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You searched for subject:(Opera de Paris). Showing records 1 – 6 of 6 total matches.

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Eastern Michigan University

1. Christmas, Andrea. Masculinity in the nineteenth-century Paris opéra ballet.

Degree: MA, History and Philosophy, 2013, Eastern Michigan University

 Beginning in the first half of the nineteenth century, ballerinas overtook male dancers on the stage of the Paris Opéra Ballet and in critical writings… (more)

Subjects/Keywords: Sex; masculinity; France Nineteenth-Century; Opera de Paris; Ballet; European History

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APA (6th Edition):

Christmas, A. (2013). Masculinity in the nineteenth-century Paris opéra ballet. (Thesis). Eastern Michigan University. Retrieved from http://commons.emich.edu/theses/487

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Christmas, Andrea. “Masculinity in the nineteenth-century Paris opéra ballet.” 2013. Thesis, Eastern Michigan University. Accessed April 19, 2019. http://commons.emich.edu/theses/487.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Christmas, Andrea. “Masculinity in the nineteenth-century Paris opéra ballet.” 2013. Web. 19 Apr 2019.

Vancouver:

Christmas A. Masculinity in the nineteenth-century Paris opéra ballet. [Internet] [Thesis]. Eastern Michigan University; 2013. [cited 2019 Apr 19]. Available from: http://commons.emich.edu/theses/487.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Christmas A. Masculinity in the nineteenth-century Paris opéra ballet. [Thesis]. Eastern Michigan University; 2013. Available from: http://commons.emich.edu/theses/487

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

2. Bowers, Paige. Building the Big Chief: Charles Garnier and the Paris of his time.

Degree: MA, History, 2012, Louisiana State University

 The Paris Opera House, or Palais Garnier, is known as the backdrop for the Broadway musical Phantom of the Opera, which has been seen by… (more)

Subjects/Keywords: Garnier; Bourbon Restoration; July Monarchy; Second Empire; France; bourgeoisie; Paris Opera House; Reconstruction of Paris; Prix de Rome

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bowers, P. (2012). Building the Big Chief: Charles Garnier and the Paris of his time. (Masters Thesis). Louisiana State University. Retrieved from etd-06042012-104004 ; https://digitalcommons.lsu.edu/gradschool_theses/3992

Chicago Manual of Style (16th Edition):

Bowers, Paige. “Building the Big Chief: Charles Garnier and the Paris of his time.” 2012. Masters Thesis, Louisiana State University. Accessed April 19, 2019. etd-06042012-104004 ; https://digitalcommons.lsu.edu/gradschool_theses/3992.

MLA Handbook (7th Edition):

Bowers, Paige. “Building the Big Chief: Charles Garnier and the Paris of his time.” 2012. Web. 19 Apr 2019.

Vancouver:

Bowers P. Building the Big Chief: Charles Garnier and the Paris of his time. [Internet] [Masters thesis]. Louisiana State University; 2012. [cited 2019 Apr 19]. Available from: etd-06042012-104004 ; https://digitalcommons.lsu.edu/gradschool_theses/3992.

Council of Science Editors:

Bowers P. Building the Big Chief: Charles Garnier and the Paris of his time. [Masters Thesis]. Louisiana State University; 2012. Available from: etd-06042012-104004 ; https://digitalcommons.lsu.edu/gradschool_theses/3992

3. Monnier, Franck. L'Opéra de Paris de Louis XIV au début du XXe siècle : régime juridique et financier : The Paris Opera since the reign of Louis XIV until the beginning of the twentieth century : legal and financial framework.

Degree: Docteur es, Histoire du droit et des institutions, 2012, Paris 2

Dès le XVIIIe siècle, l’Opéra de Paris est considéré comme un « établissement public ». Ses missions sont nombreuses. Le théâtre doit proposer traditionnellement aux… (more)

Subjects/Keywords: Opéra de Paris; Droit; Histoire; Administration; Gestion; Service public; Théâtre; Censure; Artistes; Paris Opera; Law; History; Administration; Management; Police for the theatres; Censorship; Artists; Careers

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Monnier, F. (2012). L'Opéra de Paris de Louis XIV au début du XXe siècle : régime juridique et financier : The Paris Opera since the reign of Louis XIV until the beginning of the twentieth century : legal and financial framework. (Doctoral Dissertation). Paris 2. Retrieved from http://www.theses.fr/2012PA020072

Chicago Manual of Style (16th Edition):

Monnier, Franck. “L'Opéra de Paris de Louis XIV au début du XXe siècle : régime juridique et financier : The Paris Opera since the reign of Louis XIV until the beginning of the twentieth century : legal and financial framework.” 2012. Doctoral Dissertation, Paris 2. Accessed April 19, 2019. http://www.theses.fr/2012PA020072.

