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University of Edinburgh
1.
Smith, George Wilson.
Displaying Edinburgh in 1886 : the International Exhibition of Industry, Science and Art.
Degree: PhD, 2015, University of Edinburgh
URL: http://hdl.handle.net/1842/11771 
► The International Exhibition of Industry, Science and Art held in Edinburgh in 1886 was the first universal international exhibition to be staged in Scotland. This…
(more)
▼ The International Exhibition of Industry, Science and Art held in Edinburgh in 1886 was the first universal international exhibition to be staged in Scotland. This thesis examines the event as a reflection of the character and social structure of its host city and as an example of the voluntary organisation of an ambitious project. The background to the Exhibition is located in the progress of large-scale exhibitions in Victorian Britain, in competition between cities, and in Edinburgh’s distinction as an administrative and cultural centre and a national capital. The Exhibition’s organisers are situated within the city’s networks of power and influence and its circles of commerce, industry and municipal government. The space created to host the Exhibition is examined as an ideal depiction of Edinburgh as both a modern and a historic city. The origins of the exhibitors populating the Exhibition space are analysed, and their motivations and exhibiting strategies are scrutinised. The composition of the visitors to the Exhibition is considered and the development of the event as a venue for popular entertainment and spectacular display is discussed. In conclusion the chaotic aftermath of the project is examined, together with its influence on subsequent British exhibitions.
Subjects/Keywords: 941.3; exhibitions; Edinburgh; ninteenth century
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APA (6th Edition):
Smith, G. W. (2015). Displaying Edinburgh in 1886 : the International Exhibition of Industry, Science and Art. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/11771
Chicago Manual of Style (16th Edition):
Smith, George Wilson. “Displaying Edinburgh in 1886 : the International Exhibition of Industry, Science and Art.” 2015. Doctoral Dissertation, University of Edinburgh. Accessed January 22, 2021.
http://hdl.handle.net/1842/11771.
MLA Handbook (7th Edition):
Smith, George Wilson. “Displaying Edinburgh in 1886 : the International Exhibition of Industry, Science and Art.” 2015. Web. 22 Jan 2021.
Vancouver:
Smith GW. Displaying Edinburgh in 1886 : the International Exhibition of Industry, Science and Art. [Internet] [Doctoral dissertation]. University of Edinburgh; 2015. [cited 2021 Jan 22].
Available from: http://hdl.handle.net/1842/11771.
Council of Science Editors:
Smith GW. Displaying Edinburgh in 1886 : the International Exhibition of Industry, Science and Art. [Doctoral Dissertation]. University of Edinburgh; 2015. Available from: http://hdl.handle.net/1842/11771
University of Alabama
2.
Reynolds, Susan Elizabeth.
Oliver all over again:
Dickensian narratives of orphanhood in the Victorian novel.
Degree: 2012, University of Alabama
URL: http://purl.lib.ua.edu/81432
► This dissertation examines the trope of orphanhood in mid-nineteenth century novels and argues that the orphan emerges as a symbol of middle-class fears about legitimacy…
(more)
▼ This dissertation examines the trope of orphanhood in mid-nineteenth
century novels and argues that the orphan emerges as a symbol of middle-class fears about legitimacy and survival. Though many critics concentrate their analysis upon orphaned street children, arguing that authors used these figures to elicit sympathy for various social and political causes, the majority of orphans in nineteenth-
century novels are members of the middle-class. In my dissertation, I examine the origin of the orphan as a synecdoche of middle-class anxiety in Charles Dickens's Oliver Twist, a novel whose title character Dickens and other authors continue to revise throughout the early and mid-Victorian era. Analysis of Oliver and his many reincarnations shows the evolution of an eighteenth-
century orphan prototype into a character distinctly Victorian. The orphan, taking on a specific trajectory of middle-class formation that would culminate in the cultivation of morality and authenticity, symbolized the middle-class desire to survive and legitimize itself in England. As the
century progresses, male and female literary orphans, who came to embody the complex gendered behavior requirements of the nineteenth-
century middle class, had to undertake different, though equally important, courses of formation in order to ensure middle-class survival. Male and female authors continually reproduced this character throughout the era, but by mid-
century, the Dickensian orphan narrative shifted slightly to reveal a stable middle class no longer worried about its origin or long-term survival but instead concerned about its need to reform England as a whole, so that the country adhered to middle-class values and becomes moral and authentic. Chapters of the dissertation explore the evolving character of the orphan, including analysis of orphaned characters in Wuthering Heights, The Mill on the Floss, A Child's History of England, Bleak House, No Name, and The Small House at Allington. The latter two novels will show a distinct shift away from Dickens's use of the orphan as a middle-class symbol embodying fears about survival and explore how the orphan begins to evolve to emulate new class-based concerns about masculinity and professionalization. Always key, however, was the orphan's ability to cultivate and maintain a distinctly Victorian morality and authenticity. (Published By University of Alabama Libraries)
Advisors/Committee Members: Pionke, Albert, Ulmer, William, Weiss, Deborah, Wittman, Emily, Beeler, John, University of Alabama. Dept. of English.
Subjects/Keywords: Electronic Thesis or Dissertation; – thesis; Literature; Ninteenth Century; Orphans; Victorian
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APA (6th Edition):
Reynolds, S. E. (2012). Oliver all over again:
Dickensian narratives of orphanhood in the Victorian novel. (Thesis). University of Alabama. Retrieved from http://purl.lib.ua.edu/81432
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Reynolds, Susan Elizabeth. “Oliver all over again:
Dickensian narratives of orphanhood in the Victorian novel.” 2012. Thesis, University of Alabama. Accessed January 22, 2021.
http://purl.lib.ua.edu/81432.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Reynolds, Susan Elizabeth. “Oliver all over again:
Dickensian narratives of orphanhood in the Victorian novel.” 2012. Web. 22 Jan 2021.
