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You searched for subject:(Photography Australia). Showing records 1 – 24 of 24 total matches.

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RMIT University

1. Lincoln, L. Light and illusion.

Degree: 2008, RMIT University

 This project is an investigation of visual illusions created through the interaction of light on different surfaces and structures. Illusion implies deception - an optical… (more)

Subjects/Keywords: Fields of Research; Photography  – Australia

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lincoln, L. (2008). Light and illusion. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:7862

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lincoln, L. “Light and illusion.” 2008. Thesis, RMIT University. Accessed January 29, 2020. http://researchbank.rmit.edu.au/view/rmit:7862.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lincoln, L. “Light and illusion.” 2008. Web. 29 Jan 2020.

Vancouver:

Lincoln L. Light and illusion. [Internet] [Thesis]. RMIT University; 2008. [cited 2020 Jan 29]. Available from: http://researchbank.rmit.edu.au/view/rmit:7862.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lincoln L. Light and illusion. [Thesis]. RMIT University; 2008. Available from: http://researchbank.rmit.edu.au/view/rmit:7862

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Deakin University

2. Javan, Katayoun. Correspondences: A personal photographic journey between past/Iran and present/Australia.

Degree: School of Communication and Creative Arts, 2013, Deakin University

 This project is an autobiographical photography series entitled: Correspondences; A personal photographic journey between past/Iran and present/Australia. This series of photographs are partly influenced by… (more)

Subjects/Keywords: Autobiographical photography series; Iran; Australia

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APA (6th Edition):

Javan, K. (2013). Correspondences: A personal photographic journey between past/Iran and present/Australia. (Thesis). Deakin University. Retrieved from http://hdl.handle.net/10536/DRO/DU:30063027

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Javan, Katayoun. “Correspondences: A personal photographic journey between past/Iran and present/Australia.” 2013. Thesis, Deakin University. Accessed January 29, 2020. http://hdl.handle.net/10536/DRO/DU:30063027.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Javan, Katayoun. “Correspondences: A personal photographic journey between past/Iran and present/Australia.” 2013. Web. 29 Jan 2020.

Vancouver:

Javan K. Correspondences: A personal photographic journey between past/Iran and present/Australia. [Internet] [Thesis]. Deakin University; 2013. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/10536/DRO/DU:30063027.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Javan K. Correspondences: A personal photographic journey between past/Iran and present/Australia. [Thesis]. Deakin University; 2013. Available from: http://hdl.handle.net/10536/DRO/DU:30063027

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

3. Peterson, Tanya Jane. Superadded Light: Photographic Transits .

Degree: 2017, University of Sydney

 This doctoral study (comprised of written and studio work) investigates radiance that emanates from the sun and the stars as a form of contemporary photographic… (more)

Subjects/Keywords: photography; light; Australia; superadded; sun; California

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APA (6th Edition):

Peterson, T. J. (2017). Superadded Light: Photographic Transits . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/17601

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Peterson, Tanya Jane. “Superadded Light: Photographic Transits .” 2017. Thesis, University of Sydney. Accessed January 29, 2020. http://hdl.handle.net/2123/17601.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Peterson, Tanya Jane. “Superadded Light: Photographic Transits .” 2017. Web. 29 Jan 2020.

Vancouver:

Peterson TJ. Superadded Light: Photographic Transits . [Internet] [Thesis]. University of Sydney; 2017. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/2123/17601.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Peterson TJ. Superadded Light: Photographic Transits . [Thesis]. University of Sydney; 2017. Available from: http://hdl.handle.net/2123/17601

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Adelaide

4. Magee, Karen. Captain Sweet’s colonial imagination: the ideals of modernity in South Australian views photography 1866 - 1886.

Degree: 2015, University of Adelaide

 Captain Samuel Sweet worked as an outdoor photographer in South Australia (including the Northern Territory) between 1866 and 1886. In Australian public libraries, museums and… (more)

Subjects/Keywords: photography; South Australia; views trade; modernity; colony

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APA (6th Edition):

Magee, K. (2015). Captain Sweet’s colonial imagination: the ideals of modernity in South Australian views photography 1866 - 1886. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/92551

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Magee, Karen. “Captain Sweet’s colonial imagination: the ideals of modernity in South Australian views photography 1866 - 1886.” 2015. Thesis, University of Adelaide. Accessed January 29, 2020. http://hdl.handle.net/2440/92551.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Magee, Karen. “Captain Sweet’s colonial imagination: the ideals of modernity in South Australian views photography 1866 - 1886.” 2015. Web. 29 Jan 2020.

