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You searched for subject:(Piano Sonata in B minor). Showing records 1 – 30 of 93553 total matches.

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NSYSU

1. Wu, Pei-Shan. A Study of Liszt 's Piano Sonata in B minor.

Degree: Master, Music, 2008, NSYSU

Sonata had gone through the development of Baroque and Classical Era and reached the high point in the beginning of 19th century. Lisztâ s Piano(more)

Subjects/Keywords: Piano Sonata; Thematic Transformation; Faust; Liszt; Piano Sonata in B minor

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APA (6th Edition):

Wu, P. (2008). A Study of Liszt 's Piano Sonata in B minor. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0731108-153021

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wu, Pei-Shan. “A Study of Liszt 's Piano Sonata in B minor.” 2008. Thesis, NSYSU. Accessed January 20, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0731108-153021.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wu, Pei-Shan. “A Study of Liszt 's Piano Sonata in B minor.” 2008. Web. 20 Jan 2020.

Vancouver:

Wu P. A Study of Liszt 's Piano Sonata in B minor. [Internet] [Thesis]. NSYSU; 2008. [cited 2020 Jan 20]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0731108-153021.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wu P. A Study of Liszt 's Piano Sonata in B minor. [Thesis]. NSYSU; 2008. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0731108-153021

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Tsekova-Zapponi, Daniela. Les interprètes face à la Sonate en si mineur de Liszt : The pianists in front of Liszt's Sonata in B minor.

Degree: Docteur es, Musicologie, 2015, Université de Strasbourg

Notre recherche porte sur une analyse comparative des interprétations de la Sonate en si mineur de Liszt. Nous avons analysé vingt-cinq enregistrements de pianistes regroupés… (more)

Subjects/Keywords: Interprétation; Franz Liszt; Piano; Ecoles pianistiques; Générations; Pianistes; Histoire de l'interprétation pianistique; Sonate si mineur; Performances; Piano schools; Generation; Sonata in b minor; Franz Liszt; Pianists; 781.68

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APA (6th Edition):

Tsekova-Zapponi, D. (2015). Les interprètes face à la Sonate en si mineur de Liszt : The pianists in front of Liszt's Sonata in B minor. (Doctoral Dissertation). Université de Strasbourg. Retrieved from http://www.theses.fr/2015STRAC014

Chicago Manual of Style (16th Edition):

Tsekova-Zapponi, Daniela. “Les interprètes face à la Sonate en si mineur de Liszt : The pianists in front of Liszt's Sonata in B minor.” 2015. Doctoral Dissertation, Université de Strasbourg. Accessed January 20, 2020. http://www.theses.fr/2015STRAC014.

MLA Handbook (7th Edition):

Tsekova-Zapponi, Daniela. “Les interprètes face à la Sonate en si mineur de Liszt : The pianists in front of Liszt's Sonata in B minor.” 2015. Web. 20 Jan 2020.

Vancouver:

Tsekova-Zapponi D. Les interprètes face à la Sonate en si mineur de Liszt : The pianists in front of Liszt's Sonata in B minor. [Internet] [Doctoral dissertation]. Université de Strasbourg; 2015. [cited 2020 Jan 20]. Available from: http://www.theses.fr/2015STRAC014.

Council of Science Editors:

Tsekova-Zapponi D. Les interprètes face à la Sonate en si mineur de Liszt : The pianists in front of Liszt's Sonata in B minor. [Doctoral Dissertation]. Université de Strasbourg; 2015. Available from: http://www.theses.fr/2015STRAC014


University of North Texas

3. Treber, Stefan L. A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90.

Degree: 2010, University of North Texas

 This thesis examines the history and origins of Beethoven's E minor Piano Sonata and examines the possibility of the programmatic conception of the work. Dedicated… (more)

Subjects/Keywords: Schenkerian analysis.; E minor sonata; piano sonata; Beethoven; Beethoven, Ludwig van, 1770-1827. Sonatas, piano no. 27, op. 90, E minor.

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APA (6th Edition):

Treber, S. L. (2010). A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc28486/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Treber, Stefan L. “A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90.” 2010. Thesis, University of North Texas. Accessed January 20, 2020. https://digital.library.unt.edu/ark:/67531/metadc28486/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Treber, Stefan L. “A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90.” 2010. Web. 20 Jan 2020.

Vancouver:

Treber SL. A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90. [Internet] [Thesis]. University of North Texas; 2010. [cited 2020 Jan 20]. Available from: https://digital.library.unt.edu/ark:/67531/metadc28486/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Treber SL. A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc28486/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Alberta

4. Jancewicz, Peter Michael. Four piano recitals and an essay: Franz Liszt's sonata in B-minor : interpreting articulation markings.

Degree: Doctor of Music, Department of Music, 1997, University of Alberta

Subjects/Keywords: Music – Interpretation (Phrasing, dynamics, etc.); Liszt, Franz, 1811-1886 – Sonata, – piano, B minor.

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APA (6th Edition):

Jancewicz, P. M. (1997). Four piano recitals and an essay: Franz Liszt's sonata in B-minor : interpreting articulation markings. (Doctoral Dissertation). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/m900nx02n

Chicago Manual of Style (16th Edition):

Jancewicz, Peter Michael. “Four piano recitals and an essay: Franz Liszt's sonata in B-minor : interpreting articulation markings.” 1997. Doctoral Dissertation, University of Alberta. Accessed January 20, 2020. https://era.library.ualberta.ca/files/m900nx02n.

MLA Handbook (7th Edition):

Jancewicz, Peter Michael. “Four piano recitals and an essay: Franz Liszt's sonata in B-minor : interpreting articulation markings.” 1997. Web. 20 Jan 2020.

Vancouver:

Jancewicz PM. Four piano recitals and an essay: Franz Liszt's sonata in B-minor : interpreting articulation markings. [Internet] [Doctoral dissertation]. University of Alberta; 1997. [cited 2020 Jan 20]. Available from: https://era.library.ualberta.ca/files/m900nx02n.

Council of Science Editors:

Jancewicz PM. Four piano recitals and an essay: Franz Liszt's sonata in B-minor : interpreting articulation markings. [Doctoral Dissertation]. University of Alberta; 1997. Available from: https://era.library.ualberta.ca/files/m900nx02n


University of Cincinnati

5. Cho, Sujung. Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960.

Degree: DMA, College-Conservatory of Music: Piano, 2011, University of Cincinnati

 As a practical performance guide, this document identifies performance issues for Franz Schubert’s Piano Sonata in B-flat Major, D. 960, and proposes possible solutions. The… (more)

Subjects/Keywords: Music; Schubert; Piano Sonata; Performance Challenges; Possible Solutions; B-flat Sonata; D. 960

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APA (6th Edition):

Cho, S. (2011). Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312294162

Chicago Manual of Style (16th Edition):

Cho, Sujung. “Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960.” 2011. Doctoral Dissertation, University of Cincinnati. Accessed January 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312294162.

