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You searched for subject:(Other History of Art Architecture AND Archaeology). Showing records 1 – 30 of 1030 total matches.

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1. Wagner, Nicole. Leonardo's Virgin of the Rocks: The History, the Mystery, and the Museums' Considerations of the Two Paintings.

Degree: 2011, Buffalo State College

 The two versions of the Virgin of the Rocks have generated continued debate amongst art historians. Scholars such as Pietro Marani, Martin Davies and William… (more)

Subjects/Keywords: painting daVinci art history; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Wagner, N. (2011). Leonardo's Virgin of the Rocks: The History, the Mystery, and the Museums' Considerations of the Two Paintings. (Thesis). Buffalo State College. Retrieved from https://digitalcommons.buffalostate.edu/history_theses/5

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wagner, Nicole. “Leonardo's Virgin of the Rocks: The History, the Mystery, and the Museums' Considerations of the Two Paintings.” 2011. Thesis, Buffalo State College. Accessed April 22, 2021. https://digitalcommons.buffalostate.edu/history_theses/5.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wagner, Nicole. “Leonardo's Virgin of the Rocks: The History, the Mystery, and the Museums' Considerations of the Two Paintings.” 2011. Web. 22 Apr 2021.

Vancouver:

Wagner N. Leonardo's Virgin of the Rocks: The History, the Mystery, and the Museums' Considerations of the Two Paintings. [Internet] [Thesis]. Buffalo State College; 2011. [cited 2021 Apr 22]. Available from: https://digitalcommons.buffalostate.edu/history_theses/5.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wagner N. Leonardo's Virgin of the Rocks: The History, the Mystery, and the Museums' Considerations of the Two Paintings. [Thesis]. Buffalo State College; 2011. Available from: https://digitalcommons.buffalostate.edu/history_theses/5

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Colorado

2. Heindel, Theresa Anne. The Mystery of Malanga: Possible Roles of Xanthosoma violaceum in Ancient Maya Diet, Culture, and Agriculture.

Degree: MA, Anthropology, 2012, University of Colorado

  While the possibility of root crops in ancient Maya diet had been suggested by scholars as early as the 1960s, serious consideration has only… (more)

Subjects/Keywords: Agriculture; Maya; Agriculture; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Heindel, T. A. (2012). The Mystery of Malanga: Possible Roles of Xanthosoma violaceum in Ancient Maya Diet, Culture, and Agriculture. (Masters Thesis). University of Colorado. Retrieved from https://scholar.colorado.edu/anth_gradetds/29

Chicago Manual of Style (16th Edition):

Heindel, Theresa Anne. “The Mystery of Malanga: Possible Roles of Xanthosoma violaceum in Ancient Maya Diet, Culture, and Agriculture.” 2012. Masters Thesis, University of Colorado. Accessed April 22, 2021. https://scholar.colorado.edu/anth_gradetds/29.

MLA Handbook (7th Edition):

Heindel, Theresa Anne. “The Mystery of Malanga: Possible Roles of Xanthosoma violaceum in Ancient Maya Diet, Culture, and Agriculture.” 2012. Web. 22 Apr 2021.

Vancouver:

Heindel TA. The Mystery of Malanga: Possible Roles of Xanthosoma violaceum in Ancient Maya Diet, Culture, and Agriculture. [Internet] [Masters thesis]. University of Colorado; 2012. [cited 2021 Apr 22]. Available from: https://scholar.colorado.edu/anth_gradetds/29.

Council of Science Editors:

Heindel TA. The Mystery of Malanga: Possible Roles of Xanthosoma violaceum in Ancient Maya Diet, Culture, and Agriculture. [Masters Thesis]. University of Colorado; 2012. Available from: https://scholar.colorado.edu/anth_gradetds/29

3. Middleton, Sherri M. Comparing a Surface Collection to an Excavated Collection in the Lower Skagit River Delta at 45SK51.

Degree: MS, Cultural and Environmental Resource Management, 2017, Central Washington University

 In the Puget Sound Lowland of the Pacific Northwest, archaeologists have investigated a shift in settlement and subsistence patterns occurring in the mid-Holocene Epoch. The… (more)

Subjects/Keywords: Washington state archaeology; resource intensification; Archaeological Anthropology; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Middleton, S. M. (2017). Comparing a Surface Collection to an Excavated Collection in the Lower Skagit River Delta at 45SK51. (Masters Thesis). Central Washington University. Retrieved from https://digitalcommons.cwu.edu/etd/711

Chicago Manual of Style (16th Edition):

Middleton, Sherri M. “Comparing a Surface Collection to an Excavated Collection in the Lower Skagit River Delta at 45SK51.” 2017. Masters Thesis, Central Washington University. Accessed April 22, 2021. https://digitalcommons.cwu.edu/etd/711.

MLA Handbook (7th Edition):

Middleton, Sherri M. “Comparing a Surface Collection to an Excavated Collection in the Lower Skagit River Delta at 45SK51.” 2017. Web. 22 Apr 2021.

Vancouver:

Middleton SM. Comparing a Surface Collection to an Excavated Collection in the Lower Skagit River Delta at 45SK51. [Internet] [Masters thesis]. Central Washington University; 2017. [cited 2021 Apr 22]. Available from: https://digitalcommons.cwu.edu/etd/711.

Council of Science Editors:

Middleton SM. Comparing a Surface Collection to an Excavated Collection in the Lower Skagit River Delta at 45SK51. [Masters Thesis]. Central Washington University; 2017. Available from: https://digitalcommons.cwu.edu/etd/711


University of Tennessee – Knoxville

4. Dalton-Carriger, Jessica Nicole. The Social Memory of Upper Hampton Farm: An Organizational and Ceramic Study of 40RH41.

Degree: MA, Anthropology, 2011, University of Tennessee – Knoxville

  The Upper Hampton Farm site (40RH41) is located in the Watts Bar Reservoir in East Tennessee. The site was excavated under the Works Progress… (more)

Subjects/Keywords: Southeast; Archaeology; Prehistoric; 40RH41; Social Memory; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Dalton-Carriger, J. N. (2011). The Social Memory of Upper Hampton Farm: An Organizational and Ceramic Study of 40RH41. (Thesis). University of Tennessee – Knoxville. Retrieved from https://trace.tennessee.edu/utk_gradthes/1064

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dalton-Carriger, Jessica Nicole. “The Social Memory of Upper Hampton Farm: An Organizational and Ceramic Study of 40RH41.” 2011. Thesis, University of Tennessee – Knoxville. Accessed April 22, 2021. https://trace.tennessee.edu/utk_gradthes/1064.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dalton-Carriger, Jessica Nicole. “The Social Memory of Upper Hampton Farm: An Organizational and Ceramic Study of 40RH41.” 2011. Web. 22 Apr 2021.