Vancouver:

Magee K. Captain Sweet’s colonial imagination: the ideals of modernity in South Australian views photography 1866 - 1886. [Internet] [Thesis]. University of Adelaide; 2015. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/2440/92551.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Magee K. Captain Sweet’s colonial imagination: the ideals of modernity in South Australian views photography 1866 - 1886. [Thesis]. University of Adelaide; 2015. Available from: http://hdl.handle.net/2440/92551

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

5. EBURY, FRANCIS. Making pictures: Australian pictorial photography as art, 1897-1957.

Degree: 2001, University of Melbourne

 Pictorialism was the dominant international photographic style from the 1890s until the late 1930s. In this thesis I examine the history of the movement in… (more)

Subjects/Keywords: artistic photography; Australia

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

EBURY, F. (2001). Making pictures: Australian pictorial photography as art, 1897-1957. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/36907

Chicago Manual of Style (16th Edition):

EBURY, FRANCIS. “Making pictures: Australian pictorial photography as art, 1897-1957.” 2001. Doctoral Dissertation, University of Melbourne. Accessed January 29, 2020. http://hdl.handle.net/11343/36907.

MLA Handbook (7th Edition):

EBURY, FRANCIS. “Making pictures: Australian pictorial photography as art, 1897-1957.” 2001. Web. 29 Jan 2020.

Vancouver:

EBURY F. Making pictures: Australian pictorial photography as art, 1897-1957. [Internet] [Doctoral dissertation]. University of Melbourne; 2001. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/11343/36907.

Council of Science Editors:

EBURY F. Making pictures: Australian pictorial photography as art, 1897-1957. [Doctoral Dissertation]. University of Melbourne; 2001. Available from: http://hdl.handle.net/11343/36907


Latrobe University

6. Bailey, Donna. Childhood belonging : the place of the child and adolescent in contemporary Australian photography.

Degree: PhD, 2011, Latrobe University

Thesis (Ph.D.) - La Trobe University, 2011

Submission note: "A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy… (more)

Subjects/Keywords: Children in art  – History  – Australia.; Children in art  – Social aspects.; Photography of children  – History  – Australia.; Photography of children  – Social aspects  – Australia.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bailey, D. (2011). Childhood belonging : the place of the child and adolescent in contemporary Australian photography. (Doctoral Dissertation). Latrobe University. Retrieved from http://hdl.handle.net/1959.9/495001

Chicago Manual of Style (16th Edition):

Bailey, Donna. “Childhood belonging : the place of the child and adolescent in contemporary Australian photography.” 2011. Doctoral Dissertation, Latrobe University. Accessed January 29, 2020. http://hdl.handle.net/1959.9/495001.

MLA Handbook (7th Edition):

Bailey, Donna. “Childhood belonging : the place of the child and adolescent in contemporary Australian photography.” 2011. Web. 29 Jan 2020.

Vancouver:

Bailey D. Childhood belonging : the place of the child and adolescent in contemporary Australian photography. [Internet] [Doctoral dissertation]. Latrobe University; 2011. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/1959.9/495001.

Council of Science Editors:

Bailey D. Childhood belonging : the place of the child and adolescent in contemporary Australian photography. [Doctoral Dissertation]. Latrobe University; 2011. Available from: http://hdl.handle.net/1959.9/495001


University of Melbourne

7. Jones, Dianne. What lies buried will rise: exploring a story of violent crime, retribution and colonial memory.

Degree: 2015, University of Melbourne

 This thesis explores historical connections between colonial violence, memory and representations through art. It examines archival documentation and oral histories of an 1839 murder case… (more)

Subjects/Keywords: colonial; memory; representation; Aboriginal; murder; violence; massacres; Western Australia; photography; art

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APA (6th Edition):

Jones, D. (2015). What lies buried will rise: exploring a story of violent crime, retribution and colonial memory. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/91075

Chicago Manual of Style (16th Edition):

Jones, Dianne. “What lies buried will rise: exploring a story of violent crime, retribution and colonial memory.” 2015. Masters Thesis, University of Melbourne. Accessed January 29, 2020. http://hdl.handle.net/11343/91075.

MLA Handbook (7th Edition):

Jones, Dianne. “What lies buried will rise: exploring a story of violent crime, retribution and colonial memory.” 2015. Web. 29 Jan 2020.

