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Level: d_ph

You searched for subject:(Person centered music therapy). Showing records 1 – 30 of 52 total matches.

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University of Birmingham

1. Leavy, Peter. Models, language, and fabricated histories: a portfolio of musical compositions with commentary.

Degree: d_ph, College of Arts & Law, 2018, University of Birmingham

 This portfolio consists of seven compositions accompanied by a written commentary and recordings/mock ups of the works. The compositions span a wide variety of instrumentations… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Leavy, P. (2018). Models, language, and fabricated histories: a portfolio of musical compositions with commentary. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/8771/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leavy, Peter. “Models, language, and fabricated histories: a portfolio of musical compositions with commentary.” 2018. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/8771/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leavy, Peter. “Models, language, and fabricated histories: a portfolio of musical compositions with commentary.” 2018. Web. 25 Aug 2019.

Vancouver:

Leavy P. Models, language, and fabricated histories: a portfolio of musical compositions with commentary. [Internet] [Thesis]. University of Birmingham; 2018. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/8771/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leavy P. Models, language, and fabricated histories: a portfolio of musical compositions with commentary. [Thesis]. University of Birmingham; 2018. Available from: http://etheses.bham.ac.uk//id/eprint/8771/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

2. Kontos, Constantinos. A portfolio of acousmatic compositions.

Degree: d_ph, College of Arts & Law, 2016, University of Birmingham

 This portfolio consists of a series of acousmatic compositions presented in stereophonic and multichannel formats. The works in this portfolio reflect a variety of different… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kontos, C. (2016). A portfolio of acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6591/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kontos, Constantinos. “A portfolio of acousmatic compositions.” 2016. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/6591/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kontos, Constantinos. “A portfolio of acousmatic compositions.” 2016. Web. 25 Aug 2019.

Vancouver:

Kontos C. A portfolio of acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/6591/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kontos C. A portfolio of acousmatic compositions. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk//id/eprint/6591/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

3. Clemente, Manfredi. Between space and evocation: a portfolio of acousmatic compositions.

Degree: d_ph, College of Arts & Law, 2017, University of Birmingham

 This commentary consists of an attempt to discuss the problems raised by the way I approach composition and sound in general. My argument is based… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Clemente, M. (2017). Between space and evocation: a portfolio of acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7642/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Clemente, Manfredi. “Between space and evocation: a portfolio of acousmatic compositions.” 2017. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/7642/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Clemente, Manfredi. “Between space and evocation: a portfolio of acousmatic compositions.” 2017. Web. 25 Aug 2019.

Vancouver:

Clemente M. Between space and evocation: a portfolio of acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/7642/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Clemente M. Between space and evocation: a portfolio of acousmatic compositions. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk//id/eprint/7642/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

4. Kuoppala, Visa Tapani. Composition in no-mind’s land: a portfolio of electroacoustic music.

Degree: d_ph, College of Arts & Law, 2017, University of Birmingham

 This PhD thesis comprises a portfolio of electroacoustic music and a written commentary. The portfolio consists of ten acousmatic compositions, two of which are collaborative… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kuoppala, V. T. (2017). Composition in no-mind’s land: a portfolio of electroacoustic music. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7747/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kuoppala, Visa Tapani. “Composition in no-mind’s land: a portfolio of electroacoustic music.” 2017. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/7747/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kuoppala, Visa Tapani. “Composition in no-mind’s land: a portfolio of electroacoustic music.” 2017. Web. 25 Aug 2019.

Vancouver:

Kuoppala VT. Composition in no-mind’s land: a portfolio of electroacoustic music. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/7747/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kuoppala VT. Composition in no-mind’s land: a portfolio of electroacoustic music. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk//id/eprint/7747/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

5. Hindmarch, David. A portfolio of acousmatic compositions.

Degree: d_ph, College of Arts & Law, 2010, University of Birmingham

 This portfolio charts my development as a composer during a period of three years. The works it contains are all acousmatic; they investigate sonic material… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hindmarch, D. (2010). A portfolio of acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/758/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hindmarch, David. “A portfolio of acousmatic compositions.” 2010. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/758/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hindmarch, David. “A portfolio of acousmatic compositions.” 2010. Web. 25 Aug 2019.

