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You searched for subject:(Nd). Showing records 1 – 30 of 282 total matches.

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University of Huddersfield

1. Soden, Alexandra. Touch: an enquiry.

Degree: 2014, University of Huddersfield

 This thesis forms part of a practice-based enquiry into ‘touch’ from a painter’s perspective. I am investigating touch as a three-way interplay: 1. the act… (more)

Subjects/Keywords: ND Painting

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APA (6th Edition):

Soden, A. (2014). Touch: an enquiry. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/23553/1/psodenfinalthesis.pdf

Chicago Manual of Style (16th Edition):

Soden, Alexandra. “Touch: an enquiry.” 2014. Masters Thesis, University of Huddersfield. Accessed April 21, 2019. http://eprints.hud.ac.uk/id/eprint/23553/1/psodenfinalthesis.pdf.

MLA Handbook (7th Edition):

Soden, Alexandra. “Touch: an enquiry.” 2014. Web. 21 Apr 2019.

Vancouver:

Soden A. Touch: an enquiry. [Internet] [Masters thesis]. University of Huddersfield; 2014. [cited 2019 Apr 21]. Available from: http://eprints.hud.ac.uk/id/eprint/23553/1/psodenfinalthesis.pdf.

Council of Science Editors:

Soden A. Touch: an enquiry. [Masters Thesis]. University of Huddersfield; 2014. Available from: http://eprints.hud.ac.uk/id/eprint/23553/1/psodenfinalthesis.pdf


University of Glasgow

2. Toreno, Elisabetta. Fifteenth-Century Italian and Netherlandish female portraiture in context: a legal-anthropological interpretation.

Degree: PhD, 2015, University of Glasgow

 This thesis contributes to the study of portraiture by delivering an appraisal of female portraits produced in the urban areas of Italy and Flanders in… (more)

Subjects/Keywords: ND Painting

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APA (6th Edition):

Toreno, E. (2015). Fifteenth-Century Italian and Netherlandish female portraiture in context: a legal-anthropological interpretation. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/6728/

Chicago Manual of Style (16th Edition):

Toreno, Elisabetta. “Fifteenth-Century Italian and Netherlandish female portraiture in context: a legal-anthropological interpretation.” 2015. Doctoral Dissertation, University of Glasgow. Accessed April 21, 2019. http://theses.gla.ac.uk/6728/.

MLA Handbook (7th Edition):

Toreno, Elisabetta. “Fifteenth-Century Italian and Netherlandish female portraiture in context: a legal-anthropological interpretation.” 2015. Web. 21 Apr 2019.

Vancouver:

Toreno E. Fifteenth-Century Italian and Netherlandish female portraiture in context: a legal-anthropological interpretation. [Internet] [Doctoral dissertation]. University of Glasgow; 2015. [cited 2019 Apr 21]. Available from: http://theses.gla.ac.uk/6728/.

Council of Science Editors:

Toreno E. Fifteenth-Century Italian and Netherlandish female portraiture in context: a legal-anthropological interpretation. [Doctoral Dissertation]. University of Glasgow; 2015. Available from: http://theses.gla.ac.uk/6728/


University of Glasgow

3. Szalay, Klaudia. Naturalism and national identity in the context of empire: the Nagybanya Artists' Colony and the Glasgow Boys.

Degree: 2010, University of Glasgow

 This thesis sets out to provide a systematic comparison and contrast of two groups of Naturalist painters: the Nagybánya artists’ colony and the Glasgow Boys.… (more)

Subjects/Keywords: ND Painting

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APA (6th Edition):

Szalay, K. (2010). Naturalism and national identity in the context of empire: the Nagybanya Artists' Colony and the Glasgow Boys. (Thesis). University of Glasgow. Retrieved from http://theses.gla.ac.uk/2166/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Szalay, Klaudia. “Naturalism and national identity in the context of empire: the Nagybanya Artists' Colony and the Glasgow Boys.” 2010. Thesis, University of Glasgow. Accessed April 21, 2019. http://theses.gla.ac.uk/2166/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Szalay, Klaudia. “Naturalism and national identity in the context of empire: the Nagybanya Artists' Colony and the Glasgow Boys.” 2010. Web. 21 Apr 2019.

Vancouver:

Szalay K. Naturalism and national identity in the context of empire: the Nagybanya Artists' Colony and the Glasgow Boys. [Internet] [Thesis]. University of Glasgow; 2010. [cited 2019 Apr 21]. Available from: http://theses.gla.ac.uk/2166/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Szalay K. Naturalism and national identity in the context of empire: the Nagybanya Artists' Colony and the Glasgow Boys. [Thesis]. University of Glasgow; 2010. Available from: http://theses.gla.ac.uk/2166/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

4. Naylor, Aileen Elizabeth. Simeon Solomon's work before 1873: interpretation and identity.

Degree: m_ph, College of Arts & Law, 2010, University of Birmingham

 This thesis has two aims. The first is to demonstrate that commentaries on the work produced by Simeon Solomon (1840-1905) before 1873, an artist who… (more)

Subjects/Keywords: ND Painting

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APA (6th Edition):

Naylor, A. E. (2010). Simeon Solomon's work before 1873: interpretation and identity. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/714/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Naylor, Aileen Elizabeth. “Simeon Solomon's work before 1873: interpretation and identity.” 2010. Thesis, University of Birmingham. Accessed April 21, 2019. http://etheses.bham.ac.uk//id/eprint/714/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Naylor, Aileen Elizabeth. “Simeon Solomon's work before 1873: interpretation and identity.” 2010. Web. 21 Apr 2019.

