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You searched for subject:(Peter Brook). Showing records 1 – 16 of 16 total matches.

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University of Debrecen

1. Varga, Melinda. Peter Brook und das experimentielle Theater .

Degree: DE – TEK – Bölcsészettudományi Kar, 2014, University of Debrecen

 In dieser Arbeit werde ich die zeitgenössische Theatralität unter die Luppe nehmen, nicht im allgemeinen, sondern wie es Peter Brook, der größte neo-avantgardistische Regisseur unserer… (more)

Subjects/Keywords: Peter Brook; Theatralität; Theaterforschung

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APA (6th Edition):

Varga, M. (2014). Peter Brook und das experimentielle Theater . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/179816

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Varga, Melinda. “Peter Brook und das experimentielle Theater .” 2014. Thesis, University of Debrecen. Accessed January 24, 2020. http://hdl.handle.net/2437/179816.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Varga, Melinda. “Peter Brook und das experimentielle Theater .” 2014. Web. 24 Jan 2020.

Vancouver:

Varga M. Peter Brook und das experimentielle Theater . [Internet] [Thesis]. University of Debrecen; 2014. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/2437/179816.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Varga M. Peter Brook und das experimentielle Theater . [Thesis]. University of Debrecen; 2014. Available from: http://hdl.handle.net/2437/179816

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Ruffini, Rosaria. Les Afriques de Peter Brook : The Africas of Peter Brook.

Degree: Docteur es, Théâtre et arts du spectacle, 2010, Université Sorbonne Nouvelle – Paris III

L’objectif de la thèse est d’analyser le rapport entre Peter Brook et le continent africain. La thèse retrace les origines de son attrait pour l’Afrique,… (more)

Subjects/Keywords: Peter Brook; Afrique; Théâtre; Sotigui Kouyaté; Amadou Hampâté Bâ; Apartheid; Peter Brook; Africa; Theatre; Sotigui Kouyaté; Amadou Hampâté Bâ; Apartheid

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APA (6th Edition):

Ruffini, R. (2010). Les Afriques de Peter Brook : The Africas of Peter Brook. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2010PA030109

Chicago Manual of Style (16th Edition):

Ruffini, Rosaria. “Les Afriques de Peter Brook : The Africas of Peter Brook.” 2010. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed January 24, 2020. http://www.theses.fr/2010PA030109.

MLA Handbook (7th Edition):

Ruffini, Rosaria. “Les Afriques de Peter Brook : The Africas of Peter Brook.” 2010. Web. 24 Jan 2020.

Vancouver:

Ruffini R. Les Afriques de Peter Brook : The Africas of Peter Brook. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2010. [cited 2020 Jan 24]. Available from: http://www.theses.fr/2010PA030109.

Council of Science Editors:

Ruffini R. Les Afriques de Peter Brook : The Africas of Peter Brook. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2010. Available from: http://www.theses.fr/2010PA030109

3. Ortiz, Sergio Ricardo Lessa. Do espaço vazio ao circulo aberto: rumo à cenografia e indumentária sagradas de Peter Brook.

Degree: Mestrado, Teoria e Prática do Teatro, 2013, University of São Paulo

Do espaço vazio ao círculo aberto: rumo à cenografia e indumentária sagradas de Peter Brook identifica e expõe o processo de criação do espaço teatral,… (more)

Subjects/Keywords: Cenografia; Espaço Teatral; Holy Theater; Peter Brook; Peter Brook; Scene Costumes; Set Design; Teatro Sagrado; Theatrical Space; Trajes de Cena

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APA (6th Edition):

Ortiz, S. R. L. (2013). Do espaço vazio ao circulo aberto: rumo à cenografia e indumentária sagradas de Peter Brook. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27156/tde-10022014-110825/ ;

Chicago Manual of Style (16th Edition):

Ortiz, Sergio Ricardo Lessa. “Do espaço vazio ao circulo aberto: rumo à cenografia e indumentária sagradas de Peter Brook.” 2013. Masters Thesis, University of São Paulo. Accessed January 24, 2020. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-10022014-110825/ ;.

