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You searched for subject:(Parody). Showing records 1 – 30 of 252 total matches.

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University of Georgia

1. Heflin, Kristen Marie. Parody for the public sphere: The Daily Show's narrative on democracy inaction.

Degree: MA, Journalism, 2005, University of Georgia

Parody is a narrative device that twists the conventions of an original work to create a new and typically subversive form of the original. Literary… (more)

Subjects/Keywords: Parody

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APA (6th Edition):

Heflin, K. M. (2005). Parody for the public sphere: The Daily Show's narrative on democracy inaction. (Masters Thesis). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/heflin_kristen_m_200505_ma

Chicago Manual of Style (16th Edition):

Heflin, Kristen Marie. “Parody for the public sphere: The Daily Show's narrative on democracy inaction.” 2005. Masters Thesis, University of Georgia. Accessed June 25, 2019. http://purl.galileo.usg.edu/uga_etd/heflin_kristen_m_200505_ma.

MLA Handbook (7th Edition):

Heflin, Kristen Marie. “Parody for the public sphere: The Daily Show's narrative on democracy inaction.” 2005. Web. 25 Jun 2019.

Vancouver:

Heflin KM. Parody for the public sphere: The Daily Show's narrative on democracy inaction. [Internet] [Masters thesis]. University of Georgia; 2005. [cited 2019 Jun 25]. Available from: http://purl.galileo.usg.edu/uga_etd/heflin_kristen_m_200505_ma.

Council of Science Editors:

Heflin KM. Parody for the public sphere: The Daily Show's narrative on democracy inaction. [Masters Thesis]. University of Georgia; 2005. Available from: http://purl.galileo.usg.edu/uga_etd/heflin_kristen_m_200505_ma


Univerzitet u Beogradu

2. Kalaba, Jovanka D., 1981-. Komparativna analiza parodijskih narativa u romanima Objava broja 49 Tomasa Pinčona i Fama o biciklistima Svetislava Basare.

Degree: Filološki fakultet, 2018, Univerzitet u Beogradu

Književnost - Američka književnost, srpska književnost, komparativna književnost / Literature - North-American Literature, Serbian Literature, Comparative Literature

Rad se bavi komparativnim tumačenjem dela tipskih predstavnika… (more)

Subjects/Keywords: postmodern novel; parody; social commentary; general parody; specific parody; metafiction; lyricism; melancholy

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APA (6th Edition):

Kalaba, Jovanka D., 1. (2018). Komparativna analiza parodijskih narativa u romanima Objava broja 49 Tomasa Pinčona i Fama o biciklistima Svetislava Basare. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:16866/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kalaba, Jovanka D., 1981-. “Komparativna analiza parodijskih narativa u romanima Objava broja 49 Tomasa Pinčona i Fama o biciklistima Svetislava Basare.” 2018. Thesis, Univerzitet u Beogradu. Accessed June 25, 2019. https://fedorabg.bg.ac.rs/fedora/get/o:16866/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kalaba, Jovanka D., 1981-. “Komparativna analiza parodijskih narativa u romanima Objava broja 49 Tomasa Pinčona i Fama o biciklistima Svetislava Basare.” 2018. Web. 25 Jun 2019.

Vancouver:

Kalaba, Jovanka D. 1. Komparativna analiza parodijskih narativa u romanima Objava broja 49 Tomasa Pinčona i Fama o biciklistima Svetislava Basare. [Internet] [Thesis]. Univerzitet u Beogradu; 2018. [cited 2019 Jun 25]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:16866/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kalaba, Jovanka D. 1. Komparativna analiza parodijskih narativa u romanima Objava broja 49 Tomasa Pinčona i Fama o biciklistima Svetislava Basare. [Thesis]. Univerzitet u Beogradu; 2018. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:16866/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

3. Pilkington, Shirley Anne. The use of parody in Peter Maxwell Davies' Taverner and related works.

Degree: M.Mus., Music, 1990, University of KwaZulu-Natal

Parody is a concept central to much of the work of Peter Maxwell Davies. In this study the First Fantasia on an In Nomine by… (more)

Subjects/Keywords: Music.; Parody (Music)

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APA (6th Edition):

Pilkington, S. A. (1990). The use of parody in Peter Maxwell Davies' Taverner and related works. (Masters Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/8891

Chicago Manual of Style (16th Edition):

Pilkington, Shirley Anne. “The use of parody in Peter Maxwell Davies' Taverner and related works.” 1990. Masters Thesis, University of KwaZulu-Natal. Accessed June 25, 2019. http://hdl.handle.net/10413/8891.

MLA Handbook (7th Edition):

Pilkington, Shirley Anne. “The use of parody in Peter Maxwell Davies' Taverner and related works.” 1990. Web. 25 Jun 2019.

Vancouver:

Pilkington SA. The use of parody in Peter Maxwell Davies' Taverner and related works. [Internet] [Masters thesis]. University of KwaZulu-Natal; 1990. [cited 2019 Jun 25]. Available from: http://hdl.handle.net/10413/8891.

