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University: University of Cincinnati

You searched for subject:(Piano Concerto K 467). Showing records 1 – 30 of 127 total matches.

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University of Cincinnati

1. Jung, DoHaeng. Joan Tower's Piano Concertos Homage to Beethoven (1985); Rapids (1996); and Still/Rapids (2013): A Style Study.

Degree: DMA, College-Conservatory of Music: Piano, 2014, University of Cincinnati

 Joan Tower (b. 1938) has become one of the most renowned, popular, and sought-after of American composers for her bold and energetic music, which is… (more)

Subjects/Keywords: Music; Joan Tower; Piano Concerto; Homage to Beethoven; Rapids; Still Rapids

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APA (6th Edition):

Jung, D. (2014). Joan Tower's Piano Concertos Homage to Beethoven (1985); Rapids (1996); and Still/Rapids (2013): A Style Study. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406900593

Chicago Manual of Style (16th Edition):

Jung, DoHaeng. “Joan Tower's Piano Concertos Homage to Beethoven (1985); Rapids (1996); and Still/Rapids (2013): A Style Study.” 2014. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406900593.

MLA Handbook (7th Edition):

Jung, DoHaeng. “Joan Tower's Piano Concertos Homage to Beethoven (1985); Rapids (1996); and Still/Rapids (2013): A Style Study.” 2014. Web. 22 Nov 2019.

Vancouver:

Jung D. Joan Tower's Piano Concertos Homage to Beethoven (1985); Rapids (1996); and Still/Rapids (2013): A Style Study. [Internet] [Doctoral dissertation]. University of Cincinnati; 2014. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406900593.

Council of Science Editors:

Jung D. Joan Tower's Piano Concertos Homage to Beethoven (1985); Rapids (1996); and Still/Rapids (2013): A Style Study. [Doctoral Dissertation]. University of Cincinnati; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406900593

2. Harrison, Laura. Corners of the Sky.

Degree: DMA, College-Conservatory of Music: Composition, 2017, University of Cincinnati

 Corners of the Sky was written for pianist Kristofer Rucinski and conductor Jon Norywota, as part of the New Concerto Project. This project was developed… (more)

Subjects/Keywords: Music; Composition; Piano Concerto; Classical Music

…Tuba Piano Violin I Violin II   Cello Contrabass… 

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APA (6th Edition):

Harrison, L. (2017). Corners of the Sky. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1504871713130251

Chicago Manual of Style (16th Edition):

Harrison, Laura. “Corners of the Sky.” 2017. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1504871713130251.

MLA Handbook (7th Edition):

Harrison, Laura. “Corners of the Sky.” 2017. Web. 22 Nov 2019.

Vancouver:

Harrison L. Corners of the Sky. [Internet] [Doctoral dissertation]. University of Cincinnati; 2017. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1504871713130251.

Council of Science Editors:

Harrison L. Corners of the Sky. [Doctoral Dissertation]. University of Cincinnati; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1504871713130251


University of Cincinnati

3. Taylor, Kristín Jónína. Northern Lights: Indigenous Icelandic Aspects of Jón Nordal's Piano Concerto.

Degree: DMA, College-Conservatory of Music : Piano, 2006, University of Cincinnati

 This study investigates the influences, both domestic and foreign, on the composition of Jón Nordal´s Piano Concerto of 1956. The research question in this study… (more)

Subjects/Keywords: Music; Nordal, J&243; n; Icelandic music; Piano Concerto

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APA (6th Edition):

Taylor, K. J. (2006). Northern Lights: Indigenous Icelandic Aspects of Jón Nordal's Piano Concerto. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1146505681

Chicago Manual of Style (16th Edition):

Taylor, Kristín Jónína. “Northern Lights: Indigenous Icelandic Aspects of Jón Nordal's Piano Concerto.” 2006. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1146505681.

MLA Handbook (7th Edition):

Taylor, Kristín Jónína. “Northern Lights: Indigenous Icelandic Aspects of Jón Nordal's Piano Concerto.” 2006. Web. 22 Nov 2019.

Vancouver:

Taylor KJ. Northern Lights: Indigenous Icelandic Aspects of Jón Nordal's Piano Concerto. [Internet] [Doctoral dissertation]. University of Cincinnati; 2006. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1146505681.

Council of Science Editors:

Taylor KJ. Northern Lights: Indigenous Icelandic Aspects of Jón Nordal's Piano Concerto. [Doctoral Dissertation]. University of Cincinnati; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1146505681

4. McGorray, Ian. Ferdinand Ries and the Piano Concerto: Beethoven's Shadow and the Early Romantic Concerto.

Degree: MM, College-Conservatory of Music: Music History, 2015, University of Cincinnati

 The piano concerto in the late-eighteenth and early-nineteenth centuries was a vehicle for the composer of performer to display his virtuosic skill in a concert… (more)

Subjects/Keywords: Music; Early Romantic Concerto; Ludwig van Beethoven; Ferdinand Ries; Piano Concerto; Virtuoso concerto

…Mozart’s C major concertos K. 415/387b, 467, and 503.18 Beethoven wrote the Piano Concerto No. 3… …K. 415, 450, 453, 467, and 488. The degree of tonal exploration in S2 varies from concerto… …piano during the eighteenth century, such that the most popular concerto instrument by… …8 Claudia Macdonald, Robert Schumann and the Piano Concerto (New York: Routledge… …Taylor & Francis Group, 2005), 1. 9 Macdonald, Robert Schumann and the Piano Concerto, 34… 

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APA (6th Edition):

McGorray, I. (2015). Ferdinand Ries and the Piano Concerto: Beethoven's Shadow and the Early Romantic Concerto. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439296816

Chicago Manual of Style (16th Edition):

McGorray, Ian. “Ferdinand Ries and the Piano Concerto: Beethoven's Shadow and the Early Romantic Concerto.” 2015. Masters Thesis, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439296816.

