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Dates: 1985 – 1989

You searched for subject:(Piano Music). Showing records 1 – 27 of 27 total matches.

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The Ohio State University

1. Wood, Patricia Ann. The teaching of Abby Whiteside : rhythm and form in piano playing.

Degree: PhD, Graduate School, 1987, The Ohio State University

Subjects/Keywords: Music; Whiteside; Piano

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APA (6th Edition):

Wood, P. A. (1987). The teaching of Abby Whiteside : rhythm and form in piano playing. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487330761218311

Chicago Manual of Style (16th Edition):

Wood, Patricia Ann. “The teaching of Abby Whiteside : rhythm and form in piano playing.” 1987. Doctoral Dissertation, The Ohio State University. Accessed December 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487330761218311.

MLA Handbook (7th Edition):

Wood, Patricia Ann. “The teaching of Abby Whiteside : rhythm and form in piano playing.” 1987. Web. 14 Dec 2019.

Vancouver:

Wood PA. The teaching of Abby Whiteside : rhythm and form in piano playing. [Internet] [Doctoral dissertation]. The Ohio State University; 1987. [cited 2019 Dec 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487330761218311.

Council of Science Editors:

Wood PA. The teaching of Abby Whiteside : rhythm and form in piano playing. [Doctoral Dissertation]. The Ohio State University; 1987. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487330761218311


University of Arizona

2. Kim, HaeOk N. An Examination of Selected Contemporary Korean Piano Works .

Degree: 1988, University of Arizona

Subjects/Keywords: Piano music.; Music  – Korean.

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APA (6th Edition):

Kim, H. N. (1988). An Examination of Selected Contemporary Korean Piano Works . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/254512

Chicago Manual of Style (16th Edition):

Kim, HaeOk N. “An Examination of Selected Contemporary Korean Piano Works .” 1988. Doctoral Dissertation, University of Arizona. Accessed December 14, 2019. http://hdl.handle.net/10150/254512.

MLA Handbook (7th Edition):

Kim, HaeOk N. “An Examination of Selected Contemporary Korean Piano Works .” 1988. Web. 14 Dec 2019.

Vancouver:

Kim HN. An Examination of Selected Contemporary Korean Piano Works . [Internet] [Doctoral dissertation]. University of Arizona; 1988. [cited 2019 Dec 14]. Available from: http://hdl.handle.net/10150/254512.

Council of Science Editors:

Kim HN. An Examination of Selected Contemporary Korean Piano Works . [Doctoral Dissertation]. University of Arizona; 1988. Available from: http://hdl.handle.net/10150/254512


Kansas State University

3. Haydn, Joseph, 1732-1809. Sonatas, piano, H. XVI, 50, C major. A master's recital and lecture recital: Oiseaux tristes.

Degree: 1985, Kansas State University

Subjects/Keywords: Piano music; Sonatas (Piano); Waltzes; Concertos (Piano)2-piano scores

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APA (6th Edition):

Haydn, Joseph, 1732-1809. Sonatas, piano, H. XVI, 5. (1985). A master's recital and lecture recital: Oiseaux tristes. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/9818

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Haydn, Joseph, 1732-1809. Sonatas, piano, H. XVI, 50,. “A master's recital and lecture recital: Oiseaux tristes.” 1985. Thesis, Kansas State University. Accessed December 14, 2019. http://hdl.handle.net/2097/9818.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Haydn, Joseph, 1732-1809. Sonatas, piano, H. XVI, 50,. “A master's recital and lecture recital: Oiseaux tristes.” 1985. Web. 14 Dec 2019.

Vancouver:

Haydn, Joseph, 1732-1809. Sonatas, piano, H. XVI 5. A master's recital and lecture recital: Oiseaux tristes. [Internet] [Thesis]. Kansas State University; 1985. [cited 2019 Dec 14]. Available from: http://hdl.handle.net/2097/9818.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Haydn, Joseph, 1732-1809. Sonatas, piano, H. XVI 5. A master's recital and lecture recital: Oiseaux tristes. [Thesis]. Kansas State University; 1985. Available from: http://hdl.handle.net/2097/9818

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

4. Michal, Elva Tice. Teaching piano skills to handicapped persons through use of systematic instruction : a proposal.

Degree: PhD, Graduate School, 1987, The Ohio State University

Subjects/Keywords: Music; Piano; People with disabilities

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APA (6th Edition):

Michal, E. T. (1987). Teaching piano skills to handicapped persons through use of systematic instruction : a proposal. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487329662144625

Chicago Manual of Style (16th Edition):

Michal, Elva Tice. “Teaching piano skills to handicapped persons through use of systematic instruction : a proposal.” 1987. Doctoral Dissertation, The Ohio State University. Accessed December 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487329662144625.

MLA Handbook (7th Edition):

Michal, Elva Tice. “Teaching piano skills to handicapped persons through use of systematic instruction : a proposal.” 1987. Web. 14 Dec 2019.

Vancouver:

Michal ET. Teaching piano skills to handicapped persons through use of systematic instruction : a proposal. [Internet] [Doctoral dissertation]. The Ohio State University; 1987. [cited 2019 Dec 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487329662144625.

Council of Science Editors:

Michal ET. Teaching piano skills to handicapped persons through use of systematic instruction : a proposal. [Doctoral Dissertation]. The Ohio State University; 1987. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487329662144625


University of North Texas

5. Ahn, Joel, 1957-. A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos.

Degree: 1988, University of North Texas

 Charles Valentin Alkan (1813-1888), one of the great genii in music history, was widely misunderstood by his contemporaries because of his highly idiosyncratic ideas. From… (more)

Subjects/Keywords: piano music; piano performance; Charles Valentin Alkan; Alkan, Charles-Valentin, 1813-1888.  – Piano music.; Piano music  – Analysis, appreciation.