Vancouver:

Hindmarch D. A portfolio of acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/758/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hindmarch D. A portfolio of acousmatic compositions. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/758/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

6. Spearing, Robert. [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition].

Degree: d_ph, College of Arts & Law, 2010, University of Birmingham

Commentary Scores: 1 After Haydn’s ‘Farewell’ 2 She Solus 3 Two Pieces for clarinet and piano 4 Wings … dreams 5 Piano Symphony

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Spearing, R. (2010). [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition]. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/865/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Spearing, Robert. “[A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition].” 2010. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/865/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Spearing, Robert. “[A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition].” 2010. Web. 25 Aug 2019.

Vancouver:

Spearing R. [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition]. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/865/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Spearing R. [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition]. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/865/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

7. Scardanelli, Simon. A portfolio of electroacoustic and acousmatic compositions.

Degree: d_ph, College of Arts & Law, 2010, University of Birmingham

 A portfolio of electroacoustic and acousmatic compositions realised through a variety of audio and audio-visual media, and with a particular emphasis on using speech as… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Scardanelli, S. (2010). A portfolio of electroacoustic and acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scardanelli, Simon. “A portfolio of electroacoustic and acousmatic compositions.” 2010. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scardanelli, Simon. “A portfolio of electroacoustic and acousmatic compositions.” 2010. Web. 25 Aug 2019.

Vancouver:

Scardanelli S. A portfolio of electroacoustic and acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scardanelli S. A portfolio of electroacoustic and acousmatic compositions. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

8. Hutchins, Charles Celeste. Portfolio of Compositions.

Degree: d_ph, College of Arts & Law, 2012, University of Birmingham

 This portfolio of 19 compositions includes several short commissions intended to reach new listeners and address issues of sustainability and copyright. Two of the pieces… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hutchins, C. C. (2012). Portfolio of Compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hutchins, Charles Celeste. “Portfolio of Compositions.” 2012. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hutchins, Charles Celeste. “Portfolio of Compositions.” 2012. Web. 25 Aug 2019.

Vancouver:

Hutchins CC. Portfolio of Compositions. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hutchins CC. Portfolio of Compositions. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

9. Pinchbeck, Shawn William. A portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 This thesis describes a portfolio of musical compositions and artworks that explore the development of real-time acousmatic music composition, multimedia music and dance performances, interactive… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pinchbeck, S. W. (2013). A portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pinchbeck, Shawn William. “A portfolio of compositions.” 2013. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pinchbeck, Shawn William. “A portfolio of compositions.” 2013. Web. 25 Aug 2019.

Vancouver:

Pinchbeck SW. A portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pinchbeck SW. A portfolio of compositions. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

10. Carpenter, James John. Portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 A portfolio of acousmatic and mixed compositions for stereophonic and multichannel formats. Particular focus is given to acousmatic music’s relationship with materials and features typically… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carpenter, J. J. (2013). Portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carpenter, James John. “Portfolio of compositions.” 2013. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carpenter, James John. “Portfolio of compositions.” 2013. Web. 25 Aug 2019.

Vancouver:

Carpenter JJ. Portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carpenter JJ. Portfolio of compositions. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

11. Brodie, Val. The overlooked evidence: the use of music in productions of Henry V 1859-1916 .

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 This thesis uses the joint approaches of theatre research and musicology to reveal the overlooked soundscape of productions of Shakespeare’s Henry V. The starting point… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brodie, V. (2013). The overlooked evidence: the use of music in productions of Henry V 1859-1916 . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4476/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brodie, Val. “The overlooked evidence: the use of music in productions of Henry V 1859-1916 .” 2013. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/4476/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brodie, Val. “The overlooked evidence: the use of music in productions of Henry V 1859-1916 .” 2013. Web. 25 Aug 2019.