Vancouver:

Jones D. What lies buried will rise: exploring a story of violent crime, retribution and colonial memory. [Internet] [Masters thesis]. University of Melbourne; 2015. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/11343/91075.

Council of Science Editors:

Jones D. What lies buried will rise: exploring a story of violent crime, retribution and colonial memory. [Masters Thesis]. University of Melbourne; 2015. Available from: http://hdl.handle.net/11343/91075


University of Melbourne

8. Okumura, Akihiro. Photographic interpretation through slippage.

Degree: 2016, University of Melbourne

 This research asks the question; can photography provide a framework to be both understood and be formed through a series of cultural and linguistic misinterpretations?… (more)

Subjects/Keywords: contemporary art; photography; interpretation; culture; linguistics; Japan; Australia

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APA (6th Edition):

Okumura, A. (2016). Photographic interpretation through slippage. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/124269

Chicago Manual of Style (16th Edition):

Okumura, Akihiro. “Photographic interpretation through slippage.” 2016. Masters Thesis, University of Melbourne. Accessed January 29, 2020. http://hdl.handle.net/11343/124269.

MLA Handbook (7th Edition):

Okumura, Akihiro. “Photographic interpretation through slippage.” 2016. Web. 29 Jan 2020.

Vancouver:

Okumura A. Photographic interpretation through slippage. [Internet] [Masters thesis]. University of Melbourne; 2016. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/11343/124269.

Council of Science Editors:

Okumura A. Photographic interpretation through slippage. [Masters Thesis]. University of Melbourne; 2016. Available from: http://hdl.handle.net/11343/124269


University of Sydney

9. Watson, David Rowan Scott. Precious Little: Traces of Australian Place and Belonging .

Degree: 2004, University of Sydney

 The Dissertation is a meditation on our relationship with this continent and its layered physical and psychological ‘landscapes’. It explores ways in which artists and… (more)

Subjects/Keywords: Landscape photography  – Australia  – History; Photography, Artistic  – Exhibitions.; Landscape photography  – Australia  – Exhibitions.

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APA (6th Edition):

Watson, D. R. S. (2004). Precious Little: Traces of Australian Place and Belonging . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/1098

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Watson, David Rowan Scott. “Precious Little: Traces of Australian Place and Belonging .” 2004. Thesis, University of Sydney. Accessed January 29, 2020. http://hdl.handle.net/2123/1098.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Watson, David Rowan Scott. “Precious Little: Traces of Australian Place and Belonging .” 2004. Web. 29 Jan 2020.

Vancouver:

Watson DRS. Precious Little: Traces of Australian Place and Belonging . [Internet] [Thesis]. University of Sydney; 2004. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/2123/1098.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Watson DRS. Precious Little: Traces of Australian Place and Belonging . [Thesis]. University of Sydney; 2004. Available from: http://hdl.handle.net/2123/1098

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

10. Riddler, Eric. Sublime souls & symphonies : Australian phototexts, 1926-1966 .

Degree: 1993, University of Sydney

Subjects/Keywords: Documentary photography  – Australia; Photography  – Australia  – History  – 20th century; Photographs  – Publishing  – Australia  – History

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APA (6th Edition):

Riddler, E. (1993). Sublime souls & symphonies : Australian phototexts, 1926-1966 . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/14449

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Riddler, Eric. “Sublime souls & symphonies : Australian phototexts, 1926-1966 .” 1993. Thesis, University of Sydney. Accessed January 29, 2020. http://hdl.handle.net/2123/14449.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Riddler, Eric. “Sublime souls & symphonies : Australian phototexts, 1926-1966 .” 1993. Web. 29 Jan 2020.

Vancouver:

Riddler E. Sublime souls & symphonies : Australian phototexts, 1926-1966 . [Internet] [Thesis]. University of Sydney; 1993. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/2123/14449.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Riddler E. Sublime souls & symphonies : Australian phototexts, 1926-1966 . [Thesis]. University of Sydney; 1993. Available from: http://hdl.handle.net/2123/14449

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

11. Boddy, Adrian. Max Dupain and the photography of Australian architecture.

Degree: 1996, Queensland University of Technology

 This thesis considers Max Dupain (1911-1992) and his contribution to the development of architectural photography in Australia. Through his continuous and prolific output over six… (more)

Subjects/Keywords: Photographers Australia; Architectural photography Australia; thesis; masters

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APA (6th Edition):

Boddy, A. (1996). Max Dupain and the photography of Australian architecture. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/36005/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Boddy, Adrian. “Max Dupain and the photography of Australian architecture.” 1996. Thesis, Queensland University of Technology. Accessed January 29, 2020. https://eprints.qut.edu.au/36005/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Boddy, Adrian. “Max Dupain and the photography of Australian architecture.” 1996. Web. 29 Jan 2020.

