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You searched for subject:(Neoclassicism). Showing records 1 – 30 of 60 total matches.

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University of Georgia

1. Moon, Jong Ah. Three Neoclassical compositions for violin and piano: Stravinsky's Duo concertante, Prokofiev's Violin sonata no. 2 in D major, and Poulenc's Violin sonata op. 119.

Degree: DMA, Music, 2013, University of Georgia

 In the early part of the twentieth century, the Neoclassical style was a strong influence on violin works by composers such as Igor Stravinsky, Francis… (more)

Subjects/Keywords: Neoclassicism

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APA (6th Edition):

Moon, J. A. (2013). Three Neoclassical compositions for violin and piano: Stravinsky's Duo concertante, Prokofiev's Violin sonata no. 2 in D major, and Poulenc's Violin sonata op. 119. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/moon_jong-ah_201305_dma

Chicago Manual of Style (16th Edition):

Moon, Jong Ah. “Three Neoclassical compositions for violin and piano: Stravinsky's Duo concertante, Prokofiev's Violin sonata no. 2 in D major, and Poulenc's Violin sonata op. 119.” 2013. Doctoral Dissertation, University of Georgia. Accessed June 16, 2019. http://purl.galileo.usg.edu/uga_etd/moon_jong-ah_201305_dma.

MLA Handbook (7th Edition):

Moon, Jong Ah. “Three Neoclassical compositions for violin and piano: Stravinsky's Duo concertante, Prokofiev's Violin sonata no. 2 in D major, and Poulenc's Violin sonata op. 119.” 2013. Web. 16 Jun 2019.

Vancouver:

Moon JA. Three Neoclassical compositions for violin and piano: Stravinsky's Duo concertante, Prokofiev's Violin sonata no. 2 in D major, and Poulenc's Violin sonata op. 119. [Internet] [Doctoral dissertation]. University of Georgia; 2013. [cited 2019 Jun 16]. Available from: http://purl.galileo.usg.edu/uga_etd/moon_jong-ah_201305_dma.

Council of Science Editors:

Moon JA. Three Neoclassical compositions for violin and piano: Stravinsky's Duo concertante, Prokofiev's Violin sonata no. 2 in D major, and Poulenc's Violin sonata op. 119. [Doctoral Dissertation]. University of Georgia; 2013. Available from: http://purl.galileo.usg.edu/uga_etd/moon_jong-ah_201305_dma

2. Papadopoulou, Evdoxia. Πολιτική διαχείριση του νεοκλασικισμού στο ελληνικό βασίλειο: 19ος αιώνας.

Degree: 2014, Panteion University of Social and Political Sciences; Πάντειο Πανεπιστήμιο Κοινωνικών και Πολιτικών Επιστημών

Case of this study is the political uses of Neoclassicism and the symbolic depiction of Modern Greek identity, as it is apparent through public representative… (more)

Subjects/Keywords: Νεοκλασικισμός; Εθνικιστική ιδεολογία; Nationalism; Neoclassicism

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APA (6th Edition):

Papadopoulou, E. (2014). Πολιτική διαχείριση του νεοκλασικισμού στο ελληνικό βασίλειο: 19ος αιώνας. (Thesis). Panteion University of Social and Political Sciences; Πάντειο Πανεπιστήμιο Κοινωνικών και Πολιτικών Επιστημών. Retrieved from http://hdl.handle.net/10442/hedi/35421

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Papadopoulou, Evdoxia. “Πολιτική διαχείριση του νεοκλασικισμού στο ελληνικό βασίλειο: 19ος αιώνας.” 2014. Thesis, Panteion University of Social and Political Sciences; Πάντειο Πανεπιστήμιο Κοινωνικών και Πολιτικών Επιστημών. Accessed June 16, 2019. http://hdl.handle.net/10442/hedi/35421.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Papadopoulou, Evdoxia. “Πολιτική διαχείριση του νεοκλασικισμού στο ελληνικό βασίλειο: 19ος αιώνας.” 2014. Web. 16 Jun 2019.

Vancouver:

Papadopoulou E. Πολιτική διαχείριση του νεοκλασικισμού στο ελληνικό βασίλειο: 19ος αιώνας. [Internet] [Thesis]. Panteion University of Social and Political Sciences; Πάντειο Πανεπιστήμιο Κοινωνικών και Πολιτικών Επιστημών; 2014. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/10442/hedi/35421.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Papadopoulou E. Πολιτική διαχείριση του νεοκλασικισμού στο ελληνικό βασίλειο: 19ος αιώνας. [Thesis]. Panteion University of Social and Political Sciences; Πάντειο Πανεπιστήμιο Κοινωνικών και Πολιτικών Επιστημών; 2014. Available from: http://hdl.handle.net/10442/hedi/35421

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

3. Rozman, Julie Powell. Joseph Messner's organ music: evolution of a style.

Degree: DMA, Music, 2009, Louisiana State University

 Joseph Messner (1893-1969) achieved fame in Europe for his contributions to the sacred concerts of the Salzburg Festspiele following World War II. In his early… (more)

Subjects/Keywords: austria; late-romantic; neoclassicism

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APA (6th Edition):

Rozman, J. P. (2009). Joseph Messner's organ music: evolution of a style. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-05132009-142650 ; https://digitalcommons.lsu.edu/gradschool_dissertations/775

Chicago Manual of Style (16th Edition):

Rozman, Julie Powell. “Joseph Messner's organ music: evolution of a style.” 2009. Doctoral Dissertation, Louisiana State University. Accessed June 16, 2019. etd-05132009-142650 ; https://digitalcommons.lsu.edu/gradschool_dissertations/775.

MLA Handbook (7th Edition):

Rozman, Julie Powell. “Joseph Messner's organ music: evolution of a style.” 2009. Web. 16 Jun 2019.

Vancouver:

Rozman JP. Joseph Messner's organ music: evolution of a style. [Internet] [Doctoral dissertation]. Louisiana State University; 2009. [cited 2019 Jun 16]. Available from: etd-05132009-142650 ; https://digitalcommons.lsu.edu/gradschool_dissertations/775.

Council of Science Editors:

Rozman JP. Joseph Messner's organ music: evolution of a style. [Doctoral Dissertation]. Louisiana State University; 2009. Available from: etd-05132009-142650 ; https://digitalcommons.lsu.edu/gradschool_dissertations/775

4. Corah, Breanna. Neoclassical Pioneers: Neoclassicism Before Stravinsky.

Degree: M.M., Music, 2016, U of Denver

  For a century and a half composers have been inspired by the classic works of composers from the Baroque and Classical periods. Composers who… (more)

Subjects/Keywords: Before Stravinsky; Neoclassical Music; Neoclassicism; Music

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APA (6th Edition):

Corah, B. (2016). Neoclassical Pioneers: Neoclassicism Before Stravinsky. (Thesis). U of Denver. Retrieved from https://digitalcommons.du.edu/etd/1157

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Corah, Breanna. “Neoclassical Pioneers: Neoclassicism Before Stravinsky.” 2016. Thesis, U of Denver. Accessed June 16, 2019. https://digitalcommons.du.edu/etd/1157.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Corah, Breanna. “Neoclassical Pioneers: Neoclassicism Before Stravinsky.” 2016. Web. 16 Jun 2019.