Council of Science Editors:

Pilkington SA. The use of parody in Peter Maxwell Davies' Taverner and related works. [Masters Thesis]. University of KwaZulu-Natal; 1990. Available from: http://hdl.handle.net/10413/8891


Texas A&M University

4. Mallikarjunaiah, Bhuvana. Cartoon Noir: A Comparative Study of Visual Parody.

Degree: 2011, Texas A&M University

 American film parody can be characterized as a distorted, comical and yet affectionate imitation of a given genre or specific work. Film noir as a… (more)

Subjects/Keywords: American film parody; Film Noir; Looney Tunes

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APA (6th Edition):

Mallikarjunaiah, B. (2011). Cartoon Noir: A Comparative Study of Visual Parody. (Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/ETD-TAMU-2010-12-8592

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mallikarjunaiah, Bhuvana. “Cartoon Noir: A Comparative Study of Visual Parody.” 2011. Thesis, Texas A&M University. Accessed June 25, 2019. http://hdl.handle.net/1969.1/ETD-TAMU-2010-12-8592.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mallikarjunaiah, Bhuvana. “Cartoon Noir: A Comparative Study of Visual Parody.” 2011. Web. 25 Jun 2019.

Vancouver:

Mallikarjunaiah B. Cartoon Noir: A Comparative Study of Visual Parody. [Internet] [Thesis]. Texas A&M University; 2011. [cited 2019 Jun 25]. Available from: http://hdl.handle.net/1969.1/ETD-TAMU-2010-12-8592.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mallikarjunaiah B. Cartoon Noir: A Comparative Study of Visual Parody. [Thesis]. Texas A&M University; 2011. Available from: http://hdl.handle.net/1969.1/ETD-TAMU-2010-12-8592

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Miami University

5. Seibel, George L., IV. Being a Poet.

Degree: MA, English, 2012, Miami University

 This thesis is a parodic ars poetica wherein the social role of poetry is explored and exploded satirically through a variety of methods, including process-based… (more)

Subjects/Keywords: poetics; ars poetica; humor; parody; satire

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APA (6th Edition):

Seibel, George L., I. (2012). Being a Poet. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172

Chicago Manual of Style (16th Edition):

Seibel, George L., IV. “Being a Poet.” 2012. Masters Thesis, Miami University. Accessed June 25, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172.

MLA Handbook (7th Edition):

Seibel, George L., IV. “Being a Poet.” 2012. Web. 25 Jun 2019.

Vancouver:

Seibel, George L. I. Being a Poet. [Internet] [Masters thesis]. Miami University; 2012. [cited 2019 Jun 25]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172.

Council of Science Editors:

Seibel, George L. I. Being a Poet. [Masters Thesis]. Miami University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172


University of Vermont

6. Zapkin, Phillip. “Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives.

Degree: MA, English, 2011, University of Vermont

 The main theoretical thrust of my project involves the political uses of parodically performing shame and shaming rituals in resisting normative regulation. I argue that… (more)

Subjects/Keywords: Judith Butler; homonormativity; Parody; Queer; Gay shame

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APA (6th Edition):

Zapkin, P. (2011). “Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives. (Thesis). University of Vermont. Retrieved from https://scholarworks.uvm.edu/graddis/245

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zapkin, Phillip. ““Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives.” 2011. Thesis, University of Vermont. Accessed June 25, 2019. https://scholarworks.uvm.edu/graddis/245.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zapkin, Phillip. ““Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives.” 2011. Web. 25 Jun 2019.

Vancouver:

Zapkin P. “Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives. [Internet] [Thesis]. University of Vermont; 2011. [cited 2019 Jun 25]. Available from: https://scholarworks.uvm.edu/graddis/245.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zapkin P. “Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives. [Thesis]. University of Vermont; 2011. Available from: https://scholarworks.uvm.edu/graddis/245

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

7. Thomerson, John P. Parody as a Borrowing Practice in American Music, 1965–2015.

Degree: PhD, College-Conservatory of Music: Music (Musicology), 2017, University of Cincinnati

Parody is the most commonly used structural borrowing technique in contemporary American vernacular music. This study investigates parody as a borrowing practice, as a type… (more)

Subjects/Keywords: Music; parody; musical borrowing; ethnicity; incongruity; humor

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APA (6th Edition):

Thomerson, J. P. (2017). Parody as a Borrowing Practice in American Music, 1965–2015. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1510063658786716

Chicago Manual of Style (16th Edition):

Thomerson, John P. “Parody as a Borrowing Practice in American Music, 1965–2015.” 2017. Doctoral Dissertation, University of Cincinnati. Accessed June 25, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1510063658786716.

MLA Handbook (7th Edition):

Thomerson, John P. “Parody as a Borrowing Practice in American Music, 1965–2015.” 2017. Web. 25 Jun 2019.

Vancouver:

Thomerson JP. Parody as a Borrowing Practice in American Music, 1965–2015. [Internet] [Doctoral dissertation]. University of Cincinnati; 2017. [cited 2019 Jun 25]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1510063658786716.

Council of Science Editors:

Thomerson JP. Parody as a Borrowing Practice in American Music, 1965–2015. [Doctoral Dissertation]. University of Cincinnati; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1510063658786716


University of Oregon

8. Summers, Stephen. Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry.

Degree: 2014, University of Oregon

 During and after the First World War, English-language poets employed various ironic techniques to address war's dark absurdities. These methods, I argue, have various degrees… (more)

Subjects/Keywords: Ethics; Irony; Modern; Parody; Poetry; Satire

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APA (6th Edition):

Summers, S. (2014). Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry. (Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/18322

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Summers, Stephen. “Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry.” 2014. Thesis, University of Oregon. Accessed June 25, 2019. http://hdl.handle.net/1794/18322.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Summers, Stephen. “Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry.” 2014. Web. 25 Jun 2019.