MLA Handbook (7th Edition):

Cho, Sujung. “Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960.” 2011. Web. 20 Jan 2020.

Vancouver:

Cho S. Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960. [Internet] [Doctoral dissertation]. University of Cincinnati; 2011. [cited 2020 Jan 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312294162.

Council of Science Editors:

Cho S. Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960. [Doctoral Dissertation]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312294162


Louisiana State University

6. Yee, Kit Loong. Poised between two worlds : Nikolai Kapustin's Piano Sonata No. 1 and the classical and jazz tradition.

Degree: DMA, Music, 2014, Louisiana State University

 The music of Nikolai Kapustin is a roller coaster ride of syncopation, hemiolas, glissandos and perpetual motion. Born in Russia at a time when the… (more)

Subjects/Keywords: Kapustin; Sonata; Piano Sonata

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APA (6th Edition):

Yee, K. L. (2014). Poised between two worlds : Nikolai Kapustin's Piano Sonata No. 1 and the classical and jazz tradition. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-04022014-193809 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3557

Chicago Manual of Style (16th Edition):

Yee, Kit Loong. “Poised between two worlds : Nikolai Kapustin's Piano Sonata No. 1 and the classical and jazz tradition.” 2014. Doctoral Dissertation, Louisiana State University. Accessed January 20, 2020. etd-04022014-193809 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3557.

MLA Handbook (7th Edition):

Yee, Kit Loong. “Poised between two worlds : Nikolai Kapustin's Piano Sonata No. 1 and the classical and jazz tradition.” 2014. Web. 20 Jan 2020.

Vancouver:

Yee KL. Poised between two worlds : Nikolai Kapustin's Piano Sonata No. 1 and the classical and jazz tradition. [Internet] [Doctoral dissertation]. Louisiana State University; 2014. [cited 2020 Jan 20]. Available from: etd-04022014-193809 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3557.

Council of Science Editors:

Yee KL. Poised between two worlds : Nikolai Kapustin's Piano Sonata No. 1 and the classical and jazz tradition. [Doctoral Dissertation]. Louisiana State University; 2014. Available from: etd-04022014-193809 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3557

7. Fuchs Sampson, Sarah E. Recasting the eighteenth-century sonata-form narrative : compositional strategies in Robert Schumann's Opp. 105 and 121 violin sonatas: Recasting the eighteenth century sonata form narrative.

Degree: Thesis (M.M.), 2010, Ball State University

 Although Robert Schumann’s late style has been the subject of several probing studies in recent years, few scholars have concentrated their attention on the chamber… (more)

Subjects/Keywords: Sonata 18th century; Schumann, Robert, 1810-1856. Sonatas, violin, piano no. 2, op. 121, D minor.; Schumann, Robert, 1810-1856. Sonatas, violin, piano no. 1, op. 105, A minor.

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APA (6th Edition):

Fuchs Sampson, S. E. (2010). Recasting the eighteenth-century sonata-form narrative : compositional strategies in Robert Schumann's Opp. 105 and 121 violin sonatas: Recasting the eighteenth century sonata form narrative. (Masters Thesis). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/193660

Chicago Manual of Style (16th Edition):

Fuchs Sampson, Sarah E. “Recasting the eighteenth-century sonata-form narrative : compositional strategies in Robert Schumann's Opp. 105 and 121 violin sonatas: Recasting the eighteenth century sonata form narrative.” 2010. Masters Thesis, Ball State University. Accessed January 20, 2020. http://cardinalscholar.bsu.edu/handle/123456789/193660.

MLA Handbook (7th Edition):

Fuchs Sampson, Sarah E. “Recasting the eighteenth-century sonata-form narrative : compositional strategies in Robert Schumann's Opp. 105 and 121 violin sonatas: Recasting the eighteenth century sonata form narrative.” 2010. Web. 20 Jan 2020.

Vancouver:

Fuchs Sampson SE. Recasting the eighteenth-century sonata-form narrative : compositional strategies in Robert Schumann's Opp. 105 and 121 violin sonatas: Recasting the eighteenth century sonata form narrative. [Internet] [Masters thesis]. Ball State University; 2010. [cited 2020 Jan 20]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/193660.

Council of Science Editors:

Fuchs Sampson SE. Recasting the eighteenth-century sonata-form narrative : compositional strategies in Robert Schumann's Opp. 105 and 121 violin sonatas: Recasting the eighteenth century sonata form narrative. [Masters Thesis]. Ball State University; 2010. Available from: http://cardinalscholar.bsu.edu/handle/123456789/193660


Louisiana State University

8. Lin, Cheng-Yin. Beethoven Sonata No. 10, Op. 96 for piano and violin in G major (1812) : looking ahead.

Degree: DMA, Music, 2013, Louisiana State University

 Ludwig von Beethoven (1770-1827) dedicated the Sonata No. 10, Op. 96 for Piano and Violin in G Major (1812) to Pierre Rode ( 1774-1830), one… (more)

Subjects/Keywords: for Piano and Violin in G major; Beethoven Sonata Op. 96

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APA (6th Edition):

Lin, C. (2013). Beethoven Sonata No. 10, Op. 96 for piano and violin in G major (1812) : looking ahead. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-05302013-203418 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2891

Chicago Manual of Style (16th Edition):

Lin, Cheng-Yin. “Beethoven Sonata No. 10, Op. 96 for piano and violin in G major (1812) : looking ahead.” 2013. Doctoral Dissertation, Louisiana State University. Accessed January 20, 2020. etd-05302013-203418 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2891.

MLA Handbook (7th Edition):

Lin, Cheng-Yin. “Beethoven Sonata No. 10, Op. 96 for piano and violin in G major (1812) : looking ahead.” 2013. Web. 20 Jan 2020.

Vancouver:

Lin C. Beethoven Sonata No. 10, Op. 96 for piano and violin in G major (1812) : looking ahead. [Internet] [Doctoral dissertation]. Louisiana State University; 2013. [cited 2020 Jan 20]. Available from: etd-05302013-203418 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2891.

