Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(Performance Ritual Performance Kunst). Showing records 1 – 30 of 31247 total matches.

[1] [2] [3] [4] [5] … [1042]

Search Limiters

Last 2 Years | English Only

Degrees

Languages

Country

▼ Search Limiters


University of Vienna

1. Weisz, Raphaela. Performative Grenzüberschreitung: Guillermo Gómez-Peña und das Ritual in der Kunst.

Degree: 2009, University of Vienna

 Diese Arbeit setzt sich mit dem Konzept der Grenze im postkolonialen Diskurs auseinander und untersucht dabei das Verhältnis von Ritual und Performance-Kunst. Am Beispiel des… (more)

Subjects/Keywords: 73.62 Kunstethnologie, Musikethnologie; Performance / Ritual / Performance-Kunst; performance / ritual / performance art

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Weisz, R. (2009). Performative Grenzüberschreitung: Guillermo Gómez-Peña und das Ritual in der Kunst. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/7295/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Weisz, Raphaela. “Performative Grenzüberschreitung: Guillermo Gómez-Peña und das Ritual in der Kunst.” 2009. Thesis, University of Vienna. Accessed January 22, 2020. http://othes.univie.ac.at/7295/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Weisz, Raphaela. “Performative Grenzüberschreitung: Guillermo Gómez-Peña und das Ritual in der Kunst.” 2009. Web. 22 Jan 2020.

Vancouver:

Weisz R. Performative Grenzüberschreitung: Guillermo Gómez-Peña und das Ritual in der Kunst. [Internet] [Thesis]. University of Vienna; 2009. [cited 2020 Jan 22]. Available from: http://othes.univie.ac.at/7295/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Weisz R. Performative Grenzüberschreitung: Guillermo Gómez-Peña und das Ritual in der Kunst. [Thesis]. University of Vienna; 2009. Available from: http://othes.univie.ac.at/7295/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Plymouth

2. Strawson, Tiffany. Embodying topeng : gender, training and intercultural encounters.

Degree: PhD, 2016, University of Plymouth

 This research centres on the Balinese performance tradition known as topeng which translates as Balinese masked dance-drama. In Bali this genre is performed traditionally in… (more)

Subjects/Keywords: 793.3; Bali. Intercultural. Masks. Training. Ritual Performance.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Strawson, T. (2016). Embodying topeng : gender, training and intercultural encounters. (Doctoral Dissertation). University of Plymouth. Retrieved from http://hdl.handle.net/10026.1/8168

Chicago Manual of Style (16th Edition):

Strawson, Tiffany. “Embodying topeng : gender, training and intercultural encounters.” 2016. Doctoral Dissertation, University of Plymouth. Accessed January 22, 2020. http://hdl.handle.net/10026.1/8168.

MLA Handbook (7th Edition):

Strawson, Tiffany. “Embodying topeng : gender, training and intercultural encounters.” 2016. Web. 22 Jan 2020.

Vancouver:

Strawson T. Embodying topeng : gender, training and intercultural encounters. [Internet] [Doctoral dissertation]. University of Plymouth; 2016. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/10026.1/8168.

Council of Science Editors:

Strawson T. Embodying topeng : gender, training and intercultural encounters. [Doctoral Dissertation]. University of Plymouth; 2016. Available from: http://hdl.handle.net/10026.1/8168


University of Edinburgh

3. Maule, Graham Alexander. Art praxis as tactical ritual process (Sacerludus: sacredgame).

Degree: PhD, 2013, University of Edinburgh

 Sacerludus, a performative (textual) art work in its own right, provides a self-reflexive ground against which to analogically consider art praxis as a tactical ritual(more)

Subjects/Keywords: 700; ritual; art; process; liminality; performance

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Maule, G. A. (2013). Art praxis as tactical ritual process (Sacerludus: sacredgame). (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/11819

Chicago Manual of Style (16th Edition):

Maule, Graham Alexander. “Art praxis as tactical ritual process (Sacerludus: sacredgame).” 2013. Doctoral Dissertation, University of Edinburgh. Accessed January 22, 2020. http://hdl.handle.net/1842/11819.

MLA Handbook (7th Edition):

Maule, Graham Alexander. “Art praxis as tactical ritual process (Sacerludus: sacredgame).” 2013. Web. 22 Jan 2020.

Vancouver:

Maule GA. Art praxis as tactical ritual process (Sacerludus: sacredgame). [Internet] [Doctoral dissertation]. University of Edinburgh; 2013. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/1842/11819.

Council of Science Editors:

Maule GA. Art praxis as tactical ritual process (Sacerludus: sacredgame). [Doctoral Dissertation]. University of Edinburgh; 2013. Available from: http://hdl.handle.net/1842/11819


Freie Universität Berlin

4. Varvantakis, Christos. Emotion, Performanz & Todesritual in der Inneren Mani.

Degree: 2014, Freie Universität Berlin

 Diese Dissertation analysiert die Wechselwirkung zwischen der Emotion, dem Todesritual und dem soziokulturellen Diskurs in Innen Mani Todesritualen und legt den Fokus auf die improvisierte… (more)

Subjects/Keywords: Emotion; Performance; Mediterranean; Ritual; Greece; 300 Sozialwissenschaften

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Varvantakis, C. (2014). Emotion, Performanz & Todesritual in der Inneren Mani. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-11757

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Varvantakis, Christos. “Emotion, Performanz & Todesritual in der Inneren Mani.” 2014. Thesis, Freie Universität Berlin. Accessed January 22, 2020. http://dx.doi.org/10.17169/refubium-11757.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Varvantakis, Christos. “Emotion, Performanz & Todesritual in der Inneren Mani.” 2014. Web. 22 Jan 2020.

