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You searched for subject:(New media art). Showing records 1 – 30 of 170 total matches.

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University of Missouri – Columbia

1. McQuerry, Claire. The Heart Can Thirst Because Obsession is a More Country: Poems and Lacemakers: Poems.

Degree: 2014, University of Missouri – Columbia

 [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] In the critical introduction, I consider Claudia Rankine's innovative Don't Let Me Be Lonely from… (more)

Subjects/Keywords: American poetry; New media art; Representational art

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APA (6th Edition):

McQuerry, C. (2014). The Heart Can Thirst Because Obsession is a More Country: Poems and Lacemakers: Poems. (Thesis). University of Missouri – Columbia. Retrieved from http://hdl.handle.net/10355/45855

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McQuerry, Claire. “The Heart Can Thirst Because Obsession is a More Country: Poems and Lacemakers: Poems.” 2014. Thesis, University of Missouri – Columbia. Accessed July 07, 2020. http://hdl.handle.net/10355/45855.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McQuerry, Claire. “The Heart Can Thirst Because Obsession is a More Country: Poems and Lacemakers: Poems.” 2014. Web. 07 Jul 2020.

Vancouver:

McQuerry C. The Heart Can Thirst Because Obsession is a More Country: Poems and Lacemakers: Poems. [Internet] [Thesis]. University of Missouri – Columbia; 2014. [cited 2020 Jul 07]. Available from: http://hdl.handle.net/10355/45855.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McQuerry C. The Heart Can Thirst Because Obsession is a More Country: Poems and Lacemakers: Poems. [Thesis]. University of Missouri – Columbia; 2014. Available from: http://hdl.handle.net/10355/45855

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

2. Vries, M.L. de. Playformance: Waar games en performance art elkaar ontmoeten.

Degree: 2010, Universiteit Utrecht

Analyse over de kruisingen tussen de theorieën omtrent de performance art in de Kunstgeschiedenis en de speltheorie binnen de Nieuwe Media. Advisors/Committee Members: Lehmann, Dr. A..

Subjects/Keywords: Letteren; games, performance art, new media, Huizinga

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APA (6th Edition):

Vries, M. L. d. (2010). Playformance: Waar games en performance art elkaar ontmoeten. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/179342

Chicago Manual of Style (16th Edition):

Vries, M L de. “Playformance: Waar games en performance art elkaar ontmoeten.” 2010. Masters Thesis, Universiteit Utrecht. Accessed July 07, 2020. http://dspace.library.uu.nl:8080/handle/1874/179342.

MLA Handbook (7th Edition):

Vries, M L de. “Playformance: Waar games en performance art elkaar ontmoeten.” 2010. Web. 07 Jul 2020.

Vancouver:

Vries MLd. Playformance: Waar games en performance art elkaar ontmoeten. [Internet] [Masters thesis]. Universiteit Utrecht; 2010. [cited 2020 Jul 07]. Available from: http://dspace.library.uu.nl:8080/handle/1874/179342.

Council of Science Editors:

Vries MLd. Playformance: Waar games en performance art elkaar ontmoeten. [Masters Thesis]. Universiteit Utrecht; 2010. Available from: http://dspace.library.uu.nl:8080/handle/1874/179342


Tulane University

3. Aker, Wiley. Unknown Knowns.

Degree: 2017, Tulane University

“Unknown Knowns” explore the psychological landscapes of this phenomenon, collapsing footage from news broadcasts, Defense Department archives, political rallies, and other sources into undulating landscapes.… (more)

Subjects/Keywords: Wiley Aker; New Media; Fine Art

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APA (6th Edition):

Aker, W. (2017). Unknown Knowns. (Thesis). Tulane University. Retrieved from https://digitallibrary.tulane.edu/islandora/object/tulane:75341

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Aker, Wiley. “Unknown Knowns.” 2017. Thesis, Tulane University. Accessed July 07, 2020. https://digitallibrary.tulane.edu/islandora/object/tulane:75341.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Aker, Wiley. “Unknown Knowns.” 2017. Web. 07 Jul 2020.

Vancouver:

Aker W. Unknown Knowns. [Internet] [Thesis]. Tulane University; 2017. [cited 2020 Jul 07]. Available from: https://digitallibrary.tulane.edu/islandora/object/tulane:75341.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Aker W. Unknown Knowns. [Thesis]. Tulane University; 2017. Available from: https://digitallibrary.tulane.edu/islandora/object/tulane:75341

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


George Mason University

4. Murray, Mahogany M. Self .

Degree: 2014, George Mason University

 From the day we are born, we are taught to conform, to believe, to fear, to love, to want, to need. And as a result… (more)

Subjects/Keywords: self; Murray; MFA; New Media; art; Mahogany

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APA (6th Edition):

Murray, M. M. (2014). Self . (Thesis). George Mason University. Retrieved from http://hdl.handle.net/1920/9040

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Murray, Mahogany M. “Self .” 2014. Thesis, George Mason University. Accessed July 07, 2020. http://hdl.handle.net/1920/9040.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Murray, Mahogany M. “Self .” 2014. Web. 07 Jul 2020.