Vancouver:

Dalton-Carriger JN. The Social Memory of Upper Hampton Farm: An Organizational and Ceramic Study of 40RH41. [Internet] [Thesis]. University of Tennessee – Knoxville; 2011. [cited 2021 Apr 22]. Available from: https://trace.tennessee.edu/utk_gradthes/1064.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dalton-Carriger JN. The Social Memory of Upper Hampton Farm: An Organizational and Ceramic Study of 40RH41. [Thesis]. University of Tennessee – Knoxville; 2011. Available from: https://trace.tennessee.edu/utk_gradthes/1064

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Louisville

5. Wise, Stephanie. Leonora Carrington : A Bestiary.

Degree: MA, 2019, University of Louisville

  Similar to the painted creatures that dwell within the illuminated manuscripts of ancient and medieval bestiaries, the beasts in Leonora Carrington’s early work are… (more)

Subjects/Keywords: leonora carrington; surrealism; women artists; bestiary; mythology; other; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Wise, S. (2019). Leonora Carrington : A Bestiary. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/3267 ; https://ir.library.louisville.edu/etd/3267

Chicago Manual of Style (16th Edition):

Wise, Stephanie. “Leonora Carrington : A Bestiary.” 2019. Masters Thesis, University of Louisville. Accessed April 22, 2021. 10.18297/etd/3267 ; https://ir.library.louisville.edu/etd/3267.

MLA Handbook (7th Edition):

Wise, Stephanie. “Leonora Carrington : A Bestiary.” 2019. Web. 22 Apr 2021.

Vancouver:

Wise S. Leonora Carrington : A Bestiary. [Internet] [Masters thesis]. University of Louisville; 2019. [cited 2021 Apr 22]. Available from: 10.18297/etd/3267 ; https://ir.library.louisville.edu/etd/3267.

Council of Science Editors:

Wise S. Leonora Carrington : A Bestiary. [Masters Thesis]. University of Louisville; 2019. Available from: 10.18297/etd/3267 ; https://ir.library.louisville.edu/etd/3267


Michigan Technological University

6. Sarich, Steven J. BEAUTIFUL FORMS AND COMPOSITIONS ARE NOT MADE BY CHANCE: EXPLORING THE EFFICACY OF PORTABLE X-RAY FLUORESCENCE TO SORT AND SOURCE ENGLISH LEAD GLAZED CERAMICS.

Degree: MS, Department of Social Sciences, 2015, Michigan Technological University

  Advances in portable X-ray fluorescence (pXRF) technology have made it a viable option for the non-destructive exploration of the underlying chemical composition of ceramic… (more)

Subjects/Keywords: archaeology of ceramics; ceramic characterization; industrial archaeology; lead glazed ceramics; materials science; pXRF; History of Art, Architecture, and Archaeology; Materials Science and Engineering; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Sarich, S. J. (2015). BEAUTIFUL FORMS AND COMPOSITIONS ARE NOT MADE BY CHANCE: EXPLORING THE EFFICACY OF PORTABLE X-RAY FLUORESCENCE TO SORT AND SOURCE ENGLISH LEAD GLAZED CERAMICS. (Masters Thesis). Michigan Technological University. Retrieved from https://digitalcommons.mtu.edu/etds/994

Chicago Manual of Style (16th Edition):

Sarich, Steven J. “BEAUTIFUL FORMS AND COMPOSITIONS ARE NOT MADE BY CHANCE: EXPLORING THE EFFICACY OF PORTABLE X-RAY FLUORESCENCE TO SORT AND SOURCE ENGLISH LEAD GLAZED CERAMICS.” 2015. Masters Thesis, Michigan Technological University. Accessed April 22, 2021. https://digitalcommons.mtu.edu/etds/994.

MLA Handbook (7th Edition):

Sarich, Steven J. “BEAUTIFUL FORMS AND COMPOSITIONS ARE NOT MADE BY CHANCE: EXPLORING THE EFFICACY OF PORTABLE X-RAY FLUORESCENCE TO SORT AND SOURCE ENGLISH LEAD GLAZED CERAMICS.” 2015. Web. 22 Apr 2021.

Vancouver:

Sarich SJ. BEAUTIFUL FORMS AND COMPOSITIONS ARE NOT MADE BY CHANCE: EXPLORING THE EFFICACY OF PORTABLE X-RAY FLUORESCENCE TO SORT AND SOURCE ENGLISH LEAD GLAZED CERAMICS. [Internet] [Masters thesis]. Michigan Technological University; 2015. [cited 2021 Apr 22]. Available from: https://digitalcommons.mtu.edu/etds/994.

Council of Science Editors:

Sarich SJ. BEAUTIFUL FORMS AND COMPOSITIONS ARE NOT MADE BY CHANCE: EXPLORING THE EFFICACY OF PORTABLE X-RAY FLUORESCENCE TO SORT AND SOURCE ENGLISH LEAD GLAZED CERAMICS. [Masters Thesis]. Michigan Technological University; 2015. Available from: https://digitalcommons.mtu.edu/etds/994


Michigan Technological University

7. Medeiros, Leonor. HERITAGE-LED DEVELOPMENT IN POSTINDUSTRIAL AREAS: A SYSTEMIC APPROACH TO INDUSTRIAL LANDSCAPES.

Degree: PhD, Department of Social Sciences, 2018, Michigan Technological University

  This dissertation addresses the constraints in areas characterized by deindustrialization and proposes a heritage-led approach to their sustainable development, informed by the growing scholarship… (more)

Subjects/Keywords: Industrial Landscapes; Deindustrialization; Sustainable Development; Mining; Landscape Archaeology; Industrial Archaeology; History; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Medeiros, L. (2018). HERITAGE-LED DEVELOPMENT IN POSTINDUSTRIAL AREAS: A SYSTEMIC APPROACH TO INDUSTRIAL LANDSCAPES. (Doctoral Dissertation). Michigan Technological University. Retrieved from https://digitalcommons.mtu.edu/etdr/673

Chicago Manual of Style (16th Edition):

Medeiros, Leonor. “HERITAGE-LED DEVELOPMENT IN POSTINDUSTRIAL AREAS: A SYSTEMIC APPROACH TO INDUSTRIAL LANDSCAPES.” 2018. Doctoral Dissertation, Michigan Technological University. Accessed April 22, 2021. https://digitalcommons.mtu.edu/etdr/673.

MLA Handbook (7th Edition):

Medeiros, Leonor. “HERITAGE-LED DEVELOPMENT IN POSTINDUSTRIAL AREAS: A SYSTEMIC APPROACH TO INDUSTRIAL LANDSCAPES.” 2018. Web. 22 Apr 2021.

Vancouver:

Medeiros L. HERITAGE-LED DEVELOPMENT IN POSTINDUSTRIAL AREAS: A SYSTEMIC APPROACH TO INDUSTRIAL LANDSCAPES. [Internet] [Doctoral dissertation]. Michigan Technological University; 2018. [cited 2021 Apr 22]. Available from: https://digitalcommons.mtu.edu/etdr/673.