Vancouver:

Varvantakis C. Emotion, Performanz & Todesritual in der Inneren Mani. [Internet] [Thesis]. Freie Universität Berlin; 2014. [cited 2020 Jan 22]. Available from: http://dx.doi.org/10.17169/refubium-11757.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Varvantakis C. Emotion, Performanz & Todesritual in der Inneren Mani. [Thesis]. Freie Universität Berlin; 2014. Available from: http://dx.doi.org/10.17169/refubium-11757

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Rio Grande do Norte

5. Sampaio, Fabricio de Sousa. As performatividades de paquera masculina: entre o Facebook e as festas eletrônicas sobralenses .

Degree: 2017, Universidade do Rio Grande do Norte

 Flirting is a selective, calculating and eroticized act. It is a search characterized by certain rituals interrelated with the intentions of the subjects, the axes… (more)

Subjects/Keywords: Paquera; Facebook; Ritual; Performance; Festas eletrônicas

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sampaio, F. d. S. (2017). As performatividades de paquera masculina: entre o Facebook e as festas eletrônicas sobralenses . (Doctoral Dissertation). Universidade do Rio Grande do Norte. Retrieved from http://repositorio.ufrn.br/handle/123456789/23507

Chicago Manual of Style (16th Edition):

Sampaio, Fabricio de Sousa. “As performatividades de paquera masculina: entre o Facebook e as festas eletrônicas sobralenses .” 2017. Doctoral Dissertation, Universidade do Rio Grande do Norte. Accessed January 22, 2020. http://repositorio.ufrn.br/handle/123456789/23507.

MLA Handbook (7th Edition):

Sampaio, Fabricio de Sousa. “As performatividades de paquera masculina: entre o Facebook e as festas eletrônicas sobralenses .” 2017. Web. 22 Jan 2020.

Vancouver:

Sampaio FdS. As performatividades de paquera masculina: entre o Facebook e as festas eletrônicas sobralenses . [Internet] [Doctoral dissertation]. Universidade do Rio Grande do Norte; 2017. [cited 2020 Jan 22]. Available from: http://repositorio.ufrn.br/handle/123456789/23507.

Council of Science Editors:

Sampaio FdS. As performatividades de paquera masculina: entre o Facebook e as festas eletrônicas sobralenses . [Doctoral Dissertation]. Universidade do Rio Grande do Norte; 2017. Available from: http://repositorio.ufrn.br/handle/123456789/23507


Australian National University

6. Pinthongvijayakul, Visisya. Performing the Isan Subject: Spirit Mediums and Ritual Embodiment in a Transitional Agrarian Society .

Degree: 2015, Australian National University

 This thesis examines spirit mediumship in Chaiyaphum, a province in northeast Thailand. It explores the subjectivity, sociality, personhood, and religiosity of Isan people in relation… (more)

Subjects/Keywords: spirit mediumship; healing ritual; body; performance; religion

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pinthongvijayakul, V. (2015). Performing the Isan Subject: Spirit Mediums and Ritual Embodiment in a Transitional Agrarian Society . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/110610

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pinthongvijayakul, Visisya. “Performing the Isan Subject: Spirit Mediums and Ritual Embodiment in a Transitional Agrarian Society .” 2015. Thesis, Australian National University. Accessed January 22, 2020. http://hdl.handle.net/1885/110610.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pinthongvijayakul, Visisya. “Performing the Isan Subject: Spirit Mediums and Ritual Embodiment in a Transitional Agrarian Society .” 2015. Web. 22 Jan 2020.

Vancouver:

Pinthongvijayakul V. Performing the Isan Subject: Spirit Mediums and Ritual Embodiment in a Transitional Agrarian Society . [Internet] [Thesis]. Australian National University; 2015. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/1885/110610.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pinthongvijayakul V. Performing the Isan Subject: Spirit Mediums and Ritual Embodiment in a Transitional Agrarian Society . [Thesis]. Australian National University; 2015. Available from: http://hdl.handle.net/1885/110610

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universitat Politècnica de València

7. Fajardo Montaño, Odette. Performance por la lejana muerte de mi padre: autoetnografía artística y descolonial desde mi cuerpo migrante.

Degree: 2019, Universitat Politècnica de València

 [ES] RESUMEN La presente investigación pretende despertar reflexiones, emociones y acciones acerca del performance como herramienta ritual ante el cruce de dos acontecimientos, la muerte… (more)

Subjects/Keywords: PERFORMANCE; MUERTE; DUELO; MIGRACIÓN; DESCOLONIZACIÓN; RITUAL

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fajardo Montaño, O. (2019). Performance por la lejana muerte de mi padre: autoetnografía artística y descolonial desde mi cuerpo migrante. (Doctoral Dissertation). Universitat Politècnica de València. Retrieved from http://hdl.handle.net/10251/118803

Chicago Manual of Style (16th Edition):

Fajardo Montaño, Odette. “Performance por la lejana muerte de mi padre: autoetnografía artística y descolonial desde mi cuerpo migrante. ” 2019. Doctoral Dissertation, Universitat Politècnica de València. Accessed January 22, 2020. http://hdl.handle.net/10251/118803.

MLA Handbook (7th Edition):

Fajardo Montaño, Odette. “Performance por la lejana muerte de mi padre: autoetnografía artística y descolonial desde mi cuerpo migrante. ” 2019. Web. 22 Jan 2020.

Vancouver:

Fajardo Montaño O. Performance por la lejana muerte de mi padre: autoetnografía artística y descolonial desde mi cuerpo migrante. [Internet] [Doctoral dissertation]. Universitat Politècnica de València; 2019. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/10251/118803.

