Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

Dept: College-Conservatory of Music : Piano

You searched for subject:(Piano Music). Showing records 1 – 30 of 36 total matches.

[1] [2]

Search Limiters

Last 2 Years | English Only

No search limiters apply to these results.

▼ Search Limiters


University of Cincinnati

1. HAYASE, TAKAKO. A COMPARISON OF AKIRA MIYOSHI'S MIYOSHI PIANO METHOD WITH NANCY AND RANDALL FABER'S PIANO ADVENTURES BASED ON ROYAL AMERICAN CONSERVATORY EXAMINATION (RACE).

Degree: DMA, College-Conservatory of Music : Piano, 2006, University of Cincinnati

 Akira Miyoshi’s Miyoshi Piano Method was introduced to me by Dr. Bonnie Wade during her visit to the College-Conservatory of Music, University of Cincinnati. Just… (more)

Subjects/Keywords: Music; Piano; Piano Pedagogy; Piano Methods

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

HAYASE, T. (2006). A COMPARISON OF AKIRA MIYOSHI'S MIYOSHI PIANO METHOD WITH NANCY AND RANDALL FABER'S PIANO ADVENTURES BASED ON ROYAL AMERICAN CONSERVATORY EXAMINATION (RACE). (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1156562709

Chicago Manual of Style (16th Edition):

HAYASE, TAKAKO. “A COMPARISON OF AKIRA MIYOSHI'S MIYOSHI PIANO METHOD WITH NANCY AND RANDALL FABER'S PIANO ADVENTURES BASED ON ROYAL AMERICAN CONSERVATORY EXAMINATION (RACE).” 2006. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1156562709.

MLA Handbook (7th Edition):

HAYASE, TAKAKO. “A COMPARISON OF AKIRA MIYOSHI'S MIYOSHI PIANO METHOD WITH NANCY AND RANDALL FABER'S PIANO ADVENTURES BASED ON ROYAL AMERICAN CONSERVATORY EXAMINATION (RACE).” 2006. Web. 07 Dec 2019.

Vancouver:

HAYASE T. A COMPARISON OF AKIRA MIYOSHI'S MIYOSHI PIANO METHOD WITH NANCY AND RANDALL FABER'S PIANO ADVENTURES BASED ON ROYAL AMERICAN CONSERVATORY EXAMINATION (RACE). [Internet] [Doctoral dissertation]. University of Cincinnati; 2006. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1156562709.

Council of Science Editors:

HAYASE T. A COMPARISON OF AKIRA MIYOSHI'S MIYOSHI PIANO METHOD WITH NANCY AND RANDALL FABER'S PIANO ADVENTURES BASED ON ROYAL AMERICAN CONSERVATORY EXAMINATION (RACE). [Doctoral Dissertation]. University of Cincinnati; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1156562709


University of Cincinnati

2. Boelcke, Andreas Maximilian. Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees.

Degree: DMA, College-Conservatory of Music : Piano, 2008, University of Cincinnati

 Chopin's twenty-four <i>Préludes</i>, Op. 28 stand out as revolutionaryin history, for they are neither introductions to fugues, nor etude-like exercisesas those preludes by other early… (more)

Subjects/Keywords: Music; preludes; chopin; piano; scale degrees; coherence; unified composition; piano cycle

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Boelcke, A. M. (2008). Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1227217858

Chicago Manual of Style (16th Edition):

Boelcke, Andreas Maximilian. “Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1227217858.

MLA Handbook (7th Edition):

Boelcke, Andreas Maximilian. “Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees.” 2008. Web. 07 Dec 2019.

Vancouver:

Boelcke AM. Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1227217858.

Council of Science Editors:

Boelcke AM. Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1227217858


University of Cincinnati

3. MANN, JONATHAN EDWARD. RED, WHITE, AND BLUE NOTES: THE SYMBIOTIC MUSIC OF NIKOLAI KAPUSTIN.

Degree: DMA, College-Conservatory of Music : Piano, 2007, University of Cincinnati

 Nikolai Kapustin’s solo piano music synthesizes classical form and jazz texture. He uses the language of jazz improvisation, but does not improvise. Instead, a jazz… (more)

Subjects/Keywords: Music; Nikolai Kapustin Classical Jazz Piano

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

MANN, J. E. (2007). RED, WHITE, AND BLUE NOTES: THE SYMBIOTIC MUSIC OF NIKOLAI KAPUSTIN. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179852881

Chicago Manual of Style (16th Edition):

MANN, JONATHAN EDWARD. “RED, WHITE, AND BLUE NOTES: THE SYMBIOTIC MUSIC OF NIKOLAI KAPUSTIN.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179852881.

MLA Handbook (7th Edition):

MANN, JONATHAN EDWARD. “RED, WHITE, AND BLUE NOTES: THE SYMBIOTIC MUSIC OF NIKOLAI KAPUSTIN.” 2007. Web. 07 Dec 2019.

Vancouver:

MANN JE. RED, WHITE, AND BLUE NOTES: THE SYMBIOTIC MUSIC OF NIKOLAI KAPUSTIN. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179852881.

Council of Science Editors:

MANN JE. RED, WHITE, AND BLUE NOTES: THE SYMBIOTIC MUSIC OF NIKOLAI KAPUSTIN. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179852881


University of Cincinnati

4. KWON, JUN. Beethoven's Two-Movement Piano Sonatas and Their Predecessors.

Degree: DMA, College-Conservatory of Music : Piano, 2008, University of Cincinnati

 In the literature of keyboard solo music, the two-movement sonata has occupied a unique place in both structure and aesthetics. The great flowering of this… (more)

Subjects/Keywords: Music; Beethoven Piano Sonata; Two-movement Sonata

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

KWON, J. (2008). Beethoven's Two-Movement Piano Sonatas and Their Predecessors. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710

Chicago Manual of Style (16th Edition):

KWON, JUN. “Beethoven's Two-Movement Piano Sonatas and Their Predecessors.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710.