Council of Science Editors:

Medeiros L. HERITAGE-LED DEVELOPMENT IN POSTINDUSTRIAL AREAS: A SYSTEMIC APPROACH TO INDUSTRIAL LANDSCAPES. [Doctoral Dissertation]. Michigan Technological University; 2018. Available from: https://digitalcommons.mtu.edu/etdr/673


University of Wisconsin – Milwaukee

8. Kuehn, Kelsey. Architecture as as Act of Transfer: Framing Denise Scott Brown's Architectural Practice with Performance.

Degree: MA, Art History, 2019, University of Wisconsin – Milwaukee

  This thesis examines the architectural practice of theorist, planner, architect, and activist Denise Scott Brown. Existing scholarship about the architect’s work is sparse and… (more)

Subjects/Keywords: Architecture; History of Art, Architecture, and Archaeology

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APA (6th Edition):

Kuehn, K. (2019). Architecture as as Act of Transfer: Framing Denise Scott Brown's Architectural Practice with Performance. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/2543

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kuehn, Kelsey. “Architecture as as Act of Transfer: Framing Denise Scott Brown's Architectural Practice with Performance.” 2019. Thesis, University of Wisconsin – Milwaukee. Accessed April 22, 2021. https://dc.uwm.edu/etd/2543.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kuehn, Kelsey. “Architecture as as Act of Transfer: Framing Denise Scott Brown's Architectural Practice with Performance.” 2019. Web. 22 Apr 2021.

Vancouver:

Kuehn K. Architecture as as Act of Transfer: Framing Denise Scott Brown's Architectural Practice with Performance. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2019. [cited 2021 Apr 22]. Available from: https://dc.uwm.edu/etd/2543.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kuehn K. Architecture as as Act of Transfer: Framing Denise Scott Brown's Architectural Practice with Performance. [Thesis]. University of Wisconsin – Milwaukee; 2019. Available from: https://dc.uwm.edu/etd/2543

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


West Virginia University

9. Wheeler, Elizabeth Ann. Chercheur de Lumière: The Art of Jean-Louis Rouméguère (1863-1925).

Degree: MA, Art History, 2019, West Virginia University

  This thesis examines the landscape paintings of Jean-Louis Rouméguère (1863-1925), who was active in southwestern France in the early twentieth century. Rouméguère, who also… (more)

Subjects/Keywords: painting; landscape; France; Pyrenees; nineteenth century; twentieth century; regionalism; somatic; Barbizon; Impressionism; History of Art, Architecture, and Archaeology; Modern Art and Architecture; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Wheeler, E. A. (2019). Chercheur de Lumière: The Art of Jean-Louis Rouméguère (1863-1925). (Thesis). West Virginia University. Retrieved from https://doi.org/10.33915/etd.3840 ; https://researchrepository.wvu.edu/etd/3840

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wheeler, Elizabeth Ann. “Chercheur de Lumière: The Art of Jean-Louis Rouméguère (1863-1925).” 2019. Thesis, West Virginia University. Accessed April 22, 2021. https://doi.org/10.33915/etd.3840 ; https://researchrepository.wvu.edu/etd/3840.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wheeler, Elizabeth Ann. “Chercheur de Lumière: The Art of Jean-Louis Rouméguère (1863-1925).” 2019. Web. 22 Apr 2021.

Vancouver:

Wheeler EA. Chercheur de Lumière: The Art of Jean-Louis Rouméguère (1863-1925). [Internet] [Thesis]. West Virginia University; 2019. [cited 2021 Apr 22]. Available from: https://doi.org/10.33915/etd.3840 ; https://researchrepository.wvu.edu/etd/3840.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wheeler EA. Chercheur de Lumière: The Art of Jean-Louis Rouméguère (1863-1925). [Thesis]. West Virginia University; 2019. Available from: https://doi.org/10.33915/etd.3840 ; https://researchrepository.wvu.edu/etd/3840

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

10. Panbehchi, Michael J. The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile.

Degree: PhD, Art History, 2014, Virginia Commonwealth University

  This dissertation examines a series of nine paintings depicting the battles of Alexander Farnese in Flanders created by the Cuzco School of Painters in… (more)

Subjects/Keywords: Battle Painting; Chile; Cuzco School; Ancient, Medieval, Renaissance and Baroque Art and Architecture; History of Art, Architecture, and Archaeology; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Panbehchi, M. J. (2014). The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile. (Doctoral Dissertation). Virginia Commonwealth University. Retrieved from https://doi.org/10.25772/Q8RK-TD43 ; https://scholarscompass.vcu.edu/etd/3628

Chicago Manual of Style (16th Edition):

Panbehchi, Michael J. “The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile.” 2014. Doctoral Dissertation, Virginia Commonwealth University. Accessed April 22, 2021. https://doi.org/10.25772/Q8RK-TD43 ; https://scholarscompass.vcu.edu/etd/3628.

MLA Handbook (7th Edition):

Panbehchi, Michael J. “The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile.” 2014. Web. 22 Apr 2021.

Vancouver:

Panbehchi MJ. The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile. [Internet] [Doctoral dissertation]. Virginia Commonwealth University; 2014. [cited 2021 Apr 22]. Available from: https://doi.org/10.25772/Q8RK-TD43 ; https://scholarscompass.vcu.edu/etd/3628.

Council of Science Editors:

Panbehchi MJ. The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile. [Doctoral Dissertation]. Virginia Commonwealth University; 2014. Available from: https://doi.org/10.25772/Q8RK-TD43 ; https://scholarscompass.vcu.edu/etd/3628

11. Lubke, Amy. Stone in the Center.

Degree: MA, Art, 2012, Governors State University

  Before the rise of the Incan Empire, there was an ancient civilization living throughout the Andes that thrived for several years. This civilization inhabited… (more)

Subjects/Keywords: Tiahuanaco; Bolivia; art history; architecture; Andes; History of Art, Architecture, and Archaeology; Other Languages, Societies, and Cultures

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APA (6th Edition):

Lubke, A. (2012). Stone in the Center. (Thesis). Governors State University. Retrieved from https://opus.govst.edu/theses/43

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lubke, Amy. “Stone in the Center.” 2012. Thesis, Governors State University. Accessed April 22, 2021. https://opus.govst.edu/theses/43.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lubke, Amy. “Stone in the Center.” 2012. Web. 22 Apr 2021.