Vancouver:

Murray MM. Self . [Internet] [Thesis]. George Mason University; 2014. [cited 2020 Jul 07]. Available from: http://hdl.handle.net/1920/9040.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Murray MM. Self . [Thesis]. George Mason University; 2014. Available from: http://hdl.handle.net/1920/9040

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Minnesota

5. Myers, Cerise. Imagining the Posthuman: Art, Technology, and Living in the Future.

Degree: PhD, Art History, 2013, University of Minnesota

 This project examines works of contemporary performance, digital, and bio- art that reflect the blurring of boundaries once perceived as impermeable, whether between art and… (more)

Subjects/Keywords: Bio-art; Digital Art; New Media; Performance Art

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APA (6th Edition):

Myers, C. (2013). Imagining the Posthuman: Art, Technology, and Living in the Future. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/175510

Chicago Manual of Style (16th Edition):

Myers, Cerise. “Imagining the Posthuman: Art, Technology, and Living in the Future.” 2013. Doctoral Dissertation, University of Minnesota. Accessed July 07, 2020. http://hdl.handle.net/11299/175510.

MLA Handbook (7th Edition):

Myers, Cerise. “Imagining the Posthuman: Art, Technology, and Living in the Future.” 2013. Web. 07 Jul 2020.

Vancouver:

Myers C. Imagining the Posthuman: Art, Technology, and Living in the Future. [Internet] [Doctoral dissertation]. University of Minnesota; 2013. [cited 2020 Jul 07]. Available from: http://hdl.handle.net/11299/175510.

Council of Science Editors:

Myers C. Imagining the Posthuman: Art, Technology, and Living in the Future. [Doctoral Dissertation]. University of Minnesota; 2013. Available from: http://hdl.handle.net/11299/175510


NSYSU

6. Lin, Shih-yu. A Study on Managing New Media Arts of Commercial Art Galleries in Taiwan.

Degree: Master, Theatre Arts, 2009, NSYSU

 Contemporary art market in China has influenced Taiwanâs art market recently. The number of auction houses and new art galleries has been increased in Taiwan.… (more)

Subjects/Keywords: commercial art gallery; art gallery; New Media Art; case study; art market

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APA (6th Edition):

Lin, S. (2009). A Study on Managing New Media Arts of Commercial Art Galleries in Taiwan. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0903109-154537

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lin, Shih-yu. “A Study on Managing New Media Arts of Commercial Art Galleries in Taiwan.” 2009. Thesis, NSYSU. Accessed July 07, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0903109-154537.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lin, Shih-yu. “A Study on Managing New Media Arts of Commercial Art Galleries in Taiwan.” 2009. Web. 07 Jul 2020.

Vancouver:

Lin S. A Study on Managing New Media Arts of Commercial Art Galleries in Taiwan. [Internet] [Thesis]. NSYSU; 2009. [cited 2020 Jul 07]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0903109-154537.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lin S. A Study on Managing New Media Arts of Commercial Art Galleries in Taiwan. [Thesis]. NSYSU; 2009. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0903109-154537

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. O'Connor, Laura. Warped mirrors : contemporary representation of women on screen.

Degree: PhD, 2018, Ulster University

 Feminist art practices have been challenging the misrepresentation of women in mainstream media and technology since the 1960s. Performing to camera and creating video installations… (more)

Subjects/Keywords: Feminist Art; Postfeminism; Social Media; Performance Art; New Media Art; Internet Art; Cyberfeminism; Installation Art; Screen; Selfie

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APA (6th Edition):

O'Connor, L. (2018). Warped mirrors : contemporary representation of women on screen. (Doctoral Dissertation). Ulster University. Retrieved from https://ulster.pure.elsevier.com/en/studentTheses/5b30771d-2fe7-4767-aeca-7f87648e5864 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.793677

Chicago Manual of Style (16th Edition):

O'Connor, Laura. “Warped mirrors : contemporary representation of women on screen.” 2018. Doctoral Dissertation, Ulster University. Accessed July 07, 2020. https://ulster.pure.elsevier.com/en/studentTheses/5b30771d-2fe7-4767-aeca-7f87648e5864 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.793677.

MLA Handbook (7th Edition):

O'Connor, Laura. “Warped mirrors : contemporary representation of women on screen.” 2018. Web. 07 Jul 2020.

Vancouver:

O'Connor L. Warped mirrors : contemporary representation of women on screen. [Internet] [Doctoral dissertation]. Ulster University; 2018. [cited 2020 Jul 07]. Available from: https://ulster.pure.elsevier.com/en/studentTheses/5b30771d-2fe7-4767-aeca-7f87648e5864 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.793677.

Council of Science Editors:

O'Connor L. Warped mirrors : contemporary representation of women on screen. [Doctoral Dissertation]. Ulster University; 2018. Available from: https://ulster.pure.elsevier.com/en/studentTheses/5b30771d-2fe7-4767-aeca-7f87648e5864 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.793677


University of Kansas

8. Dunigan, Myles. Everything Always-Already Ends.

Degree: M.F.A., Visual Art, 2017, University of Kansas

 This project is an examination of the roles that visual technologies and history play in the contemporary landscape image. Specifically, the work focuses on using… (more)

Subjects/Keywords: Art criticism; Art; Digital modeling; Landscape; New Media; Printmaking; Sublime

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APA (6th Edition):

Dunigan, M. (2017). Everything Always-Already Ends. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/25804

Chicago Manual of Style (16th Edition):

Dunigan, Myles. “Everything Always-Already Ends.” 2017. Masters Thesis, University of Kansas. Accessed July 07, 2020. http://hdl.handle.net/1808/25804.

MLA Handbook (7th Edition):

Dunigan, Myles. “Everything Always-Already Ends.” 2017. Web. 07 Jul 2020.

Vancouver:

Dunigan M. Everything Always-Already Ends. [Internet] [Masters thesis]. University of Kansas; 2017. [cited 2020 Jul 07]. Available from: http://hdl.handle.net/1808/25804.