Vancouver:

Naylor AE. Simeon Solomon's work before 1873: interpretation and identity. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Apr 21]. Available from: http://etheses.bham.ac.uk//id/eprint/714/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Naylor AE. Simeon Solomon's work before 1873: interpretation and identity. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/714/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

5. Weston, Hazel. Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art.

Degree: m_ph, College of Arts & Law, 2010, University of Birmingham

 This dissertation will focus on a painting in the Bristol City Art Gallery and Museum entitled Christ’s Descent into Limbo, attributed to Giovanni Bellini (c.1430-1516)… (more)

Subjects/Keywords: ND Painting

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APA (6th Edition):

Weston, H. (2010). Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1181/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Weston, Hazel. “Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art.” 2010. Thesis, University of Birmingham. Accessed April 21, 2019. http://etheses.bham.ac.uk//id/eprint/1181/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Weston, Hazel. “Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art.” 2010. Web. 21 Apr 2019.

Vancouver:

Weston H. Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Apr 21]. Available from: http://etheses.bham.ac.uk//id/eprint/1181/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Weston H. Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/1181/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

6. Foulkes, Tamsin. The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762).

Degree: m_ph, College of Arts & Law, 2011, University of Birmingham

 This study examines Voltaire’s (1694-1778) poem La Pucelle d’Orléans (The Maid of Orléans) of 1762 and the accompanying illustrations by Gravelot (1699-1773) as an adaptation… (more)

Subjects/Keywords: ND Painting

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APA (6th Edition):

Foulkes, T. (2011). The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1737/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Foulkes, Tamsin. “The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762).” 2011. Thesis, University of Birmingham. Accessed April 21, 2019. http://etheses.bham.ac.uk//id/eprint/1737/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Foulkes, Tamsin. “The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762).” 2011. Web. 21 Apr 2019.

Vancouver:

Foulkes T. The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762). [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Apr 21]. Available from: http://etheses.bham.ac.uk//id/eprint/1737/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Foulkes T. The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762). [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/1737/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Edwards, Jamie Lee. Still looking for Pieter Bruegel the Elder.

Degree: m_ph, College of Arts & Law, 2013, University of Birmingham

 Pieter Bruegel the Elder (c.1526-69) is one of the most renowned sixteenth-century Netherlandish artists. Paradoxically, however, he is also one of the most mysterious and… (more)

Subjects/Keywords: ND Painting

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APA (6th Edition):

Edwards, J. L. (2013). Still looking for Pieter Bruegel the Elder. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4164/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Edwards, Jamie Lee. “Still looking for Pieter Bruegel the Elder.” 2013. Thesis, University of Birmingham. Accessed April 21, 2019. http://etheses.bham.ac.uk//id/eprint/4164/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Edwards, Jamie Lee. “Still looking for Pieter Bruegel the Elder.” 2013. Web. 21 Apr 2019.

Vancouver:

Edwards JL. Still looking for Pieter Bruegel the Elder. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Apr 21]. Available from: http://etheses.bham.ac.uk//id/eprint/4164/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Edwards JL. Still looking for Pieter Bruegel the Elder. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4164/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Warwick

8. Collier, Carly Elizabeth. British artists and early Italian art c. 1770-1845 : the pre Pre-Raphaelites?.

Degree: 2013, University of Warwick

 This thesis examines the hitherto largely-overlooked multifarious response by British artists to early Italian art which pre-dated the activity of the Pre-Raphaelites and their greatest… (more)

Subjects/Keywords: 700; ND Painting

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APA (6th Edition):

Collier, C. E. (2013). British artists and early Italian art c. 1770-1845 : the pre Pre-Raphaelites?. (Doctoral Dissertation). University of Warwick. Retrieved from http://wrap.warwick.ac.uk/62965/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.618930

Chicago Manual of Style (16th Edition):

Collier, Carly Elizabeth. “British artists and early Italian art c. 1770-1845 : the pre Pre-Raphaelites?.” 2013. Doctoral Dissertation, University of Warwick. Accessed April 21, 2019. http://wrap.warwick.ac.uk/62965/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.618930.

MLA Handbook (7th Edition):

Collier, Carly Elizabeth. “British artists and early Italian art c. 1770-1845 : the pre Pre-Raphaelites?.” 2013. Web. 21 Apr 2019.

Vancouver:

Collier CE. British artists and early Italian art c. 1770-1845 : the pre Pre-Raphaelites?. [Internet] [Doctoral dissertation]. University of Warwick; 2013. [cited 2019 Apr 21]. Available from: http://wrap.warwick.ac.uk/62965/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.618930.

Council of Science Editors:

Collier CE. British artists and early Italian art c. 1770-1845 : the pre Pre-Raphaelites?. [Doctoral Dissertation]. University of Warwick; 2013. Available from: http://wrap.warwick.ac.uk/62965/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.618930


University of Warwick

9. Vella, Charlene. In the footsteps of Antonello Da Messina : the Antonelliani in Sicily and Venice in the late fifteenth and early sixteenth centuries.

Degree: PhD, 2015, University of Warwick

 This thesis seeks to broaden existing knowledge of the great Sicilian Renaissance artist Antonello da Messina whose work has in recent years been the subject(more)

Subjects/Keywords: 759.5; ND Painting

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APA (6th Edition):

Vella, C. (2015). In the footsteps of Antonello Da Messina : the Antonelliani in Sicily and Venice in the late fifteenth and early sixteenth centuries. (Doctoral Dissertation). University of Warwick. Retrieved from http://wrap.warwick.ac.uk/80031/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.690474

Chicago Manual of Style (16th Edition):

Vella, Charlene. “In the footsteps of Antonello Da Messina : the Antonelliani in Sicily and Venice in the late fifteenth and early sixteenth centuries.” 2015. Doctoral Dissertation, University of Warwick. Accessed April 21, 2019. http://wrap.warwick.ac.uk/80031/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.690474.