MLA Handbook (7th Edition):

Ortiz, Sergio Ricardo Lessa. “Do espaço vazio ao circulo aberto: rumo à cenografia e indumentária sagradas de Peter Brook.” 2013. Web. 24 Jan 2020.

Vancouver:

Ortiz SRL. Do espaço vazio ao circulo aberto: rumo à cenografia e indumentária sagradas de Peter Brook. [Internet] [Masters thesis]. University of São Paulo; 2013. [cited 2020 Jan 24]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27156/tde-10022014-110825/ ;.

Council of Science Editors:

Ortiz SRL. Do espaço vazio ao circulo aberto: rumo à cenografia e indumentária sagradas de Peter Brook. [Masters Thesis]. University of São Paulo; 2013. Available from: http://www.teses.usp.br/teses/disponiveis/27/27156/tde-10022014-110825/ ;

4. Lisa Souza Brito. The theater of Peter Brook in the film Marat / Sade: a study of aspects of theatrical vision of Brook in his film Marat / Sade.

Degree: 2012, Universidade do Estado de Santa Catarina

 O presente trabalho tem como objetivo analisar aspectos da busca de Peter Brook no campo teatral. O espetÃculo estudado para a compreensÃo do tema Ã… (more)

Subjects/Keywords: Peter Brook; Cinema; Teatralidade no cinema; EspaÃo vazio; Marat/Sade; Peter Brook; TEATRO; Marat/Sade; Empty space; Theatricality in cinema

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APA (6th Edition):

Brito, L. S. (2012). The theater of Peter Brook in the film Marat / Sade: a study of aspects of theatrical vision of Brook in his film Marat / Sade. (Thesis). Universidade do Estado de Santa Catarina. Retrieved from http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=3050

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brito, Lisa Souza. “The theater of Peter Brook in the film Marat / Sade: a study of aspects of theatrical vision of Brook in his film Marat / Sade.” 2012. Thesis, Universidade do Estado de Santa Catarina. Accessed January 24, 2020. http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=3050.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brito, Lisa Souza. “The theater of Peter Brook in the film Marat / Sade: a study of aspects of theatrical vision of Brook in his film Marat / Sade.” 2012. Web. 24 Jan 2020.

Vancouver:

Brito LS. The theater of Peter Brook in the film Marat / Sade: a study of aspects of theatrical vision of Brook in his film Marat / Sade. [Internet] [Thesis]. Universidade do Estado de Santa Catarina; 2012. [cited 2020 Jan 24]. Available from: http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=3050.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brito LS. The theater of Peter Brook in the film Marat / Sade: a study of aspects of theatrical vision of Brook in his film Marat / Sade. [Thesis]. Universidade do Estado de Santa Catarina; 2012. Available from: http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=3050

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

5. Castro, Ana Luiza de Magalhães. A conferência dos pássaros = reflexões sobre o ator narrador no teatro de Peter Brook = The conference of the birds: reflections on the actor narrator in the theatre of Peter Brook .

Degree: 2012, Universidade Estadual de Campinas

 Resumo: Este estudo desenvolve uma reflexão sobre a presença da narrativa no teatro de Peter Brook. Compreendendo-a como resultante de sua pesquisa em direção à… (more)

Subjects/Keywords: Brook, Peter, 1925- - Crítica e interpretação; Teatro - Técnica; Atores; Narrativa

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APA (6th Edition):

Castro, A. L. d. M. (2012). A conferência dos pássaros = reflexões sobre o ator narrador no teatro de Peter Brook = The conference of the birds: reflections on the actor narrator in the theatre of Peter Brook . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/284555

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Castro, Ana Luiza de Magalhães. “A conferência dos pássaros = reflexões sobre o ator narrador no teatro de Peter Brook = The conference of the birds: reflections on the actor narrator in the theatre of Peter Brook .” 2012. Thesis, Universidade Estadual de Campinas. Accessed January 24, 2020. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284555.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Castro, Ana Luiza de Magalhães. “A conferência dos pássaros = reflexões sobre o ator narrador no teatro de Peter Brook = The conference of the birds: reflections on the actor narrator in the theatre of Peter Brook .” 2012. Web. 24 Jan 2020.

