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You searched for subject:(Orchestra With Piano Solo). Showing records 1 – 30 of 19352 total matches.

[1] [2] [3] [4] [5] … [646]

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Western Washington University

1. Prall, Mark M. Fantasy for piano and orchestra.

Degree: MA, Music, 2010, Western Washington University

  Instrumentation: Winds Piccolo 2 Flutes 2 Oboes 2 Bb Clarinets Bb Bass Clarinet 2 Bassoons Brass 4 Horns 2 C-Trumpets 2 Trombones Bass Trombone… (more)

Subjects/Keywords: Music; Piano with orchestra – Scores; masters theses

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APA (6th Edition):

Prall, M. M. (2010). Fantasy for piano and orchestra. (Masters Thesis). Western Washington University. Retrieved from https://cedar.wwu.edu/wwuet/62

Chicago Manual of Style (16th Edition):

Prall, Mark M. “Fantasy for piano and orchestra.” 2010. Masters Thesis, Western Washington University. Accessed January 17, 2020. https://cedar.wwu.edu/wwuet/62.

MLA Handbook (7th Edition):

Prall, Mark M. “Fantasy for piano and orchestra.” 2010. Web. 17 Jan 2020.

Vancouver:

Prall MM. Fantasy for piano and orchestra. [Internet] [Masters thesis]. Western Washington University; 2010. [cited 2020 Jan 17]. Available from: https://cedar.wwu.edu/wwuet/62.

Council of Science Editors:

Prall MM. Fantasy for piano and orchestra. [Masters Thesis]. Western Washington University; 2010. Available from: https://cedar.wwu.edu/wwuet/62


University of North Texas

2. Oliver, Jason L. The Creation of a Performance Edition of the Georg Christoph Wagenseil Concerto for Trombone with Attention Given to the Surviving Manuscripts and Primary Sources of Performance Practice from the Middle of the Eighteenth Century.

Degree: 2010, University of North Texas

 The Concerto for Trombone, written in 1763 by Georg Christoph Wagenseil, is a piece in 2 movements for alto trombone and chamber orchestra. The orchestration… (more)

Subjects/Keywords: Wagenseil; urtext; concerto; alto trombone; Wagenseil, Georg Christoph, 1715-1777. Concertos, trombone, orchestra WV 346, E♭ major.; Concertos (Trombone)  – Solo with piano.

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APA (6th Edition):

Oliver, J. L. (2010). The Creation of a Performance Edition of the Georg Christoph Wagenseil Concerto for Trombone with Attention Given to the Surviving Manuscripts and Primary Sources of Performance Practice from the Middle of the Eighteenth Century. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc30500/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oliver, Jason L. “The Creation of a Performance Edition of the Georg Christoph Wagenseil Concerto for Trombone with Attention Given to the Surviving Manuscripts and Primary Sources of Performance Practice from the Middle of the Eighteenth Century.” 2010. Thesis, University of North Texas. Accessed January 17, 2020. https://digital.library.unt.edu/ark:/67531/metadc30500/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oliver, Jason L. “The Creation of a Performance Edition of the Georg Christoph Wagenseil Concerto for Trombone with Attention Given to the Surviving Manuscripts and Primary Sources of Performance Practice from the Middle of the Eighteenth Century.” 2010. Web. 17 Jan 2020.

Vancouver:

Oliver JL. The Creation of a Performance Edition of the Georg Christoph Wagenseil Concerto for Trombone with Attention Given to the Surviving Manuscripts and Primary Sources of Performance Practice from the Middle of the Eighteenth Century. [Internet] [Thesis]. University of North Texas; 2010. [cited 2020 Jan 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc30500/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oliver JL. The Creation of a Performance Edition of the Georg Christoph Wagenseil Concerto for Trombone with Attention Given to the Surviving Manuscripts and Primary Sources of Performance Practice from the Middle of the Eighteenth Century. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc30500/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

3. Emche, John Theodore. Dialogue for jazz piano and orchestra with preliminary research and analysis.

Degree: PhD, Graduate School, 1980, The Ohio State University

Subjects/Keywords: Music; Piano with orchestra; Piano music

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APA (6th Edition):

Emche, J. T. (1980). Dialogue for jazz piano and orchestra with preliminary research and analysis. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487091559666275

Chicago Manual of Style (16th Edition):

Emche, John Theodore. “Dialogue for jazz piano and orchestra with preliminary research and analysis.” 1980. Doctoral Dissertation, The Ohio State University. Accessed January 17, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487091559666275.

MLA Handbook (7th Edition):

Emche, John Theodore. “Dialogue for jazz piano and orchestra with preliminary research and analysis.” 1980. Web. 17 Jan 2020.

Vancouver:

Emche JT. Dialogue for jazz piano and orchestra with preliminary research and analysis. [Internet] [Doctoral dissertation]. The Ohio State University; 1980. [cited 2020 Jan 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487091559666275.

Council of Science Editors:

Emche JT. Dialogue for jazz piano and orchestra with preliminary research and analysis. [Doctoral Dissertation]. The Ohio State University; 1980. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487091559666275


University of Arizona

4. Buchhauser, Andrew William, 1910-. Around the clock; suite for piano and orchestra .

Degree: 1938, University of Arizona

Subjects/Keywords: Suites (Piano with orchestra)  – Scores.

