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Dates: 2010 – 2014

You searched for subject:(Piano Concerto K 467). Showing records 1 – 30 of 2456 total matches.

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1. Xu Schott, Grace. Piano concerto number one, Heatmadah : an original work for piano and orchestra.

Degree: Thesis (D.A.), 2013, Ball State University

 The purpose of this study is to create an original composition for piano and orchestra, Piano Concerto Number One, Heatmadah. While numerous compositions of piano(more)

Subjects/Keywords: Concertos (Piano)  – Scores; Concerto

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APA (6th Edition):

Xu Schott, G. (2013). Piano concerto number one, Heatmadah : an original work for piano and orchestra. (Doctoral Dissertation). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/197792

Chicago Manual of Style (16th Edition):

Xu Schott, Grace. “Piano concerto number one, Heatmadah : an original work for piano and orchestra.” 2013. Doctoral Dissertation, Ball State University. Accessed November 18, 2019. http://cardinalscholar.bsu.edu/handle/123456789/197792.

MLA Handbook (7th Edition):

Xu Schott, Grace. “Piano concerto number one, Heatmadah : an original work for piano and orchestra.” 2013. Web. 18 Nov 2019.

Vancouver:

Xu Schott G. Piano concerto number one, Heatmadah : an original work for piano and orchestra. [Internet] [Doctoral dissertation]. Ball State University; 2013. [cited 2019 Nov 18]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/197792.

Council of Science Editors:

Xu Schott G. Piano concerto number one, Heatmadah : an original work for piano and orchestra. [Doctoral Dissertation]. Ball State University; 2013. Available from: http://cardinalscholar.bsu.edu/handle/123456789/197792


University of North Texas

2. Choi, Da Jeong. Dream of a Thousand Keys: A Concerto for Piano and Orchestra.

Degree: 2011, University of North Texas

 Dream of a Thousand Keys is a concerto for piano and orchestra, which consists of four movements presenting multiple dimensional meanings as suggested by the… (more)

Subjects/Keywords: Concerto; Fibonacci series; piano and orchestra

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APA (6th Edition):

Choi, D. J. (2011). Dream of a Thousand Keys: A Concerto for Piano and Orchestra. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc67968/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Choi, Da Jeong. “Dream of a Thousand Keys: A Concerto for Piano and Orchestra.” 2011. Thesis, University of North Texas. Accessed November 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc67968/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Choi, Da Jeong. “Dream of a Thousand Keys: A Concerto for Piano and Orchestra.” 2011. Web. 18 Nov 2019.

Vancouver:

Choi DJ. Dream of a Thousand Keys: A Concerto for Piano and Orchestra. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Nov 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc67968/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Choi DJ. Dream of a Thousand Keys: A Concerto for Piano and Orchestra. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc67968/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

3. Huang, Shu-Yuan. Erich Wolfgang Korngold’s Idea of the “Modern”: Developing Variation in the Piano Concerto in C Sharp, Opus 17.

Degree: 2014, University of North Texas

 This study examines the Piano Concerto in C sharp, Op.17 (1923), by Erich Wolfgang Korngold (1897-1957), in light of developing variation, techniques that transform motivic… (more)

Subjects/Keywords: Erich Wolfgang Korngold; developing variation; piano concerto

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APA (6th Edition):

Huang, S. (2014). Erich Wolfgang Korngold’s Idea of the “Modern”: Developing Variation in the Piano Concerto in C Sharp, Opus 17. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500115/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Huang, Shu-Yuan. “Erich Wolfgang Korngold’s Idea of the “Modern”: Developing Variation in the Piano Concerto in C Sharp, Opus 17.” 2014. Thesis, University of North Texas. Accessed November 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc500115/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Huang, Shu-Yuan. “Erich Wolfgang Korngold’s Idea of the “Modern”: Developing Variation in the Piano Concerto in C Sharp, Opus 17.” 2014. Web. 18 Nov 2019.

Vancouver:

Huang S. Erich Wolfgang Korngold’s Idea of the “Modern”: Developing Variation in the Piano Concerto in C Sharp, Opus 17. [Internet] [Thesis]. University of North Texas; 2014. [cited 2019 Nov 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500115/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Huang S. Erich Wolfgang Korngold’s Idea of the “Modern”: Developing Variation in the Piano Concerto in C Sharp, Opus 17. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc500115/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Lee, Jeewon. The First-Movement Cadenzas for Mozart Piano Concerto No. 20 in D Minor, K. 466.

Degree: DMA, Music, 2013, Rice University

 This thesis is an analytical study of various cadenzas written for the first movement of Mozart’s Piano Concerto No.20 in D minor, K.466. As one… (more)

Subjects/Keywords: Cadenza; Mozart Piano Concerto; K. 466; First-Movement Cadenza; Improvisation; Jeewon Lee Cadenza; Piano

Piano Concerto No. 20 in D Minor, K. 466. the compositional techniques displayed in… …composers wrote cadenzas for Mozart’s Piano Concerto No.20 in D Minor, K. 466 in particular and… …I am sending you at the same time the last rondo K. 382 which I composed for my concerto… …of K. 271 in E-flat major, a concerto nicknamed “Jeunnehomme.” Of these, the first cadenza… …which cadenzas are found. The instrumental cadenza found at the end of a concerto movement… 

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APA (6th Edition):

Lee, J. (2013). The First-Movement Cadenzas for Mozart Piano Concerto No. 20 in D Minor, K. 466. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/71666

Chicago Manual of Style (16th Edition):

Lee, Jeewon. “The First-Movement Cadenzas for Mozart Piano Concerto No. 20 in D Minor, K. 466.” 2013. Doctoral Dissertation, Rice University. Accessed November 18, 2019. http://hdl.handle.net/1911/71666.

MLA Handbook (7th Edition):

Lee, Jeewon. “The First-Movement Cadenzas for Mozart Piano Concerto No. 20 in D Minor, K. 466.” 2013. Web. 18 Nov 2019.

Vancouver:

Lee J. The First-Movement Cadenzas for Mozart Piano Concerto No. 20 in D Minor, K. 466. [Internet] [Doctoral dissertation]. Rice University; 2013. [cited 2019 Nov 18]. Available from: http://hdl.handle.net/1911/71666.

Council of Science Editors:

Lee J. The First-Movement Cadenzas for Mozart Piano Concerto No. 20 in D Minor, K. 466. [Doctoral Dissertation]. Rice University; 2013. Available from: http://hdl.handle.net/1911/71666


University of Cincinnati

5. Jung, DoHaeng. Joan Tower's Piano Concertos Homage to Beethoven (1985); Rapids (1996); and Still/Rapids (2013): A Style Study.