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APA (6th Edition):

Ahn, Joel, 1. (1988). A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc332384/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ahn, Joel, 1957-. “A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos.” 1988. Thesis, University of North Texas. Accessed December 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc332384/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ahn, Joel, 1957-. “A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos.” 1988. Web. 14 Dec 2019.

Vancouver:

Ahn, Joel 1. A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos. [Internet] [Thesis]. University of North Texas; 1988. [cited 2019 Dec 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc332384/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ahn, Joel 1. A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos. [Thesis]. University of North Texas; 1988. Available from: https://digital.library.unt.edu/ark:/67531/metadc332384/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

6. Telesco, Paula Jean. A HARMONIC ANALYSIS OF SELECTED PIANO MUSIC OF EMMANUEL CHABRIER.

Degree: 1985, University of Arizona

Subjects/Keywords: Piano music  – Analysis, appreciation.; Chabrier, Emmanuel, 1841-1894.  – Piano music.

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APA (6th Edition):

Telesco, P. J. (1985). A HARMONIC ANALYSIS OF SELECTED PIANO MUSIC OF EMMANUEL CHABRIER. (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/275317

Chicago Manual of Style (16th Edition):

Telesco, Paula Jean. “A HARMONIC ANALYSIS OF SELECTED PIANO MUSIC OF EMMANUEL CHABRIER. ” 1985. Masters Thesis, University of Arizona. Accessed December 14, 2019. http://hdl.handle.net/10150/275317.

MLA Handbook (7th Edition):

Telesco, Paula Jean. “A HARMONIC ANALYSIS OF SELECTED PIANO MUSIC OF EMMANUEL CHABRIER. ” 1985. Web. 14 Dec 2019.

Vancouver:

Telesco PJ. A HARMONIC ANALYSIS OF SELECTED PIANO MUSIC OF EMMANUEL CHABRIER. [Internet] [Masters thesis]. University of Arizona; 1985. [cited 2019 Dec 14]. Available from: http://hdl.handle.net/10150/275317.

Council of Science Editors:

Telesco PJ. A HARMONIC ANALYSIS OF SELECTED PIANO MUSIC OF EMMANUEL CHABRIER. [Masters Thesis]. University of Arizona; 1985. Available from: http://hdl.handle.net/10150/275317


University of Arizona

7. Dicus, Kent Timothy, 1958-. A stylistic analysis of selected piano works of Louis Moreau Gottschalk .

Degree: 1988, University of Arizona

 Although Louis Moreau Gottschalk's works are not generally recognized as being exceptionally significant in the development of musical style, they do serve as a link… (more)

Subjects/Keywords: Piano music  – Analysis, appreciation.; Gottschalk, Louis Moreau, 1829-1869.  – Piano music.

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APA (6th Edition):

Dicus, Kent Timothy, 1. (1988). A stylistic analysis of selected piano works of Louis Moreau Gottschalk . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/276718

Chicago Manual of Style (16th Edition):

Dicus, Kent Timothy, 1958-. “A stylistic analysis of selected piano works of Louis Moreau Gottschalk .” 1988. Masters Thesis, University of Arizona. Accessed December 14, 2019. http://hdl.handle.net/10150/276718.

MLA Handbook (7th Edition):

Dicus, Kent Timothy, 1958-. “A stylistic analysis of selected piano works of Louis Moreau Gottschalk .” 1988. Web. 14 Dec 2019.

Vancouver:

Dicus, Kent Timothy 1. A stylistic analysis of selected piano works of Louis Moreau Gottschalk . [Internet] [Masters thesis]. University of Arizona; 1988. [cited 2019 Dec 14]. Available from: http://hdl.handle.net/10150/276718.

Council of Science Editors:

Dicus, Kent Timothy 1. A stylistic analysis of selected piano works of Louis Moreau Gottschalk . [Masters Thesis]. University of Arizona; 1988. Available from: http://hdl.handle.net/10150/276718


University of Tasmania

8. Zocchi, Robert. Busoni and the piano.

Degree: 1986, University of Tasmania

 This presentation concerns itself with the piano music of Ferruccio Busoni (1866-1924). Its aim is to examine this music with a view to determining what… (more)

Subjects/Keywords: Busoni; Ferruccio; 1866-1924; Piano music

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APA (6th Edition):

Zocchi, R. (1986). Busoni and the piano. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/22340/1/whole_ZocchiRobert1986_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zocchi, Robert. “Busoni and the piano.” 1986. Thesis, University of Tasmania. Accessed December 14, 2019. https://eprints.utas.edu.au/22340/1/whole_ZocchiRobert1986_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zocchi, Robert. “Busoni and the piano.” 1986. Web. 14 Dec 2019.

Vancouver:

Zocchi R. Busoni and the piano. [Internet] [Thesis]. University of Tasmania; 1986. [cited 2019 Dec 14]. Available from: https://eprints.utas.edu.au/22340/1/whole_ZocchiRobert1986_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zocchi R. Busoni and the piano. [Thesis]. University of Tasmania; 1986. Available from: https://eprints.utas.edu.au/22340/1/whole_ZocchiRobert1986_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tasmania

9. Lin, En Pei. Development of piano in China.

Degree: 1989, University of Tasmania

 For the past sixty years, Chinese musicians, especially pianists, piano teachers and composers for piano, have made great efforts to develop Chinese piano music and… (more)

Subjects/Keywords: piano music; China; music history and criticism

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APA (6th Edition):

Lin, E. P. (1989). Development of piano in China. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/17422/1/whole-lin-thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lin, En Pei. “Development of piano in China.” 1989. Thesis, University of Tasmania. Accessed December 14, 2019. https://eprints.utas.edu.au/17422/1/whole-lin-thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lin, En Pei. “Development of piano in China.” 1989. Web. 14 Dec 2019.