Vancouver:
Reynolds SE. Oliver all over again:
Dickensian narratives of orphanhood in the Victorian novel. [Internet] [Thesis]. University of Alabama; 2012. [cited 2021 Jan 22].
Available from: http://purl.lib.ua.edu/81432.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Reynolds SE. Oliver all over again:
Dickensian narratives of orphanhood in the Victorian novel. [Thesis]. University of Alabama; 2012. Available from: http://purl.lib.ua.edu/81432
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
The Ohio State University
3.
Shapiro, Stephen Judah.
The British Army in Home Defense, 1844-1871: Militia and
Volunteers in a Liberal Era.
Degree: PhD, History, 2011, The Ohio State University
URL: http://rave.ohiolink.edu/etdc/view?acc_num=osu1314979500
► For almost three decades, politics in mid-Victorian Britain were dominated by a loose but influential cross-class liberal political consensus. Extending beyond the parliamentary Liberal party,…
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▼ For almost three decades, politics in mid-Victorian
Britain were dominated by a loose but influential cross-class
liberal political consensus. Extending beyond the parliamentary
Liberal party, liberalism‘s influence spread into almost every
aspect of public policy. This dissertation examines the impact of
liberal politics and thought on the development of British military
policy in the 1840s, 50s, and 60s through the lens of home defense.
Britain was gripped by major invasion panics in 1848, 1852, and
1859, each of which led to serious reconsiderations of home
defense. Among the subsequent reforms and innovations were the
fortification of England‘s southern coast, the revival of the
militia, and the creation of the amateur Volunteer Force. The
debate surrounding home defense offers the best path to examining
the impact of a vibrant but conflicted political philosophy on
military policy. It demonstrates the depth of liberalism‘s impact
not just on British military policy but also on the assumptions on
which that policy was based, as well as highlighting the importance
of the relationship between political thought and the development
of Britain‘s armed forces.
Advisors/Committee Members: Siegel, Jennifer (Advisor).
Subjects/Keywords: Armed Forces; History; Military History; militia; volunteers; liberalism; Britain; army; ninteenth century
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APA (6th Edition):
Shapiro, S. J. (2011). The British Army in Home Defense, 1844-1871: Militia and
Volunteers in a Liberal Era. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1314979500
Chicago Manual of Style (16th Edition):
Shapiro, Stephen Judah. “The British Army in Home Defense, 1844-1871: Militia and
Volunteers in a Liberal Era.” 2011. Doctoral Dissertation, The Ohio State University. Accessed January 22, 2021.
http://rave.ohiolink.edu/etdc/view?acc_num=osu1314979500.
MLA Handbook (7th Edition):
Shapiro, Stephen Judah. “The British Army in Home Defense, 1844-1871: Militia and
Volunteers in a Liberal Era.” 2011. Web. 22 Jan 2021.
Vancouver:
Shapiro SJ. The British Army in Home Defense, 1844-1871: Militia and
Volunteers in a Liberal Era. [Internet] [Doctoral dissertation]. The Ohio State University; 2011. [cited 2021 Jan 22].
Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1314979500.
Council of Science Editors:
Shapiro SJ. The British Army in Home Defense, 1844-1871: Militia and
Volunteers in a Liberal Era. [Doctoral Dissertation]. The Ohio State University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1314979500
University of South Africa
4.
Rehbinder, Nina Maroussia Graefin.
Dimensionen der Moderne im Faust II : Goethes kritische darstellung Gesellschaftlicher Entwicklungen des frühen 19. Jahrhunderts im Fünften Akt
.
Degree: 2012, University of South Africa
URL: http://hdl.handle.net/10500/11962
► Die vorliegende Untersuchung arbeitet die wesentlichen gesellschaftspolitischen und ökonomischen Entwicklungslinien heraus, die sich während der geschichtlichen Umbruchphase um 1830 im deutschen Raum aus dem letzten…
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▼ Die vorliegende Untersuchung arbeitet die wesentlichen gesellschaftspolitischen und ökonomischen Entwicklungslinien heraus, die sich während der geschichtlichen Umbruchphase um 1830 im deutschen Raum aus dem letzten Akt von Goethes Faust II ableiten lassen.
Tiefgreifende politische, wirtschaftlich-technische und kulturelle Umwälzungen zu Beginn des 19. Jahrhunderts wirkten auf Goethe als Zeitgenossen ein und wurden von ihm in seinem literarischen Spätwerk verarbeitet. Aus Goethes Alterswerk Faust II heraus lassen sich Konstanten und Entwicklungen seiner Zeit sichtbar machen und, immer eingebettet in den zeitgeschichtlichen Kontext, konkret nachweisen. Diese Ausarbeitung will aufzeigen, dass Goethe im letzten Akt von Faust II einen sich zu Beginn des 19. Jahrhunderts vollziehenden – und teils bereits vollzogenen - Wandel der menschlichen Geisteshaltung attestiert. Säkularisierung und zweckorientierte Rationalität, Beschleunigung, Enthumanisierung und Unterwerfung von Mensch und Natur stehen hierbei im Mittelpunkt.
Fausts aus seinem Pakt mit dem Teufel entstandene Welt nimmt die uns heute umgebende vorweg, die geprägt ist von Datenflut, elektronischen Medien, einer von Alltagshektik geprägten Realität und systemimmanenten Expansionsstreben. Allein dies verleiht dem Drama ein unübersehbar hohes Gegenwartspotential.; This thesis explores the trends of socio-political developments during the period of historical changes in Germany around 1830 that can be deduced from Act V of Goethe´s Faust II.
Profound political, technical, economic and cultural changes at the beginning of the nineteenth
century had an impact on Goethe as a contemporary and appear in his late literary work. Thus specific constants and developments of his time are also presented in and can be deduced from one of the great literary works of the aged poet, Faust II.