Vancouver:

Lubke A. Stone in the Center. [Internet] [Thesis]. Governors State University; 2012. [cited 2021 Apr 22]. Available from: https://opus.govst.edu/theses/43.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lubke A. Stone in the Center. [Thesis]. Governors State University; 2012. Available from: https://opus.govst.edu/theses/43

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Mexico

12. Young, India Rael. Cultural imPRINT: a History of Northwest Coast Native and First Nations Prints.

Degree: UNM Department of Art and Art History, 2017, University of New Mexico

  Cultural imPRINT provides the first substantive art historical investigation into Northwest Coast Indigenous prints. Since the 1960s, Northwest Coast artists have employed the print… (more)

Subjects/Keywords: Indigenous; Native; Northwest Coast; Prints; art print; reproduction; Contemporary Art; Fine Arts; History of Art, Architecture, and Archaeology; Indigenous Studies; Other History of Art, Architecture, and Archaeology; Printmaking

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APA (6th Edition):

Young, I. R. (2017). Cultural imPRINT: a History of Northwest Coast Native and First Nations Prints. (Doctoral Dissertation). University of New Mexico. Retrieved from https://digitalrepository.unm.edu/arth_etds/68

Chicago Manual of Style (16th Edition):

Young, India Rael. “Cultural imPRINT: a History of Northwest Coast Native and First Nations Prints.” 2017. Doctoral Dissertation, University of New Mexico. Accessed April 22, 2021. https://digitalrepository.unm.edu/arth_etds/68.

MLA Handbook (7th Edition):

Young, India Rael. “Cultural imPRINT: a History of Northwest Coast Native and First Nations Prints.” 2017. Web. 22 Apr 2021.

Vancouver:

Young IR. Cultural imPRINT: a History of Northwest Coast Native and First Nations Prints. [Internet] [Doctoral dissertation]. University of New Mexico; 2017. [cited 2021 Apr 22]. Available from: https://digitalrepository.unm.edu/arth_etds/68.

Council of Science Editors:

Young IR. Cultural imPRINT: a History of Northwest Coast Native and First Nations Prints. [Doctoral Dissertation]. University of New Mexico; 2017. Available from: https://digitalrepository.unm.edu/arth_etds/68

13. Dungey, Nicholas Daniel. From Field to Museum: Intergenerational Education in Public Archaeology.

Degree: MA, Anthropology, 2020, U of Denver

  Archaeologists have developed different curricula and methods within museums, classrooms, and field settings that engage the public in learning about the past. One realm… (more)

Subjects/Keywords: Community; Education; Intergenerational; Public archaeology; Public engagement; Archaeological Anthropology; Education; Other Education; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Dungey, N. D. (2020). From Field to Museum: Intergenerational Education in Public Archaeology. (Thesis). U of Denver. Retrieved from https://digitalcommons.du.edu/etd/1750

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dungey, Nicholas Daniel. “From Field to Museum: Intergenerational Education in Public Archaeology.” 2020. Thesis, U of Denver. Accessed April 22, 2021. https://digitalcommons.du.edu/etd/1750.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dungey, Nicholas Daniel. “From Field to Museum: Intergenerational Education in Public Archaeology.” 2020. Web. 22 Apr 2021.

Vancouver:

Dungey ND. From Field to Museum: Intergenerational Education in Public Archaeology. [Internet] [Thesis]. U of Denver; 2020. [cited 2021 Apr 22]. Available from: https://digitalcommons.du.edu/etd/1750.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dungey ND. From Field to Museum: Intergenerational Education in Public Archaeology. [Thesis]. U of Denver; 2020. Available from: https://digitalcommons.du.edu/etd/1750

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Montana

14. Sherrard, Aja M. The Practice of Cartography: Imagining World Art Studies After Eurocentrism.

Degree: MA, 2017, University of Montana

  As the discipline of art history becomes increasingly global, the prevalence of European systems of thought and the supremacy of European systems of value… (more)

Subjects/Keywords: Art History; Eurocentrism; World Art Studies; Cartography; Plurality; Ethnic Studies; Other History of Art, Architecture, and Archaeology; Theory and Criticism

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APA (6th Edition):

Sherrard, A. M. (2017). The Practice of Cartography: Imagining World Art Studies After Eurocentrism. (Masters Thesis). University of Montana. Retrieved from Aja Mujinga Sherrard, "The Practice of Cartography: Imagining World Art Studies After Eurocentrism." M.A. Thesis, University of Montana, 2017. ; https://scholarworks.umt.edu/etd/11030

Chicago Manual of Style (16th Edition):

Sherrard, Aja M. “The Practice of Cartography: Imagining World Art Studies After Eurocentrism.” 2017. Masters Thesis, University of Montana. Accessed April 22, 2021. Aja Mujinga Sherrard, "The Practice of Cartography: Imagining World Art Studies After Eurocentrism." M.A. Thesis, University of Montana, 2017. ; https://scholarworks.umt.edu/etd/11030.

MLA Handbook (7th Edition):

Sherrard, Aja M. “The Practice of Cartography: Imagining World Art Studies After Eurocentrism.” 2017. Web. 22 Apr 2021.

Vancouver:

Sherrard AM. The Practice of Cartography: Imagining World Art Studies After Eurocentrism. [Internet] [Masters thesis]. University of Montana; 2017. [cited 2021 Apr 22]. Available from: Aja Mujinga Sherrard, "The Practice of Cartography: Imagining World Art Studies After Eurocentrism." M.A. Thesis, University of Montana, 2017. ; https://scholarworks.umt.edu/etd/11030.

Council of Science Editors:

Sherrard AM. The Practice of Cartography: Imagining World Art Studies After Eurocentrism. [Masters Thesis]. University of Montana; 2017. Available from: Aja Mujinga Sherrard, "The Practice of Cartography: Imagining World Art Studies After Eurocentrism." M.A. Thesis, University of Montana, 2017. ; https://scholarworks.umt.edu/etd/11030


University of Wisconsin – Milwaukee

15. Caserta Hugdahl, Pamela. Eco Ephemeral: Works By Thomas Ferrella & Artists’ Books from Special Collections, UW-Milwaukee Libraries.

Degree: MA, Art History, 2016, University of Wisconsin – Milwaukee

  This thesis essay and accompanying exhibition approach environmental concerns through an art historical perspective by considering works of art by Thomas Ferrella, M.D. and… (more)

Subjects/Keywords: Ecoart; Eco Art; Eco-Art; Environmentalism in Art; Thomas Ferrella; History of Art, Architecture, and Archaeology; Other Environmental Sciences

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APA (6th Edition):

Caserta Hugdahl, P. (2016). Eco Ephemeral: Works By Thomas Ferrella & Artists’ Books from Special Collections, UW-Milwaukee Libraries. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/1355

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Caserta Hugdahl, Pamela. “Eco Ephemeral: Works By Thomas Ferrella & Artists’ Books from Special Collections, UW-Milwaukee Libraries.” 2016. Thesis, University of Wisconsin – Milwaukee. Accessed April 22, 2021. https://dc.uwm.edu/etd/1355.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Caserta Hugdahl, Pamela. “Eco Ephemeral: Works By Thomas Ferrella & Artists’ Books from Special Collections, UW-Milwaukee Libraries.” 2016. Web. 22 Apr 2021.

