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You searched for subject:(Parody). Showing records 1 – 30 of 350 total matches.

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Univerzitet u Beogradu

1. Kalaba, Jovanka D., 1981-. Komparativna analiza parodijskih narativa u romanima Objava broja 49 Tomasa Pinčona i Fama o biciklistima Svetislava Basare.

Degree: Filološki fakultet, 2018, Univerzitet u Beogradu

Književnost - Američka književnost, srpska književnost, komparativna književnost / Literature - North-American Literature, Serbian Literature, Comparative Literature

Rad se bavi komparativnim tumačenjem dela tipskih predstavnika… (more)

Subjects/Keywords: postmodern novel; parody; social commentary; general parody; specific parody; metafiction; lyricism; melancholy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kalaba, Jovanka D., 1. (2018). Komparativna analiza parodijskih narativa u romanima Objava broja 49 Tomasa Pinčona i Fama o biciklistima Svetislava Basare. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:16866/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kalaba, Jovanka D., 1981-. “Komparativna analiza parodijskih narativa u romanima Objava broja 49 Tomasa Pinčona i Fama o biciklistima Svetislava Basare.” 2018. Thesis, Univerzitet u Beogradu. Accessed May 06, 2021. https://fedorabg.bg.ac.rs/fedora/get/o:16866/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kalaba, Jovanka D., 1981-. “Komparativna analiza parodijskih narativa u romanima Objava broja 49 Tomasa Pinčona i Fama o biciklistima Svetislava Basare.” 2018. Web. 06 May 2021.

Vancouver:

Kalaba, Jovanka D. 1. Komparativna analiza parodijskih narativa u romanima Objava broja 49 Tomasa Pinčona i Fama o biciklistima Svetislava Basare. [Internet] [Thesis]. Univerzitet u Beogradu; 2018. [cited 2021 May 06]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:16866/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kalaba, Jovanka D. 1. Komparativna analiza parodijskih narativa u romanima Objava broja 49 Tomasa Pinčona i Fama o biciklistima Svetislava Basare. [Thesis]. Univerzitet u Beogradu; 2018. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:16866/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

2. Walters, Whitney. Stuck.

Degree: MFA, School of Film and Animation (CIAS), 2017, Rochester Institute of Technology

  Stuck is six-minutes and five seconds in duration. The film starts in an artist’s studio, a blob creature gingerly applies paint to a canvas.… (more)

Subjects/Keywords: Blob; Bus stop; Interview; Jobs; Parody; Satire

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APA (6th Edition):

Walters, W. (2017). Stuck. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/9679

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walters, Whitney. “Stuck.” 2017. Thesis, Rochester Institute of Technology. Accessed May 06, 2021. https://scholarworks.rit.edu/theses/9679.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walters, Whitney. “Stuck.” 2017. Web. 06 May 2021.

Vancouver:

Walters W. Stuck. [Internet] [Thesis]. Rochester Institute of Technology; 2017. [cited 2021 May 06]. Available from: https://scholarworks.rit.edu/theses/9679.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walters W. Stuck. [Thesis]. Rochester Institute of Technology; 2017. Available from: https://scholarworks.rit.edu/theses/9679

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas A&M University

3. Mallikarjunaiah, Bhuvana. Cartoon Noir: A Comparative Study of Visual Parody.

Degree: MS, Visualization Sciences, 2011, Texas A&M University

 American film parody can be characterized as a distorted, comical and yet affectionate imitation of a given genre or specific work. Film noir as a… (more)

Subjects/Keywords: American film parody; Film Noir; Looney Tunes

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APA (6th Edition):

Mallikarjunaiah, B. (2011). Cartoon Noir: A Comparative Study of Visual Parody. (Masters Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/ETD-TAMU-2010-12-8592

Chicago Manual of Style (16th Edition):

Mallikarjunaiah, Bhuvana. “Cartoon Noir: A Comparative Study of Visual Parody.” 2011. Masters Thesis, Texas A&M University. Accessed May 06, 2021. http://hdl.handle.net/1969.1/ETD-TAMU-2010-12-8592.

MLA Handbook (7th Edition):

Mallikarjunaiah, Bhuvana. “Cartoon Noir: A Comparative Study of Visual Parody.” 2011. Web. 06 May 2021.

Vancouver:

Mallikarjunaiah B. Cartoon Noir: A Comparative Study of Visual Parody. [Internet] [Masters thesis]. Texas A&M University; 2011. [cited 2021 May 06]. Available from: http://hdl.handle.net/1969.1/ETD-TAMU-2010-12-8592.

Council of Science Editors:

Mallikarjunaiah B. Cartoon Noir: A Comparative Study of Visual Parody. [Masters Thesis]. Texas A&M University; 2011. Available from: http://hdl.handle.net/1969.1/ETD-TAMU-2010-12-8592


University of North Texas

4. Glann, Kerry. Musical Borrowing in the Choral Music of Andrew Rindfleisch.

Degree: 2015, University of North Texas

 American composer Andrew Rindfleisch (b. 1963) has contributed twenty-one pieces to the repertoire of contemporary choral literature to date. His works have been commissioned, premiered,… (more)

Subjects/Keywords: Choral music; musical borrowing; parody in music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Glann, K. (2015). Musical Borrowing in the Choral Music of Andrew Rindfleisch. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc822847/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Glann, Kerry. “Musical Borrowing in the Choral Music of Andrew Rindfleisch.” 2015. Thesis, University of North Texas. Accessed May 06, 2021. https://digital.library.unt.edu/ark:/67531/metadc822847/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Glann, Kerry. “Musical Borrowing in the Choral Music of Andrew Rindfleisch.” 2015. Web. 06 May 2021.