Vancouver:

Lin EP. Development of piano in China. [Internet] [Thesis]. University of Tasmania; 1989. [cited 2019 Dec 14]. Available from: https://eprints.utas.edu.au/17422/1/whole-lin-thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lin EP. Development of piano in China. [Thesis]. University of Tasmania; 1989. Available from: https://eprints.utas.edu.au/17422/1/whole-lin-thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Mahoney, J. Jeffrey. The Elements of Jazz Harmony and Analysis.

Degree: 1986, North Texas State University

 This study develops a method for analyzing jazz piano music, primarily focusing on the era 1935-1950. The method is based on axiomatic concepts of jazz… (more)

Subjects/Keywords: music theory; piano music; jazz analysis; Jazz  – Analysis, appreciation.; Piano music (Jazz)  – Analysis, appreciation.; Harmonic analysis (Music)

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APA (6th Edition):

Mahoney, J. J. (1986). The Elements of Jazz Harmony and Analysis. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500764/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mahoney, J Jeffrey. “The Elements of Jazz Harmony and Analysis.” 1986. Thesis, North Texas State University. Accessed December 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc500764/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mahoney, J Jeffrey. “The Elements of Jazz Harmony and Analysis.” 1986. Web. 14 Dec 2019.

Vancouver:

Mahoney JJ. The Elements of Jazz Harmony and Analysis. [Internet] [Thesis]. North Texas State University; 1986. [cited 2019 Dec 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500764/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mahoney JJ. The Elements of Jazz Harmony and Analysis. [Thesis]. North Texas State University; 1986. Available from: https://digital.library.unt.edu/ark:/67531/metadc500764/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Cloutier, David, 1948-. A Comparison of the Transcription Techniques of Godowsky and Liszt as Exemplified in Their Transcriptions of Three Schubert Lieder.

Degree: 1987, North Texas State University

 This investigation sought to compare the transcription techniques of two pianist-composers, Godowsky and Liszt, using three Schubert lieder as examples. The lieder were "Das Wandern"… (more)

Subjects/Keywords: piano music; composers; music transcription; piano transcription; Godowsky, Leopold,  – 1870-1938.; Liszt, Franz,  – 1811-1886.; Schubert, Franz,  – 1797-1828.  – Songs.; Piano music  – History and criticism.; Arrangement (Music)

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APA (6th Edition):

Cloutier, David, 1. (1987). A Comparison of the Transcription Techniques of Godowsky and Liszt as Exemplified in Their Transcriptions of Three Schubert Lieder. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc331767/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cloutier, David, 1948-. “A Comparison of the Transcription Techniques of Godowsky and Liszt as Exemplified in Their Transcriptions of Three Schubert Lieder.” 1987. Thesis, North Texas State University. Accessed December 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc331767/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cloutier, David, 1948-. “A Comparison of the Transcription Techniques of Godowsky and Liszt as Exemplified in Their Transcriptions of Three Schubert Lieder.” 1987. Web. 14 Dec 2019.

Vancouver:

Cloutier, David 1. A Comparison of the Transcription Techniques of Godowsky and Liszt as Exemplified in Their Transcriptions of Three Schubert Lieder. [Internet] [Thesis]. North Texas State University; 1987. [cited 2019 Dec 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc331767/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cloutier, David 1. A Comparison of the Transcription Techniques of Godowsky and Liszt as Exemplified in Their Transcriptions of Three Schubert Lieder. [Thesis]. North Texas State University; 1987. Available from: https://digital.library.unt.edu/ark:/67531/metadc331767/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

12. Ferenc, Anna. The post-tonal compositional method of Nikolay Andreyevich Roslavets : an analysis of his five preludes for piano.

Degree: MA, Faculty of Music., 1989, McGill University

Subjects/Keywords: Roslavet︠s︡, Nicolaĭ Andreevich, 1881-1944. Preludes, piano; Piano music  – Analysis, appreciation.; Tonality

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APA (6th Edition):

Ferenc, A. (1989). The post-tonal compositional method of Nikolay Andreyevich Roslavets : an analysis of his five preludes for piano. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile61975.pdf

Chicago Manual of Style (16th Edition):

Ferenc, Anna. “The post-tonal compositional method of Nikolay Andreyevich Roslavets : an analysis of his five preludes for piano.” 1989. Masters Thesis, McGill University. Accessed December 14, 2019. http://digitool.library.mcgill.ca/thesisfile61975.pdf.

MLA Handbook (7th Edition):

Ferenc, Anna. “The post-tonal compositional method of Nikolay Andreyevich Roslavets : an analysis of his five preludes for piano.” 1989. Web. 14 Dec 2019.

Vancouver:

Ferenc A. The post-tonal compositional method of Nikolay Andreyevich Roslavets : an analysis of his five preludes for piano. [Internet] [Masters thesis]. McGill University; 1989. [cited 2019 Dec 14]. Available from: http://digitool.library.mcgill.ca/thesisfile61975.pdf.

Council of Science Editors:

Ferenc A. The post-tonal compositional method of Nikolay Andreyevich Roslavets : an analysis of his five preludes for piano. [Masters Thesis]. McGill University; 1989. Available from: http://digitool.library.mcgill.ca/thesisfile61975.pdf


University of Oklahoma

13. Kou, Mei-ling Lai. Secondary piano instruction in the colleges and universities of the Republic of China with recommendations for incorporating American group piano instructional methods into the curricula /: Secondary piano instruction in the colleges and universities of the Republic of China ...

Degree: PhD, 1985, University of Oklahoma

 All seven colleges and universities completed and returned the questionnaires. A general description of the participating schools was presented with specific information on music degree… (more)

Subjects/Keywords: Education, Music.; Piano Methods Group instruction.; Piano Instruction and study.

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APA (6th Edition):

Kou, M. L. (1985). Secondary piano instruction in the colleges and universities of the Republic of China with recommendations for incorporating American group piano instructional methods into the curricula /: Secondary piano instruction in the colleges and universities of the Republic of China ... (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/5381

Chicago Manual of Style (16th Edition):

Kou, Mei-ling Lai. “Secondary piano instruction in the colleges and universities of the Republic of China with recommendations for incorporating American group piano instructional methods into the curricula /: Secondary piano instruction in the colleges and universities of the Republic of China ...” 1985. Doctoral Dissertation, University of Oklahoma. Accessed December 14, 2019. http://hdl.handle.net/11244/5381.