MLA Handbook (7th Edition):

McGorray, Ian. “Ferdinand Ries and the Piano Concerto: Beethoven's Shadow and the Early Romantic Concerto.” 2015. Web. 22 Nov 2019.

Vancouver:

McGorray I. Ferdinand Ries and the Piano Concerto: Beethoven's Shadow and the Early Romantic Concerto. [Internet] [Masters thesis]. University of Cincinnati; 2015. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439296816.

Council of Science Editors:

McGorray I. Ferdinand Ries and the Piano Concerto: Beethoven's Shadow and the Early Romantic Concerto. [Masters Thesis]. University of Cincinnati; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439296816


University of Cincinnati

5. Kim, Min Hwa. Performance Guide to Selected Violin Works of Béla Bartók.

Degree: DMA, College-Conservatory of Music: Violin, 2011, University of Cincinnati

 The aim of this document is to provide a performance guide to selected violin works of Béla Bartók, in particular the Violin Rhapsodies Nos. 1… (more)

Subjects/Keywords: Music; B&233; la Bart&243; k; Violin; Rhapsodies; Sonata No. 2; Concerto No. 2; performance guide

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APA (6th Edition):

Kim, M. H. (2011). Performance Guide to Selected Violin Works of Béla Bartók. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321894138

Chicago Manual of Style (16th Edition):

Kim, Min Hwa. “Performance Guide to Selected Violin Works of Béla Bartók.” 2011. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321894138.

MLA Handbook (7th Edition):

Kim, Min Hwa. “Performance Guide to Selected Violin Works of Béla Bartók.” 2011. Web. 22 Nov 2019.

Vancouver:

Kim MH. Performance Guide to Selected Violin Works of Béla Bartók. [Internet] [Doctoral dissertation]. University of Cincinnati; 2011. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321894138.

Council of Science Editors:

Kim MH. Performance Guide to Selected Violin Works of Béla Bartók. [Doctoral Dissertation]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321894138


University of Cincinnati

6. Kaminsky, Eugene. Schumann’s Op. 14: Original, Revised and Edited (“Concerto Without Orchestra” versus Piano Sonata No. 3).

Degree: DMA, College-Conservatory of Music : Piano, 2006, University of Cincinnati

  Robert Schumann’s <i>3rd Piano Sonata Op. 14</i>, known also as “Concerto without Orchestra,” belongs to a relatively small group of the composer’s unpopular and… (more)

Subjects/Keywords: Music; Op. 14; Concerto without Orchestra; Piano Sonata No. 3

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APA (6th Edition):

Kaminsky, E. (2006). Schumann’s Op. 14: Original, Revised and Edited (“Concerto Without Orchestra” versus Piano Sonata No. 3). (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1141250647

Chicago Manual of Style (16th Edition):

Kaminsky, Eugene. “Schumann’s Op. 14: Original, Revised and Edited (“Concerto Without Orchestra” versus Piano Sonata No. 3).” 2006. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1141250647.

MLA Handbook (7th Edition):

Kaminsky, Eugene. “Schumann’s Op. 14: Original, Revised and Edited (“Concerto Without Orchestra” versus Piano Sonata No. 3).” 2006. Web. 22 Nov 2019.

Vancouver:

Kaminsky E. Schumann’s Op. 14: Original, Revised and Edited (“Concerto Without Orchestra” versus Piano Sonata No. 3). [Internet] [Doctoral dissertation]. University of Cincinnati; 2006. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1141250647.

Council of Science Editors:

Kaminsky E. Schumann’s Op. 14: Original, Revised and Edited (“Concerto Without Orchestra” versus Piano Sonata No. 3). [Doctoral Dissertation]. University of Cincinnati; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1141250647

7. Macura, Nebojsa S. Concerto for Piano and Wind Ensemble.

Degree: DMA, College-Conservatory of Music: Composition, 2011, University of Cincinnati

 In many ways, the Concerto for Piano and Wind Ensemble reflects my experiences at the University of Cincinnati. Composed mainly during the first four months… (more)

Subjects/Keywords: Music; concerto; piano; wind ensemble; wind band; concert band; band

Concerto for Piano and Wind Ensemble Nebojsa S. Macura 2011 Duration: ca. 27 minutes… …percussion instruments Concerto for Piano and Wind Ensemble Transposed Score ° 4 &4 ∑ ∑ 4… …Piccolo Trumpet in Bb) 4 Horns in F 2 Trombones Bass Trombone Euphonium 2 Tubas Solo Piano… …Euphonium Tuba 1,2 String Bass Piano Timpani Percussion 1 Percussion 2 Percussion 3 4 &4 4 &4… 

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APA (6th Edition):

Macura, N. S. (2011). Concerto for Piano and Wind Ensemble. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305645223

Chicago Manual of Style (16th Edition):

Macura, Nebojsa S. “Concerto for Piano and Wind Ensemble.” 2011. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305645223.

MLA Handbook (7th Edition):

Macura, Nebojsa S. “Concerto for Piano and Wind Ensemble.” 2011. Web. 22 Nov 2019.

Vancouver:

Macura NS. Concerto for Piano and Wind Ensemble. [Internet] [Doctoral dissertation]. University of Cincinnati; 2011. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305645223.

Council of Science Editors:

Macura NS. Concerto for Piano and Wind Ensemble. [Doctoral Dissertation]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305645223

8. Chiang, I-Chun. A Historical Technique from a Modern Perspective: The Transcription Scordatura in Mozart’s Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364.