This paper shows that the final act of Faust II Goethe reveals profound changes in human mentality that took place at the beginning of the nineteenth
century and partly even before: Secularization and ruthless rationality with a tendency to acceleration, de-humanization and unscrupulous submission of human beings and nature.
The world that originated from Faust´s pact with the devil in Faust II anticipates the reality surrounding us nowadays, a reality characterized by a flood of data, electronic media and the hectic pace of everyday life, - a fact vouching for the play´s striking modernity.
Advisors/Committee Members: Horn, P. R. G (advisor).
Subjects/Keywords: Goethe;
Faust II;
Anticipation;
Industrialization;
Society;
Ninteenth century;
Secularization;
Rationality;
Acceleration;
De-humanization;
Nature;
Ecology;
Submission;
Magic;
Modernity
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APA ·
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APA (6th Edition):
Rehbinder, N. M. G. (2012). Dimensionen der Moderne im Faust II : Goethes kritische darstellung Gesellschaftlicher Entwicklungen des frühen 19. Jahrhunderts im Fünften Akt
. (Masters Thesis). University of South Africa. Retrieved from http://hdl.handle.net/10500/11962
Chicago Manual of Style (16th Edition):
Rehbinder, Nina Maroussia Graefin. “Dimensionen der Moderne im Faust II : Goethes kritische darstellung Gesellschaftlicher Entwicklungen des frühen 19. Jahrhunderts im Fünften Akt
.” 2012. Masters Thesis, University of South Africa. Accessed January 22, 2021.
http://hdl.handle.net/10500/11962.
MLA Handbook (7th Edition):
Rehbinder, Nina Maroussia Graefin. “Dimensionen der Moderne im Faust II : Goethes kritische darstellung Gesellschaftlicher Entwicklungen des frühen 19. Jahrhunderts im Fünften Akt
.” 2012. Web. 22 Jan 2021.
Vancouver:
Rehbinder NMG. Dimensionen der Moderne im Faust II : Goethes kritische darstellung Gesellschaftlicher Entwicklungen des frühen 19. Jahrhunderts im Fünften Akt
. [Internet] [Masters thesis]. University of South Africa; 2012. [cited 2021 Jan 22].
Available from: http://hdl.handle.net/10500/11962.
Council of Science Editors:
Rehbinder NMG. Dimensionen der Moderne im Faust II : Goethes kritische darstellung Gesellschaftlicher Entwicklungen des frühen 19. Jahrhunderts im Fünften Akt
. [Masters Thesis]. University of South Africa; 2012. Available from: http://hdl.handle.net/10500/11962
University of California – Berkeley
5.
Vialette, Aurelie Mireille.
Espacios para la cultura obrera en el siglo XIX español: Literatura, música, representación.
Degree: Spanish, 2009, University of California – Berkeley
URL: http://www.escholarship.org/uc/item/58v4s7bd
► This dissertation, Worker's Cultural Spaces in the nineteenth-century: Literature, Music, Performance focuses on the cultural dimension of the worker's education and considers the cultural production…
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▼ This dissertation, Worker's Cultural Spaces in the nineteenth-century: Literature, Music, Performance focuses on the cultural dimension of the worker's education and considers the cultural production that either discusses or addresses the worker in response to social phenomena such as poverty, the challenge of ensuring basic literacy, the rise of revolutionary movements and the integration of masses of workers into the cultural, political and social concert in nineteenth-century Spain. We establish that such cultural projects seek to measure the functionality of the working masses in different urban spaces and to control their dynamic processes. We underscore how the intellectual elite deploys the disciplinary aspect of these projects to mold the moral literacy of the worker.The dissertation is organized around five institutional spaces: the choir, the theater, the library, the archive, and the novel. Through those spaces, nineteenth-century intellectuals developed projects to incorporate the working class into the cultural discourse of the bourgeois public sphere. Certain cultural projects for nineteenth-century workers receive specific emphasis in our work, namely the formation of the choruses of workers by Josep Anselm Clavé; the popular novels and folletines written by Antonio Altadill and Dolors Monserdà; and the creation of centros de lecturas and popular libraries, with particular attention to the seminal figure of Rossend Arús.The relations of cultural power between intellectuals and workers are at the core of our examination of the complex dialogue between music, literature, politics and sociology. The phenomena we analyze aimed to incorporate the worker into the cultural construction of the nation but were deemed by those who had a type of domination over the working class as a way to reform them. Even if this process created cultural visibility for the worker, we argue that it also entailed its control by the bourgeois public sphere in urban spaces such as stages, public parks, and the centros de lectura.
Subjects/Keywords: Literature, Modern; Music; European Studies; Catalonia; cultural discipline; ninteenth-century Spain; popular music and literature; Urban and cultural spaces theory; working class
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APA (6th Edition):
Vialette, A. M. (2009). Espacios para la cultura obrera en el siglo XIX español: Literatura, música, representación. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/58v4s7bd
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Vialette, Aurelie Mireille. “Espacios para la cultura obrera en el siglo XIX español: Literatura, música, representación.” 2009. Thesis, University of California – Berkeley. Accessed January 22, 2021.
http://www.escholarship.org/uc/item/58v4s7bd.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Vialette, Aurelie Mireille. “Espacios para la cultura obrera en el siglo XIX español: Literatura, música, representación.” 2009. Web. 22 Jan 2021.
Vancouver:
Vialette AM. Espacios para la cultura obrera en el siglo XIX español: Literatura, música, representación. [Internet] [Thesis]. University of California – Berkeley; 2009. [cited 2021 Jan 22].
Available from: http://www.escholarship.org/uc/item/58v4s7bd.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Vialette AM. Espacios para la cultura obrera en el siglo XIX español: Literatura, música, representación. [Thesis]. University of California – Berkeley; 2009. Available from: http://www.escholarship.org/uc/item/58v4s7bd
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Universidade de Brasília
6.
