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You searched for subject:(Other History of Art Architecture AND Archaeology). Showing records 1 – 30 of 918 total matches.

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1. Wagner, Nicole. Leonardo's Virgin of the Rocks: The History, the Mystery, and the Museums' Considerations of the Two Paintings.

Degree: 2011, Buffalo State College

 The two versions of the Virgin of the Rocks have generated continued debate amongst art historians. Scholars such as Pietro Marani, Martin Davies and William… (more)

Subjects/Keywords: painting daVinci art history; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Wagner, N. (2011). Leonardo's Virgin of the Rocks: The History, the Mystery, and the Museums' Considerations of the Two Paintings. (Thesis). Buffalo State College. Retrieved from http://digitalcommons.buffalostate.edu/history_theses/5

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wagner, Nicole. “Leonardo's Virgin of the Rocks: The History, the Mystery, and the Museums' Considerations of the Two Paintings.” 2011. Thesis, Buffalo State College. Accessed February 19, 2020. http://digitalcommons.buffalostate.edu/history_theses/5.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wagner, Nicole. “Leonardo's Virgin of the Rocks: The History, the Mystery, and the Museums' Considerations of the Two Paintings.” 2011. Web. 19 Feb 2020.

Vancouver:

Wagner N. Leonardo's Virgin of the Rocks: The History, the Mystery, and the Museums' Considerations of the Two Paintings. [Internet] [Thesis]. Buffalo State College; 2011. [cited 2020 Feb 19]. Available from: http://digitalcommons.buffalostate.edu/history_theses/5.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wagner N. Leonardo's Virgin of the Rocks: The History, the Mystery, and the Museums' Considerations of the Two Paintings. [Thesis]. Buffalo State College; 2011. Available from: http://digitalcommons.buffalostate.edu/history_theses/5

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Colorado

2. Heindel, Theresa Anne. The Mystery of Malanga: Possible Roles of Xanthosoma violaceum in Ancient Maya Diet, Culture, and Agriculture.

Degree: MA, Anthropology, 2012, University of Colorado

  While the possibility of root crops in ancient Maya diet had been suggested by scholars as early as the 1960s, serious consideration has only… (more)

Subjects/Keywords: Agriculture; Maya; Agriculture; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Heindel, T. A. (2012). The Mystery of Malanga: Possible Roles of Xanthosoma violaceum in Ancient Maya Diet, Culture, and Agriculture. (Masters Thesis). University of Colorado. Retrieved from https://scholar.colorado.edu/anth_gradetds/29

Chicago Manual of Style (16th Edition):

Heindel, Theresa Anne. “The Mystery of Malanga: Possible Roles of Xanthosoma violaceum in Ancient Maya Diet, Culture, and Agriculture.” 2012. Masters Thesis, University of Colorado. Accessed February 19, 2020. https://scholar.colorado.edu/anth_gradetds/29.

MLA Handbook (7th Edition):

Heindel, Theresa Anne. “The Mystery of Malanga: Possible Roles of Xanthosoma violaceum in Ancient Maya Diet, Culture, and Agriculture.” 2012. Web. 19 Feb 2020.

Vancouver:

Heindel TA. The Mystery of Malanga: Possible Roles of Xanthosoma violaceum in Ancient Maya Diet, Culture, and Agriculture. [Internet] [Masters thesis]. University of Colorado; 2012. [cited 2020 Feb 19]. Available from: https://scholar.colorado.edu/anth_gradetds/29.

Council of Science Editors:

Heindel TA. The Mystery of Malanga: Possible Roles of Xanthosoma violaceum in Ancient Maya Diet, Culture, and Agriculture. [Masters Thesis]. University of Colorado; 2012. Available from: https://scholar.colorado.edu/anth_gradetds/29

3. Middleton, Sherri M. COMPARING A SURFACE COLLECTION TO AN EXCAVATED COLLECTION IN THE LOWER SKAGIT RIVER DELTA AT 45SK51.

Degree: MS, Cultural and Environmental Resource Management, 2017, Central Washington University

  In the Puget Sound Lowland of the Pacific Northwest, archaeologists have investigated a shift in settlement and subsistence patterns occurring in the mid-Holocene Epoch.… (more)

Subjects/Keywords: Washington state archaeology; resource intensification; Archaeological Anthropology; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Middleton, S. M. (2017). COMPARING A SURFACE COLLECTION TO AN EXCAVATED COLLECTION IN THE LOWER SKAGIT RIVER DELTA AT 45SK51. (Masters Thesis). Central Washington University. Retrieved from https://digitalcommons.cwu.edu/etd/711

Chicago Manual of Style (16th Edition):

Middleton, Sherri M. “COMPARING A SURFACE COLLECTION TO AN EXCAVATED COLLECTION IN THE LOWER SKAGIT RIVER DELTA AT 45SK51.” 2017. Masters Thesis, Central Washington University. Accessed February 19, 2020. https://digitalcommons.cwu.edu/etd/711.

MLA Handbook (7th Edition):

Middleton, Sherri M. “COMPARING A SURFACE COLLECTION TO AN EXCAVATED COLLECTION IN THE LOWER SKAGIT RIVER DELTA AT 45SK51.” 2017. Web. 19 Feb 2020.

Vancouver:

Middleton SM. COMPARING A SURFACE COLLECTION TO AN EXCAVATED COLLECTION IN THE LOWER SKAGIT RIVER DELTA AT 45SK51. [Internet] [Masters thesis]. Central Washington University; 2017. [cited 2020 Feb 19]. Available from: https://digitalcommons.cwu.edu/etd/711.

Council of Science Editors:

Middleton SM. COMPARING A SURFACE COLLECTION TO AN EXCAVATED COLLECTION IN THE LOWER SKAGIT RIVER DELTA AT 45SK51. [Masters Thesis]. Central Washington University; 2017. Available from: https://digitalcommons.cwu.edu/etd/711


University of Tennessee – Knoxville

4. Dalton-Carriger, Jessica Nicole. The Social Memory of Upper Hampton Farm: An Organizational and Ceramic Study of 40RH41.

