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You searched for subject:(Other Cinema). Showing records 1 – 21 of 21 total matches.

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1. Mele Ballesteros, Irene. Elena Jordi y el Mito de Thais.

Degree: MA, Hispanic Literatures & Linguistics, 2013, U of Massachusetts : Masters

  This thesis studies the impact of the work of Elena Jordi during the first Spanish avant-garde period (1890-1920) and the relationship between the myth… (more)

Subjects/Keywords: Elena Jordi; Women’s cinema; Catalan cinema; vaudeville theatre; avant-garde cinema; Myth of Thais; Other Film and Media Studies; Other Theatre and Performance Studies; Spanish Literature; Women's Studies

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APA (6th Edition):

Mele Ballesteros, I. (2013). Elena Jordi y el Mito de Thais. (Masters Thesis). U of Massachusetts : Masters. Retrieved from http://scholarworks.umass.edu/theses/1138

Chicago Manual of Style (16th Edition):

Mele Ballesteros, Irene. “Elena Jordi y el Mito de Thais.” 2013. Masters Thesis, U of Massachusetts : Masters. Accessed January 29, 2020. http://scholarworks.umass.edu/theses/1138.

MLA Handbook (7th Edition):

Mele Ballesteros, Irene. “Elena Jordi y el Mito de Thais.” 2013. Web. 29 Jan 2020.

Vancouver:

Mele Ballesteros I. Elena Jordi y el Mito de Thais. [Internet] [Masters thesis]. U of Massachusetts : Masters; 2013. [cited 2020 Jan 29]. Available from: http://scholarworks.umass.edu/theses/1138.

Council of Science Editors:

Mele Ballesteros I. Elena Jordi y el Mito de Thais. [Masters Thesis]. U of Massachusetts : Masters; 2013. Available from: http://scholarworks.umass.edu/theses/1138


Wayne State University

2. Marshall, Erik Wayne. Distributed Cinema: Interactive, Networked Spectatorship In The Age Of Digital Media.

Degree: PhD, English, 2010, Wayne State University

  Digital media has changed much of how people watch, consume and interact with digital media. The loss of indexicality, or the potential infidelity between… (more)

Subjects/Keywords: cinema; digital media; film; media; spectatorship; Other Communication

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APA (6th Edition):

Marshall, E. W. (2010). Distributed Cinema: Interactive, Networked Spectatorship In The Age Of Digital Media. (Doctoral Dissertation). Wayne State University. Retrieved from https://digitalcommons.wayne.edu/oa_dissertations/103

Chicago Manual of Style (16th Edition):

Marshall, Erik Wayne. “Distributed Cinema: Interactive, Networked Spectatorship In The Age Of Digital Media.” 2010. Doctoral Dissertation, Wayne State University. Accessed January 29, 2020. https://digitalcommons.wayne.edu/oa_dissertations/103.

MLA Handbook (7th Edition):

Marshall, Erik Wayne. “Distributed Cinema: Interactive, Networked Spectatorship In The Age Of Digital Media.” 2010. Web. 29 Jan 2020.

Vancouver:

Marshall EW. Distributed Cinema: Interactive, Networked Spectatorship In The Age Of Digital Media. [Internet] [Doctoral dissertation]. Wayne State University; 2010. [cited 2020 Jan 29]. Available from: https://digitalcommons.wayne.edu/oa_dissertations/103.

Council of Science Editors:

Marshall EW. Distributed Cinema: Interactive, Networked Spectatorship In The Age Of Digital Media. [Doctoral Dissertation]. Wayne State University; 2010. Available from: https://digitalcommons.wayne.edu/oa_dissertations/103

3. Guimarães, Clotilde Borges. A introdução do som direto no cinema documentário brasileiro na década de 1960.

Degree: Mestrado, Estudo dos Meios e da Produção Mediática, 2008, University of São Paulo

Esta dissertação tem como objetivo pesquisar como se deu a introdução no Brasil da técnica de gravação de som sincrônico para o cinema (som direto)… (more)

Subjects/Keywords: Brazilian Cinema; Cinema brasileiro; Dialogia; Dialogy.; Direct sound; Documentário; Documentary; Other voices; Som direto; Voz do outro

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APA (6th Edition):

Guimarães, C. B. (2008). A introdução do som direto no cinema documentário brasileiro na década de 1960. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27153/tde-24042009-154141/ ;

Chicago Manual of Style (16th Edition):

Guimarães, Clotilde Borges. “A introdução do som direto no cinema documentário brasileiro na década de 1960.” 2008. Masters Thesis, University of São Paulo. Accessed January 29, 2020. http://www.teses.usp.br/teses/disponiveis/27/27153/tde-24042009-154141/ ;.

MLA Handbook (7th Edition):

Guimarães, Clotilde Borges. “A introdução do som direto no cinema documentário brasileiro na década de 1960.” 2008. Web. 29 Jan 2020.

Vancouver:

Guimarães CB. A introdução do som direto no cinema documentário brasileiro na década de 1960. [Internet] [Masters thesis]. University of São Paulo; 2008. [cited 2020 Jan 29]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27153/tde-24042009-154141/ ;.