Vancouver:

Glann K. Musical Borrowing in the Choral Music of Andrew Rindfleisch. [Internet] [Thesis]. University of North Texas; 2015. [cited 2021 May 06]. Available from: https://digital.library.unt.edu/ark:/67531/metadc822847/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Glann K. Musical Borrowing in the Choral Music of Andrew Rindfleisch. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc822847/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vermont

5. Zapkin, Phillip. “Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives.

Degree: MA, English, 2011, University of Vermont

 The main theoretical thrust of my project involves the political uses of parodically performing shame and shaming rituals in resisting normative regulation. I argue that… (more)

Subjects/Keywords: Judith Butler; homonormativity; Parody; Queer; Gay shame

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APA (6th Edition):

Zapkin, P. (2011). “Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives. (Thesis). University of Vermont. Retrieved from https://scholarworks.uvm.edu/graddis/245

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zapkin, Phillip. ““Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives.” 2011. Thesis, University of Vermont. Accessed May 06, 2021. https://scholarworks.uvm.edu/graddis/245.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zapkin, Phillip. ““Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives.” 2011. Web. 06 May 2021.

Vancouver:

Zapkin P. “Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives. [Internet] [Thesis]. University of Vermont; 2011. [cited 2021 May 06]. Available from: https://scholarworks.uvm.edu/graddis/245.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zapkin P. “Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives. [Thesis]. University of Vermont; 2011. Available from: https://scholarworks.uvm.edu/graddis/245

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston College

6. Briones-Manzano, Luisa. La parodia quijotesca en el cine = Quixotic Parody in Film.

Degree: PhD, Romance Languages and Literatures, 2013, Boston College

 Esta tesis analiza la función de la parodia en Don Quijote de La Mancha (1605, 1615). A partir de la cual se explora la manera… (more)

Subjects/Keywords: Adaptation; Gavaldón; Gil; Parody; Quijote; Welles

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APA (6th Edition):

Briones-Manzano, L. (2013). La parodia quijotesca en el cine = Quixotic Parody in Film. (Doctoral Dissertation). Boston College. Retrieved from http://dlib.bc.edu/islandora/object/bc-ir:104030

Chicago Manual of Style (16th Edition):

Briones-Manzano, Luisa. “La parodia quijotesca en el cine = Quixotic Parody in Film.” 2013. Doctoral Dissertation, Boston College. Accessed May 06, 2021. http://dlib.bc.edu/islandora/object/bc-ir:104030.

MLA Handbook (7th Edition):

Briones-Manzano, Luisa. “La parodia quijotesca en el cine = Quixotic Parody in Film.” 2013. Web. 06 May 2021.

Vancouver:

Briones-Manzano L. La parodia quijotesca en el cine = Quixotic Parody in Film. [Internet] [Doctoral dissertation]. Boston College; 2013. [cited 2021 May 06]. Available from: http://dlib.bc.edu/islandora/object/bc-ir:104030.

Council of Science Editors:

Briones-Manzano L. La parodia quijotesca en el cine = Quixotic Parody in Film. [Doctoral Dissertation]. Boston College; 2013. Available from: http://dlib.bc.edu/islandora/object/bc-ir:104030


University of Oregon

7. Summers, Stephen. Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry.

Degree: PhD, Department of English, 2014, University of Oregon

 During and after the First World War, English-language poets employed various ironic techniques to address war's dark absurdities. These methods, I argue, have various degrees… (more)

Subjects/Keywords: Ethics; Irony; Modern; Parody; Poetry; Satire

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Summers, S. (2014). Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry. (Doctoral Dissertation). University of Oregon. Retrieved from http://hdl.handle.net/1794/18322

Chicago Manual of Style (16th Edition):

Summers, Stephen. “Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry.” 2014. Doctoral Dissertation, University of Oregon. Accessed May 06, 2021. http://hdl.handle.net/1794/18322.

MLA Handbook (7th Edition):

Summers, Stephen. “Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry.” 2014. Web. 06 May 2021.

Vancouver:

Summers S. Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry. [Internet] [Doctoral dissertation]. University of Oregon; 2014. [cited 2021 May 06]. Available from: http://hdl.handle.net/1794/18322.

Council of Science Editors:

Summers S. Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry. [Doctoral Dissertation]. University of Oregon; 2014. Available from: http://hdl.handle.net/1794/18322


East Tennessee State University

8. Garber-Roberts, Scottie. Deconstructing the "Woman of Sentiment": Parody as Agency in the Poetry of Phoebe Cary.

Degree: MA, English, 2020, East Tennessee State University

  The work of nineteenth-century American poet Phoebe Cary presents a complex puzzle of exigence and purpose that combines social structure, political climate, and personal… (more)

Subjects/Keywords: Parody; Poetry; Sentimentalism; Women Writers; American Literature

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APA (6th Edition):

Garber-Roberts, S. (2020). Deconstructing the "Woman of Sentiment": Parody as Agency in the Poetry of Phoebe Cary. (Thesis). East Tennessee State University. Retrieved from https://dc.etsu.edu/etd/3766

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Garber-Roberts, Scottie. “Deconstructing the "Woman of Sentiment": Parody as Agency in the Poetry of Phoebe Cary.” 2020. Thesis, East Tennessee State University. Accessed May 06, 2021. https://dc.etsu.edu/etd/3766.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Garber-Roberts, Scottie. “Deconstructing the "Woman of Sentiment": Parody as Agency in the Poetry of Phoebe Cary.” 2020. Web. 06 May 2021.

