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You searched for subject:(Partition of sensible). Showing records 1 – 2 of 2 total matches.

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1. Travassos, Thaís. Da partilha do sensível no Brasil: uma leitura de \'A hora e a vez de Augusto Matraga\' e \'Buriti\'.

Degree: Mestrado, Estudos Comparados de Literaturas de Língua Portuguesa, 2015, University of São Paulo

Este trabalho propõe uma leitura dos aspectos estruturais de narração, construção de personagens e enredo a partir de uma perspectiva que os considera como dados essenciais para aquilo que Rancière (2004) chamou de política da literatura. Os textos escolhidos, A hora e a vez de Augusto Matraga, de Sagarana, e Buriti, de Corpo de baile, foram considerados dentro de uma tradição brasileira da fala sobre um outro cultural, presente desde os românticos até os modernos. Tentou-se compreender como as inovações estruturais principalmente a reformulação do discurso indireto livre podem ser lidas como mais ou menos democráticas, a partir de uma reflexão sobre a partilha do sensível (Rancière, 2005) e a letra muda (Rancière, 2004).

This dissertation proposes a study of the structural aspects of narration, character and plot through a perspective that considers them as essential for what Rancière (2004) called politics of literature. The texts chosen, A hora e a vez de Augusto Matraga, from Sagarana and Buriti, from Corpo de baile, were read within a Brazilian literary tradition of speaking about a cultural other, present from romantic to modern writings. The research tried to understand how structural innovations specially the rebuilding of the free indirect speech (discurso indireto livre) may be read as more or less democratic considering the concepts of partition of the sensible (RANCIÈRE, 2005) and the mute letter (RANCIÈRE, 2004).

Advisors/Committee Members: Carelli, Fabiana Buitor.

Subjects/Keywords: A hora e a vez de Augusto Matraga; A hora e a vez de Augusto Matraga; Buriti; Buriti; Guimarães Rosa; Guimarães Rosa; Partilha do sensível; Partition of the sensible; Política da literatura; Politics of literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Travassos, T. (2015). Da partilha do sensível no Brasil: uma leitura de \'A hora e a vez de Augusto Matraga\' e \'Buriti\'. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8156/tde-09062015-110907/ ;

Chicago Manual of Style (16th Edition):

Travassos, Thaís. “Da partilha do sensível no Brasil: uma leitura de \'A hora e a vez de Augusto Matraga\' e \'Buriti\'.” 2015. Masters Thesis, University of São Paulo. Accessed October 30, 2020. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-09062015-110907/ ;.

MLA Handbook (7th Edition):

Travassos, Thaís. “Da partilha do sensível no Brasil: uma leitura de \'A hora e a vez de Augusto Matraga\' e \'Buriti\'.” 2015. Web. 30 Oct 2020.

Vancouver:

Travassos T. Da partilha do sensível no Brasil: uma leitura de \'A hora e a vez de Augusto Matraga\' e \'Buriti\'. [Internet] [Masters thesis]. University of São Paulo; 2015. [cited 2020 Oct 30]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8156/tde-09062015-110907/ ;.

Council of Science Editors:

Travassos T. Da partilha do sensível no Brasil: uma leitura de \'A hora e a vez de Augusto Matraga\' e \'Buriti\'. [Masters Thesis]. University of São Paulo; 2015. Available from: http://www.teses.usp.br/teses/disponiveis/8/8156/tde-09062015-110907/ ;


York University

2. Arda Guney, Talat Balca. The Sublime in Contemporary Art and Politics: The Post 9/11 Art of Middle Eastern Diaspora in North America.