Degree: DMA, College-Conservatory of Music: Viola, 2010, University of Cincinnati

  In 1779, Mozart fused the complex orchestral writing of the Mannheim School with a popular Parisian genre in his sinfonia concertante for violin, viola… (more)

Subjects/Keywords: Music; scordatura; Mozart Sinfonia concertante K.364; viola concerto; transcription scordatura; perfect pitch; viola

…Mozart’s K. 364. In his dissertation on the Carl Stamitz’s Concerto in E-flat major for violin… …K.364, a cross between the light French concerto style and the Mannheim orchestral school… …concerto. Yet the young composer wrote unusually virtuosic parts for both the violin and the… …in E-flat major for Violin, Viola and Orchestra, K. 364, Perlman, Zukerman, Mehta, and… …Sinfonia Concertante in E-flat major for Violin, Viola and Orchestra, K. 364. Midori, Imai… 

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APA (6th Edition):

Chiang, I. (2010). A Historical Technique from a Modern Perspective: The Transcription Scordatura in Mozart’s Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282169540

Chicago Manual of Style (16th Edition):

Chiang, I-Chun. “A Historical Technique from a Modern Perspective: The Transcription Scordatura in Mozart’s Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364.” 2010. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282169540.

MLA Handbook (7th Edition):

Chiang, I-Chun. “A Historical Technique from a Modern Perspective: The Transcription Scordatura in Mozart’s Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364.” 2010. Web. 22 Nov 2019.

Vancouver:

Chiang I. A Historical Technique from a Modern Perspective: The Transcription Scordatura in Mozart’s Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364. [Internet] [Doctoral dissertation]. University of Cincinnati; 2010. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282169540.

Council of Science Editors:

Chiang I. A Historical Technique from a Modern Perspective: The Transcription Scordatura in Mozart’s Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364. [Doctoral Dissertation]. University of Cincinnati; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282169540


University of Cincinnati

9. Nabors, Brian R. Concerto for Hammond Organ, Orchestra, Vocal Quartet, and Chorus.

Degree: DMA, College-Conservatory of Music: Composition, 2019, University of Cincinnati

 I had reached a crossroads in my artistic journey as a composer where I began to contemplate how my work would be a reflection of… (more)

Subjects/Keywords: Music; Concerto; Hammond Organ; Gospel

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APA (6th Edition):

Nabors, B. R. (2019). Concerto for Hammond Organ, Orchestra, Vocal Quartet, and Chorus. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554212818814569

Chicago Manual of Style (16th Edition):

Nabors, Brian R. “Concerto for Hammond Organ, Orchestra, Vocal Quartet, and Chorus.” 2019. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554212818814569.

MLA Handbook (7th Edition):

Nabors, Brian R. “Concerto for Hammond Organ, Orchestra, Vocal Quartet, and Chorus.” 2019. Web. 22 Nov 2019.

Vancouver:

Nabors BR. Concerto for Hammond Organ, Orchestra, Vocal Quartet, and Chorus. [Internet] [Doctoral dissertation]. University of Cincinnati; 2019. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554212818814569.

Council of Science Editors:

Nabors BR. Concerto for Hammond Organ, Orchestra, Vocal Quartet, and Chorus. [Doctoral Dissertation]. University of Cincinnati; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554212818814569


University of Cincinnati

10. Emerson, Christa Marie. Structure and Meaning in Schnittke Analysis: Oppositional Functions in the Viola Concerto.

Degree: MM, College-Conservatory of Music : Theory, 2009, University of Cincinnati

  This thesis looks at Schnittke’s Viola Concerto from a narrative perspective, using the concepts of agents and oppositional functions, which are expounded in Gregory… (more)

Subjects/Keywords: Music; Schnittke; Viola Concerto; Music and Narrative

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APA (6th Edition):

Emerson, C. M. (2009). Structure and Meaning in Schnittke Analysis: Oppositional Functions in the Viola Concerto. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1250618137

Chicago Manual of Style (16th Edition):

Emerson, Christa Marie. “Structure and Meaning in Schnittke Analysis: Oppositional Functions in the Viola Concerto.” 2009. Masters Thesis, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1250618137.

MLA Handbook (7th Edition):

Emerson, Christa Marie. “Structure and Meaning in Schnittke Analysis: Oppositional Functions in the Viola Concerto.” 2009. Web. 22 Nov 2019.

Vancouver:

Emerson CM. Structure and Meaning in Schnittke Analysis: Oppositional Functions in the Viola Concerto. [Internet] [Masters thesis]. University of Cincinnati; 2009. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1250618137.

Council of Science Editors:

Emerson CM. Structure and Meaning in Schnittke Analysis: Oppositional Functions in the Viola Concerto. [Masters Thesis]. University of Cincinnati; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1250618137


University of Cincinnati

11. Yoon, Hye Jung. Birds, Birds, Bluebirds.

Degree: DMA, College-Conservatory of Music: Composition, 2017, University of Cincinnati

 "Birds, Birds, Bluebirds for Oboe and Orchestra" is based on a Korean folk song which has been popularly sung by children. The melody of this… (more)

Subjects/Keywords: Music; Oboe Concerto; Korean folk song; Orchestra

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APA (6th Edition):

Yoon, H. J. (2017). Birds, Birds, Bluebirds. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1504802573765048

Chicago Manual of Style (16th Edition):

Yoon, Hye Jung. “Birds, Birds, Bluebirds.” 2017. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1504802573765048.

MLA Handbook (7th Edition):

Yoon, Hye Jung. “Birds, Birds, Bluebirds.” 2017. Web. 22 Nov 2019.

Vancouver:

Yoon HJ. Birds, Birds, Bluebirds. [Internet] [Doctoral dissertation]. University of Cincinnati; 2017. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1504802573765048.

Council of Science Editors:

Yoon HJ. Birds, Birds, Bluebirds. [Doctoral Dissertation]. University of Cincinnati; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1504802573765048

12. Orsen, Jason A. The Italian Double Concerto: A study of the Italian Double Concerto for Trumpet at the Basilica of San Petronio in Bologna, Italy.