Council of Science Editors:

Lin C. Beethoven Sonata No. 10, Op. 96 for piano and violin in G major (1812) : looking ahead. [Doctoral Dissertation]. Louisiana State University; 2013. Available from: etd-05302013-203418 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2891


University of Cincinnati

9. HESS, NATHAN ANDREW. ECLECTICISM IN THE PIANO WORKS OF OTTORINO RESPIGHI.

Degree: DMA, College-Conservatory of Music : Piano, 2005, University of Cincinnati

 This document examines the eclecticism found in the four significant solo piano works by Ottorino Respighi that are available to the public: Sonata in F… (more)

Subjects/Keywords: Music; Respighi, Ottorino; Piano; Eclecticism; Multistylism; Sonata in F Minor; Six Pieces; Ancient Airs and Dances; Three Preludes on Gregorian Melodies

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APA (6th Edition):

HESS, N. A. (2005). ECLECTICISM IN THE PIANO WORKS OF OTTORINO RESPIGHI. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115722168

Chicago Manual of Style (16th Edition):

HESS, NATHAN ANDREW. “ECLECTICISM IN THE PIANO WORKS OF OTTORINO RESPIGHI.” 2005. Doctoral Dissertation, University of Cincinnati. Accessed January 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115722168.

MLA Handbook (7th Edition):

HESS, NATHAN ANDREW. “ECLECTICISM IN THE PIANO WORKS OF OTTORINO RESPIGHI.” 2005. Web. 20 Jan 2020.

Vancouver:

HESS NA. ECLECTICISM IN THE PIANO WORKS OF OTTORINO RESPIGHI. [Internet] [Doctoral dissertation]. University of Cincinnati; 2005. [cited 2020 Jan 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115722168.

Council of Science Editors:

HESS NA. ECLECTICISM IN THE PIANO WORKS OF OTTORINO RESPIGHI. [Doctoral Dissertation]. University of Cincinnati; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115722168


Louisiana State University

10. Chou, Yun-Chieh. When the mouse meets the elephant : a manual for string bass players with application of the philosophy and principles of the F. M. Alexander Technique.

Degree: DMA, Music, 2013, Louisiana State University

 This study was concerned with the use of the Alexander Technique principles in avoiding unwanted muscular tension and maintaining proper use of the body in… (more)

Subjects/Keywords: Double Bass; Alexander Technique; The Butterfly Lovers Violin Concerto; Brahms Cello Sonata in e minor

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APA (6th Edition):

Chou, Y. (2013). When the mouse meets the elephant : a manual for string bass players with application of the philosophy and principles of the F. M. Alexander Technique. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-04152013-154902 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1689

Chicago Manual of Style (16th Edition):

Chou, Yun-Chieh. “When the mouse meets the elephant : a manual for string bass players with application of the philosophy and principles of the F. M. Alexander Technique.” 2013. Doctoral Dissertation, Louisiana State University. Accessed January 20, 2020. etd-04152013-154902 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1689.

MLA Handbook (7th Edition):

Chou, Yun-Chieh. “When the mouse meets the elephant : a manual for string bass players with application of the philosophy and principles of the F. M. Alexander Technique.” 2013. Web. 20 Jan 2020.

Vancouver:

Chou Y. When the mouse meets the elephant : a manual for string bass players with application of the philosophy and principles of the F. M. Alexander Technique. [Internet] [Doctoral dissertation]. Louisiana State University; 2013. [cited 2020 Jan 20]. Available from: etd-04152013-154902 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1689.

Council of Science Editors:

Chou Y. When the mouse meets the elephant : a manual for string bass players with application of the philosophy and principles of the F. M. Alexander Technique. [Doctoral Dissertation]. Louisiana State University; 2013. Available from: etd-04152013-154902 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1689

11. Brackenridge, Margaret Elaine. A Stylistic and Structural Analysis of David Stanley Smith's Sonata in A, Opus 51.

Degree: 1944, North Texas State Teachers College

 The purpose of the following study is to make an analysis of the structural elements and stylistic characteristics of the Sonata in A Minor for… (more)

Subjects/Keywords: Sonata in A Minor; Smith, David Stanley  – 1877-1949  – Sonatas  – violin, piano  – op. 51  – A minor.; American composers; David Stanley Smith; violin music; sonatas

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APA (6th Edition):

Brackenridge, M. E. (1944). A Stylistic and Structural Analysis of David Stanley Smith's Sonata in A, Opus 51. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc662990/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brackenridge, Margaret Elaine. “A Stylistic and Structural Analysis of David Stanley Smith's Sonata in A, Opus 51.” 1944. Thesis, North Texas State Teachers College. Accessed January 20, 2020. https://digital.library.unt.edu/ark:/67531/metadc662990/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brackenridge, Margaret Elaine. “A Stylistic and Structural Analysis of David Stanley Smith's Sonata in A, Opus 51.” 1944. Web. 20 Jan 2020.

Vancouver:

Brackenridge ME. A Stylistic and Structural Analysis of David Stanley Smith's Sonata in A, Opus 51. [Internet] [Thesis]. North Texas State Teachers College; 1944. [cited 2020 Jan 20]. Available from: https://digital.library.unt.edu/ark:/67531/metadc662990/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brackenridge ME. A Stylistic and Structural Analysis of David Stanley Smith's Sonata in A, Opus 51. [Thesis]. North Texas State Teachers College; 1944. Available from: https://digital.library.unt.edu/ark:/67531/metadc662990/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

12. KWON, JUN. Beethoven's Two-Movement Piano Sonatas and Their Predecessors.

Degree: DMA, College-Conservatory of Music : Piano, 2008, University of Cincinnati

 In the literature of keyboard solo music, the two-movement sonata has occupied a unique place in both structure and aesthetics. The great flowering of this… (more)

Subjects/Keywords: Music; Beethoven Piano Sonata; Two-movement Sonata

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APA (6th Edition):

KWON, J. (2008). Beethoven's Two-Movement Piano Sonatas and Their Predecessors. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710

Chicago Manual of Style (16th Edition):

KWON, JUN. “Beethoven's Two-Movement Piano Sonatas and Their Predecessors.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed January 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710.

MLA Handbook (7th Edition):

KWON, JUN. “Beethoven's Two-Movement Piano Sonatas and Their Predecessors.” 2008. Web. 20 Jan 2020.

Vancouver:

KWON J. Beethoven's Two-Movement Piano Sonatas and Their Predecessors. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2020 Jan 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710.