Vancouver:

Garber-Roberts S. Deconstructing the "Woman of Sentiment": Parody as Agency in the Poetry of Phoebe Cary. [Internet] [Thesis]. East Tennessee State University; 2020. [cited 2021 May 06]. Available from: https://dc.etsu.edu/etd/3766.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Garber-Roberts S. Deconstructing the "Woman of Sentiment": Parody as Agency in the Poetry of Phoebe Cary. [Thesis]. East Tennessee State University; 2020. Available from: https://dc.etsu.edu/etd/3766

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

9. Sandalska, Zlatina G. Parodic male docieties in Russian culture: from the late Medieval period to the late Soviet era.

Degree: PhD, Slavic Languages and Literatures, 2012, University of Southern California

 This dissertation aims to show that parodic male societies in Russian culture have shared a set of themes and behaviors across history and argues that… (more)

Subjects/Keywords: parody; male societies; dissident; drinking; monastic humor

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sandalska, Z. G. (2012). Parodic male docieties in Russian culture: from the late Medieval period to the late Soviet era. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71483/rec/4931

Chicago Manual of Style (16th Edition):

Sandalska, Zlatina G. “Parodic male docieties in Russian culture: from the late Medieval period to the late Soviet era.” 2012. Doctoral Dissertation, University of Southern California. Accessed May 06, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71483/rec/4931.

MLA Handbook (7th Edition):

Sandalska, Zlatina G. “Parodic male docieties in Russian culture: from the late Medieval period to the late Soviet era.” 2012. Web. 06 May 2021.

Vancouver:

Sandalska ZG. Parodic male docieties in Russian culture: from the late Medieval period to the late Soviet era. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2021 May 06]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71483/rec/4931.

Council of Science Editors:

Sandalska ZG. Parodic male docieties in Russian culture: from the late Medieval period to the late Soviet era. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71483/rec/4931

10. Thomerson, John P. Parody as a Borrowing Practice in American Music, 1965–2015.

Degree: PhD, College-Conservatory of Music: Music (Musicology), 2017, University of Cincinnati

Parody is the most commonly used structural borrowing technique in contemporary American vernacular music. This study investigates parody as a borrowing practice, as a type… (more)

Subjects/Keywords: Music; parody; musical borrowing; ethnicity; incongruity; humor

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APA (6th Edition):

Thomerson, J. P. (2017). Parody as a Borrowing Practice in American Music, 1965–2015. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1510063658786716

Chicago Manual of Style (16th Edition):

Thomerson, John P. “Parody as a Borrowing Practice in American Music, 1965–2015.” 2017. Doctoral Dissertation, University of Cincinnati. Accessed May 06, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1510063658786716.

MLA Handbook (7th Edition):

Thomerson, John P. “Parody as a Borrowing Practice in American Music, 1965–2015.” 2017. Web. 06 May 2021.

Vancouver:

Thomerson JP. Parody as a Borrowing Practice in American Music, 1965–2015. [Internet] [Doctoral dissertation]. University of Cincinnati; 2017. [cited 2021 May 06]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1510063658786716.

Council of Science Editors:

Thomerson JP. Parody as a Borrowing Practice in American Music, 1965–2015. [Doctoral Dissertation]. University of Cincinnati; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1510063658786716


Miami University

11. Seibel, George L., IV. Being a Poet.

Degree: MA, English, 2012, Miami University

 This thesis is a parodic ars poetica wherein the social role of poetry is explored and exploded satirically through a variety of methods, including process-based… (more)

Subjects/Keywords: poetics; ars poetica; humor; parody; satire

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APA (6th Edition):

Seibel, George L., I. (2012). Being a Poet. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172

Chicago Manual of Style (16th Edition):

Seibel, George L., IV. “Being a Poet.” 2012. Masters Thesis, Miami University. Accessed May 06, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172.

MLA Handbook (7th Edition):

Seibel, George L., IV. “Being a Poet.” 2012. Web. 06 May 2021.

Vancouver:

Seibel, George L. I. Being a Poet. [Internet] [Masters thesis]. Miami University; 2012. [cited 2021 May 06]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172.

Council of Science Editors:

Seibel, George L. I. Being a Poet. [Masters Thesis]. Miami University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172


Universiteit Utrecht

12. Lam, W.Y. The Gun Seller: A Parody of the Superhuman Spy.

Degree: 2010, Universiteit Utrecht

 This essay concentrates on the translation of The Gun Seller – chapter eighteen will serve as the source for illustrations – with particular attention to… (more)

Subjects/Keywords: Letteren; translation; parody; spy-fiction; The Gun Seller

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APA (6th Edition):

Lam, W. Y. (2010). The Gun Seller: A Parody of the Superhuman Spy. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/179454

Chicago Manual of Style (16th Edition):

Lam, W Y. “The Gun Seller: A Parody of the Superhuman Spy.” 2010. Masters Thesis, Universiteit Utrecht. Accessed May 06, 2021. http://dspace.library.uu.nl:8080/handle/1874/179454.