Vancouver:

Brodie V. The overlooked evidence: the use of music in productions of Henry V 1859-1916 . [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/4476/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brodie V. The overlooked evidence: the use of music in productions of Henry V 1859-1916 . [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4476/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

12. Lorway, Norah. A portfolio of fixed electroacoustic and live laptop works.

Degree: d_ph, College of Arts & Law, 2014, University of Birmingham

 This PhD thesis includes a portfolio of electroacoustic and live electroacoustic compositions carried out at the electroacoustic music studios at the University of Birmingham. The… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lorway, N. (2014). A portfolio of fixed electroacoustic and live laptop works. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lorway, Norah. “A portfolio of fixed electroacoustic and live laptop works.” 2014. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lorway, Norah. “A portfolio of fixed electroacoustic and live laptop works.” 2014. Web. 25 Aug 2019.

Vancouver:

Lorway N. A portfolio of fixed electroacoustic and live laptop works. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lorway N. A portfolio of fixed electroacoustic and live laptop works. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

13. Szwed, Katarzyna Zofia. A portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2015, University of Birmingham

 A portfolio of compositions with additional commentary and a contextual chapter. In the introduction chapter, particular focus is given to the individual approach to elements… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Szwed, K. Z. (2015). A portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Szwed, Katarzyna Zofia. “A portfolio of compositions.” 2015. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Szwed, Katarzyna Zofia. “A portfolio of compositions.” 2015. Web. 25 Aug 2019.

Vancouver:

Szwed KZ. A portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Szwed KZ. A portfolio of compositions. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

14. Ibbett, David Roger. Towards an integrated art music.

Degree: d_ph, College of Arts & Law, 2015, University of Birmingham

 This thesis consists of a portfolio of compositions in acoustic and electronic media with an accompanying commentary. The central theme of these works is the… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ibbett, D. R. (2015). Towards an integrated art music. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6485/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ibbett, David Roger. “Towards an integrated art music.” 2015. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/6485/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ibbett, David Roger. “Towards an integrated art music.” 2015. Web. 25 Aug 2019.

Vancouver:

Ibbett DR. Towards an integrated art music. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/6485/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ibbett DR. Towards an integrated art music. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/6485/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

15. Minchella, Damon. Making music in the radial mainstream: representations of creative practice in UK-based pop/rock.

Degree: d_ph, College of Arts & Law, 2019, University of Birmingham

 Popular music is one of the United Kingdom’s most readily engaged with and exported cultural forms. Commensurate with such a positioning, there exists a wealth… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Minchella, D. (2019). Making music in the radial mainstream: representations of creative practice in UK-based pop/rock. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/9220/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Minchella, Damon. “Making music in the radial mainstream: representations of creative practice in UK-based pop/rock.” 2019. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/9220/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Minchella, Damon. “Making music in the radial mainstream: representations of creative practice in UK-based pop/rock.” 2019. Web. 25 Aug 2019.

Vancouver:

Minchella D. Making music in the radial mainstream: representations of creative practice in UK-based pop/rock. [Internet] [Thesis]. University of Birmingham; 2019. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/9220/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Minchella D. Making music in the radial mainstream: representations of creative practice in UK-based pop/rock. [Thesis]. University of Birmingham; 2019. Available from: http://etheses.bham.ac.uk//id/eprint/9220/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

16. Rodrigues, Ruth Elizabeth. Selected students of Leopold Auer: a study in violin performance-practice.

Degree: d_ph, College of Arts & Law, 2010, University of Birmingham

 This thesis investigates the teaching and legacy of Leopold Auer; it addresses, in particular to what extent his promulgation of the ‘German’ School of Violin… (more)

Subjects/Keywords: ML Literature of music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rodrigues, R. E. (2010). Selected students of Leopold Auer: a study in violin performance-practice. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/739/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rodrigues, Ruth Elizabeth. “Selected students of Leopold Auer: a study in violin performance-practice.” 2010. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/739/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rodrigues, Ruth Elizabeth. “Selected students of Leopold Auer: a study in violin performance-practice.” 2010. Web. 25 Aug 2019.