Council of Science Editors:

Fajardo Montaño O. Performance por la lejana muerte de mi padre: autoetnografía artística y descolonial desde mi cuerpo migrante. [Doctoral Dissertation]. Universitat Politècnica de València; 2019. Available from: http://hdl.handle.net/10251/118803

8. Francisco Jander de Sousa Nogueira. A saga da beleza: um estudo das transformações corporais na experiência travesti.

Degree: 2010, Universidade Federal da Paraíba

 Este trabalho toma como foco de análise travestis que se prostituem na cidade de Fortaleza- Ce. São apresentadas narrativas sobre suas transformações corporais, experiência que… (more)

Subjects/Keywords: Travestilidade; Transformações corporais; Gênero, ritual; Performance; SOCIOLOGIA; Travestilidade; Body transformations; Gender; Ritual; Performance

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nogueira, F. J. d. S. (2010). A saga da beleza: um estudo das transformações corporais na experiência travesti. (Thesis). Universidade Federal da Paraíba. Retrieved from http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=913 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=912

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nogueira, Francisco Jander de Sousa. “A saga da beleza: um estudo das transformações corporais na experiência travesti.” 2010. Thesis, Universidade Federal da Paraíba. Accessed January 22, 2020. http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=913 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=912.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nogueira, Francisco Jander de Sousa. “A saga da beleza: um estudo das transformações corporais na experiência travesti.” 2010. Web. 22 Jan 2020.

Vancouver:

Nogueira FJdS. A saga da beleza: um estudo das transformações corporais na experiência travesti. [Internet] [Thesis]. Universidade Federal da Paraíba; 2010. [cited 2020 Jan 22]. Available from: http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=913 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=912.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nogueira FJdS. A saga da beleza: um estudo das transformações corporais na experiência travesti. [Thesis]. Universidade Federal da Paraíba; 2010. Available from: http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=913 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=912

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Rio Grande do Sul

9. Dal Bello, Márcia Moura Cordeiro Pessoa. Performances docentes : um estudo a partir da prática de professores de teatro.

Degree: 2013, Universidade do Rio Grande do Sul

Este texto apresenta uma investigação que procura compreender as singularidades da prática docente de um grupo de dez professores de teatro, os quais parecem conduzir… (more)

Subjects/Keywords: Theater pedagogy; Pedagogia teatral; Performance; Teaching performance; Professor; Ritual; Corpo; Body

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dal Bello, M. M. C. P. (2013). Performances docentes : um estudo a partir da prática de professores de teatro. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/85184

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dal Bello, Márcia Moura Cordeiro Pessoa. “Performances docentes : um estudo a partir da prática de professores de teatro.” 2013. Thesis, Universidade do Rio Grande do Sul. Accessed January 22, 2020. http://hdl.handle.net/10183/85184.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dal Bello, Márcia Moura Cordeiro Pessoa. “Performances docentes : um estudo a partir da prática de professores de teatro.” 2013. Web. 22 Jan 2020.

Vancouver:

Dal Bello MMCP. Performances docentes : um estudo a partir da prática de professores de teatro. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2013. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/10183/85184.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dal Bello MMCP. Performances docentes : um estudo a partir da prática de professores de teatro. [Thesis]. Universidade do Rio Grande do Sul; 2013. Available from: http://hdl.handle.net/10183/85184

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Baylor University

10. [No author]. Church music through the lens of performance : the embodied ritual of sacred play.

Degree: 2018, Baylor University

 Scholars who address religious music making in general, and Christian church music in particular, use “performance” in a variety of ways and under varying constellations… (more)

Subjects/Keywords: Church music. Performance. Performance studies. Embodiment. Ritual. Liturgy. Music.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

author], [. (2018). Church music through the lens of performance : the embodied ritual of sacred play. (Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/10451

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Church music through the lens of performance : the embodied ritual of sacred play. ” 2018. Thesis, Baylor University. Accessed January 22, 2020. http://hdl.handle.net/2104/10451.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Church music through the lens of performance : the embodied ritual of sacred play. ” 2018. Web. 22 Jan 2020.

Vancouver:

author] [. Church music through the lens of performance : the embodied ritual of sacred play. [Internet] [Thesis]. Baylor University; 2018. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/2104/10451.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Church music through the lens of performance : the embodied ritual of sacred play. [Thesis]. Baylor University; 2018. Available from: http://hdl.handle.net/2104/10451

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Almeida, Lina Duarte Frade. Criação de espaços e contextos artísticos para a promoção da leitura a procissão dos livros.

Degree: 2014, Instituto Politécnico de Viseu, Escola Superior de Educação de Viseu

Este projeto apoia-se nas formalidades do ritual com o objetivo de criar espaços e contextos artísticos, destinados a captar a atenção para a importância da… (more)

Subjects/Keywords: Animação artística; Instalação; Livro; Ritual; Performance; Artistic animation; Installation; Book; Performance

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Almeida, L. D. F. (2014). Criação de espaços e contextos artísticos para a promoção da leitura a procissão dos livros. (Thesis). Instituto Politécnico de Viseu, Escola Superior de Educação de Viseu. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipv.pt:10400.19/2358

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Almeida, Lina Duarte Frade. “Criação de espaços e contextos artísticos para a promoção da leitura a procissão dos livros.” 2014. Thesis, Instituto Politécnico de Viseu, Escola Superior de Educação de Viseu. Accessed January 22, 2020. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipv.pt:10400.19/2358.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Almeida, Lina Duarte Frade. “Criação de espaços e contextos artísticos para a promoção da leitura a procissão dos livros.” 2014. Web. 22 Jan 2020.