Degree: DMA, College-Conservatory of Music: Piano, 2014, University of Cincinnati

 Joan Tower (b. 1938) has become one of the most renowned, popular, and sought-after of American composers for her bold and energetic music, which is… (more)

Subjects/Keywords: Music; Joan Tower; Piano Concerto; Homage to Beethoven; Rapids; Still Rapids

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APA (6th Edition):

Jung, D. (2014). Joan Tower's Piano Concertos Homage to Beethoven (1985); Rapids (1996); and Still/Rapids (2013): A Style Study. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406900593

Chicago Manual of Style (16th Edition):

Jung, DoHaeng. “Joan Tower's Piano Concertos Homage to Beethoven (1985); Rapids (1996); and Still/Rapids (2013): A Style Study.” 2014. Doctoral Dissertation, University of Cincinnati. Accessed November 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406900593.

MLA Handbook (7th Edition):

Jung, DoHaeng. “Joan Tower's Piano Concertos Homage to Beethoven (1985); Rapids (1996); and Still/Rapids (2013): A Style Study.” 2014. Web. 18 Nov 2019.

Vancouver:

Jung D. Joan Tower's Piano Concertos Homage to Beethoven (1985); Rapids (1996); and Still/Rapids (2013): A Style Study. [Internet] [Doctoral dissertation]. University of Cincinnati; 2014. [cited 2019 Nov 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406900593.

Council of Science Editors:

Jung D. Joan Tower's Piano Concertos Homage to Beethoven (1985); Rapids (1996); and Still/Rapids (2013): A Style Study. [Doctoral Dissertation]. University of Cincinnati; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406900593


University of Southern California

6. Kotcheff, Thomas. Five musical compositions: Suite for 'cello, Other roads, Point counter point, Piano concerto, Narcotics.

Degree: MM, Composition, 2012, University of Southern California

 Composition portfolio submitted for degree. Suite for 'cello (6 movements) (2010); Other roads (6 movements) for piano (2011); Point counter point (1 movement) for 14… (more)

Subjects/Keywords: Thomas; Kotcheff; MM portfolio; cello; piano; wind ensemble; concerto; alto saxophone

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APA (6th Edition):

Kotcheff, T. (2012). Five musical compositions: Suite for 'cello, Other roads, Point counter point, Piano concerto, Narcotics. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/42677/rec/2831

Chicago Manual of Style (16th Edition):

Kotcheff, Thomas. “Five musical compositions: Suite for 'cello, Other roads, Point counter point, Piano concerto, Narcotics.” 2012. Doctoral Dissertation, University of Southern California. Accessed November 18, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/42677/rec/2831.

MLA Handbook (7th Edition):

Kotcheff, Thomas. “Five musical compositions: Suite for 'cello, Other roads, Point counter point, Piano concerto, Narcotics.” 2012. Web. 18 Nov 2019.

Vancouver:

Kotcheff T. Five musical compositions: Suite for 'cello, Other roads, Point counter point, Piano concerto, Narcotics. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Nov 18]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/42677/rec/2831.

Council of Science Editors:

Kotcheff T. Five musical compositions: Suite for 'cello, Other roads, Point counter point, Piano concerto, Narcotics. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/42677/rec/2831


NSYSU

7. Yang, Ming-ming. The Historical Significant of Alkanâs Concerti da Camera, Op.10.

Degree: Master, Music, 2012, NSYSU

 Charles-Valentin Alkan ( 1813-1888 ), French composer and pianist at early nineteenth century, devoted himself to write piano music only as Chopin during his entire… (more)

Subjects/Keywords: musical environment in Paris; Concerto da Camera; No. 10.; piano concerto; early nineteenth century; Charles-Valentin Alkan

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APA (6th Edition):

Yang, M. (2012). The Historical Significant of Alkanâs Concerti da Camera, Op.10. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0206112-211817

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yang, Ming-ming. “The Historical Significant of Alkanâs Concerti da Camera, Op.10.” 2012. Thesis, NSYSU. Accessed November 18, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0206112-211817.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yang, Ming-ming. “The Historical Significant of Alkanâs Concerti da Camera, Op.10.” 2012. Web. 18 Nov 2019.

Vancouver:

Yang M. The Historical Significant of Alkanâs Concerti da Camera, Op.10. [Internet] [Thesis]. NSYSU; 2012. [cited 2019 Nov 18]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0206112-211817.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yang M. The Historical Significant of Alkanâs Concerti da Camera, Op.10. [Thesis]. NSYSU; 2012. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0206112-211817

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

8. Lachance, Martin. Groove, Fanfare & Finale pour quintette de cuivres ; Voyage pour orchestre ; et Fantaisie pour piano et orchestre .

Degree: 2010, Université de Montréal

 Le présent mémoire est une analyse de trois pièces musicales composées dans le cadre de ma maîtrise en composition instrumentale. L’analyse se concentrera sur divers… (more)

Subjects/Keywords: Composition; Composition; Quintette pour cuivres; Brass quintet; Concerto pour piano; Piano concerto; Contrepoint; Counterpoint; Économie de moyens; Economy of means; Transitions musicales; Musical transitions; Unité formelle; Structural unity

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APA (6th Edition):

Lachance, M. (2010). Groove, Fanfare & Finale pour quintette de cuivres ; Voyage pour orchestre ; et Fantaisie pour piano et orchestre . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/4801

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lachance, Martin. “Groove, Fanfare & Finale pour quintette de cuivres ; Voyage pour orchestre ; et Fantaisie pour piano et orchestre .” 2010. Thesis, Université de Montréal. Accessed November 18, 2019. http://hdl.handle.net/1866/4801.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lachance, Martin. “Groove, Fanfare & Finale pour quintette de cuivres ; Voyage pour orchestre ; et Fantaisie pour piano et orchestre .” 2010. Web. 18 Nov 2019.

Vancouver:

Lachance M. Groove, Fanfare & Finale pour quintette de cuivres ; Voyage pour orchestre ; et Fantaisie pour piano et orchestre . [Internet] [Thesis]. Université de Montréal; 2010. [cited 2019 Nov 18]. Available from: http://hdl.handle.net/1866/4801.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lachance M. Groove, Fanfare & Finale pour quintette de cuivres ; Voyage pour orchestre ; et Fantaisie pour piano et orchestre . [Thesis]. Université de Montréal; 2010. Available from: http://hdl.handle.net/1866/4801

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

9. Chang, Hsiao-Ling. Lowell Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12: An Historical and Analytical Study.

Degree: 2010, University of North Texas

 Lowell Liebermann, born in New York City in 1961, is one of America's most distinguished living composers. In addition, he often conducts and performs as… (more)

Subjects/Keywords: Liebermann; analytical; historical; organic unity; piano; concerto; Liebermann, Lowell. Concertos, piano, orchestra no. 1, op. 12.; Composers  – Interviews.