MLA Handbook (7th Edition):

Lam, W Y. “The Gun Seller: A Parody of the Superhuman Spy.” 2010. Web. 06 May 2021.

Vancouver:

Lam WY. The Gun Seller: A Parody of the Superhuman Spy. [Internet] [Masters thesis]. Universiteit Utrecht; 2010. [cited 2021 May 06]. Available from: http://dspace.library.uu.nl:8080/handle/1874/179454.

Council of Science Editors:

Lam WY. The Gun Seller: A Parody of the Superhuman Spy. [Masters Thesis]. Universiteit Utrecht; 2010. Available from: http://dspace.library.uu.nl:8080/handle/1874/179454


University of California – Riverside

13. Ramey, Anamaria C. Portrait Paradox: Complicating Identity in Catherine Opie's "Being and Having".

Degree: Art History, 2014, University of California – Riverside

 Contemporary American photographer Catherine Opie's work Being and Having (1991) is a series of thirteen photographic extreme close-up portraits, resembling head-shots, of lesbian women wearing… (more)

Subjects/Keywords: Art history; color; gender; parody; photography; portraiture; queer theory

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APA (6th Edition):

Ramey, A. C. (2014). Portrait Paradox: Complicating Identity in Catherine Opie's "Being and Having". (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/3tf6v1xq

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ramey, Anamaria C. “Portrait Paradox: Complicating Identity in Catherine Opie's "Being and Having".” 2014. Thesis, University of California – Riverside. Accessed May 06, 2021. http://www.escholarship.org/uc/item/3tf6v1xq.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ramey, Anamaria C. “Portrait Paradox: Complicating Identity in Catherine Opie's "Being and Having".” 2014. Web. 06 May 2021.

Vancouver:

Ramey AC. Portrait Paradox: Complicating Identity in Catherine Opie's "Being and Having". [Internet] [Thesis]. University of California – Riverside; 2014. [cited 2021 May 06]. Available from: http://www.escholarship.org/uc/item/3tf6v1xq.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ramey AC. Portrait Paradox: Complicating Identity in Catherine Opie's "Being and Having". [Thesis]. University of California – Riverside; 2014. Available from: http://www.escholarship.org/uc/item/3tf6v1xq

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Cornell University

14. Cote, Sarah. Great Affectations: Camp Parody In The British Long Eighteenth Century.

Degree: PhD, English Language and Literature, 2014, Cornell University

 My dissertation explains that, despite the nominal anachronism, camp has always inhabited literature of the long eighteenth century, namely those examples that were created from… (more)

Subjects/Keywords: eighteenth-century; drama literature parody; british english camp

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APA (6th Edition):

Cote, S. (2014). Great Affectations: Camp Parody In The British Long Eighteenth Century. (Doctoral Dissertation). Cornell University. Retrieved from http://hdl.handle.net/1813/36174

Chicago Manual of Style (16th Edition):

Cote, Sarah. “Great Affectations: Camp Parody In The British Long Eighteenth Century.” 2014. Doctoral Dissertation, Cornell University. Accessed May 06, 2021. http://hdl.handle.net/1813/36174.

MLA Handbook (7th Edition):

Cote, Sarah. “Great Affectations: Camp Parody In The British Long Eighteenth Century.” 2014. Web. 06 May 2021.

Vancouver:

Cote S. Great Affectations: Camp Parody In The British Long Eighteenth Century. [Internet] [Doctoral dissertation]. Cornell University; 2014. [cited 2021 May 06]. Available from: http://hdl.handle.net/1813/36174.

Council of Science Editors:

Cote S. Great Affectations: Camp Parody In The British Long Eighteenth Century. [Doctoral Dissertation]. Cornell University; 2014. Available from: http://hdl.handle.net/1813/36174


University of Georgia

15. Wagner, Alan Monroe. Perspectives on the book of Jonah.

Degree: 2014, University of Georgia

 The purpose of this thesis is to provide a survey of scholarship concerning the book of Jonah. I have chosen samples from rhetorical criticism of… (more)

Subjects/Keywords: Jonah; Rhetorical Criticism; Narrative Criticism; Jonah-language; style; Parody; Satire

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wagner, A. M. (2014). Perspectives on the book of Jonah. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/22013

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wagner, Alan Monroe. “Perspectives on the book of Jonah.” 2014. Thesis, University of Georgia. Accessed May 06, 2021. http://hdl.handle.net/10724/22013.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wagner, Alan Monroe. “Perspectives on the book of Jonah.” 2014. Web. 06 May 2021.

Vancouver:

Wagner AM. Perspectives on the book of Jonah. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 May 06]. Available from: http://hdl.handle.net/10724/22013.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wagner AM. Perspectives on the book of Jonah. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/22013

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Presbiteriana Mackenzie

16. Silvana Perrella Brito. O diálogo entre os quadrinhos do Superman e do Overman.

Degree: 2007, Universidade Presbiteriana Mackenzie

Este trabalho pretende analisar a intertextualidade estabelecida entre os super-heróis Superman, criado por Joe Shuster e Jerry Siegel, e Overman, criado pelo cartunista brasileiro Laerte… (more)

Subjects/Keywords: intertextualidade; quadrinhos; carnavalização; paródia; intertextuality; comics; carnivalization; parody; LETRAS

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brito, S. P. (2007). O diálogo entre os quadrinhos do Superman e do Overman. (Thesis). Universidade Presbiteriana Mackenzie. Retrieved from http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=542

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brito, Silvana Perrella. “O diálogo entre os quadrinhos do Superman e do Overman.” 2007. Thesis, Universidade Presbiteriana Mackenzie. Accessed May 06, 2021. http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=542.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brito, Silvana Perrella. “O diálogo entre os quadrinhos do Superman e do Overman.” 2007. Web. 06 May 2021.

