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You searched for subject:(Percussion). Showing records 1 – 30 of 422 total matches.

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University of Georgia

1. Smith, Ryan McAllister. An annotated bibliography of Australian percussion ensemble works for 4-6 players composed from 1970 to the present.

Degree: DMA, Music, 2010, University of Georgia

 The purpose of this study is to provide information an annotated bibliography of Australian works for percussion ensemble for 4-6 players composed from 1970 to… (more)

Subjects/Keywords: Percussion

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smith, R. M. (2010). An annotated bibliography of Australian percussion ensemble works for 4-6 players composed from 1970 to the present. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/smith_ryan_m_201008_dma

Chicago Manual of Style (16th Edition):

Smith, Ryan McAllister. “An annotated bibliography of Australian percussion ensemble works for 4-6 players composed from 1970 to the present.” 2010. Doctoral Dissertation, University of Georgia. Accessed June 16, 2019. http://purl.galileo.usg.edu/uga_etd/smith_ryan_m_201008_dma.

MLA Handbook (7th Edition):

Smith, Ryan McAllister. “An annotated bibliography of Australian percussion ensemble works for 4-6 players composed from 1970 to the present.” 2010. Web. 16 Jun 2019.

Vancouver:

Smith RM. An annotated bibliography of Australian percussion ensemble works for 4-6 players composed from 1970 to the present. [Internet] [Doctoral dissertation]. University of Georgia; 2010. [cited 2019 Jun 16]. Available from: http://purl.galileo.usg.edu/uga_etd/smith_ryan_m_201008_dma.

Council of Science Editors:

Smith RM. An annotated bibliography of Australian percussion ensemble works for 4-6 players composed from 1970 to the present. [Doctoral Dissertation]. University of Georgia; 2010. Available from: http://purl.galileo.usg.edu/uga_etd/smith_ryan_m_201008_dma


University of Oklahoma

2. Knight, Joshua. Trends and Developments in Thirty Prominent Snare Drum Method Books Published in the United States from 1935 to 2008 with a Review of Selected Material.

Degree: DMA, 2014, University of Oklahoma

 This document examines thirty prominent snare drum method books published between 1935 and 2008 in the United States. A review of each method book is… (more)

Subjects/Keywords: Percussion

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APA (6th Edition):

Knight, J. (2014). Trends and Developments in Thirty Prominent Snare Drum Method Books Published in the United States from 1935 to 2008 with a Review of Selected Material. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/10407

Chicago Manual of Style (16th Edition):

Knight, Joshua. “Trends and Developments in Thirty Prominent Snare Drum Method Books Published in the United States from 1935 to 2008 with a Review of Selected Material.” 2014. Doctoral Dissertation, University of Oklahoma. Accessed June 16, 2019. http://hdl.handle.net/11244/10407.

MLA Handbook (7th Edition):

Knight, Joshua. “Trends and Developments in Thirty Prominent Snare Drum Method Books Published in the United States from 1935 to 2008 with a Review of Selected Material.” 2014. Web. 16 Jun 2019.

Vancouver:

Knight J. Trends and Developments in Thirty Prominent Snare Drum Method Books Published in the United States from 1935 to 2008 with a Review of Selected Material. [Internet] [Doctoral dissertation]. University of Oklahoma; 2014. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/11244/10407.

Council of Science Editors:

Knight J. Trends and Developments in Thirty Prominent Snare Drum Method Books Published in the United States from 1935 to 2008 with a Review of Selected Material. [Doctoral Dissertation]. University of Oklahoma; 2014. Available from: http://hdl.handle.net/11244/10407


Louisiana State University

3. Moore III, Joe Willie. A historical and theoretical look at the percussion ensemble work 'October Mountain' by Alan Hovhaness.

Degree: DMA, Music, 2014, Louisiana State University

 October Mountain (1942) is one of the standard early works written for the percussion ensemble. There has, however been little examination of the work theoretically.… (more)

Subjects/Keywords: Percussion; Percussion Ensemble; Alan Hovhaness

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APA (6th Edition):

Moore III, J. W. (2014). A historical and theoretical look at the percussion ensemble work 'October Mountain' by Alan Hovhaness. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-04112014-073250 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1982

Chicago Manual of Style (16th Edition):

Moore III, Joe Willie. “A historical and theoretical look at the percussion ensemble work 'October Mountain' by Alan Hovhaness.” 2014. Doctoral Dissertation, Louisiana State University. Accessed June 16, 2019. etd-04112014-073250 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1982.

MLA Handbook (7th Edition):

Moore III, Joe Willie. “A historical and theoretical look at the percussion ensemble work 'October Mountain' by Alan Hovhaness.” 2014. Web. 16 Jun 2019.

Vancouver:

Moore III JW. A historical and theoretical look at the percussion ensemble work 'October Mountain' by Alan Hovhaness. [Internet] [Doctoral dissertation]. Louisiana State University; 2014. [cited 2019 Jun 16]. Available from: etd-04112014-073250 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1982.

Council of Science Editors:

Moore III JW. A historical and theoretical look at the percussion ensemble work 'October Mountain' by Alan Hovhaness. [Doctoral Dissertation]. Louisiana State University; 2014. Available from: etd-04112014-073250 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1982


Brandeis University

4. Redmond, Jared. Luminoso for Vibraphone and Marimba.

Degree: 2011, Brandeis University

 Luminoso is a multi-movement work for two percussionists focused on the exploration of limited timbral resources and the development of percussion textures based not on… (more)

Subjects/Keywords: Percussion; Duos

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APA (6th Edition):

Redmond, J. (2011). Luminoso for Vibraphone and Marimba. (Thesis). Brandeis University. Retrieved from http://hdl.handle.net/10192/24337

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Redmond, Jared. “Luminoso for Vibraphone and Marimba.” 2011. Thesis, Brandeis University. Accessed June 16, 2019. http://hdl.handle.net/10192/24337.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Redmond, Jared. “Luminoso for Vibraphone and Marimba.” 2011. Web. 16 Jun 2019.

