianistiques à l’orgue. [Internet] [Doctoral dissertation]. McGill University; 2017. [cited 2019 Oct 23]. Available from: http://digitool.library.mcgill.ca/thesisfile149276.pdf.

Council of Science Editors:

Vromet J. L’application des principes pianistiques à l’orgue. [Doctoral Dissertation]. McGill University; 2017. Available from: http://digitool.library.mcgill.ca/thesisfile149276.pdf


University of Oklahoma

24. Crappell, Courtney Joseph. Native American Influence in the Piano Music of Louis W. Ballard.

Degree: DMA, 2008, University of Oklahoma

 Ballard was the first Native American composer to incorporate Native American musical style within a Western idiom. This study aims to make his piano works… (more)

Subjects/Keywords: Music – Indian influences; Piano music – Analysis, appreciation

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APA (6th Edition):

Crappell, C. J. (2008). Native American Influence in the Piano Music of Louis W. Ballard. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/319350

Chicago Manual of Style (16th Edition):

Crappell, Courtney Joseph. “Native American Influence in the Piano Music of Louis W. Ballard.” 2008. Doctoral Dissertation, University of Oklahoma. Accessed October 23, 2019. http://hdl.handle.net/11244/319350.

MLA Handbook (7th Edition):

Crappell, Courtney Joseph. “Native American Influence in the Piano Music of Louis W. Ballard.” 2008. Web. 23 Oct 2019.

Vancouver:

Crappell CJ. Native American Influence in the Piano Music of Louis W. Ballard. [Internet] [Doctoral dissertation]. University of Oklahoma; 2008. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/11244/319350.

Council of Science Editors:

Crappell CJ. Native American Influence in the Piano Music of Louis W. Ballard. [Doctoral Dissertation]. University of Oklahoma; 2008. Available from: http://hdl.handle.net/11244/319350

25. Mahoney, J. Jeffrey. The Elements of Jazz Harmony and Analysis.

Degree: 1986, North Texas State University

 This study develops a method for analyzing jazz piano music, primarily focusing on the era 1935-1950. The method is based on axiomatic concepts of jazz… (more)

Subjects/Keywords: music theory; piano music; jazz analysis; Jazz  – Analysis, appreciation.; Piano music (Jazz)  – Analysis, appreciation.; Harmonic analysis (Music)

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APA (6th Edition):

Mahoney, J. J. (1986). The Elements of Jazz Harmony and Analysis. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500764/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mahoney, J Jeffrey. “The Elements of Jazz Harmony and Analysis.” 1986. Thesis, North Texas State University. Accessed October 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc500764/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mahoney, J Jeffrey. “The Elements of Jazz Harmony and Analysis.” 1986. Web. 23 Oct 2019.

Vancouver:

Mahoney JJ. The Elements of Jazz Harmony and Analysis. [Internet] [Thesis]. North Texas State University; 1986. [cited 2019 Oct 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500764/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mahoney JJ. The Elements of Jazz Harmony and Analysis. [Thesis]. North Texas State University; 1986. Available from: https://digital.library.unt.edu/ark:/67531/metadc500764/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

26. Kiatvongcharoen, Usa. Analytical approaches to three of Debussy's preludes for piano.

Degree: M. Phil., 1998, University of Hong Kong

published_or_final_version

Music

Master

Master of Philosophy

Subjects/Keywords: Impressionism (Music).; Piano music - Analysis, appreciation.; Piano music - History and criticism.

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APA (6th Edition):

Kiatvongcharoen, U. (1998). Analytical approaches to three of Debussy's preludes for piano. (Masters Thesis). University of Hong Kong. Retrieved from Kiatvongcharoen, U.. (1998). Analytical approaches to three of Debussy's preludes for piano. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3121538 ; http://dx.doi.org/10.5353/th_b3121538 ; http://hdl.handle.net/10722/34072

Chicago Manual of Style (16th Edition):

Kiatvongcharoen, Usa. “Analytical approaches to three of Debussy's preludes for piano.” 1998. Masters Thesis, University of Hong Kong. Accessed October 23, 2019. Kiatvongcharoen, U.. (1998). Analytical approaches to three of Debussy's preludes for piano. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3121538 ; http://dx.doi.org/10.5353/th_b3121538 ; http://hdl.handle.net/10722/34072.