MLA Handbook (7th Edition):

Vella, Charlene. “In the footsteps of Antonello Da Messina : the Antonelliani in Sicily and Venice in the late fifteenth and early sixteenth centuries.” 2015. Web. 21 Apr 2019.

Vancouver:

Vella C. In the footsteps of Antonello Da Messina : the Antonelliani in Sicily and Venice in the late fifteenth and early sixteenth centuries. [Internet] [Doctoral dissertation]. University of Warwick; 2015. [cited 2019 Apr 21]. Available from: http://wrap.warwick.ac.uk/80031/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.690474.

Council of Science Editors:

Vella C. In the footsteps of Antonello Da Messina : the Antonelliani in Sicily and Venice in the late fifteenth and early sixteenth centuries. [Doctoral Dissertation]. University of Warwick; 2015. Available from: http://wrap.warwick.ac.uk/80031/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.690474


University of Southampton

10. Hawkins, Kate. Sites of action : an investigation of performance painting and spectatorship.

Degree: PhD, 2013, University of Southampton

 This practice-based research sets out to explore modes of address and spectatorship in relation to contemporary painting. Taking as its point of departure Michael Fried’s… (more)

Subjects/Keywords: 700; ND Painting

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APA (6th Edition):

Hawkins, K. (2013). Sites of action : an investigation of performance painting and spectatorship. (Doctoral Dissertation). University of Southampton. Retrieved from https://eprints.soton.ac.uk/367756/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.628674

Chicago Manual of Style (16th Edition):

Hawkins, Kate. “Sites of action : an investigation of performance painting and spectatorship.” 2013. Doctoral Dissertation, University of Southampton. Accessed April 21, 2019. https://eprints.soton.ac.uk/367756/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.628674.

MLA Handbook (7th Edition):

Hawkins, Kate. “Sites of action : an investigation of performance painting and spectatorship.” 2013. Web. 21 Apr 2019.

Vancouver:

Hawkins K. Sites of action : an investigation of performance painting and spectatorship. [Internet] [Doctoral dissertation]. University of Southampton; 2013. [cited 2019 Apr 21]. Available from: https://eprints.soton.ac.uk/367756/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.628674.

Council of Science Editors:

Hawkins K. Sites of action : an investigation of performance painting and spectatorship. [Doctoral Dissertation]. University of Southampton; 2013. Available from: https://eprints.soton.ac.uk/367756/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.628674


University of Southampton

11. Morley, Simon. The Anadyomene Movement : metamorphics of figure-ground.

Degree: PhD, 2012, University of Southampton

 ‘Figure-ground’ is about the production of meaning based on the perception of contrasts or binary oppositions and segregations. Viewers of my paintings, and of the… (more)

Subjects/Keywords: 750.1; ND Painting

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APA (6th Edition):

Morley, S. (2012). The Anadyomene Movement : metamorphics of figure-ground. (Doctoral Dissertation). University of Southampton. Retrieved from https://eprints.soton.ac.uk/354402/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.581458

Chicago Manual of Style (16th Edition):

Morley, Simon. “The Anadyomene Movement : metamorphics of figure-ground.” 2012. Doctoral Dissertation, University of Southampton. Accessed April 21, 2019. https://eprints.soton.ac.uk/354402/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.581458.

MLA Handbook (7th Edition):

Morley, Simon. “The Anadyomene Movement : metamorphics of figure-ground.” 2012. Web. 21 Apr 2019.

Vancouver:

Morley S. The Anadyomene Movement : metamorphics of figure-ground. [Internet] [Doctoral dissertation]. University of Southampton; 2012. [cited 2019 Apr 21]. Available from: https://eprints.soton.ac.uk/354402/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.581458.

Council of Science Editors:

Morley S. The Anadyomene Movement : metamorphics of figure-ground. [Doctoral Dissertation]. University of Southampton; 2012. Available from: https://eprints.soton.ac.uk/354402/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.581458


University of Birmingham

12. Gore, Charlotte. Identities in transition : German landscape painting 1871-1914.

Degree: PhD, 2011, University of Birmingham

 The approach to this thesis uses political history to interpret art history. The following chapters are dedicated to uncovering how artists defined Germany’s various lands.… (more)

Subjects/Keywords: 708; ND Painting

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APA (6th Edition):

Gore, C. (2011). Identities in transition : German landscape painting 1871-1914. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1724/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.537284

Chicago Manual of Style (16th Edition):

Gore, Charlotte. “Identities in transition : German landscape painting 1871-1914.” 2011. Doctoral Dissertation, University of Birmingham. Accessed April 21, 2019. http://etheses.bham.ac.uk//id/eprint/1724/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.537284.

MLA Handbook (7th Edition):

Gore, Charlotte. “Identities in transition : German landscape painting 1871-1914.” 2011. Web. 21 Apr 2019.

Vancouver:

Gore C. Identities in transition : German landscape painting 1871-1914. [Internet] [Doctoral dissertation]. University of Birmingham; 2011. [cited 2019 Apr 21]. Available from: http://etheses.bham.ac.uk//id/eprint/1724/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.537284.

Council of Science Editors:

Gore C. Identities in transition : German landscape painting 1871-1914. [Doctoral Dissertation]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/1724/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.537284


University of Warwick

13. Ichikawa, Kayoko. Guido da Siena's narrative panels and the Madonna del Voto : the formation of the Marian civic identity in Sienese Art c.1260.