MLA Handbook (7th Edition):

Kou, Mei-ling Lai. “Secondary piano instruction in the colleges and universities of the Republic of China with recommendations for incorporating American group piano instructional methods into the curricula /: Secondary piano instruction in the colleges and universities of the Republic of China ...” 1985. Web. 14 Dec 2019.

Vancouver:

Kou ML. Secondary piano instruction in the colleges and universities of the Republic of China with recommendations for incorporating American group piano instructional methods into the curricula /: Secondary piano instruction in the colleges and universities of the Republic of China ... [Internet] [Doctoral dissertation]. University of Oklahoma; 1985. [cited 2019 Dec 14]. Available from: http://hdl.handle.net/11244/5381.

Council of Science Editors:

Kou ML. Secondary piano instruction in the colleges and universities of the Republic of China with recommendations for incorporating American group piano instructional methods into the curricula /: Secondary piano instruction in the colleges and universities of the Republic of China ... [Doctoral Dissertation]. University of Oklahoma; 1985. Available from: http://hdl.handle.net/11244/5381


University of North Texas

14. Goodall, John W. (John Williams). A Stylistic Analysis of Charles Martin Loeffler's Deux Rapsodies for Oboe, Viola and Piano, L'étang and La cornemuse, After Poems by Maurice Rollinat: A Lecture Recital, Together with Three Recitals of Selected Works by E. Rubbra, D. Beaty, B. Britten, W.A. Mozart, and Others.

Degree: 1988, University of North Texas

 At the turn of this century, Charles Martin Loeffler (1861-1935) was considered to be among the finest of the handful of well-known American composers of… (more)

Subjects/Keywords: rapsodies; piano music; oboe music; viola music; Loeffler, Charles Martin, 1861-1935.  – Rapsodies,  – piano, oboe, viola.

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APA (6th Edition):

Goodall, J. W. (. W. (1988). A Stylistic Analysis of Charles Martin Loeffler's Deux Rapsodies for Oboe, Viola and Piano, L'étang and La cornemuse, After Poems by Maurice Rollinat: A Lecture Recital, Together with Three Recitals of Selected Works by E. Rubbra, D. Beaty, B. Britten, W.A. Mozart, and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc332159/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Goodall, John W (John Williams). “A Stylistic Analysis of Charles Martin Loeffler's Deux Rapsodies for Oboe, Viola and Piano, L'étang and La cornemuse, After Poems by Maurice Rollinat: A Lecture Recital, Together with Three Recitals of Selected Works by E. Rubbra, D. Beaty, B. Britten, W.A. Mozart, and Others.” 1988. Thesis, University of North Texas. Accessed December 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc332159/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Goodall, John W (John Williams). “A Stylistic Analysis of Charles Martin Loeffler's Deux Rapsodies for Oboe, Viola and Piano, L'étang and La cornemuse, After Poems by Maurice Rollinat: A Lecture Recital, Together with Three Recitals of Selected Works by E. Rubbra, D. Beaty, B. Britten, W.A. Mozart, and Others.” 1988. Web. 14 Dec 2019.

Vancouver:

Goodall JW(W. A Stylistic Analysis of Charles Martin Loeffler's Deux Rapsodies for Oboe, Viola and Piano, L'étang and La cornemuse, After Poems by Maurice Rollinat: A Lecture Recital, Together with Three Recitals of Selected Works by E. Rubbra, D. Beaty, B. Britten, W.A. Mozart, and Others. [Internet] [Thesis]. University of North Texas; 1988. [cited 2019 Dec 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc332159/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Goodall JW(W. A Stylistic Analysis of Charles Martin Loeffler's Deux Rapsodies for Oboe, Viola and Piano, L'étang and La cornemuse, After Poems by Maurice Rollinat: A Lecture Recital, Together with Three Recitals of Selected Works by E. Rubbra, D. Beaty, B. Britten, W.A. Mozart, and Others. [Thesis]. University of North Texas; 1988. Available from: https://digital.library.unt.edu/ark:/67531/metadc332159/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Yang, Shu-mei. Piano Music of Native Chinese Composers, with Particular Focus on the Piano Works Since 1950: a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, L.v. Beethoven, S. Prokofiev, F. Chopin, R. Schumann, J. Brahms, M. Ravel, and A. Skryabin.

Degree: 1988, North Texas State University

 This documents aims at the identification of the sources of influence upon the styles of selected 20th century Chinese composers. Personal influences are reflected as… (more)

Subjects/Keywords: Chinese composers; piano music; Chinese music; Instrumental music  – China  – 20th century  – History and criticism.; Instrumental music  – Taiwan  – 20th century  – History and criticism.; Piano music  – Analysis, appreciation.

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APA (6th Edition):

Yang, S. (1988). Piano Music of Native Chinese Composers, with Particular Focus on the Piano Works Since 1950: a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, L.v. Beethoven, S. Prokofiev, F. Chopin, R. Schumann, J. Brahms, M. Ravel, and A. Skryabin. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc331819/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yang, Shu-mei. “Piano Music of Native Chinese Composers, with Particular Focus on the Piano Works Since 1950: a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, L.v. Beethoven, S. Prokofiev, F. Chopin, R. Schumann, J. Brahms, M. Ravel, and A. Skryabin.” 1988. Thesis, North Texas State University. Accessed December 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc331819/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yang, Shu-mei. “Piano Music of Native Chinese Composers, with Particular Focus on the Piano Works Since 1950: a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, L.v. Beethoven, S. Prokofiev, F. Chopin, R. Schumann, J. Brahms, M. Ravel, and A. Skryabin.” 1988. Web. 14 Dec 2019.