Vancouver:

Boddy A. Max Dupain and the photography of Australian architecture. [Internet] [Thesis]. Queensland University of Technology; 1996. [cited 2020 Jan 29]. Available from: https://eprints.qut.edu.au/36005/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Boddy A. Max Dupain and the photography of Australian architecture. [Thesis]. Queensland University of Technology; 1996. Available from: https://eprints.qut.edu.au/36005/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Macquarie University

12. Ryan, Robert John. Arts-media censorship in Australia: doing the right thing the wrong way.

Degree: 2015, Macquarie University

Theoretical thesis.

Bibliography: pages 325-346.

Part 1. Censorship for adults  – Part 2. Censorship for minors  – Part 3. Suggestions for change.

This study of… (more)

Subjects/Keywords: Mass media  – Censorship  – Australa; Photography of children  – Censorship  – Australia; arts-media censorship; images of children

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ryan, R. J. (2015). Arts-media censorship in Australia: doing the right thing the wrong way. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/1125856

Chicago Manual of Style (16th Edition):

Ryan, Robert John. “Arts-media censorship in Australia: doing the right thing the wrong way.” 2015. Doctoral Dissertation, Macquarie University. Accessed January 29, 2020. http://hdl.handle.net/1959.14/1125856.

MLA Handbook (7th Edition):

Ryan, Robert John. “Arts-media censorship in Australia: doing the right thing the wrong way.” 2015. Web. 29 Jan 2020.

Vancouver:

Ryan RJ. Arts-media censorship in Australia: doing the right thing the wrong way. [Internet] [Doctoral dissertation]. Macquarie University; 2015. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/1959.14/1125856.

Council of Science Editors:

Ryan RJ. Arts-media censorship in Australia: doing the right thing the wrong way. [Doctoral Dissertation]. Macquarie University; 2015. Available from: http://hdl.handle.net/1959.14/1125856


Edith Cowan University

13. Fernandez, Eva. Collaboration, demystification, Rea-historiography : the reclamation of the black body by contemporary indigenous female photo-media artists.

Degree: 2002, Edith Cowan University

 This thesis examines the reclamation of the 'Blak' body by Indigenous female photo-media artists. The discussion will begin with an examination of photographic representatiors of… (more)

Subjects/Keywords: Aboriginal Australians in art; Photography; Australia; Aboriginal artists; Women artists; Aboriginal Australian.; Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fernandez, E. (2002). Collaboration, demystification, Rea-historiography : the reclamation of the black body by contemporary indigenous female photo-media artists. (Thesis). Edith Cowan University. Retrieved from https://ro.ecu.edu.au/theses/741

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fernandez, Eva. “Collaboration, demystification, Rea-historiography : the reclamation of the black body by contemporary indigenous female photo-media artists.” 2002. Thesis, Edith Cowan University. Accessed January 29, 2020. https://ro.ecu.edu.au/theses/741.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fernandez, Eva. “Collaboration, demystification, Rea-historiography : the reclamation of the black body by contemporary indigenous female photo-media artists.” 2002. Web. 29 Jan 2020.

Vancouver:

Fernandez E. Collaboration, demystification, Rea-historiography : the reclamation of the black body by contemporary indigenous female photo-media artists. [Internet] [Thesis]. Edith Cowan University; 2002. [cited 2020 Jan 29]. Available from: https://ro.ecu.edu.au/theses/741.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fernandez E. Collaboration, demystification, Rea-historiography : the reclamation of the black body by contemporary indigenous female photo-media artists. [Thesis]. Edith Cowan University; 2002. Available from: https://ro.ecu.edu.au/theses/741

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Technology, Sydney

14. Drago, C. Nostalgia Ti Frega : a photographic topography of memory, identity, and place.

Degree: 2013, University of Technology, Sydney

 Nostalgia Ti Frega is a photographic exploration of memory, identity, and place focusing on the migrant community of a Sicilian village destroyed by an earthquake… (more)

Subjects/Keywords: Nostalgia.; Memory.; Immigration.; Australia.; Sicily.; Photography.; Material culture.; Storytelling.; Identity.; Place.; Italy.; Belice River Valley (Italy) Earthquake, 1968.; Digital storytelling.

