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You searched for subject:(Paul Schrader). Showing records 1 – 5 of 5 total matches.

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1. Murphy, Ian. Corporeal prisons: dynamics of body and mise-en-scène in three films by Paul Schrader.

Degree: 2015, University College Cork

 This thesis focuses on the complex relationship between representations of the human body and the formal processes of mise-en-scène in three consecutive films by the… (more)

Subjects/Keywords: Aesthetics; Body; Psychoanalysis; Paul Schrader; Film studies; Continental philosophy; Queer theory

…the Scorsese film to which Schrader feels closest, there is a distinct sense in which the… …directorial achievements for critics and audiences alike. In addition to Taxi Driver, Schrader… …x29;. In the only monograph on Schrader’s career, George Kouvaros notes that Schrader has… …of Schrader in his Scorsese chapter in A Cinema of Loneliness, where he simply notes that… …films), Schrader describes them as a series of “lonely, self-deluded, sexually inactive… 

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APA (6th Edition):

Murphy, I. (2015). Corporeal prisons: dynamics of body and mise-en-scène in three films by Paul Schrader. (Thesis). University College Cork. Retrieved from http://hdl.handle.net/10468/2086

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Murphy, Ian. “Corporeal prisons: dynamics of body and mise-en-scène in three films by Paul Schrader.” 2015. Thesis, University College Cork. Accessed October 20, 2019. http://hdl.handle.net/10468/2086.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Murphy, Ian. “Corporeal prisons: dynamics of body and mise-en-scène in three films by Paul Schrader.” 2015. Web. 20 Oct 2019.

Vancouver:

Murphy I. Corporeal prisons: dynamics of body and mise-en-scène in three films by Paul Schrader. [Internet] [Thesis]. University College Cork; 2015. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/10468/2086.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Murphy I. Corporeal prisons: dynamics of body and mise-en-scène in three films by Paul Schrader. [Thesis]. University College Cork; 2015. Available from: http://hdl.handle.net/10468/2086

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Liberty University

2. Kennedy, Chad Landon. God with the Backwards Wave: A Text In Context Analysis of the Characterization of God in Joan of Arcadia.

Degree: 2006, Liberty University

 God is a television star. In Barbara Hall's Joan of Arcadia, which aired on CBS from 2003-2005, teenaged Joan Girardi, played by Amber Tamblyn, has… (more)

Subjects/Keywords: God; Joan of Arcadia; Barbara Hall; Transcendental Style; Paul Schrader; Television; John Dominic Crossan; Jeanne d' Arc; Cinema; Mass Communications; Religion, General; Sociology, General

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APA (6th Edition):

Kennedy, C. L. (2006). God with the Backwards Wave: A Text In Context Analysis of the Characterization of God in Joan of Arcadia. (Masters Thesis). Liberty University. Retrieved from http://digitalcommons.liberty.edu/masters/110

Chicago Manual of Style (16th Edition):

Kennedy, Chad Landon. “God with the Backwards Wave: A Text In Context Analysis of the Characterization of God in Joan of Arcadia.” 2006. Masters Thesis, Liberty University. Accessed October 20, 2019. http://digitalcommons.liberty.edu/masters/110.

MLA Handbook (7th Edition):

Kennedy, Chad Landon. “God with the Backwards Wave: A Text In Context Analysis of the Characterization of God in Joan of Arcadia.” 2006. Web. 20 Oct 2019.

Vancouver:

Kennedy CL. God with the Backwards Wave: A Text In Context Analysis of the Characterization of God in Joan of Arcadia. [Internet] [Masters thesis]. Liberty University; 2006. [cited 2019 Oct 20]. Available from: http://digitalcommons.liberty.edu/masters/110.

Council of Science Editors:

Kennedy CL. God with the Backwards Wave: A Text In Context Analysis of the Characterization of God in Joan of Arcadia. [Masters Thesis]. Liberty University; 2006. Available from: http://digitalcommons.liberty.edu/masters/110


Brigham Young University

3. Lewis, Mark T. "An Hungry Man Dreameth": Transcendental Film Theory and Stylistic Trends in Recent Institutional Films of the LDS Church.

Degree: MA, 2016, Brigham Young University

  To the religiously minded, few things carry greater importance than a connection to the divine. For centuries, the literature of prophets and the work… (more)

Subjects/Keywords: Mormon cinema; LDS Church media; Mormon Messages; I'm a Mormon; Mormon film; the Life of Jesus Christ Bible Videos; The Testaments: Of One Fold and One Shepherd; Joseph Smith: Prophet of the Restoration; Meet the Mormons; Spirituality and film; cinematic transcendence; Paul Schrader; Craig Detweiler; Dean Duncan; Religion

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lewis, M. T. (2016). "An Hungry Man Dreameth": Transcendental Film Theory and Stylistic Trends in Recent Institutional Films of the LDS Church. (Masters Thesis). Brigham Young University. Retrieved from https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=7005&context=etd

Chicago Manual of Style (16th Edition):

Lewis, Mark T. “"An Hungry Man Dreameth": Transcendental Film Theory and Stylistic Trends in Recent Institutional Films of the LDS Church.” 2016. Masters Thesis, Brigham Young University. Accessed October 20, 2019. https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=7005&context=etd.