Vancouver:

Corah B. Neoclassical Pioneers: Neoclassicism Before Stravinsky. [Internet] [Thesis]. U of Denver; 2016. [cited 2019 Jun 16]. Available from: https://digitalcommons.du.edu/etd/1157.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Corah B. Neoclassical Pioneers: Neoclassicism Before Stravinsky. [Thesis]. U of Denver; 2016. Available from: https://digitalcommons.du.edu/etd/1157

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Louisville

5. Taylor, Blake. Tonal shift, cadence and transition in the brass sonatas of Paul Hindemith.

Degree: M.M., 2017, University of Louisville

  This thesis examines analytical facets in Paul Hindemith’s sonatas for brass and piano, ranging in date of composition from 1938 to 1955, while also… (more)

Subjects/Keywords: Hindemith; Cadence; Transition; Neoclassicism; Music Theory

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APA (6th Edition):

Taylor, B. (2017). Tonal shift, cadence and transition in the brass sonatas of Paul Hindemith. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/2658 ; https://ir.library.louisville.edu/etd/2658

Chicago Manual of Style (16th Edition):

Taylor, Blake. “Tonal shift, cadence and transition in the brass sonatas of Paul Hindemith.” 2017. Masters Thesis, University of Louisville. Accessed June 16, 2019. 10.18297/etd/2658 ; https://ir.library.louisville.edu/etd/2658.

MLA Handbook (7th Edition):

Taylor, Blake. “Tonal shift, cadence and transition in the brass sonatas of Paul Hindemith.” 2017. Web. 16 Jun 2019.

Vancouver:

Taylor B. Tonal shift, cadence and transition in the brass sonatas of Paul Hindemith. [Internet] [Masters thesis]. University of Louisville; 2017. [cited 2019 Jun 16]. Available from: 10.18297/etd/2658 ; https://ir.library.louisville.edu/etd/2658.

Council of Science Editors:

Taylor B. Tonal shift, cadence and transition in the brass sonatas of Paul Hindemith. [Masters Thesis]. University of Louisville; 2017. Available from: 10.18297/etd/2658 ; https://ir.library.louisville.edu/etd/2658


University of North Texas

6. Jeon, Eundeok. A Study of Neoclassical Elements in Ernst Krenek's George Washington Variations, OP.120.

Degree: 2016, University of North Texas

 The purpose of this study is to explore neoclassical elements present in Krenek’s George Washington Variations. By identifying the stylistic features associated with the eighteenth… (more)

Subjects/Keywords: Ernst Krenek; Neoclassicism; George Washington Variations

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APA (6th Edition):

Jeon, E. (2016). A Study of Neoclassical Elements in Ernst Krenek's George Washington Variations, OP.120. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc849780/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jeon, Eundeok. “A Study of Neoclassical Elements in Ernst Krenek's George Washington Variations, OP.120.” 2016. Thesis, University of North Texas. Accessed June 16, 2019. https://digital.library.unt.edu/ark:/67531/metadc849780/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jeon, Eundeok. “A Study of Neoclassical Elements in Ernst Krenek's George Washington Variations, OP.120.” 2016. Web. 16 Jun 2019.

Vancouver:

Jeon E. A Study of Neoclassical Elements in Ernst Krenek's George Washington Variations, OP.120. [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Jun 16]. Available from: https://digital.library.unt.edu/ark:/67531/metadc849780/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jeon E. A Study of Neoclassical Elements in Ernst Krenek's George Washington Variations, OP.120. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc849780/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Presbiteriana Mackenzie

7. André Luis de Castro Albuquerque. Imagem, tinta e papel: uma leitura da litografia "Negras livres vivendo de suas atividades", de Jean Baptiste Debret.

Degree: 2013, Universidade Presbiteriana Mackenzie

Jean Baptiste Debret (1768-1848), pintor francês pertencente à Escola Neoclássica francesa, veio para a cidade do Rio de Janeiro no ano de 1816, ajudar na… (more)

Subjects/Keywords: HISTORIA; Debret; neoclassicismo; litografia; negras livres; Debret; neoclassicism; lithography; free negresses

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APA (6th Edition):

Albuquerque, A. L. d. C. (2013). Imagem, tinta e papel: uma leitura da litografia "Negras livres vivendo de suas atividades", de Jean Baptiste Debret. (Thesis). Universidade Presbiteriana Mackenzie. Retrieved from http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=3084

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Albuquerque, André Luis de Castro. “Imagem, tinta e papel: uma leitura da litografia "Negras livres vivendo de suas atividades", de Jean Baptiste Debret.” 2013. Thesis, Universidade Presbiteriana Mackenzie. Accessed June 16, 2019. http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=3084.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Albuquerque, André Luis de Castro. “Imagem, tinta e papel: uma leitura da litografia "Negras livres vivendo de suas atividades", de Jean Baptiste Debret.” 2013. Web. 16 Jun 2019.

Vancouver:

Albuquerque ALdC. Imagem, tinta e papel: uma leitura da litografia "Negras livres vivendo de suas atividades", de Jean Baptiste Debret. [Internet] [Thesis]. Universidade Presbiteriana Mackenzie; 2013. [cited 2019 Jun 16]. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=3084.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Albuquerque ALdC. Imagem, tinta e papel: uma leitura da litografia "Negras livres vivendo de suas atividades", de Jean Baptiste Debret. [Thesis]. Universidade Presbiteriana Mackenzie; 2013. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=3084

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

8. Tsai, Han-yu. A Study of Fantasy Trio, Op. 26 By Robert Muczynski.

Degree: Master, Music, 2015, NSYSU

 Robert Muczynskiï¼1929-2010ï¼is an American composer, educationaist, and pianist. In the year of 1969, he planned to give a concert all performed by clarinet, cello and… (more)

Subjects/Keywords: Fantasy Trio, Op. 26; Piano Trio; Neoclassicism; Robert Muczynski

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APA (6th Edition):

Tsai, H. (2015). A Study of Fantasy Trio, Op. 26 By Robert Muczynski. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0030115-153226

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tsai, Han-yu. “A Study of Fantasy Trio, Op. 26 By Robert Muczynski.” 2015. Thesis, NSYSU. Accessed June 16, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0030115-153226.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tsai, Han-yu. “A Study of Fantasy Trio, Op. 26 By Robert Muczynski.” 2015. Web. 16 Jun 2019.

Vancouver:

Tsai H. A Study of Fantasy Trio, Op. 26 By Robert Muczynski. [Internet] [Thesis]. NSYSU; 2015. [cited 2019 Jun 16]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0030115-153226.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tsai H. A Study of Fantasy Trio, Op. 26 By Robert Muczynski. [Thesis]. NSYSU; 2015. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0030115-153226

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Saliceto, Elodie. Néoclassicismes littéraires : La représentation de l'Italie et ses enjeux esthétiques, de Chateaubriand à Stendhal : Literary neoclassicisms : The representation of Italy and its aesthetic stakes, from Chateaubriand to Stendhal.

Degree: Docteur es, Littérature française, 2010, Saint-Etienne; Libera università di lingue e comunicazione IULM (Milan, Italie)

Ce travail s'attache à décrire la représentation de l'Italie par des auteurs français ou francophones à l'articulation des XVIIIe et XIXe siècles (1790-1829). Son objectif… (more)

Subjects/Keywords: Récit de voyage; Patrimoine; Esthétique; Neoclassicisme; Italie; Italy; Neoclassicism; Aesthetic; Travel

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APA (6th Edition):

Saliceto, E. (2010). Néoclassicismes littéraires : La représentation de l'Italie et ses enjeux esthétiques, de Chateaubriand à Stendhal : Literary neoclassicisms : The representation of Italy and its aesthetic stakes, from Chateaubriand to Stendhal. (Doctoral Dissertation). Saint-Etienne; Libera università di lingue e comunicazione IULM (Milan, Italie). Retrieved from http://www.theses.fr/2010STET2131

Chicago Manual of Style (16th Edition):

Saliceto, Elodie. “Néoclassicismes littéraires : La représentation de l'Italie et ses enjeux esthétiques, de Chateaubriand à Stendhal : Literary neoclassicisms : The representation of Italy and its aesthetic stakes, from Chateaubriand to Stendhal.” 2010. Doctoral Dissertation, Saint-Etienne; Libera università di lingue e comunicazione IULM (Milan, Italie). Accessed June 16, 2019. http://www.theses.fr/2010STET2131.