MLA Handbook (7th Edition):

KWON, JUN. “Beethoven's Two-Movement Piano Sonatas and Their Predecessors.” 2008. Web. 07 Dec 2019.

Vancouver:

KWON J. Beethoven's Two-Movement Piano Sonatas and Their Predecessors. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710.

Council of Science Editors:

KWON J. Beethoven's Two-Movement Piano Sonatas and Their Predecessors. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710


University of Cincinnati

5. YIP, MICHELLE C. Stylistic Development in the Piano Works by Manuel Maria Ponce (1882-1948).

Degree: DMA, College-Conservatory of Music : Piano, 2008, University of Cincinnati

  A composer, pianist, and music educator, Manuel Maria Ponce (1882-1948) put Mexico on the musical map in the late nineteenth and early twentieth centuries.… (more)

Subjects/Keywords: Music; Manuel Maria Ponce Piano Works

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

YIP, M. C. (2008). Stylistic Development in the Piano Works by Manuel Maria Ponce (1882-1948). (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1217513061

Chicago Manual of Style (16th Edition):

YIP, MICHELLE C. “Stylistic Development in the Piano Works by Manuel Maria Ponce (1882-1948).” 2008. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1217513061.

MLA Handbook (7th Edition):

YIP, MICHELLE C. “Stylistic Development in the Piano Works by Manuel Maria Ponce (1882-1948).” 2008. Web. 07 Dec 2019.

Vancouver:

YIP MC. Stylistic Development in the Piano Works by Manuel Maria Ponce (1882-1948). [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1217513061.

Council of Science Editors:

YIP MC. Stylistic Development in the Piano Works by Manuel Maria Ponce (1882-1948). [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1217513061


University of Cincinnati

6. Lai, Wei-Ya. Beethoven's Late Style in His Last Five Piano Sonatas.

Degree: DMA, College-Conservatory of Music : Piano, 2009, University of Cincinnati

 This document intends to explore Ludwig van Beethoven's last five piano sonatas (Opp. 101, 106, 109, 110, and 111) focusing on their innovative and experimental… (more)

Subjects/Keywords: Music; Beethoven; piano sonatas; late style

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lai, W. (2009). Beethoven's Late Style in His Last Five Piano Sonatas. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243014360

Chicago Manual of Style (16th Edition):

Lai, Wei-Ya. “Beethoven's Late Style in His Last Five Piano Sonatas.” 2009. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243014360.

MLA Handbook (7th Edition):

Lai, Wei-Ya. “Beethoven's Late Style in His Last Five Piano Sonatas.” 2009. Web. 07 Dec 2019.

Vancouver:

Lai W. Beethoven's Late Style in His Last Five Piano Sonatas. [Internet] [Doctoral dissertation]. University of Cincinnati; 2009. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243014360.

Council of Science Editors:

Lai W. Beethoven's Late Style in His Last Five Piano Sonatas. [Doctoral Dissertation]. University of Cincinnati; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243014360


University of Cincinnati

7. Daly, Shawn Timothy. Abram Chasins: A Study of Selected Works for Solo Piano and Two Pianos.

Degree: DMA, College-Conservatory of Music : Piano, 2007, University of Cincinnati

  Abram Chasins (1903-1987) had a widely varied career as an author, pianist and broadcaster. Much has been written about his life and career. But… (more)

Subjects/Keywords: Music; piano music; Chasins, Abram; twentieth century composers; American music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Daly, S. T. (2007). Abram Chasins: A Study of Selected Works for Solo Piano and Two Pianos. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1180706349

Chicago Manual of Style (16th Edition):

Daly, Shawn Timothy. “Abram Chasins: A Study of Selected Works for Solo Piano and Two Pianos.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1180706349.

MLA Handbook (7th Edition):

Daly, Shawn Timothy. “Abram Chasins: A Study of Selected Works for Solo Piano and Two Pianos.” 2007. Web. 07 Dec 2019.

Vancouver:

Daly ST. Abram Chasins: A Study of Selected Works for Solo Piano and Two Pianos. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1180706349.

Council of Science Editors:

Daly ST. Abram Chasins: A Study of Selected Works for Solo Piano and Two Pianos. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1180706349


University of Cincinnati

8. VAN DYKE, RICHARD GERARD. TRACING THE STYLISTIC ELEMENTS OF ROBERT STARER'S PEDAGOGICAL WORKS TO THE TWILIGHT FANTASIES AND SONATA FOR PIANO, NO. 3.

Degree: DMA, College-Conservatory of Music : Piano, 2007, University of Cincinnati

 This document’s primary function is to trace the twentieth-century stylistic elements present in Robert Starer’s music, including lyricism, rhythm, atonality and technique. It includes the… (more)

Subjects/Keywords: Music; Robert Starer; Pedagogical Works; Twentieth Century Piano Music; Twilight Fantasies; NMCP (National Music Certificate Program); Twentieth Century Intermediate Piano Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

VAN DYKE, R. G. (2007). TRACING THE STYLISTIC ELEMENTS OF ROBERT STARER'S PEDAGOGICAL WORKS TO THE TWILIGHT FANTASIES AND SONATA FOR PIANO, NO. 3. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195669172

Chicago Manual of Style (16th Edition):

VAN DYKE, RICHARD GERARD. “TRACING THE STYLISTIC ELEMENTS OF ROBERT STARER'S PEDAGOGICAL WORKS TO THE TWILIGHT FANTASIES AND SONATA FOR PIANO, NO. 3.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195669172.

MLA Handbook (7th Edition):

VAN DYKE, RICHARD GERARD. “TRACING THE STYLISTIC ELEMENTS OF ROBERT STARER'S PEDAGOGICAL WORKS TO THE TWILIGHT FANTASIES AND SONATA FOR PIANO, NO. 3.” 2007. Web. 07 Dec 2019.

Vancouver:

VAN DYKE RG. TRACING THE STYLISTIC ELEMENTS OF ROBERT STARER'S PEDAGOGICAL WORKS TO THE TWILIGHT FANTASIES AND SONATA FOR PIANO, NO. 3. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195669172.