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APA (6th Edition):

Drago, C. (2013). Nostalgia Ti Frega : a photographic topography of memory, identity, and place. (Thesis). University of Technology, Sydney. Retrieved from http://hdl.handle.net/10453/29217

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Drago, C. “Nostalgia Ti Frega : a photographic topography of memory, identity, and place.” 2013. Thesis, University of Technology, Sydney. Accessed January 29, 2020. http://hdl.handle.net/10453/29217.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Drago, C. “Nostalgia Ti Frega : a photographic topography of memory, identity, and place.” 2013. Web. 29 Jan 2020.

Vancouver:

Drago C. Nostalgia Ti Frega : a photographic topography of memory, identity, and place. [Internet] [Thesis]. University of Technology, Sydney; 2013. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/10453/29217.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Drago C. Nostalgia Ti Frega : a photographic topography of memory, identity, and place. [Thesis]. University of Technology, Sydney; 2013. Available from: http://hdl.handle.net/10453/29217

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

15. Jameson, S. Fractured portraits: mapping migration faultlines.

Degree: 2011, RMIT University

 Through my art practice, this creative project explores gender identity, belonging and place using personal narrative. As an artist and migrant the purpose of this… (more)

Subjects/Keywords: Fields of Research; Gender identity; immigration; personal narrative; belonging; place; family artefacts; photography; memory; grief; loss; Australia; Britain

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APA (6th Edition):

Jameson, S. (2011). Fractured portraits: mapping migration faultlines. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:160140

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jameson, S. “Fractured portraits: mapping migration faultlines.” 2011. Thesis, RMIT University. Accessed January 29, 2020. http://researchbank.rmit.edu.au/view/rmit:160140.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jameson, S. “Fractured portraits: mapping migration faultlines.” 2011. Web. 29 Jan 2020.

Vancouver:

Jameson S. Fractured portraits: mapping migration faultlines. [Internet] [Thesis]. RMIT University; 2011. [cited 2020 Jan 29]. Available from: http://researchbank.rmit.edu.au/view/rmit:160140.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jameson S. Fractured portraits: mapping migration faultlines. [Thesis]. RMIT University; 2011. Available from: http://researchbank.rmit.edu.au/view/rmit:160140

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

16. Fiveash, Tina Dale. The enigma of appearances: photography of the third dimension.

Degree: Media Arts, 2007, University of New South Wales

 The Enigma of Appearances is an examination into the medium of three-dimensional photography, with particular focus on the technique of stereoscopy. Invented in the mid-Victorian… (more)

Subjects/Keywords: Stereoscopic photography; 3-d photography; 3d photography; Three-dimensional photography; Photography, Stereoscopic  – History; Portrait photography  – Australia; Australians  – Portraits; Photography, Artistic  – Themes, motives; Three-dimensional imaging; Fiveash, Tina  – Themes, motives; Stereoscopy; Anaglyph; Anaglyptic photography; Stereography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fiveash, T. D. (2007). The enigma of appearances: photography of the third dimension. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/44259 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1405/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Fiveash, Tina Dale. “The enigma of appearances: photography of the third dimension.” 2007. Masters Thesis, University of New South Wales. Accessed January 29, 2020. http://handle.unsw.edu.au/1959.4/44259 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1405/SOURCE02?view=true.

MLA Handbook (7th Edition):

Fiveash, Tina Dale. “The enigma of appearances: photography of the third dimension.” 2007. Web. 29 Jan 2020.

Vancouver:

Fiveash TD. The enigma of appearances: photography of the third dimension. [Internet] [Masters thesis]. University of New South Wales; 2007. [cited 2020 Jan 29]. Available from: http://handle.unsw.edu.au/1959.4/44259 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1405/SOURCE02?view=true.

Council of Science Editors:

Fiveash TD. The enigma of appearances: photography of the third dimension. [Masters Thesis]. University of New South Wales; 2007. Available from: http://handle.unsw.edu.au/1959.4/44259 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1405/SOURCE02?view=true


University of Sydney

17. Knezevic, Nina. Interpreting the autobiographical archive .

Degree: 2009, University of Sydney

Subjects/Keywords: Art, Modern  – Australia  – 21st century; Installations (Art)  – Australia  – 21st century; Painting  – Australia  – 21st century; Drawing  – Australia  – 21st century; Art and photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Knezevic, N. (2009). Interpreting the autobiographical archive . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/13893

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Knezevic, Nina. “Interpreting the autobiographical archive .” 2009. Thesis, University of Sydney. Accessed January 29, 2020. http://hdl.handle.net/2123/13893.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Knezevic, Nina. “Interpreting the autobiographical archive .” 2009. Web. 29 Jan 2020.