Maria Elizabeth Ribeiro Carneiro.
Procura-se "preta com muito bom leite, prendada e carinhosa": uma cartografia das amas-de-leite na sociedade carioca (1850-1888).
Degree: 2006, Universidade de Brasília
URL: http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=1069
► What did it mean to be ama-de-leite in Rio de Janeiros nineteenth century society? The question guides an effort to create a map of discourses…
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▼ What did it mean to be ama-de-leite in Rio de Janeiros nineteenth century society? The question guides an effort to create a map of discourses where their images appear: medicine, press, public administration, literature and iconography. Frequently amas-de-leite were designed and recognized as African or descendant black or dark skin female bodies that used to be bought, sold or rent to nourish owners families sons and daughters. Analysing their images/representations it has been considered the positiveness of knowledge building up a politics of identities in enslaver and patriarchal society, where their bodies are marked by sex-gender, race, age and civil condition features, pointing out physical differences to produce social inequalities.
O que significava ser ama-de-leite na sociedade carioca oitocentista? A pergunta orienta o esforço de constituir uma cartografia em que se busca mapear a emergência de um enunciado em diferentes materialidades discursivas: discursos da medicina, da imprensa, da administração pública, da literatura e da iconografia. Amas-de-leite foram designadas e reconhecidas em corpos de mulheres africanas ou descendentes, geralmente negras ou pardas, que eram compradas, vendidas, alugadas para amamentar os filhos de famílias proprietárias. Os discursos revelam a positividade dos saberes e a política de produção das identidades naquela sociedade escravista e patriarcal, onde corpos de amas-de-leite emergem sob marcas de sexo-gênero, raça, idade e de condição civil, inscritos em mecanismos que demarcam diferenças e instauram desigualdades.
Advisors/Committee Members: Rita Laura Segato, Claudia Costa Brochado, Marilene Rosa Nogueira da Silva, Estevão Chavez de Rezende Martins.
Subjects/Keywords: escravidão; Rio de Janeiro.; maternity; Amas-de-leite; usos e costumes; sex-gender; HISTORIA DO BRASIL; história; amas-de-leite; slavery; Rio de Janeiro, ninteenth century
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APA (6th Edition):
Carneiro, M. E. R. (2006). Procura-se "preta com muito bom leite, prendada e carinhosa": uma cartografia das amas-de-leite na sociedade carioca (1850-1888). (Thesis). Universidade de Brasília. Retrieved from http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=1069
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Carneiro, Maria Elizabeth Ribeiro. “Procura-se "preta com muito bom leite, prendada e carinhosa": uma cartografia das amas-de-leite na sociedade carioca (1850-1888).” 2006. Thesis, Universidade de Brasília. Accessed January 22, 2021.
http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=1069.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Carneiro, Maria Elizabeth Ribeiro. “Procura-se "preta com muito bom leite, prendada e carinhosa": uma cartografia das amas-de-leite na sociedade carioca (1850-1888).” 2006. Web. 22 Jan 2021.
Vancouver:
Carneiro MER. Procura-se "preta com muito bom leite, prendada e carinhosa": uma cartografia das amas-de-leite na sociedade carioca (1850-1888). [Internet] [Thesis]. Universidade de Brasília; 2006. [cited 2021 Jan 22].
Available from: http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=1069.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Carneiro MER. Procura-se "preta com muito bom leite, prendada e carinhosa": uma cartografia das amas-de-leite na sociedade carioca (1850-1888). [Thesis]. Universidade de Brasília; 2006. Available from: http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=1069
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
7.
Vitacca, Sara.
Un mythe à l'oeuvre : la réception de Michel-Ange entre 1875 et 1914 : A Myth in Action : the Reception of Michelangelo Between 1875 and 1914.
Degree: Docteur es, Histoire de l'art, 2018, Paris 1
URL: http://www.theses.fr/2018PA01H060
► Cette thèse explore la réception de Michel-Ange entre 1875, date des célébrations florentines du IVe centenaire de la naissance de l’artiste, et 1914. À cette…
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▼ Cette thèse explore la réception de Michel-Ange entre 1875, date des célébrations florentines du IVe centenaire de la naissance de l’artiste, et 1914. À cette époque, le culte de Buonarroti s’affirme comme un phénomène d’ampleur qui touche simultanément à une histoire du goût, de la culture et de l’inspiration artistique. À travers une reconstruction minutieuse des réseaux internationaux, des cercles et des figures qui promeuvent l’admiration pour Michel-Ange, de Gabriele d’Annunzio à Auguste Rodin, nous parcourons les grandes questions critiques et esthétiques ouvertes par l’action d’un mythe qui se met véritablement à l’œuvre et investit directement la création de l’époque. D’une part la figure teintée de légende de Buonarroti permet de penser la figure du créateur divin, surhumain, démesuré, fournissant un paradigme idéal que les artistes de l’époque convoquent pour fabriquer leur propre gloire artistique. De l’autre, l’admiration pour Michel-Ange s’avère fonctionnelle à une création qui souhaite renouer avec la poétique du sublime, repensant la nudité héroïque et l’ambition du monumental, afin de produire une œuvre douée des mêmes qualités esthétiques que l’on attribue à l’art de Buonarroti. Le michelangelisme se révèle ainsi comme un enjeux majeur, capable de dévoiler une géographie artistique et culturelle inédite ainsi qu’un débat animé sur les usages multiples que l’on peut faire du passé, entre nostalgie et modernité, entre imitation et émulation. C’est alors une réflexion plus générale sur les notions d’autorité, de filiation et de référence que l’on peut également aborder à travers l’histoire du foisonnant revival de Michel-Ange au tournant du XIXe siècle.