Vancouver:

Yang S. Piano Music of Native Chinese Composers, with Particular Focus on the Piano Works Since 1950: a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, L.v. Beethoven, S. Prokofiev, F. Chopin, R. Schumann, J. Brahms, M. Ravel, and A. Skryabin. [Internet] [Thesis]. North Texas State University; 1988. [cited 2019 Dec 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc331819/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yang S. Piano Music of Native Chinese Composers, with Particular Focus on the Piano Works Since 1950: a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, L.v. Beethoven, S. Prokofiev, F. Chopin, R. Schumann, J. Brahms, M. Ravel, and A. Skryabin. [Thesis]. North Texas State University; 1988. Available from: https://digital.library.unt.edu/ark:/67531/metadc331819/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

16. Luo, Yeou-Huey. The Influence of Chinese Folk and Instrumental Music on Tcherepnin's "Chinese mikrokosmos": A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W.A. Mozart, C. Debussy, S. Rachmaninoff, D. Shostakovich, and Others.

Degree: 1988, University of North Texas

 One of the most important compositional theories of Alexander Tcherepnin (1899-1977), Russian-American composer and pianist, is the Eurasian ideology, which was a result of the… (more)

Subjects/Keywords: piano music; Tcherepnin, Alexander; Russian-American composers; Eurasian ideology; Eastern culture; Tcherepnin, Alexander, 1899-1977  – Sources.; Tcherepnin, Alexander, 1899-1977.  – Piano music.; Piano music  – Analysis, appreciation.; Folk music  – China.; Instrumental music  – China.

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APA (6th Edition):

Luo, Y. (1988). The Influence of Chinese Folk and Instrumental Music on Tcherepnin's "Chinese mikrokosmos": A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W.A. Mozart, C. Debussy, S. Rachmaninoff, D. Shostakovich, and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc332339/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Luo, Yeou-Huey. “The Influence of Chinese Folk and Instrumental Music on Tcherepnin's "Chinese mikrokosmos": A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W.A. Mozart, C. Debussy, S. Rachmaninoff, D. Shostakovich, and Others.” 1988. Thesis, University of North Texas. Accessed December 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc332339/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Luo, Yeou-Huey. “The Influence of Chinese Folk and Instrumental Music on Tcherepnin's "Chinese mikrokosmos": A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W.A. Mozart, C. Debussy, S. Rachmaninoff, D. Shostakovich, and Others.” 1988. Web. 14 Dec 2019.

Vancouver:

Luo Y. The Influence of Chinese Folk and Instrumental Music on Tcherepnin's "Chinese mikrokosmos": A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W.A. Mozart, C. Debussy, S. Rachmaninoff, D. Shostakovich, and Others. [Internet] [Thesis]. University of North Texas; 1988. [cited 2019 Dec 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc332339/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Luo Y. The Influence of Chinese Folk and Instrumental Music on Tcherepnin's "Chinese mikrokosmos": A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W.A. Mozart, C. Debussy, S. Rachmaninoff, D. Shostakovich, and Others. [Thesis]. University of North Texas; 1988. Available from: https://digital.library.unt.edu/ark:/67531/metadc332339/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

17. Crane, Joyce L. (Joyce Lydia). Independent Piano Teachers: An Investigation of Their Attitudes toward Selected Attributes of Profession.

Degree: 1989, University of North Texas

 The purpose of the study was to investigate independent piano teachers' view of themselves in the light of selected attributes found in sociological writings on… (more)

Subjects/Keywords: music teachers; professional attributes; personal background; piano teachers; Music teachers  – Attitudes.; Piano  – Instruction and study.; Professional socialization.

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APA (6th Edition):

Crane, J. L. (. L. (1989). Independent Piano Teachers: An Investigation of Their Attitudes toward Selected Attributes of Profession. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc330700/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Crane, Joyce L (Joyce Lydia). “Independent Piano Teachers: An Investigation of Their Attitudes toward Selected Attributes of Profession.” 1989. Thesis, University of North Texas. Accessed December 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc330700/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Crane, Joyce L (Joyce Lydia). “Independent Piano Teachers: An Investigation of Their Attitudes toward Selected Attributes of Profession.” 1989. Web. 14 Dec 2019.

Vancouver:

Crane JL(L. Independent Piano Teachers: An Investigation of Their Attitudes toward Selected Attributes of Profession. [Internet] [Thesis]. University of North Texas; 1989. [cited 2019 Dec 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc330700/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crane JL(L. Independent Piano Teachers: An Investigation of Their Attitudes toward Selected Attributes of Profession. [Thesis]. University of North Texas; 1989. Available from: https://digital.library.unt.edu/ark:/67531/metadc330700/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

18. Hollingsworth, Mark Stanton. Romanzas for Clarinet and Piano by Ernesto Cavallini: A Lecture Recital Together with Three Other Recitals.

Degree: 1989, University of North Texas

 The lecture was given on September 25, 1989. The discussion dealt with the stylistic characteristics of music for clarinet by Ernesto Cavallini and included a… (more)

Subjects/Keywords: Cavallini, Ernesto, 1807-1874.  – Clarinet, piano music.; Clarinet and piano music  – Analysis, appreciation.; romanzas; clarinet; lyrical expression

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APA (6th Edition):

Hollingsworth, M. S. (1989). Romanzas for Clarinet and Piano by Ernesto Cavallini: A Lecture Recital Together with Three Other Recitals. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc330885/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hollingsworth, Mark Stanton. “Romanzas for Clarinet and Piano by Ernesto Cavallini: A Lecture Recital Together with Three Other Recitals.” 1989. Thesis, University of North Texas. Accessed December 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc330885/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hollingsworth, Mark Stanton. “Romanzas for Clarinet and Piano by Ernesto Cavallini: A Lecture Recital Together with Three Other Recitals.” 1989. Web. 14 Dec 2019.