Degree: MA, Anthropology, 2011, University of Tennessee – Knoxville

  The Upper Hampton Farm site (40RH41) is located in the Watts Bar Reservoir in East Tennessee. The site was excavated under the Works Progress… (more)

Subjects/Keywords: Southeast; Archaeology; Prehistoric; 40RH41; Social Memory; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Dalton-Carriger, J. N. (2011). The Social Memory of Upper Hampton Farm: An Organizational and Ceramic Study of 40RH41. (Thesis). University of Tennessee – Knoxville. Retrieved from https://trace.tennessee.edu/utk_gradthes/1064

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dalton-Carriger, Jessica Nicole. “The Social Memory of Upper Hampton Farm: An Organizational and Ceramic Study of 40RH41.” 2011. Thesis, University of Tennessee – Knoxville. Accessed February 19, 2020. https://trace.tennessee.edu/utk_gradthes/1064.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dalton-Carriger, Jessica Nicole. “The Social Memory of Upper Hampton Farm: An Organizational and Ceramic Study of 40RH41.” 2011. Web. 19 Feb 2020.

Vancouver:

Dalton-Carriger JN. The Social Memory of Upper Hampton Farm: An Organizational and Ceramic Study of 40RH41. [Internet] [Thesis]. University of Tennessee – Knoxville; 2011. [cited 2020 Feb 19]. Available from: https://trace.tennessee.edu/utk_gradthes/1064.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dalton-Carriger JN. The Social Memory of Upper Hampton Farm: An Organizational and Ceramic Study of 40RH41. [Thesis]. University of Tennessee – Knoxville; 2011. Available from: https://trace.tennessee.edu/utk_gradthes/1064

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan Technological University

5. Sarich, Steven J. BEAUTIFUL FORMS AND COMPOSITIONS ARE NOT MADE BY CHANCE: EXPLORING THE EFFICACY OF PORTABLE X-RAY FLUORESCENCE TO SORT AND SOURCE ENGLISH LEAD GLAZED CERAMICS.

Degree: MS, Department of Social Sciences, 2015, Michigan Technological University

  Advances in portable X-ray fluorescence (pXRF) technology have made it a viable option for the non-destructive exploration of the underlying chemical composition of ceramic… (more)

Subjects/Keywords: archaeology of ceramics; ceramic characterization; industrial archaeology; lead glazed ceramics; materials science; pXRF; History of Art, Architecture, and Archaeology; Materials Science and Engineering; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Sarich, S. J. (2015). BEAUTIFUL FORMS AND COMPOSITIONS ARE NOT MADE BY CHANCE: EXPLORING THE EFFICACY OF PORTABLE X-RAY FLUORESCENCE TO SORT AND SOURCE ENGLISH LEAD GLAZED CERAMICS. (Masters Thesis). Michigan Technological University. Retrieved from http://digitalcommons.mtu.edu/etds/994

Chicago Manual of Style (16th Edition):

Sarich, Steven J. “BEAUTIFUL FORMS AND COMPOSITIONS ARE NOT MADE BY CHANCE: EXPLORING THE EFFICACY OF PORTABLE X-RAY FLUORESCENCE TO SORT AND SOURCE ENGLISH LEAD GLAZED CERAMICS.” 2015. Masters Thesis, Michigan Technological University. Accessed February 19, 2020. http://digitalcommons.mtu.edu/etds/994.

MLA Handbook (7th Edition):

Sarich, Steven J. “BEAUTIFUL FORMS AND COMPOSITIONS ARE NOT MADE BY CHANCE: EXPLORING THE EFFICACY OF PORTABLE X-RAY FLUORESCENCE TO SORT AND SOURCE ENGLISH LEAD GLAZED CERAMICS.” 2015. Web. 19 Feb 2020.

Vancouver:

Sarich SJ. BEAUTIFUL FORMS AND COMPOSITIONS ARE NOT MADE BY CHANCE: EXPLORING THE EFFICACY OF PORTABLE X-RAY FLUORESCENCE TO SORT AND SOURCE ENGLISH LEAD GLAZED CERAMICS. [Internet] [Masters thesis]. Michigan Technological University; 2015. [cited 2020 Feb 19]. Available from: http://digitalcommons.mtu.edu/etds/994.

Council of Science Editors:

Sarich SJ. BEAUTIFUL FORMS AND COMPOSITIONS ARE NOT MADE BY CHANCE: EXPLORING THE EFFICACY OF PORTABLE X-RAY FLUORESCENCE TO SORT AND SOURCE ENGLISH LEAD GLAZED CERAMICS. [Masters Thesis]. Michigan Technological University; 2015. Available from: http://digitalcommons.mtu.edu/etds/994


University of Louisville

6. Wise, Stephanie. Leonora Carrington : A Bestiary.

Degree: MA, 2019, University of Louisville

  Similar to the painted creatures that dwell within the illuminated manuscripts of ancient and medieval bestiaries, the beasts in Leonora Carrington’s early work are… (more)

Subjects/Keywords: leonora carrington; surrealism; women artists; bestiary; mythology; other; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Wise, S. (2019). Leonora Carrington : A Bestiary. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/3267 ; https://ir.library.louisville.edu/etd/3267

Chicago Manual of Style (16th Edition):

Wise, Stephanie. “Leonora Carrington : A Bestiary.” 2019. Masters Thesis, University of Louisville. Accessed February 19, 2020. 10.18297/etd/3267 ; https://ir.library.louisville.edu/etd/3267.

MLA Handbook (7th Edition):

Wise, Stephanie. “Leonora Carrington : A Bestiary.” 2019. Web. 19 Feb 2020.

Vancouver:

Wise S. Leonora Carrington : A Bestiary. [Internet] [Masters thesis]. University of Louisville; 2019. [cited 2020 Feb 19]. Available from: 10.18297/etd/3267 ; https://ir.library.louisville.edu/etd/3267.

Council of Science Editors:

Wise S. Leonora Carrington : A Bestiary. [Masters Thesis]. University of Louisville; 2019. Available from: 10.18297/etd/3267 ; https://ir.library.louisville.edu/etd/3267


Michigan Technological University

7. Medeiros, Leonor. HERITAGE-LED DEVELOPMENT IN POSTINDUSTRIAL AREAS: A SYSTEMIC APPROACH TO INDUSTRIAL LANDSCAPES.

Degree: PhD, Department of Social Sciences, 2018, Michigan Technological University

  This dissertation addresses the constraints in areas characterized by deindustrialization and proposes a heritage-led approach to their sustainable development, informed by the growing scholarship… (more)

Subjects/Keywords: Industrial Landscapes; Deindustrialization; Sustainable Development; Mining; Landscape Archaeology; Industrial Archaeology; History; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Medeiros, L. (2018). HERITAGE-LED DEVELOPMENT IN POSTINDUSTRIAL AREAS: A SYSTEMIC APPROACH TO INDUSTRIAL LANDSCAPES. (Doctoral Dissertation). Michigan Technological University. Retrieved from https://digitalcommons.mtu.edu/etdr/673

Chicago Manual of Style (16th Edition):

Medeiros, Leonor. “HERITAGE-LED DEVELOPMENT IN POSTINDUSTRIAL AREAS: A SYSTEMIC APPROACH TO INDUSTRIAL LANDSCAPES.” 2018. Doctoral Dissertation, Michigan Technological University. Accessed February 19, 2020. https://digitalcommons.mtu.edu/etdr/673.