This thesis explores the reception of Michelangelo between 1875, date on which the celebrations for the fourth centenary of the artist’s birth were held in Florence, and 1914. During this time, the cult of Buonarroti became an international phenomenon, rooted in a cultural history of taste and artistic inspiration. Through an attentive study of circles and figures that actively promoted the celebration of Michelangelo, from Gabriele d’Annunzio to Auguste Rodin, the aim of this work is to unveil the action of an artistic myth that deeply shaped the creation of the time. On one hand, the legendary figure of Michelangelo became the paradigm of the divine and superhuman creator ; on the other hand, the love for the old master unfolded the ambition of those who hoped to renew an art based on sublime subjects, heroic nudity and monumentality, in order to load their creation with the same aesthetics qualities seen in Michelangelo’s art. Thus, michelangelism reveals itself as a complex artistic problem, capable of shedding light on an unusual artistic geography, while revealing an animated debate upon the multiple uses of the past, between nostalgy and modernity, between imitation and emulation. On a larger scale, then, this subject also engage in a deeper investigation upon the fundamental notions of authority, parentage, and reference, who are at the very…
Advisors/Committee Members: Wat, Pierre (thesis director).
Subjects/Keywords: Michel-Ange; Réception; Mythe; Imitation; Historiographie de la Renaissance; Image de l'artiste; Dix neuvième siècle; Référence; Michelangelo; Reception; Myth; Imitation; Historiography of Renaissance; Image of artist; Ninteenth century; Reference; 709.031
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APA (6th Edition):
Vitacca, S. (2018). Un mythe à l'oeuvre : la réception de Michel-Ange entre 1875 et 1914 : A Myth in Action : the Reception of Michelangelo Between 1875 and 1914. (Doctoral Dissertation). Paris 1. Retrieved from http://www.theses.fr/2018PA01H060
Chicago Manual of Style (16th Edition):
Vitacca, Sara. “Un mythe à l'oeuvre : la réception de Michel-Ange entre 1875 et 1914 : A Myth in Action : the Reception of Michelangelo Between 1875 and 1914.” 2018. Doctoral Dissertation, Paris 1. Accessed January 22, 2021.
http://www.theses.fr/2018PA01H060.
MLA Handbook (7th Edition):
Vitacca, Sara. “Un mythe à l'oeuvre : la réception de Michel-Ange entre 1875 et 1914 : A Myth in Action : the Reception of Michelangelo Between 1875 and 1914.” 2018. Web. 22 Jan 2021.
Vancouver:
Vitacca S. Un mythe à l'oeuvre : la réception de Michel-Ange entre 1875 et 1914 : A Myth in Action : the Reception of Michelangelo Between 1875 and 1914. [Internet] [Doctoral dissertation]. Paris 1; 2018. [cited 2021 Jan 22].
Available from: http://www.theses.fr/2018PA01H060.
Council of Science Editors:
Vitacca S. Un mythe à l'oeuvre : la réception de Michel-Ange entre 1875 et 1914 : A Myth in Action : the Reception of Michelangelo Between 1875 and 1914. [Doctoral Dissertation]. Paris 1; 2018. Available from: http://www.theses.fr/2018PA01H060
8.
Gover, Maggie.
Seeing Double: The Victorian Virtual and Projections of Female Subjectivity.
Degree: English, 2012, University of California – Riverside
URL: http://www.escholarship.org/uc/item/65w07189
► This work interrogates nineteenth-century subjectivities and visual cultures which were necessary precursors of what is now called the virtual. In the project I utilize a…
(more)
▼ This work interrogates nineteenth-century subjectivities and visual cultures which were necessary precursors of what is now called the virtual. In the project I utilize a variety of nineteenth-century optical science texts in order to question how understandings of vision and the illusory nature of the virtual focus contributed to explanations of subject formation in female characters. The title, "Seeing Double," references theories of stereoscopy and binocular vision. The knowledge that human three-dimensional vision is composed of two distinct views from two individual eyes within one seeing body, and that impressions of a three-dimensional physical world could be artificially produced, was a powerful idea for Victorian texts. Authors draw on the idea of composite vision in their narrative structure, allowing readers to glimpse multiple views of the world which may or may not be "actual." Authors such as Alfred, Lord Tennyson, George Eliot, Thomas Hardy, and Lewis Carroll use visual technologies as metaphors for the woman's body in order to highlight the interpretive female gaze. In the burgeoning British cinema British filmmakers, such as Cecil B. Hepworth, James Williamson, and George Albert Smith, reproduced the literary technique of at once crediting and discrediting sight. Their works all depict women as translucent, changeable bodies who must be scrutinized but can never be wholly understood. Both literary and cinematic narratives allow for the possibility of a virtual world of experience where an individual female character's interpretation is juxtaposed against a network of experience which constitutes the "actual." Analyzed within the context of nineteenth-century optics texts, all of these visual experiences are understood as valid interpretations of the external world. "Seeing Double" adds to current discourses about the virtual by forwarding the Victorian woman's visual experience as a site of such virtuality.
Subjects/Keywords: Literature; History of science; Women's studies; female subjectivity; motion picture; ninteenth century; optics; Victorian Literature; virtual
…Chairpersons
This dissertation interrogates nineteenth-century subjectivities and visual cultures… …variety of nineteenth-century optical science texts in order to question how
understandings of… …within the context of nineteenth-century optics
texts, all of these visual experiences are… …Subjectivity and Late Nineteenth-Century
Technologies of Image-Making
162
Coda
New Technologies… …last two hundred years. My project explores visual technologies of the
nineteenth-century…
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APA (6th Edition):
Gover, M. (2012). Seeing Double: The Victorian Virtual and Projections of Female Subjectivity. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/65w07189
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Gover, Maggie. “Seeing Double: The Victorian Virtual and Projections of Female Subjectivity.” 2012. Thesis, University of California – Riverside. Accessed January 22, 2021.
http://www.escholarship.org/uc/item/65w07189.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Gover, Maggie. “Seeing Double: The Victorian Virtual and Projections of Female Subjectivity.” 2012. Web. 22 Jan 2021.