Vancouver:

Hollingsworth MS. Romanzas for Clarinet and Piano by Ernesto Cavallini: A Lecture Recital Together with Three Other Recitals. [Internet] [Thesis]. University of North Texas; 1989. [cited 2019 Dec 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc330885/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hollingsworth MS. Romanzas for Clarinet and Piano by Ernesto Cavallini: A Lecture Recital Together with Three Other Recitals. [Thesis]. University of North Texas; 1989. Available from: https://digital.library.unt.edu/ark:/67531/metadc330885/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

19. Schryer, Claude. A kindred spirit : (1985) : for flute, bass clarinet, cello, guitar, percussion and piano [and tape].

Degree: MM, Faculty of Music., 1989, McGill University

Research on the musical language as well as the technical realisation of the tape part to a kindred spirit, for ensemble and tape, was realised… (more)

Subjects/Keywords: Septets (Piano, clarinet, flute, guitar, percussion, electronics, violoncello)  – Scores; Electronic music

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APA (6th Edition):

Schryer, C. (1989). A kindred spirit : (1985) : for flute, bass clarinet, cello, guitar, percussion and piano [and tape]. (Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile61257.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schryer, Claude. “A kindred spirit : (1985) : for flute, bass clarinet, cello, guitar, percussion and piano [and tape].” 1989. Thesis, McGill University. Accessed December 14, 2019. http://digitool.library.mcgill.ca/thesisfile61257.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schryer, Claude. “A kindred spirit : (1985) : for flute, bass clarinet, cello, guitar, percussion and piano [and tape].” 1989. Web. 14 Dec 2019.

Vancouver:

Schryer C. A kindred spirit : (1985) : for flute, bass clarinet, cello, guitar, percussion and piano [and tape]. [Internet] [Thesis]. McGill University; 1989. [cited 2019 Dec 14]. Available from: http://digitool.library.mcgill.ca/thesisfile61257.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schryer C. A kindred spirit : (1985) : for flute, bass clarinet, cello, guitar, percussion and piano [and tape]. [Thesis]. McGill University; 1989. Available from: http://digitool.library.mcgill.ca/thesisfile61257.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

20. Coote, Darryl Glen. The influences of Alfred Cortot on the performance, teaching and research-editing of piano music from the Romantic era.

Degree: 1989, University of Melbourne

 Now that Alfred Cortot has been dead for more than a quarter of a century, one may ask: “Wherein lies the justification in studying the… (more)

Subjects/Keywords: Alfred Cortot (1877-1962); pianists; piano music; France; 19th century

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APA (6th Edition):

Coote, D. G. (1989). The influences of Alfred Cortot on the performance, teaching and research-editing of piano music from the Romantic era. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/37451

Chicago Manual of Style (16th Edition):

Coote, Darryl Glen. “The influences of Alfred Cortot on the performance, teaching and research-editing of piano music from the Romantic era.” 1989. Masters Thesis, University of Melbourne. Accessed December 14, 2019. http://hdl.handle.net/11343/37451.

MLA Handbook (7th Edition):

Coote, Darryl Glen. “The influences of Alfred Cortot on the performance, teaching and research-editing of piano music from the Romantic era.” 1989. Web. 14 Dec 2019.

Vancouver:

Coote DG. The influences of Alfred Cortot on the performance, teaching and research-editing of piano music from the Romantic era. [Internet] [Masters thesis]. University of Melbourne; 1989. [cited 2019 Dec 14]. Available from: http://hdl.handle.net/11343/37451.

Council of Science Editors:

Coote DG. The influences of Alfred Cortot on the performance, teaching and research-editing of piano music from the Romantic era. [Masters Thesis]. University of Melbourne; 1989. Available from: http://hdl.handle.net/11343/37451


University of Arizona

21. Knoll, Moises S. A study of selected Liszt transcriptions of Schubert Lieder: aesthetic and technical aspects .

Degree: 1989, University of Arizona

 Franz Peter Schubert (1797-1828) created the accompanied art song as we know it. His achievement as a composer of Lieder stands at the very core… (more)

Subjects/Keywords: lecture recital document; Schubert, Franz, 1797-1828 – Criticism and interpretation.; Piano music

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APA (6th Edition):

Knoll, M. S. (1989). A study of selected Liszt transcriptions of Schubert Lieder: aesthetic and technical aspects . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/624863

Chicago Manual of Style (16th Edition):

Knoll, Moises S. “A study of selected Liszt transcriptions of Schubert Lieder: aesthetic and technical aspects .” 1989. Doctoral Dissertation, University of Arizona. Accessed December 14, 2019. http://hdl.handle.net/10150/624863.

MLA Handbook (7th Edition):

Knoll, Moises S. “A study of selected Liszt transcriptions of Schubert Lieder: aesthetic and technical aspects .” 1989. Web. 14 Dec 2019.

Vancouver:

Knoll MS. A study of selected Liszt transcriptions of Schubert Lieder: aesthetic and technical aspects . [Internet] [Doctoral dissertation]. University of Arizona; 1989. [cited 2019 Dec 14]. Available from: http://hdl.handle.net/10150/624863.

Council of Science Editors:

Knoll MS. A study of selected Liszt transcriptions of Schubert Lieder: aesthetic and technical aspects . [Doctoral Dissertation]. University of Arizona; 1989. Available from: http://hdl.handle.net/10150/624863


University of Florida

22. Johnson, Mary Ray, 1944-. The development of techniques for teaching the various uses of the pedals of the contemporary grand piano.

Degree: 1989, University of Florida

Subjects/Keywords: Keyboard music; Music education; Music teachers; Musical chords; Musical phrases; Pianists; Piano pedals; Pianos; Teachers; Toes

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APA (6th Edition):

Johnson, Mary Ray, 1. (1989). The development of techniques for teaching the various uses of the pedals of the contemporary grand piano. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00022198

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Johnson, Mary Ray, 1944-. “The development of techniques for teaching the various uses of the pedals of the contemporary grand piano.” 1989. Thesis, University of Florida. Accessed December 14, 2019. http://ufdc.ufl.edu/AA00022198.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Johnson, Mary Ray, 1944-. “The development of techniques for teaching the various uses of the pedals of the contemporary grand piano.” 1989. Web. 14 Dec 2019.