Vancouver:

Summers S. Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry. [Internet] [Thesis]. University of Oregon; 2014. [cited 2019 Jun 25]. Available from: http://hdl.handle.net/1794/18322.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Summers S. Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry. [Thesis]. University of Oregon; 2014. Available from: http://hdl.handle.net/1794/18322

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

9. Walters, Whitney. Stuck.

Degree: MFA, School of Film and Animation (CIAS), 2017, Rochester Institute of Technology

  Stuck is six-minutes and five seconds in duration. The film starts in an artist’s studio, a blob creature gingerly applies paint to a canvas.… (more)

Subjects/Keywords: Blob; Bus stop; Interview; Jobs; Parody; Satire

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APA (6th Edition):

Walters, W. (2017). Stuck. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/9679

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walters, Whitney. “Stuck.” 2017. Thesis, Rochester Institute of Technology. Accessed June 25, 2019. https://scholarworks.rit.edu/theses/9679.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walters, Whitney. “Stuck.” 2017. Web. 25 Jun 2019.

Vancouver:

Walters W. Stuck. [Internet] [Thesis]. Rochester Institute of Technology; 2017. [cited 2019 Jun 25]. Available from: https://scholarworks.rit.edu/theses/9679.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walters W. Stuck. [Thesis]. Rochester Institute of Technology; 2017. Available from: https://scholarworks.rit.edu/theses/9679

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston College

10. Briones-Manzano, Luisa. La parodia quijotesca en el cine = Quixotic Parody in Film.

Degree: PhD, Romance Languages and Literatures, 2013, Boston College

 Esta tesis analiza la función de la parodia en Don Quijote de La Mancha (1605, 1615). A partir de la cual se explora la manera… (more)

Subjects/Keywords: Adaptation; Gavaldón; Gil; Parody; Quijote; Welles

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Briones-Manzano, L. (2013). La parodia quijotesca en el cine = Quixotic Parody in Film. (Doctoral Dissertation). Boston College. Retrieved from http://dlib.bc.edu/islandora/object/bc-ir:104030

Chicago Manual of Style (16th Edition):

Briones-Manzano, Luisa. “La parodia quijotesca en el cine = Quixotic Parody in Film.” 2013. Doctoral Dissertation, Boston College. Accessed June 25, 2019. http://dlib.bc.edu/islandora/object/bc-ir:104030.

MLA Handbook (7th Edition):

Briones-Manzano, Luisa. “La parodia quijotesca en el cine = Quixotic Parody in Film.” 2013. Web. 25 Jun 2019.

Vancouver:

Briones-Manzano L. La parodia quijotesca en el cine = Quixotic Parody in Film. [Internet] [Doctoral dissertation]. Boston College; 2013. [cited 2019 Jun 25]. Available from: http://dlib.bc.edu/islandora/object/bc-ir:104030.

Council of Science Editors:

Briones-Manzano L. La parodia quijotesca en el cine = Quixotic Parody in Film. [Doctoral Dissertation]. Boston College; 2013. Available from: http://dlib.bc.edu/islandora/object/bc-ir:104030


University of Southern California

11. Sandalska, Zlatina G. Parodic male docieties in Russian culture: from the late Medieval period to the late Soviet era.

Degree: PhD, Slavic Languages and Literatures, 2012, University of Southern California

 This dissertation aims to show that parodic male societies in Russian culture have shared a set of themes and behaviors across history and argues that… (more)

Subjects/Keywords: parody; male societies; dissident; drinking; monastic humor

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APA (6th Edition):

Sandalska, Z. G. (2012). Parodic male docieties in Russian culture: from the late Medieval period to the late Soviet era. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71483/rec/4926

Chicago Manual of Style (16th Edition):

Sandalska, Zlatina G. “Parodic male docieties in Russian culture: from the late Medieval period to the late Soviet era.” 2012. Doctoral Dissertation, University of Southern California. Accessed June 25, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71483/rec/4926.

MLA Handbook (7th Edition):

Sandalska, Zlatina G. “Parodic male docieties in Russian culture: from the late Medieval period to the late Soviet era.” 2012. Web. 25 Jun 2019.

Vancouver:

Sandalska ZG. Parodic male docieties in Russian culture: from the late Medieval period to the late Soviet era. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Jun 25]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71483/rec/4926.

Council of Science Editors:

Sandalska ZG. Parodic male docieties in Russian culture: from the late Medieval period to the late Soviet era. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71483/rec/4926


University of North Texas

12. Glann, Kerry. Musical Borrowing in the Choral Music of Andrew Rindfleisch.

Degree: 2015, University of North Texas

 American composer Andrew Rindfleisch (b. 1963) has contributed twenty-one pieces to the repertoire of contemporary choral literature to date. His works have been commissioned, premiered,… (more)

Subjects/Keywords: Choral music; musical borrowing; parody in music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Glann, K. (2015). Musical Borrowing in the Choral Music of Andrew Rindfleisch. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc822847/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Glann, Kerry. “Musical Borrowing in the Choral Music of Andrew Rindfleisch.” 2015. Thesis, University of North Texas. Accessed June 25, 2019. https://digital.library.unt.edu/ark:/67531/metadc822847/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Glann, Kerry. “Musical Borrowing in the Choral Music of Andrew Rindfleisch.” 2015. Web. 25 Jun 2019.

Vancouver:

Glann K. Musical Borrowing in the Choral Music of Andrew Rindfleisch. [Internet] [Thesis]. University of North Texas; 2015. [cited 2019 Jun 25]. Available from: https://digital.library.unt.edu/ark:/67531/metadc822847/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Glann K. Musical Borrowing in the Choral Music of Andrew Rindfleisch. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc822847/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Giovénal, Carine. « Du bestournement au renouvellement » : La construction du personnage chez Raoul de Houdenc (XIIIe siècle) : "Of the bestournement in the renewal" : the character’s building in Raoul de Houdenc, 13th century writer.