Vancouver:

Redmond J. Luminoso for Vibraphone and Marimba. [Internet] [Thesis]. Brandeis University; 2011. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/10192/24337.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Redmond J. Luminoso for Vibraphone and Marimba. [Thesis]. Brandeis University; 2011. Available from: http://hdl.handle.net/10192/24337

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kansas State University

5. Donovan, John McKee. A study of the works From My Little Island: Folk Song by Robert Aldridge, Nagoya Marimbas by Steve Reich, Ti Mon Bo by Tito Puente, Trio Per Uno by Nebojsa Zivkovic, Wind in the Bamboo Grove by Keiko Abe, Eight Pieces for Four Timpani: VIII. March by Elliott Carter, Douze Études: No. 9 by Jacques Delécluse, Prelude to a Dream by Bryce Craig, Birifor Funeral Repertoire, Log Cabin Blues by George Hamilton Green.

Degree: MM, Department of Music, Theatre, and Dance, 2017, Kansas State University

 This document is an analysis of the all of the pieces prepared for my master’s recital which was given on March 12, 2017 in Kirmser… (more)

Subjects/Keywords: Music; Percussion

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APA (6th Edition):

Donovan, J. M. (2017). A study of the works From My Little Island: Folk Song by Robert Aldridge, Nagoya Marimbas by Steve Reich, Ti Mon Bo by Tito Puente, Trio Per Uno by Nebojsa Zivkovic, Wind in the Bamboo Grove by Keiko Abe, Eight Pieces for Four Timpani: VIII. March by Elliott Carter, Douze Études: No. 9 by Jacques Delécluse, Prelude to a Dream by Bryce Craig, Birifor Funeral Repertoire, Log Cabin Blues by George Hamilton Green. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/35422

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Donovan, John McKee. “A study of the works From My Little Island: Folk Song by Robert Aldridge, Nagoya Marimbas by Steve Reich, Ti Mon Bo by Tito Puente, Trio Per Uno by Nebojsa Zivkovic, Wind in the Bamboo Grove by Keiko Abe, Eight Pieces for Four Timpani: VIII. March by Elliott Carter, Douze Études: No. 9 by Jacques Delécluse, Prelude to a Dream by Bryce Craig, Birifor Funeral Repertoire, Log Cabin Blues by George Hamilton Green.” 2017. Thesis, Kansas State University. Accessed June 16, 2019. http://hdl.handle.net/2097/35422.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Donovan, John McKee. “A study of the works From My Little Island: Folk Song by Robert Aldridge, Nagoya Marimbas by Steve Reich, Ti Mon Bo by Tito Puente, Trio Per Uno by Nebojsa Zivkovic, Wind in the Bamboo Grove by Keiko Abe, Eight Pieces for Four Timpani: VIII. March by Elliott Carter, Douze Études: No. 9 by Jacques Delécluse, Prelude to a Dream by Bryce Craig, Birifor Funeral Repertoire, Log Cabin Blues by George Hamilton Green.” 2017. Web. 16 Jun 2019.

Vancouver:

Donovan JM. A study of the works From My Little Island: Folk Song by Robert Aldridge, Nagoya Marimbas by Steve Reich, Ti Mon Bo by Tito Puente, Trio Per Uno by Nebojsa Zivkovic, Wind in the Bamboo Grove by Keiko Abe, Eight Pieces for Four Timpani: VIII. March by Elliott Carter, Douze Études: No. 9 by Jacques Delécluse, Prelude to a Dream by Bryce Craig, Birifor Funeral Repertoire, Log Cabin Blues by George Hamilton Green. [Internet] [Thesis]. Kansas State University; 2017. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/2097/35422.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Donovan JM. A study of the works From My Little Island: Folk Song by Robert Aldridge, Nagoya Marimbas by Steve Reich, Ti Mon Bo by Tito Puente, Trio Per Uno by Nebojsa Zivkovic, Wind in the Bamboo Grove by Keiko Abe, Eight Pieces for Four Timpani: VIII. March by Elliott Carter, Douze Études: No. 9 by Jacques Delécluse, Prelude to a Dream by Bryce Craig, Birifor Funeral Repertoire, Log Cabin Blues by George Hamilton Green. [Thesis]. Kansas State University; 2017. Available from: http://hdl.handle.net/2097/35422

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

6. Bedell, Adam. Master's thesis recital (percussion).

Degree: Music, 2010, University of Texas – Austin

 Breakfast breakdown / Red Norvo  – Torse III / Akira Miyoshi  – Nagoya marimbas / Steve Reich  – Okho / Iannis Xenakis  – Out of… (more)

Subjects/Keywords: Percussion music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bedell, A. (2010). Master's thesis recital (percussion). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/11379

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bedell, Adam. “Master's thesis recital (percussion).” 2010. Thesis, University of Texas – Austin. Accessed June 16, 2019. http://hdl.handle.net/2152/11379.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bedell, Adam. “Master's thesis recital (percussion).” 2010. Web. 16 Jun 2019.