Council of Science Editors:

KWON J. Beethoven's Two-Movement Piano Sonatas and Their Predecessors. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710


University of North Texas

13. Gimenes, Marilia Gabriela do Nascimento. Osvaldo Lacerda’s Sonata for Flute and Piano (1959): A Performance Guide with Historical Background of Brazilian Genres Embolada, Serestra, and Baião.

Degree: 2012, University of North Texas

 Osvaldo da Costa Lacerda (March 23, 1927-July 18, 2011), one of the most significant Brazilian composers of the twentieth century, wrote more than 250 compositions.… (more)

Subjects/Keywords: piano; Osvaldo Lacera; sonata; flute

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APA (6th Edition):

Gimenes, M. G. d. N. (2012). Osvaldo Lacerda’s Sonata for Flute and Piano (1959): A Performance Guide with Historical Background of Brazilian Genres Embolada, Serestra, and Baião. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc177200/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gimenes, Marilia Gabriela do Nascimento. “Osvaldo Lacerda’s Sonata for Flute and Piano (1959): A Performance Guide with Historical Background of Brazilian Genres Embolada, Serestra, and Baião.” 2012. Thesis, University of North Texas. Accessed January 20, 2020. https://digital.library.unt.edu/ark:/67531/metadc177200/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gimenes, Marilia Gabriela do Nascimento. “Osvaldo Lacerda’s Sonata for Flute and Piano (1959): A Performance Guide with Historical Background of Brazilian Genres Embolada, Serestra, and Baião.” 2012. Web. 20 Jan 2020.

Vancouver:

Gimenes MGdN. Osvaldo Lacerda’s Sonata for Flute and Piano (1959): A Performance Guide with Historical Background of Brazilian Genres Embolada, Serestra, and Baião. [Internet] [Thesis]. University of North Texas; 2012. [cited 2020 Jan 20]. Available from: https://digital.library.unt.edu/ark:/67531/metadc177200/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gimenes MGdN. Osvaldo Lacerda’s Sonata for Flute and Piano (1959): A Performance Guide with Historical Background of Brazilian Genres Embolada, Serestra, and Baião. [Thesis]. University of North Texas; 2012. Available from: https://digital.library.unt.edu/ark:/67531/metadc177200/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Youngstown State University

14. Evick, Jason W. Chamber Symphony No.1(Evick)/ Symmetrical and Structural Features in Sonata No.2, Mvt.1, violin and piano.(Béla Bartók).

Degree: MM, Dana School of Music, 2008, Youngstown State University

 This thesis examines the musical language of the first movement of Béla Bartók's Sonata no. 2, for violin and piano (1922). Exploring the use of… (more)

Subjects/Keywords: Composition; Language; Music; B&233; la Bart&243; k; Sonata no. 2 for violin and piano; inversional symmetry

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APA (6th Edition):

Evick, J. W. (2008). Chamber Symphony No.1(Evick)/ Symmetrical and Structural Features in Sonata No.2, Mvt.1, violin and piano.(Béla Bartók). (Masters Thesis). Youngstown State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ysu1229115279

Chicago Manual of Style (16th Edition):

Evick, Jason W. “Chamber Symphony No.1(Evick)/ Symmetrical and Structural Features in Sonata No.2, Mvt.1, violin and piano.(Béla Bartók).” 2008. Masters Thesis, Youngstown State University. Accessed January 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1229115279.

MLA Handbook (7th Edition):

Evick, Jason W. “Chamber Symphony No.1(Evick)/ Symmetrical and Structural Features in Sonata No.2, Mvt.1, violin and piano.(Béla Bartók).” 2008. Web. 20 Jan 2020.

Vancouver:

Evick JW. Chamber Symphony No.1(Evick)/ Symmetrical and Structural Features in Sonata No.2, Mvt.1, violin and piano.(Béla Bartók). [Internet] [Masters thesis]. Youngstown State University; 2008. [cited 2020 Jan 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ysu1229115279.

Council of Science Editors:

Evick JW. Chamber Symphony No.1(Evick)/ Symmetrical and Structural Features in Sonata No.2, Mvt.1, violin and piano.(Béla Bartók). [Masters Thesis]. Youngstown State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ysu1229115279

15. Floyd, J. Robert (James Robert), 1929-. Beethoven's Piano Sonata Op. 111 in its Historical Perspective.

Degree: 1950, North Texas State College

This thesis presents a brief history of the sonata form until the time of Beethoven. It also discusses Beethoven's use of the sonata form, and how it applies to his op. 111 piano sonata. Advisors/Committee Members: Hibberd, Lloyd, Hodgson, W. H. (Walter H.).

Subjects/Keywords: piano sonata; Ludwig van Beethoven; music; sonata form; Beethoven, Ludwig van, 1770-1827. Sonatas, piano, no. 32, op. 111, C minor.

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APA (6th Edition):

Floyd, J. Robert (James Robert), 1. (1950). Beethoven's Piano Sonata Op. 111 in its Historical Perspective. (Thesis). North Texas State College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc83697/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Floyd, J. Robert (James Robert), 1929-. “Beethoven's Piano Sonata Op. 111 in its Historical Perspective.” 1950. Thesis, North Texas State College. Accessed January 20, 2020. https://digital.library.unt.edu/ark:/67531/metadc83697/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Floyd, J. Robert (James Robert), 1929-. “Beethoven's Piano Sonata Op. 111 in its Historical Perspective.” 1950. Web. 20 Jan 2020.

Vancouver:

Floyd, J. Robert (James Robert) 1. Beethoven's Piano Sonata Op. 111 in its Historical Perspective. [Internet] [Thesis]. North Texas State College; 1950. [cited 2020 Jan 20]. Available from: https://digital.library.unt.edu/ark:/67531/metadc83697/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Floyd, J. Robert (James Robert) 1. Beethoven's Piano Sonata Op. 111 in its Historical Perspective. [Thesis]. North Texas State College; 1950. Available from: https://digital.library.unt.edu/ark:/67531/metadc83697/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rice University

16. Blachnio, Filip. The Evolution of Musical Language and Sonata Form in the Piano Sonatas of Alexander Nikolayevich Scriabin.

Degree: DMA, Music, 2017, Rice University

 ABSTRACT The evolution of musical language and sonata form in the piano sonatas of Alexander Nikolayevich Scriabin by Filip Blachnio The evolution of Scriabin’s musical… (more)

Subjects/Keywords: Scriabin; Skrjabin; Skryabin; piano; piano sonatas; sonata; sonata form; evolution

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APA (6th Edition):

Blachnio, F. (2017). The Evolution of Musical Language and Sonata Form in the Piano Sonatas of Alexander Nikolayevich Scriabin. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/96150

Chicago Manual of Style (16th Edition):

Blachnio, Filip. “The Evolution of Musical Language and Sonata Form in the Piano Sonatas of Alexander Nikolayevich Scriabin.” 2017. Doctoral Dissertation, Rice University. Accessed January 20, 2020. http://hdl.handle.net/1911/96150.

