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You searched for subject:(Passepied). Showing records 1 – 2 of 2 total matches.

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1. Luz Yanaina Álvarez Campos. Complexidade e Simplicidade: Paradoxo na Estrutura Composicional do Prelúdio da Suíte N. 5 para Violoncelo Solo de J.S. Bach.

Degree: 2011, Universidade Federal da Paraíba

Esta pesquisa tem por objetivo demonstrar a origem estilística do Prelúdio da Suíte N 5 para violoncelo solo de J.S. Bach, oferecendo novos elementos e subsídios interpretativos para a obra em questão. Tendo como marco teórico, Dance and the Music of J.S. Bach, de Little e Jenne, procura-se estabelecer a importância das danças da corte francesa dentro do estilo composicional de Bach. A partir deste estudo, destaca-se a dança passepied, quanto às suas características e estrutura composicional, fato este relevante, uma vez que é encontrada estreita relação entre a dança e a segunda seção do Prelúdio. Desta forma, o ponto central da pesquisa foi definir e comprovar que, embora escrita dentro da complexa estrutura de uma fuga, a segunda seção do Prelúdio da 5 Suíte está claramente baseada em uma passepied. Estabelecendo, assim, novos parâmetros interpretativos relacionados a estilo, andamento e caráter. Aspectos que certamente são relevantes à abordagem interpretativa da obra como um todo. Ao mesmo tempo, foi realizada uma nova edição do Prelúdio para violoncelo, a título de estudo comparativo, a partir da transcrição para alaúde de J.S. Bach e da cópia para violoncelo de Anna Magdalena Bach. Através desta análise foi possível destacar convergências e divergências entre as duas versões, obtendo como resultado a descoberta de novos elementos estruturantes relacionados à linguagem idiomática, com reflexo na compreensão da obra. A pesquisa constata que Bach combina, de maneira paradoxal, a complexa estrutura da fuga com os elementos simples característicos da dança passepied. Aspectos que reforçam e ampliam o entendimento para uma nova construção interpretativa do Prelúdio, a partir da origem estilística sob a qual a fuga foi elaborada.

This research aims to demonstrate the stylistic origin of Bachs Prelude from the Cello Suite No. 5, offering new elements and sources for interpretation of the work. Thus, we have taken the book Dance and the Music of J.S. Bach, written by Little and Jenne, as theoretical reference in order to establish the importance of the French court dances for the compositional style of J.S. Bach. From this study, we have pointed the main characteristics of the passepied, as well as its compositional structure, for we have found a close relationship between this French court dance and the second section of the Prelude. Thus, the main focus of the research was to define and demonstrate that, although written in the complex structure of a fugue, the second section of the Prelude from 5th Suite is clearly based on a passepied. Thereby establishing new interpretative parameters related to style, tempo and character. Aspects that are certainly relevant to the interpretive approach to the work. At the same time, we have prepared a new edition of the Prelude, for comparative purpose, based on J.S. Bachs lute transcription and the cello manuscript copy made by Anna Magdalena Bach. Through this comparative analysis, it was possible to emphasize the similarities and discrepancies between the two versions. As a…

Advisors/Committee Members: Felipe José Avellar de Aquino.

Subjects/Keywords: Suíte; Bach; Violoncelo; Passepied; Fuga; MUSICA; Bach; Suite; Cello; Passepied; Fugue

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Campos, L. Y. . (2011). Complexidade e Simplicidade: Paradoxo na Estrutura Composicional do Prelúdio da Suíte N. 5 para Violoncelo Solo de J.S. Bach. (Thesis). Universidade Federal da Paraíba. Retrieved from http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1632 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1633 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1634 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1635

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Campos, Luz Yanaina Álvarez. “Complexidade e Simplicidade: Paradoxo na Estrutura Composicional do Prelúdio da Suíte N. 5 para Violoncelo Solo de J.S. Bach.” 2011. Thesis, Universidade Federal da Paraíba. Accessed December 08, 2019. http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1632 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1633 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1634 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1635.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Campos, Luz Yanaina Álvarez. “Complexidade e Simplicidade: Paradoxo na Estrutura Composicional do Prelúdio da Suíte N. 5 para Violoncelo Solo de J.S. Bach.” 2011. Web. 08 Dec 2019.