MLA Handbook (7th Edition):

Saliceto, Elodie. “Néoclassicismes littéraires : La représentation de l'Italie et ses enjeux esthétiques, de Chateaubriand à Stendhal : Literary neoclassicisms : The representation of Italy and its aesthetic stakes, from Chateaubriand to Stendhal.” 2010. Web. 16 Jun 2019.

Vancouver:

Saliceto E. Néoclassicismes littéraires : La représentation de l'Italie et ses enjeux esthétiques, de Chateaubriand à Stendhal : Literary neoclassicisms : The representation of Italy and its aesthetic stakes, from Chateaubriand to Stendhal. [Internet] [Doctoral dissertation]. Saint-Etienne; Libera università di lingue e comunicazione IULM (Milan, Italie); 2010. [cited 2019 Jun 16]. Available from: http://www.theses.fr/2010STET2131.

Council of Science Editors:

Saliceto E. Néoclassicismes littéraires : La représentation de l'Italie et ses enjeux esthétiques, de Chateaubriand à Stendhal : Literary neoclassicisms : The representation of Italy and its aesthetic stakes, from Chateaubriand to Stendhal. [Doctoral Dissertation]. Saint-Etienne; Libera università di lingue e comunicazione IULM (Milan, Italie); 2010. Available from: http://www.theses.fr/2010STET2131


Princeton University

10. Cohen, Alexis Helena. Lines of Utility: Outlines, Architecture, and Design in Britain, c. 1800 .

Degree: PhD, 2014, Princeton University

 In both the architectural and design publications that helped define Neoclassicism in Britain, praise for linearity, lines, and outlines was often accompanied by an equal… (more)

Subjects/Keywords: Britain; design publications; eighteenth century; Neoclassicism; outline drawing; Utility

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APA (6th Edition):

Cohen, A. H. (2014). Lines of Utility: Outlines, Architecture, and Design in Britain, c. 1800 . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01j9602284r

Chicago Manual of Style (16th Edition):

Cohen, Alexis Helena. “Lines of Utility: Outlines, Architecture, and Design in Britain, c. 1800 .” 2014. Doctoral Dissertation, Princeton University. Accessed June 16, 2019. http://arks.princeton.edu/ark:/88435/dsp01j9602284r.

MLA Handbook (7th Edition):

Cohen, Alexis Helena. “Lines of Utility: Outlines, Architecture, and Design in Britain, c. 1800 .” 2014. Web. 16 Jun 2019.

Vancouver:

Cohen AH. Lines of Utility: Outlines, Architecture, and Design in Britain, c. 1800 . [Internet] [Doctoral dissertation]. Princeton University; 2014. [cited 2019 Jun 16]. Available from: http://arks.princeton.edu/ark:/88435/dsp01j9602284r.

Council of Science Editors:

Cohen AH. Lines of Utility: Outlines, Architecture, and Design in Britain, c. 1800 . [Doctoral Dissertation]. Princeton University; 2014. Available from: http://arks.princeton.edu/ark:/88435/dsp01j9602284r


University of Rochester

11. Innes, Randy Norman (1971 - ). On the limits of the work of art : the fragment in visual culture.

Degree: PhD, 2009, University of Rochester

 The influence the romantic fragment had on literature, poetry, and philosophical criticism has been studied extensively. The current study considers the relationship between the romantic… (more)

Subjects/Keywords: Photography; Architecture; Painting; Ruins; Fragment; Neoclassicism; Romanticism; Visual culture; Aesthetics; Film

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APA (6th Edition):

Innes, R. N. (. -. ). (2009). On the limits of the work of art : the fragment in visual culture. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/7146

Chicago Manual of Style (16th Edition):

Innes, Randy Norman (1971 - ). “On the limits of the work of art : the fragment in visual culture.” 2009. Doctoral Dissertation, University of Rochester. Accessed June 16, 2019. http://hdl.handle.net/1802/7146.

MLA Handbook (7th Edition):

Innes, Randy Norman (1971 - ). “On the limits of the work of art : the fragment in visual culture.” 2009. Web. 16 Jun 2019.

Vancouver:

Innes RN(-). On the limits of the work of art : the fragment in visual culture. [Internet] [Doctoral dissertation]. University of Rochester; 2009. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/1802/7146.

Council of Science Editors:

Innes RN(-). On the limits of the work of art : the fragment in visual culture. [Doctoral Dissertation]. University of Rochester; 2009. Available from: http://hdl.handle.net/1802/7146


Leiden University

12. Noordt, Casper van der. Italiaanse Muurschilderkunst in 18e-eeuws Parijs: van theatrale enscenering naar tentoonstellen.

Degree: 2015, Leiden University

 Samenvatting. In deze scriptie wordt onderzoek gedaan naar ontwikkelingen in en de betekenis van veranderingen in 18e-eeuwse architectuur en architectuurschilderkunst in interieurs in Parijs. De… (more)

Subjects/Keywords: 18th century; Brunetti, Paolo Antonio; Paris; architecture; neoclassicism; quadratura; illusionism; wallpainting; ornament; taste

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APA (6th Edition):

Noordt, C. v. d. (2015). Italiaanse Muurschilderkunst in 18e-eeuws Parijs: van theatrale enscenering naar tentoonstellen. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/32007

Chicago Manual of Style (16th Edition):

Noordt, Casper van der. “Italiaanse Muurschilderkunst in 18e-eeuws Parijs: van theatrale enscenering naar tentoonstellen.” 2015. Masters Thesis, Leiden University. Accessed June 16, 2019. http://hdl.handle.net/1887/32007.

MLA Handbook (7th Edition):

Noordt, Casper van der. “Italiaanse Muurschilderkunst in 18e-eeuws Parijs: van theatrale enscenering naar tentoonstellen.” 2015. Web. 16 Jun 2019.

Vancouver:

Noordt Cvd. Italiaanse Muurschilderkunst in 18e-eeuws Parijs: van theatrale enscenering naar tentoonstellen. [Internet] [Masters thesis]. Leiden University; 2015. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/1887/32007.

Council of Science Editors:

Noordt Cvd. Italiaanse Muurschilderkunst in 18e-eeuws Parijs: van theatrale enscenering naar tentoonstellen. [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/32007


University of Cincinnati

13. WANG, SHA. A PLAY OF STYLE: COMPARING AND CONTRASTING NEOCLASSICISM IN SELECTED PIANO SOLO REPERTOIRE IN THE 1920S.

Degree: DMA, College-Conservatory of Music : Piano, 2006, University of Cincinnati

 The 1920s was the golden age of a style of composition often called neoclassicism, which was represented by the works of such composers as Igor… (more)

Subjects/Keywords: Neoclassicism; Piano solo in the 1920s

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APA (6th Edition):

WANG, S. (2006). A PLAY OF STYLE: COMPARING AND CONTRASTING NEOCLASSICISM IN SELECTED PIANO SOLO REPERTOIRE IN THE 1920S. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148304385

Chicago Manual of Style (16th Edition):

WANG, SHA. “A PLAY OF STYLE: COMPARING AND CONTRASTING NEOCLASSICISM IN SELECTED PIANO SOLO REPERTOIRE IN THE 1920S.” 2006. Doctoral Dissertation, University of Cincinnati. Accessed June 16, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148304385.