Council of Science Editors:

Guimarães CB. A introdução do som direto no cinema documentário brasileiro na década de 1960. [Masters Thesis]. University of São Paulo; 2008. Available from: http://www.teses.usp.br/teses/disponiveis/27/27153/tde-24042009-154141/ ;


Ohio University

4. Parrish, Jordan G. The Undead Subject of Lost Decade Japanese Horror Cinema.

Degree: MA, Film Studies (Fine Arts), 2017, Ohio University

 This thesis argues that Japanese Horror films released around the turn of the twenty-first century define a new mode of subjectivity: “undead subjectivity.” Exploring the… (more)

Subjects/Keywords: Film Studies; Big Other; Death Drive; Gaze; J-Horror; Japanese Cinema; Lost Decade; Psychoanalysis

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APA (6th Edition):

Parrish, J. G. (2017). The Undead Subject of Lost Decade Japanese Horror Cinema. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1502193416130062

Chicago Manual of Style (16th Edition):

Parrish, Jordan G. “The Undead Subject of Lost Decade Japanese Horror Cinema.” 2017. Masters Thesis, Ohio University. Accessed January 29, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1502193416130062.

MLA Handbook (7th Edition):

Parrish, Jordan G. “The Undead Subject of Lost Decade Japanese Horror Cinema.” 2017. Web. 29 Jan 2020.

Vancouver:

Parrish JG. The Undead Subject of Lost Decade Japanese Horror Cinema. [Internet] [Masters thesis]. Ohio University; 2017. [cited 2020 Jan 29]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1502193416130062.

Council of Science Editors:

Parrish JG. The Undead Subject of Lost Decade Japanese Horror Cinema. [Masters Thesis]. Ohio University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1502193416130062

5. [No author]. Putting the Woman Out to Pasture: Gender Norms and The New Weimer Woman in Leni Riefenstahl's "The Blue Light" and "Tiefland".

Degree: 2010, Marymount University

 Leni Riefenstahl helped shape the film industry in the 1920s and 1930s as not only a woman director, but also a woman who rejected the… (more)

Subjects/Keywords: Leni Riefenstahl-Produktion; cinema (performing arts); film (performing arts); Riefenstahl, Leni (Other)

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APA (6th Edition):

author], [. (2010). Putting the Woman Out to Pasture: Gender Norms and The New Weimer Woman in Leni Riefenstahl's "The Blue Light" and "Tiefland". (Thesis). Marymount University. Retrieved from http://muislandora.wrlc.org/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Putting the Woman Out to Pasture: Gender Norms and The New Weimer Woman in Leni Riefenstahl's "The Blue Light" and "Tiefland".” 2010. Thesis, Marymount University. Accessed January 29, 2020. http://muislandora.wrlc.org/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Putting the Woman Out to Pasture: Gender Norms and The New Weimer Woman in Leni Riefenstahl's "The Blue Light" and "Tiefland".” 2010. Web. 29 Jan 2020.

Vancouver:

author] [. Putting the Woman Out to Pasture: Gender Norms and The New Weimer Woman in Leni Riefenstahl's "The Blue Light" and "Tiefland". [Internet] [Thesis]. Marymount University; 2010. [cited 2020 Jan 29]. Available from: http://muislandora.wrlc.org/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Putting the Woman Out to Pasture: Gender Norms and The New Weimer Woman in Leni Riefenstahl's "The Blue Light" and "Tiefland". [Thesis]. Marymount University; 2010. Available from: http://muislandora.wrlc.org/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. [No author]. Putting the Woman Out to Pasture: Gender Norms and The New Weimer Woman in Leni Riefenstahl's "The Blue Light" and "Tiefland".

Degree: 2010, Marymount University

 Leni Riefenstahl helped shape the film industry in the 1920s and 1930s as not only a woman director, but also a woman who rejected the… (more)

Subjects/Keywords: Leni Riefenstahl-Produktion; cinema (performing arts); film (performing arts); Riefenstahl, Leni (Other)

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APA (6th Edition):

author], [. (2010). Putting the Woman Out to Pasture: Gender Norms and The New Weimer Woman in Leni Riefenstahl's "The Blue Light" and "Tiefland". (Thesis). Marymount University. Retrieved from http://hdl.handle.net/1961/graduatethesesandprojects:57

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Putting the Woman Out to Pasture: Gender Norms and The New Weimer Woman in Leni Riefenstahl's "The Blue Light" and "Tiefland".” 2010. Thesis, Marymount University. Accessed January 29, 2020. http://hdl.handle.net/1961/graduatethesesandprojects:57.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Putting the Woman Out to Pasture: Gender Norms and The New Weimer Woman in Leni Riefenstahl's "The Blue Light" and "Tiefland".” 2010. Web. 29 Jan 2020.