Vancouver:

Campos LY. Complexidade e Simplicidade: Paradoxo na Estrutura Composicional do Prelúdio da Suíte N. 5 para Violoncelo Solo de J.S. Bach. [Internet] [Thesis]. Universidade Federal da Paraíba; 2011. [cited 2019 Dec 08]. Available from: http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1632 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1633 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1634 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1635.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Campos LY. Complexidade e Simplicidade: Paradoxo na Estrutura Composicional do Prelúdio da Suíte N. 5 para Violoncelo Solo de J.S. Bach. [Thesis]. Universidade Federal da Paraíba; 2011. Available from: http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1632 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1633 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1634 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1635

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

2. Guo, Shulin. A STUDY OF CLAUDE DEBUSSY’S SUITE BERGAMASQUE: PRELUDE, MENUET, CLAIR DE LUNE AND PASSEPIED.

Degree: DMA, Music, 2019, University of Kansas

Abstract Suite Bergamasque is one of the best-loved piano compositions by Claude Debussy. It is performed often in recitals and continues to gain popularity in the classical and popular realms. The focus of this research paper is to present the compositional history of Claude Debussy’s Suite Bergamasque, to analyze all four movements, with special attention to the music of “Clair de Lune,” and to explore the works of art and poetry that inspired it, as well as some of the connections between the music, poetry, and art that influenced Debussy overall. This paper first explores the complicated compositional history of the suite. Suite Bergamasque was first written in 1890, but completed and published in 1905. This study of the historical background will give us an increased understanding of Debussy’s compositional development as demonstrated in this work. Then, I will analyze all movements of Suite Bergamasque, considering harmonic language, formal structure, and performance practice. I will next focus on analyzing the relationship between “Clair de Lune” and the other movements, compositionally and in relation to the words and paintings that inspired the work. Finally, I will demonstrate the connections between Debussy’s music and the poetry of Paul Verlaine, as well as the works of the French painter Jean-Antoine Watteau. Advisors/Committee Members: Smith, Scott McBride (advisor), Winerock, Jack (cmtemember), Kirkendoll, Michael (cmtemember), Roust, Colin (cmtemember), Joseph, Kissan (cmtemember).

Subjects/Keywords: Music; Clair de Lune; Claude Debussy; Menuet; Passepied; Prelude; Suite Bergamsque

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Guo, S. (2019). A STUDY OF CLAUDE DEBUSSY’S SUITE BERGAMASQUE: PRELUDE, MENUET, CLAIR DE LUNE AND PASSEPIED. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/29585

Chicago Manual of Style (16th Edition):

Guo, Shulin. “A STUDY OF CLAUDE DEBUSSY’S SUITE BERGAMASQUE: PRELUDE, MENUET, CLAIR DE LUNE AND PASSEPIED.” 2019. Doctoral Dissertation, University of Kansas. Accessed December 08, 2019. http://hdl.handle.net/1808/29585.

MLA Handbook (7th Edition):

Guo, Shulin. “A STUDY OF CLAUDE DEBUSSY’S SUITE BERGAMASQUE: PRELUDE, MENUET, CLAIR DE LUNE AND PASSEPIED.” 2019. Web. 08 Dec 2019.

Vancouver:

Guo S. A STUDY OF CLAUDE DEBUSSY’S SUITE BERGAMASQUE: PRELUDE, MENUET, CLAIR DE LUNE AND PASSEPIED. [Internet] [Doctoral dissertation]. University of Kansas; 2019. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/1808/29585.

Council of Science Editors:

Guo S. A STUDY OF CLAUDE DEBUSSY’S SUITE BERGAMASQUE: PRELUDE, MENUET, CLAIR DE LUNE AND PASSEPIED. [Doctoral Dissertation]. University of Kansas; 2019. Available from: http://hdl.handle.net/1808/29585

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