Council of Science Editors:

Dunigan M. Everything Always-Already Ends. [Masters Thesis]. University of Kansas; 2017. Available from: http://hdl.handle.net/1808/25804


University of New South Wales

9. Davis, Anna Miriam. Screen personas, social anxiety and new media: a practice-led investigation.

Degree: Media Arts, 2010, University of New South Wales

New media research has made significant contributions to our understanding of emotion in the digital arena. However it has tended to overlook painful emotions such… (more)

Subjects/Keywords: Social anxiety; New media; Art; Affect; Digital persona; Video art

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APA (6th Edition):

Davis, A. M. (2010). Screen personas, social anxiety and new media: a practice-led investigation. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/45679 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8961/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Davis, Anna Miriam. “Screen personas, social anxiety and new media: a practice-led investigation.” 2010. Doctoral Dissertation, University of New South Wales. Accessed July 07, 2020. http://handle.unsw.edu.au/1959.4/45679 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8961/SOURCE02?view=true.

MLA Handbook (7th Edition):

Davis, Anna Miriam. “Screen personas, social anxiety and new media: a practice-led investigation.” 2010. Web. 07 Jul 2020.

Vancouver:

Davis AM. Screen personas, social anxiety and new media: a practice-led investigation. [Internet] [Doctoral dissertation]. University of New South Wales; 2010. [cited 2020 Jul 07]. Available from: http://handle.unsw.edu.au/1959.4/45679 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8961/SOURCE02?view=true.

Council of Science Editors:

Davis AM. Screen personas, social anxiety and new media: a practice-led investigation. [Doctoral Dissertation]. University of New South Wales; 2010. Available from: http://handle.unsw.edu.au/1959.4/45679 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8961/SOURCE02?view=true


University of New South Wales

10. Frost, Andrew. Science fictional: the aesthetics of science fiction beyond the limits of genre.

Degree: Media Arts, 2013, University of New South Wales

 Science Fictional: The Aesthetics of SF Beyond the Limits of Genre proposes that contemporary culture is a spatial experience dominated by an aesthetic of science… (more)

Subjects/Keywords: New media; Contemporary art; Science fiction; Video art; Science fiction illustration

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APA (6th Edition):

Frost, A. (2013). Science fictional: the aesthetics of science fiction beyond the limits of genre. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/52684 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11357/SOURCE01?view=true

Chicago Manual of Style (16th Edition):

Frost, Andrew. “Science fictional: the aesthetics of science fiction beyond the limits of genre.” 2013. Doctoral Dissertation, University of New South Wales. Accessed July 07, 2020. http://handle.unsw.edu.au/1959.4/52684 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11357/SOURCE01?view=true.

MLA Handbook (7th Edition):

Frost, Andrew. “Science fictional: the aesthetics of science fiction beyond the limits of genre.” 2013. Web. 07 Jul 2020.

Vancouver:

Frost A. Science fictional: the aesthetics of science fiction beyond the limits of genre. [Internet] [Doctoral dissertation]. University of New South Wales; 2013. [cited 2020 Jul 07]. Available from: http://handle.unsw.edu.au/1959.4/52684 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11357/SOURCE01?view=true.

Council of Science Editors:

Frost A. Science fictional: the aesthetics of science fiction beyond the limits of genre. [Doctoral Dissertation]. University of New South Wales; 2013. Available from: http://handle.unsw.edu.au/1959.4/52684 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11357/SOURCE01?view=true


Queensland University of Technology

11. Thomas, Lubi. Curating in uncharted territories: An examination of a programming model & communicative platform for curation in non-traditional art spaces.

Degree: 2015, Queensland University of Technology

 This thesis articulates and examines public engagement programming in an emerging, non¬-traditional site. As a practice-led research project, the creative work proposes a site responsive,… (more)

Subjects/Keywords: curating; digital media art; digital new media; curatorship; engagement

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APA (6th Edition):

Thomas, L. (2015). Curating in uncharted territories: An examination of a programming model & communicative platform for curation in non-traditional art spaces. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/84621/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thomas, Lubi. “Curating in uncharted territories: An examination of a programming model & communicative platform for curation in non-traditional art spaces.” 2015. Thesis, Queensland University of Technology. Accessed July 07, 2020. https://eprints.qut.edu.au/84621/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thomas, Lubi. “Curating in uncharted territories: An examination of a programming model & communicative platform for curation in non-traditional art spaces.” 2015. Web. 07 Jul 2020.

Vancouver:

Thomas L. Curating in uncharted territories: An examination of a programming model & communicative platform for curation in non-traditional art spaces. [Internet] [Thesis]. Queensland University of Technology; 2015. [cited 2020 Jul 07]. Available from: https://eprints.qut.edu.au/84621/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thomas L. Curating in uncharted territories: An examination of a programming model & communicative platform for curation in non-traditional art spaces. [Thesis]. Queensland University of Technology; 2015. Available from: https://eprints.qut.edu.au/84621/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

12. Wiesenberger, Robert. Print and Screen, Muriel Cooper at MIT.

Degree: 2018, Columbia University

 Muriel Cooper (1925–94) worked at the Massachusetts Institute of Technology (MIT) for more than four decades as a graphic designer, an educator, and a researcher.… (more)

Subjects/Keywords: Art; Graphic artists; New media art; Massachusetts Institute of Technology. Media Laboratory

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APA (6th Edition):

Wiesenberger, R. (2018). Print and Screen, Muriel Cooper at MIT. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8VM5VC5

Chicago Manual of Style (16th Edition):

Wiesenberger, Robert. “Print and Screen, Muriel Cooper at MIT.” 2018. Doctoral Dissertation, Columbia University. Accessed July 07, 2020. https://doi.org/10.7916/D8VM5VC5.