Vancouver:

Brito SP. O diálogo entre os quadrinhos do Superman e do Overman. [Internet] [Thesis]. Universidade Presbiteriana Mackenzie; 2007. [cited 2021 May 06]. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=542.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brito SP. O diálogo entre os quadrinhos do Superman e do Overman. [Thesis]. Universidade Presbiteriana Mackenzie; 2007. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=542

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Daniel, Marc. L'art du récit chez Éric Chevillard : Éric Chevillard's Art of Narrative.

Degree: Docteur es, Littérature française et comparée, 2012, Université Sorbonne Nouvelle – Paris III

Avec une œuvre déjà abondante (dix-sept romans publiés à ce jour, sans compter des recueils de textes brefs et quatre volumes de son blog quotidien,… (more)

Subjects/Keywords: Antiromanesque; Fantaisie; Ludique; Ironie; Parodie; Conscience; Playful; Whimsical; Irony; Parody; Consciousness

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APA (6th Edition):

Daniel, M. (2012). L'art du récit chez Éric Chevillard : Éric Chevillard's Art of Narrative. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2012PA030075

Chicago Manual of Style (16th Edition):

Daniel, Marc. “L'art du récit chez Éric Chevillard : Éric Chevillard's Art of Narrative.” 2012. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed May 06, 2021. http://www.theses.fr/2012PA030075.

MLA Handbook (7th Edition):

Daniel, Marc. “L'art du récit chez Éric Chevillard : Éric Chevillard's Art of Narrative.” 2012. Web. 06 May 2021.

Vancouver:

Daniel M. L'art du récit chez Éric Chevillard : Éric Chevillard's Art of Narrative. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2012. [cited 2021 May 06]. Available from: http://www.theses.fr/2012PA030075.

Council of Science Editors:

Daniel M. L'art du récit chez Éric Chevillard : Éric Chevillard's Art of Narrative. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2012. Available from: http://www.theses.fr/2012PA030075


Queensland University of Technology

18. Loth, Joanne Marie. Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder.

Degree: 2011, Queensland University of Technology

 This PhD represents my attempt to make sense of my personal experiences of depression through the form of cabaret. I first experienced depression in 2006.… (more)

Subjects/Keywords: cabaret; depression; bipolar disorder; narrative therapy; persona; parody; provocateur; vamp

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Loth, J. M. (2011). Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/49434/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Loth, Joanne Marie. “Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder.” 2011. Thesis, Queensland University of Technology. Accessed May 06, 2021. https://eprints.qut.edu.au/49434/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Loth, Joanne Marie. “Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder.” 2011. Web. 06 May 2021.

Vancouver:

Loth JM. Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder. [Internet] [Thesis]. Queensland University of Technology; 2011. [cited 2021 May 06]. Available from: https://eprints.qut.edu.au/49434/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Loth JM. Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder. [Thesis]. Queensland University of Technology; 2011. Available from: https://eprints.qut.edu.au/49434/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vytautas Magnus University

19. Stankevičius, Šarūnas. Reklama ir jos parodijos: sąsajos su tautosaka.

Degree: Master, Etnology, 2012, Vytautas Magnus University

Darbo objektas - reklamos parodija ir jos kūrimo būdai. Tikslas: nustatyti reklamos daromą įtaką žmogaus psichologijai ir ištirti juoko kūrimo principus reklamų parodijose. Išsikelti uždaviniai:… (more)

Subjects/Keywords: Reklama; Reklamų parodijos; Juokas; Advertisement; Parody of advertisement; Laugh

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APA (6th Edition):

Stankevičius, Šarūnas. (2012). Reklama ir jos parodijos: sąsajos su tautosaka. (Masters Thesis). Vytautas Magnus University. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120625_092032-10509 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

Stankevičius, Šarūnas. “Reklama ir jos parodijos: sąsajos su tautosaka.” 2012. Masters Thesis, Vytautas Magnus University. Accessed May 06, 2021. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120625_092032-10509 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

Stankevičius, Šarūnas. “Reklama ir jos parodijos: sąsajos su tautosaka.” 2012. Web. 06 May 2021.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

Stankevičius, Šarūnas. Reklama ir jos parodijos: sąsajos su tautosaka. [Internet] [Masters thesis]. Vytautas Magnus University; 2012. [cited 2021 May 06]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120625_092032-10509 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

Stankevičius, Šarūnas. Reklama ir jos parodijos: sąsajos su tautosaka. [Masters Thesis]. Vytautas Magnus University; 2012. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120625_092032-10509 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


Vilnius Pedagogical University

20. Didžiulytė, Margarita. Džono Faulzo romanas "Prancūzų leitenanto moteris"kaip Viktorijos epochos romano imitacija ir parodija".