Vancouver:

Caserta Hugdahl P. Eco Ephemeral: Works By Thomas Ferrella & Artists’ Books from Special Collections, UW-Milwaukee Libraries. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2016. [cited 2021 Apr 22]. Available from: https://dc.uwm.edu/etd/1355.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Caserta Hugdahl P. Eco Ephemeral: Works By Thomas Ferrella & Artists’ Books from Special Collections, UW-Milwaukee Libraries. [Thesis]. University of Wisconsin – Milwaukee; 2016. Available from: https://dc.uwm.edu/etd/1355

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Louisville

16. Schumacher, Jessica Robins. Common ground, diverging paths: eighteenth-century English and French landscape painting.

Degree: MA, 2018, University of Louisville

  In the early eighteenth century, both English and French artists traveled to Rome to study the great seventeenth-century landscape artists  – Claude Lorrain and… (more)

Subjects/Keywords: landscape painting; eighteenth-century; English; Grand Tour; associationism; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Schumacher, J. R. (2018). Common ground, diverging paths: eighteenth-century English and French landscape painting. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/3111 ; https://ir.library.louisville.edu/etd/3111

Chicago Manual of Style (16th Edition):

Schumacher, Jessica Robins. “Common ground, diverging paths: eighteenth-century English and French landscape painting.” 2018. Masters Thesis, University of Louisville. Accessed April 22, 2021. 10.18297/etd/3111 ; https://ir.library.louisville.edu/etd/3111.

MLA Handbook (7th Edition):

Schumacher, Jessica Robins. “Common ground, diverging paths: eighteenth-century English and French landscape painting.” 2018. Web. 22 Apr 2021.

Vancouver:

Schumacher JR. Common ground, diverging paths: eighteenth-century English and French landscape painting. [Internet] [Masters thesis]. University of Louisville; 2018. [cited 2021 Apr 22]. Available from: 10.18297/etd/3111 ; https://ir.library.louisville.edu/etd/3111.

Council of Science Editors:

Schumacher JR. Common ground, diverging paths: eighteenth-century English and French landscape painting. [Masters Thesis]. University of Louisville; 2018. Available from: 10.18297/etd/3111 ; https://ir.library.louisville.edu/etd/3111


Michigan Technological University

17. Hoekstra, Gideon. ARCHAEOLOGICAL INVESTIGATIONS AT THE QUINCY MINING COMPANY OFFICE (TRACT 102-04) THE QUINCY NATIONAL GUARD ENCAMPMENT (TRACT 102-03). KEWEENAW NATIONAL HISTORICAL PARK, HOUGHTON COUNTY, MICHIGAN.

Degree: MS, Department of Social Sciences, 2020, Michigan Technological University

  This report presents the results of preliminary archaeological research at the Quincy Unit as part of the Cooperative Agreement P18AC00178 between the United States… (more)

Subjects/Keywords: Quincy; Mining; National Guard; State Militia; 1850s; 1910s; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Hoekstra, G. (2020). ARCHAEOLOGICAL INVESTIGATIONS AT THE QUINCY MINING COMPANY OFFICE (TRACT 102-04) THE QUINCY NATIONAL GUARD ENCAMPMENT (TRACT 102-03). KEWEENAW NATIONAL HISTORICAL PARK, HOUGHTON COUNTY, MICHIGAN. (Masters Thesis). Michigan Technological University. Retrieved from https://digitalcommons.mtu.edu/etdr/1050

Chicago Manual of Style (16th Edition):

Hoekstra, Gideon. “ARCHAEOLOGICAL INVESTIGATIONS AT THE QUINCY MINING COMPANY OFFICE (TRACT 102-04) THE QUINCY NATIONAL GUARD ENCAMPMENT (TRACT 102-03). KEWEENAW NATIONAL HISTORICAL PARK, HOUGHTON COUNTY, MICHIGAN.” 2020. Masters Thesis, Michigan Technological University. Accessed April 22, 2021. https://digitalcommons.mtu.edu/etdr/1050.

MLA Handbook (7th Edition):

Hoekstra, Gideon. “ARCHAEOLOGICAL INVESTIGATIONS AT THE QUINCY MINING COMPANY OFFICE (TRACT 102-04) THE QUINCY NATIONAL GUARD ENCAMPMENT (TRACT 102-03). KEWEENAW NATIONAL HISTORICAL PARK, HOUGHTON COUNTY, MICHIGAN.” 2020. Web. 22 Apr 2021.

Vancouver:

Hoekstra G. ARCHAEOLOGICAL INVESTIGATIONS AT THE QUINCY MINING COMPANY OFFICE (TRACT 102-04) THE QUINCY NATIONAL GUARD ENCAMPMENT (TRACT 102-03). KEWEENAW NATIONAL HISTORICAL PARK, HOUGHTON COUNTY, MICHIGAN. [Internet] [Masters thesis]. Michigan Technological University; 2020. [cited 2021 Apr 22]. Available from: https://digitalcommons.mtu.edu/etdr/1050.

Council of Science Editors:

Hoekstra G. ARCHAEOLOGICAL INVESTIGATIONS AT THE QUINCY MINING COMPANY OFFICE (TRACT 102-04) THE QUINCY NATIONAL GUARD ENCAMPMENT (TRACT 102-03). KEWEENAW NATIONAL HISTORICAL PARK, HOUGHTON COUNTY, MICHIGAN. [Masters Thesis]. Michigan Technological University; 2020. Available from: https://digitalcommons.mtu.edu/etdr/1050


University of Kentucky

18. Carr-Trebelhorn, Julia A. FROM GEOLOGY TO ART HISTORY: CERAMIST ALEXANDRE BRONGNIART’S OVERLOOKED CONTRIBUTION TO THE DEVELOPING SCIENCE OF ART HISTORY IN THE EARLY NINETEENTH CENTURY.

Degree: 2014, University of Kentucky

 Alexandre Brongniart was known for his work as an important geologist and as an administrator at the Sèvres Porcelain Manufactory, but his roles as art(more)

Subjects/Keywords: Brongniart; Ceramics; Kunstwissenschaft; Semper; Sèvres; Geology; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Carr-Trebelhorn, J. A. (2014). FROM GEOLOGY TO ART HISTORY: CERAMIST ALEXANDRE BRONGNIART’S OVERLOOKED CONTRIBUTION TO THE DEVELOPING SCIENCE OF ART HISTORY IN THE EARLY NINETEENTH CENTURY. (Masters Thesis). University of Kentucky. Retrieved from https://uknowledge.uky.edu/art_etds/4

Chicago Manual of Style (16th Edition):

Carr-Trebelhorn, Julia A. “FROM GEOLOGY TO ART HISTORY: CERAMIST ALEXANDRE BRONGNIART’S OVERLOOKED CONTRIBUTION TO THE DEVELOPING SCIENCE OF ART HISTORY IN THE EARLY NINETEENTH CENTURY.” 2014. Masters Thesis, University of Kentucky. Accessed April 22, 2021. https://uknowledge.uky.edu/art_etds/4.