Vancouver:

Bedell A. Master's thesis recital (percussion). [Internet] [Thesis]. University of Texas – Austin; 2010. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/2152/11379.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bedell A. Master's thesis recital (percussion). [Thesis]. University of Texas – Austin; 2010. Available from: http://hdl.handle.net/2152/11379

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

7. Benavides, Mario. Doctoral thesis recital (organ).

Degree: Music, 2010, University of Texas – Austin

Symphonic fantasy for brass and organ on "A might fortress is our God" / Frank Speller  – Prelude and allegro for organ and strings / Walter Piston  – Concerto in G minor for organ, string orchestra and timpani / Francis Poulenc Advisors/Committee Members: Not available (advisor).

Subjects/Keywords: Percussion music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Benavides, M. (2010). Doctoral thesis recital (organ). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/11380

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Benavides, Mario. “Doctoral thesis recital (organ).” 2010. Thesis, University of Texas – Austin. Accessed June 16, 2019. http://hdl.handle.net/2152/11380.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Benavides, Mario. “Doctoral thesis recital (organ).” 2010. Web. 16 Jun 2019.

Vancouver:

Benavides M. Doctoral thesis recital (organ). [Internet] [Thesis]. University of Texas – Austin; 2010. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/2152/11380.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Benavides M. Doctoral thesis recital (organ). [Thesis]. University of Texas – Austin; 2010. Available from: http://hdl.handle.net/2152/11380

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

8. Peterson, Eric. Master's thesis recital (percussion).

Degree: Music, 2010, University of Texas – Austin

Prim / Askell Masson  – Diptych / Thom Hasenplug  – From my little island / Robert Aldridge  – Ligare / Alexandre Lunsque  – Rounders / Michael Burritt Advisors/Committee Members: Not available (advisor).

Subjects/Keywords: Percussion music

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APA (6th Edition):

Peterson, E. (2010). Master's thesis recital (percussion). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/11572

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Peterson, Eric. “Master's thesis recital (percussion).” 2010. Thesis, University of Texas – Austin. Accessed June 16, 2019. http://hdl.handle.net/2152/11572.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Peterson, Eric. “Master's thesis recital (percussion).” 2010. Web. 16 Jun 2019.

Vancouver:

Peterson E. Master's thesis recital (percussion). [Internet] [Thesis]. University of Texas – Austin; 2010. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/2152/11572.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Peterson E. Master's thesis recital (percussion). [Thesis]. University of Texas – Austin; 2010. Available from: http://hdl.handle.net/2152/11572

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

9. Tannert, Emily. Master's thesis recital (percussion).

Degree: Music, 2010, University of Texas – Austin

Three movements for marimba / Christopher S. Prosser  – Past feeling for solo percussion / Stephen A. Martin  – Three shells / Christopher Deane  – Three movements for timpani / Tony Edwards  – Vertical river / Blake Tyson Advisors/Committee Members: Not available (advisor).

Subjects/Keywords: Percussion music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tannert, E. (2010). Master's thesis recital (percussion). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/11608

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tannert, Emily. “Master's thesis recital (percussion).” 2010. Thesis, University of Texas – Austin. Accessed June 16, 2019. http://hdl.handle.net/2152/11608.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tannert, Emily. “Master's thesis recital (percussion).” 2010. Web. 16 Jun 2019.

Vancouver:

Tannert E. Master's thesis recital (percussion). [Internet] [Thesis]. University of Texas – Austin; 2010. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/2152/11608.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tannert E. Master's thesis recital (percussion). [Thesis]. University of Texas – Austin; 2010. Available from: http://hdl.handle.net/2152/11608

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Groh, Adam. Doctoral thesis recital (percussion).

Degree: Music, 2011, University of Texas – Austin

Velocities / Joseph Schwantner  – Thief / Brian Nozny  – Scraping song / David Lang  – Reflections on the nature of water / Jacob Druckman  – Eight oh eight / Ian Dicke Advisors/Committee Members: Not available (advisor).

Subjects/Keywords: Percussion music

Page 1

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Groh, A. (2011). Doctoral thesis recital (percussion). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/16855

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Groh, Adam. “Doctoral thesis recital (percussion).” 2011. Thesis, University of Texas – Austin. Accessed June 16, 2019. http://hdl.handle.net/2152/16855.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Groh, Adam. “Doctoral thesis recital (percussion).” 2011. Web. 16 Jun 2019.

Vancouver:

Groh A. Doctoral thesis recital (percussion). [Internet] [Thesis]. University of Texas – Austin; 2011. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/2152/16855.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Groh A. Doctoral thesis recital (percussion). [Thesis]. University of Texas – Austin; 2011. Available from: http://hdl.handle.net/2152/16855

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Davis, Adam. Master's thesis recital (percussion).

Degree: Music, 2014, University of Texas – Austin

Dream / John Cage  – Seance / Casey Cangelosi  – Temazcal / Javier Alvarez  – One study / John Psathas  – 2+1 / Ivan Trevino  – Sonata in G minor, BWV 1001 / Johann Sebastian Bach. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Percussion music

Page 1

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Davis, A. (2014). Master's thesis recital (percussion). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24476

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Davis, Adam. “Master's thesis recital (percussion).” 2014. Thesis, University of Texas – Austin. Accessed June 16, 2019. http://hdl.handle.net/2152/24476.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Davis, Adam. “Master's thesis recital (percussion).” 2014. Web. 16 Jun 2019.