Vancouver:

Castro ALdM. A conferência dos pássaros = reflexões sobre o ator narrador no teatro de Peter Brook = The conference of the birds: reflections on the actor narrator in the theatre of Peter Brook . [Internet] [Thesis]. Universidade Estadual de Campinas; 2012. [cited 2020 Jan 24]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284555.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Castro ALdM. A conferência dos pássaros = reflexões sobre o ator narrador no teatro de Peter Brook = The conference of the birds: reflections on the actor narrator in the theatre of Peter Brook . [Thesis]. Universidade Estadual de Campinas; 2012. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284555

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

6. Santandrea, Maya. NEW HISTORICIST READING OF MARAT/SADE.

Degree: MA, Theatre and Film, 2006, Bowling Green State University

 As a play that both spoke to its time and can potentially gain new significance as a reflection of contemporary American society, The Persecution and… (more)

Subjects/Keywords: Theater; Marat/Sade; Peter Weiss; Peter Brook; New Historicism

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APA (6th Edition):

Santandrea, M. (2006). NEW HISTORICIST READING OF MARAT/SADE. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1149790393

Chicago Manual of Style (16th Edition):

Santandrea, Maya. “NEW HISTORICIST READING OF MARAT/SADE.” 2006. Masters Thesis, Bowling Green State University. Accessed January 24, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1149790393.

MLA Handbook (7th Edition):

Santandrea, Maya. “NEW HISTORICIST READING OF MARAT/SADE.” 2006. Web. 24 Jan 2020.

Vancouver:

Santandrea M. NEW HISTORICIST READING OF MARAT/SADE. [Internet] [Masters thesis]. Bowling Green State University; 2006. [cited 2020 Jan 24]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1149790393.

Council of Science Editors:

Santandrea M. NEW HISTORICIST READING OF MARAT/SADE. [Masters Thesis]. Bowling Green State University; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1149790393


University of Colorado

7. Gordon, Bianca Claire. Kott, or Dramaturg: Investigating Jan Kott’s Pattern of Dramaturgy with Peter Brook’s King Lear (1962).

Degree: MA, Theatre & Dance, 2014, University of Colorado

  Polish theatre professor Jan Kott (1914-2001) is often regarded as a critic and scholar because of his distinguished collection of essays Shakespeare Our Contemporary… (more)

Subjects/Keywords: Dramaturgy; Jan Kott; King Lear; Peter Brook; Shakespeare; theater; Performance Studies; Theatre History

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APA (6th Edition):

Gordon, B. C. (2014). Kott, or Dramaturg: Investigating Jan Kott’s Pattern of Dramaturgy with Peter Brook’s King Lear (1962). (Masters Thesis). University of Colorado. Retrieved from https://scholar.colorado.edu/thtr_gradetds/30

Chicago Manual of Style (16th Edition):

Gordon, Bianca Claire. “Kott, or Dramaturg: Investigating Jan Kott’s Pattern of Dramaturgy with Peter Brook’s King Lear (1962).” 2014. Masters Thesis, University of Colorado. Accessed January 24, 2020. https://scholar.colorado.edu/thtr_gradetds/30.

MLA Handbook (7th Edition):

Gordon, Bianca Claire. “Kott, or Dramaturg: Investigating Jan Kott’s Pattern of Dramaturgy with Peter Brook’s King Lear (1962).” 2014. Web. 24 Jan 2020.

Vancouver:

Gordon BC. Kott, or Dramaturg: Investigating Jan Kott’s Pattern of Dramaturgy with Peter Brook’s King Lear (1962). [Internet] [Masters thesis]. University of Colorado; 2014. [cited 2020 Jan 24]. Available from: https://scholar.colorado.edu/thtr_gradetds/30.