MLA Handbook (7th Edition):

Wiesenberger, Robert. “Print and Screen, Muriel Cooper at MIT.” 2018. Web. 07 Jul 2020.

Vancouver:

Wiesenberger R. Print and Screen, Muriel Cooper at MIT. [Internet] [Doctoral dissertation]. Columbia University; 2018. [cited 2020 Jul 07]. Available from: https://doi.org/10.7916/D8VM5VC5.

Council of Science Editors:

Wiesenberger R. Print and Screen, Muriel Cooper at MIT. [Doctoral Dissertation]. Columbia University; 2018. Available from: https://doi.org/10.7916/D8VM5VC5


Uniwersytet im. Adama Mickiewicza w Poznaniu

13. Krawczak, Michał. Ikona w przestrzeni współczesności. Twórczość Mariny Abramović od performance art do wideo .

Degree: 2011, Uniwersytet im. Adama Mickiewicza w Poznaniu

 Rozprawa stanowi próbę opisania mechanizmu, który Marina Abramović (artystki-performerki) wykorzystuje w swoich pracach z ostatnich dwudziestu lat. Mechanizm ten związany jest percepcyjną figurą loopu (pętli),… (more)

Subjects/Keywords: Performance art; Sztuka wideo; Video art; Instalacja; Installation; Nowe media; New media; Teatr; Theatre

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APA (6th Edition):

Krawczak, M. (2011). Ikona w przestrzeni współczesności. Twórczość Mariny Abramović od performance art do wideo . (Doctoral Dissertation). Uniwersytet im. Adama Mickiewicza w Poznaniu. Retrieved from http://hdl.handle.net/10593/1041

Chicago Manual of Style (16th Edition):

Krawczak, Michał. “Ikona w przestrzeni współczesności. Twórczość Mariny Abramović od performance art do wideo .” 2011. Doctoral Dissertation, Uniwersytet im. Adama Mickiewicza w Poznaniu. Accessed July 07, 2020. http://hdl.handle.net/10593/1041.

MLA Handbook (7th Edition):

Krawczak, Michał. “Ikona w przestrzeni współczesności. Twórczość Mariny Abramović od performance art do wideo .” 2011. Web. 07 Jul 2020.

Vancouver:

Krawczak M. Ikona w przestrzeni współczesności. Twórczość Mariny Abramović od performance art do wideo . [Internet] [Doctoral dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2011. [cited 2020 Jul 07]. Available from: http://hdl.handle.net/10593/1041.

Council of Science Editors:

Krawczak M. Ikona w przestrzeni współczesności. Twórczość Mariny Abramović od performance art do wideo . [Doctoral Dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2011. Available from: http://hdl.handle.net/10593/1041


University of California – Irvine

14. Gordon, Erin Marie. Sites of New Media Art: Using the Internet to Explore Touch, Sociality, and Preservation.

Degree: Studio Art, 2018, University of California – Irvine

 This paper explores the varying ways in which new media art currently interacts with the Internet, the network, and Web 2.0; it additionally touches upon… (more)

Subjects/Keywords: Art history; Art criticism; Museum studies; art practice; art theory; curating; curatorial studies; internet art; new media art

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APA (6th Edition):

Gordon, E. M. (2018). Sites of New Media Art: Using the Internet to Explore Touch, Sociality, and Preservation. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/43b953tp

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gordon, Erin Marie. “Sites of New Media Art: Using the Internet to Explore Touch, Sociality, and Preservation.” 2018. Thesis, University of California – Irvine. Accessed July 07, 2020. http://www.escholarship.org/uc/item/43b953tp.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gordon, Erin Marie. “Sites of New Media Art: Using the Internet to Explore Touch, Sociality, and Preservation.” 2018. Web. 07 Jul 2020.

Vancouver:

Gordon EM. Sites of New Media Art: Using the Internet to Explore Touch, Sociality, and Preservation. [Internet] [Thesis]. University of California – Irvine; 2018. [cited 2020 Jul 07]. Available from: http://www.escholarship.org/uc/item/43b953tp.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gordon EM. Sites of New Media Art: Using the Internet to Explore Touch, Sociality, and Preservation. [Thesis]. University of California – Irvine; 2018. Available from: http://www.escholarship.org/uc/item/43b953tp

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

15. Witkamp, Jelmer. The Revised Artist : A Study into the Influence of the Computer on Art Making and Perception.

Degree: 2007, Universiteit Utrecht

 A long tradition in the field of art theory has attempted to approach art from a perspective of categorization. Subsequently, this same field has proposed… (more)

Subjects/Keywords: Letteren; art production; new media; electronic art; creative process; rhizome; art perception

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Witkamp, J. (2007). The Revised Artist : A Study into the Influence of the Computer on Art Making and Perception. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/25663

Chicago Manual of Style (16th Edition):

Witkamp, Jelmer. “The Revised Artist : A Study into the Influence of the Computer on Art Making and Perception.” 2007. Masters Thesis, Universiteit Utrecht. Accessed July 07, 2020. http://dspace.library.uu.nl:8080/handle/1874/25663.

MLA Handbook (7th Edition):

Witkamp, Jelmer. “The Revised Artist : A Study into the Influence of the Computer on Art Making and Perception.” 2007. Web. 07 Jul 2020.

Vancouver:

Witkamp J. The Revised Artist : A Study into the Influence of the Computer on Art Making and Perception. [Internet] [Masters thesis]. Universiteit Utrecht; 2007. [cited 2020 Jul 07]. Available from: http://dspace.library.uu.nl:8080/handle/1874/25663.