Degree: DMA, College-Conservatory of Music: Trumpet, 2013, University of Cincinnati

 This study will focus on the Double Concerto style of Bologna, Italy, in the seventeenth century. Comparing various works from the basilica of San Petronio… (more)

Subjects/Keywords: Music; Bologna; trumpet; concerto; double concerto; Italian concerto

…the most important material in order to display a clear progression of the double concerto… …Concerto style and composers at Bologna during the Baroque period. This is to ensure a thorough… …examination of all research concerning the Italian Double Concerto and all information surrounding… …compare concertos identify common and uncommon characteristics of the Baroque concerto. However… …show many instances when he performed them. Michael Talbot’s article “The Concerto Allegro in… 

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APA (6th Edition):

Orsen, J. A. (2013). The Italian Double Concerto: A study of the Italian Double Concerto for Trumpet at the Basilica of San Petronio in Bologna, Italy. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367937563

Chicago Manual of Style (16th Edition):

Orsen, Jason A. “The Italian Double Concerto: A study of the Italian Double Concerto for Trumpet at the Basilica of San Petronio in Bologna, Italy.” 2013. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367937563.

MLA Handbook (7th Edition):

Orsen, Jason A. “The Italian Double Concerto: A study of the Italian Double Concerto for Trumpet at the Basilica of San Petronio in Bologna, Italy.” 2013. Web. 22 Nov 2019.

Vancouver:

Orsen JA. The Italian Double Concerto: A study of the Italian Double Concerto for Trumpet at the Basilica of San Petronio in Bologna, Italy. [Internet] [Doctoral dissertation]. University of Cincinnati; 2013. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367937563.

Council of Science Editors:

Orsen JA. The Italian Double Concerto: A study of the Italian Double Concerto for Trumpet at the Basilica of San Petronio in Bologna, Italy. [Doctoral Dissertation]. University of Cincinnati; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367937563


University of Cincinnati

13. HAYASE, TAKAKO. A COMPARISON OF AKIRA MIYOSHI'S MIYOSHI PIANO METHOD WITH NANCY AND RANDALL FABER'S PIANO ADVENTURES BASED ON ROYAL AMERICAN CONSERVATORY EXAMINATION (RACE).

Degree: DMA, College-Conservatory of Music : Piano, 2006, University of Cincinnati

 Akira Miyoshi’s Miyoshi Piano Method was introduced to me by Dr. Bonnie Wade during her visit to the College-Conservatory of Music, University of Cincinnati. Just… (more)

Subjects/Keywords: Music; Piano; Piano Pedagogy; Piano Methods

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APA (6th Edition):

HAYASE, T. (2006). A COMPARISON OF AKIRA MIYOSHI'S MIYOSHI PIANO METHOD WITH NANCY AND RANDALL FABER'S PIANO ADVENTURES BASED ON ROYAL AMERICAN CONSERVATORY EXAMINATION (RACE). (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1156562709

Chicago Manual of Style (16th Edition):

HAYASE, TAKAKO. “A COMPARISON OF AKIRA MIYOSHI'S MIYOSHI PIANO METHOD WITH NANCY AND RANDALL FABER'S PIANO ADVENTURES BASED ON ROYAL AMERICAN CONSERVATORY EXAMINATION (RACE).” 2006. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1156562709.

MLA Handbook (7th Edition):

HAYASE, TAKAKO. “A COMPARISON OF AKIRA MIYOSHI'S MIYOSHI PIANO METHOD WITH NANCY AND RANDALL FABER'S PIANO ADVENTURES BASED ON ROYAL AMERICAN CONSERVATORY EXAMINATION (RACE).” 2006. Web. 22 Nov 2019.

Vancouver:

HAYASE T. A COMPARISON OF AKIRA MIYOSHI'S MIYOSHI PIANO METHOD WITH NANCY AND RANDALL FABER'S PIANO ADVENTURES BASED ON ROYAL AMERICAN CONSERVATORY EXAMINATION (RACE). [Internet] [Doctoral dissertation]. University of Cincinnati; 2006. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1156562709.

Council of Science Editors:

HAYASE T. A COMPARISON OF AKIRA MIYOSHI'S MIYOSHI PIANO METHOD WITH NANCY AND RANDALL FABER'S PIANO ADVENTURES BASED ON ROYAL AMERICAN CONSERVATORY EXAMINATION (RACE). [Doctoral Dissertation]. University of Cincinnati; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1156562709


University of Cincinnati

14. Lin, Chia-Hsing. A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960.

Degree: DMA, College-Conservatory of Music: Piano, 2012, University of Cincinnati

  Franz Peter Schubert’s last three sonatas, D. 958, 959 and 960 attract modern scholars and performers with their personal, poetic style as well as… (more)

Subjects/Keywords: Music; Schubert; Piano Sonatas

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APA (6th Edition):

Lin, C. (2012). A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1330023742

Chicago Manual of Style (16th Edition):

Lin, Chia-Hsing. “A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960.” 2012. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1330023742.

MLA Handbook (7th Edition):

Lin, Chia-Hsing. “A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960.” 2012. Web. 22 Nov 2019.

Vancouver:

Lin C. A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960. [Internet] [Doctoral dissertation]. University of Cincinnati; 2012. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1330023742.

Council of Science Editors:

Lin C. A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960. [Doctoral Dissertation]. University of Cincinnati; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1330023742


University of Cincinnati

15. Koh, Gi Yeon, Koh. A Performance Guide to Max Bruch’s Double Concerto, Opus 88,According to the German Style.

Degree: DMA, College-Conservatory of Music: Double Performance Major, 2018, University of Cincinnati

 The double concerto and its variants, such as concerti grossi, was a popular genre in the Baroque era; in the Classical era, however, most composers… (more)

Subjects/Keywords: Music; Performing Arts; Max Bruch; Double Concerto; Spohr; Romanze; Joachim; Hess

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APA (6th Edition):

Koh, Gi Yeon, K. (2018). A Performance Guide to Max Bruch’s Double Concerto, Opus 88,According to the German Style. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1525169332151546

Chicago Manual of Style (16th Edition):

Koh, Gi Yeon, Koh. “A Performance Guide to Max Bruch’s Double Concerto, Opus 88,According to the German Style.” 2018. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1525169332151546.