Vancouver:

Davis A. Master's thesis recital (percussion). [Internet] [Thesis]. University of Texas – Austin; 2014. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/2152/24476.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Davis A. Master's thesis recital (percussion). [Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/24476

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Ahone, Lauri. Djentophonic Project : A Meeting Point of Classical and Metal Music Through Percussion Ensemble.

Degree: Classical Music, 2015, Royal College of Music in Stockholm

  The writer of this master thesis was acquiring an education in classical percussion and deeply respecting the music genre named djent. He was so… (more)

Subjects/Keywords: Djent; percussion; arranging; percussion ensemble; metal music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ahone, L. (2015). Djentophonic Project : A Meeting Point of Classical and Metal Music Through Percussion Ensemble. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1941

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ahone, Lauri. “Djentophonic Project : A Meeting Point of Classical and Metal Music Through Percussion Ensemble.” 2015. Thesis, Royal College of Music in Stockholm. Accessed June 16, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1941.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ahone, Lauri. “Djentophonic Project : A Meeting Point of Classical and Metal Music Through Percussion Ensemble.” 2015. Web. 16 Jun 2019.

Vancouver:

Ahone L. Djentophonic Project : A Meeting Point of Classical and Metal Music Through Percussion Ensemble. [Internet] [Thesis]. Royal College of Music in Stockholm; 2015. [cited 2019 Jun 16]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1941.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ahone L. Djentophonic Project : A Meeting Point of Classical and Metal Music Through Percussion Ensemble. [Thesis]. Royal College of Music in Stockholm; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1941

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Ottawa

13. Michael, Carlucci. The Development of New Electronic Percussion Instruments in Popular Music of the 1980s: A Technical Study .

Degree: 2014, University of Ottawa

 The influence of electronic percussion (in particular, the Simmons Drum Company’s innovations) on the compositions and evolution of 1980s Pop music can be examined through… (more)

Subjects/Keywords: Pop Music; Electronic Percussion; History; Acoustic Percussion

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Michael, C. (2014). The Development of New Electronic Percussion Instruments in Popular Music of the 1980s: A Technical Study . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/31376

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Michael, Carlucci. “The Development of New Electronic Percussion Instruments in Popular Music of the 1980s: A Technical Study .” 2014. Thesis, University of Ottawa. Accessed June 16, 2019. http://hdl.handle.net/10393/31376.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Michael, Carlucci. “The Development of New Electronic Percussion Instruments in Popular Music of the 1980s: A Technical Study .” 2014. Web. 16 Jun 2019.

Vancouver:

Michael C. The Development of New Electronic Percussion Instruments in Popular Music of the 1980s: A Technical Study . [Internet] [Thesis]. University of Ottawa; 2014. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/10393/31376.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Michael C. The Development of New Electronic Percussion Instruments in Popular Music of the 1980s: A Technical Study . [Thesis]. University of Ottawa; 2014. Available from: http://hdl.handle.net/10393/31376

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

14. Becker, Daniel. The Clarinet-Percussion Duo in the 21st Century: A Survey and Discussion of Works from 2000 to July 2015 .

Degree: 2016, University of Arizona

 Clarinet-percussion duos, music for one clarinetist and one percussionist, are a relatively new addition to the world of chamber music - the first work for… (more)

Subjects/Keywords: Clarinet-percussion duo; Percussion; Music; Clarinet

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APA (6th Edition):

Becker, D. (2016). The Clarinet-Percussion Duo in the 21st Century: A Survey and Discussion of Works from 2000 to July 2015 . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/613374

Chicago Manual of Style (16th Edition):

Becker, Daniel. “The Clarinet-Percussion Duo in the 21st Century: A Survey and Discussion of Works from 2000 to July 2015 .” 2016. Doctoral Dissertation, University of Arizona. Accessed June 16, 2019. http://hdl.handle.net/10150/613374.

MLA Handbook (7th Edition):

Becker, Daniel. “The Clarinet-Percussion Duo in the 21st Century: A Survey and Discussion of Works from 2000 to July 2015 .” 2016. Web. 16 Jun 2019.

Vancouver:

Becker D. The Clarinet-Percussion Duo in the 21st Century: A Survey and Discussion of Works from 2000 to July 2015 . [Internet] [Doctoral dissertation]. University of Arizona; 2016. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/10150/613374.

Council of Science Editors:

Becker D. The Clarinet-Percussion Duo in the 21st Century: A Survey and Discussion of Works from 2000 to July 2015 . [Doctoral Dissertation]. University of Arizona; 2016. Available from: http://hdl.handle.net/10150/613374


The Ohio State University

15. Marcus, Naomi Joy. Four Works for Solo Timpani: An Analysis and Performance Guide.

Degree: DMA, Music, 2016, The Ohio State University

 The study of timpani as a solo instrument is an integral part of an undergraduate and graduate education in percussion. Performance of a solo piece… (more)

Subjects/Keywords: Music; Timpani, Percussion

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APA (6th Edition):

Marcus, N. J. (2016). Four Works for Solo Timpani: An Analysis and Performance Guide. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1457612668

Chicago Manual of Style (16th Edition):

Marcus, Naomi Joy. “Four Works for Solo Timpani: An Analysis and Performance Guide.” 2016. Doctoral Dissertation, The Ohio State University. Accessed June 16, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1457612668.

MLA Handbook (7th Edition):

Marcus, Naomi Joy. “Four Works for Solo Timpani: An Analysis and Performance Guide.” 2016. Web. 16 Jun 2019.