Council of Science Editors:

Witkamp J. The Revised Artist : A Study into the Influence of the Computer on Art Making and Perception. [Masters Thesis]. Universiteit Utrecht; 2007. Available from: http://dspace.library.uu.nl:8080/handle/1874/25663


University of New South Wales

16. Djonov, Atanas. Navigating viewers: montage, space and meta-art in new media video installation.

Degree: Media Arts, 2012, University of New South Wales

 A significant challenge for new media installation art is how to avoid overwhelming the audience with multiple modes, media, genres and interaction options that lack… (more)

Subjects/Keywords: Montage; New media art; Video installation art; Meta-art; Space; Compass; Multimodality

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Djonov, A. (2012). Navigating viewers: montage, space and meta-art in new media video installation. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/51991 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10661/SOURCE01?view=true

Chicago Manual of Style (16th Edition):

Djonov, Atanas. “Navigating viewers: montage, space and meta-art in new media video installation.” 2012. Doctoral Dissertation, University of New South Wales. Accessed July 07, 2020. http://handle.unsw.edu.au/1959.4/51991 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10661/SOURCE01?view=true.

MLA Handbook (7th Edition):

Djonov, Atanas. “Navigating viewers: montage, space and meta-art in new media video installation.” 2012. Web. 07 Jul 2020.

Vancouver:

Djonov A. Navigating viewers: montage, space and meta-art in new media video installation. [Internet] [Doctoral dissertation]. University of New South Wales; 2012. [cited 2020 Jul 07]. Available from: http://handle.unsw.edu.au/1959.4/51991 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10661/SOURCE01?view=true.

Council of Science Editors:

Djonov A. Navigating viewers: montage, space and meta-art in new media video installation. [Doctoral Dissertation]. University of New South Wales; 2012. Available from: http://handle.unsw.edu.au/1959.4/51991 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10661/SOURCE01?view=true

17. Vikhagen, Arne Kjell. When Art Is Put Into Play: A Practice-based Research Project on Game Art.

Degree: 2017, University of Gothenburg / Göteborgs Universitet

When Art Is Put Into Play: A Practice-based Research Project on Game Art is a practice-based research project that aims to contribute to the understanding… (more)

Subjects/Keywords: Game Art; Computer Games; Video Games and Art; Play; Artistic Research; New Media Art

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APA (6th Edition):

Vikhagen, A. K. (2017). When Art Is Put Into Play: A Practice-based Research Project on Game Art. (Thesis). University of Gothenburg / Göteborgs Universitet. Retrieved from http://hdl.handle.net/2077/53864

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vikhagen, Arne Kjell. “When Art Is Put Into Play: A Practice-based Research Project on Game Art.” 2017. Thesis, University of Gothenburg / Göteborgs Universitet. Accessed July 07, 2020. http://hdl.handle.net/2077/53864.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vikhagen, Arne Kjell. “When Art Is Put Into Play: A Practice-based Research Project on Game Art.” 2017. Web. 07 Jul 2020.

Vancouver:

Vikhagen AK. When Art Is Put Into Play: A Practice-based Research Project on Game Art. [Internet] [Thesis]. University of Gothenburg / Göteborgs Universitet; 2017. [cited 2020 Jul 07]. Available from: http://hdl.handle.net/2077/53864.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vikhagen AK. When Art Is Put Into Play: A Practice-based Research Project on Game Art. [Thesis]. University of Gothenburg / Göteborgs Universitet; 2017. Available from: http://hdl.handle.net/2077/53864

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Lethbridge

18. Blicharz, Marta. The corrosive moment : a look at the apocalyptic glitch .

Degree: 2012, University of Lethbridge

 This thesis focuses on the contextualization of my artistic practice, which explores digital glitch as a disruptive force and an aesthetic treatment in the contemporary… (more)

Subjects/Keywords: New media art; Digital media  – Social aspects; Digital media and culture; Dissertations, Academic

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Blicharz, M. (2012). The corrosive moment : a look at the apocalyptic glitch . (Thesis). University of Lethbridge. Retrieved from http://hdl.handle.net/10133/3245

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Blicharz, Marta. “The corrosive moment : a look at the apocalyptic glitch .” 2012. Thesis, University of Lethbridge. Accessed July 07, 2020. http://hdl.handle.net/10133/3245.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Blicharz, Marta. “The corrosive moment : a look at the apocalyptic glitch .” 2012. Web. 07 Jul 2020.

Vancouver:

Blicharz M. The corrosive moment : a look at the apocalyptic glitch . [Internet] [Thesis]. University of Lethbridge; 2012. [cited 2020 Jul 07]. Available from: http://hdl.handle.net/10133/3245.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Blicharz M. The corrosive moment : a look at the apocalyptic glitch . [Thesis]. University of Lethbridge; 2012. Available from: http://hdl.handle.net/10133/3245

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

19. Lunteren, F. van. Marked by Technical Trauma.

Degree: 2013, Universiteit Utrecht

 Deze masterthesis benadert New media art als een 'third culture', een speelveld om (1) dualismen tussen technologie en esthetiek te benaderen en (2) nieuwe esthetische… (more)

Subjects/Keywords: new media art; media art; aesthetics; esthetiek; post-media aesthetics; the new aesthetic; intermedialiteit; visuele cultuur; two cultures; endo-aesthetics; third culture; glitch art; intermedia; art-science

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lunteren, F. v. (2013). Marked by Technical Trauma. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/268315

Chicago Manual of Style (16th Edition):

Lunteren, F van. “Marked by Technical Trauma.” 2013. Masters Thesis, Universiteit Utrecht. Accessed July 07, 2020. http://dspace.library.uu.nl:8080/handle/1874/268315.