Vancouver:

Rodrigues RE. Selected students of Leopold Auer: a study in violin performance-practice. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/739/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rodrigues RE. Selected students of Leopold Auer: a study in violin performance-practice. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/739/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

17. Shih, Pei-Yu. Portfolio.

Degree: d_ph, College of Arts & Law, 2014, University of Birmingham

The thesis is the explanation/record of my musical composition.

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shih, P. (2014). Portfolio. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5022/http://etheses.bham.ac.uk//id/eprint/5022/9/Shih14PhD_01_Film_music.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/10/Shih14PhD_02_Red_Chamber.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/11/Shih14PhD_03__F%27s_65.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/12/Shih14PhD_04_Milchstra%C3%9Fe.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/13/Shih14PhD_05_Lieder_Ohne_Wort.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/14/Shih14PhD_06__%E5%A4%9C%E8%A1%8C%E8%80%85.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/15/Shih14PhD_07_1_One_sentence.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/16/Shih14PhD_07_2_Dialog.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/17/Shih14PhD_07_3_Singing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/22/Shih14PhD_07_4_Playing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/18/Shih14PhD_07_5_Disscussing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/20/Shih14PhD_08_Dreieckige_Beziehungen.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/21/Shih14PhD_09__RC__7_%281%29.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shih, Pei-Yu. “Portfolio.” 2014. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/5022/http://etheses.bham.ac.uk//id/eprint/5022/9/Shih14PhD_01_Film_music.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/10/Shih14PhD_02_Red_Chamber.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/11/Shih14PhD_03__F%27s_65.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/12/Shih14PhD_04_Milchstra%C3%9Fe.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/13/Shih14PhD_05_Lieder_Ohne_Wort.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/14/Shih14PhD_06__%E5%A4%9C%E8%A1%8C%E8%80%85.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/15/Shih14PhD_07_1_One_sentence.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/16/Shih14PhD_07_2_Dialog.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/17/Shih14PhD_07_3_Singing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/22/Shih14PhD_07_4_Playing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/18/Shih14PhD_07_5_Disscussing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/20/Shih14PhD_08_Dreieckige_Beziehungen.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/21/Shih14PhD_09__RC__7_%281%29.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shih, Pei-Yu. “Portfolio.” 2014. Web. 25 Aug 2019.

Vancouver:

Shih P. Portfolio. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/5022/http://etheses.bham.ac.uk//id/eprint/5022/9/Shih14PhD_01_Film_music.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/10/Shih14PhD_02_Red_Chamber.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/11/Shih14PhD_03__F%27s_65.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/12/Shih14PhD_04_Milchstra%C3%9Fe.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/13/Shih14PhD_05_Lieder_Ohne_Wort.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/14/Shih14PhD_06__%E5%A4%9C%E8%A1%8C%E8%80%85.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/15/Shih14PhD_07_1_One_sentence.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/16/Shih14PhD_07_2_Dialog.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/17/Shih14PhD_07_3_Singing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/22/Shih14PhD_07_4_Playing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/18/Shih14PhD_07_5_Disscussing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/20/Shih14PhD_08_Dreieckige_Beziehungen.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/21/Shih14PhD_09__RC__7_%281%29.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shih P. Portfolio. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5022/http://etheses.bham.ac.uk//id/eprint/5022/9/Shih14PhD_01_Film_music.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/10/Shih14PhD_02_Red_Chamber.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/11/Shih14PhD_03__F%27s_65.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/12/Shih14PhD_04_Milchstra%C3%9Fe.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/13/Shih14PhD_05_Lieder_Ohne_Wort.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/14/Shih14PhD_06__%E5%A4%9C%E8%A1%8C%E8%80%85.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/15/Shih14PhD_07_1_One_sentence.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/16/Shih14PhD_07_2_Dialog.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/17/Shih14PhD_07_3_Singing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/22/Shih14PhD_07_4_Playing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/18/Shih14PhD_07_5_Disscussing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/20/Shih14PhD_08_Dreieckige_Beziehungen.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/21/Shih14PhD_09__RC__7_%281%29.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