Degree: PhD, 2015, University of Warwick

 This thesis examines the reconstructed altarpiece formed by the Madonna del Voto, the Coronation of the Virgin, and the twelve narrative panels dated circa 1267… (more)

Subjects/Keywords: 759.5; ND Painting

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APA (6th Edition):

Ichikawa, K. (2015). Guido da Siena's narrative panels and the Madonna del Voto : the formation of the Marian civic identity in Sienese Art c.1260. (Doctoral Dissertation). University of Warwick. Retrieved from http://wrap.warwick.ac.uk/77733/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.682948

Chicago Manual of Style (16th Edition):

Ichikawa, Kayoko. “Guido da Siena's narrative panels and the Madonna del Voto : the formation of the Marian civic identity in Sienese Art c.1260.” 2015. Doctoral Dissertation, University of Warwick. Accessed April 21, 2019. http://wrap.warwick.ac.uk/77733/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.682948.

MLA Handbook (7th Edition):

Ichikawa, Kayoko. “Guido da Siena's narrative panels and the Madonna del Voto : the formation of the Marian civic identity in Sienese Art c.1260.” 2015. Web. 21 Apr 2019.

Vancouver:

Ichikawa K. Guido da Siena's narrative panels and the Madonna del Voto : the formation of the Marian civic identity in Sienese Art c.1260. [Internet] [Doctoral dissertation]. University of Warwick; 2015. [cited 2019 Apr 21]. Available from: http://wrap.warwick.ac.uk/77733/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.682948.

Council of Science Editors:

Ichikawa K. Guido da Siena's narrative panels and the Madonna del Voto : the formation of the Marian civic identity in Sienese Art c.1260. [Doctoral Dissertation]. University of Warwick; 2015. Available from: http://wrap.warwick.ac.uk/77733/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.682948


University of Warwick

14. Haughton, Ann. Mythology and masculinity : a study of gender, sexuality and identity in the art of the Italian Renaissance.

Degree: PhD, 2014, University of Warwick

 The concerns of this thesis are aligned with approaches to the historical study of sexuality, gender and identity in art, society and culture which are… (more)

Subjects/Keywords: 700; NB Sculpture; ND Painting

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APA (6th Edition):

Haughton, A. (2014). Mythology and masculinity : a study of gender, sexuality and identity in the art of the Italian Renaissance. (Doctoral Dissertation). University of Warwick. Retrieved from http://wrap.warwick.ac.uk/68267/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655595

Chicago Manual of Style (16th Edition):

Haughton, Ann. “Mythology and masculinity : a study of gender, sexuality and identity in the art of the Italian Renaissance.” 2014. Doctoral Dissertation, University of Warwick. Accessed April 21, 2019. http://wrap.warwick.ac.uk/68267/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655595.

MLA Handbook (7th Edition):

Haughton, Ann. “Mythology and masculinity : a study of gender, sexuality and identity in the art of the Italian Renaissance.” 2014. Web. 21 Apr 2019.

Vancouver:

Haughton A. Mythology and masculinity : a study of gender, sexuality and identity in the art of the Italian Renaissance. [Internet] [Doctoral dissertation]. University of Warwick; 2014. [cited 2019 Apr 21]. Available from: http://wrap.warwick.ac.uk/68267/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655595.

Council of Science Editors:

Haughton A. Mythology and masculinity : a study of gender, sexuality and identity in the art of the Italian Renaissance. [Doctoral Dissertation]. University of Warwick; 2014. Available from: http://wrap.warwick.ac.uk/68267/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655595

15. Kafaru, Abiodun Babatunde. An exploration of painting aesthetics, signs, symbols, motifs and patterns of coastal Yoruba land of Nigeria.

Degree: PhD, 2014, University of Northampton

Subjects/Keywords: ND Painting

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APA (6th Edition):

Kafaru, A. B. (2014). An exploration of painting aesthetics, signs, symbols, motifs and patterns of coastal Yoruba land of Nigeria. (Doctoral Dissertation). University of Northampton. Retrieved from http://nectar.northampton.ac.uk/8864/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697977

Chicago Manual of Style (16th Edition):

Kafaru, Abiodun Babatunde. “An exploration of painting aesthetics, signs, symbols, motifs and patterns of coastal Yoruba land of Nigeria.” 2014. Doctoral Dissertation, University of Northampton. Accessed April 21, 2019. http://nectar.northampton.ac.uk/8864/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697977.

MLA Handbook (7th Edition):

Kafaru, Abiodun Babatunde. “An exploration of painting aesthetics, signs, symbols, motifs and patterns of coastal Yoruba land of Nigeria.” 2014. Web. 21 Apr 2019.

Vancouver:

Kafaru AB. An exploration of painting aesthetics, signs, symbols, motifs and patterns of coastal Yoruba land of Nigeria. [Internet] [Doctoral dissertation]. University of Northampton; 2014. [cited 2019 Apr 21]. Available from: http://nectar.northampton.ac.uk/8864/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697977.

Council of Science Editors:

Kafaru AB. An exploration of painting aesthetics, signs, symbols, motifs and patterns of coastal Yoruba land of Nigeria. [Doctoral Dissertation]. University of Northampton; 2014. Available from: http://nectar.northampton.ac.uk/8864/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697977

16. Abdullah, Hannah. New German painting : painting, nostalgia & cultural identity in post-unification Germany.

Degree: PhD, 2012, London School of Economics and Political Science (University of London)

 During the past decade one of the bestsellers in the American art market was a group of figurative-representational paintings from post-Unification Germany. Dubbed “New German… (more)

Subjects/Keywords: 759.3; HM Sociology; ND Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Abdullah, H. (2012). New German painting : painting, nostalgia & cultural identity in post-unification Germany. (Doctoral Dissertation). London School of Economics and Political Science (University of London). Retrieved from http://etheses.lse.ac.uk/617/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.574144

Chicago Manual of Style (16th Edition):

Abdullah, Hannah. “New German painting : painting, nostalgia & cultural identity in post-unification Germany.” 2012. Doctoral Dissertation, London School of Economics and Political Science (University of London). Accessed April 21, 2019. http://etheses.lse.ac.uk/617/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.574144.