Vancouver:

author] [. Putting the Woman Out to Pasture: Gender Norms and The New Weimer Woman in Leni Riefenstahl's "The Blue Light" and "Tiefland". [Internet] [Thesis]. Marymount University; 2010. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/1961/graduatethesesandprojects:57.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Putting the Woman Out to Pasture: Gender Norms and The New Weimer Woman in Leni Riefenstahl's "The Blue Light" and "Tiefland". [Thesis]. Marymount University; 2010. Available from: http://hdl.handle.net/1961/graduatethesesandprojects:57

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arkansas

7. Al Sharji, Alshaatha Sultan. Negotiating the Politics of Representation in Iranian Women’s Cinema before and after the Islamic Revolution.

Degree: MA, 2016, University of Arkansas

  From Mahvash, the Iranian entertainer who sang and danced coquettishly in numerous Iranian films that were produced before the Islamic revolution of 1979, to… (more)

Subjects/Keywords: Social sciences; Communication and the arts; Accented cinema; Iranian women's cinema; Islamic revolution; Islamicate gaze; Representation of women; Near and Middle Eastern Studies; Other Film and Media Studies; Women's Studies

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APA (6th Edition):

Al Sharji, A. S. (2016). Negotiating the Politics of Representation in Iranian Women’s Cinema before and after the Islamic Revolution. (Masters Thesis). University of Arkansas. Retrieved from https://scholarworks.uark.edu/etd/1699

Chicago Manual of Style (16th Edition):

Al Sharji, Alshaatha Sultan. “Negotiating the Politics of Representation in Iranian Women’s Cinema before and after the Islamic Revolution.” 2016. Masters Thesis, University of Arkansas. Accessed January 29, 2020. https://scholarworks.uark.edu/etd/1699.

MLA Handbook (7th Edition):

Al Sharji, Alshaatha Sultan. “Negotiating the Politics of Representation in Iranian Women’s Cinema before and after the Islamic Revolution.” 2016. Web. 29 Jan 2020.

Vancouver:

Al Sharji AS. Negotiating the Politics of Representation in Iranian Women’s Cinema before and after the Islamic Revolution. [Internet] [Masters thesis]. University of Arkansas; 2016. [cited 2020 Jan 29]. Available from: https://scholarworks.uark.edu/etd/1699.

Council of Science Editors:

Al Sharji AS. Negotiating the Politics of Representation in Iranian Women’s Cinema before and after the Islamic Revolution. [Masters Thesis]. University of Arkansas; 2016. Available from: https://scholarworks.uark.edu/etd/1699


California State University – San Bernardino

8. Chavez, Katie Louise. Illustrating Sherlock Holmes: Adapting the Great Detective in Granada Television’s Sherlock Holmes.

Degree: MAin English Composition, English, 2019, California State University – San Bernardino

  By using adaptation theory and Linda Hutcheon’s depiction of adapters in the process of adaptation as “first interpreters and then creators” (18), this article… (more)

Subjects/Keywords: Adaptation; Illustration; Sydney Paget; Heritage Cinema; Granada Television; Fidelity Criticism; Literature in English, British Isles; Other Film and Media Studies

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APA (6th Edition):

Chavez, K. L. (2019). Illustrating Sherlock Holmes: Adapting the Great Detective in Granada Television’s Sherlock Holmes. (Thesis). California State University – San Bernardino. Retrieved from https://scholarworks.lib.csusb.edu/etd/939

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chavez, Katie Louise. “Illustrating Sherlock Holmes: Adapting the Great Detective in Granada Television’s Sherlock Holmes.” 2019. Thesis, California State University – San Bernardino. Accessed January 29, 2020. https://scholarworks.lib.csusb.edu/etd/939.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chavez, Katie Louise. “Illustrating Sherlock Holmes: Adapting the Great Detective in Granada Television’s Sherlock Holmes.” 2019. Web. 29 Jan 2020.

Vancouver:

Chavez KL. Illustrating Sherlock Holmes: Adapting the Great Detective in Granada Television’s Sherlock Holmes. [Internet] [Thesis]. California State University – San Bernardino; 2019. [cited 2020 Jan 29]. Available from: https://scholarworks.lib.csusb.edu/etd/939.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chavez KL. Illustrating Sherlock Holmes: Adapting the Great Detective in Granada Television’s Sherlock Holmes. [Thesis]. California State University – San Bernardino; 2019. Available from: https://scholarworks.lib.csusb.edu/etd/939

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

9. Weber, Micah H. WORK/DEATH, OF EACH IN THEIR OWN.

Degree: MFA, Kinetic Imaging, 2018, Virginia Commonwealth University

Writings in support of my visual thesis, including some background, and bibliographic information: Oregon/Death/Animation/Vocation and the artist as an agent of potential. Advisors/Committee Members: Orla Mc Hardy, Robert Paris, Pam Turner.