18. Vaughan, Stephen Benson. The influence of music on the development of the Church of God (Cleveland, Tennessee).

Degree: d_ph, College of Arts & Law, 2015, University of Birmingham

 This thesis examines the (influence) of music on the development of the Church of God (Cleveland, Tennessee). The dissertation is historically driven, but relies upon… (more)

Subjects/Keywords: BR Christianity; M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vaughan, S. B. (2015). The influence of music on the development of the Church of God (Cleveland, Tennessee). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6165/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vaughan, Stephen Benson. “The influence of music on the development of the Church of God (Cleveland, Tennessee).” 2015. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/6165/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vaughan, Stephen Benson. “The influence of music on the development of the Church of God (Cleveland, Tennessee).” 2015. Web. 25 Aug 2019.

Vancouver:

Vaughan SB. The influence of music on the development of the Church of God (Cleveland, Tennessee). [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/6165/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vaughan SB. The influence of music on the development of the Church of God (Cleveland, Tennessee). [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/6165/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

19. Poepel, Cornelius. An investigation of audio signal-driven sound synthesis with a focus on its use for bowed stringed synthesisers.

Degree: d_ph, College of Arts & Law, 2011, University of Birmingham

 This thesis proposes an alternative approach to sound synthesis. It seeks to offer traditional string players a synthesiser which will allow them to make use… (more)

Subjects/Keywords: M Music; ML Literature of music; QA75 Electronic computers. Computer science

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Poepel, C. (2011). An investigation of audio signal-driven sound synthesis with a focus on its use for bowed stringed synthesisers. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1479/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Poepel, Cornelius. “An investigation of audio signal-driven sound synthesis with a focus on its use for bowed stringed synthesisers.” 2011. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/1479/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Poepel, Cornelius. “An investigation of audio signal-driven sound synthesis with a focus on its use for bowed stringed synthesisers.” 2011. Web. 25 Aug 2019.

Vancouver:

Poepel C. An investigation of audio signal-driven sound synthesis with a focus on its use for bowed stringed synthesisers. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/1479/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Poepel C. An investigation of audio signal-driven sound synthesis with a focus on its use for bowed stringed synthesisers. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/1479/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Coull, Rosalyn. Portfolio of compositions: emotion, meaning & narrative in electroacoustic music.

Degree: d_ph, College of Arts & Law, 2015, University of Birmingham

 This thesis comprises a portfolio of acousmatic compositions which explore the evocation of emotion and the expression of meaning in electroacoustic music. These works, created… (more)

Subjects/Keywords: M Music

…Portfolio of Compositions: Emotion, Meaning & Narrative in Electroacoustic Music LIST OF… …Meaning & Narrative in Electroacoustic Music DISC TRACK LISTINGS Disc 1: • Stress Vs Piece 1… …Electroacoustic Music CHAPTER 1 INTRODUCTION The following text is a commentary documenting the… …in Electroacoustic Music directly influenced by the sound material/sources used. In order… …Away from the narrative aspects, the music would also describe a setting/ambience in stereo… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Coull, R. (2015). Portfolio of compositions: emotion, meaning & narrative in electroacoustic music. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6026/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Coull, Rosalyn. “Portfolio of compositions: emotion, meaning & narrative in electroacoustic music.” 2015. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/6026/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Coull, Rosalyn. “Portfolio of compositions: emotion, meaning & narrative in electroacoustic music.” 2015. Web. 25 Aug 2019.

Vancouver:

Coull R. Portfolio of compositions: emotion, meaning & narrative in electroacoustic music. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/6026/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Coull R. Portfolio of compositions: emotion, meaning & narrative in electroacoustic music. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/6026/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Shaw, Martyn. The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837).