Vancouver:

Knezevic N. Interpreting the autobiographical archive . [Internet] [Thesis]. University of Sydney; 2009. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/2123/13893.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Knezevic N. Interpreting the autobiographical archive . [Thesis]. University of Sydney; 2009. Available from: http://hdl.handle.net/2123/13893

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

18. Ernisse, Sarah Ann. Conservation survey, condition report and collections care proposal for the World War I portrait collection at State Records of South Australia.

Degree: 2008, Ryerson University

 This practical thesis project report contains a conservation survey, condition report and collections care proposal for the World War I portrait collection at State Records… (more)

Subjects/Keywords: South Australia. State Records  – Photograph collections; Photographs  – Conservation and restoration; Portrait photography  – Australia  – 20th century; Photograph collections  – Management; World War, 1914-1918  – Australia  – Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ernisse, S. A. (2008). Conservation survey, condition report and collections care proposal for the World War I portrait collection at State Records of South Australia. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A2824

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ernisse, Sarah Ann. “Conservation survey, condition report and collections care proposal for the World War I portrait collection at State Records of South Australia.” 2008. Thesis, Ryerson University. Accessed January 29, 2020. https://digital.library.ryerson.ca/islandora/object/RULA%3A2824.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ernisse, Sarah Ann. “Conservation survey, condition report and collections care proposal for the World War I portrait collection at State Records of South Australia.” 2008. Web. 29 Jan 2020.

Vancouver:

Ernisse SA. Conservation survey, condition report and collections care proposal for the World War I portrait collection at State Records of South Australia. [Internet] [Thesis]. Ryerson University; 2008. [cited 2020 Jan 29]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A2824.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ernisse SA. Conservation survey, condition report and collections care proposal for the World War I portrait collection at State Records of South Australia. [Thesis]. Ryerson University; 2008. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A2824

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

19. Gural, J. Save as Buddha.tif: Buddhist iconography and the Australian Sangha imaged through digital transformation.

Degree: 2008, RMIT University

 This research encompasses a body of photographic work that documents and artistically interprets Buddhist influences in Australia by using digital photography, both in manipulated and… (more)

Subjects/Keywords: Fields of Research; Digital; photography; Buddhism; Australia; contemporary; art; manipulated; imagery; documentary; Western Buddhism; iconography; kitsch; popular; spirituality; critical theory; technology; Photoshop; multiculturalism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gural, J. (2008). Save as Buddha.tif: Buddhist iconography and the Australian Sangha imaged through digital transformation. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:10197

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gural, J. “Save as Buddha.tif: Buddhist iconography and the Australian Sangha imaged through digital transformation.” 2008. Thesis, RMIT University. Accessed January 29, 2020. http://researchbank.rmit.edu.au/view/rmit:10197.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gural, J. “Save as Buddha.tif: Buddhist iconography and the Australian Sangha imaged through digital transformation.” 2008. Web. 29 Jan 2020.

Vancouver:

Gural J. Save as Buddha.tif: Buddhist iconography and the Australian Sangha imaged through digital transformation. [Internet] [Thesis]. RMIT University; 2008. [cited 2020 Jan 29]. Available from: http://researchbank.rmit.edu.au/view/rmit:10197.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gural J. Save as Buddha.tif: Buddhist iconography and the Australian Sangha imaged through digital transformation. [Thesis]. RMIT University; 2008. Available from: http://researchbank.rmit.edu.au/view/rmit:10197

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Lohse, Hardy. Can introducing collaboration and trade and exchange into the photographic encounter respond to the inherent potential for exploitation, abuse and humiliation in traditional documentary photography? And, will doing this still maintain documentary photography's ability to capture the reality of living in towns in decline in Australia? .