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APA (6th Edition):

Buchhauser, Andrew William, 1. (1938). Around the clock; suite for piano and orchestra . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/553408

Chicago Manual of Style (16th Edition):

Buchhauser, Andrew William, 1910-. “Around the clock; suite for piano and orchestra .” 1938. Masters Thesis, University of Arizona. Accessed January 17, 2020. http://hdl.handle.net/10150/553408.

MLA Handbook (7th Edition):

Buchhauser, Andrew William, 1910-. “Around the clock; suite for piano and orchestra .” 1938. Web. 17 Jan 2020.

Vancouver:

Buchhauser, Andrew William 1. Around the clock; suite for piano and orchestra . [Internet] [Masters thesis]. University of Arizona; 1938. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/10150/553408.

Council of Science Editors:

Buchhauser, Andrew William 1. Around the clock; suite for piano and orchestra . [Masters Thesis]. University of Arizona; 1938. Available from: http://hdl.handle.net/10150/553408


University of Arizona

5. Haskell, Jeff. Composition for piano and orchestra .

Degree: 1964, University of Arizona

Subjects/Keywords: Piano with orchestra  – Scores.

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APA (6th Edition):

Haskell, J. (1964). Composition for piano and orchestra . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/553988

Chicago Manual of Style (16th Edition):

Haskell, Jeff. “Composition for piano and orchestra .” 1964. Masters Thesis, University of Arizona. Accessed January 17, 2020. http://hdl.handle.net/10150/553988.

MLA Handbook (7th Edition):

Haskell, Jeff. “Composition for piano and orchestra .” 1964. Web. 17 Jan 2020.

Vancouver:

Haskell J. Composition for piano and orchestra . [Internet] [Masters thesis]. University of Arizona; 1964. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/10150/553988.

Council of Science Editors:

Haskell J. Composition for piano and orchestra . [Masters Thesis]. University of Arizona; 1964. Available from: http://hdl.handle.net/10150/553988


Kansas State University

6. Dietrich, Albert Herman, 1829-1908. Sonatas, violin, piano (1853). A violin recital: F.A.E., sonata for violin and piano.

Degree: 1984, Kansas State University

Subjects/Keywords: Concertos (Violin)Solo with piano; Sonatas (Violin and piano)

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APA (6th Edition):

Dietrich, Albert Herman, 1829-1908. Sonatas, v. (1984). A violin recital: F.A.E., sonata for violin and piano. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/9773

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dietrich, Albert Herman, 1829-1908. Sonatas, violin,. “A violin recital: F.A.E., sonata for violin and piano.” 1984. Thesis, Kansas State University. Accessed January 17, 2020. http://hdl.handle.net/2097/9773.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dietrich, Albert Herman, 1829-1908. Sonatas, violin,. “A violin recital: F.A.E., sonata for violin and piano.” 1984. Web. 17 Jan 2020.

Vancouver:

Dietrich, Albert Herman, 1829-1908. Sonatas v. A violin recital: F.A.E., sonata for violin and piano. [Internet] [Thesis]. Kansas State University; 1984. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/2097/9773.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dietrich, Albert Herman, 1829-1908. Sonatas v. A violin recital: F.A.E., sonata for violin and piano. [Thesis]. Kansas State University; 1984. Available from: http://hdl.handle.net/2097/9773

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Adelaide

7. Polglase, John Drew. Portfolio of compositions and exegesis: exploring form, tonality and thematic development - a personal perspective.

Degree: 2013, University of Adelaide

 This portfolio submission for the degree of Doctor of Philosophy, undertaken at the Elder Conservatorium of Music, University of Adelaide, composes nine original compositions, and… (more)

Subjects/Keywords: composition; orchestra; piano; chamber ensemble

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APA (6th Edition):

Polglase, J. D. (2013). Portfolio of compositions and exegesis: exploring form, tonality and thematic development - a personal perspective. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/91434

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Polglase, John Drew. “Portfolio of compositions and exegesis: exploring form, tonality and thematic development - a personal perspective.” 2013. Thesis, University of Adelaide. Accessed January 17, 2020. http://hdl.handle.net/2440/91434.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Polglase, John Drew. “Portfolio of compositions and exegesis: exploring form, tonality and thematic development - a personal perspective.” 2013. Web. 17 Jan 2020.

Vancouver:

Polglase JD. Portfolio of compositions and exegesis: exploring form, tonality and thematic development - a personal perspective. [Internet] [Thesis]. University of Adelaide; 2013. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/2440/91434.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Polglase JD. Portfolio of compositions and exegesis: exploring form, tonality and thematic development - a personal perspective. [Thesis]. University of Adelaide; 2013. Available from: http://hdl.handle.net/2440/91434

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

8. Crowley, Timothy R. (Timothy Robert). In Nomine Domini.

Degree: 1995, University of North Texas

 In Nomine Domini is an eighteen-minute composition for two chamber orchestras with two soloists using real-time interactive signal processing techniques. The first chamber orchestra is… (more)

Subjects/Keywords: music composition; chamber orchestras; Chamber orchestra with electronics  – Scores.; Variations (Chamber orchestra); Horn and piano with chamber orchestra  – Scores.