MLA Handbook (7th Edition):

Abdullah, Hannah. “New German painting : painting, nostalgia & cultural identity in post-unification Germany.” 2012. Web. 21 Apr 2019.

Vancouver:

Abdullah H. New German painting : painting, nostalgia & cultural identity in post-unification Germany. [Internet] [Doctoral dissertation]. London School of Economics and Political Science (University of London); 2012. [cited 2019 Apr 21]. Available from: http://etheses.lse.ac.uk/617/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.574144.

Council of Science Editors:

Abdullah H. New German painting : painting, nostalgia & cultural identity in post-unification Germany. [Doctoral Dissertation]. London School of Economics and Political Science (University of London); 2012. Available from: http://etheses.lse.ac.uk/617/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.574144


Louisiana State University

17. Loser, Christopher Jay. Leadership in environmental and energy design : a true sustainable development model?.

Degree: MS, Environmental Sciences, 2013, Louisiana State University

 Suburban sprawl and sustainable development has received increasing worldwide attention over the past few decades. In 1998, sustainable development principles were codified in the Leadership… (more)

Subjects/Keywords: LEED-ND; LEED; sustainable development

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APA (6th Edition):

Loser, C. J. (2013). Leadership in environmental and energy design : a true sustainable development model?. (Masters Thesis). Louisiana State University. Retrieved from etd-04082013-105503 ; https://digitalcommons.lsu.edu/gradschool_theses/3466

Chicago Manual of Style (16th Edition):

Loser, Christopher Jay. “Leadership in environmental and energy design : a true sustainable development model?.” 2013. Masters Thesis, Louisiana State University. Accessed April 21, 2019. etd-04082013-105503 ; https://digitalcommons.lsu.edu/gradschool_theses/3466.

MLA Handbook (7th Edition):

Loser, Christopher Jay. “Leadership in environmental and energy design : a true sustainable development model?.” 2013. Web. 21 Apr 2019.

Vancouver:

Loser CJ. Leadership in environmental and energy design : a true sustainable development model?. [Internet] [Masters thesis]. Louisiana State University; 2013. [cited 2019 Apr 21]. Available from: etd-04082013-105503 ; https://digitalcommons.lsu.edu/gradschool_theses/3466.

Council of Science Editors:

Loser CJ. Leadership in environmental and energy design : a true sustainable development model?. [Masters Thesis]. Louisiana State University; 2013. Available from: etd-04082013-105503 ; https://digitalcommons.lsu.edu/gradschool_theses/3466


University of Huddersfield

18. De Vos, Zegar. Narrative through texture: shaping sound through abstract painting in my practice of ambient music.

Degree: 2017, University of Huddersfield

 In an aesthetic of ambient music, this research investigates the creation of musical narrative through texture. The author finds varying results by experimenting with two… (more)

Subjects/Keywords: M Music; ND Painting

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APA (6th Edition):

De Vos, Z. (2017). Narrative through texture: shaping sound through abstract painting in my practice of ambient music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/31211/1/__nas01_librhome_librsh3_Desktop_FINAL%20THESIS.pdf

Chicago Manual of Style (16th Edition):

De Vos, Zegar. “Narrative through texture: shaping sound through abstract painting in my practice of ambient music.” 2017. Masters Thesis, University of Huddersfield. Accessed April 21, 2019. http://eprints.hud.ac.uk/id/eprint/31211/1/__nas01_librhome_librsh3_Desktop_FINAL%20THESIS.pdf.

MLA Handbook (7th Edition):

De Vos, Zegar. “Narrative through texture: shaping sound through abstract painting in my practice of ambient music.” 2017. Web. 21 Apr 2019.

Vancouver:

De Vos Z. Narrative through texture: shaping sound through abstract painting in my practice of ambient music. [Internet] [Masters thesis]. University of Huddersfield; 2017. [cited 2019 Apr 21]. Available from: http://eprints.hud.ac.uk/id/eprint/31211/1/__nas01_librhome_librsh3_Desktop_FINAL%20THESIS.pdf.

Council of Science Editors:

De Vos Z. Narrative through texture: shaping sound through abstract painting in my practice of ambient music. [Masters Thesis]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/31211/1/__nas01_librhome_librsh3_Desktop_FINAL%20THESIS.pdf


University of Glasgow

19. Gordon, Grier Robertson. Scottish scenes and Scottish story : the later career of David Allan, historical painter.

Degree: PhD, 1990, University of Glasgow

 David Allan's artistic career may be divided into two major periods. Having first attended the Foulis Academy, he spent at least a decade in Italy,… (more)

Subjects/Keywords: ND Painting

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APA (6th Edition):

Gordon, G. R. (1990). Scottish scenes and Scottish story : the later career of David Allan, historical painter. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/2505/

Chicago Manual of Style (16th Edition):

Gordon, Grier Robertson. “Scottish scenes and Scottish story : the later career of David Allan, historical painter.” 1990. Doctoral Dissertation, University of Glasgow. Accessed April 21, 2019. http://theses.gla.ac.uk/2505/.

MLA Handbook (7th Edition):

Gordon, Grier Robertson. “Scottish scenes and Scottish story : the later career of David Allan, historical painter.” 1990. Web. 21 Apr 2019.

Vancouver:

Gordon GR. Scottish scenes and Scottish story : the later career of David Allan, historical painter. [Internet] [Doctoral dissertation]. University of Glasgow; 1990. [cited 2019 Apr 21]. Available from: http://theses.gla.ac.uk/2505/.