Degree: Master, Philology, 2006, Vilnius Pedagogical University

 The paper presents J. R. Fowles's novel "The French Lieutenants's Woman" as imitation and parody of Victorian novel.The epigraphs, duality of presentation and multiple endings… (more)

Subjects/Keywords: Parody; Imitation; Imitacija; Parodija

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APA (6th Edition):

Didžiulytė, Margarita. (2006). Džono Faulzo romanas "Prancūzų leitenanto moteris"kaip Viktorijos epochos romano imitacija ir parodija". (Masters Thesis). Vilnius Pedagogical University. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2006~D_20060612_080534-18599 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

Didžiulytė, Margarita. “Džono Faulzo romanas "Prancūzų leitenanto moteris"kaip Viktorijos epochos romano imitacija ir parodija".” 2006. Masters Thesis, Vilnius Pedagogical University. Accessed May 06, 2021. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2006~D_20060612_080534-18599 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

Didžiulytė, Margarita. “Džono Faulzo romanas "Prancūzų leitenanto moteris"kaip Viktorijos epochos romano imitacija ir parodija".” 2006. Web. 06 May 2021.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

Didžiulytė, Margarita. Džono Faulzo romanas "Prancūzų leitenanto moteris"kaip Viktorijos epochos romano imitacija ir parodija". [Internet] [Masters thesis]. Vilnius Pedagogical University; 2006. [cited 2021 May 06]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2006~D_20060612_080534-18599 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

Didžiulytė, Margarita. Džono Faulzo romanas "Prancūzų leitenanto moteris"kaip Viktorijos epochos romano imitacija ir parodija". [Masters Thesis]. Vilnius Pedagogical University; 2006. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2006~D_20060612_080534-18599 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


Univerzitet u Beogradu

21. Srdić, Srđan. 1977-. Odnos stvarnosti i fikcije u prozi Džonatana Svifta.

Degree: Filološki fakultet, 2016, Univerzitet u Beogradu

Nauka o književnosti - Teorija književnosti / Literary studies - Theory of literature

Rad se bavi odnosima stvarnosti i fikcije u prozi Džonatana Svifta. Teorijsko… (more)

Subjects/Keywords: fiction; truth; reality; possible worlds; fictional worlds; satire; parody; irony

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Srdić, S. 1. (2016). Odnos stvarnosti i fikcije u prozi Džonatana Svifta. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:12608/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Srdić, Srđan 1977-. “Odnos stvarnosti i fikcije u prozi Džonatana Svifta.” 2016. Thesis, Univerzitet u Beogradu. Accessed May 06, 2021. https://fedorabg.bg.ac.rs/fedora/get/o:12608/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Srdić, Srđan 1977-. “Odnos stvarnosti i fikcije u prozi Džonatana Svifta.” 2016. Web. 06 May 2021.

Vancouver:

Srdić S1. Odnos stvarnosti i fikcije u prozi Džonatana Svifta. [Internet] [Thesis]. Univerzitet u Beogradu; 2016. [cited 2021 May 06]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:12608/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Srdić S1. Odnos stvarnosti i fikcije u prozi Džonatana Svifta. [Thesis]. Univerzitet u Beogradu; 2016. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:12608/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston University

22. Fauzetdinova, Adel Ramilevna. Translation as cultural contraband: translating and writing Russian literature in Argentina.

Degree: PhD, Hispanic Language & Literatures, 2017, Boston University

 My dissertation examines the role Russian literature translations played in the shaping of Argentine literature during the first three decades of the twentieth century. By… (more)

Subjects/Keywords: Literature; Parody; Realism; Translation; Argentine avant-garde; Argentine literature; Russian literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fauzetdinova, A. R. (2017). Translation as cultural contraband: translating and writing Russian literature in Argentina. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/27068

Chicago Manual of Style (16th Edition):

Fauzetdinova, Adel Ramilevna. “Translation as cultural contraband: translating and writing Russian literature in Argentina.” 2017. Doctoral Dissertation, Boston University. Accessed May 06, 2021. http://hdl.handle.net/2144/27068.

MLA Handbook (7th Edition):

Fauzetdinova, Adel Ramilevna. “Translation as cultural contraband: translating and writing Russian literature in Argentina.” 2017. Web. 06 May 2021.

Vancouver:

Fauzetdinova AR. Translation as cultural contraband: translating and writing Russian literature in Argentina. [Internet] [Doctoral dissertation]. Boston University; 2017. [cited 2021 May 06]. Available from: http://hdl.handle.net/2144/27068.

Council of Science Editors:

Fauzetdinova AR. Translation as cultural contraband: translating and writing Russian literature in Argentina. [Doctoral Dissertation]. Boston University; 2017. Available from: http://hdl.handle.net/2144/27068


Boston University

23. Davis, Richard Carroll. Self parody among the cantatas of Johann Sebastian Bach.

Degree: PhD, Music, 1962, Boston University

 Many of Bach's greatest masterpieces contain movements based on music from earlier compositions. These parodies of previously composed works seemed to require as much, if… (more)

Subjects/Keywords: Bach, Johann Sebastian; Cantatas; Parody

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APA (6th Edition):

Davis, R. C. (1962). Self parody among the cantatas of Johann Sebastian Bach. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/29091

Chicago Manual of Style (16th Edition):

Davis, Richard Carroll. “Self parody among the cantatas of Johann Sebastian Bach.” 1962. Doctoral Dissertation, Boston University. Accessed May 06, 2021. http://hdl.handle.net/2144/29091.