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APA (6th Edition):

Chang, H. (2010). Lowell Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12: An Historical and Analytical Study. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc30426/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chang, Hsiao-Ling. “Lowell Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12: An Historical and Analytical Study.” 2010. Thesis, University of North Texas. Accessed November 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc30426/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chang, Hsiao-Ling. “Lowell Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12: An Historical and Analytical Study.” 2010. Web. 18 Nov 2019.

Vancouver:

Chang H. Lowell Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12: An Historical and Analytical Study. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc30426/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chang H. Lowell Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12: An Historical and Analytical Study. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc30426/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

10. Kim, Young Eun. Practical performance considerations for the Andante con moto of Beethoven's Piano Concerto in G Major, Op. 58.

Degree: DMA, Music, 2013, Louisiana State University

 The purpose of this monograph is to provide a thorough analysis of the Andante con moto of Beethoven’s Fourth Piano Concerto, focusing on a variety… (more)

Subjects/Keywords: Performance; Andante con moto; Op. 58; Beethoven's Piano Concerto in G Major

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APA (6th Edition):

Kim, Y. E. (2013). Practical performance considerations for the Andante con moto of Beethoven's Piano Concerto in G Major, Op. 58. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-04152013-112915 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1348

Chicago Manual of Style (16th Edition):

Kim, Young Eun. “Practical performance considerations for the Andante con moto of Beethoven's Piano Concerto in G Major, Op. 58.” 2013. Doctoral Dissertation, Louisiana State University. Accessed November 18, 2019. etd-04152013-112915 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1348.

MLA Handbook (7th Edition):

Kim, Young Eun. “Practical performance considerations for the Andante con moto of Beethoven's Piano Concerto in G Major, Op. 58.” 2013. Web. 18 Nov 2019.

Vancouver:

Kim YE. Practical performance considerations for the Andante con moto of Beethoven's Piano Concerto in G Major, Op. 58. [Internet] [Doctoral dissertation]. Louisiana State University; 2013. [cited 2019 Nov 18]. Available from: etd-04152013-112915 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1348.

Council of Science Editors:

Kim YE. Practical performance considerations for the Andante con moto of Beethoven's Piano Concerto in G Major, Op. 58. [Doctoral Dissertation]. Louisiana State University; 2013. Available from: etd-04152013-112915 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1348


University of Arizona

11. Chan, Yun Jung Astrid. André Mathieu and His Piano Concerto No. 4: The Influence of Arthur Honegger in Mathieu's Evolution Toward a Mature Voice .

Degree: 2011, University of Arizona

 André Mathieu (1929-1968), a Canadian composer and performer, received acclaim in Europe, Canada and United States from his earliest years. He revealed brilliant pianistic skill,… (more)

Subjects/Keywords: Canadian pianist; Canadian piano concerto; Canadian prodigy; Music; ANDRÉ MATHIEU; Canadian composer

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APA (6th Edition):

Chan, Y. J. A. (2011). André Mathieu and His Piano Concerto No. 4: The Influence of Arthur Honegger in Mathieu's Evolution Toward a Mature Voice . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/202744

Chicago Manual of Style (16th Edition):

Chan, Yun Jung Astrid. “André Mathieu and His Piano Concerto No. 4: The Influence of Arthur Honegger in Mathieu's Evolution Toward a Mature Voice .” 2011. Doctoral Dissertation, University of Arizona. Accessed November 18, 2019. http://hdl.handle.net/10150/202744.

MLA Handbook (7th Edition):

Chan, Yun Jung Astrid. “André Mathieu and His Piano Concerto No. 4: The Influence of Arthur Honegger in Mathieu's Evolution Toward a Mature Voice .” 2011. Web. 18 Nov 2019.

Vancouver:

Chan YJA. André Mathieu and His Piano Concerto No. 4: The Influence of Arthur Honegger in Mathieu's Evolution Toward a Mature Voice . [Internet] [Doctoral dissertation]. University of Arizona; 2011. [cited 2019 Nov 18]. Available from: http://hdl.handle.net/10150/202744.

Council of Science Editors:

Chan YJA. André Mathieu and His Piano Concerto No. 4: The Influence of Arthur Honegger in Mathieu's Evolution Toward a Mature Voice . [Doctoral Dissertation]. University of Arizona; 2011. Available from: http://hdl.handle.net/10150/202744


University of Illinois – Urbana-Champaign

12. Hudson, Sharon J. Performance Insights for Mozart Piano Sonatas Derived from Eighteenth-Century Compositional Guides.

Degree: A.Mus.D., 0265, 2011, University of Illinois – Urbana-Champaign

 This thesis uses ideas found in the eighteenth-century composition guides of Joseph Riepel, Heinrich Christoph Koch, Anton Reicha and Johann Friedrich Daube to gain insight… (more)

Subjects/Keywords: Koch; Riepel; Mozart piano sonatas; K. 281; K. 333; K. 457; K. 576; phrase punctuation; eighteenth-century theory

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APA (6th Edition):

Hudson, S. J. (2011). Performance Insights for Mozart Piano Sonatas Derived from Eighteenth-Century Compositional Guides. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/18428

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hudson, Sharon J. “Performance Insights for Mozart Piano Sonatas Derived from Eighteenth-Century Compositional Guides.” 2011. Thesis, University of Illinois – Urbana-Champaign. Accessed November 18, 2019. http://hdl.handle.net/2142/18428.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hudson, Sharon J. “Performance Insights for Mozart Piano Sonatas Derived from Eighteenth-Century Compositional Guides.” 2011. Web. 18 Nov 2019.

Vancouver:

Hudson SJ. Performance Insights for Mozart Piano Sonatas Derived from Eighteenth-Century Compositional Guides. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2011. [cited 2019 Nov 18]. Available from: http://hdl.handle.net/2142/18428.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hudson SJ. Performance Insights for Mozart Piano Sonatas Derived from Eighteenth-Century Compositional Guides. [Thesis]. University of Illinois – Urbana-Champaign; 2011. Available from: http://hdl.handle.net/2142/18428

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

13. Zajkowski, Roberta. The Piano and Wind Quintets of Mozart and Beethoven: Reception and Relationship.

Degree: DMA, Music, 2010, The Ohio State University

 The unusual instrumentation of Wolfgang Amadeus Mozart’s Quintet, K. 452, and Ludwig van Beethoven’s Quintet, op. 16, has led many scholars to consider these two… (more)

Subjects/Keywords: Music; Mozart K. 452; Beethoven op. 16; piano and wind quintet

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APA (6th Edition):

Zajkowski, R. (2010). The Piano and Wind Quintets of Mozart and Beethoven: Reception and Relationship. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1275422871

Chicago Manual of Style (16th Edition):

Zajkowski, Roberta. “The Piano and Wind Quintets of Mozart and Beethoven: Reception and Relationship.” 2010. Doctoral Dissertation, The Ohio State University. Accessed November 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1275422871.