MLA Handbook (7th Edition):

Medeiros, Leonor. “HERITAGE-LED DEVELOPMENT IN POSTINDUSTRIAL AREAS: A SYSTEMIC APPROACH TO INDUSTRIAL LANDSCAPES.” 2018. Web. 19 Feb 2020.

Vancouver:

Medeiros L. HERITAGE-LED DEVELOPMENT IN POSTINDUSTRIAL AREAS: A SYSTEMIC APPROACH TO INDUSTRIAL LANDSCAPES. [Internet] [Doctoral dissertation]. Michigan Technological University; 2018. [cited 2020 Feb 19]. Available from: https://digitalcommons.mtu.edu/etdr/673.

Council of Science Editors:

Medeiros L. HERITAGE-LED DEVELOPMENT IN POSTINDUSTRIAL AREAS: A SYSTEMIC APPROACH TO INDUSTRIAL LANDSCAPES. [Doctoral Dissertation]. Michigan Technological University; 2018. Available from: https://digitalcommons.mtu.edu/etdr/673


West Virginia University

8. Wheeler, Elizabeth Ann. Chercheur de Lumière: The Art of Jean-Louis Rouméguère (1863-1925).

Degree: MA, Art History, 2019, West Virginia University

  This thesis examines the landscape paintings of Jean-Louis Rouméguère (1863-1925), who was active in southwestern France in the early twentieth century. Rouméguère, who also… (more)

Subjects/Keywords: painting; landscape; France; Pyrenees; nineteenth century; twentieth century; regionalism; somatic; Barbizon; Impressionism; History of Art, Architecture, and Archaeology; Modern Art and Architecture; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Wheeler, E. A. (2019). Chercheur de Lumière: The Art of Jean-Louis Rouméguère (1863-1925). (Thesis). West Virginia University. Retrieved from https://researchrepository.wvu.edu/etd/3840

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wheeler, Elizabeth Ann. “Chercheur de Lumière: The Art of Jean-Louis Rouméguère (1863-1925).” 2019. Thesis, West Virginia University. Accessed February 19, 2020. https://researchrepository.wvu.edu/etd/3840.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wheeler, Elizabeth Ann. “Chercheur de Lumière: The Art of Jean-Louis Rouméguère (1863-1925).” 2019. Web. 19 Feb 2020.

Vancouver:

Wheeler EA. Chercheur de Lumière: The Art of Jean-Louis Rouméguère (1863-1925). [Internet] [Thesis]. West Virginia University; 2019. [cited 2020 Feb 19]. Available from: https://researchrepository.wvu.edu/etd/3840.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wheeler EA. Chercheur de Lumière: The Art of Jean-Louis Rouméguère (1863-1925). [Thesis]. West Virginia University; 2019. Available from: https://researchrepository.wvu.edu/etd/3840

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

9. Panbehchi, Michael J. The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile.

Degree: PhD, Art History, 2014, Virginia Commonwealth University

  This dissertation examines a series of nine paintings depicting the battles of Alexander Farnese in Flanders created by the Cuzco School of Painters in… (more)

Subjects/Keywords: Battle Painting; Chile; Cuzco School; Ancient, Medieval, Renaissance and Baroque Art and Architecture; History of Art, Architecture, and Archaeology; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Panbehchi, M. J. (2014). The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile. (Doctoral Dissertation). Virginia Commonwealth University. Retrieved from https://doi.org/10.25772/Q8RK-TD43 ; https://scholarscompass.vcu.edu/etd/3628

Chicago Manual of Style (16th Edition):

Panbehchi, Michael J. “The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile.” 2014. Doctoral Dissertation, Virginia Commonwealth University. Accessed February 19, 2020. https://doi.org/10.25772/Q8RK-TD43 ; https://scholarscompass.vcu.edu/etd/3628.

MLA Handbook (7th Edition):

Panbehchi, Michael J. “The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile.” 2014. Web. 19 Feb 2020.

Vancouver:

Panbehchi MJ. The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile. [Internet] [Doctoral dissertation]. Virginia Commonwealth University; 2014. [cited 2020 Feb 19]. Available from: https://doi.org/10.25772/Q8RK-TD43 ; https://scholarscompass.vcu.edu/etd/3628.

Council of Science Editors:

Panbehchi MJ. The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile. [Doctoral Dissertation]. Virginia Commonwealth University; 2014. Available from: https://doi.org/10.25772/Q8RK-TD43 ; https://scholarscompass.vcu.edu/etd/3628


University of New Mexico

10. Young, India Rael. Cultural imPRINT: a History of Northwest Coast Native and First Nations Prints.

Degree: UNM Department of Art and Art History, 2017, University of New Mexico

  Cultural imPRINT provides the first substantive art historical investigation into Northwest Coast Indigenous prints. Since the 1960s, Northwest Coast artists have employed the print… (more)

Subjects/Keywords: Indigenous; Native; Northwest Coast; Prints; art print; reproduction; Contemporary Art; Fine Arts; History of Art, Architecture, and Archaeology; Indigenous Studies; Other History of Art, Architecture, and Archaeology; Printmaking

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APA (6th Edition):

Young, I. R. (2017). Cultural imPRINT: a History of Northwest Coast Native and First Nations Prints. (Doctoral Dissertation). University of New Mexico. Retrieved from https://digitalrepository.unm.edu/arth_etds/68

Chicago Manual of Style (16th Edition):

Young, India Rael. “Cultural imPRINT: a History of Northwest Coast Native and First Nations Prints.” 2017. Doctoral Dissertation, University of New Mexico. Accessed February 19, 2020. https://digitalrepository.unm.edu/arth_etds/68.