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APA (6th Edition):

Crowley, T. R. (. R. (1995). In Nomine Domini. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc279249/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Crowley, Timothy R (Timothy Robert). “In Nomine Domini.” 1995. Thesis, University of North Texas. Accessed January 17, 2020. https://digital.library.unt.edu/ark:/67531/metadc279249/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Crowley, Timothy R (Timothy Robert). “In Nomine Domini.” 1995. Web. 17 Jan 2020.

Vancouver:

Crowley TR(R. In Nomine Domini. [Internet] [Thesis]. University of North Texas; 1995. [cited 2020 Jan 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc279249/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crowley TR(R. In Nomine Domini. [Thesis]. University of North Texas; 1995. Available from: https://digital.library.unt.edu/ark:/67531/metadc279249/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Northover, Keith S. Musical juxtaposition : innovation, paradox, and song.

Degree: M.M., 2012, University of Florida

 On March 14, 2012, a recital was performed featuring standard clarinet solo works that were connected together by use of a unique theme. The works… (more)

Subjects/Keywords: Art songs; Clarinet concertos; Clarinets; Concertos; Folksongs; Musical performance; Paradoxes; Popular songs; Solos; Sonatas; Clarinet and piano music.; Clarinet music.; Concertos (Clarinet with string orchestra) Solo with piano.; Sonatas (Bass clarinet and piano)

…Horn Concerto with the UF Orchestra, and numerous orchestral, band, and chamber music… …Pieces, is one of the first solo clarinet works to include innovative extended techniques such… …as sub-tones and flutter tonguing. Stadler’s Caprices are one of the first solo… …the first solo bass clarinet pieces. Although the Finzi Clarinet Concerto is not the first… …the form is four separate pieces, it relates to a traditional sonata with traditional outer… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Northover, K. S. (2012). Musical juxtaposition : innovation, paradox, and song. (Masters Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00011379

Chicago Manual of Style (16th Edition):

Northover, Keith S. “Musical juxtaposition : innovation, paradox, and song.” 2012. Masters Thesis, University of Florida. Accessed January 17, 2020. http://ufdc.ufl.edu/AA00011379.

MLA Handbook (7th Edition):

Northover, Keith S. “Musical juxtaposition : innovation, paradox, and song.” 2012. Web. 17 Jan 2020.

Vancouver:

Northover KS. Musical juxtaposition : innovation, paradox, and song. [Internet] [Masters thesis]. University of Florida; 2012. [cited 2020 Jan 17]. Available from: http://ufdc.ufl.edu/AA00011379.

Council of Science Editors:

Northover KS. Musical juxtaposition : innovation, paradox, and song. [Masters Thesis]. University of Florida; 2012. Available from: http://ufdc.ufl.edu/AA00011379


University of Waikato

10. Ulenberg, Phillippa. Composition Portfolio .

Degree: 2011, University of Waikato

 The music written for this portfolio offers creative answers to some of the challenges facing contemporary New Zealand composition, including multiculturalism.This has involved in-depth research… (more)

Subjects/Keywords: composition portfolio; gu-zheng taonga puoro chamber ensemble; gu-zheng symphony orchestra; choral piece for girls choir; solo bassoon; choir and organ; song cycle for soprano and piano

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APA (6th Edition):

Ulenberg, P. (2011). Composition Portfolio . (Masters Thesis). University of Waikato. Retrieved from http://hdl.handle.net/10289/6517

Chicago Manual of Style (16th Edition):

Ulenberg, Phillippa. “Composition Portfolio .” 2011. Masters Thesis, University of Waikato. Accessed January 17, 2020. http://hdl.handle.net/10289/6517.

MLA Handbook (7th Edition):

Ulenberg, Phillippa. “Composition Portfolio .” 2011. Web. 17 Jan 2020.

Vancouver:

Ulenberg P. Composition Portfolio . [Internet] [Masters thesis]. University of Waikato; 2011. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/10289/6517.

Council of Science Editors:

Ulenberg P. Composition Portfolio . [Masters Thesis]. University of Waikato; 2011. Available from: http://hdl.handle.net/10289/6517

11. Gomes, Paulo Manuel Marques. Piano solo no jazz - prática e ensino.

Degree: 2016, Instituto Politécnico do Porto

Relatório de Estágio para a obtenção do grau de Mestre em Ensino da Música

O tema deste trabalho procura incidir sobre Piano Solo no Jazz… (more)

Subjects/Keywords: Piano-jazz; Piano-solo; Metodologia; Improvisação; Piano jazz; Piano solo; Methodology; Improvisation

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APA (6th Edition):

Gomes, P. M. M. (2016). Piano solo no jazz - prática e ensino. (Thesis). Instituto Politécnico do Porto. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8483

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gomes, Paulo Manuel Marques. “Piano solo no jazz - prática e ensino.” 2016. Thesis, Instituto Politécnico do Porto. Accessed January 17, 2020. https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8483.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gomes, Paulo Manuel Marques. “Piano solo no jazz - prática e ensino.” 2016. Web. 17 Jan 2020.