Vancouver:
Gover M. Seeing Double: The Victorian Virtual and Projections of Female Subjectivity. [Internet] [Thesis]. University of California – Riverside; 2012. [cited 2021 Jan 22].
Available from: http://www.escholarship.org/uc/item/65w07189.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Gover M. Seeing Double: The Victorian Virtual and Projections of Female Subjectivity. [Thesis]. University of California – Riverside; 2012. Available from: http://www.escholarship.org/uc/item/65w07189
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
9.
Taylor, Nathan James.
The Value Form: Economies of Prose in Tieck, Keller, and Walser.
Degree: PhD, Germanic Studies, 2017, Cornell University
URL: http://hdl.handle.net/1813/58996
► This dissertation explores literary economies of prose in German-language literature from the 1830s to the early twentieth century, granting particular focus to questions of economic…
(more)
▼ This dissertation explores literary economies of prose in German-language literature from the 1830s to the early twentieth
century, granting particular focus to questions of economic value. The problem of value, this study argues, becomes a central literary concern after the end of the Kunstperiode (Heine) when the question of literature’s relation to everyday life – the central problem of prosaic art – turns into a reflection on the value of literature as art, as commodity, as work. While value remains an elusive problem in aesthetic, economic, and moral discourses of the nineteenth and early-twentieth
century, literary authors such as Ludwig Tieck, Gottfried Keller, and Robert Walser generate an arsenal of value forms (Marx) that, in different ways, interrogate and shape relations between literature and the world, life and art, work and play, and, most of all, the status of the economic in literary texts. I analyze three value forms in Tieck, Keller, and Walser: lack and surplus; credit and debt; performance (Leistung) and invention. The problem of prose’s value is literalized in Ludwig Tieck’s novella Des Lebens Überfluß (1838), which documents how a last-resort Romantic attempt to turn the lack of poetry in a prosaic world into surplus runs up against value’s sine qua non: finitude or, in Tieck’s novella, need. I then analyze relations of credit and debt in Gottfried Keller’s 1874 novella Kleider machen Leute, which, I argue, engages central discussions about what constitutes value in late-nineteenth-
century political economy, philosophy, and aesthetics as it reframes the older narrative trope of fortune in terms of a capitalist transfiguration: the risky turn from insolvency to solvency and vice versa. A last chapter argues for a subtype of literary genre, which I call the Leistungsroman, and which I trace specifically to Robert Walser’s novel Der Gehülfe (1908). Walser’s novel about clerical work and the insolvency of an entrepreneurial engineer pivots not around the question of Bildung but around the clerical employee’s (often written) job performance in the context of a division of labor between invention and performance (Leistung). The move to a Leistungsroman enacts a transvaluation of the modern novel, and the values of human and literary innovation and productivity that underwrite it, by reconfiguring the novel’s relation to work, action, and invention.
Advisors/Committee Members: Fleming, Paul A. (chair), Waite, Geoffrey Carter W (committee member), Adelson, Leslie Allen (committee member), McBride, Patrizia C. (committee member).
Subjects/Keywords: Economy; Form; Life; Ninteenth Century; Prose; German literature; Economic theory; value
…Comptoir
In the last decade of the eighteenth century, as Schiller was drafting his treatise on… …alle Arten des
eighteenth century provoked defensive reactions on the part of authors and led… …genres at the end of the 18th century see Mary
Poovey, Genres of the Credit Economy. On the… …philosophers, and aestheticians at the end of the eighteenth century to make a case for a special… …of a “Kauf-Publikum” of
literary works towards the end of the eighteenth century prompted…
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APA ·
Chicago ·
MLA ·
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APA (6th Edition):
Taylor, N. J. (2017). The Value Form: Economies of Prose in Tieck, Keller, and Walser. (Doctoral Dissertation). Cornell University. Retrieved from http://hdl.handle.net/1813/58996
Chicago Manual of Style (16th Edition):
Taylor, Nathan James. “The Value Form: Economies of Prose in Tieck, Keller, and Walser.” 2017. Doctoral Dissertation, Cornell University. Accessed January 22, 2021.
http://hdl.handle.net/1813/58996.
MLA Handbook (7th Edition):
Taylor, Nathan James. “The Value Form: Economies of Prose in Tieck, Keller, and Walser.” 2017. Web. 22 Jan 2021.
Vancouver:
Taylor NJ. The Value Form: Economies of Prose in Tieck, Keller, and Walser. [Internet] [Doctoral dissertation]. Cornell University; 2017. [cited 2021 Jan 22].
Available from: http://hdl.handle.net/1813/58996.
Council of Science Editors:
Taylor NJ. The Value Form: Economies of Prose in Tieck, Keller, and Walser. [Doctoral Dissertation]. Cornell University; 2017. Available from: http://hdl.handle.net/1813/58996
University of Melbourne
10.
Downes, Elizabeth Marion.
Barrels on a beach: power, authority and the crew of the Trinity at Heard Island, 1880-1882.
Degree: 2010, University of Melbourne
URL: http://hdl.handle.net/11343/35596
► Thirty-five members of the crew of the American whaling bark Trinity were marooned on Heard Island from October 1880 to January 1882, following the loss…
(more)
▼ Thirty-five members of the crew of the American whaling bark Trinity were marooned on Heard Island from October 1880 to January 1882, following the loss of their vessel during a voyage hunting sea elephants for oil. The crew included Portuguese Africans from the Cape Verde islands, career whalemen and white working-class sailors. The men survived on elephant seal, penguin and Kerguelen cabbage during a hazardous fifteen months of snow, rain and blizzards. Initially the group maintained cohesion, however the pressures created conflicting perceptions of rights and responsibilities within the crew. An examination of the ship’s Log, journals, and newspaper accounts provides a record of survival strategies, day-to-day interactions among the crew, and 'elephanting' activities. This thesis argues the proposition that the traditional social structures and hierarchies of the US whaling trade influenced the decisions and behaviours of the marooned men. It examines how the hierarchical organisation based on employment, class and race, affected power and authority within the group after the wreck.