MLA Handbook (7th Edition):

Davis, Richard Carroll. “Self parody among the cantatas of Johann Sebastian Bach.” 1962. Web. 06 May 2021.

Vancouver:

Davis RC. Self parody among the cantatas of Johann Sebastian Bach. [Internet] [Doctoral dissertation]. Boston University; 1962. [cited 2021 May 06]. Available from: http://hdl.handle.net/2144/29091.

Council of Science Editors:

Davis RC. Self parody among the cantatas of Johann Sebastian Bach. [Doctoral Dissertation]. Boston University; 1962. Available from: http://hdl.handle.net/2144/29091


Boston University

24. Lee, Min Hyoung. Parody and pastiche in the use of popular culture in the evangelistic practices of Korean churches.

Degree: PhD, Theology, 2018, Boston University

 Since the end of 20th century, Korean churches have awakened to the importance of culture, cultural products, and culture-making in discipling Christians and evangelizing non-Christians.… (more)

Subjects/Keywords: Theology; Korean churches; Evangelism; Parody; Pastiche; Popular culture; Simulacra

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lee, M. H. (2018). Parody and pastiche in the use of popular culture in the evangelistic practices of Korean churches. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/30041

Chicago Manual of Style (16th Edition):

Lee, Min Hyoung. “Parody and pastiche in the use of popular culture in the evangelistic practices of Korean churches.” 2018. Doctoral Dissertation, Boston University. Accessed May 06, 2021. http://hdl.handle.net/2144/30041.

MLA Handbook (7th Edition):

Lee, Min Hyoung. “Parody and pastiche in the use of popular culture in the evangelistic practices of Korean churches.” 2018. Web. 06 May 2021.

Vancouver:

Lee MH. Parody and pastiche in the use of popular culture in the evangelistic practices of Korean churches. [Internet] [Doctoral dissertation]. Boston University; 2018. [cited 2021 May 06]. Available from: http://hdl.handle.net/2144/30041.

Council of Science Editors:

Lee MH. Parody and pastiche in the use of popular culture in the evangelistic practices of Korean churches. [Doctoral Dissertation]. Boston University; 2018. Available from: http://hdl.handle.net/2144/30041


Australian National University

25. Fraser, Fiona Averil. Capital: A Contemporary Opera in Two Acts .

Degree: 2015, Australian National University

 Capital is a two act opera which incorporates a range of different stylistic elements as a means of communicating with a broad audience and promoting… (more)

Subjects/Keywords: Opera; Parody; polystylism; music as discourse; Adorno; Weill

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APA (6th Edition):

Fraser, F. A. (2015). Capital: A Contemporary Opera in Two Acts . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/110704

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fraser, Fiona Averil. “Capital: A Contemporary Opera in Two Acts .” 2015. Thesis, Australian National University. Accessed May 06, 2021. http://hdl.handle.net/1885/110704.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fraser, Fiona Averil. “Capital: A Contemporary Opera in Two Acts .” 2015. Web. 06 May 2021.

Vancouver:

Fraser FA. Capital: A Contemporary Opera in Two Acts . [Internet] [Thesis]. Australian National University; 2015. [cited 2021 May 06]. Available from: http://hdl.handle.net/1885/110704.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fraser FA. Capital: A Contemporary Opera in Two Acts . [Thesis]. Australian National University; 2015. Available from: http://hdl.handle.net/1885/110704

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oxford

26. Gibson, Robert Raphael. Parody lost and regained : Richard Strauss's double voices.

Degree: PhD, 2004, University of Oxford

 This thesis argues the case for the parodic voice in a range of works by Richard Strauss. In doing so, it challenges the long-held view… (more)

Subjects/Keywords: 780.92; Criticism and interpretation : Parody

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APA (6th Edition):

Gibson, R. R. (2004). Parody lost and regained : Richard Strauss's double voices. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:8e0fdace-c499-4ca4-a9d8-a312d33d78c6 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408174

Chicago Manual of Style (16th Edition):

Gibson, Robert Raphael. “Parody lost and regained : Richard Strauss's double voices.” 2004. Doctoral Dissertation, University of Oxford. Accessed May 06, 2021. http://ora.ox.ac.uk/objects/uuid:8e0fdace-c499-4ca4-a9d8-a312d33d78c6 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408174.

MLA Handbook (7th Edition):

Gibson, Robert Raphael. “Parody lost and regained : Richard Strauss's double voices.” 2004. Web. 06 May 2021.

Vancouver:

Gibson RR. Parody lost and regained : Richard Strauss's double voices. [Internet] [Doctoral dissertation]. University of Oxford; 2004. [cited 2021 May 06]. Available from: http://ora.ox.ac.uk/objects/uuid:8e0fdace-c499-4ca4-a9d8-a312d33d78c6 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408174.

Council of Science Editors:

Gibson RR. Parody lost and regained : Richard Strauss's double voices. [Doctoral Dissertation]. University of Oxford; 2004. Available from: http://ora.ox.ac.uk/objects/uuid:8e0fdace-c499-4ca4-a9d8-a312d33d78c6 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408174


Tampere University

27. Mattila, Henri. Parody and Copyright in the European Union Law .

Degree: 2019, Tampere University

 This paper will examine the relationship between parody and copyright in the European Union law. In the paper will also be examined how the relationship… (more)

Subjects/Keywords: copyright; Deckmyn; European Union; freedom of expression; parody; right to property

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mattila, H. (2019). Parody and Copyright in the European Union Law . (Masters Thesis). Tampere University. Retrieved from https://trepo.tuni.fi/handle/10024/118104

Chicago Manual of Style (16th Edition):

Mattila, Henri. “Parody and Copyright in the European Union Law .” 2019. Masters Thesis, Tampere University. Accessed May 06, 2021. https://trepo.tuni.fi/handle/10024/118104.