MLA Handbook (7th Edition):

Monnier, Franck. “L'Opéra de Paris de Louis XIV au début du XXe siècle : régime juridique et financier : The Paris Opera since the reign of Louis XIV until the beginning of the twentieth century : legal and financial framework.” 2012. Web. 19 Apr 2019.

Vancouver:

Monnier F. L'Opéra de Paris de Louis XIV au début du XXe siècle : régime juridique et financier : The Paris Opera since the reign of Louis XIV until the beginning of the twentieth century : legal and financial framework. [Internet] [Doctoral dissertation]. Paris 2; 2012. [cited 2019 Apr 19]. Available from: http://www.theses.fr/2012PA020072.

Council of Science Editors:

Monnier F. L'Opéra de Paris de Louis XIV au début du XXe siècle : régime juridique et financier : The Paris Opera since the reign of Louis XIV until the beginning of the twentieth century : legal and financial framework. [Doctoral Dissertation]. Paris 2; 2012. Available from: http://www.theses.fr/2012PA020072

4. Jarrasse, Bénédicte. Les deux corps de la danse : l'imaginaire de la danse théâtrale dans la littérature et l'iconographie européennes : 1830-1870 : The ballet's two bodies : the imaginary of theatrical dance in European literature and iconography : 1830-1870.

Degree: Docteur es, Littérature générale et comparée, 2014, Université de Strasbourg

Aux alentours de 1830, le romantisme s'impose sur les scènes théâtrales. À une manière nouvelle d'envisager le ballet fait écho une manière nouvelle de le… (more)

Subjects/Keywords: Ballet; Danse; Romantisme; Taglioni; Opéra de Paris; Feuilleton; Récit de voyage; Littérature panoramique; Caricature; Galerie; Ballet; Dance; Romanticism; Taglioni; Paris Opera; Feuilleton; Travel literature; Panoramic literature; Caricature; Galerie; 792; 840.7; 840.8

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jarrasse, B. (2014). Les deux corps de la danse : l'imaginaire de la danse théâtrale dans la littérature et l'iconographie européennes : 1830-1870 : The ballet's two bodies : the imaginary of theatrical dance in European literature and iconography : 1830-1870. (Doctoral Dissertation). Université de Strasbourg. Retrieved from http://www.theses.fr/2014STRAC011

Chicago Manual of Style (16th Edition):

Jarrasse, Bénédicte. “Les deux corps de la danse : l'imaginaire de la danse théâtrale dans la littérature et l'iconographie européennes : 1830-1870 : The ballet's two bodies : the imaginary of theatrical dance in European literature and iconography : 1830-1870.” 2014. Doctoral Dissertation, Université de Strasbourg. Accessed April 19, 2019. http://www.theses.fr/2014STRAC011.

MLA Handbook (7th Edition):

Jarrasse, Bénédicte. “Les deux corps de la danse : l'imaginaire de la danse théâtrale dans la littérature et l'iconographie européennes : 1830-1870 : The ballet's two bodies : the imaginary of theatrical dance in European literature and iconography : 1830-1870.” 2014. Web. 19 Apr 2019.

Vancouver:

Jarrasse B. Les deux corps de la danse : l'imaginaire de la danse théâtrale dans la littérature et l'iconographie européennes : 1830-1870 : The ballet's two bodies : the imaginary of theatrical dance in European literature and iconography : 1830-1870. [Internet] [Doctoral dissertation]. Université de Strasbourg; 2014. [cited 2019 Apr 19]. Available from: http://www.theses.fr/2014STRAC011.