Degree: 2017, Australian National University

 Documentary photography is built on assumptions of factual objectivity, and seeks to provide direct access to human experience and emotion. Throughout its long history it… (more)

Subjects/Keywords: documentary; photography; Australia; small towns; decline; small towns in decline; documentary photography; portraiture; photobook

photography could really show what it is like to live in contemporary rural Australia. How much… …Australia, (66 minutes), 1954; Inland Heart: The Photography of Jeff Carter. Directed by… …Documentary Photography since the Sixties. J. Paul Getty Museum, Getty Publications, Los Angeles… …documentary photography and the encounter.6 They discuss at length the history of what they see as a… …London, 1980. 3 John Berger, from ‘Uses of Photography’ chapter in About Looking, Writers and… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lohse, H. (2017). Can introducing collaboration and trade and exchange into the photographic encounter respond to the inherent potential for exploitation, abuse and humiliation in traditional documentary photography? And, will doing this still maintain documentary photography's ability to capture the reality of living in towns in decline in Australia? . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/133593

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lohse, Hardy. “Can introducing collaboration and trade and exchange into the photographic encounter respond to the inherent potential for exploitation, abuse and humiliation in traditional documentary photography? And, will doing this still maintain documentary photography's ability to capture the reality of living in towns in decline in Australia? .” 2017. Thesis, Australian National University. Accessed January 29, 2020. http://hdl.handle.net/1885/133593.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lohse, Hardy. “Can introducing collaboration and trade and exchange into the photographic encounter respond to the inherent potential for exploitation, abuse and humiliation in traditional documentary photography? And, will doing this still maintain documentary photography's ability to capture the reality of living in towns in decline in Australia? .” 2017. Web. 29 Jan 2020.

Vancouver:

Lohse H. Can introducing collaboration and trade and exchange into the photographic encounter respond to the inherent potential for exploitation, abuse and humiliation in traditional documentary photography? And, will doing this still maintain documentary photography's ability to capture the reality of living in towns in decline in Australia? . [Internet] [Thesis]. Australian National University; 2017. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/1885/133593.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lohse H. Can introducing collaboration and trade and exchange into the photographic encounter respond to the inherent potential for exploitation, abuse and humiliation in traditional documentary photography? And, will doing this still maintain documentary photography's ability to capture the reality of living in towns in decline in Australia? . [Thesis]. Australian National University; 2017. Available from: http://hdl.handle.net/1885/133593

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Price, Alun John. Cultures Of Practice Within Design: An Exploration Of The Differences And Similarities Between Photography And Painting As Representational Practices.

Degree: 2014, Edith Cowan University

 Contemporary designers and photographers face many challenges as the profession rapidly develops. This is especially the case in in the Western Australian context. A review… (more)

Subjects/Keywords: Painting; Modern; Photography; Perspective; Visual representation; Western Australia; Art and Design; Art Practice; Photography

photography and design education in the 1970s and 80s in Western Australia – the period of my design… …practiced as a photographer and, later, completed a diploma in photography in Australia. On… …How can an exploration of the technologies of painting, photography, and digital media be… …two and three dimensions operate in relation to both photography and painting? Overview… …photography to a self-expressive paradigm. The project reflects, observes and analyses my practice… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Price, A. J. (2014). Cultures Of Practice Within Design: An Exploration Of The Differences And Similarities Between Photography And Painting As Representational Practices. (Thesis). Edith Cowan University. Retrieved from https://ro.ecu.edu.au/theses/1451

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Price, Alun John. “Cultures Of Practice Within Design: An Exploration Of The Differences And Similarities Between Photography And Painting As Representational Practices.” 2014. Thesis, Edith Cowan University. Accessed January 29, 2020. https://ro.ecu.edu.au/theses/1451.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Price, Alun John. “Cultures Of Practice Within Design: An Exploration Of The Differences And Similarities Between Photography And Painting As Representational Practices.” 2014. Web. 29 Jan 2020.

Vancouver:

Price AJ. Cultures Of Practice Within Design: An Exploration Of The Differences And Similarities Between Photography And Painting As Representational Practices. [Internet] [Thesis]. Edith Cowan University; 2014. [cited 2020 Jan 29]. Available from: https://ro.ecu.edu.au/theses/1451.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Price AJ. Cultures Of Practice Within Design: An Exploration Of The Differences And Similarities Between Photography And Painting As Representational Practices. [Thesis]. Edith Cowan University; 2014. Available from: https://ro.ecu.edu.au/theses/1451

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Australian National University

22. Taylor, CJ. Collapsible Time: Contesting Reality, Narrative And History In South Australian Liminal Hinterlands .

Degree: 2017, Australian National University

 My practice-led project explores the indexical lamination of memory, history, narrative and reality afforded by photography imbued with the illusion of spatial dimensionality. This thesis… (more)