MLA Handbook (7th Edition):

Koh, Gi Yeon, Koh. “A Performance Guide to Max Bruch’s Double Concerto, Opus 88,According to the German Style.” 2018. Web. 22 Nov 2019.

Vancouver:

Koh, Gi Yeon K. A Performance Guide to Max Bruch’s Double Concerto, Opus 88,According to the German Style. [Internet] [Doctoral dissertation]. University of Cincinnati; 2018. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1525169332151546.

Council of Science Editors:

Koh, Gi Yeon K. A Performance Guide to Max Bruch’s Double Concerto, Opus 88,According to the German Style. [Doctoral Dissertation]. University of Cincinnati; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1525169332151546


University of Cincinnati

16. Leverenz, Anna. The Debated Authenticity of Franz Joseph Haydn’s Concertos for Horn: An Historical and Theoretical Approach to Attribution.

Degree: DMA, College-Conservatory of Music: Horn, 2011, University of Cincinnati

 Of the three horn concertos attributed to Franz Joseph Haydn only one, the concerto Hob. VIId: 3, can be proven as an authentic composition. The… (more)

Subjects/Keywords: Music; MichaelHaydn; Antonio Rosetti; Franz Joseph Haydn; Horn Concerto; Horn

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APA (6th Edition):

Leverenz, A. (2011). The Debated Authenticity of Franz Joseph Haydn’s Concertos for Horn: An Historical and Theoretical Approach to Attribution. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1319487744

Chicago Manual of Style (16th Edition):

Leverenz, Anna. “The Debated Authenticity of Franz Joseph Haydn’s Concertos for Horn: An Historical and Theoretical Approach to Attribution.” 2011. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1319487744.

MLA Handbook (7th Edition):

Leverenz, Anna. “The Debated Authenticity of Franz Joseph Haydn’s Concertos for Horn: An Historical and Theoretical Approach to Attribution.” 2011. Web. 22 Nov 2019.

Vancouver:

Leverenz A. The Debated Authenticity of Franz Joseph Haydn’s Concertos for Horn: An Historical and Theoretical Approach to Attribution. [Internet] [Doctoral dissertation]. University of Cincinnati; 2011. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1319487744.

Council of Science Editors:

Leverenz A. The Debated Authenticity of Franz Joseph Haydn’s Concertos for Horn: An Historical and Theoretical Approach to Attribution. [Doctoral Dissertation]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1319487744


University of Cincinnati

17. Barnett, Jessica R. Clusters, Clouds, and Constellations: Twelve-Tone Techniques and Variation Strategies in Two Concertos by Ginastera.

Degree: PhD, College-Conservatory of Music: Theory, 2015, University of Cincinnati

 In the late 1950s and early 1960s, Alberto Ginastera turned to twelve-tone composition. The personal twelve-tone language he developed during this time was largely an… (more)

Subjects/Keywords: Music; Ginastera; Concerto; Variation; Composing-out; Octatonic; Twelve tone

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APA (6th Edition):

Barnett, J. R. (2015). Clusters, Clouds, and Constellations: Twelve-Tone Techniques and Variation Strategies in Two Concertos by Ginastera. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427980834

Chicago Manual of Style (16th Edition):

Barnett, Jessica R. “Clusters, Clouds, and Constellations: Twelve-Tone Techniques and Variation Strategies in Two Concertos by Ginastera.” 2015. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427980834.

MLA Handbook (7th Edition):

Barnett, Jessica R. “Clusters, Clouds, and Constellations: Twelve-Tone Techniques and Variation Strategies in Two Concertos by Ginastera.” 2015. Web. 22 Nov 2019.

Vancouver:

Barnett JR. Clusters, Clouds, and Constellations: Twelve-Tone Techniques and Variation Strategies in Two Concertos by Ginastera. [Internet] [Doctoral dissertation]. University of Cincinnati; 2015. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427980834.

Council of Science Editors:

Barnett JR. Clusters, Clouds, and Constellations: Twelve-Tone Techniques and Variation Strategies in Two Concertos by Ginastera. [Doctoral Dissertation]. University of Cincinnati; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427980834


University of Cincinnati

18. Clavere, Javier. A Study Guide to Franz Liszt's Grandes etudes de Paganini S.141.

Degree: DMA, College-Conservatory of Music: Piano, 2011, University of Cincinnati

 This document explores the second version of the Paganini Etudes (1851),outlining some of the characteristics of the transcription process from violin to piano in terms… (more)

Subjects/Keywords: Performing Arts; Piano Etudes; Nicolo Paganini; Franz Liszt; Piano

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APA (6th Edition):

Clavere, J. (2011). A Study Guide to Franz Liszt's Grandes etudes de Paganini S.141. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1296847312

Chicago Manual of Style (16th Edition):

Clavere, Javier. “A Study Guide to Franz Liszt's Grandes etudes de Paganini S.141.” 2011. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1296847312.

MLA Handbook (7th Edition):

Clavere, Javier. “A Study Guide to Franz Liszt's Grandes etudes de Paganini S.141.” 2011. Web. 22 Nov 2019.

Vancouver:

Clavere J. A Study Guide to Franz Liszt's Grandes etudes de Paganini S.141. [Internet] [Doctoral dissertation]. University of Cincinnati; 2011. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1296847312.