MLA Handbook (7th Edition):

Young, India Rael. “Cultural imPRINT: a History of Northwest Coast Native and First Nations Prints.” 2017. Web. 19 Feb 2020.

Vancouver:

Young IR. Cultural imPRINT: a History of Northwest Coast Native and First Nations Prints. [Internet] [Doctoral dissertation]. University of New Mexico; 2017. [cited 2020 Feb 19]. Available from: https://digitalrepository.unm.edu/arth_etds/68.

Council of Science Editors:

Young IR. Cultural imPRINT: a History of Northwest Coast Native and First Nations Prints. [Doctoral Dissertation]. University of New Mexico; 2017. Available from: https://digitalrepository.unm.edu/arth_etds/68

11. Lubke, Amy. Stone in the Center.

Degree: MA, Art, 2012, Governors State University

  Before the rise of the Incan Empire, there was an ancient civilization living throughout the Andes that thrived for several years. This civilization inhabited… (more)

Subjects/Keywords: Tiahuanaco; Bolivia; art history; architecture; Andes; History of Art, Architecture, and Archaeology; Other Languages, Societies, and Cultures

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APA (6th Edition):

Lubke, A. (2012). Stone in the Center. (Thesis). Governors State University. Retrieved from https://opus.govst.edu/theses/43

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lubke, Amy. “Stone in the Center.” 2012. Thesis, Governors State University. Accessed February 19, 2020. https://opus.govst.edu/theses/43.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lubke, Amy. “Stone in the Center.” 2012. Web. 19 Feb 2020.

Vancouver:

Lubke A. Stone in the Center. [Internet] [Thesis]. Governors State University; 2012. [cited 2020 Feb 19]. Available from: https://opus.govst.edu/theses/43.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lubke A. Stone in the Center. [Thesis]. Governors State University; 2012. Available from: https://opus.govst.edu/theses/43

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Montana Tech

12. Sherrard, Aja M. The Practice of Cartography: Imagining World Art Studies After Eurocentrism.

Degree: MA, 2017, Montana Tech

  As the discipline of art history becomes increasingly global, the prevalence of European systems of thought and the supremacy of European systems of value… (more)

Subjects/Keywords: Art History; Eurocentrism; World Art Studies; Cartography; Plurality; Ethnic Studies; Other History of Art, Architecture, and Archaeology; Theory and Criticism

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APA (6th Edition):

Sherrard, A. M. (2017). The Practice of Cartography: Imagining World Art Studies After Eurocentrism. (Masters Thesis). Montana Tech. Retrieved from Aja Mujinga Sherrard, "The Practice of Cartography: Imagining World Art Studies After Eurocentrism." M.A. Thesis, University of Montana, 2017. ; https://scholarworks.umt.edu/etd/11030

Chicago Manual of Style (16th Edition):

Sherrard, Aja M. “The Practice of Cartography: Imagining World Art Studies After Eurocentrism.” 2017. Masters Thesis, Montana Tech. Accessed February 19, 2020. Aja Mujinga Sherrard, "The Practice of Cartography: Imagining World Art Studies After Eurocentrism." M.A. Thesis, University of Montana, 2017. ; https://scholarworks.umt.edu/etd/11030.

MLA Handbook (7th Edition):

Sherrard, Aja M. “The Practice of Cartography: Imagining World Art Studies After Eurocentrism.” 2017. Web. 19 Feb 2020.

Vancouver:

Sherrard AM. The Practice of Cartography: Imagining World Art Studies After Eurocentrism. [Internet] [Masters thesis]. Montana Tech; 2017. [cited 2020 Feb 19]. Available from: Aja Mujinga Sherrard, "The Practice of Cartography: Imagining World Art Studies After Eurocentrism." M.A. Thesis, University of Montana, 2017. ; https://scholarworks.umt.edu/etd/11030.

Council of Science Editors:

Sherrard AM. The Practice of Cartography: Imagining World Art Studies After Eurocentrism. [Masters Thesis]. Montana Tech; 2017. Available from: Aja Mujinga Sherrard, "The Practice of Cartography: Imagining World Art Studies After Eurocentrism." M.A. Thesis, University of Montana, 2017. ; https://scholarworks.umt.edu/etd/11030


University of Wisconsin – Milwaukee

13. Caserta Hugdahl, Pamela. Eco Ephemeral: Works By Thomas Ferrella & Artists’ Books from Special Collections, UW-Milwaukee Libraries.

Degree: MA, Art History, 2016, University of Wisconsin – Milwaukee

  This thesis essay and accompanying exhibition approach environmental concerns through an art historical perspective by considering works of art by Thomas Ferrella, M.D. and… (more)

Subjects/Keywords: Ecoart; Eco Art; Eco-Art; Environmentalism in Art; Thomas Ferrella; History of Art, Architecture, and Archaeology; Other Environmental Sciences

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APA (6th Edition):

Caserta Hugdahl, P. (2016). Eco Ephemeral: Works By Thomas Ferrella & Artists’ Books from Special Collections, UW-Milwaukee Libraries. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/1355

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Caserta Hugdahl, Pamela. “Eco Ephemeral: Works By Thomas Ferrella & Artists’ Books from Special Collections, UW-Milwaukee Libraries.” 2016. Thesis, University of Wisconsin – Milwaukee. Accessed February 19, 2020. https://dc.uwm.edu/etd/1355.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Caserta Hugdahl, Pamela. “Eco Ephemeral: Works By Thomas Ferrella & Artists’ Books from Special Collections, UW-Milwaukee Libraries.” 2016. Web. 19 Feb 2020.

Vancouver:

Caserta Hugdahl P. Eco Ephemeral: Works By Thomas Ferrella & Artists’ Books from Special Collections, UW-Milwaukee Libraries. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2016. [cited 2020 Feb 19]. Available from: https://dc.uwm.edu/etd/1355.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Caserta Hugdahl P. Eco Ephemeral: Works By Thomas Ferrella & Artists’ Books from Special Collections, UW-Milwaukee Libraries. [Thesis]. University of Wisconsin – Milwaukee; 2016. Available from: https://dc.uwm.edu/etd/1355

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kentucky

14. Carr-Trebelhorn, Julia A. FROM GEOLOGY TO ART HISTORY: CERAMIST ALEXANDRE BRONGNIART’S OVERLOOKED CONTRIBUTION TO THE DEVELOPING SCIENCE OF ART HISTORY IN THE EARLY NINETEENTH CENTURY.