Vancouver:

Marcus NJ. Four Works for Solo Timpani: An Analysis and Performance Guide. [Internet] [Doctoral dissertation]. The Ohio State University; 2016. [cited 2019 Jun 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1457612668.

Council of Science Editors:

Marcus NJ. Four Works for Solo Timpani: An Analysis and Performance Guide. [Doctoral Dissertation]. The Ohio State University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1457612668


University of Missouri – Kansas City

16. Garcia-Castells, Federico Jose. The Big Top, Concerto for Solo Percussion and Orchestra .

Degree: 2010, University of Missouri – Kansas City

 "The Big Top" is a piece in three movements for symphony orchestra and solo percussionist who is required to play nine different percussion instruments. In… (more)

Subjects/Keywords: Non-pitched Percussion

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APA (6th Edition):

Garcia-Castells, F. J. (2010). The Big Top, Concerto for Solo Percussion and Orchestra . (Thesis). University of Missouri – Kansas City. Retrieved from http://hdl.handle.net/10355/9339

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Garcia-Castells, Federico Jose. “The Big Top, Concerto for Solo Percussion and Orchestra .” 2010. Thesis, University of Missouri – Kansas City. Accessed June 16, 2019. http://hdl.handle.net/10355/9339.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Garcia-Castells, Federico Jose. “The Big Top, Concerto for Solo Percussion and Orchestra .” 2010. Web. 16 Jun 2019.

Vancouver:

Garcia-Castells FJ. The Big Top, Concerto for Solo Percussion and Orchestra . [Internet] [Thesis]. University of Missouri – Kansas City; 2010. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/10355/9339.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Garcia-Castells FJ. The Big Top, Concerto for Solo Percussion and Orchestra . [Thesis]. University of Missouri – Kansas City; 2010. Available from: http://hdl.handle.net/10355/9339

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

17. Miller, Alexander Elliott. Disappearance.

Degree: DMA, Composition, 2010, University of Southern California

 "Disappearance" is a musical score for four percussionists, in four movements. Each movement explores a different type of "disappearing": any sort of musical process that… (more)

Subjects/Keywords: Percussion Quartet: Disappearance

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APA (6th Edition):

Miller, A. E. (2010). Disappearance. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/397422/rec/2016

Chicago Manual of Style (16th Edition):

Miller, Alexander Elliott. “Disappearance.” 2010. Doctoral Dissertation, University of Southern California. Accessed June 16, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/397422/rec/2016.

MLA Handbook (7th Edition):

Miller, Alexander Elliott. “Disappearance.” 2010. Web. 16 Jun 2019.

Vancouver:

Miller AE. Disappearance. [Internet] [Doctoral dissertation]. University of Southern California; 2010. [cited 2019 Jun 16]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/397422/rec/2016.

Council of Science Editors:

Miller AE. Disappearance. [Doctoral Dissertation]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/397422/rec/2016


University of North Texas

18. Hall, David Porter. Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba.

Degree: 2013, University of North Texas

 This dissertation and accompanying lecture recital explore the unique textural features in the works of Steven Mackey as exhibited in See Ya Thursday (1993).A rigorous… (more)

Subjects/Keywords: Mackey; percussion; marimba

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APA (6th Edition):

Hall, D. P. (2013). Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc283817/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hall, David Porter. “Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba.” 2013. Thesis, University of North Texas. Accessed June 16, 2019. https://digital.library.unt.edu/ark:/67531/metadc283817/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hall, David Porter. “Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba.” 2013. Web. 16 Jun 2019.

Vancouver:

Hall DP. Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba. [Internet] [Thesis]. University of North Texas; 2013. [cited 2019 Jun 16]. Available from: https://digital.library.unt.edu/ark:/67531/metadc283817/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hall DP. Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc283817/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

19. Hewitt, Jeffrey Allen. The Objective Grading of Original Unaccompanied Four-Mallet Solo Vibraphone Literature .

Degree: 2014, University of Arizona

 An important resource in many areas of music is the availability of standardized graded databases of literature for solo instruments. These databases provide a progression… (more)

Subjects/Keywords: Mallet Percussion; Percussion; Repertoire; Vibes; Vibraphone; Keyboard Percussion; Music

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APA (6th Edition):

Hewitt, J. A. (2014). The Objective Grading of Original Unaccompanied Four-Mallet Solo Vibraphone Literature . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/338874

Chicago Manual of Style (16th Edition):

Hewitt, Jeffrey Allen. “The Objective Grading of Original Unaccompanied Four-Mallet Solo Vibraphone Literature .” 2014. Doctoral Dissertation, University of Arizona. Accessed June 16, 2019. http://hdl.handle.net/10150/338874.

MLA Handbook (7th Edition):

Hewitt, Jeffrey Allen. “The Objective Grading of Original Unaccompanied Four-Mallet Solo Vibraphone Literature .” 2014. Web. 16 Jun 2019.

Vancouver:

Hewitt JA. The Objective Grading of Original Unaccompanied Four-Mallet Solo Vibraphone Literature . [Internet] [Doctoral dissertation]. University of Arizona; 2014. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/10150/338874.