Vancouver:

Johnson, Mary Ray 1. The development of techniques for teaching the various uses of the pedals of the contemporary grand piano. [Internet] [Thesis]. University of Florida; 1989. [cited 2019 Dec 14]. Available from: http://ufdc.ufl.edu/AA00022198.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Johnson, Mary Ray 1. The development of techniques for teaching the various uses of the pedals of the contemporary grand piano. [Thesis]. University of Florida; 1989. Available from: http://ufdc.ufl.edu/AA00022198

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan State University

23. Schults-Berndt, Elfie Diana. Friedrich Heinrich Himmel's grande sonate pour deux pianoforte : a performance edition.

Degree: PhD, Department of Music, 1986, Michigan State University

PDF is incomplete

Subjects/Keywords: Himmel, Friedrich Heinrich, 1765-1814 – Criticism and interpretation; Music – Analysis, interpretation; Sonatas (Pianos (2)); Piano music (Pianos (2))

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APA (6th Edition):

Schults-Berndt, E. D. (1986). Friedrich Heinrich Himmel's grande sonate pour deux pianoforte : a performance edition. (Doctoral Dissertation). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:47664

Chicago Manual of Style (16th Edition):

Schults-Berndt, Elfie Diana. “Friedrich Heinrich Himmel's grande sonate pour deux pianoforte : a performance edition.” 1986. Doctoral Dissertation, Michigan State University. Accessed December 14, 2019. http://etd.lib.msu.edu/islandora/object/etd:47664.

MLA Handbook (7th Edition):

Schults-Berndt, Elfie Diana. “Friedrich Heinrich Himmel's grande sonate pour deux pianoforte : a performance edition.” 1986. Web. 14 Dec 2019.

Vancouver:

Schults-Berndt ED. Friedrich Heinrich Himmel's grande sonate pour deux pianoforte : a performance edition. [Internet] [Doctoral dissertation]. Michigan State University; 1986. [cited 2019 Dec 14]. Available from: http://etd.lib.msu.edu/islandora/object/etd:47664.

Council of Science Editors:

Schults-Berndt ED. Friedrich Heinrich Himmel's grande sonate pour deux pianoforte : a performance edition. [Doctoral Dissertation]. Michigan State University; 1986. Available from: http://etd.lib.msu.edu/islandora/object/etd:47664


University of North Texas

24. Seligson, Robert Jan. The Rapsodie for Orchestra and Saxophone by Claude Debussy: a Comparison of Two Performance Editions.

Degree: 1988, University of North Texas

 This paper discusses the historical background of the Rapsodie for Orchestra and Saxophone by Claude Debussy and includes a comparison of two piano performance editions.… (more)

Subjects/Keywords: Rapsodie For Orchestra and Saxophone; saxophone; Claude Debussy; Elise Hall; piano reductions; Eugene Rousseau; Debussy, Claude, 1862-1918.  – Rhapsodies, saxophone, piano.; Arrangement (Music)  – Case studies.

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APA (6th Edition):

Seligson, R. J. (1988). The Rapsodie for Orchestra and Saxophone by Claude Debussy: a Comparison of Two Performance Editions. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc330587/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Seligson, Robert Jan. “The Rapsodie for Orchestra and Saxophone by Claude Debussy: a Comparison of Two Performance Editions.” 1988. Thesis, University of North Texas. Accessed December 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc330587/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Seligson, Robert Jan. “The Rapsodie for Orchestra and Saxophone by Claude Debussy: a Comparison of Two Performance Editions.” 1988. Web. 14 Dec 2019.

Vancouver:

Seligson RJ. The Rapsodie for Orchestra and Saxophone by Claude Debussy: a Comparison of Two Performance Editions. [Internet] [Thesis]. University of North Texas; 1988. [cited 2019 Dec 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc330587/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Seligson RJ. The Rapsodie for Orchestra and Saxophone by Claude Debussy: a Comparison of Two Performance Editions. [Thesis]. University of North Texas; 1988. Available from: https://digital.library.unt.edu/ark:/67531/metadc330587/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

25. Hansen, Mark R. (Mark Russell). The Pedagogical Methods of Enrique Granados and Frank Marshall: an Illumination of Relevance to Performance Practice and Interpretation in Granados' Escenas Románticas, a Lecture Recital, together with Three Recitals of Selected Works of Schubert, Pofkofieff, Chopin, Poulenc, and Rachmaninoff.

Degree: 1988, University of North Texas

 Enrique Granados, Frank Marshall, and Alicia de Larrocha are the chief exponents of a school of piano playing characterized by special attention to details of… (more)

Subjects/Keywords: piano performance; music pedagogy; Spanish pianists; Enrique Granados; Frank Marshall; Escenas Románticas; Granados, Enrique, 1867-1916.; Marshall, Frank, 1883-1959.; Granados, Enrique, 1867-1916.  – Escenas románticas.; Piano  – Performance.; Piano  – Instruction and study  – Spain.; Performance practice (Music)  – Spain  – 19th century.; Performance practice (Music)  – Spain  – 20th century.