Degree: 2014, University of Kentucky

 Alexandre Brongniart was known for his work as an important geologist and as an administrator at the Sèvres Porcelain Manufactory, but his roles as art(more)

Subjects/Keywords: Brongniart; Ceramics; Kunstwissenschaft; Semper; Sèvres; Geology; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Carr-Trebelhorn, J. A. (2014). FROM GEOLOGY TO ART HISTORY: CERAMIST ALEXANDRE BRONGNIART’S OVERLOOKED CONTRIBUTION TO THE DEVELOPING SCIENCE OF ART HISTORY IN THE EARLY NINETEENTH CENTURY. (Masters Thesis). University of Kentucky. Retrieved from http://uknowledge.uky.edu/art_etds/4

Chicago Manual of Style (16th Edition):

Carr-Trebelhorn, Julia A. “FROM GEOLOGY TO ART HISTORY: CERAMIST ALEXANDRE BRONGNIART’S OVERLOOKED CONTRIBUTION TO THE DEVELOPING SCIENCE OF ART HISTORY IN THE EARLY NINETEENTH CENTURY.” 2014. Masters Thesis, University of Kentucky. Accessed February 19, 2020. http://uknowledge.uky.edu/art_etds/4.

MLA Handbook (7th Edition):

Carr-Trebelhorn, Julia A. “FROM GEOLOGY TO ART HISTORY: CERAMIST ALEXANDRE BRONGNIART’S OVERLOOKED CONTRIBUTION TO THE DEVELOPING SCIENCE OF ART HISTORY IN THE EARLY NINETEENTH CENTURY.” 2014. Web. 19 Feb 2020.

Vancouver:

Carr-Trebelhorn JA. FROM GEOLOGY TO ART HISTORY: CERAMIST ALEXANDRE BRONGNIART’S OVERLOOKED CONTRIBUTION TO THE DEVELOPING SCIENCE OF ART HISTORY IN THE EARLY NINETEENTH CENTURY. [Internet] [Masters thesis]. University of Kentucky; 2014. [cited 2020 Feb 19]. Available from: http://uknowledge.uky.edu/art_etds/4.

Council of Science Editors:

Carr-Trebelhorn JA. FROM GEOLOGY TO ART HISTORY: CERAMIST ALEXANDRE BRONGNIART’S OVERLOOKED CONTRIBUTION TO THE DEVELOPING SCIENCE OF ART HISTORY IN THE EARLY NINETEENTH CENTURY. [Masters Thesis]. University of Kentucky; 2014. Available from: http://uknowledge.uky.edu/art_etds/4


University of Louisville

15. Schumacher, Jessica Robins. Common ground, diverging paths: eighteenth-century English and French landscape painting.

Degree: MA, 2018, University of Louisville

  In the early eighteenth century, both English and French artists traveled to Rome to study the great seventeenth-century landscape artists  – Claude Lorrain and… (more)

Subjects/Keywords: landscape painting; eighteenth-century; English; Grand Tour; associationism; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Schumacher, J. R. (2018). Common ground, diverging paths: eighteenth-century English and French landscape painting. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/3111 ; https://ir.library.louisville.edu/etd/3111

Chicago Manual of Style (16th Edition):

Schumacher, Jessica Robins. “Common ground, diverging paths: eighteenth-century English and French landscape painting.” 2018. Masters Thesis, University of Louisville. Accessed February 19, 2020. 10.18297/etd/3111 ; https://ir.library.louisville.edu/etd/3111.

MLA Handbook (7th Edition):

Schumacher, Jessica Robins. “Common ground, diverging paths: eighteenth-century English and French landscape painting.” 2018. Web. 19 Feb 2020.

Vancouver:

Schumacher JR. Common ground, diverging paths: eighteenth-century English and French landscape painting. [Internet] [Masters thesis]. University of Louisville; 2018. [cited 2020 Feb 19]. Available from: 10.18297/etd/3111 ; https://ir.library.louisville.edu/etd/3111.

Council of Science Editors:

Schumacher JR. Common ground, diverging paths: eighteenth-century English and French landscape painting. [Masters Thesis]. University of Louisville; 2018. Available from: 10.18297/etd/3111 ; https://ir.library.louisville.edu/etd/3111


University of Pennsylvania

16. Lastra, Elizabeth Anne. Biography of a City: Art, Urbanization, and Shifting Structures of Power in Carrion de los Condes, 1050-1200.

Degree: 2017, University of Pennsylvania

 One of the central narratives in the study of Spanish Romanesque art is that of the Camino de Santiago de Compostela, the medieval pilgrimage to… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Lastra, E. A. (2017). Biography of a City: Art, Urbanization, and Shifting Structures of Power in Carrion de los Condes, 1050-1200. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/2411

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lastra, Elizabeth Anne. “Biography of a City: Art, Urbanization, and Shifting Structures of Power in Carrion de los Condes, 1050-1200.” 2017. Thesis, University of Pennsylvania. Accessed February 19, 2020. https://repository.upenn.edu/edissertations/2411.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lastra, Elizabeth Anne. “Biography of a City: Art, Urbanization, and Shifting Structures of Power in Carrion de los Condes, 1050-1200.” 2017. Web. 19 Feb 2020.

Vancouver:

Lastra EA. Biography of a City: Art, Urbanization, and Shifting Structures of Power in Carrion de los Condes, 1050-1200. [Internet] [Thesis]. University of Pennsylvania; 2017. [cited 2020 Feb 19]. Available from: https://repository.upenn.edu/edissertations/2411.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lastra EA. Biography of a City: Art, Urbanization, and Shifting Structures of Power in Carrion de los Condes, 1050-1200. [Thesis]. University of Pennsylvania; 2017. Available from: https://repository.upenn.edu/edissertations/2411

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Pennsylvania

17. Morgan, Kathryn Rebecca. A Moveable Feast: Production, Consumption, And State Formation At Early Phrygian Gordion.

Degree: 2018, University of Pennsylvania

 The archaeological site of Gordion in central Anatolia is best known as the seat of King Midas of Phrygia, he of the mythical ‘golden touch,’… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Morgan, K. R. (2018). A Moveable Feast: Production, Consumption, And State Formation At Early Phrygian Gordion. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/2927

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Morgan, Kathryn Rebecca. “A Moveable Feast: Production, Consumption, And State Formation At Early Phrygian Gordion.” 2018. Thesis, University of Pennsylvania. Accessed February 19, 2020. https://repository.upenn.edu/edissertations/2927.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Morgan, Kathryn Rebecca. “A Moveable Feast: Production, Consumption, And State Formation At Early Phrygian Gordion.” 2018. Web. 19 Feb 2020.