Degree: d_ph, College of Arts & Law, 2014, University of Birmingham

 Charles Nicholson (1795-1837) was one of the most important figures in the evolution of the flute. His influence on the design of the Boehm flute… (more)

Subjects/Keywords: M Music

…Relating to the German Flute in England from 1729 to 1847’, DMA thesis, Eastman School of Music… …A Complete Dictionary of Music (London: Phillips, 1806), 304 2 According to… …puts us in mind of a church and of the affections suitable to that place; military music, of… …Herder (1800) for example, defines music as ‘the artful play with the tone of 5… …François-Joseph Fétis, Revue Musicale, vol.6 (1831); in Le Huray and Day, Music and… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shaw, M. (2014). The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4923/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shaw, Martyn. “The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837).” 2014. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/4923/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shaw, Martyn. “The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837).” 2014. Web. 25 Aug 2019.

Vancouver:

Shaw M. The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837). [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/4923/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shaw M. The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837). [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/4923/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Guillamat, Julien. A portfolio of electroacoustic compositions.

Degree: d_ph, College of Arts & Law, 2014, University of Birmingham

 This Portfolio is formed of 9 compositions that have been selected in order to reflect the variety of the music I write. It is a… (more)

Subjects/Keywords: M Music

…creative processes I used to create this portfolio of electroacoustic music composition… …Sawyer, 2006. 1 music composition in 2007 that I realised that I wanted to be a composer and… …I will describe what the creative process is for me – making the music. Then I will… …will speak about the process of presenting this music to the public, often as a performer… …what music composition is even though it applies to any kind of conscious composing act… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Guillamat, J. (2014). A portfolio of electroacoustic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5085/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Guillamat, Julien. “A portfolio of electroacoustic compositions.” 2014. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/5085/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Guillamat, Julien. “A portfolio of electroacoustic compositions.” 2014. Web. 25 Aug 2019.

Vancouver:

Guillamat J. A portfolio of electroacoustic compositions. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/5085/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Guillamat J. A portfolio of electroacoustic compositions. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5085/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Andrikopoulos, Dimitrios. A portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 This portfolio contains five works written for different instruments, ensembles and combinations of acoustic instruments with live electronics and fixed media, composed during the period… (more)

Subjects/Keywords: M Music

music is a continuous process of development and investigation of technical and expressive… …approaches in the art of composing music. 1 The reality of our present moment in history is that… …time, the same elements create difficulties in contemporary music creation. The dominant… …limitation. Furthermore, the large amount of music written and the information available to… …completely different principles and structural elements in my music. Studying for the last four… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Andrikopoulos, D. (2013). A portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4704/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Andrikopoulos, Dimitrios. “A portfolio of compositions.” 2013. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/4704/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Andrikopoulos, Dimitrios. “A portfolio of compositions.” 2013. Web. 25 Aug 2019.

Vancouver:

Andrikopoulos D. A portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/4704/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Andrikopoulos D. A portfolio of compositions. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4704/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Moncada, Jorge Gregorio García. Ukhu pacha and La historia de nosotros: electroacoustic music composition portfolio .

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 This composition portfolio comprises two large musical works which explore non-Western musical instruments in electroacoustic music contexts. The fututos and the maguaré, two fundamental signalling… (more)

Subjects/Keywords: M Music

…programmed in MaxMSP). LIST OF MUSIC SCORES 1. MENIZA BUINAIMA, for percussion, live… …x29;. 3. Music Scores: 3.1. Meniza Buinaima (2011) ! for percussion, live… …and fixed audio media. 4.Text 4.1.Music portfolio commentary 4.2.Appendices ix 1… …part of my PhD research in Electroacoustic Music Composition at the Music Department of the… …in making reference to pre-Hispanic cultures in 20th century music as a tool for cultural… 

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APA (6th Edition):

Moncada, J. G. G. (2013). Ukhu pacha and La historia de nosotros: electroacoustic music composition portfolio . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4867/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moncada, Jorge Gregorio García. “Ukhu pacha and La historia de nosotros: electroacoustic music composition portfolio .” 2013. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/4867/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moncada, Jorge Gregorio García. “Ukhu pacha and La historia de nosotros: electroacoustic music composition portfolio .” 2013. Web. 25 Aug 2019.