Council of Science Editors:

Hewitt JA. The Objective Grading of Original Unaccompanied Four-Mallet Solo Vibraphone Literature . [Doctoral Dissertation]. University of Arizona; 2014. Available from: http://hdl.handle.net/10150/338874


University of Melbourne

20. Sablinskis, Paul V. The significance of percussion in contemporary music between 1945 and 1970.

Degree: 1981, University of Melbourne

 Chapter one discusses the developments between 1900-1945, concentrating on composers’ growing concern for percussion instruments and percussive sound sources. Chapter two discusses trends between 1945-1970,… (more)

Subjects/Keywords: percussion music; percussion ensembles; percussion instruments

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APA (6th Edition):

Sablinskis, P. V. (1981). The significance of percussion in contemporary music between 1945 and 1970. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/39076

Chicago Manual of Style (16th Edition):

Sablinskis, Paul V. “The significance of percussion in contemporary music between 1945 and 1970.” 1981. Masters Thesis, University of Melbourne. Accessed June 16, 2019. http://hdl.handle.net/11343/39076.

MLA Handbook (7th Edition):

Sablinskis, Paul V. “The significance of percussion in contemporary music between 1945 and 1970.” 1981. Web. 16 Jun 2019.

Vancouver:

Sablinskis PV. The significance of percussion in contemporary music between 1945 and 1970. [Internet] [Masters thesis]. University of Melbourne; 1981. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/11343/39076.

Council of Science Editors:

Sablinskis PV. The significance of percussion in contemporary music between 1945 and 1970. [Masters Thesis]. University of Melbourne; 1981. Available from: http://hdl.handle.net/11343/39076


Universidade de Lisboa

21. Lopes, Louis Philippe Simões Castelo Branco. Percussion Graphs: An Automaded Approach for Percussion Composition.

Degree: 2011, Universidade de Lisboa

 The evolutionary and generative art world isn’t a relatively new concept, and already has a great thriving community, who are passionate about art and its… (more)

Subjects/Keywords: Graph; Generative; Percussion; Automation; Music

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APA (6th Edition):

Lopes, L. P. S. C. B. (2011). Percussion Graphs: An Automaded Approach for Percussion Composition. (Thesis). Universidade de Lisboa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/13859

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lopes, Louis Philippe Simões Castelo Branco. “Percussion Graphs: An Automaded Approach for Percussion Composition.” 2011. Thesis, Universidade de Lisboa. Accessed June 16, 2019. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/13859.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lopes, Louis Philippe Simões Castelo Branco. “Percussion Graphs: An Automaded Approach for Percussion Composition.” 2011. Web. 16 Jun 2019.

Vancouver:

Lopes LPSCB. Percussion Graphs: An Automaded Approach for Percussion Composition. [Internet] [Thesis]. Universidade de Lisboa; 2011. [cited 2019 Jun 16]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/13859.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lopes LPSCB. Percussion Graphs: An Automaded Approach for Percussion Composition. [Thesis]. Universidade de Lisboa; 2011. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/13859

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

22. Chen, Jian. Rock mass characterization: air-driven rotary percussive drilling process monitoring based approach.

Degree: PhD, 2008, University of Hong Kong

published_or_final_version

Civil Engineering

Doctoral

Doctor of Philosophy

Advisors/Committee Members: Yue, QZQ.

Subjects/Keywords: Percussion drilling.

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APA (6th Edition):

Chen, J. (2008). Rock mass characterization: air-driven rotary percussive drilling process monitoring based approach. (Doctoral Dissertation). University of Hong Kong. Retrieved from Chen, J. [陳健]. (2008). Rock mass characterization : air-driven rotary percussive drilling process monitoring based approach. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4150900 ; http://dx.doi.org/10.5353/th_b4150900 ; http://hdl.handle.net/10722/54527

Chicago Manual of Style (16th Edition):

Chen, Jian. “Rock mass characterization: air-driven rotary percussive drilling process monitoring based approach.” 2008. Doctoral Dissertation, University of Hong Kong. Accessed June 16, 2019. Chen, J. [陳健]. (2008). Rock mass characterization : air-driven rotary percussive drilling process monitoring based approach. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4150900 ; http://dx.doi.org/10.5353/th_b4150900 ; http://hdl.handle.net/10722/54527.

MLA Handbook (7th Edition):

Chen, Jian. “Rock mass characterization: air-driven rotary percussive drilling process monitoring based approach.” 2008. Web. 16 Jun 2019.

Vancouver:

Chen J. Rock mass characterization: air-driven rotary percussive drilling process monitoring based approach. [Internet] [Doctoral dissertation]. University of Hong Kong; 2008. [cited 2019 Jun 16]. Available from: Chen, J. [陳健]. (2008). Rock mass characterization : air-driven rotary percussive drilling process monitoring based approach. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4150900 ; http://dx.doi.org/10.5353/th_b4150900 ; http://hdl.handle.net/10722/54527.

Council of Science Editors:

Chen J. Rock mass characterization: air-driven rotary percussive drilling process monitoring based approach. [Doctoral Dissertation]. University of Hong Kong; 2008. Available from: Chen, J. [陳健]. (2008). Rock mass characterization : air-driven rotary percussive drilling process monitoring based approach. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4150900 ; http://dx.doi.org/10.5353/th_b4150900 ; http://hdl.handle.net/10722/54527


UCLA

23. French, Daniel Edward. The Composite Instrument: Pitch, Percussion, and Instrumental Transformation in Michael Colgrass’s d?j? vu | Symphony for Percussion Quartet and Wind Ensemble.