Council of Science Editors:

Clavere J. A Study Guide to Franz Liszt's Grandes etudes de Paganini S.141. [Doctoral Dissertation]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1296847312


University of Cincinnati

19. Boelcke, Andreas Maximilian. Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees.

Degree: DMA, College-Conservatory of Music : Piano, 2008, University of Cincinnati

 Chopin's twenty-four <i>Préludes</i>, Op. 28 stand out as revolutionaryin history, for they are neither introductions to fugues, nor etude-like exercisesas those preludes by other early… (more)

Subjects/Keywords: Music; preludes; chopin; piano; scale degrees; coherence; unified composition; piano cycle

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APA (6th Edition):

Boelcke, A. M. (2008). Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1227217858

Chicago Manual of Style (16th Edition):

Boelcke, Andreas Maximilian. “Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1227217858.

MLA Handbook (7th Edition):

Boelcke, Andreas Maximilian. “Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees.” 2008. Web. 22 Nov 2019.

Vancouver:

Boelcke AM. Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1227217858.

Council of Science Editors:

Boelcke AM. Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1227217858


University of Cincinnati

20. Moore, Donald Scott. The Concerto for Bass Trombone by Thom Ritter George and the Beginning of Modern Bass Trombone Solo Performance.

Degree: DMA, College-Conservatory of Music : Trombone, 2009, University of Cincinnati

 This paper examines the literature for bass trombone of the late 1950s and early 1960s in order to establish Thom Ritter George’s <i>Concerto for Bass… (more)

Subjects/Keywords: Music; Thom Ritter George; Concerto for Bass Trombone; Bass Trombone; Trombone History; New Orleans

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APA (6th Edition):

Moore, D. S. (2009). The Concerto for Bass Trombone by Thom Ritter George and the Beginning of Modern Bass Trombone Solo Performance. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1258476563

Chicago Manual of Style (16th Edition):

Moore, Donald Scott. “The Concerto for Bass Trombone by Thom Ritter George and the Beginning of Modern Bass Trombone Solo Performance.” 2009. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1258476563.

MLA Handbook (7th Edition):

Moore, Donald Scott. “The Concerto for Bass Trombone by Thom Ritter George and the Beginning of Modern Bass Trombone Solo Performance.” 2009. Web. 22 Nov 2019.

Vancouver:

Moore DS. The Concerto for Bass Trombone by Thom Ritter George and the Beginning of Modern Bass Trombone Solo Performance. [Internet] [Doctoral dissertation]. University of Cincinnati; 2009. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1258476563.

Council of Science Editors:

Moore DS. The Concerto for Bass Trombone by Thom Ritter George and the Beginning of Modern Bass Trombone Solo Performance. [Doctoral Dissertation]. University of Cincinnati; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1258476563


University of Cincinnati

21. Brown, Myron D. The 19th Century Tarantella for Piano: A Pedagogical Guide to Performance and Leveling.

Degree: DMA, College-Conservatory of Music: Piano, 2011, University of Cincinnati

 This document’s primary function is to explore a rarely encountered musical genre, the tarantella. The tarantella is a dance form whose origins have been long… (more)

Subjects/Keywords: Music; tarantella; piano; 19th century; tarantism

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APA (6th Edition):

Brown, M. D. (2011). The 19th Century Tarantella for Piano: A Pedagogical Guide to Performance and Leveling. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1302883737

Chicago Manual of Style (16th Edition):

Brown, Myron D. “The 19th Century Tarantella for Piano: A Pedagogical Guide to Performance and Leveling.” 2011. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1302883737.

MLA Handbook (7th Edition):

Brown, Myron D. “The 19th Century Tarantella for Piano: A Pedagogical Guide to Performance and Leveling.” 2011. Web. 22 Nov 2019.

Vancouver:

Brown MD. The 19th Century Tarantella for Piano: A Pedagogical Guide to Performance and Leveling. [Internet] [Doctoral dissertation]. University of Cincinnati; 2011. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1302883737.

Council of Science Editors:

Brown MD. The 19th Century Tarantella for Piano: A Pedagogical Guide to Performance and Leveling. [Doctoral Dissertation]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1302883737


University of Cincinnati

22. Pierce, Stephen R. An Examination of Alexander Siloti’s Printed Solo Piano Transcriptions of Works by J. S. Bach.

Degree: DMA, College-Conservatory of Music: Piano, 2011, University of Cincinnati

 In this document I will examine Alexander Siloti’s (1863-1945) fourteen transcriptions for solo piano of works by J. S. Bach (1685-1750) that are currently in… (more)

Subjects/Keywords: Music; Siloti; Bach; Transcription; Piano; Liszt

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APA (6th Edition):

Pierce, S. R. (2011). An Examination of Alexander Siloti’s Printed Solo Piano Transcriptions of Works by J. S. Bach. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1322052457

Chicago Manual of Style (16th Edition):

Pierce, Stephen R. “An Examination of Alexander Siloti’s Printed Solo Piano Transcriptions of Works by J. S. Bach.” 2011. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1322052457.

MLA Handbook (7th Edition):

Pierce, Stephen R. “An Examination of Alexander Siloti’s Printed Solo Piano Transcriptions of Works by J. S. Bach.” 2011. Web. 22 Nov 2019.

Vancouver:

Pierce SR. An Examination of Alexander Siloti’s Printed Solo Piano Transcriptions of Works by J. S. Bach. [Internet] [Doctoral dissertation]. University of Cincinnati; 2011. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1322052457.