Vancouver:

Moncada JGG. Ukhu pacha and La historia de nosotros: electroacoustic music composition portfolio . [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/4867/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moncada JGG. Ukhu pacha and La historia de nosotros: electroacoustic music composition portfolio . [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4867/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Malavasi, Matteo. Portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 This text contains a short general description of my experience at the University of Birmingham. This is an attempt to communicate how my perception in… (more)

Subjects/Keywords: M Music

…was focused on the acoustic exploration of music. My interest in using electronic sounds was… …able to listen to acousmatic music with more attention. It was diffused in different contexts… …into the area of concrete music. This moved my research towards something different. This… …experience also enhanced my interest in multimedia composition. Working with acousmatic music and… …acoustic music comes from many different stimuli in terms of language and instrumentation. These… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Malavasi, M. (2013). Portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4238/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Malavasi, Matteo. “Portfolio of compositions.” 2013. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/4238/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Malavasi, Matteo. “Portfolio of compositions.” 2013. Web. 25 Aug 2019.

Vancouver:

Malavasi M. Portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/4238/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Malavasi M. Portfolio of compositions. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4238/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Cormac, Joanne. Liszt as Kapellmeister: the development of the symphonic poems on the Weimar stage.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 Little research has been carried out into Liszt’s work as Kapellmeister of the Weimar Court Theatre. The nature and extent of his duties, his involvement… (more)

Subjects/Keywords: M Music

…contains a sketch of thematic material from Orpheus. GSA 60/A4a Closing music composed by Liszt… …theatre, conducting opera and occasionally incidental music. All but one of the symphonic poems… …dramatic production, to which Liszt’s music was tailored in terms of subject matter, form, and… …generally. And it emphasises the close connection between the symphonic poem and music for the… …his music will be detailed in Chapter One. 2 Weimar’s Kapellmeister as early as 1837… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cormac, J. (2013). Liszt as Kapellmeister: the development of the symphonic poems on the Weimar stage. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3966/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cormac, Joanne. “Liszt as Kapellmeister: the development of the symphonic poems on the Weimar stage.” 2013. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/3966/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cormac, Joanne. “Liszt as Kapellmeister: the development of the symphonic poems on the Weimar stage.” 2013. Web. 25 Aug 2019.

Vancouver:

Cormac J. Liszt as Kapellmeister: the development of the symphonic poems on the Weimar stage. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/3966/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cormac J. Liszt as Kapellmeister: the development of the symphonic poems on the Weimar stage. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/3966/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Bertoglio, Chiara. Instructive editions of J. S. Bach’s “Wohltemperirtes Klavier”: an Italian perspective.

Degree: d_ph, College of Arts & Law, 2012, University of Birmingham

 This thesis defines the theoretical, sociological, historical, cultural and practical framework of “instructive editions” (IEs). The approach adopted evaluates, for the first time, the most… (more)

Subjects/Keywords: M Music

Music education 06.04. Italian music publishing 06.05. Bach editions in Italy CHAPTER SEVEN… …363 363 BIBLIOGRAPHY B.1. Music scores B.2. Literature A B C D E F G H I J K L M N O P Q R… …308 Appendix – Table 22 – Italian music education system… …ascertained, the author’s name is followed by “n.d.” (e.g. “Czerny n.d.”). - Music… …to as “Quinto [anno]”, as it normally takes place after five years of music… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bertoglio, C. (2012). Instructive editions of J. S. Bach’s “Wohltemperirtes Klavier”: an Italian perspective. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3357/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bertoglio, Chiara. “Instructive editions of J. S. Bach’s “Wohltemperirtes Klavier”: an Italian perspective.” 2012. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/3357/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bertoglio, Chiara. “Instructive editions of J. S. Bach’s “Wohltemperirtes Klavier”: an Italian perspective.” 2012. Web. 25 Aug 2019.

Vancouver:

Bertoglio C. Instructive editions of J. S. Bach’s “Wohltemperirtes Klavier”: an Italian perspective. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/3357/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bertoglio C. Instructive editions of J. S. Bach’s “Wohltemperirtes Klavier”: an Italian perspective. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3357/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Harman, Chris Paul. Studies in instrumentation and orchestration and in the recontextualisation of diatonic pitch materials (Portfolio of Compositions).