Vancouver:

Almeida LDF. Criação de espaços e contextos artísticos para a promoção da leitura a procissão dos livros. [Internet] [Thesis]. Instituto Politécnico de Viseu, Escola Superior de Educação de Viseu; 2014. [cited 2020 Jan 22]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipv.pt:10400.19/2358.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Almeida LDF. Criação de espaços e contextos artísticos para a promoção da leitura a procissão dos livros. [Thesis]. Instituto Politécnico de Viseu, Escola Superior de Educação de Viseu; 2014. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipv.pt:10400.19/2358

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Brandenburg, Rachel Lynn. Ceremonials: A Reclamation of the Witch Through Devised Ritual Theatre.

Degree: MA, Theatre, 2019, Miami University

 Rituals have been used throughout history as a way to process change and emotion. In the modern day, people are beginning to turn away from… (more)

Subjects/Keywords: Theater; theatre; performance; devised theatre; witch; witchcraft; ritual; religion; spirituality; feminism; collective creation; devising; devised performance; witch trials; ritual theatre; feminist spirituality; ritual performance; theater

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brandenburg, R. L. (2019). Ceremonials: A Reclamation of the Witch Through Devised Ritual Theatre. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1556854180665756

Chicago Manual of Style (16th Edition):

Brandenburg, Rachel Lynn. “Ceremonials: A Reclamation of the Witch Through Devised Ritual Theatre.” 2019. Masters Thesis, Miami University. Accessed January 22, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=miami1556854180665756.

MLA Handbook (7th Edition):

Brandenburg, Rachel Lynn. “Ceremonials: A Reclamation of the Witch Through Devised Ritual Theatre.” 2019. Web. 22 Jan 2020.

Vancouver:

Brandenburg RL. Ceremonials: A Reclamation of the Witch Through Devised Ritual Theatre. [Internet] [Masters thesis]. Miami University; 2019. [cited 2020 Jan 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1556854180665756.

Council of Science Editors:

Brandenburg RL. Ceremonials: A Reclamation of the Witch Through Devised Ritual Theatre. [Masters Thesis]. Miami University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1556854180665756


University of New Mexico

13. Garcia, Dolores. Because We Have To: Flamenco as Survival Strategy against Detrimental Effects of Post- Traumatic Stress Disorder.

Degree: Theatre & Dance, 2017, University of New Mexico

  Can daily practice in flamenco training help mediate the effects of Post Traumatic Stress Disorder (PTSD) on the brain and body? This thesis focuses… (more)

Subjects/Keywords: PTSD; flamenco; trauma; ritual; transmission; brain; Dance; Other Theatre and Performance Studies; Performance Studies

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Garcia, D. (2017). Because We Have To: Flamenco as Survival Strategy against Detrimental Effects of Post- Traumatic Stress Disorder. (Masters Thesis). University of New Mexico. Retrieved from https://digitalrepository.unm.edu/thea_etds/43

Chicago Manual of Style (16th Edition):

Garcia, Dolores. “Because We Have To: Flamenco as Survival Strategy against Detrimental Effects of Post- Traumatic Stress Disorder.” 2017. Masters Thesis, University of New Mexico. Accessed January 22, 2020. https://digitalrepository.unm.edu/thea_etds/43.

MLA Handbook (7th Edition):

Garcia, Dolores. “Because We Have To: Flamenco as Survival Strategy against Detrimental Effects of Post- Traumatic Stress Disorder.” 2017. Web. 22 Jan 2020.

Vancouver:

Garcia D. Because We Have To: Flamenco as Survival Strategy against Detrimental Effects of Post- Traumatic Stress Disorder. [Internet] [Masters thesis]. University of New Mexico; 2017. [cited 2020 Jan 22]. Available from: https://digitalrepository.unm.edu/thea_etds/43.

Council of Science Editors:

Garcia D. Because We Have To: Flamenco as Survival Strategy against Detrimental Effects of Post- Traumatic Stress Disorder. [Masters Thesis]. University of New Mexico; 2017. Available from: https://digitalrepository.unm.edu/thea_etds/43


National University of Ireland – Galway

14. Barre, Nelson. Acting is believing: ritual, memory, and performance in the plays of Enda Walsh .

Degree: 2016, National University of Ireland – Galway

 In this research, I examine the relationship between ritual, memory, and performance and contemporary theatrical creation methods, specifically with reference to the works of Enda… (more)

Subjects/Keywords: Enda Walsh; Ritual; Memory; Performance; Practice-as-research; English; Drama; Theatre; Performance

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barre, N. (2016). Acting is believing: ritual, memory, and performance in the plays of Enda Walsh . (Thesis). National University of Ireland – Galway. Retrieved from http://hdl.handle.net/10379/6069

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barre, Nelson. “Acting is believing: ritual, memory, and performance in the plays of Enda Walsh .” 2016. Thesis, National University of Ireland – Galway. Accessed January 22, 2020. http://hdl.handle.net/10379/6069.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barre, Nelson. “Acting is believing: ritual, memory, and performance in the plays of Enda Walsh .” 2016. Web. 22 Jan 2020.

Vancouver:

Barre N. Acting is believing: ritual, memory, and performance in the plays of Enda Walsh . [Internet] [Thesis]. National University of Ireland – Galway; 2016. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/10379/6069.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barre N. Acting is believing: ritual, memory, and performance in the plays of Enda Walsh . [Thesis]. National University of Ireland – Galway; 2016. Available from: http://hdl.handle.net/10379/6069

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

15. Barão, Adriana de Carvalho. A performance ritual da "roda de capoeira" .

Degree: 1999, Universidade Estadual de Campinas

 Resumo: Esta dissertação tem como principal objetivo discutir o percurso criativo para que se abram possibilidades de interpretação artística, a partir da linguagem da performance(more)

Subjects/Keywords: Capoeira; Performance (Arte); Ritual; Criatividade

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barão, A. d. C. (1999). A performance ritual da "roda de capoeira" . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/284285

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barão, Adriana de Carvalho. “A performance ritual da "roda de capoeira" .” 1999. Thesis, Universidade Estadual de Campinas. Accessed January 22, 2020. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284285.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barão, Adriana de Carvalho. “A performance ritual da "roda de capoeira" .” 1999. Web. 22 Jan 2020.