Vancouver:

Gomes PMM. Piano solo no jazz - prática e ensino. [Internet] [Thesis]. Instituto Politécnico do Porto; 2016. [cited 2020 Jan 17]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8483.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gomes PMM. Piano solo no jazz - prática e ensino. [Thesis]. Instituto Politécnico do Porto; 2016. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8483

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Mexico

12. Shields, James. Use Your Words: For Clarinet and Chamber Orchestra.

Degree: Department of Music, 2010, University of New Mexico

 Use Your Words is scored for solo clarinet, flute doubling piccolo, English horn doubling oboe, bass clarinet, two trumpets, two trombones, two percussion, piano doubling… (more)

Subjects/Keywords: Clarinet with chamber orchestra – Scores

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APA (6th Edition):

Shields, J. (2010). Use Your Words: For Clarinet and Chamber Orchestra. (Masters Thesis). University of New Mexico. Retrieved from http://hdl.handle.net/1928/11178

Chicago Manual of Style (16th Edition):

Shields, James. “Use Your Words: For Clarinet and Chamber Orchestra.” 2010. Masters Thesis, University of New Mexico. Accessed January 17, 2020. http://hdl.handle.net/1928/11178.

MLA Handbook (7th Edition):

Shields, James. “Use Your Words: For Clarinet and Chamber Orchestra.” 2010. Web. 17 Jan 2020.

Vancouver:

Shields J. Use Your Words: For Clarinet and Chamber Orchestra. [Internet] [Masters thesis]. University of New Mexico; 2010. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/1928/11178.

Council of Science Editors:

Shields J. Use Your Words: For Clarinet and Chamber Orchestra. [Masters Thesis]. University of New Mexico; 2010. Available from: http://hdl.handle.net/1928/11178


Louisiana State University

13. Casarotti, Joao Paulo. Ernst Mahle: A Pedagogical Edition of His Four Concertinos for Piano and Orchestra.

Degree: DMA, Music, 2015, Louisiana State University

  German-born composer Ernst Mahle (b. 1929) holds a respected position in the music field in Brazil, his adopted country since 1951. Mahle is the… (more)

Subjects/Keywords: Concertinos; Ernst Mahle; Piano and Orchestra

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APA (6th Edition):

Casarotti, J. P. (2015). Ernst Mahle: A Pedagogical Edition of His Four Concertinos for Piano and Orchestra. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-07102015-153350 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1418

Chicago Manual of Style (16th Edition):

Casarotti, Joao Paulo. “Ernst Mahle: A Pedagogical Edition of His Four Concertinos for Piano and Orchestra.” 2015. Doctoral Dissertation, Louisiana State University. Accessed January 17, 2020. etd-07102015-153350 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1418.

MLA Handbook (7th Edition):

Casarotti, Joao Paulo. “Ernst Mahle: A Pedagogical Edition of His Four Concertinos for Piano and Orchestra.” 2015. Web. 17 Jan 2020.

Vancouver:

Casarotti JP. Ernst Mahle: A Pedagogical Edition of His Four Concertinos for Piano and Orchestra. [Internet] [Doctoral dissertation]. Louisiana State University; 2015. [cited 2020 Jan 17]. Available from: etd-07102015-153350 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1418.

Council of Science Editors:

Casarotti JP. Ernst Mahle: A Pedagogical Edition of His Four Concertinos for Piano and Orchestra. [Doctoral Dissertation]. Louisiana State University; 2015. Available from: etd-07102015-153350 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1418


University of North Texas

14. Choi, Da Jeong. Dream of a Thousand Keys: A Concerto for Piano and Orchestra.

Degree: 2011, University of North Texas

 Dream of a Thousand Keys is a concerto for piano and orchestra, which consists of four movements presenting multiple dimensional meanings as suggested by the… (more)

Subjects/Keywords: Concerto; Fibonacci series; piano and orchestra

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APA (6th Edition):

Choi, D. J. (2011). Dream of a Thousand Keys: A Concerto for Piano and Orchestra. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc67968/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Choi, Da Jeong. “Dream of a Thousand Keys: A Concerto for Piano and Orchestra.” 2011. Thesis, University of North Texas. Accessed January 17, 2020. https://digital.library.unt.edu/ark:/67531/metadc67968/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Choi, Da Jeong. “Dream of a Thousand Keys: A Concerto for Piano and Orchestra.” 2011. Web. 17 Jan 2020.

Vancouver:

Choi DJ. Dream of a Thousand Keys: A Concerto for Piano and Orchestra. [Internet] [Thesis]. University of North Texas; 2011. [cited 2020 Jan 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc67968/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Choi DJ. Dream of a Thousand Keys: A Concerto for Piano and Orchestra. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc67968/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of British Columbia

15. Pritchard, Robert Blake. Swallow, egg, chrysanthemum : music composition with document .

Degree: 1992, University of British Columbia

 Swallow, Egg, Chrysanthemum is a sixteen minute work for piano and orchestra. The title refers to symbols from Greek, Western and Asian cultures, with all… (more)

Subjects/Keywords: Pritchard, Robert Blake. Swallow, egg, chrysanthemum; Piano with orchestra  – Scores

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APA (6th Edition):

Pritchard, R. B. (1992). Swallow, egg, chrysanthemum : music composition with document . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/3364

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pritchard, Robert Blake. “Swallow, egg, chrysanthemum : music composition with document .” 1992. Thesis, University of British Columbia. Accessed January 17, 2020. http://hdl.handle.net/2429/3364.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pritchard, Robert Blake. “Swallow, egg, chrysanthemum : music composition with document .” 1992. Web. 17 Jan 2020.