Subjects/Keywords: Oregon; Death; Animation; Vocation; Potential; Cinema; Film; Agamben; Straub-Huillet; American Film Studies; American Literature; Art Practice; Fine Arts; Modern Literature; Other American Studies; Other Anthropology; Other Film and Media Studies; Other Philosophy; Poetry; Reading and Language; Television; Theory and Criticism; Visual Studies

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APA (6th Edition):

Weber, M. H. (2018). WORK/DEATH, OF EACH IN THEIR OWN. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/5446

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Weber, Micah H. “WORK/DEATH, OF EACH IN THEIR OWN.” 2018. Thesis, Virginia Commonwealth University. Accessed January 29, 2020. https://scholarscompass.vcu.edu/etd/5446.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Weber, Micah H. “WORK/DEATH, OF EACH IN THEIR OWN.” 2018. Web. 29 Jan 2020.

Vancouver:

Weber MH. WORK/DEATH, OF EACH IN THEIR OWN. [Internet] [Thesis]. Virginia Commonwealth University; 2018. [cited 2020 Jan 29]. Available from: https://scholarscompass.vcu.edu/etd/5446.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Weber MH. WORK/DEATH, OF EACH IN THEIR OWN. [Thesis]. Virginia Commonwealth University; 2018. Available from: https://scholarscompass.vcu.edu/etd/5446

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Erbek, Özge. Le cinéma turc contemporain à travers les représentations de l'autre et de la différence (1990-2010) : Contemporary turkish cinema through the representation of the other and the difference (1990-2010).

Degree: Docteur es, Cinema, television, audiovisuel, 2013, Paris 1

La différence et l'altérité reliant les questions de la représentation, de l'identité et de l'idéologie, constituent des concepts opératoires pour une appréhension créative d'un cinéma… (more)

Subjects/Keywords: Cinéma national; Cinéma turc contemporain; Figures de l'autre; Différence; Identité; Marginalité; Analyse filmique; Représentations; National cinema; Contemporary turkish cinéma; Figures of the other; Difference; Identity; Marginality; Film analysis; Representations; 790

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APA (6th Edition):

Erbek, . (2013). Le cinéma turc contemporain à travers les représentations de l'autre et de la différence (1990-2010) : Contemporary turkish cinema through the representation of the other and the difference (1990-2010). (Doctoral Dissertation). Paris 1. Retrieved from http://www.theses.fr/2013PA010562

Chicago Manual of Style (16th Edition):

Erbek, Özge. “Le cinéma turc contemporain à travers les représentations de l'autre et de la différence (1990-2010) : Contemporary turkish cinema through the representation of the other and the difference (1990-2010).” 2013. Doctoral Dissertation, Paris 1. Accessed January 29, 2020. http://www.theses.fr/2013PA010562.

MLA Handbook (7th Edition):

Erbek, Özge. “Le cinéma turc contemporain à travers les représentations de l'autre et de la différence (1990-2010) : Contemporary turkish cinema through the representation of the other and the difference (1990-2010).” 2013. Web. 29 Jan 2020.

Vancouver:

Erbek . Le cinéma turc contemporain à travers les représentations de l'autre et de la différence (1990-2010) : Contemporary turkish cinema through the representation of the other and the difference (1990-2010). [Internet] [Doctoral dissertation]. Paris 1; 2013. [cited 2020 Jan 29]. Available from: http://www.theses.fr/2013PA010562.

Council of Science Editors:

Erbek . Le cinéma turc contemporain à travers les représentations de l'autre et de la différence (1990-2010) : Contemporary turkish cinema through the representation of the other and the difference (1990-2010). [Doctoral Dissertation]. Paris 1; 2013. Available from: http://www.theses.fr/2013PA010562


University of Southern California

11. Vernetti, Santiago. Locating the microcinema: Echo Park Film Center, Light Industry, and Other Cinema.

Degree: MA, Art and Curatorial Practices in the Public Sphere, 2013, University of Southern California

 The term microcinema has emerged over the last decade in scholarship of film and film culture, journalism, and organization mission statements. This thesis explores three… (more)

Subjects/Keywords: microcinema; Echo Park Film Center; Light Industry; Other Cinema; film studies; art history; Craig Baldwin; Ed Halter; Thomas Beard; Paolo Davanza; Lisa Marr

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APA (6th Edition):

Vernetti, S. (2013). Locating the microcinema: Echo Park Film Center, Light Industry, and Other Cinema. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/251447/rec/3852

Chicago Manual of Style (16th Edition):

Vernetti, Santiago. “Locating the microcinema: Echo Park Film Center, Light Industry, and Other Cinema.” 2013. Masters Thesis, University of Southern California. Accessed January 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/251447/rec/3852.

MLA Handbook (7th Edition):

Vernetti, Santiago. “Locating the microcinema: Echo Park Film Center, Light Industry, and Other Cinema.” 2013. Web. 29 Jan 2020.

Vancouver:

Vernetti S. Locating the microcinema: Echo Park Film Center, Light Industry, and Other Cinema. [Internet] [Masters thesis]. University of Southern California; 2013. [cited 2020 Jan 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/251447/rec/3852.