Council of Science Editors:

VAN DYKE RG. TRACING THE STYLISTIC ELEMENTS OF ROBERT STARER'S PEDAGOGICAL WORKS TO THE TWILIGHT FANTASIES AND SONATA FOR PIANO, NO. 3. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195669172


University of Cincinnati

9. STEVENS, DAMON BRIAN. INTRODUCING THE PIANO MUSIC OF SAMUEL BARBER TO THE UNDERGRADUATE PIANO MAJOR.

Degree: DMA, College-Conservatory of Music : Piano, 2007, University of Cincinnati

 This thesis, <i>Introducing the Piano Music of Samuel Barber to the Undergraduate Piano Major</i>, includes a biographical chapter about the composer followed by six chapters… (more)

Subjects/Keywords: Music; Samuel Barber; Piano Music; Pedagogical Approach; Theoretical Analysis

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

STEVENS, D. B. (2007). INTRODUCING THE PIANO MUSIC OF SAMUEL BARBER TO THE UNDERGRADUATE PIANO MAJOR. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1194288770

Chicago Manual of Style (16th Edition):

STEVENS, DAMON BRIAN. “INTRODUCING THE PIANO MUSIC OF SAMUEL BARBER TO THE UNDERGRADUATE PIANO MAJOR.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1194288770.

MLA Handbook (7th Edition):

STEVENS, DAMON BRIAN. “INTRODUCING THE PIANO MUSIC OF SAMUEL BARBER TO THE UNDERGRADUATE PIANO MAJOR.” 2007. Web. 07 Dec 2019.

Vancouver:

STEVENS DB. INTRODUCING THE PIANO MUSIC OF SAMUEL BARBER TO THE UNDERGRADUATE PIANO MAJOR. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1194288770.

Council of Science Editors:

STEVENS DB. INTRODUCING THE PIANO MUSIC OF SAMUEL BARBER TO THE UNDERGRADUATE PIANO MAJOR. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1194288770


University of Cincinnati

10. YANG, SHUAN-CHEN. Struggle for Recognition: Wen-Ye Jiang, Chih-Yuen Kuo, and Their Piano Music.

Degree: DMA, College-Conservatory of Music : Piano, 2008, University of Cincinnati

  Before the twentieth century, Taiwan kept its native music to itself, passing traditions of folk song and Taiwanese opera from generation to generation within… (more)

Subjects/Keywords: Music; Chih-Yuen Kuo; Wen-Ye Jiang; Taiwan piano music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

YANG, S. (2008). Struggle for Recognition: Wen-Ye Jiang, Chih-Yuen Kuo, and Their Piano Music. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1219072963

Chicago Manual of Style (16th Edition):

YANG, SHUAN-CHEN. “Struggle for Recognition: Wen-Ye Jiang, Chih-Yuen Kuo, and Their Piano Music.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1219072963.

MLA Handbook (7th Edition):

YANG, SHUAN-CHEN. “Struggle for Recognition: Wen-Ye Jiang, Chih-Yuen Kuo, and Their Piano Music.” 2008. Web. 07 Dec 2019.

Vancouver:

YANG S. Struggle for Recognition: Wen-Ye Jiang, Chih-Yuen Kuo, and Their Piano Music. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1219072963.

Council of Science Editors:

YANG S. Struggle for Recognition: Wen-Ye Jiang, Chih-Yuen Kuo, and Their Piano Music. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1219072963


University of Cincinnati

11. YU, YEUNG. A Style Analysis of William Bolcom’s Complete Rags for Piano.

Degree: DMA, College-Conservatory of Music : Piano, 2007, University of Cincinnati

 <i>William Bolcom: Complete Rags for Piano</i> is a collection of twenty-two of Bolcom’s piano rags written between 1967 and 1993. In this research, the rags… (more)

Subjects/Keywords: Music; William Bolcom; rags for piano; style analysis

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

YU, Y. (2007). A Style Analysis of William Bolcom’s Complete Rags for Piano. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1177096593

Chicago Manual of Style (16th Edition):

YU, YEUNG. “A Style Analysis of William Bolcom’s Complete Rags for Piano.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1177096593.

MLA Handbook (7th Edition):

YU, YEUNG. “A Style Analysis of William Bolcom’s Complete Rags for Piano.” 2007. Web. 07 Dec 2019.

Vancouver:

YU Y. A Style Analysis of William Bolcom’s Complete Rags for Piano. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1177096593.

Council of Science Editors:

YU Y. A Style Analysis of William Bolcom’s Complete Rags for Piano. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1177096593


University of Cincinnati

12. van der Westhuizen, Petrus J. Modeling as Compositional Tool in the Piano Works of Francis Poulenc.

Degree: DMA, College-Conservatory of Music : Piano, 2007, University of Cincinnati

 The subject of modeling, or borrowing, has been very important for noted scholar J. Peter Burkholder. In his work on Charles Ives, Burkholder had to… (more)

Subjects/Keywords: Music; Poulenc; Piano; Modeling; Compositional Tool; Stylistic Allusion; Paraphrase

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

van der Westhuizen, P. J. (2007). Modeling as Compositional Tool in the Piano Works of Francis Poulenc. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1178571085

Chicago Manual of Style (16th Edition):

van der Westhuizen, Petrus J. “Modeling as Compositional Tool in the Piano Works of Francis Poulenc.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1178571085.

MLA Handbook (7th Edition):

van der Westhuizen, Petrus J. “Modeling as Compositional Tool in the Piano Works of Francis Poulenc.” 2007. Web. 07 Dec 2019.

Vancouver:

van der Westhuizen PJ. Modeling as Compositional Tool in the Piano Works of Francis Poulenc. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1178571085.

Council of Science Editors:

van der Westhuizen PJ. Modeling as Compositional Tool in the Piano Works of Francis Poulenc. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1178571085


University of Cincinnati

13. Sutanto, David T. <i>Pictures at an Exhibition</i>: A Performer’s Guide Comparing Recorded Performances by Pianists Vladimir Horowitz and Evgeny Kissin: “Eccentric” v.s. “Academic” Playing.