MLA Handbook (7th Edition):

Blachnio, Filip. “The Evolution of Musical Language and Sonata Form in the Piano Sonatas of Alexander Nikolayevich Scriabin.” 2017. Web. 20 Jan 2020.

Vancouver:

Blachnio F. The Evolution of Musical Language and Sonata Form in the Piano Sonatas of Alexander Nikolayevich Scriabin. [Internet] [Doctoral dissertation]. Rice University; 2017. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1911/96150.

Council of Science Editors:

Blachnio F. The Evolution of Musical Language and Sonata Form in the Piano Sonatas of Alexander Nikolayevich Scriabin. [Doctoral Dissertation]. Rice University; 2017. Available from: http://hdl.handle.net/1911/96150


University of Miami

17. Vassilev, Maria. Leo Ornstein's Piano Sonatas No. 4 and No. 8.

Degree: DMA, Keyboard Performance (Music), 2010, University of Miami

  My lecture recital on Leo Ornstein focuses on his first and last notated piano sonatas. Piano Sonata No. 4 was composed in 1924 and… (more)

Subjects/Keywords: piano; sonata no. 8; sonata no. 4; Leo Ornstein; piano sonatas

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APA (6th Edition):

Vassilev, M. (2010). Leo Ornstein's Piano Sonatas No. 4 and No. 8. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/961

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vassilev, Maria. “Leo Ornstein's Piano Sonatas No. 4 and No. 8.” 2010. Thesis, University of Miami. Accessed January 20, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/961.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vassilev, Maria. “Leo Ornstein's Piano Sonatas No. 4 and No. 8.” 2010. Web. 20 Jan 2020.

Vancouver:

Vassilev M. Leo Ornstein's Piano Sonatas No. 4 and No. 8. [Internet] [Thesis]. University of Miami; 2010. [cited 2020 Jan 20]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/961.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vassilev M. Leo Ornstein's Piano Sonatas No. 4 and No. 8. [Thesis]. University of Miami; 2010. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/961

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kansas State University

18. Li, Yiqi. A study of J.S. Bach’s Partita in C Minor BWV 826; L. Van Beethoven’s Sonata Op.78; F. Chopin’s Scherzo Op.20; M. Ravel’s Miroirs: II, IV, V; Historical, theoretical and stylistic implications.

Degree: MM, School of Music, Theatre, and Dance, 2017, Kansas State University

 This report is a study of Johann Sebastian Bach’s Partita in C minor, BWV 826; Ludwig van Beethoven’s Sonata in F-sharp major, Op.78; Fryderyk Chopin’s… (more)

Subjects/Keywords: Bach’s Partita in C Minor BWV 826; L Van Beethoven's Sonata Op.78; F. Chopin's Scherzo Op.20; M. Ravel's Miroirs

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APA (6th Edition):

Li, Y. (2017). A study of J.S. Bach’s Partita in C Minor BWV 826; L. Van Beethoven’s Sonata Op.78; F. Chopin’s Scherzo Op.20; M. Ravel’s Miroirs: II, IV, V; Historical, theoretical and stylistic implications. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/35514

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Li, Yiqi. “A study of J.S. Bach’s Partita in C Minor BWV 826; L. Van Beethoven’s Sonata Op.78; F. Chopin’s Scherzo Op.20; M. Ravel’s Miroirs: II, IV, V; Historical, theoretical and stylistic implications.” 2017. Thesis, Kansas State University. Accessed January 20, 2020. http://hdl.handle.net/2097/35514.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Li, Yiqi. “A study of J.S. Bach’s Partita in C Minor BWV 826; L. Van Beethoven’s Sonata Op.78; F. Chopin’s Scherzo Op.20; M. Ravel’s Miroirs: II, IV, V; Historical, theoretical and stylistic implications.” 2017. Web. 20 Jan 2020.

Vancouver:

Li Y. A study of J.S. Bach’s Partita in C Minor BWV 826; L. Van Beethoven’s Sonata Op.78; F. Chopin’s Scherzo Op.20; M. Ravel’s Miroirs: II, IV, V; Historical, theoretical and stylistic implications. [Internet] [Thesis]. Kansas State University; 2017. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/2097/35514.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Li Y. A study of J.S. Bach’s Partita in C Minor BWV 826; L. Van Beethoven’s Sonata Op.78; F. Chopin’s Scherzo Op.20; M. Ravel’s Miroirs: II, IV, V; Historical, theoretical and stylistic implications. [Thesis]. Kansas State University; 2017. Available from: http://hdl.handle.net/2097/35514

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oklahoma

19. Peck, Jennifer R. UNLOCKING THE AFFECTIONS IN J.S. BACH’S FLUTE SONATA IN E MINOR, BWV 1034.

Degree: DMA, 2011, University of Oklahoma

 This document explores the affects of—or the use of emotions in—J. S. Bach’s Sonata for Flute in E minor, BWV 1034, by examining for potential… (more)

Subjects/Keywords: Bach; Flute; Sonata; E minor; Cantata

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APA (6th Edition):

Peck, J. R. (2011). UNLOCKING THE AFFECTIONS IN J.S. BACH’S FLUTE SONATA IN E MINOR, BWV 1034. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/50433

Chicago Manual of Style (16th Edition):

Peck, Jennifer R. “UNLOCKING THE AFFECTIONS IN J.S. BACH’S FLUTE SONATA IN E MINOR, BWV 1034.” 2011. Doctoral Dissertation, University of Oklahoma. Accessed January 20, 2020. http://hdl.handle.net/11244/50433.

MLA Handbook (7th Edition):

Peck, Jennifer R. “UNLOCKING THE AFFECTIONS IN J.S. BACH’S FLUTE SONATA IN E MINOR, BWV 1034.” 2011. Web. 20 Jan 2020.

Vancouver:

Peck JR. UNLOCKING THE AFFECTIONS IN J.S. BACH’S FLUTE SONATA IN E MINOR, BWV 1034. [Internet] [Doctoral dissertation]. University of Oklahoma; 2011. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/11244/50433.