Council of Science Editors:

Vernetti S. Locating the microcinema: Echo Park Film Center, Light Industry, and Other Cinema. [Masters Thesis]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/251447/rec/3852


University of Western Ontario

12. Sinha, Suvadip. Alternative Be/longing: Modernity and Material Culture in Bengali Cinema, 1947-1975.

Degree: 2011, University of Western Ontario

 Engaging in a dialogue with the recent body of scholarship on alternative/multiple modernities, postcolonial studies, Marxism and thing theory, this thesis has two main objectives:… (more)

Subjects/Keywords: Postcolonialism; Material Culture; Indian Cinema; Modernity; Commodity Fetishism; Satyajit Ray; Ritwik Ghatak; Mrinal Sen; Nationalism; Historical Materialism; Comparative Literature; Other English Language and Literature; Other Film and Media Studies; Race, Ethnicity and Post-Colonial Studies; South and Southeast Asian Languages and Societies; Visual Studies

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APA (6th Edition):

Sinha, S. (2011). Alternative Be/longing: Modernity and Material Culture in Bengali Cinema, 1947-1975. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/137

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sinha, Suvadip. “Alternative Be/longing: Modernity and Material Culture in Bengali Cinema, 1947-1975.” 2011. Thesis, University of Western Ontario. Accessed January 29, 2020. https://ir.lib.uwo.ca/etd/137.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sinha, Suvadip. “Alternative Be/longing: Modernity and Material Culture in Bengali Cinema, 1947-1975.” 2011. Web. 29 Jan 2020.

Vancouver:

Sinha S. Alternative Be/longing: Modernity and Material Culture in Bengali Cinema, 1947-1975. [Internet] [Thesis]. University of Western Ontario; 2011. [cited 2020 Jan 29]. Available from: https://ir.lib.uwo.ca/etd/137.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sinha S. Alternative Be/longing: Modernity and Material Culture in Bengali Cinema, 1947-1975. [Thesis]. University of Western Ontario; 2011. Available from: https://ir.lib.uwo.ca/etd/137

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Moore, Thomas C. Chimeric Realities.

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2015, Washington University in St. Louis

  This essay examines the urban experience in postmodern cities and mediated reality. Modernity brought a change in perception that altered the experience of the… (more)

Subjects/Keywords: collage postmodern city cinema chimeric montage; Art and Design; Other Architecture

…spectacle before them. 7 The Postmodern City in Cinema As Foucault stated, modernism was… …dystopian themes are still explored in cinema, yet no one believes in them becoming a reality… …contents are indefinitely refracted by each other. Contemporary material production is Hyperreal… …always already on the other side, we are the news, we are the social, we are involved, we are… …proposed has reality on one end and virtual reality on the other; and any segment between both… 

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APA (6th Edition):

Moore, T. C. (2015). Chimeric Realities. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/30

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moore, Thomas C. “Chimeric Realities.” 2015. Thesis, Washington University in St. Louis. Accessed January 29, 2020. https://openscholarship.wustl.edu/samfox_art_etds/30.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moore, Thomas C. “Chimeric Realities.” 2015. Web. 29 Jan 2020.

Vancouver:

Moore TC. Chimeric Realities. [Internet] [Thesis]. Washington University in St. Louis; 2015. [cited 2020 Jan 29]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/30.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moore TC. Chimeric Realities. [Thesis]. Washington University in St. Louis; 2015. Available from: https://openscholarship.wustl.edu/samfox_art_etds/30

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Orleans

14. Fisk, William M. The Horse's Ass: A Survey of Comediology.

Degree: M.F.A., Film and Theatre, 2017, University of New Orleans

  What is comedy? Can someone learn to be funny? Are there rules or guidelines for the production of laughter, the universal language? This paper,… (more)

Subjects/Keywords: Comedy; Cinema; Adam Mckay; Surprise; Timing; Incongruity; Art Education; Audio Arts and Acoustics; Esthetics; Fiction; Film Production; Other Film and Media Studies; Screenwriting; Social Psychology; Speech and Rhetorical Studies; Theory and Philosophy; Visual Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fisk, W. M. (2017). The Horse's Ass: A Survey of Comediology. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/2404

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fisk, William M. “The Horse's Ass: A Survey of Comediology.” 2017. Thesis, University of New Orleans. Accessed January 29, 2020. https://scholarworks.uno.edu/td/2404.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fisk, William M. “The Horse's Ass: A Survey of Comediology.” 2017. Web. 29 Jan 2020.

Vancouver:

Fisk WM. The Horse's Ass: A Survey of Comediology. [Internet] [Thesis]. University of New Orleans; 2017. [cited 2020 Jan 29]. Available from: https://scholarworks.uno.edu/td/2404.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fisk WM. The Horse's Ass: A Survey of Comediology. [Thesis]. University of New Orleans; 2017. Available from: https://scholarworks.uno.edu/td/2404

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

15. Tavanaye Manafi, Keyvan. Facing images: ethics, realisms, and the cinematographic eye.

Degree: Arts and Media, 2018, University of New South Wales

 This dissertation enquires into the consequences of Levinas’ philosophy of ethics for cinematic aesthetics. Levinas’ iconoclastic conception of ethics as ‘a vision without image’ famously… (more)

Subjects/Keywords: Film; Ethics; Realism; Emmanuel Levinas; Pedro Costa; The other; Subaltern; Profilmic; The body; Hospitality; Cinematographic eye; Inhuman eye; The image; The face; Andre Bazin; Automatism; Duration; Slow cinema; Chantal Akerman; Gus Van Sant

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tavanaye Manafi, K. (2018). Facing images: ethics, realisms, and the cinematographic eye. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/60055

Chicago Manual of Style (16th Edition):

Tavanaye Manafi, Keyvan. “Facing images: ethics, realisms, and the cinematographic eye.” 2018. Doctoral Dissertation, University of New South Wales. Accessed January 29, 2020. http://handle.unsw.edu.au/1959.4/60055.