Council of Science Editors:

Gordon BC. Kott, or Dramaturg: Investigating Jan Kott’s Pattern of Dramaturgy with Peter Brook’s King Lear (1962). [Masters Thesis]. University of Colorado; 2014. Available from: https://scholar.colorado.edu/thtr_gradetds/30


Universidade Estadual de Campinas

8. Leite, Martha Dias da Cruz. A "vida" da cena : um estudo da corporeidade do ator em estado de expressão cenica .

Degree: 2006, Universidade Estadual de Campinas

 Resumo: Este presente trabalho tem como objetivo realizar uma série de reflexões sobre o fenômeno da presença de ¿vida¿ na representação do ator. Como ponto… (more)

Subjects/Keywords: Brook, Peter, 1925-; Teatro; Representação teatral; Corporeidade

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APA (6th Edition):

Leite, M. D. d. C. (2006). A "vida" da cena : um estudo da corporeidade do ator em estado de expressão cenica . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/284359

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leite, Martha Dias da Cruz. “A "vida" da cena : um estudo da corporeidade do ator em estado de expressão cenica .” 2006. Thesis, Universidade Estadual de Campinas. Accessed January 24, 2020. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284359.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leite, Martha Dias da Cruz. “A "vida" da cena : um estudo da corporeidade do ator em estado de expressão cenica .” 2006. Web. 24 Jan 2020.

Vancouver:

Leite MDdC. A "vida" da cena : um estudo da corporeidade do ator em estado de expressão cenica . [Internet] [Thesis]. Universidade Estadual de Campinas; 2006. [cited 2020 Jan 24]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284359.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leite MDdC. A "vida" da cena : um estudo da corporeidade do ator em estado de expressão cenica . [Thesis]. Universidade Estadual de Campinas; 2006. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284359

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

9. Du Plessis, Tanya Lenore. In search of the culture of links : the use of myth and ritual in the work of Peter Brook.

Degree: Faculty of Humanities, Drama, 1998, Rhodes University

 This thesis examines the use of elements of myth and ritual in the work of Peter Brook, focusing primarily on The Mahabharata ( 1986 ).… (more)

Subjects/Keywords: Brook, Peter  – Criticism and interpretation; Myth in literature; Mahābhārata  – Adaptations; Ritual in literature

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APA (6th Edition):

Du Plessis, T. L. (1998). In search of the culture of links : the use of myth and ritual in the work of Peter Brook. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1002368

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Du Plessis, Tanya Lenore. “In search of the culture of links : the use of myth and ritual in the work of Peter Brook.” 1998. Thesis, Rhodes University. Accessed January 24, 2020. http://hdl.handle.net/10962/d1002368.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Du Plessis, Tanya Lenore. “In search of the culture of links : the use of myth and ritual in the work of Peter Brook.” 1998. Web. 24 Jan 2020.

Vancouver:

Du Plessis TL. In search of the culture of links : the use of myth and ritual in the work of Peter Brook. [Internet] [Thesis]. Rhodes University; 1998. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/10962/d1002368.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Du Plessis TL. In search of the culture of links : the use of myth and ritual in the work of Peter Brook. [Thesis]. Rhodes University; 1998. Available from: http://hdl.handle.net/10962/d1002368

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universitat Politècnica de Catalunya

10. Castel-Branco, Inês. L'Espai teatral dels anys seixanta. Revolució i ritual en el Living Theatre, Peter Brook i Jerzy Grotowski.

Degree: Departament de Composició Arquitectònica, 2007, Universitat Politècnica de Catalunya

 There emerged in the nineteen sixties a deeply defiant theatre that deserted conventional buildings in search of empty, poor but flexible places. Behind this attitude… (more)

Subjects/Keywords: ritual; anys seixanta; Jerzy Grotowski; Peter Brook; living theatre; espai teatral; 72

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APA (6th Edition):

Castel-Branco, I. (2007). L'Espai teatral dels anys seixanta. Revolució i ritual en el Living Theatre, Peter Brook i Jerzy Grotowski. (Thesis). Universitat Politècnica de Catalunya. Retrieved from http://hdl.handle.net/10803/6098

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Castel-Branco, Inês. “L'Espai teatral dels anys seixanta. Revolució i ritual en el Living Theatre, Peter Brook i Jerzy Grotowski.” 2007. Thesis, Universitat Politècnica de Catalunya. Accessed January 24, 2020. http://hdl.handle.net/10803/6098.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Castel-Branco, Inês. “L'Espai teatral dels anys seixanta. Revolució i ritual en el Living Theatre, Peter Brook i Jerzy Grotowski.” 2007. Web. 24 Jan 2020.