Degree: DMA, College-Conservatory of Music : Piano, 2007, University of Cincinnati

 Vladimir Horowitz and Evgeny Kissin would certainly be included among the very few of the greatest pianists ever recorded. This document provides a detailed description… (more)

Subjects/Keywords: Music; Pictures at an Exhibition; Vladimir Horowitz; Evgeny Kissin; Piano

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sutanto, D. T. (2007). <i>Pictures at an Exhibition</i>: A Performer’s Guide Comparing Recorded Performances by Pianists Vladimir Horowitz and Evgeny Kissin: “Eccentric” v.s. “Academic” Playing. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1180300837

Chicago Manual of Style (16th Edition):

Sutanto, David T. “<i>Pictures at an Exhibition</i>: A Performer’s Guide Comparing Recorded Performances by Pianists Vladimir Horowitz and Evgeny Kissin: “Eccentric” v.s. “Academic” Playing.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1180300837.

MLA Handbook (7th Edition):

Sutanto, David T. “<i>Pictures at an Exhibition</i>: A Performer’s Guide Comparing Recorded Performances by Pianists Vladimir Horowitz and Evgeny Kissin: “Eccentric” v.s. “Academic” Playing.” 2007. Web. 07 Dec 2019.

Vancouver:

Sutanto DT. <i>Pictures at an Exhibition</i>: A Performer’s Guide Comparing Recorded Performances by Pianists Vladimir Horowitz and Evgeny Kissin: “Eccentric” v.s. “Academic” Playing. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1180300837.

Council of Science Editors:

Sutanto DT. <i>Pictures at an Exhibition</i>: A Performer’s Guide Comparing Recorded Performances by Pianists Vladimir Horowitz and Evgeny Kissin: “Eccentric” v.s. “Academic” Playing. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1180300837


University of Cincinnati

14. KEE, SOONBOK. Elements of Continuity in Alexander Scriabin's Musical Language: An Analysis of Selected Piano Preludes.

Degree: DMA, College-Conservatory of Music : Piano, 2008, University of Cincinnati

 Early twentieth-century music often merges late Romanticism with new musical techniques. The music of Alexander Scriabin displays these transitional attributes. His early compositional style is… (more)

Subjects/Keywords: Music; Alexander Scriabin; Piano Preludes; Continuity; Repetition; Set Theory

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

KEE, S. (2008). Elements of Continuity in Alexander Scriabin's Musical Language: An Analysis of Selected Piano Preludes. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1204677896

Chicago Manual of Style (16th Edition):

KEE, SOONBOK. “Elements of Continuity in Alexander Scriabin's Musical Language: An Analysis of Selected Piano Preludes.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1204677896.

MLA Handbook (7th Edition):

KEE, SOONBOK. “Elements of Continuity in Alexander Scriabin's Musical Language: An Analysis of Selected Piano Preludes.” 2008. Web. 07 Dec 2019.

Vancouver:

KEE S. Elements of Continuity in Alexander Scriabin's Musical Language: An Analysis of Selected Piano Preludes. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1204677896.

Council of Science Editors:

KEE S. Elements of Continuity in Alexander Scriabin's Musical Language: An Analysis of Selected Piano Preludes. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1204677896


University of Cincinnati

15. LEE, JAEJIN. A PEDAGOGICAL APPROACH TO LISZT'S SECOND BALLADE.

Degree: DMA, College-Conservatory of Music : Piano, 2005, University of Cincinnati

 Franz Liszt’s second ballade was composed in 1853 and published by Kistner in Leipzig. It was dedicated to Count Charles de Linange, who was the… (more)

Subjects/Keywords: Music; Liszt; Ballade; Piano Pedagogy

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

LEE, J. (2005). A PEDAGOGICAL APPROACH TO LISZT'S SECOND BALLADE. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123309037

Chicago Manual of Style (16th Edition):

LEE, JAEJIN. “A PEDAGOGICAL APPROACH TO LISZT'S SECOND BALLADE.” 2005. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123309037.

MLA Handbook (7th Edition):

LEE, JAEJIN. “A PEDAGOGICAL APPROACH TO LISZT'S SECOND BALLADE.” 2005. Web. 07 Dec 2019.

Vancouver:

LEE J. A PEDAGOGICAL APPROACH TO LISZT'S SECOND BALLADE. [Internet] [Doctoral dissertation]. University of Cincinnati; 2005. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123309037.

Council of Science Editors:

LEE J. A PEDAGOGICAL APPROACH TO LISZT'S SECOND BALLADE. [Doctoral Dissertation]. University of Cincinnati; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123309037


University of Cincinnati

16. ANDERSON, DIANNA. CHAMBER MUSIC IN EARLY PIANO STUDY: A GUIDE TO REPERTOIRE.

Degree: DMA, College-Conservatory of Music : Piano, 2004, University of Cincinnati

 The purpose of this thesis is to provide a resource from which piano teachers can obtain information about where to find appropriate chamber music literature… (more)

Subjects/Keywords: Music; Education, Music; chamber music; piano pedagogy

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

ANDERSON, D. (2004). CHAMBER MUSIC IN EARLY PIANO STUDY: A GUIDE TO REPERTOIRE. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085758063

Chicago Manual of Style (16th Edition):

ANDERSON, DIANNA. “CHAMBER MUSIC IN EARLY PIANO STUDY: A GUIDE TO REPERTOIRE.” 2004. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085758063.

MLA Handbook (7th Edition):

ANDERSON, DIANNA. “CHAMBER MUSIC IN EARLY PIANO STUDY: A GUIDE TO REPERTOIRE.” 2004. Web. 07 Dec 2019.

Vancouver:

ANDERSON D. CHAMBER MUSIC IN EARLY PIANO STUDY: A GUIDE TO REPERTOIRE. [Internet] [Doctoral dissertation]. University of Cincinnati; 2004. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085758063.