Degree: Docteur es, Langue et littérature françaises, 2011, Aix-Marseille 1

Considéré comme un continuateur de Chrétien de Troyes, Raoul de Houdenc s’inscrit dans la lignée des écrivains dits « arthuriens ». Avec son roman d’aventures… (more)

Subjects/Keywords: Moyen Âge; Personnage; Personne; Parodie; Apprentissage; Individu; Courtoisie; Satire; Allégorie; Middle Ages; Character; Person; Parody; Apprenticeship; Individual; Courtesy; Satire; Allegory; Parody

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APA (6th Edition):

Giovénal, C. (2011). « Du bestournement au renouvellement » : La construction du personnage chez Raoul de Houdenc (XIIIe siècle) : "Of the bestournement in the renewal" : the character’s building in Raoul de Houdenc, 13th century writer. (Doctoral Dissertation). Aix-Marseille 1. Retrieved from http://www.theses.fr/2011AIX10205

Chicago Manual of Style (16th Edition):

Giovénal, Carine. “« Du bestournement au renouvellement » : La construction du personnage chez Raoul de Houdenc (XIIIe siècle) : "Of the bestournement in the renewal" : the character’s building in Raoul de Houdenc, 13th century writer.” 2011. Doctoral Dissertation, Aix-Marseille 1. Accessed June 25, 2019. http://www.theses.fr/2011AIX10205.

MLA Handbook (7th Edition):

Giovénal, Carine. “« Du bestournement au renouvellement » : La construction du personnage chez Raoul de Houdenc (XIIIe siècle) : "Of the bestournement in the renewal" : the character’s building in Raoul de Houdenc, 13th century writer.” 2011. Web. 25 Jun 2019.

Vancouver:

Giovénal C. « Du bestournement au renouvellement » : La construction du personnage chez Raoul de Houdenc (XIIIe siècle) : "Of the bestournement in the renewal" : the character’s building in Raoul de Houdenc, 13th century writer. [Internet] [Doctoral dissertation]. Aix-Marseille 1; 2011. [cited 2019 Jun 25]. Available from: http://www.theses.fr/2011AIX10205.

Council of Science Editors:

Giovénal C. « Du bestournement au renouvellement » : La construction du personnage chez Raoul de Houdenc (XIIIe siècle) : "Of the bestournement in the renewal" : the character’s building in Raoul de Houdenc, 13th century writer. [Doctoral Dissertation]. Aix-Marseille 1; 2011. Available from: http://www.theses.fr/2011AIX10205

14. Daniel, Marc. L'art du récit chez Éric Chevillard : Éric Chevillard's Art of Narrative.

Degree: Docteur es, Littérature française et comparée, 2012, Université Sorbonne Nouvelle – Paris III

Avec une œuvre déjà abondante (dix-sept romans publiés à ce jour, sans compter des recueils de textes brefs et quatre volumes de son blog quotidien,… (more)

Subjects/Keywords: Antiromanesque; Fantaisie; Ludique; Ironie; Parodie; Conscience; Playful; Whimsical; Irony; Parody; Consciousness

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APA (6th Edition):

Daniel, M. (2012). L'art du récit chez Éric Chevillard : Éric Chevillard's Art of Narrative. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2012PA030075

Chicago Manual of Style (16th Edition):

Daniel, Marc. “L'art du récit chez Éric Chevillard : Éric Chevillard's Art of Narrative.” 2012. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed June 25, 2019. http://www.theses.fr/2012PA030075.

MLA Handbook (7th Edition):

Daniel, Marc. “L'art du récit chez Éric Chevillard : Éric Chevillard's Art of Narrative.” 2012. Web. 25 Jun 2019.

Vancouver:

Daniel M. L'art du récit chez Éric Chevillard : Éric Chevillard's Art of Narrative. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2012. [cited 2019 Jun 25]. Available from: http://www.theses.fr/2012PA030075.

Council of Science Editors:

Daniel M. L'art du récit chez Éric Chevillard : Éric Chevillard's Art of Narrative. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2012. Available from: http://www.theses.fr/2012PA030075

15. Bolfarine, Mariana. Espaço e metaficção em A house for Mr. Biswas, de V. S. Naipaul.

Degree: Mestrado, Estudos Lingüísticos e Literários em Inglês, 2011, University of São Paulo

A presente dissertação propõe um estudo do espaço literário no romance A House for Mr. Biswas (1961), do escritor indo-caribenho V. S. Naipaul. Num primeiro… (more)

Subjects/Keywords: Chronotope; Cronotopo; Espaço; Metaficção; Metafiction; Novel; Paródia; Parody; Romance; Space

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APA (6th Edition):

Bolfarine, M. (2011). Espaço e metaficção em A house for Mr. Biswas, de V. S. Naipaul. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8147/tde-26092011-123338/ ;

Chicago Manual of Style (16th Edition):

Bolfarine, Mariana. “Espaço e metaficção em A house for Mr. Biswas, de V. S. Naipaul.” 2011. Masters Thesis, University of São Paulo. Accessed June 25, 2019. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-26092011-123338/ ;.

MLA Handbook (7th Edition):

Bolfarine, Mariana. “Espaço e metaficção em A house for Mr. Biswas, de V. S. Naipaul.” 2011. Web. 25 Jun 2019.

Vancouver:

Bolfarine M. Espaço e metaficção em A house for Mr. Biswas, de V. S. Naipaul. [Internet] [Masters thesis]. University of São Paulo; 2011. [cited 2019 Jun 25]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8147/tde-26092011-123338/ ;.