Vancouver:

Castel-Branco I. L'Espai teatral dels anys seixanta. Revolució i ritual en el Living Theatre, Peter Brook i Jerzy Grotowski. [Internet] [Thesis]. Universitat Politècnica de Catalunya; 2007. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/10803/6098.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Castel-Branco I. L'Espai teatral dels anys seixanta. Revolució i ritual en el Living Theatre, Peter Brook i Jerzy Grotowski. [Thesis]. Universitat Politècnica de Catalunya; 2007. Available from: http://hdl.handle.net/10803/6098

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ohio University

11. Kalugampitiya, Nandaka M. Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata: The Palace of Illusions, The Great Indian Novel, and The Mahabharata (Television Mini Series).

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2016, Ohio University

 In this study, I explore the manner in which contemporary artistic reimaginings of the Sanskrit epic the Mahabharata with a characteristically Western bent intervene in… (more)

Subjects/Keywords: Asian Literature; Asian Studies; Comparative Literature; Fine Arts; Literature; South Asian Studies; Bakhtin; dialogism; intertextuality; The Palace of Illusions; The Great Indian Novel; Peter Brook; Mahabharata; Sanskrit epic

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APA (6th Edition):

Kalugampitiya, N. M. (2016). Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata: The Palace of Illusions, The Great Indian Novel, and The Mahabharata (Television Mini Series). (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1462188638

Chicago Manual of Style (16th Edition):

Kalugampitiya, Nandaka M. “Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata: The Palace of Illusions, The Great Indian Novel, and The Mahabharata (Television Mini Series).” 2016. Doctoral Dissertation, Ohio University. Accessed January 24, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1462188638.

MLA Handbook (7th Edition):

Kalugampitiya, Nandaka M. “Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata: The Palace of Illusions, The Great Indian Novel, and The Mahabharata (Television Mini Series).” 2016. Web. 24 Jan 2020.

Vancouver:

Kalugampitiya NM. Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata: The Palace of Illusions, The Great Indian Novel, and The Mahabharata (Television Mini Series). [Internet] [Doctoral dissertation]. Ohio University; 2016. [cited 2020 Jan 24]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1462188638.

Council of Science Editors:

Kalugampitiya NM. Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata: The Palace of Illusions, The Great Indian Novel, and The Mahabharata (Television Mini Series). [Doctoral Dissertation]. Ohio University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1462188638

12. Cristiano Peixoto Goncalves. A perspectiva orgânica da ação vocal no trabalho de Stanislavski, Grotowski e Brook.

Degree: 2011, Universidade Federal de Minas Gerais

O território de investigação desse trabalho é a ação vocal. O tema é analisado no trabalho dos diretores Constantin Stanislavski, Jerzy Grotowski e Peter Brook(more)

Subjects/Keywords: Brook, Peter, 1928- Critica e interpretação Teses.; Voz Teses.; Atores Estudo e ensino Teses.; Representação teatral Estudo e ensino Teses.; Teatro Teses.; Stanislavski, Konstantin, 1863-1938. Crítica e interpretação Teses.; Grotowski, Jerzy, 1933-1999 Crítica e interpretação Teses.; Expressão vocal (Encenação) Teses.; Teses EBA.

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APA (6th Edition):

Goncalves, C. P. (2011). A perspectiva orgânica da ação vocal no trabalho de Stanislavski, Grotowski e Brook. (Thesis). Universidade Federal de Minas Gerais. Retrieved from http://hdl.handle.net/1843/JSSS-8HNFP2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Goncalves, Cristiano Peixoto. “A perspectiva orgânica da ação vocal no trabalho de Stanislavski, Grotowski e Brook.” 2011. Thesis, Universidade Federal de Minas Gerais. Accessed January 24, 2020. http://hdl.handle.net/1843/JSSS-8HNFP2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Goncalves, Cristiano Peixoto. “A perspectiva orgânica da ação vocal no trabalho de Stanislavski, Grotowski e Brook.” 2011. Web. 24 Jan 2020.