Council of Science Editors:

ANDERSON D. CHAMBER MUSIC IN EARLY PIANO STUDY: A GUIDE TO REPERTOIRE. [Doctoral Dissertation]. University of Cincinnati; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085758063


University of Cincinnati

17. FERRETTI, JOSEPH ARMOND. NOTATED EXTEMPORIZATION: THE STRUCTURAL RAMIFICATIONS OF IMPROVISATORY COMPOSING IN PART VIII OF FREDERIC RZEWSKI'S <i>THE ROAD</i>.

Degree: DMA, College-Conservatory of Music : Piano, 2006, University of Cincinnati

 “Notated Extemporization: The Structural Ramifications of Improvisatory Composing in Part VIII of Frederic Rzewski’s 'The Road'” explores musical elements that result from Frederic Rzewski’s improvisational… (more)

Subjects/Keywords: Music; Frederic Rzewski; The Road; improvisation; piano; piano music; composition

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

FERRETTI, J. A. (2006). NOTATED EXTEMPORIZATION: THE STRUCTURAL RAMIFICATIONS OF IMPROVISATORY COMPOSING IN PART VIII OF FREDERIC RZEWSKI'S <i>THE ROAD</i>. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163730489

Chicago Manual of Style (16th Edition):

FERRETTI, JOSEPH ARMOND. “NOTATED EXTEMPORIZATION: THE STRUCTURAL RAMIFICATIONS OF IMPROVISATORY COMPOSING IN PART VIII OF FREDERIC RZEWSKI'S <i>THE ROAD</i>.” 2006. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163730489.

MLA Handbook (7th Edition):

FERRETTI, JOSEPH ARMOND. “NOTATED EXTEMPORIZATION: THE STRUCTURAL RAMIFICATIONS OF IMPROVISATORY COMPOSING IN PART VIII OF FREDERIC RZEWSKI'S <i>THE ROAD</i>.” 2006. Web. 07 Dec 2019.

Vancouver:

FERRETTI JA. NOTATED EXTEMPORIZATION: THE STRUCTURAL RAMIFICATIONS OF IMPROVISATORY COMPOSING IN PART VIII OF FREDERIC RZEWSKI'S <i>THE ROAD</i>. [Internet] [Doctoral dissertation]. University of Cincinnati; 2006. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163730489.

Council of Science Editors:

FERRETTI JA. NOTATED EXTEMPORIZATION: THE STRUCTURAL RAMIFICATIONS OF IMPROVISATORY COMPOSING IN PART VIII OF FREDERIC RZEWSKI'S <i>THE ROAD</i>. [Doctoral Dissertation]. University of Cincinnati; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163730489


University of Cincinnati

18. GROBLER, SOPHIA. THE LIFE AND DEATH OF THE PIANO WALTZ.

Degree: DMA, College-Conservatory of Music : Piano, 2007, University of Cincinnati

 La Valse, composed in 1918 by Maurice Ravel, is generally interpreted as a dark waltz depicting the death and destruction of World War I. George… (more)

Subjects/Keywords: Music; La Valse; Ravel; waltz; piano; Schubert; von Weber; Chopin; Brahms; Schumann; life; death

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

GROBLER, S. (2007). THE LIFE AND DEATH OF THE PIANO WALTZ. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1178574183

Chicago Manual of Style (16th Edition):

GROBLER, SOPHIA. “THE LIFE AND DEATH OF THE PIANO WALTZ.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1178574183.

MLA Handbook (7th Edition):

GROBLER, SOPHIA. “THE LIFE AND DEATH OF THE PIANO WALTZ.” 2007. Web. 07 Dec 2019.

Vancouver:

GROBLER S. THE LIFE AND DEATH OF THE PIANO WALTZ. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1178574183.

Council of Science Editors:

GROBLER S. THE LIFE AND DEATH OF THE PIANO WALTZ. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1178574183


University of Cincinnati

19. MACK, EVAN EDWARD. Procedural Consistencies in Samuel Barber's Piano Music.

Degree: DMA, College-Conservatory of Music : Piano, 2008, University of Cincinnati

 Samuel Barber's piano works span a wide variety of genres, forms, and techniques. Certain compositional procedures occur in his piano works regardless of genre or… (more)

Subjects/Keywords: Music; Samuel Barber; Piano; Waltz; Souvenirs; Similarities; Commonalities; Procedures; Compositional Tools; Consistencies

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

MACK, E. E. (2008). Procedural Consistencies in Samuel Barber's Piano Music. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211293441

Chicago Manual of Style (16th Edition):

MACK, EVAN EDWARD. “Procedural Consistencies in Samuel Barber's Piano Music.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211293441.

MLA Handbook (7th Edition):

MACK, EVAN EDWARD. “Procedural Consistencies in Samuel Barber's Piano Music.” 2008. Web. 07 Dec 2019.

Vancouver:

MACK EE. Procedural Consistencies in Samuel Barber's Piano Music. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211293441.

Council of Science Editors:

MACK EE. Procedural Consistencies in Samuel Barber's Piano Music. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211293441

20. Bennett, Erin K. Czech Nationalism in Music: A Study of Smetana’s <i>Czech Dances, Book 2</i> for Piano.

Degree: DMA, College-Conservatory of Music : Piano, 2009, University of Cincinnati

 This document examines Bedrich Smetana’s <i>Czech Dances, Book 2,</i> for piano, through the lens of nineteenth-century Czech nationalism. This work is relatively rare in Smetana’s… (more)

Subjects/Keywords: Music; Smetana; piano; Czech; nationalism

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bennett, E. K. (2009). Czech Nationalism in Music: A Study of Smetana’s <i>Czech Dances, Book 2</i> for Piano. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1251230010

Chicago Manual of Style (16th Edition):

Bennett, Erin K. “Czech Nationalism in Music: A Study of Smetana’s <i>Czech Dances, Book 2</i> for Piano.” 2009. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1251230010.