Vancouver:

Barão AdC. A performance ritual da "roda de capoeira" . [Internet] [Thesis]. Universidade Estadual de Campinas; 1999. [cited 2020 Jan 22]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284285.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barão AdC. A performance ritual da "roda de capoeira" . [Thesis]. Universidade Estadual de Campinas; 1999. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284285

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

16. Santana, Isabella Oliveira. Campos do terror contemporaneo (res)significados no topos da performance art .

Degree: 2009, Universidade Estadual de Campinas

 Resumo: Este trabalho de caráter teórico-prático na área da performance art, tem como escopo (res)significar estudos realizados acerca de notícias e imagens de terror veiculadas… (more)

Subjects/Keywords: Performance (Arte); Meios de comunicação de massa; Terror; Ritual

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Santana, I. O. (2009). Campos do terror contemporaneo (res)significados no topos da performance art . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/284048

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Santana, Isabella Oliveira. “Campos do terror contemporaneo (res)significados no topos da performance art .” 2009. Thesis, Universidade Estadual de Campinas. Accessed January 22, 2020. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284048.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Santana, Isabella Oliveira. “Campos do terror contemporaneo (res)significados no topos da performance art .” 2009. Web. 22 Jan 2020.

Vancouver:

Santana IO. Campos do terror contemporaneo (res)significados no topos da performance art . [Internet] [Thesis]. Universidade Estadual de Campinas; 2009. [cited 2020 Jan 22]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284048.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Santana IO. Campos do terror contemporaneo (res)significados no topos da performance art . [Thesis]. Universidade Estadual de Campinas; 2009. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284048

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Exeter

17. Chamchoy, Paveena. The efficacies of trance-possession ritual performances in contemporary Thai Theravada Buddhism.

Degree: PhD, 2013, University of Exeter

 This thesis is a study of the contemporary forms of trance-possession rituals performed in Thai Buddhism. It explores the way in which the trance-possession rituals… (more)

Subjects/Keywords: 294.3; Performance Studies; Drama; Thai Culture; Ritual; Applied Drama; Thai Buddism

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chamchoy, P. (2013). The efficacies of trance-possession ritual performances in contemporary Thai Theravada Buddhism. (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10871/15758

Chicago Manual of Style (16th Edition):

Chamchoy, Paveena. “The efficacies of trance-possession ritual performances in contemporary Thai Theravada Buddhism.” 2013. Doctoral Dissertation, University of Exeter. Accessed January 22, 2020. http://hdl.handle.net/10871/15758.

MLA Handbook (7th Edition):

Chamchoy, Paveena. “The efficacies of trance-possession ritual performances in contemporary Thai Theravada Buddhism.” 2013. Web. 22 Jan 2020.

Vancouver:

Chamchoy P. The efficacies of trance-possession ritual performances in contemporary Thai Theravada Buddhism. [Internet] [Doctoral dissertation]. University of Exeter; 2013. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/10871/15758.

Council of Science Editors:

Chamchoy P. The efficacies of trance-possession ritual performances in contemporary Thai Theravada Buddhism. [Doctoral Dissertation]. University of Exeter; 2013. Available from: http://hdl.handle.net/10871/15758


Universidade Federal da Bahia

18. Sandra Trindade Mascarenhas. Okutá orun iná otá! o fogo transatlântico do encontro de xangô com a dança do bugarabu.

Degree: 2007, Universidade Federal da Bahia

O cruzamento que identifiquei entre as duas manifestações dançantes, o Xangô e o Bugarabu, atuou como impulso, ou melhor, como fogo para a composição do… (more)

Subjects/Keywords: Dança; etnografia; performance; xangô; bugarabu, Fogo, Transculturalidade, Ritual.; TEATRO

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mascarenhas, S. T. (2007). Okutá orun iná otá! o fogo transatlântico do encontro de xangô com a dança do bugarabu. (Thesis). Universidade Federal da Bahia. Retrieved from http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=2275 ; http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=2276

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mascarenhas, Sandra Trindade. “Okutá orun iná otá! o fogo transatlântico do encontro de xangô com a dança do bugarabu.” 2007. Thesis, Universidade Federal da Bahia. Accessed January 22, 2020. http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=2275 ; http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=2276.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mascarenhas, Sandra Trindade. “Okutá orun iná otá! o fogo transatlântico do encontro de xangô com a dança do bugarabu.” 2007. Web. 22 Jan 2020.

Vancouver:

Mascarenhas ST. Okutá orun iná otá! o fogo transatlântico do encontro de xangô com a dança do bugarabu. [Internet] [Thesis]. Universidade Federal da Bahia; 2007. [cited 2020 Jan 22]. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=2275 ; http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=2276.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mascarenhas ST. Okutá orun iná otá! o fogo transatlântico do encontro de xangô com a dança do bugarabu. [Thesis]. Universidade Federal da Bahia; 2007. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=2275 ; http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=2276

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

19. Robertson, K. The artist as anthropologist.

Degree: 2012, RMIT University

 This research project explores the role of the artist as anthropologist and reflects the connection between rituals and earth-based community activities. The outcome of this… (more)

Subjects/Keywords: Fields of Research; Anthropology; ConFest; community; performance; ritual; documentation; spiritual; artifacts

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Robertson, K. (2012). The artist as anthropologist. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:160387

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Robertson, K. “The artist as anthropologist.” 2012. Thesis, RMIT University. Accessed January 22, 2020. http://researchbank.rmit.edu.au/view/rmit:160387.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Robertson, K. “The artist as anthropologist.” 2012. Web. 22 Jan 2020.