Council of Science Editors:

Bolfarine M. Espaço e metaficção em A house for Mr. Biswas, de V. S. Naipaul. [Masters Thesis]. University of São Paulo; 2011. Available from: http://www.teses.usp.br/teses/disponiveis/8/8147/tde-26092011-123338/ ;


Universidade Presbiteriana Mackenzie

16. Silvana Perrella Brito. O diálogo entre os quadrinhos do Superman e do Overman.

Degree: 2007, Universidade Presbiteriana Mackenzie

Este trabalho pretende analisar a intertextualidade estabelecida entre os super-heróis Superman, criado por Joe Shuster e Jerry Siegel, e Overman, criado pelo cartunista brasileiro Laerte… (more)

Subjects/Keywords: intertextualidade; quadrinhos; carnavalização; paródia; intertextuality; comics; carnivalization; parody; LETRAS

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brito, S. P. (2007). O diálogo entre os quadrinhos do Superman e do Overman. (Thesis). Universidade Presbiteriana Mackenzie. Retrieved from http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=542

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brito, Silvana Perrella. “O diálogo entre os quadrinhos do Superman e do Overman.” 2007. Thesis, Universidade Presbiteriana Mackenzie. Accessed June 25, 2019. http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=542.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brito, Silvana Perrella. “O diálogo entre os quadrinhos do Superman e do Overman.” 2007. Web. 25 Jun 2019.

Vancouver:

Brito SP. O diálogo entre os quadrinhos do Superman e do Overman. [Internet] [Thesis]. Universidade Presbiteriana Mackenzie; 2007. [cited 2019 Jun 25]. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=542.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brito SP. O diálogo entre os quadrinhos do Superman e do Overman. [Thesis]. Universidade Presbiteriana Mackenzie; 2007. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=542

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oxford

17. Gibson, Robert Raphael. Parody lost and regained : Richard Strauss's double voices.

Degree: 2004, University of Oxford

 This thesis argues the case for the parodic voice in a range of works by Richard Strauss. In doing so, it challenges the long-held view… (more)

Subjects/Keywords: 780.92; Criticism and interpretation : Parody

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gibson, R. R. (2004). Parody lost and regained : Richard Strauss's double voices. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:8e0fdace-c499-4ca4-a9d8-a312d33d78c6 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408174

Chicago Manual of Style (16th Edition):

Gibson, Robert Raphael. “Parody lost and regained : Richard Strauss's double voices.” 2004. Doctoral Dissertation, University of Oxford. Accessed June 25, 2019. http://ora.ox.ac.uk/objects/uuid:8e0fdace-c499-4ca4-a9d8-a312d33d78c6 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408174.

MLA Handbook (7th Edition):

Gibson, Robert Raphael. “Parody lost and regained : Richard Strauss's double voices.” 2004. Web. 25 Jun 2019.

Vancouver:

Gibson RR. Parody lost and regained : Richard Strauss's double voices. [Internet] [Doctoral dissertation]. University of Oxford; 2004. [cited 2019 Jun 25]. Available from: http://ora.ox.ac.uk/objects/uuid:8e0fdace-c499-4ca4-a9d8-a312d33d78c6 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408174.

Council of Science Editors:

Gibson RR. Parody lost and regained : Richard Strauss's double voices. [Doctoral Dissertation]. University of Oxford; 2004. Available from: http://ora.ox.ac.uk/objects/uuid:8e0fdace-c499-4ca4-a9d8-a312d33d78c6 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408174


University of Kansas

18. Cummins, Melissa D. Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant.

Degree: PhD, Music, 2017, University of Kansas

 Abstract In past scholarship, Germaine Tailleferre has been briefly written about as the only female member of Les Six and as a composer of instrumental… (more)

Subjects/Keywords: Music; History; France; Offenbach; Opera; Parody; Radio; Tailleferre

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APA (6th Edition):

Cummins, M. D. (2017). Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/25233

Chicago Manual of Style (16th Edition):

Cummins, Melissa D. “Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant.” 2017. Doctoral Dissertation, University of Kansas. Accessed June 25, 2019. http://hdl.handle.net/1808/25233.

MLA Handbook (7th Edition):

Cummins, Melissa D. “Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant.” 2017. Web. 25 Jun 2019.

Vancouver:

Cummins MD. Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant. [Internet] [Doctoral dissertation]. University of Kansas; 2017. [cited 2019 Jun 25]. Available from: http://hdl.handle.net/1808/25233.

Council of Science Editors:

Cummins MD. Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant. [Doctoral Dissertation]. University of Kansas; 2017. Available from: http://hdl.handle.net/1808/25233


Univerzitet u Beogradu

19. Srdić, Srđan. 1977-. Odnos stvarnosti i fikcije u prozi Džonatana Svifta.

Degree: Filološki fakultet, 2016, Univerzitet u Beogradu

Nauka o književnosti - Teorija književnosti / Literary studies - Theory of literature

Rad se bavi odnosima stvarnosti i fikcije u prozi Džonatana Svifta. Teorijsko… (more)

Subjects/Keywords: fiction; truth; reality; possible worlds; fictional worlds; satire; parody; irony

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APA (6th Edition):

Srdić, S. 1. (2016). Odnos stvarnosti i fikcije u prozi Džonatana Svifta. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:12608/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Srdić, Srđan 1977-. “Odnos stvarnosti i fikcije u prozi Džonatana Svifta.” 2016. Thesis, Univerzitet u Beogradu. Accessed June 25, 2019. https://fedorabg.bg.ac.rs/fedora/get/o:12608/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Srdić, Srđan 1977-. “Odnos stvarnosti i fikcije u prozi Džonatana Svifta.” 2016. Web. 25 Jun 2019.