Council of Science Editors:

Peck JR. UNLOCKING THE AFFECTIONS IN J.S. BACH’S FLUTE SONATA IN E MINOR, BWV 1034. [Doctoral Dissertation]. University of Oklahoma; 2011. Available from: http://hdl.handle.net/11244/50433

20. Clark, Antoine Terrell. Five Late Baroque Works for String Instruments Transcribed for Clarinet and Piano: A Performance Edition with Commentary.

Degree: DMA, Music, 2009, The Ohio State University

  Late Baroque works for string instruments are presented in performing editions for clarinet and piano: Giuseppe Tartini, Sonata in G Minor for Violin, and… (more)

Subjects/Keywords: Music; Performing editions for clarinet and piano; Giuseppe Tartini, Sonata in G Minor for Violin, and Violoncello or Harpsichord, op.1, no. 10, &8220; Didone abbandonata&8221; Georg Philipp Telemann, Sonata in G Minor for Violin and Harpsichord

…PART II: THE EDITION OF THE WORKS Giuseppe Tartini, Sonata in G Minor, op.1, no. 10… …Didone abbandonata ….41 Georg Philipp Telemann, Sonata in G Minor, Twv 41:g1 ….53 Georg… …pieces are Giuseppe Tartini’s Sonata in G Minor for Violin, and Violoncello or Harpsichord, op… …1, no. 10, “Didone abbandonata”; Georg Philipp Telemann’s Sonata in G Minor for Violin and… …Sonata in G Minor for Violin, and Violoncello or Harpsichord, op.1, no. 10, “Didone abbandonata… 

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APA (6th Edition):

Clark, A. T. (2009). Five Late Baroque Works for String Instruments Transcribed for Clarinet and Piano: A Performance Edition with Commentary. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1243869380

Chicago Manual of Style (16th Edition):

Clark, Antoine Terrell. “Five Late Baroque Works for String Instruments Transcribed for Clarinet and Piano: A Performance Edition with Commentary.” 2009. Doctoral Dissertation, The Ohio State University. Accessed January 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243869380.

MLA Handbook (7th Edition):

Clark, Antoine Terrell. “Five Late Baroque Works for String Instruments Transcribed for Clarinet and Piano: A Performance Edition with Commentary.” 2009. Web. 20 Jan 2020.

Vancouver:

Clark AT. Five Late Baroque Works for String Instruments Transcribed for Clarinet and Piano: A Performance Edition with Commentary. [Internet] [Doctoral dissertation]. The Ohio State University; 2009. [cited 2020 Jan 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1243869380.

Council of Science Editors:

Clark AT. Five Late Baroque Works for String Instruments Transcribed for Clarinet and Piano: A Performance Edition with Commentary. [Doctoral Dissertation]. The Ohio State University; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1243869380

21. Krajciova, Jana. A study of J. S. Bach’s Toccata BWV 916, L. van Beethoven’s Sonata op. 31, no. 3, F. Chopin’s Ballade, op. 52, l. Janáček’s In the Mists, I, III; and S. Prokofiev’s Sonata, op. 28: historical, theoretical, stylistic and pedagogical implications.

Degree: MM, Department of Music, 2012, Kansas State University

 The following report analyzes compositions performed at the author’s Master’s Piano Recital on March 15, 2012. The discussed pieces are Johann Sebastian Bach’s Toccata in… (more)

Subjects/Keywords: Bach Toccata BWV 916; Beethoven Sonata No.18, op. 31 no. 3; Chopin Ballade No. 4 in F minor, op. 52; Janacek In the Mists: I. Andante, III. Andantino; Prokofiev Sonata No. 3 in A minor, op. 28; Music (0413); Performing Arts (0641)

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APA (6th Edition):

Krajciova, J. (2012). A study of J. S. Bach’s Toccata BWV 916, L. van Beethoven’s Sonata op. 31, no. 3, F. Chopin’s Ballade, op. 52, l. Janáček’s In the Mists, I, III; and S. Prokofiev’s Sonata, op. 28: historical, theoretical, stylistic and pedagogical implications. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/13738

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Krajciova, Jana. “A study of J. S. Bach’s Toccata BWV 916, L. van Beethoven’s Sonata op. 31, no. 3, F. Chopin’s Ballade, op. 52, l. Janáček’s In the Mists, I, III; and S. Prokofiev’s Sonata, op. 28: historical, theoretical, stylistic and pedagogical implications.” 2012. Thesis, Kansas State University. Accessed January 20, 2020. http://hdl.handle.net/2097/13738.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Krajciova, Jana. “A study of J. S. Bach’s Toccata BWV 916, L. van Beethoven’s Sonata op. 31, no. 3, F. Chopin’s Ballade, op. 52, l. Janáček’s In the Mists, I, III; and S. Prokofiev’s Sonata, op. 28: historical, theoretical, stylistic and pedagogical implications.” 2012. Web. 20 Jan 2020.

Vancouver:

Krajciova J. A study of J. S. Bach’s Toccata BWV 916, L. van Beethoven’s Sonata op. 31, no. 3, F. Chopin’s Ballade, op. 52, l. Janáček’s In the Mists, I, III; and S. Prokofiev’s Sonata, op. 28: historical, theoretical, stylistic and pedagogical implications. [Internet] [Thesis]. Kansas State University; 2012. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/2097/13738.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Krajciova J. A study of J. S. Bach’s Toccata BWV 916, L. van Beethoven’s Sonata op. 31, no. 3, F. Chopin’s Ballade, op. 52, l. Janáček’s In the Mists, I, III; and S. Prokofiev’s Sonata, op. 28: historical, theoretical, stylistic and pedagogical implications. [Thesis]. Kansas State University; 2012. Available from: http://hdl.handle.net/2097/13738

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan State University

22. Armstrong, Stephen Samuel. Liszt, his scholars, and the B-minor Ballade : a study of textural transformation.

Degree: 2014, Michigan State University

Thesis M.A. Michigan State University. Musicology 2014.

Franz Liszt (1811-1886) has long been valued as a colorful and controversial figure in nineteenth-century music, but the… (more)

Subjects/Keywords: Liszt, Franz, 1811-1886. Ballades, piano, no. 2, B minor; Liszt, Franz, 1811-1886 – Criticism and interpretation; Ballades (Instrumental music) – Analysis, appreciation; Piano music – Analysis, appreciation; Musical analysis; Music

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APA (6th Edition):

Armstrong, S. S. (2014). Liszt, his scholars, and the B-minor Ballade : a study of textural transformation. (Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:2739

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Armstrong, Stephen Samuel. “Liszt, his scholars, and the B-minor Ballade : a study of textural transformation.” 2014. Thesis, Michigan State University. Accessed January 20, 2020. http://etd.lib.msu.edu/islandora/object/etd:2739.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Armstrong, Stephen Samuel. “Liszt, his scholars, and the B-minor Ballade : a study of textural transformation.” 2014. Web. 20 Jan 2020.