MLA Handbook (7th Edition):

Lunteren, F van. “Marked by Technical Trauma.” 2013. Web. 07 Jul 2020.

Vancouver:

Lunteren Fv. Marked by Technical Trauma. [Internet] [Masters thesis]. Universiteit Utrecht; 2013. [cited 2020 Jul 07]. Available from: http://dspace.library.uu.nl:8080/handle/1874/268315.

Council of Science Editors:

Lunteren Fv. Marked by Technical Trauma. [Masters Thesis]. Universiteit Utrecht; 2013. Available from: http://dspace.library.uu.nl:8080/handle/1874/268315


University of Melbourne

20. Cox, Travis. Code, display, user: semiotic dialogues in interactive computer artworks.

Degree: 2015, University of Melbourne

 This research aims to illuminate the semiotic dialogues within programming languages (code) especially in relation to computer artworks. Code is an encapsulation of the intent… (more)

Subjects/Keywords: interactive artworks; computer art; programming in art; Internet art; semiotics in computer art; digital art; new media

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cox, T. (2015). Code, display, user: semiotic dialogues in interactive computer artworks. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/91462

Chicago Manual of Style (16th Edition):

Cox, Travis. “Code, display, user: semiotic dialogues in interactive computer artworks.” 2015. Doctoral Dissertation, University of Melbourne. Accessed July 07, 2020. http://hdl.handle.net/11343/91462.

MLA Handbook (7th Edition):

Cox, Travis. “Code, display, user: semiotic dialogues in interactive computer artworks.” 2015. Web. 07 Jul 2020.

Vancouver:

Cox T. Code, display, user: semiotic dialogues in interactive computer artworks. [Internet] [Doctoral dissertation]. University of Melbourne; 2015. [cited 2020 Jul 07]. Available from: http://hdl.handle.net/11343/91462.

Council of Science Editors:

Cox T. Code, display, user: semiotic dialogues in interactive computer artworks. [Doctoral Dissertation]. University of Melbourne; 2015. Available from: http://hdl.handle.net/11343/91462


University of Washington

21. Lee, Ha Na. Two Women; On the Cinematic Experience in Installation Art.

Degree: PhD, 2016, University of Washington

 Two Women; On the Cinematic Experience in Installation Art documents the research and practice underpinning the installation art piece Two Women, a multimedia video and… (more)

Subjects/Keywords: Cinematic experience; Installation Art; Interdisciplinary Art; New Media Art; Fine arts; digital arts and experimental media

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lee, H. N. (2016). Two Women; On the Cinematic Experience in Installation Art. (Doctoral Dissertation). University of Washington. Retrieved from http://hdl.handle.net/1773/36984

Chicago Manual of Style (16th Edition):

Lee, Ha Na. “Two Women; On the Cinematic Experience in Installation Art.” 2016. Doctoral Dissertation, University of Washington. Accessed July 07, 2020. http://hdl.handle.net/1773/36984.

MLA Handbook (7th Edition):

Lee, Ha Na. “Two Women; On the Cinematic Experience in Installation Art.” 2016. Web. 07 Jul 2020.

Vancouver:

Lee HN. Two Women; On the Cinematic Experience in Installation Art. [Internet] [Doctoral dissertation]. University of Washington; 2016. [cited 2020 Jul 07]. Available from: http://hdl.handle.net/1773/36984.

Council of Science Editors:

Lee HN. Two Women; On the Cinematic Experience in Installation Art. [Doctoral Dissertation]. University of Washington; 2016. Available from: http://hdl.handle.net/1773/36984


Virginia Commonwealth University

22. Garland, Vaughn. Participation in the Digital Public: New Media Art as Online Community.

Degree: PhD, Media, Art, and Text, 2013, Virginia Commonwealth University

 Participation in The Digital Public: New Media Art as Online Community examines community online art projects— works of art produced and orchestrated by artists who… (more)

Subjects/Keywords: Art; New Media; Online Collaboration; Participation Art; Art and Design; Arts and Humanities; Interdisciplinary Arts and Media

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Garland, V. (2013). Participation in the Digital Public: New Media Art as Online Community. (Doctoral Dissertation). Virginia Commonwealth University. Retrieved from https://doi.org/10.25772/PENM-7J56 ; https://scholarscompass.vcu.edu/etd/561

Chicago Manual of Style (16th Edition):

Garland, Vaughn. “Participation in the Digital Public: New Media Art as Online Community.” 2013. Doctoral Dissertation, Virginia Commonwealth University. Accessed July 07, 2020. https://doi.org/10.25772/PENM-7J56 ; https://scholarscompass.vcu.edu/etd/561.

MLA Handbook (7th Edition):

Garland, Vaughn. “Participation in the Digital Public: New Media Art as Online Community.” 2013. Web. 07 Jul 2020.

Vancouver:

Garland V. Participation in the Digital Public: New Media Art as Online Community. [Internet] [Doctoral dissertation]. Virginia Commonwealth University; 2013. [cited 2020 Jul 07]. Available from: https://doi.org/10.25772/PENM-7J56 ; https://scholarscompass.vcu.edu/etd/561.