Vancouver:

Srdić S1. Odnos stvarnosti i fikcije u prozi Džonatana Svifta. [Internet] [Thesis]. Univerzitet u Beogradu; 2016. [cited 2019 Jun 25]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:12608/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Srdić S1. Odnos stvarnosti i fikcije u prozi Džonatana Svifta. [Thesis]. Univerzitet u Beogradu; 2016. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:12608/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

20. Stewart, Julie M. The Rhetoric of <i>South Park</i>.

Degree: MA, Arts and Sciences : Communication, 2007, University of Cincinnati

 This study examines the rhetoric of the cartoon <i>South Park</i>. <i>South Park</i> is a popular culture artifact that deals with numerous contemporary social and political… (more)

Subjects/Keywords: Rhetoric; communication; politics; populism; South Park; Television; cartoons; parody

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stewart, J. M. (2007). The Rhetoric of <i>South Park</i>. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185373368

Chicago Manual of Style (16th Edition):

Stewart, Julie M. “The Rhetoric of <i>South Park</i>.” 2007. Masters Thesis, University of Cincinnati. Accessed June 25, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185373368.

MLA Handbook (7th Edition):

Stewart, Julie M. “The Rhetoric of <i>South Park</i>.” 2007. Web. 25 Jun 2019.

Vancouver:

Stewart JM. The Rhetoric of <i>South Park</i>. [Internet] [Masters thesis]. University of Cincinnati; 2007. [cited 2019 Jun 25]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185373368.

Council of Science Editors:

Stewart JM. The Rhetoric of <i>South Park</i>. [Masters Thesis]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185373368


Université de Montréal

21. Bonenfant, Charles. L'hagiographie pataphysique : enjeux de l'ethos dans les Vies de Saints du Calendrier .

Degree: 2010, Université de Montréal

 Forme littéraire développée dès les débuts du IVe siècle, l’hagiographie, plus tard sanctionnée par l’Église catholique romaine, se déploie avec tout le rituel et le… (more)

Subjects/Keywords: rhétorique; ethos; 'Pataphysique; parodie; hagiographie; rhetoric; ethos; 'Pataphysics; parody; hagiography

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APA (6th Edition):

Bonenfant, C. (2010). L'hagiographie pataphysique : enjeux de l'ethos dans les Vies de Saints du Calendrier . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/4100

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bonenfant, Charles. “L'hagiographie pataphysique : enjeux de l'ethos dans les Vies de Saints du Calendrier .” 2010. Thesis, Université de Montréal. Accessed June 25, 2019. http://hdl.handle.net/1866/4100.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bonenfant, Charles. “L'hagiographie pataphysique : enjeux de l'ethos dans les Vies de Saints du Calendrier .” 2010. Web. 25 Jun 2019.

Vancouver:

Bonenfant C. L'hagiographie pataphysique : enjeux de l'ethos dans les Vies de Saints du Calendrier . [Internet] [Thesis]. Université de Montréal; 2010. [cited 2019 Jun 25]. Available from: http://hdl.handle.net/1866/4100.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bonenfant C. L'hagiographie pataphysique : enjeux de l'ethos dans les Vies de Saints du Calendrier . [Thesis]. Université de Montréal; 2010. Available from: http://hdl.handle.net/1866/4100

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

22. Lam, W.Y. The Gun Seller: A Parody of the Superhuman Spy.

Degree: 2010, Universiteit Utrecht

 This essay concentrates on the translation of The Gun Seller – chapter eighteen will serve as the source for illustrations – with particular attention to… (more)

Subjects/Keywords: Letteren; translation; parody; spy-fiction; The Gun Seller

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APA (6th Edition):

Lam, W. Y. (2010). The Gun Seller: A Parody of the Superhuman Spy. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/179454

Chicago Manual of Style (16th Edition):

Lam, W Y. “The Gun Seller: A Parody of the Superhuman Spy.” 2010. Masters Thesis, Universiteit Utrecht. Accessed June 25, 2019. http://dspace.library.uu.nl:8080/handle/1874/179454.

MLA Handbook (7th Edition):

Lam, W Y. “The Gun Seller: A Parody of the Superhuman Spy.” 2010. Web. 25 Jun 2019.

Vancouver:

Lam WY. The Gun Seller: A Parody of the Superhuman Spy. [Internet] [Masters thesis]. Universiteit Utrecht; 2010. [cited 2019 Jun 25]. Available from: http://dspace.library.uu.nl:8080/handle/1874/179454.

Council of Science Editors:

Lam WY. The Gun Seller: A Parody of the Superhuman Spy. [Masters Thesis]. Universiteit Utrecht; 2010. Available from: http://dspace.library.uu.nl:8080/handle/1874/179454


Purdue University

23. Padgett, Christopher J. Poetry matters: Radical politics in postmodern American poetry.

Degree: PhD, English, 2016, Purdue University

  Directly or indirectly, poetry produced in the postmodern era is implicated in the politics of the time. Postmodern American poetry, then, is not reducible… (more)

Subjects/Keywords: Language literature and linguistics; American poetry; Parody; Postmodernism; American Literature

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APA (6th Edition):

Padgett, C. J. (2016). Poetry matters: Radical politics in postmodern American poetry. (Doctoral Dissertation). Purdue University. Retrieved from http://docs.lib.purdue.edu/open_access_dissertations/984

Chicago Manual of Style (16th Edition):

Padgett, Christopher J. “Poetry matters: Radical politics in postmodern American poetry.” 2016. Doctoral Dissertation, Purdue University. Accessed June 25, 2019. http://docs.lib.purdue.edu/open_access_dissertations/984.