MLA Handbook (7th Edition):

Tavanaye Manafi, Keyvan. “Facing images: ethics, realisms, and the cinematographic eye.” 2018. Web. 29 Jan 2020.

Vancouver:

Tavanaye Manafi K. Facing images: ethics, realisms, and the cinematographic eye. [Internet] [Doctoral dissertation]. University of New South Wales; 2018. [cited 2020 Jan 29]. Available from: http://handle.unsw.edu.au/1959.4/60055.

Council of Science Editors:

Tavanaye Manafi K. Facing images: ethics, realisms, and the cinematographic eye. [Doctoral Dissertation]. University of New South Wales; 2018. Available from: http://handle.unsw.edu.au/1959.4/60055

16. Bergstrom, Anders J. In Search of Lost Selves: Memory and Subjectivity in Transnational Art Cinema.

Degree: 2017, Wilfrid Laurier University

 This dissertation begins from the position that cinema’s ongoing persistence as a specific operation of subjective perception is intimately related to the questions of self… (more)

Subjects/Keywords: memory; cinema; subjectivity; philosophy; transnationalism; ethics; Other Film and Media Studies

…may seem counterintuitive, the turn to digital cinema and other developments associated with… …world. In other words, cinema, vis- -vis memory, points to the presence of irreducible… …Affect and the “Death” of the Cinema… …dissertation turns on the notion that cinema, to borrow David Rodowick’s paraphrase of pioneering… …emotion” (GDTM 18). That cinema can provide an image of what are psychological… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bergstrom, A. J. (2017). In Search of Lost Selves: Memory and Subjectivity in Transnational Art Cinema. (Thesis). Wilfrid Laurier University. Retrieved from https://scholars.wlu.ca/etd/1903

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bergstrom, Anders J. “In Search of Lost Selves: Memory and Subjectivity in Transnational Art Cinema.” 2017. Thesis, Wilfrid Laurier University. Accessed January 29, 2020. https://scholars.wlu.ca/etd/1903.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bergstrom, Anders J. “In Search of Lost Selves: Memory and Subjectivity in Transnational Art Cinema.” 2017. Web. 29 Jan 2020.

Vancouver:

Bergstrom AJ. In Search of Lost Selves: Memory and Subjectivity in Transnational Art Cinema. [Internet] [Thesis]. Wilfrid Laurier University; 2017. [cited 2020 Jan 29]. Available from: https://scholars.wlu.ca/etd/1903.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bergstrom AJ. In Search of Lost Selves: Memory and Subjectivity in Transnational Art Cinema. [Thesis]. Wilfrid Laurier University; 2017. Available from: https://scholars.wlu.ca/etd/1903

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Keeley, Timothy. A Phenomenological Approach to the Later Films of Terrence Malick.

Degree: MLA, Liberal Arts, 2017, Washington University in St. Louis

 The cinematic legacy of Terrence Malick, while not settled because the director still lives and makes films, is already a turbulent one. A reclusive philosophy… (more)

Subjects/Keywords: Neurocinematics, Slow Cinema, Phenomenology in Film Studies, Terrence Malick; Continental Philosophy; Film and Media Studies; Other Philosophy

…describe the cinema as a phenomenon among other phenomena. Phenomenology, he writes, is dominated… …other things) through self-consciousness that results from a recognition of each… …cinematography and editing patterns evoke the power of cinema to present memory as associated logic and… …only possible through non-narrative cinema. Finally, I will show how all of this makes for a… …expectations of narrative cinema and establish its own cinematic grammar. The philosophical concerns… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Keeley, T. (2017). A Phenomenological Approach to the Later Films of Terrence Malick. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/art_sci_etds/1070

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Keeley, Timothy. “A Phenomenological Approach to the Later Films of Terrence Malick.” 2017. Thesis, Washington University in St. Louis. Accessed January 29, 2020. https://openscholarship.wustl.edu/art_sci_etds/1070.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Keeley, Timothy. “A Phenomenological Approach to the Later Films of Terrence Malick.” 2017. Web. 29 Jan 2020.