MLA Handbook (7th Edition):

Carr-Trebelhorn, Julia A. “FROM GEOLOGY TO ART HISTORY: CERAMIST ALEXANDRE BRONGNIART’S OVERLOOKED CONTRIBUTION TO THE DEVELOPING SCIENCE OF ART HISTORY IN THE EARLY NINETEENTH CENTURY.” 2014. Web. 22 Apr 2021.

Vancouver:

Carr-Trebelhorn JA. FROM GEOLOGY TO ART HISTORY: CERAMIST ALEXANDRE BRONGNIART’S OVERLOOKED CONTRIBUTION TO THE DEVELOPING SCIENCE OF ART HISTORY IN THE EARLY NINETEENTH CENTURY. [Internet] [Masters thesis]. University of Kentucky; 2014. [cited 2021 Apr 22]. Available from: https://uknowledge.uky.edu/art_etds/4.

Council of Science Editors:

Carr-Trebelhorn JA. FROM GEOLOGY TO ART HISTORY: CERAMIST ALEXANDRE BRONGNIART’S OVERLOOKED CONTRIBUTION TO THE DEVELOPING SCIENCE OF ART HISTORY IN THE EARLY NINETEENTH CENTURY. [Masters Thesis]. University of Kentucky; 2014. Available from: https://uknowledge.uky.edu/art_etds/4


Virginia Commonwealth University

19. Campbell, Emily G. Bracquemond, Ruskin, the Haviland-Hayes Service, and Rookwood: Japonisme and Permanence in Art Pottery.

Degree: MA, Art History, 2015, Virginia Commonwealth University

  There are two principle arguments in this thesis. First, this thesis will show that Félix Bracquemond had a profound impact on late-nineteenth-century and early-twentieth-century… (more)

Subjects/Keywords: Ceramics; Haviland; Doulton; Philadelphia Centennial Exhibition; American Art and Architecture; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Campbell, E. G. (2015). Bracquemond, Ruskin, the Haviland-Hayes Service, and Rookwood: Japonisme and Permanence in Art Pottery. (Thesis). Virginia Commonwealth University. Retrieved from https://doi.org/10.25772/770J-B795 ; https://scholarscompass.vcu.edu/etd/3771

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Campbell, Emily G. “Bracquemond, Ruskin, the Haviland-Hayes Service, and Rookwood: Japonisme and Permanence in Art Pottery.” 2015. Thesis, Virginia Commonwealth University. Accessed April 22, 2021. https://doi.org/10.25772/770J-B795 ; https://scholarscompass.vcu.edu/etd/3771.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Campbell, Emily G. “Bracquemond, Ruskin, the Haviland-Hayes Service, and Rookwood: Japonisme and Permanence in Art Pottery.” 2015. Web. 22 Apr 2021.

Vancouver:

Campbell EG. Bracquemond, Ruskin, the Haviland-Hayes Service, and Rookwood: Japonisme and Permanence in Art Pottery. [Internet] [Thesis]. Virginia Commonwealth University; 2015. [cited 2021 Apr 22]. Available from: https://doi.org/10.25772/770J-B795 ; https://scholarscompass.vcu.edu/etd/3771.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Campbell EG. Bracquemond, Ruskin, the Haviland-Hayes Service, and Rookwood: Japonisme and Permanence in Art Pottery. [Thesis]. Virginia Commonwealth University; 2015. Available from: https://doi.org/10.25772/770J-B795 ; https://scholarscompass.vcu.edu/etd/3771

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

20. Alariaq, Nakasuk. Sanaugavut: Art from Kinngait.

Degree: 2019, University of Western Ontario

 “Sanaugavut: Art from Kinngait” explores 20th century Inuit art from an Inuk’s perspective to highlight the work Inuit participants contributed to in the development of… (more)

Subjects/Keywords: Inuit; Art; Curator; History; Self-Representation; Memory; American Art and Architecture; Modern Art and Architecture; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Alariaq, N. (2019). Sanaugavut: Art from Kinngait. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/6817

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alariaq, Nakasuk. “Sanaugavut: Art from Kinngait.” 2019. Thesis, University of Western Ontario. Accessed April 22, 2021. https://ir.lib.uwo.ca/etd/6817.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alariaq, Nakasuk. “Sanaugavut: Art from Kinngait.” 2019. Web. 22 Apr 2021.

Vancouver:

Alariaq N. Sanaugavut: Art from Kinngait. [Internet] [Thesis]. University of Western Ontario; 2019. [cited 2021 Apr 22]. Available from: https://ir.lib.uwo.ca/etd/6817.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alariaq N. Sanaugavut: Art from Kinngait. [Thesis]. University of Western Ontario; 2019. Available from: https://ir.lib.uwo.ca/etd/6817

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Wisconsin – Milwaukee

21. Cornish, Emily. Gender Politics, Presence and Erasure: Tattoo in in Pursuit of Venus [infected] and Les Sauvages De La Mer Pacifique.

Degree: MA, Art History, 2016, University of Wisconsin – Milwaukee

  This paper utilizes tattoo as a means for exploring the dialogue between contemporary Maori artist Lisa Reihana’s In Pursuit of Venus [infected] and Joseph… (more)

Subjects/Keywords: Contemporary Art; Lisa Reihana; New Media; Oceania; Tattoo; History of Art, Architecture, and Archaeology; Other History

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APA (6th Edition):

Cornish, E. (2016). Gender Politics, Presence and Erasure: Tattoo in in Pursuit of Venus [infected] and Les Sauvages De La Mer Pacifique. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/1130

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cornish, Emily. “Gender Politics, Presence and Erasure: Tattoo in in Pursuit of Venus [infected] and Les Sauvages De La Mer Pacifique.” 2016. Thesis, University of Wisconsin – Milwaukee. Accessed April 22, 2021. https://dc.uwm.edu/etd/1130.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cornish, Emily. “Gender Politics, Presence and Erasure: Tattoo in in Pursuit of Venus [infected] and Les Sauvages De La Mer Pacifique.” 2016. Web. 22 Apr 2021.

Vancouver:

Cornish E. Gender Politics, Presence and Erasure: Tattoo in in Pursuit of Venus [infected] and Les Sauvages De La Mer Pacifique. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2016. [cited 2021 Apr 22]. Available from: https://dc.uwm.edu/etd/1130.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cornish E. Gender Politics, Presence and Erasure: Tattoo in in Pursuit of Venus [infected] and Les Sauvages De La Mer Pacifique. [Thesis]. University of Wisconsin – Milwaukee; 2016. Available from: https://dc.uwm.edu/etd/1130

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Washington University in St. Louis

22. Nordine, Kelsey Olivia. Building Communities: Interpreting Oneota and Mississipppian Interaction Through Paleoethnobotanical Analysis at the Morton Village Site (11F2), West-Central Illinois.