MLA Handbook (7th Edition):

Zajkowski, Roberta. “The Piano and Wind Quintets of Mozart and Beethoven: Reception and Relationship.” 2010. Web. 18 Nov 2019.

Vancouver:

Zajkowski R. The Piano and Wind Quintets of Mozart and Beethoven: Reception and Relationship. [Internet] [Doctoral dissertation]. The Ohio State University; 2010. [cited 2019 Nov 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1275422871.

Council of Science Editors:

Zajkowski R. The Piano and Wind Quintets of Mozart and Beethoven: Reception and Relationship. [Doctoral Dissertation]. The Ohio State University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1275422871


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

14. Δεληγιαννόπουλος, Σπυρίδων. Σύνθεση κοντσέρτου για πιάνο και ορχήστρα.

Degree: 2011, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

Aim if this dissertation was the composition of a piano concerto, a work which demonstrates the construction of an original work. This piano concerto consists… (more)

Subjects/Keywords: Πιάνο; Κοντσέρτο; Σύνθεση; Ενορχήστρωση; Ορχήστρα; Δομή; Φόρμα; Δεξιοτεχνία; Piano; Concerto; Composition; Orchestration; Structure; Virtuosity; Soloist; Conductor

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APA (6th Edition):

Δεληγιαννόπουλος, . . (2011). Σύνθεση κοντσέρτου για πιάνο και ορχήστρα. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/28477

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Δεληγιαννόπουλος, Σπυρίδων. “Σύνθεση κοντσέρτου για πιάνο και ορχήστρα.” 2011. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed November 18, 2019. http://hdl.handle.net/10442/hedi/28477.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Δεληγιαννόπουλος, Σπυρίδων. “Σύνθεση κοντσέρτου για πιάνο και ορχήστρα.” 2011. Web. 18 Nov 2019.

Vancouver:

Δεληγιαννόπουλος . Σύνθεση κοντσέρτου για πιάνο και ορχήστρα. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2011. [cited 2019 Nov 18]. Available from: http://hdl.handle.net/10442/hedi/28477.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Δεληγιαννόπουλος . Σύνθεση κοντσέρτου για πιάνο και ορχήστρα. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2011. Available from: http://hdl.handle.net/10442/hedi/28477

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Park, Ji Young. Writing styles and Performance guidelines of Carl Vine’s Piano Concerto No. 1.

Degree: DMA, Music, 2012, The Ohio State University

 There are several problems facing the pianist who wishes to study and/or perform Carl Vine’s Piano Concerto No. 1. Since the work is not widely… (more)

Subjects/Keywords: Music; Carl; Vine; Piano Concerto; No. 1

…thirteen measures of Mozart’s Piano Concerto K. 450 were played with winds alone. The concerto… …4 3. Carl Vine’s Piano Concerto No. 1 .. …..8 3.1 Brief Survey of Piano… …Piano Concerto No.1 ...35 5.1 First Movement ….. …37 5.2 Second… …Guidelines .....54 6.1 Piano Concerto No.1 ...54 6.2 Solo… …LIST OF TABLES Tables Table 3.1 Carl Vine Piano Concerto No. 1, Overall Style …..9… 

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APA (6th Edition):

Park, J. Y. (2012). Writing styles and Performance guidelines of Carl Vine’s Piano Concerto No. 1. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1339566001

Chicago Manual of Style (16th Edition):

Park, Ji Young. “Writing styles and Performance guidelines of Carl Vine’s Piano Concerto No. 1.” 2012. Doctoral Dissertation, The Ohio State University. Accessed November 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1339566001.

MLA Handbook (7th Edition):

Park, Ji Young. “Writing styles and Performance guidelines of Carl Vine’s Piano Concerto No. 1.” 2012. Web. 18 Nov 2019.

Vancouver:

Park JY. Writing styles and Performance guidelines of Carl Vine’s Piano Concerto No. 1. [Internet] [Doctoral dissertation]. The Ohio State University; 2012. [cited 2019 Nov 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1339566001.

Council of Science Editors:

Park JY. Writing styles and Performance guidelines of Carl Vine’s Piano Concerto No. 1. [Doctoral Dissertation]. The Ohio State University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1339566001


AUT University

16. Dalgleish, Jodie Sharon. Notes for Sound .

Degree: 2011, AUT University

 The novel Notes for Sound is a literary work of musical fiction, or ‘literary music,’ that explores the material and mythological being of music as… (more)

Subjects/Keywords: Music; Sound; Literature; "Auditory imagination"; Beethoven; "Musica practica"; Piano; Concerto; "Literary music"; "Musical fiction"; Electroacoustic; "Philosophical fiction"; "Novel of ideas"

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APA (6th Edition):

Dalgleish, J. S. (2011). Notes for Sound . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/2053

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dalgleish, Jodie Sharon. “Notes for Sound .” 2011. Thesis, AUT University. Accessed November 18, 2019. http://hdl.handle.net/10292/2053.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dalgleish, Jodie Sharon. “Notes for Sound .” 2011. Web. 18 Nov 2019.

Vancouver:

Dalgleish JS. Notes for Sound . [Internet] [Thesis]. AUT University; 2011. [cited 2019 Nov 18]. Available from: http://hdl.handle.net/10292/2053.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dalgleish JS. Notes for Sound . [Thesis]. AUT University; 2011. Available from: http://hdl.handle.net/10292/2053

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

17. Bercero Otal, María Rosa. L'Aragonés, an endangered minority language : the case of Ayerbe.

Degree: PhD, 2014, University of Birmingham

 Aragonese is a minority endangered language used in the Alto Aragon area. Ayerbe is a town found in the Plana de Uesca in Alto Aragon,… (more)

Subjects/Keywords: 467; PC Romance languages

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APA (6th Edition):

Bercero Otal, M. R. (2014). L'Aragonés, an endangered minority language : the case of Ayerbe. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5419/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.633335

Chicago Manual of Style (16th Edition):

Bercero Otal, María Rosa. “L'Aragonés, an endangered minority language : the case of Ayerbe.” 2014. Doctoral Dissertation, University of Birmingham. Accessed November 18, 2019. http://etheses.bham.ac.uk//id/eprint/5419/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.633335.

MLA Handbook (7th Edition):

Bercero Otal, María Rosa. “L'Aragonés, an endangered minority language : the case of Ayerbe.” 2014. Web. 18 Nov 2019.