Vancouver:

Robertson K. The artist as anthropologist. [Internet] [Thesis]. RMIT University; 2012. [cited 2020 Jan 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:160387.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Robertson K. The artist as anthropologist. [Thesis]. RMIT University; 2012. Available from: http://researchbank.rmit.edu.au/view/rmit:160387

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oregon

20. Parker, Deborah. THE MAKING OF A PRINCESS: THE ROLE OF RITUAL IN CREATING COMMUNITY AND IDENTITY IN THE SOCIETY FOR CREATIVE ANACHRONISM.

Degree: 2018, University of Oregon

 Every weekend in the Society for Creative Anachronism, people from the far reaches of the globe leave behind the structures of their everyday lives, dress… (more)

Subjects/Keywords: Auto-ethnography; Dress; Identity & Community; Performance; Ritual; SCA

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Parker, D. (2018). THE MAKING OF A PRINCESS: THE ROLE OF RITUAL IN CREATING COMMUNITY AND IDENTITY IN THE SOCIETY FOR CREATIVE ANACHRONISM. (Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/23132

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Parker, Deborah. “THE MAKING OF A PRINCESS: THE ROLE OF RITUAL IN CREATING COMMUNITY AND IDENTITY IN THE SOCIETY FOR CREATIVE ANACHRONISM.” 2018. Thesis, University of Oregon. Accessed January 22, 2020. http://hdl.handle.net/1794/23132.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Parker, Deborah. “THE MAKING OF A PRINCESS: THE ROLE OF RITUAL IN CREATING COMMUNITY AND IDENTITY IN THE SOCIETY FOR CREATIVE ANACHRONISM.” 2018. Web. 22 Jan 2020.

Vancouver:

Parker D. THE MAKING OF A PRINCESS: THE ROLE OF RITUAL IN CREATING COMMUNITY AND IDENTITY IN THE SOCIETY FOR CREATIVE ANACHRONISM. [Internet] [Thesis]. University of Oregon; 2018. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/1794/23132.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Parker D. THE MAKING OF A PRINCESS: THE ROLE OF RITUAL IN CREATING COMMUNITY AND IDENTITY IN THE SOCIETY FOR CREATIVE ANACHRONISM. [Thesis]. University of Oregon; 2018. Available from: http://hdl.handle.net/1794/23132

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Nova

21. Monteiro, Rui Manuel Vieira. Ciudades paralelas, políticas e poéticas teatrais: interações entre as vanguardas teatrais Europeias e Latino-Americanas.

Degree: 2013, Universidade Nova

Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Línguas, Literaturas e Culturas, área de especialização em Estudos Ibéricos e Ibero-Americanos

Subjects/Keywords: Performance; Ritual; Teatro; Teatro documental; Europa; America Latina; Teoria literária

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Monteiro, R. M. V. (2013). Ciudades paralelas, políticas e poéticas teatrais: interações entre as vanguardas teatrais Europeias e Latino-Americanas. (Thesis). Universidade Nova. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/10638

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Monteiro, Rui Manuel Vieira. “Ciudades paralelas, políticas e poéticas teatrais: interações entre as vanguardas teatrais Europeias e Latino-Americanas.” 2013. Thesis, Universidade Nova. Accessed January 22, 2020. http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/10638.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Monteiro, Rui Manuel Vieira. “Ciudades paralelas, políticas e poéticas teatrais: interações entre as vanguardas teatrais Europeias e Latino-Americanas.” 2013. Web. 22 Jan 2020.

Vancouver:

Monteiro RMV. Ciudades paralelas, políticas e poéticas teatrais: interações entre as vanguardas teatrais Europeias e Latino-Americanas. [Internet] [Thesis]. Universidade Nova; 2013. [cited 2020 Jan 22]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/10638.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Monteiro RMV. Ciudades paralelas, políticas e poéticas teatrais: interações entre as vanguardas teatrais Europeias e Latino-Americanas. [Thesis]. Universidade Nova; 2013. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/10638

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

22. Tsukamoto, Kenichiro. Politics in Plazas: Classic Maya Ritual Performance at El Palmar, Campeche, Mexico .

Degree: 2014, University of Arizona

 This dissertation research examines the political significance of plazas in ancient Maya society from the Late Preclassic period through the Terminal Classic period (ca. 150… (more)

Subjects/Keywords: Maya; Mesoamerica; Plaza; Power; Ritual Performance; Ideology; Anthropology

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tsukamoto, K. (2014). Politics in Plazas: Classic Maya Ritual Performance at El Palmar, Campeche, Mexico . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/339054

Chicago Manual of Style (16th Edition):

Tsukamoto, Kenichiro. “Politics in Plazas: Classic Maya Ritual Performance at El Palmar, Campeche, Mexico .” 2014. Doctoral Dissertation, University of Arizona. Accessed January 22, 2020. http://hdl.handle.net/10150/339054.

MLA Handbook (7th Edition):

Tsukamoto, Kenichiro. “Politics in Plazas: Classic Maya Ritual Performance at El Palmar, Campeche, Mexico .” 2014. Web. 22 Jan 2020.

Vancouver:

Tsukamoto K. Politics in Plazas: Classic Maya Ritual Performance at El Palmar, Campeche, Mexico . [Internet] [Doctoral dissertation]. University of Arizona; 2014. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/10150/339054.