MLA Handbook (7th Edition):

WANG, SHA. “A PLAY OF STYLE: COMPARING AND CONTRASTING NEOCLASSICISM IN SELECTED PIANO SOLO REPERTOIRE IN THE 1920S.” 2006. Web. 16 Jun 2019.

Vancouver:

WANG S. A PLAY OF STYLE: COMPARING AND CONTRASTING NEOCLASSICISM IN SELECTED PIANO SOLO REPERTOIRE IN THE 1920S. [Internet] [Doctoral dissertation]. University of Cincinnati; 2006. [cited 2019 Jun 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148304385.

Council of Science Editors:

WANG S. A PLAY OF STYLE: COMPARING AND CONTRASTING NEOCLASSICISM IN SELECTED PIANO SOLO REPERTOIRE IN THE 1920S. [Doctoral Dissertation]. University of Cincinnati; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148304385


NSYSU

14. Tsai, Wei-Ko. A Study of Darious Milhaudâs Flute and Piano Sonatina, Opus 76.

Degree: Master, Music, 2015, NSYSU

 Darious Milhaud (1892-1974) was a French composer who is also known as Les Six and one of important representatives of Neoclassicism. He received his music… (more)

Subjects/Keywords: Flute; Flute and Piano Sonatina; Opus 76; Neoclassicism; Darious Milhaud; jazz music

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APA (6th Edition):

Tsai, W. (2015). A Study of Darious Milhaudâs Flute and Piano Sonatina, Opus 76. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0101115-203141

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tsai, Wei-Ko. “A Study of Darious Milhaudâs Flute and Piano Sonatina, Opus 76.” 2015. Thesis, NSYSU. Accessed June 16, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0101115-203141.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tsai, Wei-Ko. “A Study of Darious Milhaudâs Flute and Piano Sonatina, Opus 76.” 2015. Web. 16 Jun 2019.

Vancouver:

Tsai W. A Study of Darious Milhaudâs Flute and Piano Sonatina, Opus 76. [Internet] [Thesis]. NSYSU; 2015. [cited 2019 Jun 16]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0101115-203141.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tsai W. A Study of Darious Milhaudâs Flute and Piano Sonatina, Opus 76. [Thesis]. NSYSU; 2015. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0101115-203141

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Uniwersytet im. Adama Mickiewicza w Poznaniu

15. Nawrot, Żaneta. Spór o kulturę muzyczną w Polsce – twórca modernistyczny w polemice z awangardą na przykładzie działalności i twórczości Tadeusza Szeligowskiego .

Degree: 2013, Uniwersytet im. Adama Mickiewicza w Poznaniu

 Podstawowym przedmiotem moich badań jest europejska kultura muzyczna. Praca niniejsza związana jest z muzyką polską XX wieku – w sposób szczególny dotyczy polemiki estetycznej prowadzonej… (more)

Subjects/Keywords: kultura muzyczna; music culture; modernizm; modernity; awangarda; avant-garde; neoklasycyzm; neoclassicism; Szeligowski; Szeligowski

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APA (6th Edition):

Nawrot, . (2013). Spór o kulturę muzyczną w Polsce – twórca modernistyczny w polemice z awangardą na przykładzie działalności i twórczości Tadeusza Szeligowskiego . (Doctoral Dissertation). Uniwersytet im. Adama Mickiewicza w Poznaniu. Retrieved from http://hdl.handle.net/10593/7882

Chicago Manual of Style (16th Edition):

Nawrot, Żaneta. “Spór o kulturę muzyczną w Polsce – twórca modernistyczny w polemice z awangardą na przykładzie działalności i twórczości Tadeusza Szeligowskiego .” 2013. Doctoral Dissertation, Uniwersytet im. Adama Mickiewicza w Poznaniu. Accessed June 16, 2019. http://hdl.handle.net/10593/7882.

MLA Handbook (7th Edition):

Nawrot, Żaneta. “Spór o kulturę muzyczną w Polsce – twórca modernistyczny w polemice z awangardą na przykładzie działalności i twórczości Tadeusza Szeligowskiego .” 2013. Web. 16 Jun 2019.

Vancouver:

Nawrot . Spór o kulturę muzyczną w Polsce – twórca modernistyczny w polemice z awangardą na przykładzie działalności i twórczości Tadeusza Szeligowskiego . [Internet] [Doctoral dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2013. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/10593/7882.

Council of Science Editors:

Nawrot . Spór o kulturę muzyczną w Polsce – twórca modernistyczny w polemice z awangardą na przykładzie działalności i twórczości Tadeusza Szeligowskiego . [Doctoral Dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2013. Available from: http://hdl.handle.net/10593/7882


University of Texas – Austin

16. Zakaib, Susan Blue. Bourbon reform and buen gusto at Mexico City's Royal Theater.

Degree: History, 2011, University of Texas – Austin

 During the late eighteenth century, as part of a broader reform initiative commonly referred to as the “Bourbon reforms,” royal officials attempted to transform theatrical… (more)

Subjects/Keywords: Mexico; Spain; Theater; Actors; Bourbon reforms; Neoclassicism; Popular culture; Public sphere; Enlightenment; Real Coliseo

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APA (6th Edition):

Zakaib, S. B. (2011). Bourbon reform and buen gusto at Mexico City's Royal Theater. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/ETD-UT-2011-05-2688

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zakaib, Susan Blue. “Bourbon reform and buen gusto at Mexico City's Royal Theater.” 2011. Thesis, University of Texas – Austin. Accessed June 16, 2019. http://hdl.handle.net/2152/ETD-UT-2011-05-2688.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zakaib, Susan Blue. “Bourbon reform and buen gusto at Mexico City's Royal Theater.” 2011. Web. 16 Jun 2019.

Vancouver:

Zakaib SB. Bourbon reform and buen gusto at Mexico City's Royal Theater. [Internet] [Thesis]. University of Texas – Austin; 2011. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/2152/ETD-UT-2011-05-2688.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zakaib SB. Bourbon reform and buen gusto at Mexico City's Royal Theater. [Thesis]. University of Texas – Austin; 2011. Available from: http://hdl.handle.net/2152/ETD-UT-2011-05-2688

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Durham, Hannah Lee. Abstraction, abstracted : continuation of Russian neonationalist ideals In Stravinsky's Oedipus Rex: Continuation of Russian neonationalist ideals In Stravinsky's Oedipus Rex.

Degree: Music, 2012, University of Texas – Austin

 Igor Stravinsky’s 1927 opera-oratorio Oedipus Rex (with libretto by Jean Cocteau) contains quintessential Neoclassical qualities: it is a reduced, mechanical, and austere version of the… (more)

Subjects/Keywords: Stravinsky; Oedipus Rex; Neoclassicism; Neonationalism

…drastic reductions therein indicated a neoclassicism that extended into the art and literary… …Maureen Carr, Multiple Masks: Neoclassicism in Stravinsky’s Works on Greek Subjects (… 

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APA (6th Edition):

Durham, H. L. (2012). Abstraction, abstracted : continuation of Russian neonationalist ideals In Stravinsky's Oedipus Rex: Continuation of Russian neonationalist ideals In Stravinsky's Oedipus Rex. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/19993

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Durham, Hannah Lee. “Abstraction, abstracted : continuation of Russian neonationalist ideals In Stravinsky's Oedipus Rex: Continuation of Russian neonationalist ideals In Stravinsky's Oedipus Rex.” 2012. Thesis, University of Texas – Austin. Accessed June 16, 2019. http://hdl.handle.net/2152/19993.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Durham, Hannah Lee. “Abstraction, abstracted : continuation of Russian neonationalist ideals In Stravinsky's Oedipus Rex: Continuation of Russian neonationalist ideals In Stravinsky's Oedipus Rex.” 2012. Web. 16 Jun 2019.