Vancouver:

Pritchard RB. Swallow, egg, chrysanthemum : music composition with document . [Internet] [Thesis]. University of British Columbia; 1992. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/2429/3364.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pritchard RB. Swallow, egg, chrysanthemum : music composition with document . [Thesis]. University of British Columbia; 1992. Available from: http://hdl.handle.net/2429/3364

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

16. Ahn-Kim, Yong Hee. Rhapsody for Piano and Small Orchestra.

Degree: 2001, University of North Texas

 Rhapsody for Piano and Small Orchestra is a one-movement composition in a concerto fashion for seventeen players, and is about nine minutes in duration. The… (more)

Subjects/Keywords: Piano with chamber orchestra  – Scores.; Ahn-Kim; Fibonacci; golden section

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ahn-Kim, Y. H. (2001). Rhapsody for Piano and Small Orchestra. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc3071/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ahn-Kim, Yong Hee. “Rhapsody for Piano and Small Orchestra.” 2001. Thesis, University of North Texas. Accessed January 17, 2020. https://digital.library.unt.edu/ark:/67531/metadc3071/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ahn-Kim, Yong Hee. “Rhapsody for Piano and Small Orchestra.” 2001. Web. 17 Jan 2020.

Vancouver:

Ahn-Kim YH. Rhapsody for Piano and Small Orchestra. [Internet] [Thesis]. University of North Texas; 2001. [cited 2020 Jan 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc3071/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ahn-Kim YH. Rhapsody for Piano and Small Orchestra. [Thesis]. University of North Texas; 2001. Available from: https://digital.library.unt.edu/ark:/67531/metadc3071/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

17. Jolley, Jennifer L. All Grief Empty, The Clear Night Passes.

Degree: MM, College-Conservatory of Music : Composition, 2009, University of Cincinnati

  <i>All Grief Empty, The Clear Night Passes</i> is a piece inspired by local industrial sounds I heard when I first moved to Cincinnati in… (more)

Subjects/Keywords: Music; Composition; Chamber Orchestra; Trumpet Solo

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APA (6th Edition):

Jolley, J. L. (2009). All Grief Empty, The Clear Night Passes. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242510142

Chicago Manual of Style (16th Edition):

Jolley, Jennifer L. “All Grief Empty, The Clear Night Passes.” 2009. Masters Thesis, University of Cincinnati. Accessed January 17, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242510142.

MLA Handbook (7th Edition):

Jolley, Jennifer L. “All Grief Empty, The Clear Night Passes.” 2009. Web. 17 Jan 2020.

Vancouver:

Jolley JL. All Grief Empty, The Clear Night Passes. [Internet] [Masters thesis]. University of Cincinnati; 2009. [cited 2020 Jan 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242510142.

Council of Science Editors:

Jolley JL. All Grief Empty, The Clear Night Passes. [Masters Thesis]. University of Cincinnati; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242510142


University of Toronto

18. Marwood, Shelley Elizabeth. Elegy at Dawn: For Orchestra.

Degree: 2019, University of Toronto

Elegy at Dawn is a twenty-minute composition for orchestra with the following instrumentation: solo violin, two flutes (piccolo), two oboes, two clarinets in B-flat, two… (more)

Subjects/Keywords: composition; elegy; grief; orchestra; solo; violin; 0214

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APA (6th Edition):

Marwood, S. E. (2019). Elegy at Dawn: For Orchestra. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/95900

Chicago Manual of Style (16th Edition):

Marwood, Shelley Elizabeth. “Elegy at Dawn: For Orchestra.” 2019. Doctoral Dissertation, University of Toronto. Accessed January 17, 2020. http://hdl.handle.net/1807/95900.

MLA Handbook (7th Edition):

Marwood, Shelley Elizabeth. “Elegy at Dawn: For Orchestra.” 2019. Web. 17 Jan 2020.

Vancouver:

Marwood SE. Elegy at Dawn: For Orchestra. [Internet] [Doctoral dissertation]. University of Toronto; 2019. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/1807/95900.

Council of Science Editors:

Marwood SE. Elegy at Dawn: For Orchestra. [Doctoral Dissertation]. University of Toronto; 2019. Available from: http://hdl.handle.net/1807/95900


Arizona State University

19. Kemp, Tyler. Fantasy for Piano and Orchestra.

Degree: Music, 2018, Arizona State University

 As with many concertante, Fantasy focuses on the interplay between the soloist and the orchestra. Contrast is a fundamental principle for creating the formal design… (more)

Subjects/Keywords: Musical composition; Concertante; Fantasy; Orchestra; Piano; Piano Concerto; Stravinsky

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APA (6th Edition):

Kemp, T. (2018). Fantasy for Piano and Orchestra. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/51731

Chicago Manual of Style (16th Edition):

Kemp, Tyler. “Fantasy for Piano and Orchestra.” 2018. Doctoral Dissertation, Arizona State University. Accessed January 17, 2020. http://repository.asu.edu/items/51731.

MLA Handbook (7th Edition):

Kemp, Tyler. “Fantasy for Piano and Orchestra.” 2018. Web. 17 Jan 2020.

Vancouver:

Kemp T. Fantasy for Piano and Orchestra. [Internet] [Doctoral dissertation]. Arizona State University; 2018. [cited 2020 Jan 17]. Available from: http://repository.asu.edu/items/51731.