Vancouver:

Bercero Otal MR. L'Aragonés, an endangered minority language : the case of Ayerbe. [Internet] [Doctoral dissertation]. University of Birmingham; 2014. [cited 2019 Nov 18]. Available from: http://etheses.bham.ac.uk//id/eprint/5419/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.633335.

Council of Science Editors:

Bercero Otal MR. L'Aragonés, an endangered minority language : the case of Ayerbe. [Doctoral Dissertation]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5419/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.633335


University of Cincinnati

18. Kim, Min Hwa. Performance Guide to Selected Violin Works of Béla Bartók.

Degree: DMA, College-Conservatory of Music: Violin, 2011, University of Cincinnati

 The aim of this document is to provide a performance guide to selected violin works of Béla Bartók, in particular the Violin Rhapsodies Nos. 1… (more)

Subjects/Keywords: Music; B&233; la Bart&243; k; Violin; Rhapsodies; Sonata No. 2; Concerto No. 2; performance guide

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APA (6th Edition):

Kim, M. H. (2011). Performance Guide to Selected Violin Works of Béla Bartók. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321894138

Chicago Manual of Style (16th Edition):

Kim, Min Hwa. “Performance Guide to Selected Violin Works of Béla Bartók.” 2011. Doctoral Dissertation, University of Cincinnati. Accessed November 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321894138.

MLA Handbook (7th Edition):

Kim, Min Hwa. “Performance Guide to Selected Violin Works of Béla Bartók.” 2011. Web. 18 Nov 2019.

Vancouver:

Kim MH. Performance Guide to Selected Violin Works of Béla Bartók. [Internet] [Doctoral dissertation]. University of Cincinnati; 2011. [cited 2019 Nov 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321894138.

Council of Science Editors:

Kim MH. Performance Guide to Selected Violin Works of Béla Bartók. [Doctoral Dissertation]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321894138


University of North Texas

19. Tang, Wen-Chien. Antonín Dvořák’s Piano Concerto in G Minor, Opus 33: A Discussion of Musical Intent and Pianistic Effectiveness in Vilém Kurz's Version of the Solo Piano Part.

Degree: 2010, University of North Texas

 Since its premiere in 1878, Antonín Dvořák’s Piano Concerto in G Minor has been underrated and held in low regard by musicologists, critics, performers and… (more)

Subjects/Keywords: Antonín Dvořák; Vilém Kurz; Piano Concerto; Dvořák, Antonín, 1841-1904. Concertos, piano, orchestra op. 33, G minor.; Dvořák, Antonín, 1841-1904. Concertos, piano, orchestra op. 33, G minor; arr.; Kurz, Vilém, 1872-1945.

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APA (6th Edition):

Tang, W. (2010). Antonín Dvořák’s Piano Concerto in G Minor, Opus 33: A Discussion of Musical Intent and Pianistic Effectiveness in Vilém Kurz's Version of the Solo Piano Part. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc30516/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tang, Wen-Chien. “Antonín Dvořák’s Piano Concerto in G Minor, Opus 33: A Discussion of Musical Intent and Pianistic Effectiveness in Vilém Kurz's Version of the Solo Piano Part.” 2010. Thesis, University of North Texas. Accessed November 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc30516/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tang, Wen-Chien. “Antonín Dvořák’s Piano Concerto in G Minor, Opus 33: A Discussion of Musical Intent and Pianistic Effectiveness in Vilém Kurz's Version of the Solo Piano Part.” 2010. Web. 18 Nov 2019.

Vancouver:

Tang W. Antonín Dvořák’s Piano Concerto in G Minor, Opus 33: A Discussion of Musical Intent and Pianistic Effectiveness in Vilém Kurz's Version of the Solo Piano Part. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc30516/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tang W. Antonín Dvořák’s Piano Concerto in G Minor, Opus 33: A Discussion of Musical Intent and Pianistic Effectiveness in Vilém Kurz's Version of the Solo Piano Part. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc30516/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Macura, Nebojsa S. Concerto for Piano and Wind Ensemble.

Degree: DMA, College-Conservatory of Music: Composition, 2011, University of Cincinnati

 In many ways, the Concerto for Piano and Wind Ensemble reflects my experiences at the University of Cincinnati. Composed mainly during the first four months… (more)

Subjects/Keywords: Music; concerto; piano; wind ensemble; wind band; concert band; band

Concerto for Piano and Wind Ensemble Nebojsa S. Macura 2011 Duration: ca. 27 minutes… …percussion instruments Concerto for Piano and Wind Ensemble Transposed Score ° 4 &4 ∑ ∑ 4… …Piccolo Trumpet in Bb) 4 Horns in F 2 Trombones Bass Trombone Euphonium 2 Tubas Solo Piano… …Euphonium Tuba 1,2 String Bass Piano Timpani Percussion 1 Percussion 2 Percussion 3 4 &4 4 &4… 

Page 1 Page 2 Page 3 Page 4 Page 5

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APA (6th Edition):

Macura, N. S. (2011). Concerto for Piano and Wind Ensemble. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305645223

Chicago Manual of Style (16th Edition):

Macura, Nebojsa S. “Concerto for Piano and Wind Ensemble.” 2011. Doctoral Dissertation, University of Cincinnati. Accessed November 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305645223.

MLA Handbook (7th Edition):

Macura, Nebojsa S. “Concerto for Piano and Wind Ensemble.” 2011. Web. 18 Nov 2019.

Vancouver:

Macura NS. Concerto for Piano and Wind Ensemble. [Internet] [Doctoral dissertation]. University of Cincinnati; 2011. [cited 2019 Nov 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305645223.

Council of Science Editors:

Macura NS. Concerto for Piano and Wind Ensemble. [Doctoral Dissertation]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305645223

21. Hsu, Shu-Hao. Nicolai Medtner's Piano concerto no. 3, op. 60: musical style and performance strategies.

Degree: DMA, Music, 2012, University of Iowa

  Nicolai Medtner (1880-1951) is regarded as an accomplished composer and one of the most brilliant pianists of his time. He composed numerous compositions for… (more)

Subjects/Keywords: BALLADE; MEDTNER; OP. 60; PIANO CONCERTO NO. 3; Music

…LIST OF EXAMPLES Example 1. Chromaticism in the Third Movement of Piano Concerto No. 3… …8 5. Cadenza in Measures 306-311 in the First Movement of the Piano Concerto No. 3 in D… …Cadenza in Measures 40-41 in the First Movement of the Piano Concerto No. 3 by Medtner… …on the lesser-known Piano Concerto No. 3, subtitled “Ballade.” This three-movement work is… …large-scale works, such as “Ballade” for Piano Concerto No. 3, “Winter Wind” for Piano Sonata… 

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APA (6th Edition):

Hsu, S. (2012). Nicolai Medtner's Piano concerto no. 3, op. 60: musical style and performance strategies. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/3469

Chicago Manual of Style (16th Edition):

Hsu, Shu-Hao. “Nicolai Medtner's Piano concerto no. 3, op. 60: musical style and performance strategies.” 2012. Doctoral Dissertation, University of Iowa. Accessed November 18, 2019. https://ir.uiowa.edu/etd/3469.