Council of Science Editors:

Garland V. Participation in the Digital Public: New Media Art as Online Community. [Doctoral Dissertation]. Virginia Commonwealth University; 2013. Available from: https://doi.org/10.25772/PENM-7J56 ; https://scholarscompass.vcu.edu/etd/561


University of Florida

23. Bishop, Jennifer Marie. Multiple literacies: the goal of a comprehensive visual arts education.

Degree: 2012, University of Florida

 From the moment we wake up in the morning to the moment we climb into bed at night, visual images and communication technologies permeate our… (more)

Subjects/Keywords: Art education; Art teachers; Arts; Classrooms; Images; Literacy; New media art; News media; Visual arts; Visual literacy; Polk County ( local )

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bishop, J. M. (2012). Multiple literacies: the goal of a comprehensive visual arts education. (Thesis). University of Florida. Retrieved from https://ufdc.ufl.edu/AA00013657

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bishop, Jennifer Marie. “Multiple literacies: the goal of a comprehensive visual arts education.” 2012. Thesis, University of Florida. Accessed July 07, 2020. https://ufdc.ufl.edu/AA00013657.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bishop, Jennifer Marie. “Multiple literacies: the goal of a comprehensive visual arts education.” 2012. Web. 07 Jul 2020.

Vancouver:

Bishop JM. Multiple literacies: the goal of a comprehensive visual arts education. [Internet] [Thesis]. University of Florida; 2012. [cited 2020 Jul 07]. Available from: https://ufdc.ufl.edu/AA00013657.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bishop JM. Multiple literacies: the goal of a comprehensive visual arts education. [Thesis]. University of Florida; 2012. Available from: https://ufdc.ufl.edu/AA00013657

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Santa Cruz

24. Benzaquen, Lauren. The Auratic Interpreter: A Multi-Media Installation.

Degree: Digital Arts and New Media, 2017, University of California – Santa Cruz

 Auratic InterpreterLauren BenzaquenAbstractThe Auratic Interpreter is an interactive multi-media video installation. Part divination, part polygraph technology, the Interpreter reads the aura of inanimate objects and… (more)

Subjects/Keywords: Fine arts; aura; Benjamin; digital art; installation; interactive; new media

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APA (6th Edition):

Benzaquen, L. (2017). The Auratic Interpreter: A Multi-Media Installation. (Thesis). University of California – Santa Cruz. Retrieved from http://www.escholarship.org/uc/item/2s94q796

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Benzaquen, Lauren. “The Auratic Interpreter: A Multi-Media Installation.” 2017. Thesis, University of California – Santa Cruz. Accessed July 07, 2020. http://www.escholarship.org/uc/item/2s94q796.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Benzaquen, Lauren. “The Auratic Interpreter: A Multi-Media Installation.” 2017. Web. 07 Jul 2020.

Vancouver:

Benzaquen L. The Auratic Interpreter: A Multi-Media Installation. [Internet] [Thesis]. University of California – Santa Cruz; 2017. [cited 2020 Jul 07]. Available from: http://www.escholarship.org/uc/item/2s94q796.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Benzaquen L. The Auratic Interpreter: A Multi-Media Installation. [Thesis]. University of California – Santa Cruz; 2017. Available from: http://www.escholarship.org/uc/item/2s94q796

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

25. Mehrmand, Elizabeth. fauxlographic.

Degree: Visual Arts, 2011, University of California – San Diego

 fauxlographic is a performative installation that takes place within an ethno-dysphoric cloning lab, where diasporic anxiety is analyzed through the process of fauxlographic cloning. The… (more)

Subjects/Keywords: Fine arts; composition; experimental; music; new media; performance art; video

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APA (6th Edition):

Mehrmand, E. (2011). fauxlographic. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/3mh268zh

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mehrmand, Elizabeth. “fauxlographic.” 2011. Thesis, University of California – San Diego. Accessed July 07, 2020. http://www.escholarship.org/uc/item/3mh268zh.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mehrmand, Elizabeth. “fauxlographic.” 2011. Web. 07 Jul 2020.

Vancouver:

Mehrmand E. fauxlographic. [Internet] [Thesis]. University of California – San Diego; 2011. [cited 2020 Jul 07]. Available from: http://www.escholarship.org/uc/item/3mh268zh.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mehrmand E. fauxlographic. [Thesis]. University of California – San Diego; 2011. Available from: http://www.escholarship.org/uc/item/3mh268zh

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

26. Cosshall, W. The Tree of Everywhere: new media art, computer science and the western mystery tradition.

Degree: 2015, RMIT University

 This project investigates the tree as a metaphor for understanding the intersections between new media art, computer science and my own personal spiritual journey through… (more)

Subjects/Keywords: Fields of Research; tree; metaphor; new media; computer science; art practice

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APA (6th Edition):

Cosshall, W. (2015). The Tree of Everywhere: new media art, computer science and the western mystery tradition. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161560

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cosshall, W. “The Tree of Everywhere: new media art, computer science and the western mystery tradition.” 2015. Thesis, RMIT University. Accessed July 07, 2020. http://researchbank.rmit.edu.au/view/rmit:161560.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cosshall, W. “The Tree of Everywhere: new media art, computer science and the western mystery tradition.” 2015. Web. 07 Jul 2020.

Vancouver:

Cosshall W. The Tree of Everywhere: new media art, computer science and the western mystery tradition. [Internet] [Thesis]. RMIT University; 2015. [cited 2020 Jul 07]. Available from: http://researchbank.rmit.edu.au/view/rmit:161560.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cosshall W. The Tree of Everywhere: new media art, computer science and the western mystery tradition. [Thesis]. RMIT University; 2015. Available from: http://researchbank.rmit.edu.au/view/rmit:161560

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Pretoria

27. Le Roux, Leandré. New media art : immersion and the sacrifice of the body.

Degree: MA, Visual Arts, 2016, University of Pretoria

New technologies, such as virtual reality, often draw to itself myths from other fields of interest and discourses. One such myth that has attached itself… (more)

Subjects/Keywords: Virtual reality; New media art; Cyberspace; Cyber-utopian myth; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Le Roux, L. (2016). New media art : immersion and the sacrifice of the body. (Masters Thesis). University of Pretoria. Retrieved from http://hdl.handle.net/2263/60375

Chicago Manual of Style (16th Edition):

Le Roux, Leandré. “New media art : immersion and the sacrifice of the body.” 2016. Masters Thesis, University of Pretoria. Accessed July 07, 2020. http://hdl.handle.net/2263/60375.