Subjects/Keywords: Heard Island; elephant seals; Trinity (Ship); United States of America; ninteenth century whaling and sealing; New London; Connecticut
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APA ·
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APA (6th Edition):
Downes, E. M. (2010). Barrels on a beach: power, authority and the crew of the Trinity at Heard Island, 1880-1882. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/35596
Chicago Manual of Style (16th Edition):
Downes, Elizabeth Marion. “Barrels on a beach: power, authority and the crew of the Trinity at Heard Island, 1880-1882.” 2010. Masters Thesis, University of Melbourne. Accessed January 22, 2021.
http://hdl.handle.net/11343/35596.
MLA Handbook (7th Edition):
Downes, Elizabeth Marion. “Barrels on a beach: power, authority and the crew of the Trinity at Heard Island, 1880-1882.” 2010. Web. 22 Jan 2021.
Vancouver:
Downes EM. Barrels on a beach: power, authority and the crew of the Trinity at Heard Island, 1880-1882. [Internet] [Masters thesis]. University of Melbourne; 2010. [cited 2021 Jan 22].
Available from: http://hdl.handle.net/11343/35596.
Council of Science Editors:
Downes EM. Barrels on a beach: power, authority and the crew of the Trinity at Heard Island, 1880-1882. [Masters Thesis]. University of Melbourne; 2010. Available from: http://hdl.handle.net/11343/35596
University of New Mexico
11.
Guyton Acosta, Kiley Jeanelle.
Azúcar negra: (Re) Envisioning Race, Representation, and Resistance in the Afrofeminista Imaginary.
Degree: Spanish and Portuguese, 2013, University of New Mexico
URL: http://hdl.handle.net/1928/23328
► In this dissertation, I locate contemporary articulations of afrofeminismo in manifold modes of cultural production including literature, music, visual displays of the body, and digital…
(more)
▼ In this dissertation, I locate contemporary articulations of afrofeminismo in manifold modes of cultural production including literature, music, visual displays of the body, and digital media. As a point of departure, I examine the development of afrofeminismo in relation to colonial sexual violence in sugar-based economies to explain how colonial dynamics inflect ideologies of blanqueamiento/embranquecimento (racial whitening) and pseudo-scientific racial determinism. In this context, I address representations of the mujer negra (black woman) and the mulata (mulatto woman) in Caribbean and Brazilian cultural discourse. Specifically, I analyze how the discourses around, as well as by, these figures contribute(d) to the (trans)formation of national identities in former slave societies. I subsequently situate afrofeminista epistemology among interrelated transnational discourses of Afro-diasporic female subjectivity. My study brings into focus three geographic areas of concentration. These areas include the Hispanic Caribbean (Cuba, Puerto Rico and the Dominican Republic), Brazil and the diasporic Caribbean communities of the United States. Within these geographic areas, I have identified three dynamic contemporary sites of afrofeminista expression that revise and (re)envision blackness and womanhood in the Latin American and U.S. Latino cultural imaginaries. I posit these arenas as cross-cultural contact zones where symbolic and material expressions of ethno-racial identity and resistance expand third-wave African-American black feminist theory. Yet, afrofeministas also reveal nuanced racialized, gendered subjectivities in response to highly-specific socio-economic and political conditions. My research thus explores the various social, cultural and political mechanisms inextricably linked to the articulation of race, gender, and identity within those Latin American nations who share strong ideological ties to the construct of racial democracy. Furthermore, extrapolating from the Latin American context, I address the porous and highly conflictive networks of racial and national identity emerging from the multiply-positioned subjects of Caribbean diasporic communities in the United States. I argue that afrofeminismo generated organically within Latin American and U.S. Latino revisionist artistic spaces problematizes the idea of mestizaje (racial miscegenation) as a unifying agent of nationalism. Through cultural media, afrofeministas (re)imagine transatlantic slavery as a shared historical memory connecting African women and their descendants through collective structural and psychological conditions.
Advisors/Committee Members: Santiago-Diaz, Eleuterio, Milleret, Margo, Lopez, Kimberle, Lopez, Nancy.
Subjects/Keywords: Afrofeminismo; Afro-Brazilian Literature; African Diaspora; Black Feminism; Blanqueamiento; Nancy Morejon; Cuban Hip-Hop; Miriam Alves; Conceicao Evaristo; Loida Maritza Perez; Junot Diaz; Los Aldeanos; Krudas Cubensi; Anonimo Consejo; Afrodescendiente; Dominican; Afro-Cuban; Hip-Hop Feminism; [email protected]; Ninteenth-Century Caribbean Literature; Race; Gender; Mulata; Mujer Negra; U.S. Latino Literature
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APA ·
Chicago ·
MLA ·
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CSE |
Export
to Zotero / EndNote / Reference
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APA (6th Edition):
Guyton Acosta, K. J. (2013). Azúcar negra: (Re) Envisioning Race, Representation, and Resistance in the Afrofeminista Imaginary. (Doctoral Dissertation). University of New Mexico. Retrieved from http://hdl.handle.net/1928/23328
Chicago Manual of Style (16th Edition):
Guyton Acosta, Kiley Jeanelle. “Azúcar negra: (Re) Envisioning Race, Representation, and Resistance in the Afrofeminista Imaginary.” 2013. Doctoral Dissertation, University of New Mexico. Accessed January 22, 2021.
http://hdl.handle.net/1928/23328.