Council of Science Editors:

Tsukamoto K. Politics in Plazas: Classic Maya Ritual Performance at El Palmar, Campeche, Mexico . [Doctoral Dissertation]. University of Arizona; 2014. Available from: http://hdl.handle.net/10150/339054


Universidade Estadual de Campinas

23. Nespoli, Eduardo. Performance, corpo e tecnologia : operações rituais e percepção .

Degree: 2009, Universidade Estadual de Campinas

 Resumo: Este trabalho foi realizado a partir de dois olhares: de um lado, o olhar que busca uma poética de criação, localizada no domínio da… (more)

Subjects/Keywords: Performance (Arte); Música; Ritual; Xamanismo; Instalações (Arte); Percepção

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nespoli, E. (2009). Performance, corpo e tecnologia : operações rituais e percepção . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/284070

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nespoli, Eduardo. “Performance, corpo e tecnologia : operações rituais e percepção .” 2009. Thesis, Universidade Estadual de Campinas. Accessed January 22, 2020. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284070.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nespoli, Eduardo. “Performance, corpo e tecnologia : operações rituais e percepção .” 2009. Web. 22 Jan 2020.

Vancouver:

Nespoli E. Performance, corpo e tecnologia : operações rituais e percepção . [Internet] [Thesis]. Universidade Estadual de Campinas; 2009. [cited 2020 Jan 22]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284070.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nespoli E. Performance, corpo e tecnologia : operações rituais e percepção . [Thesis]. Universidade Estadual de Campinas; 2009. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284070

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

24. Esfandiary, Rana. Otherwise, The Gap: Performing Identities in Iranian Contemporary Art and Performance.

Degree: PhD, Theatre, 2018, University of Kansas

 Otherwise, the Gap: Performing Identities in Iranian Contemporary Art and Performance explores the intersections between race, performance, and politics within and without the so-called Middle… (more)

Subjects/Keywords: Theater; Performing arts; Gender studies; Middle East; Performance; Race; Ritual

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Esfandiary, R. (2018). Otherwise, The Gap: Performing Identities in Iranian Contemporary Art and Performance. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/27880

Chicago Manual of Style (16th Edition):

Esfandiary, Rana. “Otherwise, The Gap: Performing Identities in Iranian Contemporary Art and Performance.” 2018. Doctoral Dissertation, University of Kansas. Accessed January 22, 2020. http://hdl.handle.net/1808/27880.

MLA Handbook (7th Edition):

Esfandiary, Rana. “Otherwise, The Gap: Performing Identities in Iranian Contemporary Art and Performance.” 2018. Web. 22 Jan 2020.

Vancouver:

Esfandiary R. Otherwise, The Gap: Performing Identities in Iranian Contemporary Art and Performance. [Internet] [Doctoral dissertation]. University of Kansas; 2018. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/1808/27880.

Council of Science Editors:

Esfandiary R. Otherwise, The Gap: Performing Identities in Iranian Contemporary Art and Performance. [Doctoral Dissertation]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/27880


University of Limerick

25. [No author]. The goddess dances beyond time: an exploration of continuity through change in contemporary Japanese ritual, with specific reference to the miko mai shinji.

Degree: Irish World Academy of Music and Dance, 2010, University of Limerick

Ritual performance is a characteristic of contemporary Japanese life. Some of rituals originated more than a 1000 years ago, while the origins of others are… (more)

Subjects/Keywords: ritual performance; Japan; music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

author], [. (2010). The goddess dances beyond time: an exploration of continuity through change in contemporary Japanese ritual, with specific reference to the miko mai shinji. (Thesis). University of Limerick. Retrieved from http://hdl.handle.net/10344/423

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “The goddess dances beyond time: an exploration of continuity through change in contemporary Japanese ritual, with specific reference to the miko mai shinji.” 2010. Thesis, University of Limerick. Accessed January 22, 2020. http://hdl.handle.net/10344/423.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “The goddess dances beyond time: an exploration of continuity through change in contemporary Japanese ritual, with specific reference to the miko mai shinji.” 2010. Web. 22 Jan 2020.

Vancouver:

author] [. The goddess dances beyond time: an exploration of continuity through change in contemporary Japanese ritual, with specific reference to the miko mai shinji. [Internet] [Thesis]. University of Limerick; 2010. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/10344/423.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. The goddess dances beyond time: an exploration of continuity through change in contemporary Japanese ritual, with specific reference to the miko mai shinji. [Thesis]. University of Limerick; 2010. Available from: http://hdl.handle.net/10344/423

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vienna

26. Lust, Markus. "It's still real to me, damn it!".

Degree: 2010, University of Vienna

Die vorliegende Diplomarbeit widmet sich der Frage „Was ist Wrestling?“ mittels phänomenologischer Analyse seiner ontologisch konstitutiven Paradigmen und versucht, im inhaltsanalytischen, teilnehmend beobachtenden Diskurs Wesensmerkmale… (more)

Subjects/Keywords: 24.15 Tanzkunst, Bewegungskunst; 24.25 Varieté, Zirkus; 24.12 Regie, Dramaturgie; 21.98 Mediale Kunst; 76.18 Kraftsport, Kampfsport; Wrestling / Performance / Cultureal Performance / WWE / Fantum / Videoanalyse; wrestling / performance / cultureal performance / WWE / fandom / video analysis

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lust, M. (2010). "It's still real to me, damn it!". (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/10291/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lust, Markus. “"It's still real to me, damn it!".” 2010. Thesis, University of Vienna. Accessed January 22, 2020. http://othes.univie.ac.at/10291/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lust, Markus. “"It's still real to me, damn it!".” 2010. Web. 22 Jan 2020.