MLA Handbook (7th Edition):

Bennett, Erin K. “Czech Nationalism in Music: A Study of Smetana’s <i>Czech Dances, Book 2</i> for Piano.” 2009. Web. 07 Dec 2019.

Vancouver:

Bennett EK. Czech Nationalism in Music: A Study of Smetana’s <i>Czech Dances, Book 2</i> for Piano. [Internet] [Doctoral dissertation]. University of Cincinnati; 2009. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1251230010.

Council of Science Editors:

Bennett EK. Czech Nationalism in Music: A Study of Smetana’s <i>Czech Dances, Book 2</i> for Piano. [Doctoral Dissertation]. University of Cincinnati; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1251230010


University of Cincinnati

21. Taylor, Kristín Jónína. Northern Lights: Indigenous Icelandic Aspects of Jón Nordal's Piano Concerto.

Degree: DMA, College-Conservatory of Music : Piano, 2006, University of Cincinnati

 This study investigates the influences, both domestic and foreign, on the composition of Jón Nordal´s Piano Concerto of 1956. The research question in this study… (more)

Subjects/Keywords: Music; Nordal, J&243; n; Icelandic music; Piano Concerto

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Taylor, K. J. (2006). Northern Lights: Indigenous Icelandic Aspects of Jón Nordal's Piano Concerto. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1146505681

Chicago Manual of Style (16th Edition):

Taylor, Kristín Jónína. “Northern Lights: Indigenous Icelandic Aspects of Jón Nordal's Piano Concerto.” 2006. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1146505681.

MLA Handbook (7th Edition):

Taylor, Kristín Jónína. “Northern Lights: Indigenous Icelandic Aspects of Jón Nordal's Piano Concerto.” 2006. Web. 07 Dec 2019.

Vancouver:

Taylor KJ. Northern Lights: Indigenous Icelandic Aspects of Jón Nordal's Piano Concerto. [Internet] [Doctoral dissertation]. University of Cincinnati; 2006. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1146505681.

Council of Science Editors:

Taylor KJ. Northern Lights: Indigenous Icelandic Aspects of Jón Nordal's Piano Concerto. [Doctoral Dissertation]. University of Cincinnati; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1146505681


University of Cincinnati

22. Ding, Shiau-Uen. Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”.

Degree: DMA, College-Conservatory of Music : Piano, 2007, University of Cincinnati

Music reflects the society and technology of its age. For 21st century pianists, in addition to mastering traditional solo piano and chamber repertoire, cultivating skills… (more)

Subjects/Keywords: Music; Education, Music; contemporary music; computer music; electroacoustic; electro-acoustic; piano; tape; Christopher Bailey; Balladei; Luigi Nono; sofferte onde serene; Mario Davidovsky; Synchronisms; Jonathan Harvey; Tombeau de Messiaen; James Mobberley

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ding, S. (2007). Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179467001

Chicago Manual of Style (16th Edition):

Ding, Shiau-Uen. “Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179467001.

MLA Handbook (7th Edition):

Ding, Shiau-Uen. “Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”.” 2007. Web. 07 Dec 2019.

Vancouver:

Ding S. Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179467001.

Council of Science Editors:

Ding S. Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179467001


University of Cincinnati

23. HUNG, YU-SUI ESTHER. BEETHOVEN'S VARIATIONS WoO 76, OPP. 34, 35, AND 120: A COMPARATIVE ANALYSIS BETWEEN AND AMONG.

Degree: DMA, College-Conservatory of Music : Piano, 2007, University of Cincinnati

 In 1802 Beethoven made a striking declaration to his publisher that he had adopted a completely new manner in his two latest sets of piano(more)

Subjects/Keywords: Music; Beethoven Piano Variations; Diabelli Variations Op. 120; Eroica Variations Op. 35; Op. 34; WoO 76

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

HUNG, Y. E. (2007). BEETHOVEN'S VARIATIONS WoO 76, OPP. 34, 35, AND 120: A COMPARATIVE ANALYSIS BETWEEN AND AMONG. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172509997

Chicago Manual of Style (16th Edition):

HUNG, YU-SUI ESTHER. “BEETHOVEN'S VARIATIONS WoO 76, OPP. 34, 35, AND 120: A COMPARATIVE ANALYSIS BETWEEN AND AMONG.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172509997.

MLA Handbook (7th Edition):

HUNG, YU-SUI ESTHER. “BEETHOVEN'S VARIATIONS WoO 76, OPP. 34, 35, AND 120: A COMPARATIVE ANALYSIS BETWEEN AND AMONG.” 2007. Web. 07 Dec 2019.

Vancouver:

HUNG YE. BEETHOVEN'S VARIATIONS WoO 76, OPP. 34, 35, AND 120: A COMPARATIVE ANALYSIS BETWEEN AND AMONG. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172509997.

Council of Science Editors:

HUNG YE. BEETHOVEN'S VARIATIONS WoO 76, OPP. 34, 35, AND 120: A COMPARATIVE ANALYSIS BETWEEN AND AMONG. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172509997


University of Cincinnati

24. Nemith, Joshua S. Intertwining Modernism and Postmodernism: The Drama of Transformational Processes in Mauricio Kagel’s Solo Piano Works.

Degree: DMA, College-Conservatory of Music : Piano, 2004, University of Cincinnati

 The Argentine-born composer Mauricio Kagel (b. 1931) is one of the most distinctive and multi-faceted European composers of the contemporary music world. A staunch skeptic… (more)

Subjects/Keywords: Music; Mauricio Kagel; modernism; postmodernism; CCM; piano; contemporary

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nemith, J. S. (2004). Intertwining Modernism and Postmodernism: The Drama of Transformational Processes in Mauricio Kagel’s Solo Piano Works. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1083163935

Chicago Manual of Style (16th Edition):

Nemith, Joshua S. “Intertwining Modernism and Postmodernism: The Drama of Transformational Processes in Mauricio Kagel’s Solo Piano Works.” 2004. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1083163935.