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APA (6th Edition):

Hansen, M. R. (. R. (1988). The Pedagogical Methods of Enrique Granados and Frank Marshall: an Illumination of Relevance to Performance Practice and Interpretation in Granados' Escenas Románticas, a Lecture Recital, together with Three Recitals of Selected Works of Schubert, Pofkofieff, Chopin, Poulenc, and Rachmaninoff. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc332111/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hansen, Mark R (Mark Russell). “The Pedagogical Methods of Enrique Granados and Frank Marshall: an Illumination of Relevance to Performance Practice and Interpretation in Granados' Escenas Románticas, a Lecture Recital, together with Three Recitals of Selected Works of Schubert, Pofkofieff, Chopin, Poulenc, and Rachmaninoff.” 1988. Thesis, University of North Texas. Accessed December 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc332111/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hansen, Mark R (Mark Russell). “The Pedagogical Methods of Enrique Granados and Frank Marshall: an Illumination of Relevance to Performance Practice and Interpretation in Granados' Escenas Románticas, a Lecture Recital, together with Three Recitals of Selected Works of Schubert, Pofkofieff, Chopin, Poulenc, and Rachmaninoff.” 1988. Web. 14 Dec 2019.

Vancouver:

Hansen MR(R. The Pedagogical Methods of Enrique Granados and Frank Marshall: an Illumination of Relevance to Performance Practice and Interpretation in Granados' Escenas Románticas, a Lecture Recital, together with Three Recitals of Selected Works of Schubert, Pofkofieff, Chopin, Poulenc, and Rachmaninoff. [Internet] [Thesis]. University of North Texas; 1988. [cited 2019 Dec 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc332111/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hansen MR(R. The Pedagogical Methods of Enrique Granados and Frank Marshall: an Illumination of Relevance to Performance Practice and Interpretation in Granados' Escenas Románticas, a Lecture Recital, together with Three Recitals of Selected Works of Schubert, Pofkofieff, Chopin, Poulenc, and Rachmaninoff. [Thesis]. University of North Texas; 1988. Available from: https://digital.library.unt.edu/ark:/67531/metadc332111/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

26. Larsen, Janeen Jess, 1949-. Teaching basic jazz piano skills to classically-trained adult pianists a mastery learning approach.

Degree: 1986, University of Florida

Subjects/Keywords: Course evaluation; Educational evaluation; Jazz; Keyboard music; Music education; Music students; Pianists; Seventh chords; Students; Teachers; Educational Leadership thesis Ph. D; Jazz  – Instruction and study; Piano music (Jazz)  – Instruction and study

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Larsen, Janeen Jess, 1. (1986). Teaching basic jazz piano skills to classically-trained adult pianists a mastery learning approach. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UF00099472

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Larsen, Janeen Jess, 1949-. “Teaching basic jazz piano skills to classically-trained adult pianists a mastery learning approach.” 1986. Thesis, University of Florida. Accessed December 14, 2019. http://ufdc.ufl.edu/UF00099472.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Larsen, Janeen Jess, 1949-. “Teaching basic jazz piano skills to classically-trained adult pianists a mastery learning approach.” 1986. Web. 14 Dec 2019.

Vancouver:

Larsen, Janeen Jess 1. Teaching basic jazz piano skills to classically-trained adult pianists a mastery learning approach. [Internet] [Thesis]. University of Florida; 1986. [cited 2019 Dec 14]. Available from: http://ufdc.ufl.edu/UF00099472.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Larsen, Janeen Jess 1. Teaching basic jazz piano skills to classically-trained adult pianists a mastery learning approach. [Thesis]. University of Florida; 1986. Available from: http://ufdc.ufl.edu/UF00099472

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

27. Ruttle, Mark. Aspects of a Late Style in Sergei Rachmaninoff's Variations on a Theme of Corelli, Op. 42: a Lecture Recital, together with Three Recitals of Selected Works of J. Brahms, L. v. Beethoven, F. Chopin, C. Debussy, Zoltan Kodaly, M. Moussorgsky, and S. Prokofiev.

Degree: 1989, University of North Texas

 This document identifies elements of a stylistic change which occurred in several of the pieces Rachmaninoff wrote during the last years of his life. These… (more)

Subjects/Keywords: Sergei Rachmaninoff; piano music; compositional style; Variations on a Theme of Corelli; Rachmaninoff, Sergei, 1873-1943.  – Variations sur un thème de Corelli.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ruttle, M. (1989). Aspects of a Late Style in Sergei Rachmaninoff's Variations on a Theme of Corelli, Op. 42: a Lecture Recital, together with Three Recitals of Selected Works of J. Brahms, L. v. Beethoven, F. Chopin, C. Debussy, Zoltan Kodaly, M. Moussorgsky, and S. Prokofiev. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc330593/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ruttle, Mark. “Aspects of a Late Style in Sergei Rachmaninoff's Variations on a Theme of Corelli, Op. 42: a Lecture Recital, together with Three Recitals of Selected Works of J. Brahms, L. v. Beethoven, F. Chopin, C. Debussy, Zoltan Kodaly, M. Moussorgsky, and S. Prokofiev.” 1989. Thesis, University of North Texas. Accessed December 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc330593/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ruttle, Mark. “Aspects of a Late Style in Sergei Rachmaninoff's Variations on a Theme of Corelli, Op. 42: a Lecture Recital, together with Three Recitals of Selected Works of J. Brahms, L. v. Beethoven, F. Chopin, C. Debussy, Zoltan Kodaly, M. Moussorgsky, and S. Prokofiev.” 1989. Web. 14 Dec 2019.

Vancouver:

Ruttle M. Aspects of a Late Style in Sergei Rachmaninoff's Variations on a Theme of Corelli, Op. 42: a Lecture Recital, together with Three Recitals of Selected Works of J. Brahms, L. v. Beethoven, F. Chopin, C. Debussy, Zoltan Kodaly, M. Moussorgsky, and S. Prokofiev. [Internet] [Thesis]. University of North Texas; 1989. [cited 2019 Dec 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc330593/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ruttle M. Aspects of a Late Style in Sergei Rachmaninoff's Variations on a Theme of Corelli, Op. 42: a Lecture Recital, together with Three Recitals of Selected Works of J. Brahms, L. v. Beethoven, F. Chopin, C. Debussy, Zoltan Kodaly, M. Moussorgsky, and S. Prokofiev. [Thesis]. University of North Texas; 1989. Available from: https://digital.library.unt.edu/ark:/67531/metadc330593/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.