MLA Handbook (7th Edition):

Mattila, Henri. “Parody and Copyright in the European Union Law .” 2019. Web. 06 May 2021.

Vancouver:

Mattila H. Parody and Copyright in the European Union Law . [Internet] [Masters thesis]. Tampere University; 2019. [cited 2021 May 06]. Available from: https://trepo.tuni.fi/handle/10024/118104.

Council of Science Editors:

Mattila H. Parody and Copyright in the European Union Law . [Masters Thesis]. Tampere University; 2019. Available from: https://trepo.tuni.fi/handle/10024/118104


University of Minnesota

28. Lechelt, Christine Elizabeth. Allusions of Grandeur: Gigantomachy, Callimachean poetics, and literary filiation.

Degree: PhD, Classical and Near Eastern Studies, Advisors: Nita Krevans and Christopher Nappa, 2014, University of Minnesota

 This dissertation is an examination of the Gigantomachy as a metaliterary marker, a way of discussing poetic style and a poet's place in literary history.… (more)

Subjects/Keywords: Callimachus; Gigantomachy; Greek Poetry; Intertextuality; Latin Poetry; Parody

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APA (6th Edition):

Lechelt, C. E. (2014). Allusions of Grandeur: Gigantomachy, Callimachean poetics, and literary filiation. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/162680

Chicago Manual of Style (16th Edition):

Lechelt, Christine Elizabeth. “Allusions of Grandeur: Gigantomachy, Callimachean poetics, and literary filiation.” 2014. Doctoral Dissertation, University of Minnesota. Accessed May 06, 2021. http://hdl.handle.net/11299/162680.

MLA Handbook (7th Edition):

Lechelt, Christine Elizabeth. “Allusions of Grandeur: Gigantomachy, Callimachean poetics, and literary filiation.” 2014. Web. 06 May 2021.

Vancouver:

Lechelt CE. Allusions of Grandeur: Gigantomachy, Callimachean poetics, and literary filiation. [Internet] [Doctoral dissertation]. University of Minnesota; 2014. [cited 2021 May 06]. Available from: http://hdl.handle.net/11299/162680.

Council of Science Editors:

Lechelt CE. Allusions of Grandeur: Gigantomachy, Callimachean poetics, and literary filiation. [Doctoral Dissertation]. University of Minnesota; 2014. Available from: http://hdl.handle.net/11299/162680


Louisiana State University

29. Boyd, Lani. The Yes Men and activism in the information age.

Degree: MA, Arts and Humanities, 2005, Louisiana State University

 Western history is filled with pranks and trickery intent on enlightening audiences by blending fiction with reality. The Yes Men, an Internet-based activist group, did… (more)

Subjects/Keywords: hacktivism; activist art; globalization; parody

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Boyd, L. (2005). The Yes Men and activism in the information age. (Masters Thesis). Louisiana State University. Retrieved from etd-04142005-174336 ; https://digitalcommons.lsu.edu/gradschool_theses/3689

Chicago Manual of Style (16th Edition):

Boyd, Lani. “The Yes Men and activism in the information age.” 2005. Masters Thesis, Louisiana State University. Accessed May 06, 2021. etd-04142005-174336 ; https://digitalcommons.lsu.edu/gradschool_theses/3689.

MLA Handbook (7th Edition):

Boyd, Lani. “The Yes Men and activism in the information age.” 2005. Web. 06 May 2021.

Vancouver:

Boyd L. The Yes Men and activism in the information age. [Internet] [Masters thesis]. Louisiana State University; 2005. [cited 2021 May 06]. Available from: etd-04142005-174336 ; https://digitalcommons.lsu.edu/gradschool_theses/3689.

Council of Science Editors:

Boyd L. The Yes Men and activism in the information age. [Masters Thesis]. Louisiana State University; 2005. Available from: etd-04142005-174336 ; https://digitalcommons.lsu.edu/gradschool_theses/3689


University of Kansas

30. Cummins, Melissa D. Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant.

Degree: PhD, Music, 2017, University of Kansas

 Abstract In past scholarship, Germaine Tailleferre has been briefly written about as the only female member of Les Six and as a composer of instrumental… (more)

Subjects/Keywords: Music; History; France; Offenbach; Opera; Parody; Radio; Tailleferre

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cummins, M. D. (2017). Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/25233

Chicago Manual of Style (16th Edition):

Cummins, Melissa D. “Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant.” 2017. Doctoral Dissertation, University of Kansas. Accessed May 06, 2021. http://hdl.handle.net/1808/25233.

MLA Handbook (7th Edition):

Cummins, Melissa D. “Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant.” 2017. Web. 06 May 2021.

Vancouver:

Cummins MD. Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant. [Internet] [Doctoral dissertation]. University of Kansas; 2017. [cited 2021 May 06]. Available from: http://hdl.handle.net/1808/25233.

Council of Science Editors:

Cummins MD. Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant. [Doctoral Dissertation]. University of Kansas; 2017. Available from: http://hdl.handle.net/1808/25233

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