MLA Handbook (7th Edition):

Padgett, Christopher J. “Poetry matters: Radical politics in postmodern American poetry.” 2016. Web. 25 Jun 2019.

Vancouver:

Padgett CJ. Poetry matters: Radical politics in postmodern American poetry. [Internet] [Doctoral dissertation]. Purdue University; 2016. [cited 2019 Jun 25]. Available from: http://docs.lib.purdue.edu/open_access_dissertations/984.

Council of Science Editors:

Padgett CJ. Poetry matters: Radical politics in postmodern American poetry. [Doctoral Dissertation]. Purdue University; 2016. Available from: http://docs.lib.purdue.edu/open_access_dissertations/984


Case Western Reserve University

24. Brownlee, Pamela Pender. “Changeably meaning vocable scriptsigns”: Protean parody in Joyce’s “Telemachiad”.

Degree: PhD, English, 1993, Case Western Reserve University

 Recent Joyce criticism makes clear that the richness and variety of his parody stems from traditional methods adapted to meet the needs of a modernist… (more)

Subjects/Keywords: parody; JOYCE; parodies; Buck; Dubliners

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APA (6th Edition):

Brownlee, P. P. (1993). “Changeably meaning vocable scriptsigns”: Protean parody in Joyce’s “Telemachiad”. (Doctoral Dissertation). Case Western Reserve University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=case1056657886

Chicago Manual of Style (16th Edition):

Brownlee, Pamela Pender. ““Changeably meaning vocable scriptsigns”: Protean parody in Joyce’s “Telemachiad”.” 1993. Doctoral Dissertation, Case Western Reserve University. Accessed June 25, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=case1056657886.

MLA Handbook (7th Edition):

Brownlee, Pamela Pender. ““Changeably meaning vocable scriptsigns”: Protean parody in Joyce’s “Telemachiad”.” 1993. Web. 25 Jun 2019.

Vancouver:

Brownlee PP. “Changeably meaning vocable scriptsigns”: Protean parody in Joyce’s “Telemachiad”. [Internet] [Doctoral dissertation]. Case Western Reserve University; 1993. [cited 2019 Jun 25]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1056657886.

Council of Science Editors:

Brownlee PP. “Changeably meaning vocable scriptsigns”: Protean parody in Joyce’s “Telemachiad”. [Doctoral Dissertation]. Case Western Reserve University; 1993. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1056657886


Louisiana State University

25. Boyd, Lani. The Yes Men and activism in the information age.

Degree: MA, Arts and Humanities, 2005, Louisiana State University

 Western history is filled with pranks and trickery intent on enlightening audiences by blending fiction with reality. The Yes Men, an Internet-based activist group, did… (more)

Subjects/Keywords: hacktivism; activist art; globalization; parody

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APA (6th Edition):

Boyd, L. (2005). The Yes Men and activism in the information age. (Masters Thesis). Louisiana State University. Retrieved from etd-04142005-174336 ; https://digitalcommons.lsu.edu/gradschool_theses/3689

Chicago Manual of Style (16th Edition):

Boyd, Lani. “The Yes Men and activism in the information age.” 2005. Masters Thesis, Louisiana State University. Accessed June 25, 2019. etd-04142005-174336 ; https://digitalcommons.lsu.edu/gradschool_theses/3689.

MLA Handbook (7th Edition):

Boyd, Lani. “The Yes Men and activism in the information age.” 2005. Web. 25 Jun 2019.

Vancouver:

Boyd L. The Yes Men and activism in the information age. [Internet] [Masters thesis]. Louisiana State University; 2005. [cited 2019 Jun 25]. Available from: etd-04142005-174336 ; https://digitalcommons.lsu.edu/gradschool_theses/3689.

Council of Science Editors:

Boyd L. The Yes Men and activism in the information age. [Masters Thesis]. Louisiana State University; 2005. Available from: etd-04142005-174336 ; https://digitalcommons.lsu.edu/gradschool_theses/3689


University of California – Riverside

26. Ramey, Anamaria C. Portrait Paradox: Complicating Identity in Catherine Opie's "Being and Having".

Degree: Art History, 2014, University of California – Riverside

 Contemporary American photographer Catherine Opie's work Being and Having (1991) is a series of thirteen photographic extreme close-up portraits, resembling head-shots, of lesbian women wearing… (more)

Subjects/Keywords: Art history; color; gender; parody; photography; portraiture; queer theory

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APA (6th Edition):

Ramey, A. C. (2014). Portrait Paradox: Complicating Identity in Catherine Opie's "Being and Having". (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/3tf6v1xq

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ramey, Anamaria C. “Portrait Paradox: Complicating Identity in Catherine Opie's "Being and Having".” 2014. Thesis, University of California – Riverside. Accessed June 25, 2019. http://www.escholarship.org/uc/item/3tf6v1xq.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ramey, Anamaria C. “Portrait Paradox: Complicating Identity in Catherine Opie's "Being and Having".” 2014. Web. 25 Jun 2019.