Council of Science Editors:

Kemp T. Fantasy for Piano and Orchestra. [Doctoral Dissertation]. Arizona State University; 2018. Available from: http://repository.asu.edu/items/51731

20. Underwood, William L. (William Lee), 1940-. Ritual, Sermon, and Prophecy for Bass and Orchestra.

Degree: 1971, North Texas State University

 This composition is a symphonic setting of three original poems within the confines of an expanded sonata-allegro form and is an approximately twenty-two minutes in… (more)

Subjects/Keywords: Songs (Low voice) with orchestra  – Scores.; poetry score; sonata-allegro form; solo cantata

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APA (6th Edition):

Underwood, William L. (William Lee), 1. (1971). Ritual, Sermon, and Prophecy for Bass and Orchestra. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1393694/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Underwood, William L. (William Lee), 1940-. “Ritual, Sermon, and Prophecy for Bass and Orchestra.” 1971. Thesis, North Texas State University. Accessed January 17, 2020. https://digital.library.unt.edu/ark:/67531/metadc1393694/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Underwood, William L. (William Lee), 1940-. “Ritual, Sermon, and Prophecy for Bass and Orchestra.” 1971. Web. 17 Jan 2020.

Vancouver:

Underwood, William L. (William Lee) 1. Ritual, Sermon, and Prophecy for Bass and Orchestra. [Internet] [Thesis]. North Texas State University; 1971. [cited 2020 Jan 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1393694/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Underwood, William L. (William Lee) 1. Ritual, Sermon, and Prophecy for Bass and Orchestra. [Thesis]. North Texas State University; 1971. Available from: https://digital.library.unt.edu/ark:/67531/metadc1393694/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ohio University

21. Hung, Tsun-Hui. Wishing on the Moon.

Degree: MM, Music Composition (Fine Arts), 2007, Ohio University

 Wishing on the Moon is a composition for solo erhu and orchestra. It was inspired by a melody transmitted orally by a member of the… (more)

Subjects/Keywords: Music; Wishing on the Moon; solo composition; solo erhu; orchestra

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APA (6th Edition):

Hung, T. (2007). Wishing on the Moon. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1186758734

Chicago Manual of Style (16th Edition):

Hung, Tsun-Hui. “Wishing on the Moon.” 2007. Masters Thesis, Ohio University. Accessed January 17, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1186758734.

MLA Handbook (7th Edition):

Hung, Tsun-Hui. “Wishing on the Moon.” 2007. Web. 17 Jan 2020.

Vancouver:

Hung T. Wishing on the Moon. [Internet] [Masters thesis]. Ohio University; 2007. [cited 2020 Jan 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1186758734.

Council of Science Editors:

Hung T. Wishing on the Moon. [Masters Thesis]. Ohio University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1186758734


University of Texas – Austin

22. Lis, Susanne. Master's thesis recital (voice).

Degree: MM, Vocal performance, 2018, University of Texas – Austin

 Alcandro lo confesso...non so d'onde viene : K. 294 / Wolfgang A. Mozart  – Pieśni księżniczki z baśni : op. 31. / Karol Szymanowski  –… (more)

Subjects/Keywords: Songs (High voice) with piano

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APA (6th Edition):

Lis, S. (2018). Master's thesis recital (voice). (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/63979

Chicago Manual of Style (16th Edition):

Lis, Susanne. “Master's thesis recital (voice).” 2018. Masters Thesis, University of Texas – Austin. Accessed January 17, 2020. http://hdl.handle.net/2152/63979.

MLA Handbook (7th Edition):

Lis, Susanne. “Master's thesis recital (voice).” 2018. Web. 17 Jan 2020.

Vancouver:

Lis S. Master's thesis recital (voice). [Internet] [Masters thesis]. University of Texas – Austin; 2018. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/2152/63979.

Council of Science Editors:

Lis S. Master's thesis recital (voice). [Masters Thesis]. University of Texas – Austin; 2018. Available from: http://hdl.handle.net/2152/63979


University of Adelaide

23. Zhao, Qiaoyue. The influence of Bartok's approach to keyboard compositions on contemporary Chinese solo piano music: a portfolio of recorded performances and exegesis.

Degree: 2013, University of Adelaide

 Although Béla Bartók never visited China, his music was widely performed and accepted in China after 1949 because of his significant contributions to the combination… (more)

Subjects/Keywords: Bartók; keyboard compositions; contemporary Chinese; piano solo

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APA (6th Edition):

Zhao, Q. (2013). The influence of Bartok's approach to keyboard compositions on contemporary Chinese solo piano music: a portfolio of recorded performances and exegesis. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/84426

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zhao, Qiaoyue. “The influence of Bartok's approach to keyboard compositions on contemporary Chinese solo piano music: a portfolio of recorded performances and exegesis.” 2013. Thesis, University of Adelaide. Accessed January 17, 2020. http://hdl.handle.net/2440/84426.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zhao, Qiaoyue. “The influence of Bartok's approach to keyboard compositions on contemporary Chinese solo piano music: a portfolio of recorded performances and exegesis.” 2013. Web. 17 Jan 2020.