MLA Handbook (7th Edition):

Nemith, Joshua S. “Intertwining Modernism and Postmodernism: The Drama of Transformational Processes in Mauricio Kagel’s Solo Piano Works.” 2004. Web. 07 Dec 2019.

Vancouver:

Nemith JS. Intertwining Modernism and Postmodernism: The Drama of Transformational Processes in Mauricio Kagel’s Solo Piano Works. [Internet] [Doctoral dissertation]. University of Cincinnati; 2004. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1083163935.

Council of Science Editors:

Nemith JS. Intertwining Modernism and Postmodernism: The Drama of Transformational Processes in Mauricio Kagel’s Solo Piano Works. [Doctoral Dissertation]. University of Cincinnati; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1083163935


University of Cincinnati

25. LIN, YUEH-RENG. THE IMPACT OF THE LIED ON SELECTED PIANO WORKS OF FRANZ SCHUBERT, ROBERT SHUMANN, AND JOHANNES BRAHMS.

Degree: DMA, College-Conservatory of Music : Piano, 2004, University of Cincinnati

 In the nineteenth-century, the German lied, with its subtle expression of poetry and its intimate lyricism, revealed individual expression and emotional content. The piano music(more)

Subjects/Keywords: Music; Lied; Piano Works; Schubert; Schumann; Brahms

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

LIN, Y. (2004). THE IMPACT OF THE LIED ON SELECTED PIANO WORKS OF FRANZ SCHUBERT, ROBERT SHUMANN, AND JOHANNES BRAHMS. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1101539626

Chicago Manual of Style (16th Edition):

LIN, YUEH-RENG. “THE IMPACT OF THE LIED ON SELECTED PIANO WORKS OF FRANZ SCHUBERT, ROBERT SHUMANN, AND JOHANNES BRAHMS.” 2004. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1101539626.

MLA Handbook (7th Edition):

LIN, YUEH-RENG. “THE IMPACT OF THE LIED ON SELECTED PIANO WORKS OF FRANZ SCHUBERT, ROBERT SHUMANN, AND JOHANNES BRAHMS.” 2004. Web. 07 Dec 2019.

Vancouver:

LIN Y. THE IMPACT OF THE LIED ON SELECTED PIANO WORKS OF FRANZ SCHUBERT, ROBERT SHUMANN, AND JOHANNES BRAHMS. [Internet] [Doctoral dissertation]. University of Cincinnati; 2004. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1101539626.

Council of Science Editors:

LIN Y. THE IMPACT OF THE LIED ON SELECTED PIANO WORKS OF FRANZ SCHUBERT, ROBERT SHUMANN, AND JOHANNES BRAHMS. [Doctoral Dissertation]. University of Cincinnati; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1101539626


University of Cincinnati

26. BRUNING, STEPHANIE A. THE INDIAN CHARACTER PIECE FOR SOLO PIANO (ca. 1890 - 1920): A HISTORICAL REVIEW OF COMPOSERS AND THEIR WORKS.

Degree: DMA, College-Conservatory of Music : Piano, 2005, University of Cincinnati

 The Indianist Movement is a title many music historians use to define the surge of compositions related to or based on the music of Native… (more)

Subjects/Keywords: Indianist Movement; Indian Character Piece; American Piano Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

BRUNING, S. A. (2005). THE INDIAN CHARACTER PIECE FOR SOLO PIANO (ca. 1890 - 1920): A HISTORICAL REVIEW OF COMPOSERS AND THEIR WORKS. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123179122

Chicago Manual of Style (16th Edition):

BRUNING, STEPHANIE A. “THE INDIAN CHARACTER PIECE FOR SOLO PIANO (ca. 1890 - 1920): A HISTORICAL REVIEW OF COMPOSERS AND THEIR WORKS.” 2005. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123179122.

MLA Handbook (7th Edition):

BRUNING, STEPHANIE A. “THE INDIAN CHARACTER PIECE FOR SOLO PIANO (ca. 1890 - 1920): A HISTORICAL REVIEW OF COMPOSERS AND THEIR WORKS.” 2005. Web. 07 Dec 2019.

Vancouver:

BRUNING SA. THE INDIAN CHARACTER PIECE FOR SOLO PIANO (ca. 1890 - 1920): A HISTORICAL REVIEW OF COMPOSERS AND THEIR WORKS. [Internet] [Doctoral dissertation]. University of Cincinnati; 2005. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123179122.

Council of Science Editors:

BRUNING SA. THE INDIAN CHARACTER PIECE FOR SOLO PIANO (ca. 1890 - 1920): A HISTORICAL REVIEW OF COMPOSERS AND THEIR WORKS. [Doctoral Dissertation]. University of Cincinnati; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123179122


University of Cincinnati

27. Severtson, Kirk A. Poulenc’s Development as a Piano Composer: A Comparison of the Solo Piano Works and the <i>aMélodies</i>.

Degree: DMA, College-Conservatory of Music : Piano, 2005, University of Cincinnati

  Recognized as one of the greatest twentieth-century French composers, Francis Poulenc (1899-1963) wrote both songs and piano works throughout his career. His body of… (more)

Subjects/Keywords: Music; Francis Poulenc; French m&233; lodies; Piano works

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Severtson, K. A. (2005). Poulenc’s Development as a Piano Composer: A Comparison of the Solo Piano Works and the <i>aMélodies</i>. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1117195467

Chicago Manual of Style (16th Edition):

Severtson, Kirk A. “Poulenc’s Development as a Piano Composer: A Comparison of the Solo Piano Works and the <i>aMélodies</i>.” 2005. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1117195467.

MLA Handbook (7th Edition):

Severtson, Kirk A. “Poulenc’s Development as a Piano Composer: A Comparison of the Solo Piano Works and the <i>aMélodies</i>.” 2005. Web. 07 Dec 2019.

Vancouver:

Severtson KA. Poulenc’s Development as a Piano Composer: A Comparison of the Solo Piano Works and the <i>aMélodies</i>. [Internet] [Doctoral dissertation]. University of Cincinnati; 2005. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1117195467.