MLA Handbook (7th Edition):
Guyton Acosta, Kiley Jeanelle. “Azúcar negra: (Re) Envisioning Race, Representation, and Resistance in the Afrofeminista Imaginary.” 2013. Web. 22 Jan 2021.
Vancouver:
Guyton Acosta KJ. Azúcar negra: (Re) Envisioning Race, Representation, and Resistance in the Afrofeminista Imaginary. [Internet] [Doctoral dissertation]. University of New Mexico; 2013. [cited 2021 Jan 22].
Available from: http://hdl.handle.net/1928/23328.
Council of Science Editors:
Guyton Acosta KJ. Azúcar negra: (Re) Envisioning Race, Representation, and Resistance in the Afrofeminista Imaginary. [Doctoral Dissertation]. University of New Mexico; 2013. Available from: http://hdl.handle.net/1928/23328
12.
Ziro, Olga.
Το επιτύμβιο ανάγλυφο στη νεοελληνική γλυπτική (1830-1900): η αφήγηση των μορφών.
Degree: 2014, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)
URL: http://hdl.handle.net/10442/hedi/38186
► Τhis research, presented in two parts, examines 19th century funerary art in Greek Cemeteries and specifically relief sculptures. Monuments that were studied date back from…
(more)
▼ Τhis research, presented in two parts, examines 19th century funerary art in Greek Cemeteries and specifically relief sculptures. Monuments that were studied date back from 1855 to the first decade of the 20th century, when Neoclassicism ceased to be the predominant form in Greek funerary art. Since Renaissance relief sculpture was considered equal to Painting. Since Painting can be narrative thus relief sculpture can be narrative too. Neoclassical 19th century tomb relief sculpture is considered a narrative optical form of the way Greece, like the rest of Europe, narrated death and immortality. Αll forms of tomb relief sculptures (Genius, wiping figures etc., as well as relief crosses, attributes, letters and numbers), were examined under the same inquiry: to find the answer to the question what monuments “say” and how they transmit their optical message to the viewer. This enquiry examines the way relief sculptures convey their message about memory and posthumous fame of the virtuous, righteous, self made 19the century citizen. In order to examine the way this particular sculptural form addresses to the viewer, two categories of common tomb relief sculptures characteristics are analyzed: morphological and narrative characteristics. On examining the tomb relief sculptures it is noticeable that more carved forms are present: Figurative forms as well as words (names and scriptures) and numbers (dates of birth and death). The marble plate that the relief is carved upon was thus considered as a multimodality “text” that was to be read as an optical “text”. In order to be studied we searched among the Narratology tools. A sufficient number of such tools were applied from texts to the examined relief sculptures giving proof to our assumption that the tomb relief sculpture can be considered as a form of visual narration.The conclusions of this research are as follows: The tomb relief sculpture acts like a language of communication by the stability of its form characteristics and by its address to the viewer technics. It’s Neoclassical morphology address the viewer conditioning him/her to “read” just one message, the one that the sculpture organizes for him to comprehend. The viewer has no space for personal interpretation. As an intentional form of art, tomb relief sculptures impose one view and one interpretation: the deceased was a worthy person to remember and stands as an example for the living. As intentional works of art, relief sculptures surpass their purpose’s functionality and shifts the viewers attention away from death and towards aesthetic pleasure.In the second volume of this research are presented the monuments that were studied. 196 monuments from 10 cemeteries in as much Greek cities: Νaxos island (6 monuments), Messologi (7 monuments), Τinos island (13 monuments), Keffallonia island (14 monuments), Patras (15 monuments), Nafplion (15 monuments), Kalamata (16 monuments), Syros island (17 monuments), Peiraius (22 monuments) and Athens (71 monuments).All photographs and sketches presented in this research…
Subjects/Keywords: Επιτύμβια γλυπτική 19ου αιώνα; Νεοελληνική επιτύμβια γλυπτική; Επιτύμβιο ανάγλυφο 19ου αιώνα; Πολυτροπικότητα του αναγλύφου; Οπτική αφήγηση; Οπτικό κείμενο; Τεχνικές προσαγόρευσης; Παντογνώστης γλύπτης; Αφηγηματολογία των γλυπτικών αναγλύφων; Μορφολογία αναγλύφων; Αφήγηση των γλυπτικών μορφών; Ελληνικά Κοιμητήρια; Tomb sculpture; Neoclassical sculpture; Tomb relief sculpture; Multimodality of sculptural relief; Visual narratives; Narratology of relief sculpture; Morphology of relief sculpture; Relief sculpture narratives; Ninteenth century tomb relief sculpture; Greek cemeteries; Funerary art
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APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Ziro, O. (2014). Το επιτύμβιο ανάγλυφο στη νεοελληνική γλυπτική (1830-1900): η αφήγηση των μορφών. (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/38186
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Ziro, Olga. “Το επιτύμβιο ανάγλυφο στη νεοελληνική γλυπτική (1830-1900): η αφήγηση των μορφών.” 2014. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed January 22, 2021.
http://hdl.handle.net/10442/hedi/38186.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Ziro, Olga. “Το επιτύμβιο ανάγλυφο στη νεοελληνική γλυπτική (1830-1900): η αφήγηση των μορφών.” 2014. Web. 22 Jan 2021.
Vancouver:
Ziro O. Το επιτύμβιο ανάγλυφο στη νεοελληνική γλυπτική (1830-1900): η αφήγηση των μορφών. [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2014. [cited 2021 Jan 22].
Available from: http://hdl.handle.net/10442/hedi/38186.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Ziro O. Το επιτύμβιο ανάγλυφο στη νεοελληνική γλυπτική (1830-1900): η αφήγηση των μορφών. [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2014. Available from: http://hdl.handle.net/10442/hedi/38186
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
. 
Open Access Theses and Dissertations