Vancouver:

Zhao Q. The influence of Bartok's approach to keyboard compositions on contemporary Chinese solo piano music: a portfolio of recorded performances and exegesis. [Internet] [Thesis]. University of Adelaide; 2013. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/2440/84426.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zhao Q. The influence of Bartok's approach to keyboard compositions on contemporary Chinese solo piano music: a portfolio of recorded performances and exegesis. [Thesis]. University of Adelaide; 2013. Available from: http://hdl.handle.net/2440/84426

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Michigan

24. Kim, Do Yeon. Summary of Dissertation Recitals Three Programs of Piano Music.

Degree: AMU, Music: Performance, 2015, University of Michigan

 Two solo piano recitals and one lecture-recital were given in lieu of a written dissertation. Saturday, March 1, 2014, 8:00 p.m., Moore Music Building, Britton… (more)

Subjects/Keywords: solo piano recital; Music and Dance; Arts

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APA (6th Edition):

Kim, D. Y. (2015). Summary of Dissertation Recitals Three Programs of Piano Music. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/147661

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kim, Do Yeon. “Summary of Dissertation Recitals Three Programs of Piano Music.” 2015. Thesis, University of Michigan. Accessed January 17, 2020. http://hdl.handle.net/2027.42/147661.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kim, Do Yeon. “Summary of Dissertation Recitals Three Programs of Piano Music.” 2015. Web. 17 Jan 2020.

Vancouver:

Kim DY. Summary of Dissertation Recitals Three Programs of Piano Music. [Internet] [Thesis]. University of Michigan; 2015. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/2027.42/147661.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kim DY. Summary of Dissertation Recitals Three Programs of Piano Music. [Thesis]. University of Michigan; 2015. Available from: http://hdl.handle.net/2027.42/147661

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Arizona State University

25. O'Brien, Andrew. A Recording and Overview of the Solo Piano Works by John La Montaine (b. 1920).

Degree: DMA, Music, 2010, Arizona State University

 John La Montaine (b. 1920) has devoted his life to music composition. His major works total 62 opus numbers, including operas, concertos, songs, chamber music,… (more)

Subjects/Keywords: Music; La Montaine; Montaine; piano solo

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

O'Brien, A. (2010). A Recording and Overview of the Solo Piano Works by John La Montaine (b. 1920). (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/8720

Chicago Manual of Style (16th Edition):

O'Brien, Andrew. “A Recording and Overview of the Solo Piano Works by John La Montaine (b. 1920).” 2010. Doctoral Dissertation, Arizona State University. Accessed January 17, 2020. http://repository.asu.edu/items/8720.

MLA Handbook (7th Edition):

O'Brien, Andrew. “A Recording and Overview of the Solo Piano Works by John La Montaine (b. 1920).” 2010. Web. 17 Jan 2020.

Vancouver:

O'Brien A. A Recording and Overview of the Solo Piano Works by John La Montaine (b. 1920). [Internet] [Doctoral dissertation]. Arizona State University; 2010. [cited 2020 Jan 17]. Available from: http://repository.asu.edu/items/8720.

Council of Science Editors:

O'Brien A. A Recording and Overview of the Solo Piano Works by John La Montaine (b. 1920). [Doctoral Dissertation]. Arizona State University; 2010. Available from: http://repository.asu.edu/items/8720


Arizona State University

26. Moreau, Barton Andrew. A Study of the Solo Piano Works by Owen Middleton (b. 1941) With a Recording of Selected Works from 1962-1993.

Degree: DMA, Music, 2011, Arizona State University

 Owen Middleton (b. 1941) enjoys an established and growing reputation as a composer of classical guitar music, but his works for piano are comparatively little… (more)

Subjects/Keywords: Music; American; Middleton; Owen; Piano; Recording; Solo

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APA (6th Edition):

Moreau, B. A. (2011). A Study of the Solo Piano Works by Owen Middleton (b. 1941) With a Recording of Selected Works from 1962-1993. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/14269

Chicago Manual of Style (16th Edition):

Moreau, Barton Andrew. “A Study of the Solo Piano Works by Owen Middleton (b. 1941) With a Recording of Selected Works from 1962-1993.” 2011. Doctoral Dissertation, Arizona State University. Accessed January 17, 2020. http://repository.asu.edu/items/14269.

MLA Handbook (7th Edition):

Moreau, Barton Andrew. “A Study of the Solo Piano Works by Owen Middleton (b. 1941) With a Recording of Selected Works from 1962-1993.” 2011. Web. 17 Jan 2020.

Vancouver:

Moreau BA. A Study of the Solo Piano Works by Owen Middleton (b. 1941) With a Recording of Selected Works from 1962-1993. [Internet] [Doctoral dissertation]. Arizona State University; 2011. [cited 2020 Jan 17]. Available from: http://repository.asu.edu/items/14269.