Degree: Music, 2016, UCLA

 Volume I:Michael Colgrass’s d?j? vu is one composer’s attempt at rejuvenation of the orchestral medium, yielding intriguing but limited results. The work, for percussion quartet… (more)

Subjects/Keywords: Music; Orchestra; Orchestration; Percussion

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APA (6th Edition):

French, D. E. (2016). The Composite Instrument: Pitch, Percussion, and Instrumental Transformation in Michael Colgrass’s d?j? vu | Symphony for Percussion Quartet and Wind Ensemble. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/5dh2k8x9

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

French, Daniel Edward. “The Composite Instrument: Pitch, Percussion, and Instrumental Transformation in Michael Colgrass’s d?j? vu | Symphony for Percussion Quartet and Wind Ensemble.” 2016. Thesis, UCLA. Accessed June 16, 2019. http://www.escholarship.org/uc/item/5dh2k8x9.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

French, Daniel Edward. “The Composite Instrument: Pitch, Percussion, and Instrumental Transformation in Michael Colgrass’s d?j? vu | Symphony for Percussion Quartet and Wind Ensemble.” 2016. Web. 16 Jun 2019.

Vancouver:

French DE. The Composite Instrument: Pitch, Percussion, and Instrumental Transformation in Michael Colgrass’s d?j? vu | Symphony for Percussion Quartet and Wind Ensemble. [Internet] [Thesis]. UCLA; 2016. [cited 2019 Jun 16]. Available from: http://www.escholarship.org/uc/item/5dh2k8x9.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

French DE. The Composite Instrument: Pitch, Percussion, and Instrumental Transformation in Michael Colgrass’s d?j? vu | Symphony for Percussion Quartet and Wind Ensemble. [Thesis]. UCLA; 2016. Available from: http://www.escholarship.org/uc/item/5dh2k8x9

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston University

24. Arnold, Benjamin Joshua. The development of the collegiate percussion ensemble: its history and educational value.

Degree: DMA, Music Education, 2016, Boston University

 The purpose of this study is to determine if participation in percussion ensemble has a distinct value as compared to participation in larger ensembles, and… (more)

Subjects/Keywords: Music education; Ensemble; Percussion

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APA (6th Edition):

Arnold, B. J. (2016). The development of the collegiate percussion ensemble: its history and educational value. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/16837

Chicago Manual of Style (16th Edition):

Arnold, Benjamin Joshua. “The development of the collegiate percussion ensemble: its history and educational value.” 2016. Doctoral Dissertation, Boston University. Accessed June 16, 2019. http://hdl.handle.net/2144/16837.

MLA Handbook (7th Edition):

Arnold, Benjamin Joshua. “The development of the collegiate percussion ensemble: its history and educational value.” 2016. Web. 16 Jun 2019.

Vancouver:

Arnold BJ. The development of the collegiate percussion ensemble: its history and educational value. [Internet] [Doctoral dissertation]. Boston University; 2016. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/2144/16837.

Council of Science Editors:

Arnold BJ. The development of the collegiate percussion ensemble: its history and educational value. [Doctoral Dissertation]. Boston University; 2016. Available from: http://hdl.handle.net/2144/16837


Michigan State University

25. Baldwin, John, 1940-. Some acoustical properties of triangles and cymbals and their relation to performance practices.

Degree: PhD, Department of Music, 1970, Michigan State University

Subjects/Keywords: Percussion instruments

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APA (6th Edition):

Baldwin, John, 1. (1970). Some acoustical properties of triangles and cymbals and their relation to performance practices. (Doctoral Dissertation). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:34568

Chicago Manual of Style (16th Edition):

Baldwin, John, 1940-. “Some acoustical properties of triangles and cymbals and their relation to performance practices.” 1970. Doctoral Dissertation, Michigan State University. Accessed June 16, 2019. http://etd.lib.msu.edu/islandora/object/etd:34568.

MLA Handbook (7th Edition):

Baldwin, John, 1940-. “Some acoustical properties of triangles and cymbals and their relation to performance practices.” 1970. Web. 16 Jun 2019.

Vancouver:

Baldwin, John 1. Some acoustical properties of triangles and cymbals and their relation to performance practices. [Internet] [Doctoral dissertation]. Michigan State University; 1970. [cited 2019 Jun 16]. Available from: http://etd.lib.msu.edu/islandora/object/etd:34568.

Council of Science Editors:

Baldwin, John 1. Some acoustical properties of triangles and cymbals and their relation to performance practices. [Doctoral Dissertation]. Michigan State University; 1970. Available from: http://etd.lib.msu.edu/islandora/object/etd:34568


University of Texas – Austin

26. Wilson, Zackery Joseph. Música dramática.

Degree: Music, 2010, University of Texas – Austin

 In my years as a composer, I’ve had a great fascination with the concept of juxtaposition and superimposition of various moods and styles of music.… (more)

Subjects/Keywords: Music; Composition; String orchestra; Percussion

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APA (6th Edition):

Wilson, Z. J. (2010). Música dramática. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/ETD-UT-2010-05-1503

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wilson, Zackery Joseph. “Música dramática.” 2010. Thesis, University of Texas – Austin. Accessed June 16, 2019. http://hdl.handle.net/2152/ETD-UT-2010-05-1503.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wilson, Zackery Joseph. “Música dramática.” 2010. Web. 16 Jun 2019.

Vancouver:

Wilson ZJ. Música dramática. [Internet] [Thesis]. University of Texas – Austin; 2010. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/2152/ETD-UT-2010-05-1503.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wilson ZJ. Música dramática. [Thesis]. University of Texas – Austin; 2010. Available from: http://hdl.handle.net/2152/ETD-UT-2010-05-1503

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

27. Soflin, Elizabeth Louise. Text as Music, Music as Text: Stuart Saunders Smith's Works for Percussion and Spoken Word .