Vancouver:

Keeley T. A Phenomenological Approach to the Later Films of Terrence Malick. [Internet] [Thesis]. Washington University in St. Louis; 2017. [cited 2020 Jan 29]. Available from: https://openscholarship.wustl.edu/art_sci_etds/1070.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Keeley T. A Phenomenological Approach to the Later Films of Terrence Malick. [Thesis]. Washington University in St. Louis; 2017. Available from: https://openscholarship.wustl.edu/art_sci_etds/1070

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Africa

18. Potter, Mary-Anne. Arboreal thresholds - the liminal function of trees in twentieth-century fantasy narratives .

Degree: 2018, University of South Africa

 Trees, as threshold beings, effectively blur the line between the real world and fantastical alternate worlds, and destabilise traditional binary classification systems that distinguish humanity,… (more)

Subjects/Keywords: Liminality; Fantasy literature; Arboreal; Trees; Forests; J.R.R. Tolkien; The lord of the rings; C.S. Lewis; The chronicles of Narnia; Robert Holdstock; Ryhope wood; Diana Wynne Jones; Hexwood; J.K. Rowling; Harry Potter; Natalie Babbitt; Tuck everlasting; James Cameron; Gilles Deleuze; Félix Guattari; Ursula K. Le Guin; Julia Kristeva; Ecocriticism; Ecofeminism; Other; Mythology; Tree of life; Eco-cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Potter, M. (2018). Arboreal thresholds - the liminal function of trees in twentieth-century fantasy narratives . (Doctoral Dissertation). University of South Africa. Retrieved from http://hdl.handle.net/10500/25341

Chicago Manual of Style (16th Edition):

Potter, Mary-Anne. “Arboreal thresholds - the liminal function of trees in twentieth-century fantasy narratives .” 2018. Doctoral Dissertation, University of South Africa. Accessed January 29, 2020. http://hdl.handle.net/10500/25341.

MLA Handbook (7th Edition):

Potter, Mary-Anne. “Arboreal thresholds - the liminal function of trees in twentieth-century fantasy narratives .” 2018. Web. 29 Jan 2020.

Vancouver:

Potter M. Arboreal thresholds - the liminal function of trees in twentieth-century fantasy narratives . [Internet] [Doctoral dissertation]. University of South Africa; 2018. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/10500/25341.

Council of Science Editors:

Potter M. Arboreal thresholds - the liminal function of trees in twentieth-century fantasy narratives . [Doctoral Dissertation]. University of South Africa; 2018. Available from: http://hdl.handle.net/10500/25341


University of Southern California

19. Mehta, Ritesh. Tacit anticipation among film students: an ethnography of making movies in film school.

Degree: PhD, Communication, 2017, University of Southern California

 In this ethnographic study of aspiring filmmakers working together to make movies in film school, in the backyard of the film and television industries, I… (more)

Subjects/Keywords: ethnography; participant observation; media industries; media industry; film industry; Hollywood; cinema; production studies; grounded theory; interpretive anthropology; film school; art school; filmmaking; student filmmaker; socialization; directorialness; resocialization; sociology of work; sociology of occupations; sociology of careers; art worlds; auteur theory; collaboration; tacit knowledge; tacit knowing; knowledgeability; practice studies; temporary organization; temporary group; film crew; roles; routines; hierarchy; micropolitics; creativity; artistic discourse; hustling; tacit anticipation; cultures of production; production cultures; para-industry; good work; labor studies; embeddedness; authoring; authorial; storytelling; dialectic; Hegel; Second Chicago School; professional socialization; other fields other valleys; parallel domains; productivity; professionalization

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mehta, R. (2017). Tacit anticipation among film students: an ethnography of making movies in film school. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/608405/rec/6303

Chicago Manual of Style (16th Edition):

Mehta, Ritesh. “Tacit anticipation among film students: an ethnography of making movies in film school.” 2017. Doctoral Dissertation, University of Southern California. Accessed January 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/608405/rec/6303.

MLA Handbook (7th Edition):

Mehta, Ritesh. “Tacit anticipation among film students: an ethnography of making movies in film school.” 2017. Web. 29 Jan 2020.

Vancouver:

Mehta R. Tacit anticipation among film students: an ethnography of making movies in film school. [Internet] [Doctoral dissertation]. University of Southern California; 2017. [cited 2020 Jan 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/608405/rec/6303.

Council of Science Editors:

Mehta R. Tacit anticipation among film students: an ethnography of making movies in film school. [Doctoral Dissertation]. University of Southern California; 2017. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/608405/rec/6303

20. Miyasaka, Miharu. Play In the Land of Footnotes: Hipótesis de un diálogo (in)estable con el pasado.

Degree: 2013, University of Western Ontario

 En un panorama contemporáneo (posmoderno o posestructuralista) en el que se enfatiza la diferencia y la desconfianza hacia las certidumbres —generalizaciones de sospechosa estabilidad y… (more)

Subjects/Keywords: Historiography; Latin American History; Cinema and Literature; Film Adaptation; Postmodern Experimentation; Film and Media Studies; History; Latin American History; Latin American Languages and Societies; Modern Literature; Oral History; Other History

…flying. You don’t need other people to confirm it. Any way, the dead can’t speak anymore… …Politics, Porn and Protest: Japanese AvantGarde Cinema in the 1960s and 1970s describe en los… …una interpretación no institucionalizada, afirma: “You don’t need other people to confirm it… …Inference and Rhetoric in the Interpretation of Cinema examina la manera en que un espectador… …está ambiguamente muerto). “You don’t need other people to confirm it” Esta idea del… 

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APA (6th Edition):

Miyasaka, M. (2013). Play In the Land of Footnotes: Hipótesis de un diálogo (in)estable con el pasado. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/1288

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miyasaka, Miharu. “Play In the Land of Footnotes: Hipótesis de un diálogo (in)estable con el pasado.” 2013. Thesis, University of Western Ontario. Accessed January 29, 2020. https://ir.lib.uwo.ca/etd/1288.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miyasaka, Miharu. “Play In the Land of Footnotes: Hipótesis de un diálogo (in)estable con el pasado.” 2013. Web. 29 Jan 2020.