Vancouver:

Durham HL. Abstraction, abstracted : continuation of Russian neonationalist ideals In Stravinsky's Oedipus Rex: Continuation of Russian neonationalist ideals In Stravinsky's Oedipus Rex. [Internet] [Thesis]. University of Texas – Austin; 2012. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/2152/19993.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Durham HL. Abstraction, abstracted : continuation of Russian neonationalist ideals In Stravinsky's Oedipus Rex: Continuation of Russian neonationalist ideals In Stravinsky's Oedipus Rex. [Thesis]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/19993

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Central Florida

18. Lewis, Andrew. The Last 2500 Years: Defining, Dissecting And Directing The Less Linear Musical.

Degree: 2010, University of Central Florida

 Since the first recorded theatrical events, theatre has been presented in a linear fashion. It is no surprise that the majority of American Musical Theatre… (more)

Subjects/Keywords: Aristotle; Plot; Musical Theatre; Linear; Non-linear; Neoclassicism; Theatre and Performance Studies

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APA (6th Edition):

Lewis, A. (2010). The Last 2500 Years: Defining, Dissecting And Directing The Less Linear Musical. (Masters Thesis). University of Central Florida. Retrieved from https://stars.library.ucf.edu/etd/4438

Chicago Manual of Style (16th Edition):

Lewis, Andrew. “The Last 2500 Years: Defining, Dissecting And Directing The Less Linear Musical.” 2010. Masters Thesis, University of Central Florida. Accessed June 16, 2019. https://stars.library.ucf.edu/etd/4438.

MLA Handbook (7th Edition):

Lewis, Andrew. “The Last 2500 Years: Defining, Dissecting And Directing The Less Linear Musical.” 2010. Web. 16 Jun 2019.

Vancouver:

Lewis A. The Last 2500 Years: Defining, Dissecting And Directing The Less Linear Musical. [Internet] [Masters thesis]. University of Central Florida; 2010. [cited 2019 Jun 16]. Available from: https://stars.library.ucf.edu/etd/4438.

Council of Science Editors:

Lewis A. The Last 2500 Years: Defining, Dissecting And Directing The Less Linear Musical. [Masters Thesis]. University of Central Florida; 2010. Available from: https://stars.library.ucf.edu/etd/4438

19. Wolfe, Rachel Margaret Eller. Iphigenia in Adaptation: Neoclassicism, Gender, and Culture on the Public Stages of France and England, 1674-1779.

Degree: 2016, University of California – eScholarship, University of California

 This dissertation interrogates the role of adaptation in creating and maintaining hegemonic cultural formations through a study of two tragedies by Euripides as they were… (more)

Subjects/Keywords: Theater history; European studies; Gender studies; Adaptation; Canon Formation; Greek Tragedy; Iphigenia; Neoclassicism; Opera

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APA (6th Edition):

Wolfe, R. M. E. (2016). Iphigenia in Adaptation: Neoclassicism, Gender, and Culture on the Public Stages of France and England, 1674-1779. (Thesis). University of California – eScholarship, University of California. Retrieved from http://www.escholarship.org/uc/item/7pq4w9t6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wolfe, Rachel Margaret Eller. “Iphigenia in Adaptation: Neoclassicism, Gender, and Culture on the Public Stages of France and England, 1674-1779.” 2016. Thesis, University of California – eScholarship, University of California. Accessed June 16, 2019. http://www.escholarship.org/uc/item/7pq4w9t6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wolfe, Rachel Margaret Eller. “Iphigenia in Adaptation: Neoclassicism, Gender, and Culture on the Public Stages of France and England, 1674-1779.” 2016. Web. 16 Jun 2019.

Vancouver:

Wolfe RME. Iphigenia in Adaptation: Neoclassicism, Gender, and Culture on the Public Stages of France and England, 1674-1779. [Internet] [Thesis]. University of California – eScholarship, University of California; 2016. [cited 2019 Jun 16]. Available from: http://www.escholarship.org/uc/item/7pq4w9t6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wolfe RME. Iphigenia in Adaptation: Neoclassicism, Gender, and Culture on the Public Stages of France and England, 1674-1779. [Thesis]. University of California – eScholarship, University of California; 2016. Available from: http://www.escholarship.org/uc/item/7pq4w9t6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Silva, Lucas Eduardo da. Nacionalismo, neofolclorismo e neoclassicismo em Villa-Lobos: uma estética dos conceitos.

Degree: Mestrado, Musicologia, 2011, University of São Paulo

Com a finalidade de elaborar um estudo em estética musical, analisamos os conceitos de nacionalismo, neoclassicismo e neofolclorismo em Villa-Lobos. Propomos uma abordagem crítico-ideológica que… (more)

Subjects/Keywords: Musical Poetic/Aesthetics; Nacionalismo; Nationalism; Neoclassicism; Neoclassicismo; Neofolclorismo; Neofolklorism; Poética/Estética Musical; Villa-Lobos; Villa-Lobos

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APA (6th Edition):

Silva, L. E. d. (2011). Nacionalismo, neofolclorismo e neoclassicismo em Villa-Lobos: uma estética dos conceitos. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27157/tde-15122011-232554/ ;

Chicago Manual of Style (16th Edition):

Silva, Lucas Eduardo da. “Nacionalismo, neofolclorismo e neoclassicismo em Villa-Lobos: uma estética dos conceitos.” 2011. Masters Thesis, University of São Paulo. Accessed June 16, 2019. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-15122011-232554/ ;.

MLA Handbook (7th Edition):

Silva, Lucas Eduardo da. “Nacionalismo, neofolclorismo e neoclassicismo em Villa-Lobos: uma estética dos conceitos.” 2011. Web. 16 Jun 2019.

Vancouver:

Silva LEd. Nacionalismo, neofolclorismo e neoclassicismo em Villa-Lobos: uma estética dos conceitos. [Internet] [Masters thesis]. University of São Paulo; 2011. [cited 2019 Jun 16]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-15122011-232554/ ;.

Council of Science Editors:

Silva LEd. Nacionalismo, neofolclorismo e neoclassicismo em Villa-Lobos: uma estética dos conceitos. [Masters Thesis]. University of São Paulo; 2011. Available from: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-15122011-232554/ ;


Université de Montréal

21. Contogouris, Ersy. Emma Hamilton, a Model of Agency in Late Eighteenth-Century Europe .

Degree: 2015, Université de Montréal

 Emma Hamilton (1765-1815) eut un impact considérable à un moment charnière de l’histoire et de l’art européens. Faisant preuve d’une énorme résilience, elle trouva un… (more)

Subjects/Keywords: Emma Hamilton; Agency; Attitudes; Classicism; Model; Muse; Neoclassicism; Portrait; George Romney; Élisabeth Vigée-Le Brun; Agentivité; classicisme; modèle; muse; Néoclassicisme; Portrait

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APA (6th Edition):

Contogouris, E. (2015). Emma Hamilton, a Model of Agency in Late Eighteenth-Century Europe . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/11635

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Contogouris, Ersy. “Emma Hamilton, a Model of Agency in Late Eighteenth-Century Europe .” 2015. Thesis, Université de Montréal. Accessed June 16, 2019. http://hdl.handle.net/1866/11635.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Contogouris, Ersy. “Emma Hamilton, a Model of Agency in Late Eighteenth-Century Europe .” 2015. Web. 16 Jun 2019.