MLA Handbook (7th Edition):

Hsu, Shu-Hao. “Nicolai Medtner's Piano concerto no. 3, op. 60: musical style and performance strategies.” 2012. Web. 18 Nov 2019.

Vancouver:

Hsu S. Nicolai Medtner's Piano concerto no. 3, op. 60: musical style and performance strategies. [Internet] [Doctoral dissertation]. University of Iowa; 2012. [cited 2019 Nov 18]. Available from: https://ir.uiowa.edu/etd/3469.

Council of Science Editors:

Hsu S. Nicolai Medtner's Piano concerto no. 3, op. 60: musical style and performance strategies. [Doctoral Dissertation]. University of Iowa; 2012. Available from: https://ir.uiowa.edu/etd/3469


University of North Texas

22. Oliver, Jason L. The Creation of a Performance Edition of the Georg Christoph Wagenseil Concerto for Trombone with Attention Given to the Surviving Manuscripts and Primary Sources of Performance Practice from the Middle of the Eighteenth Century.

Degree: 2010, University of North Texas

 The Concerto for Trombone, written in 1763 by Georg Christoph Wagenseil, is a piece in 2 movements for alto trombone and chamber orchestra. The orchestration… (more)

Subjects/Keywords: Wagenseil; urtext; concerto; alto trombone; Wagenseil, Georg Christoph, 1715-1777. Concertos, trombone, orchestra WV 346, E♭ major.; Concertos (Trombone)  – Solo with piano.

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APA (6th Edition):

Oliver, J. L. (2010). The Creation of a Performance Edition of the Georg Christoph Wagenseil Concerto for Trombone with Attention Given to the Surviving Manuscripts and Primary Sources of Performance Practice from the Middle of the Eighteenth Century. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc30500/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oliver, Jason L. “The Creation of a Performance Edition of the Georg Christoph Wagenseil Concerto for Trombone with Attention Given to the Surviving Manuscripts and Primary Sources of Performance Practice from the Middle of the Eighteenth Century.” 2010. Thesis, University of North Texas. Accessed November 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc30500/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oliver, Jason L. “The Creation of a Performance Edition of the Georg Christoph Wagenseil Concerto for Trombone with Attention Given to the Surviving Manuscripts and Primary Sources of Performance Practice from the Middle of the Eighteenth Century.” 2010. Web. 18 Nov 2019.

Vancouver:

Oliver JL. The Creation of a Performance Edition of the Georg Christoph Wagenseil Concerto for Trombone with Attention Given to the Surviving Manuscripts and Primary Sources of Performance Practice from the Middle of the Eighteenth Century. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc30500/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oliver JL. The Creation of a Performance Edition of the Georg Christoph Wagenseil Concerto for Trombone with Attention Given to the Surviving Manuscripts and Primary Sources of Performance Practice from the Middle of the Eighteenth Century. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc30500/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Yam, Jessica. An Examination on the Influences and Establishment of Chopin's Personal Style Through the Comparative Analysis of His Concertos and Hummel's A and B Minor Concertos.

Degree: DMA, Music, 2013, Arizona State University

 This study compares the Hummel Concertos in A Minor, Op. 85 and B Minor, Op. 89 and the Chopin Concertos in E Minor, Op. 11… (more)

Subjects/Keywords: Music; Performing arts; Analysis; Chopin; Concerto; Hummel; Piano; Stile brillante

…87 76. Chopin, Piano Concerto No. 2 in F Minor, Op. 21, third movement, mm. 466-467… …16. Chopin, Piano Concerto No. 1 in E Minor, Op. 11, second movement, mm. 12-18… …49 17. Hummel, Piano Concerto No. 2 in A Minor, Op. 85, first movement, mm. 152-170… …51 18. Chopin, Piano Concerto No. 1 in E Minor, Op. 11, first movement, mm. 385-408… …52 19. Hummel, Piano Concerto No. 2 in A Minor, Op. 85, second movement, mm. 10-25… 

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APA (6th Edition):

Yam, J. (2013). An Examination on the Influences and Establishment of Chopin's Personal Style Through the Comparative Analysis of His Concertos and Hummel's A and B Minor Concertos. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/17956

Chicago Manual of Style (16th Edition):

Yam, Jessica. “An Examination on the Influences and Establishment of Chopin's Personal Style Through the Comparative Analysis of His Concertos and Hummel's A and B Minor Concertos.” 2013. Doctoral Dissertation, Arizona State University. Accessed November 18, 2019. http://repository.asu.edu/items/17956.

MLA Handbook (7th Edition):

Yam, Jessica. “An Examination on the Influences and Establishment of Chopin's Personal Style Through the Comparative Analysis of His Concertos and Hummel's A and B Minor Concertos.” 2013. Web. 18 Nov 2019.

Vancouver:

Yam J. An Examination on the Influences and Establishment of Chopin's Personal Style Through the Comparative Analysis of His Concertos and Hummel's A and B Minor Concertos. [Internet] [Doctoral dissertation]. Arizona State University; 2013. [cited 2019 Nov 18]. Available from: http://repository.asu.edu/items/17956.

Council of Science Editors:

Yam J. An Examination on the Influences and Establishment of Chopin's Personal Style Through the Comparative Analysis of His Concertos and Hummel's A and B Minor Concertos. [Doctoral Dissertation]. Arizona State University; 2013. Available from: http://repository.asu.edu/items/17956

24. Manoiu, Daniel. Pangenesis for Piano and Orchestra.

Degree: DMA, Music Theory and Composition (Music), 2013, University of Miami

  Pangenesis is a composition for piano and orchestra in two movements that was created using several conceptual ideas: multi-layered horizontal pitch organization, additive and… (more)

Subjects/Keywords: piano; orchestra; pangenesis; concerto; inheritance models; mendel; manoiu

Concerto first movement, section B is followed by a piano Cadenza. 19 Example 3.5 Climax at the… …22 3.4. Melodic contour of the piano in Part I… …Pangenesis....................4 2.2. Pangenesis piano part inspired by Ives’ music… …17 3.4. Extreme registers in the piano part in b1… …23 3.9. End of the piano cadenza… 

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APA (6th Edition):

Manoiu, D. (2013). Pangenesis for Piano and Orchestra. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1007

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Manoiu, Daniel. “Pangenesis for Piano and Orchestra.” 2013. Thesis, University of Miami. Accessed November 18, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1007.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Manoiu, Daniel. “Pangenesis for Piano and Orchestra.” 2013. Web. 18 Nov 2019.