MLA Handbook (7th Edition):

Kiatvongcharoen, Usa. “Analytical approaches to three of Debussy's preludes for piano.” 1998. Web. 23 Oct 2019.

Vancouver:

Kiatvongcharoen U. Analytical approaches to three of Debussy's preludes for piano. [Internet] [Masters thesis]. University of Hong Kong; 1998. [cited 2019 Oct 23]. Available from: Kiatvongcharoen, U.. (1998). Analytical approaches to three of Debussy's preludes for piano. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3121538 ; http://dx.doi.org/10.5353/th_b3121538 ; http://hdl.handle.net/10722/34072.

Council of Science Editors:

Kiatvongcharoen U. Analytical approaches to three of Debussy's preludes for piano. [Masters Thesis]. University of Hong Kong; 1998. Available from: Kiatvongcharoen, U.. (1998). Analytical approaches to three of Debussy's preludes for piano. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3121538 ; http://dx.doi.org/10.5353/th_b3121538 ; http://hdl.handle.net/10722/34072


University of Hong Kong

27. 陳楚珊.; Chan, Chor-shan, Sharon. Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927).

Degree: M. Phil., 2012, University of Hong Kong

Stravinsky’s opera-oratorio Oedipus Rex was based on Sophocles’ classic tragedy Oedipus Tyrannus. Jean Cocteau wrote the libretto for Stravinsky in French, the text was then… (more)

Subjects/Keywords: Dramatic music - Analysis; appreciation.

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APA (6th Edition):

陳楚珊.; Chan, Chor-shan, S. (2012). Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927). (Masters Thesis). University of Hong Kong. Retrieved from Chan, C. S. [陳楚珊]. (2012). Neither here nor there : the dramatic tension between the spoken word and music performance in Igor Stravinsky's Oedipus rex (1927). (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4819954 ; http://dx.doi.org/10.5353/th_b4819954 ; http://hdl.handle.net/10722/167230

Chicago Manual of Style (16th Edition):

陳楚珊.; Chan, Chor-shan, Sharon. “Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927).” 2012. Masters Thesis, University of Hong Kong. Accessed October 23, 2019. Chan, C. S. [陳楚珊]. (2012). Neither here nor there : the dramatic tension between the spoken word and music performance in Igor Stravinsky's Oedipus rex (1927). (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4819954 ; http://dx.doi.org/10.5353/th_b4819954 ; http://hdl.handle.net/10722/167230.

MLA Handbook (7th Edition):

陳楚珊.; Chan, Chor-shan, Sharon. “Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927).” 2012. Web. 23 Oct 2019.

Vancouver:

陳楚珊.; Chan, Chor-shan S. Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927). [Internet] [Masters thesis]. University of Hong Kong; 2012. [cited 2019 Oct 23]. Available from: Chan, C. S. [陳楚珊]. (2012). Neither here nor there : the dramatic tension between the spoken word and music performance in Igor Stravinsky's Oedipus rex (1927). (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4819954 ; http://dx.doi.org/10.5353/th_b4819954 ; http://hdl.handle.net/10722/167230.

Council of Science Editors:

陳楚珊.; Chan, Chor-shan S. Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927). [Masters Thesis]. University of Hong Kong; 2012. Available from: Chan, C. S. [陳楚珊]. (2012). Neither here nor there : the dramatic tension between the spoken word and music performance in Igor Stravinsky's Oedipus rex (1927). (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4819954 ; http://dx.doi.org/10.5353/th_b4819954 ; http://hdl.handle.net/10722/167230


University of California – San Diego

28. Tonelli, Christopher Joseph. Musical pastiche, embodiment, and intersubjectivity : listening in the second degree.

Degree: Music, 2011, University of California – San Diego

 Popular music studies, since its inception, has been centrally concerned with the ways music participates in processes of individual and collective identity construction. This dissertation… (more)

Subjects/Keywords: appreciation Popular music Analysis

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APA (6th Edition):

Tonelli, C. J. (2011). Musical pastiche, embodiment, and intersubjectivity : listening in the second degree. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/92c7n0db

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tonelli, Christopher Joseph. “Musical pastiche, embodiment, and intersubjectivity : listening in the second degree.” 2011. Thesis, University of California – San Diego. Accessed October 23, 2019. http://www.escholarship.org/uc/item/92c7n0db.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tonelli, Christopher Joseph. “Musical pastiche, embodiment, and intersubjectivity : listening in the second degree.” 2011. Web. 23 Oct 2019.