Vancouver:

Goncalves CP. A perspectiva orgânica da ação vocal no trabalho de Stanislavski, Grotowski e Brook. [Internet] [Thesis]. Universidade Federal de Minas Gerais; 2011. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/1843/JSSS-8HNFP2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Goncalves CP. A perspectiva orgânica da ação vocal no trabalho de Stanislavski, Grotowski e Brook. [Thesis]. Universidade Federal de Minas Gerais; 2011. Available from: http://hdl.handle.net/1843/JSSS-8HNFP2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

13. Woynerowski, Jerome Joseph, 1942-. An analytical study of Peter Brook's concept of "holy theatre" as applied to Samuel Beckett's Happy days .

Degree: 1973, University of Arizona

Subjects/Keywords: Brook, Peter  – Criticism and interpretation.; Beckett, Samuel, 1906-  – Happy days.; Experimental theater.; Drama  – 20th century  – History and criticism.

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APA (6th Edition):

Woynerowski, Jerome Joseph, 1. (1973). An analytical study of Peter Brook's concept of "holy theatre" as applied to Samuel Beckett's Happy days . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/554472

Chicago Manual of Style (16th Edition):

Woynerowski, Jerome Joseph, 1942-. “An analytical study of Peter Brook's concept of "holy theatre" as applied to Samuel Beckett's Happy days .” 1973. Masters Thesis, University of Arizona. Accessed January 24, 2020. http://hdl.handle.net/10150/554472.

MLA Handbook (7th Edition):

Woynerowski, Jerome Joseph, 1942-. “An analytical study of Peter Brook's concept of "holy theatre" as applied to Samuel Beckett's Happy days .” 1973. Web. 24 Jan 2020.

Vancouver:

Woynerowski, Jerome Joseph 1. An analytical study of Peter Brook's concept of "holy theatre" as applied to Samuel Beckett's Happy days . [Internet] [Masters thesis]. University of Arizona; 1973. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/10150/554472.

Council of Science Editors:

Woynerowski, Jerome Joseph 1. An analytical study of Peter Brook's concept of "holy theatre" as applied to Samuel Beckett's Happy days . [Masters Thesis]. University of Arizona; 1973. Available from: http://hdl.handle.net/10150/554472

14. Woolbert, Elizabeth Tyrrell. The Strange and the Familiar: Shakespeare as a Point of Anglo-Germanic Cultural Exchange.

Degree: Theatre Program, 2015, University of Houston

 One way of approaching an argumentative, academic essay is to conceive of two parts: a site, or subject of examination, and a lens, the context… (more)

Subjects/Keywords: William Shakespeare; Bertolt Brecht; Peter Brook; Verfremdung; Estrangement; A Midsummer Night's Dream; The Royal Shakespeare Company; Theatre

…Shakespeare Company, where Peter Brook’s work with the iconic playwright bears comparison to that of… …the Nazis – but only in the most mechanical sense. This section explores the role that Peter… …Brook played in popularizing Bertolt Brecht for a British audience. Brecht’s modern centrality… …was its application to the works of William Shakespeare. Peter Brook’s work for the Royal… …Shakespeare Company exemplifies this process. Brook is especially famous for 4 Introduction… 

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APA (6th Edition):

Woolbert, E. T. (2015). The Strange and the Familiar: Shakespeare as a Point of Anglo-Germanic Cultural Exchange. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1146

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Woolbert, Elizabeth Tyrrell. “The Strange and the Familiar: Shakespeare as a Point of Anglo-Germanic Cultural Exchange.” 2015. Thesis, University of Houston. Accessed January 24, 2020. http://hdl.handle.net/10657/1146.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Woolbert, Elizabeth Tyrrell. “The Strange and the Familiar: Shakespeare as a Point of Anglo-Germanic Cultural Exchange.” 2015. Web. 24 Jan 2020.

Vancouver:

Woolbert ET. The Strange and the Familiar: Shakespeare as a Point of Anglo-Germanic Cultural Exchange. [Internet] [Thesis]. University of Houston; 2015. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/10657/1146.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Woolbert ET. The Strange and the Familiar: Shakespeare as a Point of Anglo-Germanic Cultural Exchange. [Thesis]. University of Houston; 2015. Available from: http://hdl.handle.net/10657/1146

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Mekeel, Lance. From Irreverent to Revered: How Alfred Jarry¿s <i>Ubu Roi</i> and the "U-Effect" Changed Theatre History.