Vancouver:

Contogouris E. Emma Hamilton, a Model of Agency in Late Eighteenth-Century Europe . [Internet] [Thesis]. Université de Montréal; 2015. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/1866/11635.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Contogouris E. Emma Hamilton, a Model of Agency in Late Eighteenth-Century Europe . [Thesis]. Université de Montréal; 2015. Available from: http://hdl.handle.net/1866/11635

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Rio Grande do Sul

22. Gonçalves, Fernando Rauber. Neoclassicismo e nacionalismo no Segundo Concerto para Piano e Orquetra de Camargo Guarnieri.

Degree: 2009, Universidade do Rio Grande do Sul

Neste trabalho, analiso o Segundo Concerto para Piano e Orquestra (1946) de Camargo Guarnieri (1907-1993) tendo como pano de fundo uma contextualização sobre o nacionalismo… (more)

Subjects/Keywords: Guarnieri, Camargo, 1907-1993; Musical analysis; Neoclassicism; Concertos : Piano : Orquestra; Nationalism; Análise musical; Camargo Guarnieri; Neoclassicismo : Musica; Nacionalismo : Musica; Concerto

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gonçalves, F. R. (2009). Neoclassicismo e nacionalismo no Segundo Concerto para Piano e Orquetra de Camargo Guarnieri. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/16081

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gonçalves, Fernando Rauber. “Neoclassicismo e nacionalismo no Segundo Concerto para Piano e Orquetra de Camargo Guarnieri.” 2009. Thesis, Universidade do Rio Grande do Sul. Accessed June 16, 2019. http://hdl.handle.net/10183/16081.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gonçalves, Fernando Rauber. “Neoclassicismo e nacionalismo no Segundo Concerto para Piano e Orquetra de Camargo Guarnieri.” 2009. Web. 16 Jun 2019.

Vancouver:

Gonçalves FR. Neoclassicismo e nacionalismo no Segundo Concerto para Piano e Orquetra de Camargo Guarnieri. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2009. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/10183/16081.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gonçalves FR. Neoclassicismo e nacionalismo no Segundo Concerto para Piano e Orquetra de Camargo Guarnieri. [Thesis]. Universidade do Rio Grande do Sul; 2009. Available from: http://hdl.handle.net/10183/16081

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Santos da Silva Mártin, Sílvio. L'impact symbolique de la déformation du corps dans L'Homme qui rit de Victor Hugo et dans la peinture de Dominique Ingres : Symbolic impact of the deformation of the body in The Man who laughs by Victor Hugo and in the paintings of Dominique Ingres.

Degree: Docteur es, Littérature comparée, 2013, Nice

Cette étude porte sur la représentation de la déformation du corps humain, afin de défendre l’idée que ces exemples de corps déformés ont fini par… (more)

Subjects/Keywords: Corps; Monstruosité; Axis mundi; Victor Hugo; Dominique Ingres; Romantisme; Neoclassicisme; Body; Monstruosity; Axis mundi; Victor Hugo; Dominique Ingres; Romanticism; Neoclassicism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Santos da Silva Mártin, S. (2013). L'impact symbolique de la déformation du corps dans L'Homme qui rit de Victor Hugo et dans la peinture de Dominique Ingres : Symbolic impact of the deformation of the body in The Man who laughs by Victor Hugo and in the paintings of Dominique Ingres. (Doctoral Dissertation). Nice. Retrieved from http://www.theses.fr/2013NICE2014

Chicago Manual of Style (16th Edition):

Santos da Silva Mártin, Sílvio. “L'impact symbolique de la déformation du corps dans L'Homme qui rit de Victor Hugo et dans la peinture de Dominique Ingres : Symbolic impact of the deformation of the body in The Man who laughs by Victor Hugo and in the paintings of Dominique Ingres.” 2013. Doctoral Dissertation, Nice. Accessed June 16, 2019. http://www.theses.fr/2013NICE2014.

MLA Handbook (7th Edition):

Santos da Silva Mártin, Sílvio. “L'impact symbolique de la déformation du corps dans L'Homme qui rit de Victor Hugo et dans la peinture de Dominique Ingres : Symbolic impact of the deformation of the body in The Man who laughs by Victor Hugo and in the paintings of Dominique Ingres.” 2013. Web. 16 Jun 2019.

Vancouver:

Santos da Silva Mártin S. L'impact symbolique de la déformation du corps dans L'Homme qui rit de Victor Hugo et dans la peinture de Dominique Ingres : Symbolic impact of the deformation of the body in The Man who laughs by Victor Hugo and in the paintings of Dominique Ingres. [Internet] [Doctoral dissertation]. Nice; 2013. [cited 2019 Jun 16]. Available from: http://www.theses.fr/2013NICE2014.

Council of Science Editors:

Santos da Silva Mártin S. L'impact symbolique de la déformation du corps dans L'Homme qui rit de Victor Hugo et dans la peinture de Dominique Ingres : Symbolic impact of the deformation of the body in The Man who laughs by Victor Hugo and in the paintings of Dominique Ingres. [Doctoral Dissertation]. Nice; 2013. Available from: http://www.theses.fr/2013NICE2014

24. Mezinski, Zenon. Les chemins du paysage : quatre artistes voyageurs autour de la Méditerranée (1780-1840). Jérôme-René Demoulin, Jacques Moulinier, François Liger, Antoine-Laurent Castellan : Ways of landscape : four artists travelling around Mediterranean Sea, (1780-1840). Jérôme-René Demoulin, Jacques Moulinier, François Liger, Antoine-Laurent Castellan.

Degree: Docteur es, Histoire de l'art moderne, 2011, Université Paul Valéry – Montpellier III

Entre 1780 et 1830, la conception du paysage évolue radicalement. Au tournant des XVIIIème et XIXème siècles, Rome accueille une fraternité d’artistes qui construisent un… (more)

Subjects/Keywords: Dessin; Architecture; Paysage; Néoclassicisme; Voyage pittoresque; Attribution; Montpellier; Rome; Drawing; Architecture; Landscape; Neoclassicism; Picturesque journey; Attribution; Montpellier; Rome

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mezinski, Z. (2011). Les chemins du paysage : quatre artistes voyageurs autour de la Méditerranée (1780-1840). Jérôme-René Demoulin, Jacques Moulinier, François Liger, Antoine-Laurent Castellan : Ways of landscape : four artists travelling around Mediterranean Sea, (1780-1840). Jérôme-René Demoulin, Jacques Moulinier, François Liger, Antoine-Laurent Castellan. (Doctoral Dissertation). Université Paul Valéry – Montpellier III. Retrieved from http://www.theses.fr/2011MON30077

Chicago Manual of Style (16th Edition):

Mezinski, Zenon. “Les chemins du paysage : quatre artistes voyageurs autour de la Méditerranée (1780-1840). Jérôme-René Demoulin, Jacques Moulinier, François Liger, Antoine-Laurent Castellan : Ways of landscape : four artists travelling around Mediterranean Sea, (1780-1840). Jérôme-René Demoulin, Jacques Moulinier, François Liger, Antoine-Laurent Castellan.” 2011. Doctoral Dissertation, Université Paul Valéry – Montpellier III. Accessed June 16, 2019. http://www.theses.fr/2011MON30077.