Vancouver:

Morgan KR. A Moveable Feast: Production, Consumption, And State Formation At Early Phrygian Gordion. [Internet] [Thesis]. University of Pennsylvania; 2018. [cited 2020 Feb 19]. Available from: https://repository.upenn.edu/edissertations/2927.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morgan KR. A Moveable Feast: Production, Consumption, And State Formation At Early Phrygian Gordion. [Thesis]. University of Pennsylvania; 2018. Available from: https://repository.upenn.edu/edissertations/2927

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Haavik-MacKinnon, Amy E. A Colony Within: Art and Identity in London’s East End since World War II.

Degree: PhD, History of Art, 2013, Bryn Mawr College

  This dissertation brings together artists living and working in the East End of London since World War II whose art uses the particular connotations… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Haavik-MacKinnon, A. E. (2013). A Colony Within: Art and Identity in London’s East End since World War II. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/77

Chicago Manual of Style (16th Edition):

Haavik-MacKinnon, Amy E. “A Colony Within: Art and Identity in London’s East End since World War II.” 2013. Doctoral Dissertation, Bryn Mawr College. Accessed February 19, 2020. https://repository.brynmawr.edu/dissertations/77.

MLA Handbook (7th Edition):

Haavik-MacKinnon, Amy E. “A Colony Within: Art and Identity in London’s East End since World War II.” 2013. Web. 19 Feb 2020.

Vancouver:

Haavik-MacKinnon AE. A Colony Within: Art and Identity in London’s East End since World War II. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2013. [cited 2020 Feb 19]. Available from: https://repository.brynmawr.edu/dissertations/77.

Council of Science Editors:

Haavik-MacKinnon AE. A Colony Within: Art and Identity in London’s East End since World War II. [Doctoral Dissertation]. Bryn Mawr College; 2013. Available from: https://repository.brynmawr.edu/dissertations/77

19. Bereskin, Emily. Staging the Post-conflict City: Tourism, Urban Change, and Symbolic Contestation in Belfast, Northern Ireland.

Degree: PhD, History of Art, 2012, Bryn Mawr College

  In post-Agreement Northern Ireland, issues of cultural identity have risen to the forefront of regional political and communal discourse. Demands for equality, recognition, and… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Bereskin, E. (2012). Staging the Post-conflict City: Tourism, Urban Change, and Symbolic Contestation in Belfast, Northern Ireland. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/53

Chicago Manual of Style (16th Edition):

Bereskin, Emily. “Staging the Post-conflict City: Tourism, Urban Change, and Symbolic Contestation in Belfast, Northern Ireland.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed February 19, 2020. https://repository.brynmawr.edu/dissertations/53.

MLA Handbook (7th Edition):

Bereskin, Emily. “Staging the Post-conflict City: Tourism, Urban Change, and Symbolic Contestation in Belfast, Northern Ireland.” 2012. Web. 19 Feb 2020.

Vancouver:

Bereskin E. Staging the Post-conflict City: Tourism, Urban Change, and Symbolic Contestation in Belfast, Northern Ireland. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2020 Feb 19]. Available from: https://repository.brynmawr.edu/dissertations/53.

Council of Science Editors:

Bereskin E. Staging the Post-conflict City: Tourism, Urban Change, and Symbolic Contestation in Belfast, Northern Ireland. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/53

20. Gasper-Hulvat, Marie E. Malevich’s Post-Suprematist Paintings and the Construction of History.

Degree: PhD, History of Art, 2012, Bryn Mawr College

  This dissertation discusses Kazimir Malevich’s post-abstract, post-suprematist figurative work by drawing upon semiotic and post-structuralist theories, addressing questions such as: Why did Malevich return… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Gasper-Hulvat, M. E. (2012). Malevich’s Post-Suprematist Paintings and the Construction of History. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/55

Chicago Manual of Style (16th Edition):

Gasper-Hulvat, Marie E. “Malevich’s Post-Suprematist Paintings and the Construction of History.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed February 19, 2020. https://repository.brynmawr.edu/dissertations/55.

MLA Handbook (7th Edition):

Gasper-Hulvat, Marie E. “Malevich’s Post-Suprematist Paintings and the Construction of History.” 2012. Web. 19 Feb 2020.

Vancouver:

Gasper-Hulvat ME. Malevich’s Post-Suprematist Paintings and the Construction of History. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2020 Feb 19]. Available from: https://repository.brynmawr.edu/dissertations/55.

Council of Science Editors:

Gasper-Hulvat ME. Malevich’s Post-Suprematist Paintings and the Construction of History. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/55

21. Griffiths, Jennifer. Futurist Aeropainting: Extended Women and the Kingdom of the Machine.

Degree: PhD, History of Art, 2012, Bryn Mawr College

  A major theme in works by later Italian Futurists of the 1930s was what was called aero-aesthetics in which the artists drew their inspiration… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Griffiths, J. (2012). Futurist Aeropainting: Extended Women and the Kingdom of the Machine. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/56

Chicago Manual of Style (16th Edition):

Griffiths, Jennifer. “Futurist Aeropainting: Extended Women and the Kingdom of the Machine.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed February 19, 2020. https://repository.brynmawr.edu/dissertations/56.

MLA Handbook (7th Edition):

Griffiths, Jennifer. “Futurist Aeropainting: Extended Women and the Kingdom of the Machine.” 2012. Web. 19 Feb 2020.

Vancouver:

Griffiths J. Futurist Aeropainting: Extended Women and the Kingdom of the Machine. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2020 Feb 19]. Available from: https://repository.brynmawr.edu/dissertations/56.

Council of Science Editors:

Griffiths J. Futurist Aeropainting: Extended Women and the Kingdom of the Machine. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/56

22. Guzzetti, Andrea. A Walk through the Past: Toward the Study of Archaeological Museums in Italy, Greece, and Israel.

Degree: PhD, Classical and Near Eastern Archaeology, 2012, Bryn Mawr College

  Archaeological museums and museum displays help to broadcast ideological statements, particularly concerning the formation of national identities, yet the ways in which the messages… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Guzzetti, A. (2012). A Walk through the Past: Toward the Study of Archaeological Museums in Italy, Greece, and Israel. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/57

Chicago Manual of Style (16th Edition):

Guzzetti, Andrea. “A Walk through the Past: Toward the Study of Archaeological Museums in Italy, Greece, and Israel.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed February 19, 2020. https://repository.brynmawr.edu/dissertations/57.