Degree: PhD, Anthropology, 2020, Washington University in St. Louis

 Archaeological investigations of social interaction at the community level provide insight into the daily lives of past people and the social structures that guide these… (more)

Subjects/Keywords: Paleoethnobotany; History of Art, Architecture, and Archaeology

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APA (6th Edition):

Nordine, K. O. (2020). Building Communities: Interpreting Oneota and Mississipppian Interaction Through Paleoethnobotanical Analysis at the Morton Village Site (11F2), West-Central Illinois. (Doctoral Dissertation). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/art_sci_etds/2225

Chicago Manual of Style (16th Edition):

Nordine, Kelsey Olivia. “Building Communities: Interpreting Oneota and Mississipppian Interaction Through Paleoethnobotanical Analysis at the Morton Village Site (11F2), West-Central Illinois.” 2020. Doctoral Dissertation, Washington University in St. Louis. Accessed April 22, 2021. https://openscholarship.wustl.edu/art_sci_etds/2225.

MLA Handbook (7th Edition):

Nordine, Kelsey Olivia. “Building Communities: Interpreting Oneota and Mississipppian Interaction Through Paleoethnobotanical Analysis at the Morton Village Site (11F2), West-Central Illinois.” 2020. Web. 22 Apr 2021.

Vancouver:

Nordine KO. Building Communities: Interpreting Oneota and Mississipppian Interaction Through Paleoethnobotanical Analysis at the Morton Village Site (11F2), West-Central Illinois. [Internet] [Doctoral dissertation]. Washington University in St. Louis; 2020. [cited 2021 Apr 22]. Available from: https://openscholarship.wustl.edu/art_sci_etds/2225.

Council of Science Editors:

Nordine KO. Building Communities: Interpreting Oneota and Mississipppian Interaction Through Paleoethnobotanical Analysis at the Morton Village Site (11F2), West-Central Illinois. [Doctoral Dissertation]. Washington University in St. Louis; 2020. Available from: https://openscholarship.wustl.edu/art_sci_etds/2225


College of William and Mary

23. Jackson, Julianna Geralynn. The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia.

Degree: MA, Anthropology, 2017, College of William and Mary

 This project uses archaeology, architecture, and the documentary record to explore the ways in which one family, the Tayloes, used Georgian design principals as a… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Jackson, J. G. (2017). The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia. (Masters Thesis). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1516639577

Chicago Manual of Style (16th Edition):

Jackson, Julianna Geralynn. “The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia.” 2017. Masters Thesis, College of William and Mary. Accessed April 22, 2021. https://scholarworks.wm.edu/etd/1516639577.

MLA Handbook (7th Edition):

Jackson, Julianna Geralynn. “The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia.” 2017. Web. 22 Apr 2021.

Vancouver:

Jackson JG. The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia. [Internet] [Masters thesis]. College of William and Mary; 2017. [cited 2021 Apr 22]. Available from: https://scholarworks.wm.edu/etd/1516639577.

Council of Science Editors:

Jackson JG. The Octagon House and Mount Airy: Exploring the Intersection of Slavery, Social Values, and Architecture in 19th-Century Washington, DC and Virginia. [Masters Thesis]. College of William and Mary; 2017. Available from: https://scholarworks.wm.edu/etd/1516639577


College of William and Mary

24. Chapman, Ellen Luisa. Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia.

Degree: PhD, Anthropology, 2018, College of William and Mary

 Richmond, Virginia, located along the fall line of the James River, was an important political boundary during prehistory; was established as an English colonial town… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Chapman, E. L. (2018). Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia. (Doctoral Dissertation). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1530192695

Chicago Manual of Style (16th Edition):

Chapman, Ellen Luisa. “Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia.” 2018. Doctoral Dissertation, College of William and Mary. Accessed April 22, 2021. https://scholarworks.wm.edu/etd/1530192695.

MLA Handbook (7th Edition):

Chapman, Ellen Luisa. “Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia.” 2018. Web. 22 Apr 2021.

Vancouver:

Chapman EL. Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia. [Internet] [Doctoral dissertation]. College of William and Mary; 2018. [cited 2021 Apr 22]. Available from: https://scholarworks.wm.edu/etd/1530192695.

Council of Science Editors:

Chapman EL. Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia. [Doctoral Dissertation]. College of William and Mary; 2018. Available from: https://scholarworks.wm.edu/etd/1530192695


College of William and Mary

25. Lightfoot, Dessa Elizabeth. “God Sends Meat and the Devil Sends Cooks”: Meat Usage and Cuisine in Eighteenth-Century English Colonial America.

Degree: PhD, Anthropology, 2018, College of William and Mary

 American cuisines did not develop in isolation, but instead were influenced by a constant flow of information, individuals, and material culture between the colonies and… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Lightfoot, D. E. (2018). “God Sends Meat and the Devil Sends Cooks”: Meat Usage and Cuisine in Eighteenth-Century English Colonial America. (Doctoral Dissertation). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1530192810

Chicago Manual of Style (16th Edition):

Lightfoot, Dessa Elizabeth. ““God Sends Meat and the Devil Sends Cooks”: Meat Usage and Cuisine in Eighteenth-Century English Colonial America.” 2018. Doctoral Dissertation, College of William and Mary. Accessed April 22, 2021. https://scholarworks.wm.edu/etd/1530192810.

MLA Handbook (7th Edition):

Lightfoot, Dessa Elizabeth. ““God Sends Meat and the Devil Sends Cooks”: Meat Usage and Cuisine in Eighteenth-Century English Colonial America.” 2018. Web. 22 Apr 2021.

Vancouver:

Lightfoot DE. “God Sends Meat and the Devil Sends Cooks”: Meat Usage and Cuisine in Eighteenth-Century English Colonial America. [Internet] [Doctoral dissertation]. College of William and Mary; 2018. [cited 2021 Apr 22]. Available from: https://scholarworks.wm.edu/etd/1530192810.

Council of Science Editors:

Lightfoot DE. “God Sends Meat and the Devil Sends Cooks”: Meat Usage and Cuisine in Eighteenth-Century English Colonial America. [Doctoral Dissertation]. College of William and Mary; 2018. Available from: https://scholarworks.wm.edu/etd/1530192810


College of William and Mary

26. Johnson, Patrick. Vengeance with Mercy: Changing Traditions and Traditional Practices of Colonial Yamasees.

Degree: PhD, Anthropology, 2018, College of William and Mary

 This dissertation argues that colonial Yamasee communities moved hundreds of miles throughout the present-day Southeastern United States, often to gain influence, and maintained traditions such… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Johnson, P. (2018). Vengeance with Mercy: Changing Traditions and Traditional Practices of Colonial Yamasees. (Doctoral Dissertation). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1530192790

Chicago Manual of Style (16th Edition):

Johnson, Patrick. “Vengeance with Mercy: Changing Traditions and Traditional Practices of Colonial Yamasees.” 2018. Doctoral Dissertation, College of William and Mary. Accessed April 22, 2021. https://scholarworks.wm.edu/etd/1530192790.