Vancouver:

Armstrong SS. Liszt, his scholars, and the B-minor Ballade : a study of textural transformation. [Internet] [Thesis]. Michigan State University; 2014. [cited 2020 Jan 20]. Available from: http://etd.lib.msu.edu/islandora/object/etd:2739.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Armstrong SS. Liszt, his scholars, and the B-minor Ballade : a study of textural transformation. [Thesis]. Michigan State University; 2014. Available from: http://etd.lib.msu.edu/islandora/object/etd:2739

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

23. Wang, Yuchi Sophie. Edward MacDowell: A Poetic Voice as Seen in the “Eroica” and “Keltic” Sonatas.

Degree: DMA, College-Conservatory of Music: Piano, 2014, University of Cincinnati

 This study investigates the poetic voice of Edward MacDowell (1861–1908) through two largely unknown works: the “Eroica” and “Keltic” piano sonatas. Working within a tradition… (more)

Subjects/Keywords: Music; Performing Arts; MacDowell piano sonata; Eroica Sonata; Keltic Sonata; MacDowell poetic voice; motivic unity

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APA (6th Edition):

Wang, Y. S. (2014). Edward MacDowell: A Poetic Voice as Seen in the “Eroica” and “Keltic” Sonatas. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1396533402

Chicago Manual of Style (16th Edition):

Wang, Yuchi Sophie. “Edward MacDowell: A Poetic Voice as Seen in the “Eroica” and “Keltic” Sonatas.” 2014. Doctoral Dissertation, University of Cincinnati. Accessed January 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1396533402.

MLA Handbook (7th Edition):

Wang, Yuchi Sophie. “Edward MacDowell: A Poetic Voice as Seen in the “Eroica” and “Keltic” Sonatas.” 2014. Web. 20 Jan 2020.

Vancouver:

Wang YS. Edward MacDowell: A Poetic Voice as Seen in the “Eroica” and “Keltic” Sonatas. [Internet] [Doctoral dissertation]. University of Cincinnati; 2014. [cited 2020 Jan 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1396533402.

Council of Science Editors:

Wang YS. Edward MacDowell: A Poetic Voice as Seen in the “Eroica” and “Keltic” Sonatas. [Doctoral Dissertation]. University of Cincinnati; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1396533402


Louisiana State University

24. Lin, Chin-Ming Michelle. Three sonatas for piano by Emma Lou Diemer.

Degree: DMA, Music, 2007, Louisiana State University

 Emma Lou Diemer (1927- ), an eclectic, still active American composer, has composed in many different musical genres for both professional and amateur groups. She… (more)

Subjects/Keywords: Diemer; piano sonata

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APA (6th Edition):

Lin, C. M. (2007). Three sonatas for piano by Emma Lou Diemer. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-11072007-103105 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1660

Chicago Manual of Style (16th Edition):

Lin, Chin-Ming Michelle. “Three sonatas for piano by Emma Lou Diemer.” 2007. Doctoral Dissertation, Louisiana State University. Accessed January 20, 2020. etd-11072007-103105 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1660.

MLA Handbook (7th Edition):

Lin, Chin-Ming Michelle. “Three sonatas for piano by Emma Lou Diemer.” 2007. Web. 20 Jan 2020.

Vancouver:

Lin CM. Three sonatas for piano by Emma Lou Diemer. [Internet] [Doctoral dissertation]. Louisiana State University; 2007. [cited 2020 Jan 20]. Available from: etd-11072007-103105 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1660.

Council of Science Editors:

Lin CM. Three sonatas for piano by Emma Lou Diemer. [Doctoral Dissertation]. Louisiana State University; 2007. Available from: etd-11072007-103105 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1660


University of North Texas

25. Wang, Xiao. First Movement of Robert Schumann's Piano Sonata Op. 14 in F Minor from the Performer's Perspective: An Analytical Study of Four Editions.

Degree: 2018, University of North Texas

 The objective of this dissertation is to review the discrepancies between Concert Sans Orchestre and Grande Sonate edited by Ernst Herttrich, Grosse Sonate No.3 Op.14… (more)

Subjects/Keywords: Schumann; Piano; Sonata; Op.14; Musical Performances

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wang, X. (2018). First Movement of Robert Schumann's Piano Sonata Op. 14 in F Minor from the Performer's Perspective: An Analytical Study of Four Editions. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1157568/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wang, Xiao. “First Movement of Robert Schumann's Piano Sonata Op. 14 in F Minor from the Performer's Perspective: An Analytical Study of Four Editions.” 2018. Thesis, University of North Texas. Accessed January 20, 2020. https://digital.library.unt.edu/ark:/67531/metadc1157568/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wang, Xiao. “First Movement of Robert Schumann's Piano Sonata Op. 14 in F Minor from the Performer's Perspective: An Analytical Study of Four Editions.” 2018. Web. 20 Jan 2020.

Vancouver:

Wang X. First Movement of Robert Schumann's Piano Sonata Op. 14 in F Minor from the Performer's Perspective: An Analytical Study of Four Editions. [Internet] [Thesis]. University of North Texas; 2018. [cited 2020 Jan 20]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1157568/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wang X. First Movement of Robert Schumann's Piano Sonata Op. 14 in F Minor from the Performer's Perspective: An Analytical Study of Four Editions. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1157568/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

26. Park, Eun Jeong. Style And Performance Aspects In The Newly Published Piano Sonata By Witold Lutos?awski.

Degree: 2011, University of North Texas

 Polish composer Witold Lutos?awski (1913-1994) was one of the most representative composers of the twentieth-century. Lutos?awski’s style progressed from traditional to modern avant-garde. His Piano(more)

Subjects/Keywords: Witold Lutos?awski; piano sonata; compositional techniques

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Park, E. J. (2011). Style And Performance Aspects In The Newly Published Piano Sonata By Witold Lutos?awski. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc103370/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Park, Eun Jeong. “Style And Performance Aspects In The Newly Published Piano Sonata By Witold Lutos?awski.” 2011. Thesis, University of North Texas. Accessed January 20, 2020. https://digital.library.unt.edu/ark:/67531/metadc103370/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Park, Eun Jeong. “Style And Performance Aspects In The Newly Published Piano Sonata By Witold Lutos?awski.” 2011. Web. 20 Jan 2020.