Council of Science Editors:

Moreau BA. A Study of the Solo Piano Works by Owen Middleton (b. 1941) With a Recording of Selected Works from 1962-1993. [Doctoral Dissertation]. Arizona State University; 2011. Available from: http://repository.asu.edu/items/14269


Texas Christian University

27. Briggs, Matthew,1991-. Double concerto for bassoon and celesta with chamber orchestra.

Degree: 2015, Texas Christian University

 This double concerto was born out of my reaction to the complete lack of repertoire for the celesta. I added the bassoon to provide the… (more)

Subjects/Keywords: Concertos (Bassoon and celesta with chamber orchestra)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Briggs, M. (2015). Double concerto for bassoon and celesta with chamber orchestra. (Thesis). Texas Christian University. Retrieved from https://repository.tcu.edu/handle/116099117/8307

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Briggs, Matthew,1991-. “Double concerto for bassoon and celesta with chamber orchestra.” 2015. Thesis, Texas Christian University. Accessed January 17, 2020. https://repository.tcu.edu/handle/116099117/8307.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Briggs, Matthew,1991-. “Double concerto for bassoon and celesta with chamber orchestra.” 2015. Web. 17 Jan 2020.

Vancouver:

Briggs M. Double concerto for bassoon and celesta with chamber orchestra. [Internet] [Thesis]. Texas Christian University; 2015. [cited 2020 Jan 17]. Available from: https://repository.tcu.edu/handle/116099117/8307.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Briggs M. Double concerto for bassoon and celesta with chamber orchestra. [Thesis]. Texas Christian University; 2015. Available from: https://repository.tcu.edu/handle/116099117/8307

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

28. Korepanova, Asiya. The Process of Transcribing Richard Strauss’ “Ein Heldenleben” for Piano Solo: Tasks, Approaches, Issues and Solutions.

Degree: DMA, Keyboard Performance (Music), 2016, University of Miami

 For many, approaching an orchestral score is a challenge. The process of transcribing an orchestra piece for piano solo with the purpose of a further… (more)

Subjects/Keywords: Richard Strauss; piano transcription; Ein Heldenleben for piano solo; Asiya Korepanova

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APA (6th Edition):

Korepanova, A. (2016). The Process of Transcribing Richard Strauss’ “Ein Heldenleben” for Piano Solo: Tasks, Approaches, Issues and Solutions. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1638

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Korepanova, Asiya. “The Process of Transcribing Richard Strauss’ “Ein Heldenleben” for Piano Solo: Tasks, Approaches, Issues and Solutions.” 2016. Thesis, University of Miami. Accessed January 17, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1638.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Korepanova, Asiya. “The Process of Transcribing Richard Strauss’ “Ein Heldenleben” for Piano Solo: Tasks, Approaches, Issues and Solutions.” 2016. Web. 17 Jan 2020.

Vancouver:

Korepanova A. The Process of Transcribing Richard Strauss’ “Ein Heldenleben” for Piano Solo: Tasks, Approaches, Issues and Solutions. [Internet] [Thesis]. University of Miami; 2016. [cited 2020 Jan 17]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1638.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Korepanova A. The Process of Transcribing Richard Strauss’ “Ein Heldenleben” for Piano Solo: Tasks, Approaches, Issues and Solutions. [Thesis]. University of Miami; 2016. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1638

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Adelaide

29. Grant, Quentin Stuart David. Portfolio of original compositions.

Degree: 2008, University of Adelaide

 This submission comprises a portfolio of fifteen original musical works and an exegesis that comments on five of these works. Recordings of twelve of the… (more)

Subjects/Keywords: music; composition; Composition (Music); String orchestra music Scores.; Piano music Scores.; String quartets Scores.; Chamber orchestra music Scores.; Orchestral music Scores.; Vocal trios Scores.; Songs (High voice) with piano Scores; Songs (High voice) with instrumental ensemble Scores.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Grant, Q. S. D. (2008). Portfolio of original compositions. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/51095

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Grant, Quentin Stuart David. “Portfolio of original compositions.” 2008. Thesis, University of Adelaide. Accessed January 17, 2020. http://hdl.handle.net/2440/51095.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Grant, Quentin Stuart David. “Portfolio of original compositions.” 2008. Web. 17 Jan 2020.

Vancouver:

Grant QSD. Portfolio of original compositions. [Internet] [Thesis]. University of Adelaide; 2008. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/2440/51095.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Grant QSD. Portfolio of original compositions. [Thesis]. University of Adelaide; 2008. Available from: http://hdl.handle.net/2440/51095

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Vasilistov, Dmitriy. A master's recital in double bass.

Degree: 2013, University of Northern Iowa

14 audio files + 1 PDF file Advisors/Committee Members: Jonathan Chenoweth, Chair.

Subjects/Keywords: Suites (Double bass); Arranged; Double bass music; Concertos (Double bass); Arranged – Solo with piano; Double bass and piano music; Sonatas (Double bass and piano)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vasilistov, D. (2013). A master's recital in double bass. (Thesis). University of Northern Iowa. Retrieved from https://scholarworks.uni.edu/etd/260

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vasilistov, Dmitriy. “A master's recital in double bass.” 2013. Thesis, University of Northern Iowa. Accessed January 17, 2020. https://scholarworks.uni.edu/etd/260.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vasilistov, Dmitriy. “A master's recital in double bass.” 2013. Web. 17 Jan 2020.

Vancouver:

Vasilistov D. A master's recital in double bass. [Internet] [Thesis]. University of Northern Iowa; 2013. [cited 2020 Jan 17]. Available from: https://scholarworks.uni.edu/etd/260.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vasilistov D. A master's recital in double bass. [Thesis]. University of Northern Iowa; 2013. Available from: https://scholarworks.uni.edu/etd/260

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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