MLA Handbook (7th Edition):

Mezinski, Zenon. “Les chemins du paysage : quatre artistes voyageurs autour de la Méditerranée (1780-1840). Jérôme-René Demoulin, Jacques Moulinier, François Liger, Antoine-Laurent Castellan : Ways of landscape : four artists travelling around Mediterranean Sea, (1780-1840). Jérôme-René Demoulin, Jacques Moulinier, François Liger, Antoine-Laurent Castellan.” 2011. Web. 16 Jun 2019.

Vancouver:

Mezinski Z. Les chemins du paysage : quatre artistes voyageurs autour de la Méditerranée (1780-1840). Jérôme-René Demoulin, Jacques Moulinier, François Liger, Antoine-Laurent Castellan : Ways of landscape : four artists travelling around Mediterranean Sea, (1780-1840). Jérôme-René Demoulin, Jacques Moulinier, François Liger, Antoine-Laurent Castellan. [Internet] [Doctoral dissertation]. Université Paul Valéry – Montpellier III; 2011. [cited 2019 Jun 16]. Available from: http://www.theses.fr/2011MON30077.

Council of Science Editors:

Mezinski Z. Les chemins du paysage : quatre artistes voyageurs autour de la Méditerranée (1780-1840). Jérôme-René Demoulin, Jacques Moulinier, François Liger, Antoine-Laurent Castellan : Ways of landscape : four artists travelling around Mediterranean Sea, (1780-1840). Jérôme-René Demoulin, Jacques Moulinier, François Liger, Antoine-Laurent Castellan. [Doctoral Dissertation]. Université Paul Valéry – Montpellier III; 2011. Available from: http://www.theses.fr/2011MON30077


Universidade Nova

25. Pina, Maria Isabel Amaro da Silva. Neoclassicismo, nacionalismo e latinidade em Luís de Freitas Branco, entre as décadas de 1910 e 1930.

Degree: 2016, Universidade Nova

Luís de Freitas Branco (1890-1955) esteve fortemente relacionado com o Integralismo Lusitano, movimento monárquico que surge, na década de 1910, pelas mãos de uma geração… (more)

Subjects/Keywords: Integralismo Lusitano; Latinidade; Neoclassicismo; Nacionalismo; Imprensa periódica portuguesa; Integralismo Lusitano; Neoclassicism; Nationalism; Latinism; Portuguese periodical press; Domínio/Área Científica::Humanidades::Artes

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APA (6th Edition):

Pina, M. I. A. d. S. (2016). Neoclassicismo, nacionalismo e latinidade em Luís de Freitas Branco, entre as décadas de 1910 e 1930. (Thesis). Universidade Nova. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/20127

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pina, Maria Isabel Amaro da Silva. “Neoclassicismo, nacionalismo e latinidade em Luís de Freitas Branco, entre as décadas de 1910 e 1930.” 2016. Thesis, Universidade Nova. Accessed June 16, 2019. http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/20127.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pina, Maria Isabel Amaro da Silva. “Neoclassicismo, nacionalismo e latinidade em Luís de Freitas Branco, entre as décadas de 1910 e 1930.” 2016. Web. 16 Jun 2019.

Vancouver:

Pina MIAdS. Neoclassicismo, nacionalismo e latinidade em Luís de Freitas Branco, entre as décadas de 1910 e 1930. [Internet] [Thesis]. Universidade Nova; 2016. [cited 2019 Jun 16]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/20127.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pina MIAdS. Neoclassicismo, nacionalismo e latinidade em Luís de Freitas Branco, entre as décadas de 1910 e 1930. [Thesis]. Universidade Nova; 2016. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/20127

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

26. How, Deborah H. Arnold Schoenberg's prelude from the Suite for Piano, op. 25: from composition with twelve tones to the twelve-tone method.

Degree: PhD, Music (Historical Musicology), 2009, University of Southern California

 Arnold Schoenberg’s Suite for Piano, Op. 25, is historically significant not only because it is the first of the composer’s large works to be unified… (more)

Subjects/Keywords: Arnold Schoenberg; composition with twelve tones; twelve-tone composition; neoclassical; neoclassicism; serial; Suite for Piano, Op. 25

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

How, D. H. (2009). Arnold Schoenberg's prelude from the Suite for Piano, op. 25: from composition with twelve tones to the twelve-tone method. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/188338/rec/893

Chicago Manual of Style (16th Edition):

How, Deborah H. “Arnold Schoenberg's prelude from the Suite for Piano, op. 25: from composition with twelve tones to the twelve-tone method.” 2009. Doctoral Dissertation, University of Southern California. Accessed June 16, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/188338/rec/893.

MLA Handbook (7th Edition):

How, Deborah H. “Arnold Schoenberg's prelude from the Suite for Piano, op. 25: from composition with twelve tones to the twelve-tone method.” 2009. Web. 16 Jun 2019.

Vancouver:

How DH. Arnold Schoenberg's prelude from the Suite for Piano, op. 25: from composition with twelve tones to the twelve-tone method. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2019 Jun 16]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/188338/rec/893.

Council of Science Editors:

How DH. Arnold Schoenberg's prelude from the Suite for Piano, op. 25: from composition with twelve tones to the twelve-tone method. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/188338/rec/893

27. Zidanič, Tjaša. Fantazija za komorni ansambel Ivana Pučnika: Živim z zemljo.

Degree: 2017, Univerza v Mariboru

V zaključnem delu je uvodoma osvetljena politična slika in kulturno življenje na slovenskih tleh pred prvo svetovno vojno in med obema vojnama. Sledi oris glasbenega… (more)

Subjects/Keywords: ekspresionizem; neoklasicizem; neobarok; Marij Kogoj; Slavko Osterc; Alois Hába; antropozofija; Expressionism; Neoclassicism; Neo-Baroque; Marij Kogoj; Slavko Osterc; Alois Hába; anthroposophy; info:eu-repo/classification/udc/78.036(497.4)(043.2)

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APA (6th Edition):

Zidanič, T. (2017). Fantazija za komorni ansambel Ivana Pučnika: Živim z zemljo. (Masters Thesis). Univerza v Mariboru. Retrieved from https://dk.um.si/IzpisGradiva.php?id=68826 ; https://dk.um.si/Dokument.php?id=120431&dn= ; https://plus.si.cobiss.net/opac7/bib/23492872?lang=sl

Chicago Manual of Style (16th Edition):

Zidanič, Tjaša. “Fantazija za komorni ansambel Ivana Pučnika: Živim z zemljo.” 2017. Masters Thesis, Univerza v Mariboru. Accessed June 16, 2019. https://dk.um.si/IzpisGradiva.php?id=68826 ; https://dk.um.si/Dokument.php?id=120431&dn= ; https://plus.si.cobiss.net/opac7/bib/23492872?lang=sl.

MLA Handbook (7th Edition):

Zidanič, Tjaša. “Fantazija za komorni ansambel Ivana Pučnika: Živim z zemljo.” 2017. Web. 16 Jun 2019.

Vancouver:

Zidanič T. Fantazija za komorni ansambel Ivana Pučnika: Živim z zemljo. [Internet] [Masters thesis]. Univerza v Mariboru; 2017. [cited 2019 Jun 16]. Available from: https://dk.um.si/IzpisGradiva.php?id=68826 ; https://dk.um.si/Dokument.php?id=120431&dn= ; https://plus.si.cobiss.net/opac7/bib/23492872?lang=sl.