Council of Science Editors:

Pierce SR. An Examination of Alexander Siloti’s Printed Solo Piano Transcriptions of Works by J. S. Bach. [Doctoral Dissertation]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1322052457


University of Cincinnati

23. MANN, JONATHAN EDWARD. RED, WHITE, AND BLUE NOTES: THE SYMBIOTIC MUSIC OF NIKOLAI KAPUSTIN.

Degree: DMA, College-Conservatory of Music : Piano, 2007, University of Cincinnati

 Nikolai Kapustin’s solo piano music synthesizes classical form and jazz texture. He uses the language of jazz improvisation, but does not improvise. Instead, a jazz… (more)

Subjects/Keywords: Music; Nikolai Kapustin Classical Jazz Piano

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APA (6th Edition):

MANN, J. E. (2007). RED, WHITE, AND BLUE NOTES: THE SYMBIOTIC MUSIC OF NIKOLAI KAPUSTIN. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179852881

Chicago Manual of Style (16th Edition):

MANN, JONATHAN EDWARD. “RED, WHITE, AND BLUE NOTES: THE SYMBIOTIC MUSIC OF NIKOLAI KAPUSTIN.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179852881.

MLA Handbook (7th Edition):

MANN, JONATHAN EDWARD. “RED, WHITE, AND BLUE NOTES: THE SYMBIOTIC MUSIC OF NIKOLAI KAPUSTIN.” 2007. Web. 22 Nov 2019.

Vancouver:

MANN JE. RED, WHITE, AND BLUE NOTES: THE SYMBIOTIC MUSIC OF NIKOLAI KAPUSTIN. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179852881.

Council of Science Editors:

MANN JE. RED, WHITE, AND BLUE NOTES: THE SYMBIOTIC MUSIC OF NIKOLAI KAPUSTIN. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179852881


University of Cincinnati

24. KWON, JUN. Beethoven's Two-Movement Piano Sonatas and Their Predecessors.

Degree: DMA, College-Conservatory of Music : Piano, 2008, University of Cincinnati

 In the literature of keyboard solo music, the two-movement sonata has occupied a unique place in both structure and aesthetics. The great flowering of this… (more)

Subjects/Keywords: Music; Beethoven Piano Sonata; Two-movement Sonata

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APA (6th Edition):

KWON, J. (2008). Beethoven's Two-Movement Piano Sonatas and Their Predecessors. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710

Chicago Manual of Style (16th Edition):

KWON, JUN. “Beethoven's Two-Movement Piano Sonatas and Their Predecessors.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710.

MLA Handbook (7th Edition):

KWON, JUN. “Beethoven's Two-Movement Piano Sonatas and Their Predecessors.” 2008. Web. 22 Nov 2019.

Vancouver:

KWON J. Beethoven's Two-Movement Piano Sonatas and Their Predecessors. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710.

Council of Science Editors:

KWON J. Beethoven's Two-Movement Piano Sonatas and Their Predecessors. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710


University of Cincinnati

25. YIP, MICHELLE C. Stylistic Development in the Piano Works by Manuel Maria Ponce (1882-1948).

Degree: DMA, College-Conservatory of Music : Piano, 2008, University of Cincinnati

  A composer, pianist, and music educator, Manuel Maria Ponce (1882-1948) put Mexico on the musical map in the late nineteenth and early twentieth centuries.… (more)

Subjects/Keywords: Music; Manuel Maria Ponce Piano Works

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APA (6th Edition):

YIP, M. C. (2008). Stylistic Development in the Piano Works by Manuel Maria Ponce (1882-1948). (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1217513061

Chicago Manual of Style (16th Edition):

YIP, MICHELLE C. “Stylistic Development in the Piano Works by Manuel Maria Ponce (1882-1948).” 2008. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1217513061.

MLA Handbook (7th Edition):

YIP, MICHELLE C. “Stylistic Development in the Piano Works by Manuel Maria Ponce (1882-1948).” 2008. Web. 22 Nov 2019.

Vancouver:

YIP MC. Stylistic Development in the Piano Works by Manuel Maria Ponce (1882-1948). [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1217513061.

Council of Science Editors:

YIP MC. Stylistic Development in the Piano Works by Manuel Maria Ponce (1882-1948). [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1217513061


University of Cincinnati

26. Lai, Wei-Ya. Beethoven's Late Style in His Last Five Piano Sonatas.

Degree: DMA, College-Conservatory of Music : Piano, 2009, University of Cincinnati

 This document intends to explore Ludwig van Beethoven's last five piano sonatas (Opp. 101, 106, 109, 110, and 111) focusing on their innovative and experimental… (more)

Subjects/Keywords: Music; Beethoven; piano sonatas; late style

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APA (6th Edition):

Lai, W. (2009). Beethoven's Late Style in His Last Five Piano Sonatas. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243014360

Chicago Manual of Style (16th Edition):

Lai, Wei-Ya. “Beethoven's Late Style in His Last Five Piano Sonatas.” 2009. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243014360.

MLA Handbook (7th Edition):

Lai, Wei-Ya. “Beethoven's Late Style in His Last Five Piano Sonatas.” 2009. Web. 22 Nov 2019.

Vancouver:

Lai W. Beethoven's Late Style in His Last Five Piano Sonatas. [Internet] [Doctoral dissertation]. University of Cincinnati; 2009. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243014360.

Council of Science Editors:

Lai W. Beethoven's Late Style in His Last Five Piano Sonatas. [Doctoral Dissertation]. University of Cincinnati; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243014360


University of Cincinnati

27. Tseng, Li-Han Eliza. Sergey Prokofiev’s Complete Solo Cello Repertory: The Compositional History and Performance Guide.

Degree: DMA, College-Conservatory of Music: Violoncello, 2019, University of Cincinnati

 This document is a comprehensive study of the five complete solo cello repertory by Sergey Prokofiev, featuring cello with piano or orchestra— the Ballade, Cello… (more)

Subjects/Keywords: Music; Cello works by Sergey Prokofiev; Adagio Op97bis; Ballade Op 15; Sonata Op119; Concerto Op 58; Sinfonia Concertante Op125

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APA (6th Edition):

Tseng, L. E. (2019). Sergey Prokofiev’s Complete Solo Cello Repertory: The Compositional History and Performance Guide. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554213587575424

Chicago Manual of Style (16th Edition):

Tseng, Li-Han Eliza. “Sergey Prokofiev’s Complete Solo Cello Repertory: The Compositional History and Performance Guide.” 2019. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554213587575424.