MLA Handbook (7th Edition):

Le Roux, Leandré. “New media art : immersion and the sacrifice of the body.” 2016. Web. 07 Jul 2020.

Vancouver:

Le Roux L. New media art : immersion and the sacrifice of the body. [Internet] [Masters thesis]. University of Pretoria; 2016. [cited 2020 Jul 07]. Available from: http://hdl.handle.net/2263/60375.

Council of Science Editors:

Le Roux L. New media art : immersion and the sacrifice of the body. [Masters Thesis]. University of Pretoria; 2016. Available from: http://hdl.handle.net/2263/60375


Virginia Tech

28. Clinnin, Kaitlin Marie. Beyond Binary Digital Embodiment.

Degree: MA, English, 2012, Virginia Tech

 The late 20th and early 21st centuries have seen the creation of new forms of subjectivities that represent the integration of digital and information technologies… (more)

Subjects/Keywords: virtual; dance; digital embodiment; cybernetics; new media art

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APA (6th Edition):

Clinnin, K. M. (2012). Beyond Binary Digital Embodiment. (Masters Thesis). Virginia Tech. Retrieved from http://hdl.handle.net/10919/32341

Chicago Manual of Style (16th Edition):

Clinnin, Kaitlin Marie. “Beyond Binary Digital Embodiment.” 2012. Masters Thesis, Virginia Tech. Accessed July 07, 2020. http://hdl.handle.net/10919/32341.

MLA Handbook (7th Edition):

Clinnin, Kaitlin Marie. “Beyond Binary Digital Embodiment.” 2012. Web. 07 Jul 2020.

Vancouver:

Clinnin KM. Beyond Binary Digital Embodiment. [Internet] [Masters thesis]. Virginia Tech; 2012. [cited 2020 Jul 07]. Available from: http://hdl.handle.net/10919/32341.

Council of Science Editors:

Clinnin KM. Beyond Binary Digital Embodiment. [Masters Thesis]. Virginia Tech; 2012. Available from: http://hdl.handle.net/10919/32341


University of Iowa

29. Kintsurashvili, Nino. Fenced by the red thread.

Degree: MA, Art, 2019, University of Iowa

  As a first-generation Georgian to be born the year after Soviet Union collapsed, I carry the weight of the uncertainty and the shared memory… (more)

Subjects/Keywords: Contemporary Art; Gender; Installation; New Media; Orthodox Christianity; Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kintsurashvili, N. (2019). Fenced by the red thread. (Masters Thesis). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/6783

Chicago Manual of Style (16th Edition):

Kintsurashvili, Nino. “Fenced by the red thread.” 2019. Masters Thesis, University of Iowa. Accessed July 07, 2020. https://ir.uiowa.edu/etd/6783.

MLA Handbook (7th Edition):

Kintsurashvili, Nino. “Fenced by the red thread.” 2019. Web. 07 Jul 2020.

Vancouver:

Kintsurashvili N. Fenced by the red thread. [Internet] [Masters thesis]. University of Iowa; 2019. [cited 2020 Jul 07]. Available from: https://ir.uiowa.edu/etd/6783.

Council of Science Editors:

Kintsurashvili N. Fenced by the red thread. [Masters Thesis]. University of Iowa; 2019. Available from: https://ir.uiowa.edu/etd/6783


University of Central Florida

30. Delacruz, Phillip S. Explorations & Redefinitions Of New Media Aesthetic Concepts In Contemporary Art Culture.

Degree: 2007, University of Central Florida

 My thesis pursues the exploration, invention, and redefinition of the role of Aesthetics through artistic practices of 3d digital graphics, 2d print, video, and sculpture.… (more)

Subjects/Keywords: new media; Art and Design

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APA (6th Edition):

Delacruz, P. S. (2007). Explorations & Redefinitions Of New Media Aesthetic Concepts In Contemporary Art Culture. (Masters Thesis). University of Central Florida. Retrieved from https://stars.library.ucf.edu/etd/3136

Chicago Manual of Style (16th Edition):

Delacruz, Phillip S. “Explorations & Redefinitions Of New Media Aesthetic Concepts In Contemporary Art Culture.” 2007. Masters Thesis, University of Central Florida. Accessed July 07, 2020. https://stars.library.ucf.edu/etd/3136.

MLA Handbook (7th Edition):

Delacruz, Phillip S. “Explorations & Redefinitions Of New Media Aesthetic Concepts In Contemporary Art Culture.” 2007. Web. 07 Jul 2020.

Vancouver:

Delacruz PS. Explorations & Redefinitions Of New Media Aesthetic Concepts In Contemporary Art Culture. [Internet] [Masters thesis]. University of Central Florida; 2007. [cited 2020 Jul 07]. Available from: https://stars.library.ucf.edu/etd/3136.

Council of Science Editors:

Delacruz PS. Explorations & Redefinitions Of New Media Aesthetic Concepts In Contemporary Art Culture. [Masters Thesis]. University of Central Florida; 2007. Available from: https://stars.library.ucf.edu/etd/3136

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