Council of Science Editors:

Zidanič T. Fantazija za komorni ansambel Ivana Pučnika: Živim z zemljo. [Masters Thesis]. Univerza v Mariboru; 2017. Available from: https://dk.um.si/IzpisGradiva.php?id=68826 ; https://dk.um.si/Dokument.php?id=120431&dn= ; https://plus.si.cobiss.net/opac7/bib/23492872?lang=sl

28. Σταματάκη, Ιωάννα. Υβριδικά ειδολογικά μορφώματα του νεοελληνικού έντεχνου πεζού λόγου: από τα «Προλεγόμενα» του Αδαμ. Κοραή στη «διηγηματική εγκυκλοπαίδεια» του Εμμ. Ροΐδη.

Degree: 2012, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

 Σκόπευση της κρινόμενης διατριβής είναι η παρουσίαση των ιδιαίτερων κειμενικών και επικοινωνιακών συμβάσεων που συγκροτούν μια σειρά πεζών κειμένων εκτεινόμενων χρονικά από τον 18ο ως… (more)

Subjects/Keywords: Είδος; Τύπος λόγου; Υβριδικό; Διαλογικότητα; Νεοκλασικισμός; Ρομαντισμός; Διαφωτισμός; Κειμενικές και επικοινωνιακές συμβάσεις; Genre; Type of speech; Hybrid; Dialogism; Neoclassicism; Romanticism; Enlightment; Textual-Communicative conventions

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APA (6th Edition):

Σταματάκη, . . (2012). Υβριδικά ειδολογικά μορφώματα του νεοελληνικού έντεχνου πεζού λόγου: από τα «Προλεγόμενα» του Αδαμ. Κοραή στη «διηγηματική εγκυκλοπαίδεια» του Εμμ. Ροΐδη. (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/26889

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Σταματάκη, Ιωάννα. “Υβριδικά ειδολογικά μορφώματα του νεοελληνικού έντεχνου πεζού λόγου: από τα «Προλεγόμενα» του Αδαμ. Κοραή στη «διηγηματική εγκυκλοπαίδεια» του Εμμ. Ροΐδη.” 2012. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed June 16, 2019. http://hdl.handle.net/10442/hedi/26889.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Σταματάκη, Ιωάννα. “Υβριδικά ειδολογικά μορφώματα του νεοελληνικού έντεχνου πεζού λόγου: από τα «Προλεγόμενα» του Αδαμ. Κοραή στη «διηγηματική εγκυκλοπαίδεια» του Εμμ. Ροΐδη.” 2012. Web. 16 Jun 2019.

Vancouver:

Σταματάκη . Υβριδικά ειδολογικά μορφώματα του νεοελληνικού έντεχνου πεζού λόγου: από τα «Προλεγόμενα» του Αδαμ. Κοραή στη «διηγηματική εγκυκλοπαίδεια» του Εμμ. Ροΐδη. [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2012. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/10442/hedi/26889.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Σταματάκη . Υβριδικά ειδολογικά μορφώματα του νεοελληνικού έντεχνου πεζού λόγου: από τα «Προλεγόμενα» του Αδαμ. Κοραή στη «διηγηματική εγκυκλοπαίδεια» του Εμμ. Ροΐδη. [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2012. Available from: http://hdl.handle.net/10442/hedi/26889

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Κονταράτος, Ιωάννης. Ο ανατρεπτικός χαρακτήρας της θεωρίας του William Blake για την τέχνη και η σημασία του εικαστικού του έργου για την κατανόησή της.

Degree: 2012, Panteion University of Social and Political Sciences; Πάντειο Πανεπιστήμιο Κοινωνικών και Πολιτικών Επιστημών

 Συμπεράσματα :Στη μελέτη αυτή επιχειρήσαμε να προσεγγίσουμε τη θεωρία του William Blake για την τέχνη μέσα από μια διαφορετική οπτική απ’ ότι οι μέχρι σήμερα… (more)

Subjects/Keywords: Τέχνες, Θεωρία της; Τέχνες, Φιλοσοφία της; Βρετανική τέχνη 18ου αιώνα; Νεοκλασικισμός; Πριμιτιβισμός; Πρωτόγονο; Art, Theory of; Art, Philosophy of; 18th century british art; Neoclassicism; Primitivism; William blake studies

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APA (6th Edition):

Κονταράτος, . . (2012). Ο ανατρεπτικός χαρακτήρας της θεωρίας του William Blake για την τέχνη και η σημασία του εικαστικού του έργου για την κατανόησή της. (Thesis). Panteion University of Social and Political Sciences; Πάντειο Πανεπιστήμιο Κοινωνικών και Πολιτικών Επιστημών. Retrieved from http://hdl.handle.net/10442/hedi/28220

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Κονταράτος, Ιωάννης. “Ο ανατρεπτικός χαρακτήρας της θεωρίας του William Blake για την τέχνη και η σημασία του εικαστικού του έργου για την κατανόησή της.” 2012. Thesis, Panteion University of Social and Political Sciences; Πάντειο Πανεπιστήμιο Κοινωνικών και Πολιτικών Επιστημών. Accessed June 16, 2019. http://hdl.handle.net/10442/hedi/28220.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Κονταράτος, Ιωάννης. “Ο ανατρεπτικός χαρακτήρας της θεωρίας του William Blake για την τέχνη και η σημασία του εικαστικού του έργου για την κατανόησή της.” 2012. Web. 16 Jun 2019.

Vancouver:

Κονταράτος . Ο ανατρεπτικός χαρακτήρας της θεωρίας του William Blake για την τέχνη και η σημασία του εικαστικού του έργου για την κατανόησή της. [Internet] [Thesis]. Panteion University of Social and Political Sciences; Πάντειο Πανεπιστήμιο Κοινωνικών και Πολιτικών Επιστημών; 2012. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/10442/hedi/28220.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Κονταράτος . Ο ανατρεπτικός χαρακτήρας της θεωρίας του William Blake για την τέχνη και η σημασία του εικαστικού του έργου για την κατανόησή της. [Thesis]. Panteion University of Social and Political Sciences; Πάντειο Πανεπιστήμιο Κοινωνικών και Πολιτικών Επιστημών; 2012. Available from: http://hdl.handle.net/10442/hedi/28220

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

30. Dupuis, Patrik. L'influence caravagesque dans l'art de Jacques-Louis David .

Degree: 2013, Université de Montréal

 Ce mémoire de maîtrise est consacré à un aspect peu étudié de l'art de Jacques-Louis David, c'est-à-dire l'influence caravagesque dans les œuvres de l'artiste. Les… (more)

Subjects/Keywords: Jacques-Louis David; Michelangelo Merisi da Caravaggio; Caravage; Influence; Néoclassicisme; Naturalisme; Idéalisme; Homosexualité; Androgynie; 18e siècle; Neoclassicism; Naturalism; Idealism; Homosexuality; Androgyny; 18th century

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APA (6th Edition):

Dupuis, P. (2013). L'influence caravagesque dans l'art de Jacques-Louis David . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/10297

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dupuis, Patrik. “L'influence caravagesque dans l'art de Jacques-Louis David .” 2013. Thesis, Université de Montréal. Accessed June 16, 2019. http://hdl.handle.net/1866/10297.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dupuis, Patrik. “L'influence caravagesque dans l'art de Jacques-Louis David .” 2013. Web. 16 Jun 2019.

Vancouver:

Dupuis P. L'influence caravagesque dans l'art de Jacques-Louis David . [Internet] [Thesis]. Université de Montréal; 2013. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/1866/10297.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dupuis P. L'influence caravagesque dans l'art de Jacques-Louis David . [Thesis]. Université de Montréal; 2013. Available from: http://hdl.handle.net/1866/10297

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2]

.