MLA Handbook (7th Edition):

Lewis, Mark T. “"An Hungry Man Dreameth": Transcendental Film Theory and Stylistic Trends in Recent Institutional Films of the LDS Church.” 2016. Web. 20 Oct 2019.

Vancouver:

Lewis MT. "An Hungry Man Dreameth": Transcendental Film Theory and Stylistic Trends in Recent Institutional Films of the LDS Church. [Internet] [Masters thesis]. Brigham Young University; 2016. [cited 2019 Oct 20]. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=7005&context=etd.

Council of Science Editors:

Lewis MT. "An Hungry Man Dreameth": Transcendental Film Theory and Stylistic Trends in Recent Institutional Films of the LDS Church. [Masters Thesis]. Brigham Young University; 2016. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=7005&context=etd

4. Cockburn, Daniel Ernest. The Argument (with annotations).

Degree: MFA - Master of Fine Arts, Film And Video, 2017, York University

 The Argument (with annotations) is an appropriated-footage essay about metaphor specifically, the seemingly commonplace human knack for constructing and understanding metaphors. Its unseen narrator's line… (more)

Subjects/Keywords: Literature; Film; Metaphor; Daniel Cockburn; Clare Coulter; Literature; Language; Northrop Frye; Christopher Bollas; Lakoff and Johnson; R.D. Laing; Paul Schrader; Zen; Fiction; Geoff Dyer; Homer; Iliad; John Carpenter; T.S. Eliot; Poetry; Mirrors; The Prisoner; Patrick McGoohan; The Big Lebowksi; Schizophrenia

Paul Schrader, and Friedrich Nietzsche. But the jumping-off point comes from a passage in The… …38 of Paul Schrader’s book Transcendental Style: Ozu, Bresson, Dreyer, which book I myself… …is lifted wholesale from page 23 of Paul Schrader’s Transcendental Style in Film: Ozu… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cockburn, D. E. (2017). The Argument (with annotations). (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/33545

Chicago Manual of Style (16th Edition):

Cockburn, Daniel Ernest. “The Argument (with annotations).” 2017. Masters Thesis, York University. Accessed October 20, 2019. http://hdl.handle.net/10315/33545.

MLA Handbook (7th Edition):

Cockburn, Daniel Ernest. “The Argument (with annotations).” 2017. Web. 20 Oct 2019.

Vancouver:

Cockburn DE. The Argument (with annotations). [Internet] [Masters thesis]. York University; 2017. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/10315/33545.

Council of Science Editors:

Cockburn DE. The Argument (with annotations). [Masters Thesis]. York University; 2017. Available from: http://hdl.handle.net/10315/33545


University of Otago

5. Goodwin, Richard Vance. Seeing is Believing: Revelation, Emotion, and Film Images .

Degree: University of Otago

 One of the most theologically interesting aspects of cinema is its apparent capacity to mediate revelation. While the primary agent of revelation is God, without… (more)

Subjects/Keywords: theology; revelation; general revelation; film; cinema; images; visuality; film form; film style; emotion; affect; cognitive film theory; transcendental style; genesis 28; ordet; carl theodor dreyer; silent light; carlos reygadas; 2001: a space odyssey; stanley kubrick; magnolia; paul thomas anderson; wonder; awe; connectedness; communion; montage; robert k. johnston; paul schrader; sheila nayar; jonathan brant; james k. a. smith; rudolf otto; john zizioulas; colin gunton

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Goodwin, R. V. (n.d.). Seeing is Believing: Revelation, Emotion, and Film Images . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/8114

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Chicago Manual of Style (16th Edition):

Goodwin, Richard Vance. “Seeing is Believing: Revelation, Emotion, and Film Images .” Doctoral Dissertation, University of Otago. Accessed October 20, 2019. http://hdl.handle.net/10523/8114.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

MLA Handbook (7th Edition):

Goodwin, Richard Vance. “Seeing is Believing: Revelation, Emotion, and Film Images .” Web. 20 Oct 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Goodwin RV. Seeing is Believing: Revelation, Emotion, and Film Images . [Internet] [Doctoral dissertation]. University of Otago; [cited 2019 Oct 20]. Available from: http://hdl.handle.net/10523/8114.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Council of Science Editors:

Goodwin RV. Seeing is Believing: Revelation, Emotion, and Film Images . [Doctoral Dissertation]. University of Otago; Available from: http://hdl.handle.net/10523/8114

Note: this citation may be lacking information needed for this citation format:
No year of publication.

.