Degree: d_ph, College of Arts & Law, 2012, University of Birmingham

 The present document examines eight musical works for various instruments and ensembles, composed between 2007 and 2011. Brief summaries of each work’s program are followed… (more)

Subjects/Keywords: M Music

…own work creates a very different sound world than what one finds in the music of… …areas of study. The second chapter summarises my process for rendering diatonic music atonal… …atonal renderings of diatonic musical lines. From the purview of music theory, the assertions… …music” as opposed to “tonal music” as I cannot exclude the possibility that one or more… …otherwise labeled “atonal”. Therefore, “diatonic music” or “diatonic tonality” will refer to the… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Harman, C. P. (2012). Studies in instrumentation and orchestration and in the recontextualisation of diatonic pitch materials (Portfolio of Compositions). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3395/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harman, Chris Paul. “Studies in instrumentation and orchestration and in the recontextualisation of diatonic pitch materials (Portfolio of Compositions).” 2012. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/3395/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harman, Chris Paul. “Studies in instrumentation and orchestration and in the recontextualisation of diatonic pitch materials (Portfolio of Compositions).” 2012. Web. 25 Aug 2019.

Vancouver:

Harman CP. Studies in instrumentation and orchestration and in the recontextualisation of diatonic pitch materials (Portfolio of Compositions). [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/3395/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harman CP. Studies in instrumentation and orchestration and in the recontextualisation of diatonic pitch materials (Portfolio of Compositions). [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3395/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Baracskai, Zlatko. Composition portfolio.

Degree: d_ph, College of Arts & Law, 2011, University of Birmingham

 This is a portfolio of ten compositions composed at the Electroacoustic Music Studios at the University of Birmingham, Audio Research Lab at the Birmingham City… (more)

Subjects/Keywords: M Music

…concerned with my music, the non-verbal outlet of the mind that should stop the internal monologue… …and carry the listener along non-verbal discourse. Possibly, sound and music demonstrate… …that a contradiction does not exist, every sound and all music exists in parallel; composed… …This comes ever so close to what I try to achieve with my music. 1 Artaud, A. 1924-1937… …music and sounds. Now, nine years later the interest is drifting towards actually hearing a… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Baracskai, Z. (2011). Composition portfolio. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1739/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Baracskai, Zlatko. “Composition portfolio.” 2011. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/1739/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Baracskai, Zlatko. “Composition portfolio.” 2011. Web. 25 Aug 2019.

Vancouver:

Baracskai Z. Composition portfolio. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/1739/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baracskai Z. Composition portfolio. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/1739/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Seago, Robert. A folio of musical compositions.

Degree: d_ph, College of Arts & Law, 2012, University of Birmingham

 The folio of compositions submitted here consists of the six large-scale works that I have completed between the years 1994 and 2003. Over the course… (more)

Subjects/Keywords: M Music

…scale types) of Carnatic music theory, providing a constantly shifting harmonic… …Birmingham University New Music Ensemble in June 1996. In March of the next year the score was… …Mertens, Wim. American Minimal Music (Kahn & Averill, London 1983) Reich, Steve… …Writings on Music, 1965-2000 (Oxford University Press 2002) Osmond-Smith, David. Berio… …x28;Prentice Hall 1997) Ulehla, Ludmila. Contemporary Harmony (Advance Music 1994… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Seago, R. (2012). A folio of musical compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/2823/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Seago, Robert. “A folio of musical compositions.” 2012. Thesis, University of Birmingham. Accessed August 25, 2019. http://etheses.bham.ac.uk//id/eprint/2823/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Seago, Robert. “A folio of musical compositions.” 2012. Web. 25 Aug 2019.

Vancouver:

Seago R. A folio of musical compositions. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Aug 25]. Available from: http://etheses.bham.ac.uk//id/eprint/2823/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Seago R. A folio of musical compositions. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/2823/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2]

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