Degree: 2017, University of Arizona

 American composer Stuart Saunders Smith (b. 1948) has been active in the composition of contemporary art music for over forty years, composing over 200 musical… (more)

Subjects/Keywords: Music; Percussion; Poetry; Speech-song

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APA (6th Edition):

Soflin, E. L. (2017). Text as Music, Music as Text: Stuart Saunders Smith's Works for Percussion and Spoken Word . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/624573

Chicago Manual of Style (16th Edition):

Soflin, Elizabeth Louise. “Text as Music, Music as Text: Stuart Saunders Smith's Works for Percussion and Spoken Word .” 2017. Doctoral Dissertation, University of Arizona. Accessed June 16, 2019. http://hdl.handle.net/10150/624573.

MLA Handbook (7th Edition):

Soflin, Elizabeth Louise. “Text as Music, Music as Text: Stuart Saunders Smith's Works for Percussion and Spoken Word .” 2017. Web. 16 Jun 2019.

Vancouver:

Soflin EL. Text as Music, Music as Text: Stuart Saunders Smith's Works for Percussion and Spoken Word . [Internet] [Doctoral dissertation]. University of Arizona; 2017. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/10150/624573.

Council of Science Editors:

Soflin EL. Text as Music, Music as Text: Stuart Saunders Smith's Works for Percussion and Spoken Word . [Doctoral Dissertation]. University of Arizona; 2017. Available from: http://hdl.handle.net/10150/624573


University of Arizona

28. Cornelison, Randall. Bombasticism: Concerto For Four Percussionists and Large Orchestra .

Degree: 2011, University of Arizona

 The original composition Bombasticism: Concerto for Four Percussion and Large Orchestra seeks to expand percussion ensemble literature, to the extent that the percussion quartet unites… (more)

Subjects/Keywords: Orchestra; Percussion; Music; Composition; Concerto

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APA (6th Edition):

Cornelison, R. (2011). Bombasticism: Concerto For Four Percussionists and Large Orchestra . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/202693

Chicago Manual of Style (16th Edition):

Cornelison, Randall. “Bombasticism: Concerto For Four Percussionists and Large Orchestra .” 2011. Doctoral Dissertation, University of Arizona. Accessed June 16, 2019. http://hdl.handle.net/10150/202693.

MLA Handbook (7th Edition):

Cornelison, Randall. “Bombasticism: Concerto For Four Percussionists and Large Orchestra .” 2011. Web. 16 Jun 2019.

Vancouver:

Cornelison R. Bombasticism: Concerto For Four Percussionists and Large Orchestra . [Internet] [Doctoral dissertation]. University of Arizona; 2011. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/10150/202693.

Council of Science Editors:

Cornelison R. Bombasticism: Concerto For Four Percussionists and Large Orchestra . [Doctoral Dissertation]. University of Arizona; 2011. Available from: http://hdl.handle.net/10150/202693

29. Funkhouser, Rob. Surfaces.

Degree: 2017, Butler University

Surfaces is a work for two percussionists in four movements. It uses a variety of small percussion instruments, keyboard percussion, and two specially built kalimbas. This document contains both the score and an analysis of the piece that covers instrument choice, performance practice, form and compositional techniques employed

Subjects/Keywords: percussion ensembles score; scores; Composition

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Funkhouser, R. (2017). Surfaces. (Thesis). Butler University. Retrieved from https://digitalcommons.butler.edu/grtheses/492

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Funkhouser, Rob. “Surfaces.” 2017. Thesis, Butler University. Accessed June 16, 2019. https://digitalcommons.butler.edu/grtheses/492.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Funkhouser, Rob. “Surfaces.” 2017. Web. 16 Jun 2019.

Vancouver:

Funkhouser R. Surfaces. [Internet] [Thesis]. Butler University; 2017. [cited 2019 Jun 16]. Available from: https://digitalcommons.butler.edu/grtheses/492.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Funkhouser R. Surfaces. [Thesis]. Butler University; 2017. Available from: https://digitalcommons.butler.edu/grtheses/492

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

30. Cook, Justin Hastings. Commissioning Music for Trombone and Percussion: A Collaboration Between Composer and Performer with an Accompanying Survey of Trombone and Percussion Repertoire.

Degree: 2016, University of North Texas

 The repertoire for trombone and percussion has grown in popularity since the later 1980s. There are currently more than 110 pieces written for the ensemble.… (more)

Subjects/Keywords: trombone; percussion; survey; commision; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cook, J. H. (2016). Commissioning Music for Trombone and Percussion: A Collaboration Between Composer and Performer with an Accompanying Survey of Trombone and Percussion Repertoire. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc955030/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cook, Justin Hastings. “Commissioning Music for Trombone and Percussion: A Collaboration Between Composer and Performer with an Accompanying Survey of Trombone and Percussion Repertoire.” 2016. Thesis, University of North Texas. Accessed June 16, 2019. https://digital.library.unt.edu/ark:/67531/metadc955030/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cook, Justin Hastings. “Commissioning Music for Trombone and Percussion: A Collaboration Between Composer and Performer with an Accompanying Survey of Trombone and Percussion Repertoire.” 2016. Web. 16 Jun 2019.

Vancouver:

Cook JH. Commissioning Music for Trombone and Percussion: A Collaboration Between Composer and Performer with an Accompanying Survey of Trombone and Percussion Repertoire. [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Jun 16]. Available from: https://digital.library.unt.edu/ark:/67531/metadc955030/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cook JH. Commissioning Music for Trombone and Percussion: A Collaboration Between Composer and Performer with an Accompanying Survey of Trombone and Percussion Repertoire. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc955030/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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