Vancouver:

Miyasaka M. Play In the Land of Footnotes: Hipótesis de un diálogo (in)estable con el pasado. [Internet] [Thesis]. University of Western Ontario; 2013. [cited 2020 Jan 29]. Available from: https://ir.lib.uwo.ca/etd/1288.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miyasaka M. Play In the Land of Footnotes: Hipótesis de un diálogo (in)estable con el pasado. [Thesis]. University of Western Ontario; 2013. Available from: https://ir.lib.uwo.ca/etd/1288

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

21. Goldsmith, Melissa Ursula Dawn. Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula.

Degree: PhD, Music, 2001, Louisiana State University

 The music composed to accompany the film in Berg’s Opera Lulu – the “Film Music Interlude” (FMI) – is the subject of this study. Although this is… (more)

Subjects/Keywords: phenomenology; auteur; sir adrian boult; genre criticism; david headlam; charles gounod; commodity music; listening; kitsch; glückliche hand; begleitungsmusik; von heute auf morgen; benjamin fondane; double agents; vienna; body missing; cinema lighting; scenarist-composer; film editing; die weltbühne; audience; camera angle; film directing; sociological studies; georges altman; other condition; culture industry; festivals; magic lantern shows; immediate apprehension; exhibitions; roman clemens; ostinato; musical form; le boeuf sur le toit; george perle; semiotics; willi reich; fragment; louis giannetti; patricia hall; music analysis; dave headlam; edward cone; cinematography; filmography; fermata; midpoint; curtain music; dr. schön; symmetry; vivace; central axis; countess geschwitz; alwa; sempre agitato; calmando; tumultuoso; cinema spectatorship; ernst krenek; opera spectatorship; agitato; zurich stadtarchiv; berlin; sempre vivace; igor stravinsky; béla bartók; stadtarchiv zürich; tartuffe; maurice ravel; erik satie; christoph colomb; wozzeck; film content; alfred rosenzweig; hans haug; madeleine milhaud; figaro (serial publication); karl heinrich david; time (serial publication); paul stefan; wipes; news-week (serial publication); g. w. pabst; karl kraus; musical frames; rhythmic match; umberto eco; pandora's box; eüchse der pandora; frame; louise brooks; expressionism; lulu suite; narratology; frans mansreel; symphonic pieces from the opera lulu; otto falkenberg; filmmaking; erdgeist; continuity; cinema; aesthetics; 20th-century; the blue angel; jackie coogan; cinema music; oliver hardy; buster keaton; theodore storm; anton webern; erwin stein; winfried zillig; double roles; laurel and hardy; der blaue angel; the white horserider; film editing techniques; film spectatorship; establishing shots; stan laurel; silent film; musical performance; frames; camera shots; silent cinema; othmar schoeck; classicism; screen image; extreme; realism; film sequence; tempo (film production company); heinz rückert; hans rudolf meyer; formalism; bahrija nuri-hadzic; trumpet fanfare; peter baxevanos; dramaturgy; herbert blumer; asger stig; hanns eisler; der schimmelreiter; heinrich jalowetz; palindrome; motion picture; motion picture music; character representation; fade; zurich; fades; normal condition; immediacy; camera techniques; scenarist-director; documentary; murder; serial killer; philip m. hauser; women's studies; feminism; lesbianism; film noir; femme fatale; emotional possession; emotional detachment; b-grade film; universal edition; emil hertzka; alfred einstein; lantern slides; film projections; painting filmstrips; richard strauss; max horkheimer; shop girl

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Goldsmith, M. U. D. (2001). Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-0415102-110441 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2351

Chicago Manual of Style (16th Edition):

Goldsmith, Melissa Ursula Dawn. “Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula.” 2001. Doctoral Dissertation, Louisiana State University. Accessed January 29, 2020. etd-0415102-110441 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2351.

MLA Handbook (7th Edition):

Goldsmith, Melissa Ursula Dawn. “Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula.” 2001. Web. 29 Jan 2020.

Vancouver:

Goldsmith MUD. Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula. [Internet] [Doctoral dissertation]. Louisiana State University; 2001. [cited 2020 Jan 29]. Available from: etd-0415102-110441 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2351.

Council of Science Editors:

Goldsmith MUD. Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula. [Doctoral Dissertation]. Louisiana State University; 2001. Available from: etd-0415102-110441 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2351

.