Vancouver:

Ramey AC. Portrait Paradox: Complicating Identity in Catherine Opie's "Being and Having". [Internet] [Thesis]. University of California – Riverside; 2014. [cited 2019 Jun 25]. Available from: http://www.escholarship.org/uc/item/3tf6v1xq.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ramey AC. Portrait Paradox: Complicating Identity in Catherine Opie's "Being and Having". [Thesis]. University of California – Riverside; 2014. Available from: http://www.escholarship.org/uc/item/3tf6v1xq

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

27. Loth, Joanne Marie. Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder.

Degree: 2011, Queensland University of Technology

 This PhD represents my attempt to make sense of my personal experiences of depression through the form of cabaret. I first experienced depression in 2006.… (more)

Subjects/Keywords: cabaret; depression; bipolar disorder; narrative therapy; persona; parody; provocateur; vamp

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APA (6th Edition):

Loth, J. M. (2011). Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/49434/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Loth, Joanne Marie. “Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder.” 2011. Thesis, Queensland University of Technology. Accessed June 25, 2019. https://eprints.qut.edu.au/49434/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Loth, Joanne Marie. “Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder.” 2011. Web. 25 Jun 2019.

Vancouver:

Loth JM. Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder. [Internet] [Thesis]. Queensland University of Technology; 2011. [cited 2019 Jun 25]. Available from: https://eprints.qut.edu.au/49434/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Loth JM. Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder. [Thesis]. Queensland University of Technology; 2011. Available from: https://eprints.qut.edu.au/49434/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vytautas Magnus University

28. Stankevičius, Šarūnas. Reklama ir jos parodijos: sąsajos su tautosaka.

Degree: Master, Etnology, 2012, Vytautas Magnus University

Darbo objektas - reklamos parodija ir jos kūrimo būdai. Tikslas: nustatyti reklamos daromą įtaką žmogaus psichologijai ir ištirti juoko kūrimo principus reklamų parodijose. Išsikelti uždaviniai:… (more)

Subjects/Keywords: Reklama; Reklamų parodijos; Juokas; Advertisement; Parody of advertisement; Laugh

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stankevičius, Šarūnas. (2012). Reklama ir jos parodijos: sąsajos su tautosaka. (Masters Thesis). Vytautas Magnus University. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120625_092032-10509 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

Stankevičius, Šarūnas. “Reklama ir jos parodijos: sąsajos su tautosaka.” 2012. Masters Thesis, Vytautas Magnus University. Accessed June 25, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120625_092032-10509 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

Stankevičius, Šarūnas. “Reklama ir jos parodijos: sąsajos su tautosaka.” 2012. Web. 25 Jun 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

Stankevičius, Šarūnas. Reklama ir jos parodijos: sąsajos su tautosaka. [Internet] [Masters thesis]. Vytautas Magnus University; 2012. [cited 2019 Jun 25]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120625_092032-10509 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

Stankevičius, Šarūnas. Reklama ir jos parodijos: sąsajos su tautosaka. [Masters Thesis]. Vytautas Magnus University; 2012. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120625_092032-10509 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


Vilnius Pedagogical University

29. Didžiulytė, Margarita. Džono Faulzo romanas "Prancūzų leitenanto moteris"kaip Viktorijos epochos romano imitacija ir parodija".

Degree: Master, Philology, 2006, Vilnius Pedagogical University

 The paper presents J. R. Fowles's novel "The French Lieutenants's Woman" as imitation and parody of Victorian novel.The epigraphs, duality of presentation and multiple endings… (more)

Subjects/Keywords: Parody; Imitation; Imitacija; Parodija

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APA (6th Edition):

Didžiulytė, Margarita. (2006). Džono Faulzo romanas "Prancūzų leitenanto moteris"kaip Viktorijos epochos romano imitacija ir parodija". (Masters Thesis). Vilnius Pedagogical University. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2006~D_20060612_080534-18599 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

Didžiulytė, Margarita. “Džono Faulzo romanas "Prancūzų leitenanto moteris"kaip Viktorijos epochos romano imitacija ir parodija".” 2006. Masters Thesis, Vilnius Pedagogical University. Accessed June 25, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2006~D_20060612_080534-18599 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

Didžiulytė, Margarita. “Džono Faulzo romanas "Prancūzų leitenanto moteris"kaip Viktorijos epochos romano imitacija ir parodija".” 2006. Web. 25 Jun 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

Didžiulytė, Margarita. Džono Faulzo romanas "Prancūzų leitenanto moteris"kaip Viktorijos epochos romano imitacija ir parodija". [Internet] [Masters thesis]. Vilnius Pedagogical University; 2006. [cited 2019 Jun 25]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2006~D_20060612_080534-18599 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

Didžiulytė, Margarita. Džono Faulzo romanas "Prancūzų leitenanto moteris"kaip Viktorijos epochos romano imitacija ir parodija". [Masters Thesis]. Vilnius Pedagogical University; 2006. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2006~D_20060612_080534-18599 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


Cornell University

30. Cote, Sarah. Great Affectations: Camp Parody In The British Long Eighteenth Century .

Degree: 2014, Cornell University

 My dissertation explains that, despite the nominal anachronism, camp has always inhabited literature of the long eighteenth century, namely those examples that were created from… (more)

Subjects/Keywords: eighteenth-century; drama literature parody; british english camp

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cote, S. (2014). Great Affectations: Camp Parody In The British Long Eighteenth Century . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/36174

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cote, Sarah. “Great Affectations: Camp Parody In The British Long Eighteenth Century .” 2014. Thesis, Cornell University. Accessed June 25, 2019. http://hdl.handle.net/1813/36174.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cote, Sarah. “Great Affectations: Camp Parody In The British Long Eighteenth Century .” 2014. Web. 25 Jun 2019.

Vancouver:

Cote S. Great Affectations: Camp Parody In The British Long Eighteenth Century . [Internet] [Thesis]. Cornell University; 2014. [cited 2019 Jun 25]. Available from: http://hdl.handle.net/1813/36174.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cote S. Great Affectations: Camp Parody In The British Long Eighteenth Century . [Thesis]. Cornell University; 2014. Available from: http://hdl.handle.net/1813/36174

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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