Council of Science Editors:

Severtson KA. Poulenc’s Development as a Piano Composer: A Comparison of the Solo Piano Works and the <i>aMélodies</i>. [Doctoral Dissertation]. University of Cincinnati; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1117195467


University of Cincinnati

28. ZHU, DI. PROKOFIEV'S PIANO TRANSCRIPTIONS: A COMPARATIVE STUDY OF HIS TRANSCRIBING TECHNIQUES.

Degree: DMA, College-Conservatory of Music : Piano, 2006, University of Cincinnati

 Prokofiev’s output consists of a large quantity of transcriptions which are arranged from his own work. Particularly during his Soviet period (1936–1953), there are increasing… (more)

Subjects/Keywords: Music; Prokofiev; Piano; Transcription; Arrangement; Piano transcription; Keyboard transcription; Transcribing techniques; Prokofiev&8217; s piano music; Prokofiev&8217; s compositional habits; Prokofiev's musical styles

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

ZHU, D. (2006). PROKOFIEV'S PIANO TRANSCRIPTIONS: A COMPARATIVE STUDY OF HIS TRANSCRIBING TECHNIQUES. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1153173318

Chicago Manual of Style (16th Edition):

ZHU, DI. “PROKOFIEV'S PIANO TRANSCRIPTIONS: A COMPARATIVE STUDY OF HIS TRANSCRIBING TECHNIQUES.” 2006. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1153173318.

MLA Handbook (7th Edition):

ZHU, DI. “PROKOFIEV'S PIANO TRANSCRIPTIONS: A COMPARATIVE STUDY OF HIS TRANSCRIBING TECHNIQUES.” 2006. Web. 07 Dec 2019.

Vancouver:

ZHU D. PROKOFIEV'S PIANO TRANSCRIPTIONS: A COMPARATIVE STUDY OF HIS TRANSCRIBING TECHNIQUES. [Internet] [Doctoral dissertation]. University of Cincinnati; 2006. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1153173318.

Council of Science Editors:

ZHU D. PROKOFIEV'S PIANO TRANSCRIPTIONS: A COMPARATIVE STUDY OF HIS TRANSCRIBING TECHNIQUES. [Doctoral Dissertation]. University of Cincinnati; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1153173318


University of Cincinnati

29. FOWLER, MICHAEL D. TOSHI ICHIYANAGI'S PIANO MEDIA: FINDING PARALLELISMS TO PATTERNS IN JAPANESE CULTURE.

Degree: DMA, College-Conservatory of Music : Piano, 2005, University of Cincinnati

 This thesis is concerned with the musical analysis of Toshi Ichiyanagi’s 1972 solo piano composition Piano Media, and an examination of musical processes and considerations… (more)

Subjects/Keywords: Music; Toshi Ichiyanagi; contemporary piano performance practise; Japanese Culture; musical analysis

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

FOWLER, M. D. (2005). TOSHI ICHIYANAGI'S PIANO MEDIA: FINDING PARALLELISMS TO PATTERNS IN JAPANESE CULTURE. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1113278564

Chicago Manual of Style (16th Edition):

FOWLER, MICHAEL D. “TOSHI ICHIYANAGI'S PIANO MEDIA: FINDING PARALLELISMS TO PATTERNS IN JAPANESE CULTURE.” 2005. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1113278564.

MLA Handbook (7th Edition):

FOWLER, MICHAEL D. “TOSHI ICHIYANAGI'S PIANO MEDIA: FINDING PARALLELISMS TO PATTERNS IN JAPANESE CULTURE.” 2005. Web. 07 Dec 2019.

Vancouver:

FOWLER MD. TOSHI ICHIYANAGI'S PIANO MEDIA: FINDING PARALLELISMS TO PATTERNS IN JAPANESE CULTURE. [Internet] [Doctoral dissertation]. University of Cincinnati; 2005. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1113278564.

Council of Science Editors:

FOWLER MD. TOSHI ICHIYANAGI'S PIANO MEDIA: FINDING PARALLELISMS TO PATTERNS IN JAPANESE CULTURE. [Doctoral Dissertation]. University of Cincinnati; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1113278564


University of Cincinnati

30. Kaminsky, Eugene. Schumann’s Op. 14: Original, Revised and Edited (“Concerto Without Orchestra” versus Piano Sonata No. 3).

Degree: DMA, College-Conservatory of Music : Piano, 2006, University of Cincinnati

  Robert Schumann’s <i>3rd Piano Sonata Op. 14</i>, known also as “Concerto without Orchestra,” belongs to a relatively small group of the composer’s unpopular and… (more)

Subjects/Keywords: Music; Op. 14; Concerto without Orchestra; Piano Sonata No. 3

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kaminsky, E. (2006). Schumann’s Op. 14: Original, Revised and Edited (“Concerto Without Orchestra” versus Piano Sonata No. 3). (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1141250647

Chicago Manual of Style (16th Edition):

Kaminsky, Eugene. “Schumann’s Op. 14: Original, Revised and Edited (“Concerto Without Orchestra” versus Piano Sonata No. 3).” 2006. Doctoral Dissertation, University of Cincinnati. Accessed December 07, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1141250647.

MLA Handbook (7th Edition):

Kaminsky, Eugene. “Schumann’s Op. 14: Original, Revised and Edited (“Concerto Without Orchestra” versus Piano Sonata No. 3).” 2006. Web. 07 Dec 2019.

Vancouver:

Kaminsky E. Schumann’s Op. 14: Original, Revised and Edited (“Concerto Without Orchestra” versus Piano Sonata No. 3). [Internet] [Doctoral dissertation]. University of Cincinnati; 2006. [cited 2019 Dec 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1141250647.

Council of Science Editors:

Kaminsky E. Schumann’s Op. 14: Original, Revised and Edited (“Concerto Without Orchestra” versus Piano Sonata No. 3). [Doctoral Dissertation]. University of Cincinnati; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1141250647

[1] [2]

.