MLA Handbook (7th Edition):

Guzzetti, Andrea. “A Walk through the Past: Toward the Study of Archaeological Museums in Italy, Greece, and Israel.” 2012. Web. 19 Feb 2020.

Vancouver:

Guzzetti A. A Walk through the Past: Toward the Study of Archaeological Museums in Italy, Greece, and Israel. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2020 Feb 19]. Available from: https://repository.brynmawr.edu/dissertations/57.

Council of Science Editors:

Guzzetti A. A Walk through the Past: Toward the Study of Archaeological Museums in Italy, Greece, and Israel. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/57

23. Person, Catherine W. Household Shrines and Cults in Roman Achaia: A New Approach to Examining Cultural Change under the Roman Empire.

Degree: PhD, Classical and Near Eastern Archaeology, 2012, Bryn Mawr College

  This study explores the changing nature of household cult practices, a currently under-studied category of evidence, in the Roman province of Achaia, from the… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Person, C. W. (2012). Household Shrines and Cults in Roman Achaia: A New Approach to Examining Cultural Change under the Roman Empire. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/84

Chicago Manual of Style (16th Edition):

Person, Catherine W. “Household Shrines and Cults in Roman Achaia: A New Approach to Examining Cultural Change under the Roman Empire.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed February 19, 2020. https://repository.brynmawr.edu/dissertations/84.

MLA Handbook (7th Edition):

Person, Catherine W. “Household Shrines and Cults in Roman Achaia: A New Approach to Examining Cultural Change under the Roman Empire.” 2012. Web. 19 Feb 2020.

Vancouver:

Person CW. Household Shrines and Cults in Roman Achaia: A New Approach to Examining Cultural Change under the Roman Empire. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2020 Feb 19]. Available from: https://repository.brynmawr.edu/dissertations/84.

Council of Science Editors:

Person CW. Household Shrines and Cults in Roman Achaia: A New Approach to Examining Cultural Change under the Roman Empire. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/84

24. Stotland, Irina. Paul Gauguin’s Self-Portraiture and the Concept of Androgyny.

Degree: PhD, History of Art, 2012, Bryn Mawr College

  The dissertation contextualizes Paul Gauguin’s self-portraits within the nineteenth-century notion of androgyny. The first chapter explores Gauguin’s textual figurations of self in relation to… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Stotland, I. (2012). Paul Gauguin’s Self-Portraiture and the Concept of Androgyny. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/61

Chicago Manual of Style (16th Edition):

Stotland, Irina. “Paul Gauguin’s Self-Portraiture and the Concept of Androgyny.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed February 19, 2020. https://repository.brynmawr.edu/dissertations/61.

MLA Handbook (7th Edition):

Stotland, Irina. “Paul Gauguin’s Self-Portraiture and the Concept of Androgyny.” 2012. Web. 19 Feb 2020.

Vancouver:

Stotland I. Paul Gauguin’s Self-Portraiture and the Concept of Androgyny. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2020 Feb 19]. Available from: https://repository.brynmawr.edu/dissertations/61.

Council of Science Editors:

Stotland I. Paul Gauguin’s Self-Portraiture and the Concept of Androgyny. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/61

25. Blackwell, Nicholas G. Middle and Late Bronze Age Metal Tools from the Aegean, Eastern Mediterranean, and Anatolia: Implications for Cultural/Regional Interaction and Craftmanship.

Degree: PhD, Classical and Near Eastern Archaeology, 2011, Bryn Mawr College

  This study considers the distribution and consumption trends of metal tools from the second millennium BC over a wide geographical area including Crete, the… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Blackwell, N. G. (2011). Middle and Late Bronze Age Metal Tools from the Aegean, Eastern Mediterranean, and Anatolia: Implications for Cultural/Regional Interaction and Craftmanship. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/63

Chicago Manual of Style (16th Edition):

Blackwell, Nicholas G. “Middle and Late Bronze Age Metal Tools from the Aegean, Eastern Mediterranean, and Anatolia: Implications for Cultural/Regional Interaction and Craftmanship.” 2011. Doctoral Dissertation, Bryn Mawr College. Accessed February 19, 2020. https://repository.brynmawr.edu/dissertations/63.

MLA Handbook (7th Edition):

Blackwell, Nicholas G. “Middle and Late Bronze Age Metal Tools from the Aegean, Eastern Mediterranean, and Anatolia: Implications for Cultural/Regional Interaction and Craftmanship.” 2011. Web. 19 Feb 2020.

Vancouver:

Blackwell NG. Middle and Late Bronze Age Metal Tools from the Aegean, Eastern Mediterranean, and Anatolia: Implications for Cultural/Regional Interaction and Craftmanship. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2011. [cited 2020 Feb 19]. Available from: https://repository.brynmawr.edu/dissertations/63.

Council of Science Editors:

Blackwell NG. Middle and Late Bronze Age Metal Tools from the Aegean, Eastern Mediterranean, and Anatolia: Implications for Cultural/Regional Interaction and Craftmanship. [Doctoral Dissertation]. Bryn Mawr College; 2011. Available from: https://repository.brynmawr.edu/dissertations/63

26. Leeuwrik, Linda. Blue Riders of the Apocalypse: Kandinsky and Marc in the German Apocalyptic Tradition.

Degree: PhD, History of Art, 2009, Bryn Mawr College

  Early twentieth-century Munich was a leading intellectual and cultural center, as well as a society in crisis, experiencing growing tension between the materialistic bourgeoisie… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Leeuwrik, L. (2009). Blue Riders of the Apocalypse: Kandinsky and Marc in the German Apocalyptic Tradition. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/28

Chicago Manual of Style (16th Edition):

Leeuwrik, Linda. “Blue Riders of the Apocalypse: Kandinsky and Marc in the German Apocalyptic Tradition.” 2009. Doctoral Dissertation, Bryn Mawr College. Accessed February 19, 2020. https://repository.brynmawr.edu/dissertations/28.