Vancouver:

Manoiu D. Pangenesis for Piano and Orchestra. [Internet] [Thesis]. University of Miami; 2013. [cited 2019 Nov 18]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1007.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Manoiu D. Pangenesis for Piano and Orchestra. [Thesis]. University of Miami; 2013. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1007

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Arias-Esguerra, Mauricio. Rapsodia Camaleónica: A Concerto for Piano, Trumpet and Orchestra.

Degree: DMA, Music, 2012, Arizona State University

 This DMA project (in piano performance) consists of a concerto composed for trumpet and piano duo with orchestra and an analytical document that accompanies it.… (more)

Subjects/Keywords: Music; Colombia Colombian music Latin American music; concerto for trumpet concerto for piano; double concerto for trumpet; piano and orchestra; Duo concertante chameleon; Mauricio Arias; Rapsodia Rhapsody bambuco

…and piano duo, which comprises pieces by Dimitri Shostakovich (Concerto No.1 for… …String Orchestra and Piano, 1948), Anatoly Zatin (Double concerto for Trumpet, Piano… …and String Orchestra, 1980)1, Lalo Schifrin (Double Concerto for Piano, Trumpet… …Trumpet, Piano and Orchestra, Op. 35, 1933), André Jolivet (Concertino for Trumpet… …22, 2012, with the composer at the piano, trumpet soloist Randolph Lee and conductor Diogo… 

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APA (6th Edition):

Arias-Esguerra, M. (2012). Rapsodia Camaleónica: A Concerto for Piano, Trumpet and Orchestra. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/14797

Chicago Manual of Style (16th Edition):

Arias-Esguerra, Mauricio. “Rapsodia Camaleónica: A Concerto for Piano, Trumpet and Orchestra.” 2012. Doctoral Dissertation, Arizona State University. Accessed November 18, 2019. http://repository.asu.edu/items/14797.

MLA Handbook (7th Edition):

Arias-Esguerra, Mauricio. “Rapsodia Camaleónica: A Concerto for Piano, Trumpet and Orchestra.” 2012. Web. 18 Nov 2019.

Vancouver:

Arias-Esguerra M. Rapsodia Camaleónica: A Concerto for Piano, Trumpet and Orchestra. [Internet] [Doctoral dissertation]. Arizona State University; 2012. [cited 2019 Nov 18]. Available from: http://repository.asu.edu/items/14797.

Council of Science Editors:

Arias-Esguerra M. Rapsodia Camaleónica: A Concerto for Piano, Trumpet and Orchestra. [Doctoral Dissertation]. Arizona State University; 2012. Available from: http://repository.asu.edu/items/14797

26. Tantikarn, Noppawan. A Biographical Overview of Pianist-pedagogue Alexander Siloti and His Revision of Liszt’s Piano Concerto No. 2.

Degree: DMA, Keyboard Performance (Music), 2013, University of Miami

 The theme of this paper concerns the life and times of Alexander Siloti—a leading Russian pianist and pedagogue of the late-nineteenth and early-twentieth century. The… (more)

Subjects/Keywords: Biography; Pianist; Piano pedagogue; Alexander Siloti; Liszt’s Piano Concerto No. 2

Piano Concerto No. 2, S. 125, mm. 28-29 …... .29 3.2: Liszt-Siloti, Piano Concerto… …No. 2, S. 125, mm. 28-29 …... …...30 3.3: Liszt, Piano Concerto No. 2, S. 125, mm. 64… …31 3.4: Liszt-Siloti, Piano Concerto No. 2, S. 125, mm. 64 . ..31 3.5: Liszt… …Piano Concerto No. 2, S. 125, mm. 64 . …32 3.6: Liszt-Siloti, Piano Concerto No. 2… …S. 125, mm. 64 …. …..32 3.7: Liszt, Piano Concerto No. 2, S. 125, mm. 29-31… 

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APA (6th Edition):

Tantikarn, N. (2013). A Biographical Overview of Pianist-pedagogue Alexander Siloti and His Revision of Liszt’s Piano Concerto No. 2. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/989

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tantikarn, Noppawan. “A Biographical Overview of Pianist-pedagogue Alexander Siloti and His Revision of Liszt’s Piano Concerto No. 2.” 2013. Thesis, University of Miami. Accessed November 18, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/989.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tantikarn, Noppawan. “A Biographical Overview of Pianist-pedagogue Alexander Siloti and His Revision of Liszt’s Piano Concerto No. 2.” 2013. Web. 18 Nov 2019.

Vancouver:

Tantikarn N. A Biographical Overview of Pianist-pedagogue Alexander Siloti and His Revision of Liszt’s Piano Concerto No. 2. [Internet] [Thesis]. University of Miami; 2013. [cited 2019 Nov 18]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/989.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tantikarn N. A Biographical Overview of Pianist-pedagogue Alexander Siloti and His Revision of Liszt’s Piano Concerto No. 2. [Thesis]. University of Miami; 2013. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/989

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tennessee – Knoxville

27. Henry, Rebecca Sue. <i>Concerto for Violin and Orchestra</i>.

Degree: MM, Music, 2014, University of Tennessee – Knoxville

  The Concerto for Violin and Orchestra is a three-movement composition for solo violin accompanied by a medium-sized symphonic ensemble. This piece is composed in… (more)

Subjects/Keywords: Violin; Concerto; Composition

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APA (6th Edition):

Henry, R. S. (2014). <i>Concerto for Violin and Orchestra</i>. (Thesis). University of Tennessee – Knoxville. Retrieved from https://trace.tennessee.edu/utk_gradthes/2720

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Henry, Rebecca Sue. “<i>Concerto for Violin and Orchestra</i>.” 2014. Thesis, University of Tennessee – Knoxville. Accessed November 18, 2019. https://trace.tennessee.edu/utk_gradthes/2720.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Henry, Rebecca Sue. “<i>Concerto for Violin and Orchestra</i>.” 2014. Web. 18 Nov 2019.

Vancouver:

Henry RS. <i>Concerto for Violin and Orchestra</i>. [Internet] [Thesis]. University of Tennessee – Knoxville; 2014. [cited 2019 Nov 18]. Available from: https://trace.tennessee.edu/utk_gradthes/2720.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Henry RS. <i>Concerto for Violin and Orchestra</i>. [Thesis]. University of Tennessee – Knoxville; 2014. Available from: https://trace.tennessee.edu/utk_gradthes/2720

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Δρούζας, Παναγιώτης. Δυναμική συλλογή διδακτικών αντικειμένων και δημιουργία διδακτικών σεναρίων.