Degree: PhD, Theatre and Film, 2013, Bowling Green State University

 For decades, theatre history textbooks and other influential studies on theatre history have positioned <i>Ubu Roi</i>, Alfred Jarry’s 1896 avant-garde “classic,” as the beginning or… (more)

Subjects/Keywords: Theater; Theater History; Theater Studies; theatre history; theatre historiography; Modernism; avant-garde; Alfred Jarry; Ubu Roi; avant-garde theatre; post-structuralism; Royal Court Theatre; Peter Brook; Lincoln Center Theater; theatre studies

…186 Section D: Peter Brook’s Ubu… …Iain Cuthbertson’s Royal Court Theatre production of Ubu Roi; Peter Brook’s 1977, 1978, and… …theory of the avant-garde, such as that conducted in Peter Bürger’s Theory of the Avant-Garde… …Peter Brook’s 1977, 1978, and 1980 Ubu, and the Lincoln Center Theater’s 1989 Ubu, to show the… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Mekeel, L. (2013). From Irreverent to Revered: How Alfred Jarry¿s <i>Ubu Roi</i> and the "U-Effect" Changed Theatre History. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1371827527

Chicago Manual of Style (16th Edition):

Mekeel, Lance. “From Irreverent to Revered: How Alfred Jarry¿s <i>Ubu Roi</i> and the "U-Effect" Changed Theatre History.” 2013. Doctoral Dissertation, Bowling Green State University. Accessed January 24, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1371827527.

MLA Handbook (7th Edition):

Mekeel, Lance. “From Irreverent to Revered: How Alfred Jarry¿s <i>Ubu Roi</i> and the "U-Effect" Changed Theatre History.” 2013. Web. 24 Jan 2020.

Vancouver:

Mekeel L. From Irreverent to Revered: How Alfred Jarry¿s <i>Ubu Roi</i> and the "U-Effect" Changed Theatre History. [Internet] [Doctoral dissertation]. Bowling Green State University; 2013. [cited 2020 Jan 24]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1371827527.

Council of Science Editors:

Mekeel L. From Irreverent to Revered: How Alfred Jarry¿s <i>Ubu Roi</i> and the "U-Effect" Changed Theatre History. [Doctoral Dissertation]. Bowling Green State University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1371827527


Queensland University of Technology

16. Richards, Michael John. Actors, gurus and devotees : participant manipulation and response in the theatre and in charismatic religious events.

Degree: 2000, Queensland University of Technology

Subjects/Keywords: Theater audiences; Acting; alienation; anthropology; audience participation; cult; dramatic context; environmental theatre; ethnography; guru; Holy theatre; manipulation; metaxis; mimesis; performance as research; practice as research; phenomenology; psychodrama; reception theory; spect-actor; Artaud, Antonin; Beck, Julian; Boal, Augusto; Brecht, Bertolt; Brook, Peter; Grotowski, Jerzy; Malina, Judith; Moreno, Jakob; Schechner, Richard; Turner, Victor; thesis; masters

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Richards, M. J. (2000). Actors, gurus and devotees : participant manipulation and response in the theatre and in charismatic religious events. (Thesis). Queensland University of Technology. Retrieved from http://eprints.qut.edu.au/35830/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Richards, Michael John. “Actors, gurus and devotees : participant manipulation and response in the theatre and in charismatic religious events.” 2000. Thesis, Queensland University of Technology. Accessed January 24, 2020. http://eprints.qut.edu.au/35830/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Richards, Michael John. “Actors, gurus and devotees : participant manipulation and response in the theatre and in charismatic religious events.” 2000. Web. 24 Jan 2020.

Vancouver:

Richards MJ. Actors, gurus and devotees : participant manipulation and response in the theatre and in charismatic religious events. [Internet] [Thesis]. Queensland University of Technology; 2000. [cited 2020 Jan 24]. Available from: http://eprints.qut.edu.au/35830/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Richards MJ. Actors, gurus and devotees : participant manipulation and response in the theatre and in charismatic religious events. [Thesis]. Queensland University of Technology; 2000. Available from: http://eprints.qut.edu.au/35830/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.