MLA Handbook (7th Edition):

Tseng, Li-Han Eliza. “Sergey Prokofiev’s Complete Solo Cello Repertory: The Compositional History and Performance Guide.” 2019. Web. 22 Nov 2019.

Vancouver:

Tseng LE. Sergey Prokofiev’s Complete Solo Cello Repertory: The Compositional History and Performance Guide. [Internet] [Doctoral dissertation]. University of Cincinnati; 2019. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554213587575424.

Council of Science Editors:

Tseng LE. Sergey Prokofiev’s Complete Solo Cello Repertory: The Compositional History and Performance Guide. [Doctoral Dissertation]. University of Cincinnati; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554213587575424


University of Cincinnati

28. VAN DYKE, RICHARD GERARD. TRACING THE STYLISTIC ELEMENTS OF ROBERT STARER'S PEDAGOGICAL WORKS TO THE TWILIGHT FANTASIES AND SONATA FOR PIANO, NO. 3.

Degree: DMA, College-Conservatory of Music : Piano, 2007, University of Cincinnati

 This document’s primary function is to trace the twentieth-century stylistic elements present in Robert Starer’s music, including lyricism, rhythm, atonality and technique. It includes the… (more)

Subjects/Keywords: Music; Robert Starer; Pedagogical Works; Twentieth Century Piano Music; Twilight Fantasies; NMCP (National Music Certificate Program); Twentieth Century Intermediate Piano Music

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APA (6th Edition):

VAN DYKE, R. G. (2007). TRACING THE STYLISTIC ELEMENTS OF ROBERT STARER'S PEDAGOGICAL WORKS TO THE TWILIGHT FANTASIES AND SONATA FOR PIANO, NO. 3. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195669172

Chicago Manual of Style (16th Edition):

VAN DYKE, RICHARD GERARD. “TRACING THE STYLISTIC ELEMENTS OF ROBERT STARER'S PEDAGOGICAL WORKS TO THE TWILIGHT FANTASIES AND SONATA FOR PIANO, NO. 3.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195669172.

MLA Handbook (7th Edition):

VAN DYKE, RICHARD GERARD. “TRACING THE STYLISTIC ELEMENTS OF ROBERT STARER'S PEDAGOGICAL WORKS TO THE TWILIGHT FANTASIES AND SONATA FOR PIANO, NO. 3.” 2007. Web. 22 Nov 2019.

Vancouver:

VAN DYKE RG. TRACING THE STYLISTIC ELEMENTS OF ROBERT STARER'S PEDAGOGICAL WORKS TO THE TWILIGHT FANTASIES AND SONATA FOR PIANO, NO. 3. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195669172.

Council of Science Editors:

VAN DYKE RG. TRACING THE STYLISTIC ELEMENTS OF ROBERT STARER'S PEDAGOGICAL WORKS TO THE TWILIGHT FANTASIES AND SONATA FOR PIANO, NO. 3. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195669172


University of Cincinnati

29. Gupta, Nidhi. Mutual k Nearest Neighbor based Classifier.

Degree: MS, Engineering and Applied Science: Computer Science, 2010, University of Cincinnati

 In this information intensive world, data is used to make statistical decisions for business, scientific, and industrial situations. With decreasing cost of computing power and… (more)

Subjects/Keywords: Artificial Intelligence; K Nearest Neighbor; Mutual k Nearest Neighbor; Classifier; Classification algorithm; Reverse Nearest Neighbor

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gupta, N. (2010). Mutual k Nearest Neighbor based Classifier. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1289937369

Chicago Manual of Style (16th Edition):

Gupta, Nidhi. “Mutual k Nearest Neighbor based Classifier.” 2010. Masters Thesis, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1289937369.

MLA Handbook (7th Edition):

Gupta, Nidhi. “Mutual k Nearest Neighbor based Classifier.” 2010. Web. 22 Nov 2019.

Vancouver:

Gupta N. Mutual k Nearest Neighbor based Classifier. [Internet] [Masters thesis]. University of Cincinnati; 2010. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1289937369.

Council of Science Editors:

Gupta N. Mutual k Nearest Neighbor based Classifier. [Masters Thesis]. University of Cincinnati; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1289937369


University of Cincinnati

30. Dixit, Siddharth. Density Based Clustering using Mutual K-Nearest Neighbors.

Degree: MS, Engineering and Applied Science: Computer Science, 2015, University of Cincinnati

 Density-based clustering is an important problem of research for data scientists and has been investigated with interest in the past. Due to data proliferation, datasets… (more)

Subjects/Keywords: Computer Science; Density based clustering; K-nearest neighbor; Mutual K-nearest neighbor; Clustering

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dixit, S. (2015). Density Based Clustering using Mutual K-Nearest Neighbors. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1447690719

Chicago Manual of Style (16th Edition):

Dixit, Siddharth. “Density Based Clustering using Mutual K-Nearest Neighbors.” 2015. Masters Thesis, University of Cincinnati. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1447690719.

MLA Handbook (7th Edition):

Dixit, Siddharth. “Density Based Clustering using Mutual K-Nearest Neighbors.” 2015. Web. 22 Nov 2019.

Vancouver:

Dixit S. Density Based Clustering using Mutual K-Nearest Neighbors. [Internet] [Masters thesis]. University of Cincinnati; 2015. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1447690719.

Council of Science Editors:

Dixit S. Density Based Clustering using Mutual K-Nearest Neighbors. [Masters Thesis]. University of Cincinnati; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1447690719

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