Council of Science Editors:

Jarrasse B. Les deux corps de la danse : l'imaginaire de la danse théâtrale dans la littérature et l'iconographie européennes : 1830-1870 : The ballet's two bodies : the imaginary of theatrical dance in European literature and iconography : 1830-1870. [Doctoral Dissertation]. Université de Strasbourg; 2014. Available from: http://www.theses.fr/2014STRAC011

5. Age, Katrin. Balettmapp Kungliga Operan : Operahusens design och arkitektur.

Degree: Graphic/Arts Technology, 2005, Dalarna University

En presentation av Kungliga Svenska Baletten. Denna ska distribueras till operahus världen över innan ny turné påbörjas. Shanghais operahus var det första som fick den färdiga produkten.Fördjupningen rör olika operahus design och arkitektur ut- och invändigt. Även en del av husens relevanta historia tas upp.

Subjects/Keywords: balett; opera; operahus; design; arkitektur; Kungliga Operan; Teatro alla Scala; Opéra de Paris Garnier; Sydney Opera House; Opéra de la Bastille; Operaen København

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Age, K. (2005). Balettmapp Kungliga Operan : Operahusens design och arkitektur. (Thesis). Dalarna University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:du-1531

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Age, Katrin. “Balettmapp Kungliga Operan : Operahusens design och arkitektur.” 2005. Thesis, Dalarna University. Accessed April 19, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-1531.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Age, Katrin. “Balettmapp Kungliga Operan : Operahusens design och arkitektur.” 2005. Web. 19 Apr 2019.

Vancouver:

Age K. Balettmapp Kungliga Operan : Operahusens design och arkitektur. [Internet] [Thesis]. Dalarna University; 2005. [cited 2019 Apr 19]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:du-1531.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Age K. Balettmapp Kungliga Operan : Operahusens design och arkitektur. [Thesis]. Dalarna University; 2005. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:du-1531

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

6. Huettenrauch, Tina. The Mise en Scène of Rossini's Le Siège de Corinthe and the conventions of staging at the Paris Opéra in the 1820s.

Degree: MM, Music, 2008, Louisiana State University

 Shortly before 1800, the publication of <i>livrets de mise en scène</i>, short manuals including information regarding costumes, set designs, and blocking (i.e., the movement of… (more)

Subjects/Keywords: Comité de mises en scène; Solomé; La Vestale; Staging; Paris Opéra; livret de mise en scène; Rossini; Siege of Corinth; nineteenth century opera; Guillaume Tell; Willhelm Tell; Spontini; Académie Royale de Musique; blocking; history of staging

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Huettenrauch, T. (2008). The Mise en Scène of Rossini's Le Siège de Corinthe and the conventions of staging at the Paris Opéra in the 1820s. (Masters Thesis). Louisiana State University. Retrieved from etd-04042008-102844 ; https://digitalcommons.lsu.edu/gradschool_theses/899

Chicago Manual of Style (16th Edition):

Huettenrauch, Tina. “The Mise en Scène of Rossini's Le Siège de Corinthe and the conventions of staging at the Paris Opéra in the 1820s.” 2008. Masters Thesis, Louisiana State University. Accessed April 19, 2019. etd-04042008-102844 ; https://digitalcommons.lsu.edu/gradschool_theses/899.

MLA Handbook (7th Edition):

Huettenrauch, Tina. “The Mise en Scène of Rossini's Le Siège de Corinthe and the conventions of staging at the Paris Opéra in the 1820s.” 2008. Web. 19 Apr 2019.

Vancouver:

Huettenrauch T. The Mise en Scène of Rossini's Le Siège de Corinthe and the conventions of staging at the Paris Opéra in the 1820s. [Internet] [Masters thesis]. Louisiana State University; 2008. [cited 2019 Apr 19]. Available from: etd-04042008-102844 ; https://digitalcommons.lsu.edu/gradschool_theses/899.

Council of Science Editors:

Huettenrauch T. The Mise en Scène of Rossini's Le Siège de Corinthe and the conventions of staging at the Paris Opéra in the 1820s. [Masters Thesis]. Louisiana State University; 2008. Available from: etd-04042008-102844 ; https://digitalcommons.lsu.edu/gradschool_theses/899

.