Degree: PhD, Political Science, 2016, York University

This dissertation takes ethnographic approach to researching art with an emphasis on the artistic practices of Middle Eastern diasporic artists in Canada and the USA. This dissertation moves from an account of aesthetic theory to the revival of public interest in art related to the Middle East and the artistic challenges faced by diasporic artists from the Middle East in presenting depictions of their own subjectivity. The Arab Spring, revolutions, bloody protests and riots, as well as the attacks of radical Islamist groups have crowded mainstream news coverage with images of terror and the paradigm of radical destruction. Such reflections of horrific scenery emulate the aesthetics of the sublime in the imagination of contemporary politics. The increasing body of art emphasizing the region of the Middle East has also regenerated this mainstream media focus on the Middle East, Arab lands, and the Muslim landscape" with the same connotation of sublimity. I argue that these artistic reflections presume a particular Middle Eastern diasporic subjectivity that comes into visibility simultaneously as the translator and the witness, as well as the victim or perpetrator of this catastrophic imagery of the Middle East. I explore the artistic practices of the Middle Eastern diaspora in order to understand how they reflect their own self-image in the contemporary art scene to challenge this stereotype of the disaster carrier. I also investigate the novel ways in which the new social movements in the Middle East, such as the Green Movement in Iran or the various Arab Springs, are represented by the art works of critical diasporic artists living in North America and how such representations settle within the landscape of contemporary art. In this study, I consider two major subject matters that are present within diasporic artworks related to Middle East: the artistic representations of home countries and the current socio-political landscape; and the self-design art practices enacted through memories of immigration, performances of body and religiosity in the North American art scene. Rather than an analysis of hegemony, this dissertation analyzes how these art trends claim to be artistically valuable and aim to reach a wide audience, as well as what kinds of artistic desires they evoke. Drawing on critical studies of democratic process and social equity, this book contributes to aesthetic theory on contemporary art and puts forward questions concerning whether or not the oppositional capacity of contemporary art has withered away in neoliberal democracies. Advisors/Committee Members: Canefe, Nergis (advisor).

Subjects/Keywords: Political Science; Diaspora; Culture; Art; Aesthetics; Contemporary art; Middle Eastern; Middle East; North America; 9/11; Terror; Sublime; Muslim; Rancière; Kant; Lyotard; Agamben; Bare life; Burke; Terrorism; Immigration; Refugee; Diasporic; Consensus; Dissensus; Visual studies; Imagery; Multiculturalism; Self-loss; Hyper-realism; Postmodernism; Tragedy; Selfie; Self-image making; Self design; Artist; Memory; Ethnicity; Religion; Religiosity; Cultural difference; Racism; Body; Security; Communication; Representation; Victim; Hero; Victimization; Affect; Witness; Other; Otherization; Canada; US; USA; America; American; Canadian; Citizen; Citizenship; Migration; Xenophobia; Cosmopolitanism; Liberalism; War on terror; Discourse; Resistance; Opposition; Hegemony; Critical art; Partition of sensible; Visual; Imagination; Post-Enlightenment; Universalism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Arda Guney, T. B. (2016). The Sublime in Contemporary Art and Politics: The Post 9/11 Art of Middle Eastern Diaspora in North America. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/32326

Chicago Manual of Style (16th Edition):

Arda Guney, Talat Balca. “The Sublime in Contemporary Art and Politics: The Post 9/11 Art of Middle Eastern Diaspora in North America.” 2016. Doctoral Dissertation, York University. Accessed October 30, 2020. http://hdl.handle.net/10315/32326.

MLA Handbook (7th Edition):

Arda Guney, Talat Balca. “The Sublime in Contemporary Art and Politics: The Post 9/11 Art of Middle Eastern Diaspora in North America.” 2016. Web. 30 Oct 2020.

Vancouver:

Arda Guney TB. The Sublime in Contemporary Art and Politics: The Post 9/11 Art of Middle Eastern Diaspora in North America. [Internet] [Doctoral dissertation]. York University; 2016. [cited 2020 Oct 30]. Available from: http://hdl.handle.net/10315/32326.

Council of Science Editors:

Arda Guney TB. The Sublime in Contemporary Art and Politics: The Post 9/11 Art of Middle Eastern Diaspora in North America. [Doctoral Dissertation]. York University; 2016. Available from: http://hdl.handle.net/10315/32326

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