MLA Handbook (7th Edition):

Johnson, Patrick. “Vengeance with Mercy: Changing Traditions and Traditional Practices of Colonial Yamasees.” 2018. Web. 22 Apr 2021.

Vancouver:

Johnson P. Vengeance with Mercy: Changing Traditions and Traditional Practices of Colonial Yamasees. [Internet] [Doctoral dissertation]. College of William and Mary; 2018. [cited 2021 Apr 22]. Available from: https://scholarworks.wm.edu/etd/1530192790.

Council of Science Editors:

Johnson P. Vengeance with Mercy: Changing Traditions and Traditional Practices of Colonial Yamasees. [Doctoral Dissertation]. College of William and Mary; 2018. Available from: https://scholarworks.wm.edu/etd/1530192790


College of William and Mary

27. Beaupre, andrew Robert. Creating the Border: Defining, Enforcing and Reasserting Physical and Ethnic Borderzone Spaces during the 16th, 17th and 18th Centuries in the Lake Champlain Richelieu River Valley.

Degree: PhD, Anthropology, 2017, College of William and Mary

 This dissertation examines the creation of space and place in a border region through a historically grounded, multi-scalar approach to spatiality. The work draws upon… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA (6th Edition):

Beaupre, a. R. (2017). Creating the Border: Defining, Enforcing and Reasserting Physical and Ethnic Borderzone Spaces during the 16th, 17th and 18th Centuries in the Lake Champlain Richelieu River Valley. (Doctoral Dissertation). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1516639574

Chicago Manual of Style (16th Edition):

Beaupre, andrew Robert. “Creating the Border: Defining, Enforcing and Reasserting Physical and Ethnic Borderzone Spaces during the 16th, 17th and 18th Centuries in the Lake Champlain Richelieu River Valley.” 2017. Doctoral Dissertation, College of William and Mary. Accessed April 22, 2021. https://scholarworks.wm.edu/etd/1516639574.

MLA Handbook (7th Edition):

Beaupre, andrew Robert. “Creating the Border: Defining, Enforcing and Reasserting Physical and Ethnic Borderzone Spaces during the 16th, 17th and 18th Centuries in the Lake Champlain Richelieu River Valley.” 2017. Web. 22 Apr 2021.

Vancouver:

Beaupre aR. Creating the Border: Defining, Enforcing and Reasserting Physical and Ethnic Borderzone Spaces during the 16th, 17th and 18th Centuries in the Lake Champlain Richelieu River Valley. [Internet] [Doctoral dissertation]. College of William and Mary; 2017. [cited 2021 Apr 22]. Available from: https://scholarworks.wm.edu/etd/1516639574.

Council of Science Editors:

Beaupre aR. Creating the Border: Defining, Enforcing and Reasserting Physical and Ethnic Borderzone Spaces during the 16th, 17th and 18th Centuries in the Lake Champlain Richelieu River Valley. [Doctoral Dissertation]. College of William and Mary; 2017. Available from: https://scholarworks.wm.edu/etd/1516639574


College of William and Mary

28. Victor, Megan Rhodes. On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities.

Degree: PhD, Anthropology, 2018, College of William and Mary

 Current research on frontiers describe these spaces as zones of meeting, interaction, dynamism, and change. Further, the geographic, ecological, economic, and political processes that are… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Victor, M. R. (2018). On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities. (Doctoral Dissertation). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1530192698

Chicago Manual of Style (16th Edition):

Victor, Megan Rhodes. “On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities.” 2018. Doctoral Dissertation, College of William and Mary. Accessed April 22, 2021. https://scholarworks.wm.edu/etd/1530192698.

MLA Handbook (7th Edition):

Victor, Megan Rhodes. “On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities.” 2018. Web. 22 Apr 2021.

Vancouver:

Victor MR. On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities. [Internet] [Doctoral dissertation]. College of William and Mary; 2018. [cited 2021 Apr 22]. Available from: https://scholarworks.wm.edu/etd/1530192698.

Council of Science Editors:

Victor MR. On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities. [Doctoral Dissertation]. College of William and Mary; 2018. Available from: https://scholarworks.wm.edu/etd/1530192698


College of William and Mary

29. Makin, Douglas. Zone-Decorated Pots at the Hatch Site (44Pg51): a Late Woodland Manifestation of an Ancient Tradition.

Degree: MA, Anthropology, 2018, College of William and Mary

 Excavated in the 1970s and 80s by Lefty Gregory, the Hatch site is arguably among the most significant precolonial archaeology sites in the Commonwealth of… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Makin, D. (2018). Zone-Decorated Pots at the Hatch Site (44Pg51): a Late Woodland Manifestation of an Ancient Tradition. (Masters Thesis). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1550154002

Chicago Manual of Style (16th Edition):

Makin, Douglas. “Zone-Decorated Pots at the Hatch Site (44Pg51): a Late Woodland Manifestation of an Ancient Tradition.” 2018. Masters Thesis, College of William and Mary. Accessed April 22, 2021. https://scholarworks.wm.edu/etd/1550154002.

MLA Handbook (7th Edition):

Makin, Douglas. “Zone-Decorated Pots at the Hatch Site (44Pg51): a Late Woodland Manifestation of an Ancient Tradition.” 2018. Web. 22 Apr 2021.

Vancouver:

Makin D. Zone-Decorated Pots at the Hatch Site (44Pg51): a Late Woodland Manifestation of an Ancient Tradition. [Internet] [Masters thesis]. College of William and Mary; 2018. [cited 2021 Apr 22]. Available from: https://scholarworks.wm.edu/etd/1550154002.

Council of Science Editors:

Makin D. Zone-Decorated Pots at the Hatch Site (44Pg51): a Late Woodland Manifestation of an Ancient Tradition. [Masters Thesis]. College of William and Mary; 2018. Available from: https://scholarworks.wm.edu/etd/1550154002


College of William and Mary

30. Brown, Brittany. Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl.

Degree: PhD, Anthropology, 2018, College of William and Mary

 The end of slavery in North America presented an opportunity for African Americans in Jacksonville, Florida to reinvent themselves. The reconstruction era brought about new… (more)

Subjects/Keywords: History of Art; Architecture; and Archaeology

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brown, B. (2018). Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl. (Doctoral Dissertation). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1550154005

Chicago Manual of Style (16th Edition):

Brown, Brittany. “Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl.” 2018. Doctoral Dissertation, College of William and Mary. Accessed April 22, 2021. https://scholarworks.wm.edu/etd/1550154005.

MLA Handbook (7th Edition):

Brown, Brittany. “Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl.” 2018. Web. 22 Apr 2021.

Vancouver:

Brown B. Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl. [Internet] [Doctoral dissertation]. College of William and Mary; 2018. [cited 2021 Apr 22]. Available from: https://scholarworks.wm.edu/etd/1550154005.

Council of Science Editors:

Brown B. Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl. [Doctoral Dissertation]. College of William and Mary; 2018. Available from: https://scholarworks.wm.edu/etd/1550154005

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