Council of Science Editors:

Gordon GR. Scottish scenes and Scottish story : the later career of David Allan, historical painter. [Doctoral Dissertation]. University of Glasgow; 1990. Available from: http://theses.gla.ac.uk/2505/


University of Glasgow

20. Drew, Rodger. Symbolism and sources in the painting and poetry of Dante Gabriel Rossetti.

Degree: PhD, 1996, University of Glasgow

 The Thesis examines the symbolism, and the sources of that symbolism, in the poetry and painting of Dante Gabriel Rossetti. Chapter 1 considers the significance… (more)

Subjects/Keywords: ND Painting

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APA (6th Edition):

Drew, R. (1996). Symbolism and sources in the painting and poetry of Dante Gabriel Rossetti. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/3426/

Chicago Manual of Style (16th Edition):

Drew, Rodger. “Symbolism and sources in the painting and poetry of Dante Gabriel Rossetti.” 1996. Doctoral Dissertation, University of Glasgow. Accessed April 21, 2019. http://theses.gla.ac.uk/3426/.

MLA Handbook (7th Edition):

Drew, Rodger. “Symbolism and sources in the painting and poetry of Dante Gabriel Rossetti.” 1996. Web. 21 Apr 2019.

Vancouver:

Drew R. Symbolism and sources in the painting and poetry of Dante Gabriel Rossetti. [Internet] [Doctoral dissertation]. University of Glasgow; 1996. [cited 2019 Apr 21]. Available from: http://theses.gla.ac.uk/3426/.

Council of Science Editors:

Drew R. Symbolism and sources in the painting and poetry of Dante Gabriel Rossetti. [Doctoral Dissertation]. University of Glasgow; 1996. Available from: http://theses.gla.ac.uk/3426/


MIT

21. Moses, David (David Patrick). The Williston time capsule .

Degree: Department of Architecture, 2015, MIT

 This project is a time capsule of the oil economy, created by entombing everyday objects made from and powered by petroleum into a landscape that… (more)

Subjects/Keywords: n-us-nd; Architecture.

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APA (6th Edition):

Moses, D. (. P. (2015). The Williston time capsule . (Thesis). MIT. Retrieved from http://hdl.handle.net/1721.1/99262

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moses, David (David Patrick). “The Williston time capsule .” 2015. Thesis, MIT. Accessed April 21, 2019. http://hdl.handle.net/1721.1/99262.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moses, David (David Patrick). “The Williston time capsule .” 2015. Web. 21 Apr 2019.

Vancouver:

Moses D(P. The Williston time capsule . [Internet] [Thesis]. MIT; 2015. [cited 2019 Apr 21]. Available from: http://hdl.handle.net/1721.1/99262.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moses D(P. The Williston time capsule . [Thesis]. MIT; 2015. Available from: http://hdl.handle.net/1721.1/99262

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

22. Gordon, Phillip Michael. Sustainable disaster resilience : incorporating hazard mitigation methodologies into LEED for neighborhood development.

Degree: Community and Regional Planning, 2010, University of Texas – Austin

 In this professional report LEED for neighborhood development (LEED-ND) is analyzed through the lens of disaster resilience and mitigation. The new LEED-ND certification system recently… (more)

Subjects/Keywords: Mitigation; LEED-ND; Resilience; Sustainability

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APA (6th Edition):

Gordon, P. M. (2010). Sustainable disaster resilience : incorporating hazard mitigation methodologies into LEED for neighborhood development. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/ETD-UT-2010-05-1108

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gordon, Phillip Michael. “Sustainable disaster resilience : incorporating hazard mitigation methodologies into LEED for neighborhood development.” 2010. Thesis, University of Texas – Austin. Accessed April 21, 2019. http://hdl.handle.net/2152/ETD-UT-2010-05-1108.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gordon, Phillip Michael. “Sustainable disaster resilience : incorporating hazard mitigation methodologies into LEED for neighborhood development.” 2010. Web. 21 Apr 2019.

Vancouver:

Gordon PM. Sustainable disaster resilience : incorporating hazard mitigation methodologies into LEED for neighborhood development. [Internet] [Thesis]. University of Texas – Austin; 2010. [cited 2019 Apr 21]. Available from: http://hdl.handle.net/2152/ETD-UT-2010-05-1108.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gordon PM. Sustainable disaster resilience : incorporating hazard mitigation methodologies into LEED for neighborhood development. [Thesis]. University of Texas – Austin; 2010. Available from: http://hdl.handle.net/2152/ETD-UT-2010-05-1108

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Mexico

23. Ragonese, Phil. Using Nd Isotopes to understand changes in continental weathering flux in Mid-Pennsylvanian (Desmoinesian) carbonate cycles.

Degree: Department of Earth and Planetary Sciences, 2014, University of New Mexico

 Decades of study on Phanerozoic sedimentary deposits indicates that changes in Earth's orbital parameters are one of the main drivers of climate change on the… (more)

Subjects/Keywords: Nd Isotopes; Geochemistry; Carbonates; Stratigraphy

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APA (6th Edition):

Ragonese, P. (2014). Using Nd Isotopes to understand changes in continental weathering flux in Mid-Pennsylvanian (Desmoinesian) carbonate cycles. (Masters Thesis). University of New Mexico. Retrieved from http://hdl.handle.net/1928/24509

Chicago Manual of Style (16th Edition):

Ragonese, Phil. “Using Nd Isotopes to understand changes in continental weathering flux in Mid-Pennsylvanian (Desmoinesian) carbonate cycles.” 2014. Masters Thesis, University of New Mexico. Accessed April 21, 2019. http://hdl.handle.net/1928/24509.

MLA Handbook (7th Edition):

Ragonese, Phil. “Using Nd Isotopes to understand changes in continental weathering flux in Mid-Pennsylvanian (Desmoinesian) carbonate cycles.” 2014. Web. 21 Apr 2019.