Vancouver:

Lust M. "It's still real to me, damn it!". [Internet] [Thesis]. University of Vienna; 2010. [cited 2020 Jan 22]. Available from: http://othes.univie.ac.at/10291/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lust M. "It's still real to me, damn it!". [Thesis]. University of Vienna; 2010. Available from: http://othes.univie.ac.at/10291/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Delft University of Technology

27. Smidihen, H. South Works Performance Center:.

Degree: 2014, Delft University of Technology

 The Graduation Studio Chicago deals with former US steel site, an emptied industrial lot of 2.4 sqkm at South Side of Chicago. The first part… (more)

Subjects/Keywords: performance

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smidihen, H. (2014). South Works Performance Center:. (Masters Thesis). Delft University of Technology. Retrieved from http://resolver.tudelft.nl/uuid:d0d1bef9-cb79-4699-a027-995211674d1d

Chicago Manual of Style (16th Edition):

Smidihen, H. “South Works Performance Center:.” 2014. Masters Thesis, Delft University of Technology. Accessed January 22, 2020. http://resolver.tudelft.nl/uuid:d0d1bef9-cb79-4699-a027-995211674d1d.

MLA Handbook (7th Edition):

Smidihen, H. “South Works Performance Center:.” 2014. Web. 22 Jan 2020.

Vancouver:

Smidihen H. South Works Performance Center:. [Internet] [Masters thesis]. Delft University of Technology; 2014. [cited 2020 Jan 22]. Available from: http://resolver.tudelft.nl/uuid:d0d1bef9-cb79-4699-a027-995211674d1d.

Council of Science Editors:

Smidihen H. South Works Performance Center:. [Masters Thesis]. Delft University of Technology; 2014. Available from: http://resolver.tudelft.nl/uuid:d0d1bef9-cb79-4699-a027-995211674d1d


University of Cape Town

28. Pietersen, Inge Kim. A structured teaching approach to extended flute techniques at pre-tertiary level.

Degree: Image, College of Music, 2010, University of Cape Town

This research explores extended flute techniques and arrives at a suggested structured teaching approach to these techniques at pre-tertiary level. The views of extended flute technique specialists have been collected to help set up lesson plans and resource lists for the contemporary teacher.

Subjects/Keywords: Performance

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pietersen, I. K. (2010). A structured teaching approach to extended flute techniques at pre-tertiary level. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/11717

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pietersen, Inge Kim. “A structured teaching approach to extended flute techniques at pre-tertiary level.” 2010. Thesis, University of Cape Town. Accessed January 22, 2020. http://hdl.handle.net/11427/11717.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pietersen, Inge Kim. “A structured teaching approach to extended flute techniques at pre-tertiary level.” 2010. Web. 22 Jan 2020.

Vancouver:

Pietersen IK. A structured teaching approach to extended flute techniques at pre-tertiary level. [Internet] [Thesis]. University of Cape Town; 2010. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/11427/11717.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pietersen IK. A structured teaching approach to extended flute techniques at pre-tertiary level. [Thesis]. University of Cape Town; 2010. Available from: http://hdl.handle.net/11427/11717

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Garg, Kamini. INDIGO: a generalized model and framework for performance prediction of data dissemination.

Degree: 2017, Università della Svizzera italiana

 According to recent studies, an enormous rise in location-based mobile services is expected in future. People are interested in getting and acting on the localized… (more)

Subjects/Keywords: Performance

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Garg, K. (2017). INDIGO: a generalized model and framework for performance prediction of data dissemination. (Thesis). Università della Svizzera italiana. Retrieved from http://doc.rero.ch/record/288319

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Garg, Kamini. “INDIGO: a generalized model and framework for performance prediction of data dissemination.” 2017. Thesis, Università della Svizzera italiana. Accessed January 22, 2020. http://doc.rero.ch/record/288319.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Garg, Kamini. “INDIGO: a generalized model and framework for performance prediction of data dissemination.” 2017. Web. 22 Jan 2020.

Vancouver:

Garg K. INDIGO: a generalized model and framework for performance prediction of data dissemination. [Internet] [Thesis]. Università della Svizzera italiana; 2017. [cited 2020 Jan 22]. Available from: http://doc.rero.ch/record/288319.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Garg K. INDIGO: a generalized model and framework for performance prediction of data dissemination. [Thesis]. Università della Svizzera italiana; 2017. Available from: http://doc.rero.ch/record/288319

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

30. Witulski, Christopher James. "Because the People Will Like It" The Changing Gnawa Ritual in Morocco.

Degree: PhD, Music, 2014, University of Florida

 The music and ritual of the Gnawa in Morocco draws its syncretic roots and identity from both the sub-Saharan population brought to Morocco through the… (more)

Subjects/Keywords: Ceremonies; Fezzes; Musical aesthetics; Musical performance; Musical rhythm; Musicians; Performing artists; Popular music; Ritual music; Rituals; africa  – ethnomusicology  – islam  – music  – ritual

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Witulski, C. J. (2014). "Because the People Will Like It" The Changing Gnawa Ritual in Morocco. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0046577

Chicago Manual of Style (16th Edition):

Witulski, Christopher James. “"Because the People Will Like It" The Changing Gnawa Ritual in Morocco.” 2014. Doctoral Dissertation, University of Florida. Accessed January 22, 2020. http://ufdc.ufl.edu/UFE0046577.

MLA Handbook (7th Edition):

Witulski, Christopher James. “"Because the People Will Like It" The Changing Gnawa Ritual in Morocco.” 2014. Web. 22 Jan 2020.

Vancouver:

Witulski CJ. "Because the People Will Like It" The Changing Gnawa Ritual in Morocco. [Internet] [Doctoral dissertation]. University of Florida; 2014. [cited 2020 Jan 22]. Available from: http://ufdc.ufl.edu/UFE0046577.

Council of Science Editors:

Witulski CJ. "Because the People Will Like It" The Changing Gnawa Ritual in Morocco. [Doctoral Dissertation]. University of Florida; 2014. Available from: http://ufdc.ufl.edu/UFE0046577

[1] [2] [3] [4] [5] … [1042]

.