MLA Handbook (7th Edition):

Leeuwrik, Linda. “Blue Riders of the Apocalypse: Kandinsky and Marc in the German Apocalyptic Tradition.” 2009. Web. 19 Feb 2020.

Vancouver:

Leeuwrik L. Blue Riders of the Apocalypse: Kandinsky and Marc in the German Apocalyptic Tradition. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2009. [cited 2020 Feb 19]. Available from: https://repository.brynmawr.edu/dissertations/28.

Council of Science Editors:

Leeuwrik L. Blue Riders of the Apocalypse: Kandinsky and Marc in the German Apocalyptic Tradition. [Doctoral Dissertation]. Bryn Mawr College; 2009. Available from: https://repository.brynmawr.edu/dissertations/28

27. Vigneault, Marissa B. Expanding Spaces and Porous Borders in the Artworking of Bracha L. Ettinger.

Degree: PhD, History of Art, 2009, Bryn Mawr College

  This dissertation examines the written and artistic production of the Israeli-born artist, psychoanalyst, and feminist theorist Bracha L. Ettinger, whose practice of artworking incorporates… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Vigneault, M. B. (2009). Expanding Spaces and Porous Borders in the Artworking of Bracha L. Ettinger. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/34

Chicago Manual of Style (16th Edition):

Vigneault, Marissa B. “Expanding Spaces and Porous Borders in the Artworking of Bracha L. Ettinger.” 2009. Doctoral Dissertation, Bryn Mawr College. Accessed February 19, 2020. https://repository.brynmawr.edu/dissertations/34.

MLA Handbook (7th Edition):

Vigneault, Marissa B. “Expanding Spaces and Porous Borders in the Artworking of Bracha L. Ettinger.” 2009. Web. 19 Feb 2020.

Vancouver:

Vigneault MB. Expanding Spaces and Porous Borders in the Artworking of Bracha L. Ettinger. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2009. [cited 2020 Feb 19]. Available from: https://repository.brynmawr.edu/dissertations/34.

Council of Science Editors:

Vigneault MB. Expanding Spaces and Porous Borders in the Artworking of Bracha L. Ettinger. [Doctoral Dissertation]. Bryn Mawr College; 2009. Available from: https://repository.brynmawr.edu/dissertations/34

28. Moriuchi, Mey-Yen. Notions of Universality and Difference: Nineteenth-Century Mexican Costumbrismo.

Degree: PhD, History of Art, 2012, Bryn Mawr College

  Traditionally in the history of Mexican art, the nineteenth century is overlooked and generally categorized as transitional and inconsequential. As a result of political… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Moriuchi, M. (2012). Notions of Universality and Difference: Nineteenth-Century Mexican Costumbrismo. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/60

Chicago Manual of Style (16th Edition):

Moriuchi, Mey-Yen. “Notions of Universality and Difference: Nineteenth-Century Mexican Costumbrismo.” 2012. Doctoral Dissertation, Bryn Mawr College. Accessed February 19, 2020. https://repository.brynmawr.edu/dissertations/60.

MLA Handbook (7th Edition):

Moriuchi, Mey-Yen. “Notions of Universality and Difference: Nineteenth-Century Mexican Costumbrismo.” 2012. Web. 19 Feb 2020.

Vancouver:

Moriuchi M. Notions of Universality and Difference: Nineteenth-Century Mexican Costumbrismo. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2012. [cited 2020 Feb 19]. Available from: https://repository.brynmawr.edu/dissertations/60.

Council of Science Editors:

Moriuchi M. Notions of Universality and Difference: Nineteenth-Century Mexican Costumbrismo. [Doctoral Dissertation]. Bryn Mawr College; 2012. Available from: https://repository.brynmawr.edu/dissertations/60

29. Shipley, Lesley E. Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964.

Degree: PhD, History of Art, 2011, Bryn Mawr College

  This dissertation focuses on the reception and interpretation of the welded steel and canvas reliefs that the American artist Lee Bontecou created between 1959… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Shipley, L. E. (2011). Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/69

Chicago Manual of Style (16th Edition):

Shipley, Lesley E. “Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964.” 2011. Doctoral Dissertation, Bryn Mawr College. Accessed February 19, 2020. https://repository.brynmawr.edu/dissertations/69.

MLA Handbook (7th Edition):

Shipley, Lesley E. “Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964.” 2011. Web. 19 Feb 2020.

Vancouver:

Shipley LE. Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2011. [cited 2020 Feb 19]. Available from: https://repository.brynmawr.edu/dissertations/69.

Council of Science Editors:

Shipley LE. Specific Objects: Lee Bontecou’s Steel and Canvas Reliefs, 1959-1964. [Doctoral Dissertation]. Bryn Mawr College; 2011. Available from: https://repository.brynmawr.edu/dissertations/69

30. Dubay, Rebecca L. Frank Stella, Anne Truitt, Robert Ryman, and Abstraction in the Sixties.

Degree: PhD, History of Art, 2011, Bryn Mawr College

  This dissertation examines transformations in painting during the 1960s. Countering repeated pronouncements of its “death” and subsequent diagnoses of its persistence in melancholic form,… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dubay, R. L. (2011). Frank Stella, Anne Truitt, Robert Ryman, and Abstraction in the Sixties. (Doctoral Dissertation). Bryn Mawr College. Retrieved from https://repository.brynmawr.edu/dissertations/64

Chicago Manual of Style (16th Edition):

Dubay, Rebecca L. “Frank Stella, Anne Truitt, Robert Ryman, and Abstraction in the Sixties.” 2011. Doctoral Dissertation, Bryn Mawr College. Accessed February 19, 2020. https://repository.brynmawr.edu/dissertations/64.

MLA Handbook (7th Edition):

Dubay, Rebecca L. “Frank Stella, Anne Truitt, Robert Ryman, and Abstraction in the Sixties.” 2011. Web. 19 Feb 2020.

Vancouver:

Dubay RL. Frank Stella, Anne Truitt, Robert Ryman, and Abstraction in the Sixties. [Internet] [Doctoral dissertation]. Bryn Mawr College; 2011. [cited 2020 Feb 19]. Available from: https://repository.brynmawr.edu/dissertations/64.

Council of Science Editors:

Dubay RL. Frank Stella, Anne Truitt, Robert Ryman, and Abstraction in the Sixties. [Doctoral Dissertation]. Bryn Mawr College; 2011. Available from: https://repository.brynmawr.edu/dissertations/64

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