Vancouver:

Ragonese P. Using Nd Isotopes to understand changes in continental weathering flux in Mid-Pennsylvanian (Desmoinesian) carbonate cycles. [Internet] [Masters thesis]. University of New Mexico; 2014. [cited 2019 Apr 21]. Available from: http://hdl.handle.net/1928/24509.

Council of Science Editors:

Ragonese P. Using Nd Isotopes to understand changes in continental weathering flux in Mid-Pennsylvanian (Desmoinesian) carbonate cycles. [Masters Thesis]. University of New Mexico; 2014. Available from: http://hdl.handle.net/1928/24509


University of Glasgow

24. Woodward-Reed, Hannah Elizabeth. The context and material techniques of royal portrait production within Jacobean Scotland: The Courts of James V and James VI.

Degree: PhD, 2018, University of Glasgow

 This inter-disciplinary thesis addresses the authenticity and social context of surviving portraits of Scottish monarchs between 1530 and c.1590, bringing the study of the Scottish… (more)

Subjects/Keywords: DA Great Britain; ND Painting

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APA (6th Edition):

Woodward-Reed, H. E. (2018). The context and material techniques of royal portrait production within Jacobean Scotland: The Courts of James V and James VI. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/30910/

Chicago Manual of Style (16th Edition):

Woodward-Reed, Hannah Elizabeth. “The context and material techniques of royal portrait production within Jacobean Scotland: The Courts of James V and James VI.” 2018. Doctoral Dissertation, University of Glasgow. Accessed April 21, 2019. http://theses.gla.ac.uk/30910/.

MLA Handbook (7th Edition):

Woodward-Reed, Hannah Elizabeth. “The context and material techniques of royal portrait production within Jacobean Scotland: The Courts of James V and James VI.” 2018. Web. 21 Apr 2019.

Vancouver:

Woodward-Reed HE. The context and material techniques of royal portrait production within Jacobean Scotland: The Courts of James V and James VI. [Internet] [Doctoral dissertation]. University of Glasgow; 2018. [cited 2019 Apr 21]. Available from: http://theses.gla.ac.uk/30910/.

Council of Science Editors:

Woodward-Reed HE. The context and material techniques of royal portrait production within Jacobean Scotland: The Courts of James V and James VI. [Doctoral Dissertation]. University of Glasgow; 2018. Available from: http://theses.gla.ac.uk/30910/


University of Birmingham

25. Keep, Rosemary Isabel. Facing the family: Group portraits and the construction of identity within early modern families.

Degree: d_ph, College of Arts & Law, 2018, University of Birmingham

 This thesis draws together material and archival sources to investigate the long-overlooked portraits of English provincial gentry families commissioned between c.1550 and c.1680. Specifically, its… (more)

Subjects/Keywords: D204 Modern History; ND Painting

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APA (6th Edition):

Keep, R. I. (2018). Facing the family: Group portraits and the construction of identity within early modern families. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/8463/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Keep, Rosemary Isabel. “Facing the family: Group portraits and the construction of identity within early modern families.” 2018. Thesis, University of Birmingham. Accessed April 21, 2019. http://etheses.bham.ac.uk//id/eprint/8463/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Keep, Rosemary Isabel. “Facing the family: Group portraits and the construction of identity within early modern families.” 2018. Web. 21 Apr 2019.

Vancouver:

Keep RI. Facing the family: Group portraits and the construction of identity within early modern families. [Internet] [Thesis]. University of Birmingham; 2018. [cited 2019 Apr 21]. Available from: http://etheses.bham.ac.uk//id/eprint/8463/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Keep RI. Facing the family: Group portraits and the construction of identity within early modern families. [Thesis]. University of Birmingham; 2018. Available from: http://etheses.bham.ac.uk//id/eprint/8463/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

26. McElroy, Samantha Anne. The decoration of the Pauline Chapel: with reference to the works of Giovanni Baglione.

Degree: m_ph, College of Arts & Law, 2012, University of Birmingham

 The decoration of the Pauline Chapel: with reference to the works of Giovanni Baglione examines the carefully considered role Catholic art played in the doctrinal… (more)

Subjects/Keywords: BR Christianity; ND Painting

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APA (6th Edition):

McElroy, S. A. (2012). The decoration of the Pauline Chapel: with reference to the works of Giovanni Baglione. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3929/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McElroy, Samantha Anne. “The decoration of the Pauline Chapel: with reference to the works of Giovanni Baglione.” 2012. Thesis, University of Birmingham. Accessed April 21, 2019. http://etheses.bham.ac.uk//id/eprint/3929/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McElroy, Samantha Anne. “The decoration of the Pauline Chapel: with reference to the works of Giovanni Baglione.” 2012. Web. 21 Apr 2019.

Vancouver:

McElroy SA. The decoration of the Pauline Chapel: with reference to the works of Giovanni Baglione. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Apr 21]. Available from: http://etheses.bham.ac.uk//id/eprint/3929/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McElroy SA. The decoration of the Pauline Chapel: with reference to the works of Giovanni Baglione. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3929/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Warwick

27. Farquhar, Jillian Clare. Trecento panel painting in Romagna and Marche : iconography, form and function.

Degree: PhD, 2004, University of Warwick

 This thesis investigates the panel paintings produced in the Riminese context in the first half of the Trecento. These altarpieces, crosses and devotional panels have… (more)

Subjects/Keywords: 750; ND Painting

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APA (6th Edition):

Farquhar, J. C. (2004). Trecento panel painting in Romagna and Marche : iconography, form and function. (Doctoral Dissertation). University of Warwick. Retrieved from http://wrap.warwick.ac.uk/73552/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.635436

Chicago Manual of Style (16th Edition):

Farquhar, Jillian Clare. “Trecento panel painting in Romagna and Marche : iconography, form and function.” 2004. Doctoral Dissertation, University of Warwick. Accessed April 21, 2019. http://wrap.warwick.ac.uk/73552/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.635436.