Vancouver:

Park EJ. Style And Performance Aspects In The Newly Published Piano Sonata By Witold Lutos?awski. [Internet] [Thesis]. University of North Texas; 2011. [cited 2020 Jan 20]. Available from: https://digital.library.unt.edu/ark:/67531/metadc103370/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Park EJ. Style And Performance Aspects In The Newly Published Piano Sonata By Witold Lutos?awski. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc103370/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

27. Pátkai, Imre. The First Movement of Piano Sonata in B-flat Minor by Julius Reubke: a Comparison of Three Editions From the Performer’s Point of View.

Degree: 2014, University of North Texas

 The objective of this dissertation is to review the discrepancies between the first edition, Stradal’s edition and Marzocchi’s edition of Reubke’s piano sonata, providing assistance… (more)

Subjects/Keywords: Julius Reubke; piano sonata; edition; comparison

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pátkai, I. (2014). The First Movement of Piano Sonata in B-flat Minor by Julius Reubke: a Comparison of Three Editions From the Performer’s Point of View. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc699873/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pátkai, Imre. “The First Movement of Piano Sonata in B-flat Minor by Julius Reubke: a Comparison of Three Editions From the Performer’s Point of View.” 2014. Thesis, University of North Texas. Accessed January 20, 2020. https://digital.library.unt.edu/ark:/67531/metadc699873/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pátkai, Imre. “The First Movement of Piano Sonata in B-flat Minor by Julius Reubke: a Comparison of Three Editions From the Performer’s Point of View.” 2014. Web. 20 Jan 2020.

Vancouver:

Pátkai I. The First Movement of Piano Sonata in B-flat Minor by Julius Reubke: a Comparison of Three Editions From the Performer’s Point of View. [Internet] [Thesis]. University of North Texas; 2014. [cited 2020 Jan 20]. Available from: https://digital.library.unt.edu/ark:/67531/metadc699873/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pátkai I. The First Movement of Piano Sonata in B-flat Minor by Julius Reubke: a Comparison of Three Editions From the Performer’s Point of View. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc699873/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oklahoma

28. Isaacson, Andrea. The Piano Sonatas of Lowell Liebermann: A Performer's Analysis.

Degree: DMA, 2015, University of Oklahoma

 This overview of Liebermann’s three piano sonatas is intended as a resource for teachers and performers. After a brief background of the composer, the author… (more)

Subjects/Keywords: Liebermann; Piano; Sonata; American; 20th Century; Modern

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Isaacson, A. (2015). The Piano Sonatas of Lowell Liebermann: A Performer's Analysis. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/14559

Chicago Manual of Style (16th Edition):

Isaacson, Andrea. “The Piano Sonatas of Lowell Liebermann: A Performer's Analysis.” 2015. Doctoral Dissertation, University of Oklahoma. Accessed January 20, 2020. http://hdl.handle.net/11244/14559.

MLA Handbook (7th Edition):

Isaacson, Andrea. “The Piano Sonatas of Lowell Liebermann: A Performer's Analysis.” 2015. Web. 20 Jan 2020.

Vancouver:

Isaacson A. The Piano Sonatas of Lowell Liebermann: A Performer's Analysis. [Internet] [Doctoral dissertation]. University of Oklahoma; 2015. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/11244/14559.

Council of Science Editors:

Isaacson A. The Piano Sonatas of Lowell Liebermann: A Performer's Analysis. [Doctoral Dissertation]. University of Oklahoma; 2015. Available from: http://hdl.handle.net/11244/14559

29. Oliveira, Rafael Cesário. A sonata para violoncelo e piano de Almeida Prado: análise técnico/intepretativo.

Degree: Mestrado, Processos de Criação Musical, 2015, University of São Paulo

A Sonata para Violoncelo e Piano de Almeida Prado merece ocupar um papel de destaque na produção recente para o Violoncelo. Esse trabalho servirá como… (more)

Subjects/Keywords: Almeida Prado; Almeida Prado; Edição; Edition; Performance; Performance; Piano; Piano; Sonata; Sonata; Violoncelo; Violoncelo

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Oliveira, R. C. (2015). A sonata para violoncelo e piano de Almeida Prado: análise técnico/intepretativo. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-13112015-101808/ ;

Chicago Manual of Style (16th Edition):

Oliveira, Rafael Cesário. “A sonata para violoncelo e piano de Almeida Prado: análise técnico/intepretativo.” 2015. Masters Thesis, University of São Paulo. Accessed January 20, 2020. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-13112015-101808/ ;.

MLA Handbook (7th Edition):

Oliveira, Rafael Cesário. “A sonata para violoncelo e piano de Almeida Prado: análise técnico/intepretativo.” 2015. Web. 20 Jan 2020.

Vancouver:

Oliveira RC. A sonata para violoncelo e piano de Almeida Prado: análise técnico/intepretativo. [Internet] [Masters thesis]. University of São Paulo; 2015. [cited 2020 Jan 20]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-13112015-101808/ ;.

Council of Science Editors:

Oliveira RC. A sonata para violoncelo e piano de Almeida Prado: análise técnico/intepretativo. [Masters Thesis]. University of São Paulo; 2015. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-13112015-101808/ ;


NSYSU

30. Wei, Chen-Ann. A Study of Alban Bergâs Piano Sonata, Opus 1.

Degree: Master, Music, 2014, NSYSU

 The Piano Sonata op.1 was composed by Alban Berg (1885-1935) in 1908 while Berg still studied under Arnold Schoenberg (1874-1951). The piece is full of… (more)

Subjects/Keywords: Single-Movement Piano Sonata; Alban Berg; Piano Sonata Op.1; Developing Variation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wei, C. (2014). A Study of Alban Bergâs Piano Sonata, Opus 1. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0510114-190619

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wei, Chen-Ann. “A Study of Alban Bergâs Piano Sonata, Opus 1.” 2014. Thesis, NSYSU. Accessed January 20, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0510114-190619.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wei, Chen-Ann. “A Study of Alban Bergâs Piano Sonata, Opus 1.” 2014. Web. 20 Jan 2020.

Vancouver:

Wei C. A Study of Alban Bergâs Piano Sonata, Opus 1. [Internet] [Thesis]. NSYSU; 2014. [cited 2020 Jan 20]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0510114-190619.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wei C. A Study of Alban Bergâs Piano Sonata, Opus 1. [Thesis]. NSYSU; 2014. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0510114-190619

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2] [3] [4] [5] … [3119]

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