Degree: 2012, University of Patras

Στην επιστημονική κοινότητα υπάρχει η τάση αποθήκευσης διδακτικών αντικειμένων σε αποθήκες περιεχομένου και η χρήση τους για την δημιουργία διαδικτυακών διδακτικών σεναρίων. Αυτή την στιγμή… (more)

Subjects/Keywords: Διδακτικά σενάρια; Διδακτικά αντικείμενα; 371.334 467 8; Teaching scenarios; Learning objects

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APA (6th Edition):

Δρούζας, . (2012). Δυναμική συλλογή διδακτικών αντικειμένων και δημιουργία διδακτικών σεναρίων. (Masters Thesis). University of Patras. Retrieved from http://hdl.handle.net/10889/5466

Chicago Manual of Style (16th Edition):

Δρούζας, Παναγιώτης. “Δυναμική συλλογή διδακτικών αντικειμένων και δημιουργία διδακτικών σεναρίων.” 2012. Masters Thesis, University of Patras. Accessed November 18, 2019. http://hdl.handle.net/10889/5466.

MLA Handbook (7th Edition):

Δρούζας, Παναγιώτης. “Δυναμική συλλογή διδακτικών αντικειμένων και δημιουργία διδακτικών σεναρίων.” 2012. Web. 18 Nov 2019.

Vancouver:

Δρούζας . Δυναμική συλλογή διδακτικών αντικειμένων και δημιουργία διδακτικών σεναρίων. [Internet] [Masters thesis]. University of Patras; 2012. [cited 2019 Nov 18]. Available from: http://hdl.handle.net/10889/5466.

Council of Science Editors:

Δρούζας . Δυναμική συλλογή διδακτικών αντικειμένων και δημιουργία διδακτικών σεναρίων. [Masters Thesis]. University of Patras; 2012. Available from: http://hdl.handle.net/10889/5466


East Carolina University

29. Dosseva, Radina. Short Character Pieces for String Quartet and an Analysis of Motivic Development and Evolution of Form in Johann Sebastian Bach's Keyboard Concerto nach Italienischem Gusto, BWV 971 (1735) and Mozart's Piano Sonata, K. 333 (1783).

Degree: 2014, East Carolina University

 Throughout history there has been much discussion on the evolution of musical forms and structures. There has also been discussion of motivic development as a… (more)

Subjects/Keywords: Music; Music analysis; Music theory; Italienisches Konzert. Nr. 1; Sonatas, piano, K. 333, B♭ major. Allegretto; Bach, Johann Sebastian, 1685-1750. Italienisches Konzert. Nr. 1; Mozart, Wolfgang Amadeus, 1756-1791. Sonatas, piano, K. 333, B♭ major. Allegretto; Bach, Johann Sebastian, 1685-1750 – Criticism and interpretation; Mozart, Wolfgang Amadeus, 1756-1791 – Criticism and interpretation

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APA (6th Edition):

Dosseva, R. (2014). Short Character Pieces for String Quartet and an Analysis of Motivic Development and Evolution of Form in Johann Sebastian Bach's Keyboard Concerto nach Italienischem Gusto, BWV 971 (1735) and Mozart's Piano Sonata, K. 333 (1783). (Thesis). East Carolina University. Retrieved from http://hdl.handle.net/10342/4539

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dosseva, Radina. “Short Character Pieces for String Quartet and an Analysis of Motivic Development and Evolution of Form in Johann Sebastian Bach's Keyboard Concerto nach Italienischem Gusto, BWV 971 (1735) and Mozart's Piano Sonata, K. 333 (1783).” 2014. Thesis, East Carolina University. Accessed November 18, 2019. http://hdl.handle.net/10342/4539.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dosseva, Radina. “Short Character Pieces for String Quartet and an Analysis of Motivic Development and Evolution of Form in Johann Sebastian Bach's Keyboard Concerto nach Italienischem Gusto, BWV 971 (1735) and Mozart's Piano Sonata, K. 333 (1783).” 2014. Web. 18 Nov 2019.

Vancouver:

Dosseva R. Short Character Pieces for String Quartet and an Analysis of Motivic Development and Evolution of Form in Johann Sebastian Bach's Keyboard Concerto nach Italienischem Gusto, BWV 971 (1735) and Mozart's Piano Sonata, K. 333 (1783). [Internet] [Thesis]. East Carolina University; 2014. [cited 2019 Nov 18]. Available from: http://hdl.handle.net/10342/4539.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dosseva R. Short Character Pieces for String Quartet and an Analysis of Motivic Development and Evolution of Form in Johann Sebastian Bach's Keyboard Concerto nach Italienischem Gusto, BWV 971 (1735) and Mozart's Piano Sonata, K. 333 (1783). [Thesis]. East Carolina University; 2014. Available from: http://hdl.handle.net/10342/4539

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Chiang, I-Chun. A Historical Technique from a Modern Perspective: The Transcription Scordatura in Mozart’s Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364.

Degree: DMA, College-Conservatory of Music: Viola, 2010, University of Cincinnati

  In 1779, Mozart fused the complex orchestral writing of the Mannheim School with a popular Parisian genre in his sinfonia concertante for violin, viola… (more)

Subjects/Keywords: Music; scordatura; Mozart Sinfonia concertante K.364; viola concerto; transcription scordatura; perfect pitch; viola

…Mozart’s K. 364. In his dissertation on the Carl Stamitz’s Concerto in E-flat major for violin… …K.364, a cross between the light French concerto style and the Mannheim orchestral school… …concerto. Yet the young composer wrote unusually virtuosic parts for both the violin and the… …in E-flat major for Violin, Viola and Orchestra, K. 364, Perlman, Zukerman, Mehta, and… …Sinfonia Concertante in E-flat major for Violin, Viola and Orchestra, K. 364. Midori, Imai… 

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APA (6th Edition):

Chiang, I. (2010). A Historical Technique from a Modern Perspective: The Transcription Scordatura in Mozart’s Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282169540

Chicago Manual of Style (16th Edition):

Chiang, I-Chun. “A Historical Technique from a Modern Perspective: The Transcription Scordatura in Mozart’s Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364.” 2010. Doctoral Dissertation, University of Cincinnati. Accessed November 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282169540.

MLA Handbook (7th Edition):

Chiang, I-Chun. “A Historical Technique from a Modern Perspective: The Transcription Scordatura in Mozart’s Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364.” 2010. Web. 18 Nov 2019.

Vancouver:

Chiang I. A Historical Technique from a Modern Perspective: The Transcription Scordatura in Mozart’s Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364. [Internet] [Doctoral dissertation]. University of Cincinnati; 2010. [cited 2019 Nov 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282169540.

Council of Science Editors:

Chiang I. A Historical Technique from a Modern Perspective: The Transcription Scordatura in Mozart’s Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364. [Doctoral Dissertation]. University of Cincinnati; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282169540

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