Vancouver:

Tonelli CJ. Musical pastiche, embodiment, and intersubjectivity : listening in the second degree. [Internet] [Thesis]. University of California – San Diego; 2011. [cited 2019 Oct 23]. Available from: http://www.escholarship.org/uc/item/92c7n0db.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tonelli CJ. Musical pastiche, embodiment, and intersubjectivity : listening in the second degree. [Thesis]. University of California – San Diego; 2011. Available from: http://www.escholarship.org/uc/item/92c7n0db

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oklahoma

29. Wise, Wilson Bartell. THE POWER OF ROME AND THE CHRISTIAN HEART: AN ANALYSIS AND STUDY OF CONFLICT IN THE LIFE OF PACIFIST-COMPOSER PERCY GRAINGER.

Degree: DMA, 2013, University of Oklahoma

 The second portion of the document contains a theoretical analysis of the work demonstrating musical representations of conflict as well as the composer's innovations of… (more)

Subjects/Keywords: Band music – Analysis; appreciation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wise, W. B. (2013). THE POWER OF ROME AND THE CHRISTIAN HEART: AN ANALYSIS AND STUDY OF CONFLICT IN THE LIFE OF PACIFIST-COMPOSER PERCY GRAINGER. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/318931

Chicago Manual of Style (16th Edition):

Wise, Wilson Bartell. “THE POWER OF ROME AND THE CHRISTIAN HEART: AN ANALYSIS AND STUDY OF CONFLICT IN THE LIFE OF PACIFIST-COMPOSER PERCY GRAINGER.” 2013. Doctoral Dissertation, University of Oklahoma. Accessed October 23, 2019. http://hdl.handle.net/11244/318931.

MLA Handbook (7th Edition):

Wise, Wilson Bartell. “THE POWER OF ROME AND THE CHRISTIAN HEART: AN ANALYSIS AND STUDY OF CONFLICT IN THE LIFE OF PACIFIST-COMPOSER PERCY GRAINGER.” 2013. Web. 23 Oct 2019.

Vancouver:

Wise WB. THE POWER OF ROME AND THE CHRISTIAN HEART: AN ANALYSIS AND STUDY OF CONFLICT IN THE LIFE OF PACIFIST-COMPOSER PERCY GRAINGER. [Internet] [Doctoral dissertation]. University of Oklahoma; 2013. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/11244/318931.

Council of Science Editors:

Wise WB. THE POWER OF ROME AND THE CHRISTIAN HEART: AN ANALYSIS AND STUDY OF CONFLICT IN THE LIFE OF PACIFIST-COMPOSER PERCY GRAINGER. [Doctoral Dissertation]. University of Oklahoma; 2013. Available from: http://hdl.handle.net/11244/318931


University of Pretoria

30. Du Plessis, Charl Petrus. Die solo-klavierwerke van Charles Camilleri (1931-) (Afrikaans).

Degree: Music, 2006, University of Pretoria

No abstract available. Advisors/Committee Members: Prof H J Stanford (advisor).

Subjects/Keywords: Piano music analysis appreciation; Camilleri charles; UCTD

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Du Plessis, C. (2006). Die solo-klavierwerke van Charles Camilleri (1931-) (Afrikaans). (Masters Thesis). University of Pretoria. Retrieved from http://hdl.handle.net/2263/28305

Chicago Manual of Style (16th Edition):

Du Plessis, Charl. “Die solo-klavierwerke van Charles Camilleri (1931-) (Afrikaans).” 2006. Masters Thesis, University of Pretoria. Accessed October 23, 2019. http://hdl.handle.net/2263/28305.

MLA Handbook (7th Edition):

Du Plessis, Charl. “Die solo-klavierwerke van Charles Camilleri (1931-) (Afrikaans).” 2006. Web. 23 Oct 2019.

Vancouver:

Du Plessis C. Die solo-klavierwerke van Charles Camilleri (1931-) (Afrikaans). [Internet] [Masters thesis]. University of Pretoria; 2006. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/2263/28305.

Council of Science Editors:

Du Plessis C. Die solo-klavierwerke van Charles Camilleri (1931-) (Afrikaans). [Masters Thesis]. University of Pretoria; 2006. Available from: http://hdl.handle.net/2263/28305

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