MLA Handbook (7th Edition):

Farquhar, Jillian Clare. “Trecento panel painting in Romagna and Marche : iconography, form and function.” 2004. Web. 21 Apr 2019.

Vancouver:

Farquhar JC. Trecento panel painting in Romagna and Marche : iconography, form and function. [Internet] [Doctoral dissertation]. University of Warwick; 2004. [cited 2019 Apr 21]. Available from: http://wrap.warwick.ac.uk/73552/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.635436.

Council of Science Editors:

Farquhar JC. Trecento panel painting in Romagna and Marche : iconography, form and function. [Doctoral Dissertation]. University of Warwick; 2004. Available from: http://wrap.warwick.ac.uk/73552/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.635436

28. Helen merina albert. High pressure investigations on ndba2cu3xbixo7 for x 0 01 02 025 and nd eu gdbacuo high t superconductors;.

Degree: High pressure investigations on ndba2cu3xbixo7 for x 0 01 02 025 and nd eu gdbacuo high t superconductors, 2014, Anna University

While the basic effect of temperature is to change the lattice newlinevibrations the intrinsic effect of pressure is to decrease the interatomic newlinedistances As a… (more)

Subjects/Keywords: ndba2cu3xbixo7; nd eu gdbacuo; science and humanities

Page 1

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APA (6th Edition):

albert, H. m. (2014). High pressure investigations on ndba2cu3xbixo7 for x 0 01 02 025 and nd eu gdbacuo high t superconductors;. (Thesis). Anna University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/26580

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

albert, Helen merina. “High pressure investigations on ndba2cu3xbixo7 for x 0 01 02 025 and nd eu gdbacuo high t superconductors;.” 2014. Thesis, Anna University. Accessed April 21, 2019. http://shodhganga.inflibnet.ac.in/handle/10603/26580.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

albert, Helen merina. “High pressure investigations on ndba2cu3xbixo7 for x 0 01 02 025 and nd eu gdbacuo high t superconductors;.” 2014. Web. 21 Apr 2019.

Vancouver:

albert Hm. High pressure investigations on ndba2cu3xbixo7 for x 0 01 02 025 and nd eu gdbacuo high t superconductors;. [Internet] [Thesis]. Anna University; 2014. [cited 2019 Apr 21]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/26580.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

albert Hm. High pressure investigations on ndba2cu3xbixo7 for x 0 01 02 025 and nd eu gdbacuo high t superconductors;. [Thesis]. Anna University; 2014. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/26580

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Warwick

29. Quilley, Geoff. The imagery of travel in British painting : with particular reference to nautical and maritime imagery, circa 1740-1800.

Degree: 1998, University of Warwick

 The dissertation is divided into two sections, dealing with the positive and negative faces of travel and the sea in visual art, each further subdivided… (more)

Subjects/Keywords: 700; ND Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Quilley, G. (1998). The imagery of travel in British painting : with particular reference to nautical and maritime imagery, circa 1740-1800. (Doctoral Dissertation). University of Warwick. Retrieved from http://wrap.warwick.ac.uk/34751/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300256

Chicago Manual of Style (16th Edition):

Quilley, Geoff. “The imagery of travel in British painting : with particular reference to nautical and maritime imagery, circa 1740-1800.” 1998. Doctoral Dissertation, University of Warwick. Accessed April 21, 2019. http://wrap.warwick.ac.uk/34751/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300256.

MLA Handbook (7th Edition):

Quilley, Geoff. “The imagery of travel in British painting : with particular reference to nautical and maritime imagery, circa 1740-1800.” 1998. Web. 21 Apr 2019.

Vancouver:

Quilley G. The imagery of travel in British painting : with particular reference to nautical and maritime imagery, circa 1740-1800. [Internet] [Doctoral dissertation]. University of Warwick; 1998. [cited 2019 Apr 21]. Available from: http://wrap.warwick.ac.uk/34751/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300256.

Council of Science Editors:

Quilley G. The imagery of travel in British painting : with particular reference to nautical and maritime imagery, circa 1740-1800. [Doctoral Dissertation]. University of Warwick; 1998. Available from: http://wrap.warwick.ac.uk/34751/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300256


University of Glasgow

30. Drew, Rodger. Symbolism and sources in the painting and poetry of Dante Gabriel Rossetti.

Degree: 1996, University of Glasgow

 The Thesis examines the symbolism, and the sources of that symbolism, in the poetry and painting of Dante Gabriel Rossetti. Chapter 1 considers the significance… (more)

Subjects/Keywords: 800; ND Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Drew, R. (1996). Symbolism and sources in the painting and poetry of Dante Gabriel Rossetti. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/3426/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.360166

Chicago Manual of Style (16th Edition):

Drew, Rodger. “Symbolism and sources in the painting and poetry of Dante Gabriel Rossetti.” 1996. Doctoral Dissertation, University of Glasgow. Accessed April 21, 2019. http://theses.gla.ac.uk/3426/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.360166.

MLA Handbook (7th Edition):

Drew, Rodger. “Symbolism and sources in the painting and poetry of Dante Gabriel Rossetti.” 1996. Web. 21 Apr 2019.

Vancouver:

Drew R. Symbolism and sources in the painting and poetry of Dante Gabriel Rossetti. [Internet] [Doctoral dissertation]. University of Glasgow; 1996. [cited 2019 Apr 21]. Available from: http://theses.gla.ac.uk/3426/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.360166.

Council of Science Editors:

Drew R. Symbolism and sources in the painting and poetry of Dante Gabriel Rossetti. [Doctoral Dissertation]. University of Glasgow; 1996. Available from: http://theses.gla.ac.uk/3426/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.360166

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