Subjects/Keywords: time; temporality; South Australia; photography; video; multimodality; archives; elastic photography; video; memory; history; narrative; reality; illusion; digital; analogue; wet plate collodion; Australian; landscape; Colonel William Light; museums; practice-led PhD; hinterlands; bioavidity; collapsible time; whyalla art prize; bergson; deleuze; duration; duress; 3D; 2.5D; stereoscopes; parallax; time-pressure; tarkovsky; Ross Gibson; cinema; expanded photography; z-space; CJ Taylor

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Taylor, C. (2017). Collapsible Time: Contesting Reality, Narrative And History In South Australian Liminal Hinterlands . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/131791

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Taylor, CJ. “Collapsible Time: Contesting Reality, Narrative And History In South Australian Liminal Hinterlands .” 2017. Thesis, Australian National University. Accessed January 29, 2020. http://hdl.handle.net/1885/131791.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Taylor, CJ. “Collapsible Time: Contesting Reality, Narrative And History In South Australian Liminal Hinterlands .” 2017. Web. 29 Jan 2020.

Vancouver:

Taylor C. Collapsible Time: Contesting Reality, Narrative And History In South Australian Liminal Hinterlands . [Internet] [Thesis]. Australian National University; 2017. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/1885/131791.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Taylor C. Collapsible Time: Contesting Reality, Narrative And History In South Australian Liminal Hinterlands . [Thesis]. Australian National University; 2017. Available from: http://hdl.handle.net/1885/131791

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


AUT University

23. Jia, Jing. Travel with a wedding dress: exploring the experiences of Chinese couples travelling to Australia and New Zealand for bridal photographs .

Degree: AUT University

 Bridal photography tourism is a unique practice in Taiwan and mainland China - it is an emerging form of personalised and Special Interest Tourism (SIT)… (more)

Subjects/Keywords: Bridal photographs; Travel with a wedding dress; Experience economy; Bridal photography tourism; Tourism experience; Bridal photography; Pre-wedding photography; Australia; New Zealand

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jia, J. (n.d.). Travel with a wedding dress: exploring the experiences of Chinese couples travelling to Australia and New Zealand for bridal photographs . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/9470

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jia, Jing. “Travel with a wedding dress: exploring the experiences of Chinese couples travelling to Australia and New Zealand for bridal photographs .” Thesis, AUT University. Accessed January 29, 2020. http://hdl.handle.net/10292/9470.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jia, Jing. “Travel with a wedding dress: exploring the experiences of Chinese couples travelling to Australia and New Zealand for bridal photographs .” Web. 29 Jan 2020.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Jia J. Travel with a wedding dress: exploring the experiences of Chinese couples travelling to Australia and New Zealand for bridal photographs . [Internet] [Thesis]. AUT University; [cited 2020 Jan 29]. Available from: http://hdl.handle.net/10292/9470.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Jia J. Travel with a wedding dress: exploring the experiences of Chinese couples travelling to Australia and New Zealand for bridal photographs . [Thesis]. AUT University; Available from: http://hdl.handle.net/10292/9470

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Melbourne

24. Crombie, Isobel Leila. Body culture: Max Dupain and the social recreation of the body, c.1919-1939.

Degree: 1999, University of Melbourne

 Max Dupain is regarded as the most significant photographer working in Australia during the 1930s. In this thesis I examine his work in relationship to… (more)

Subjects/Keywords: Max Dupain; 1911-1992; artistic photography in the 20th century; eugenics in Australia; social aspects of body image in Australia in the 20th century

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APA (6th Edition):

Crombie, I. L. (1999). Body culture: Max Dupain and the social recreation of the body, c.1919-1939. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/38832

Chicago Manual of Style (16th Edition):

Crombie, Isobel Leila. “Body culture: Max Dupain and the social recreation of the body, c.1919-1939.” 1999. Doctoral Dissertation, University of Melbourne. Accessed January 29, 2020. http://hdl.handle.net/11343/38832.

MLA Handbook (7th Edition):

Crombie, Isobel Leila. “Body culture: Max Dupain and the social recreation of the body, c.1919-1939.” 1999. Web. 29 Jan 2020.

Vancouver:

Crombie IL. Body culture: Max Dupain and the social recreation of the body, c.1919-1939. [Internet] [Doctoral dissertation]. University of Melbourne; 1999. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/11343/38832.

Council of Science Editors:

Crombie IL. Body culture: Max Dupain and the social recreation of the body, c.1919-1939. [Doctoral Dissertation]. University of Melbourne; 1999. Available from: http://hdl.handle.net/11343/38832

.