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You searched for subject:(Mussorgsky). Showing records 1 – 12 of 12 total matches.

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University of Arizona

1. Nagachevskaya, Svetlana. Pictures at an Exhibition: a Reconciliation of Divergent Perceptions about Mussorgsky's Renowned Cycle .

Degree: 2009, University of Arizona

 This research is consecrated to Mussorgsky's famous cycle of character pieces, Pictures at an Exhibition. The author of this study examines, analyzes, and compares divergent… (more)

Subjects/Keywords: Mussorgsky; Pictures at an Exhibition

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APA (6th Edition):

Nagachevskaya, S. (2009). Pictures at an Exhibition: a Reconciliation of Divergent Perceptions about Mussorgsky's Renowned Cycle . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/194168

Chicago Manual of Style (16th Edition):

Nagachevskaya, Svetlana. “Pictures at an Exhibition: a Reconciliation of Divergent Perceptions about Mussorgsky's Renowned Cycle .” 2009. Doctoral Dissertation, University of Arizona. Accessed March 25, 2019. http://hdl.handle.net/10150/194168.

MLA Handbook (7th Edition):

Nagachevskaya, Svetlana. “Pictures at an Exhibition: a Reconciliation of Divergent Perceptions about Mussorgsky's Renowned Cycle .” 2009. Web. 25 Mar 2019.

Vancouver:

Nagachevskaya S. Pictures at an Exhibition: a Reconciliation of Divergent Perceptions about Mussorgsky's Renowned Cycle . [Internet] [Doctoral dissertation]. University of Arizona; 2009. [cited 2019 Mar 25]. Available from: http://hdl.handle.net/10150/194168.

Council of Science Editors:

Nagachevskaya S. Pictures at an Exhibition: a Reconciliation of Divergent Perceptions about Mussorgsky's Renowned Cycle . [Doctoral Dissertation]. University of Arizona; 2009. Available from: http://hdl.handle.net/10150/194168


The Ohio State University

2. Lee, Chen-Tien. Mussorgsky's Pictures at an exhibition : an analytical and performance study.

Degree: PhD, Graduate School, 1993, The Ohio State University

Subjects/Keywords: Education; Mussorgsky; Suites

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APA (6th Edition):

Lee, C. (1993). Mussorgsky's Pictures at an exhibition : an analytical and performance study. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu148784237289651

Chicago Manual of Style (16th Edition):

Lee, Chen-Tien. “Mussorgsky's Pictures at an exhibition : an analytical and performance study.” 1993. Doctoral Dissertation, The Ohio State University. Accessed March 25, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu148784237289651.

MLA Handbook (7th Edition):

Lee, Chen-Tien. “Mussorgsky's Pictures at an exhibition : an analytical and performance study.” 1993. Web. 25 Mar 2019.

Vancouver:

Lee C. Mussorgsky's Pictures at an exhibition : an analytical and performance study. [Internet] [Doctoral dissertation]. The Ohio State University; 1993. [cited 2019 Mar 25]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu148784237289651.

Council of Science Editors:

Lee C. Mussorgsky's Pictures at an exhibition : an analytical and performance study. [Doctoral Dissertation]. The Ohio State University; 1993. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu148784237289651


University of North Carolina – Greensboro

3. Lee, Hyun-Jong. The evolution of lyricism in Modest Musorgsky's compositional style as evidenced in songs and dances of death.

Degree: 2011, University of North Carolina – Greensboro

 Musical characteristics added by Musorgsky in the second version of his Boris Godunov (1872) differed significantly from those of the original version of this opera… (more)

Subjects/Keywords: Mussorgsky, Modest Petrovich, – 1839-1881. – Boris Godunov; Mussorgsky, Modest Petrovich, – 1839-1881. – Pesni i pliaski smerti; Mussorgsky, Modest Petrovich, – 1839-1881. – Criticism and interpretation; Style, Musical

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APA (6th Edition):

Lee, H. (2011). The evolution of lyricism in Modest Musorgsky's compositional style as evidenced in songs and dances of death. (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=7446

Chicago Manual of Style (16th Edition):

Lee, Hyun-Jong. “The evolution of lyricism in Modest Musorgsky's compositional style as evidenced in songs and dances of death.” 2011. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed March 25, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=7446.

MLA Handbook (7th Edition):

Lee, Hyun-Jong. “The evolution of lyricism in Modest Musorgsky's compositional style as evidenced in songs and dances of death.” 2011. Web. 25 Mar 2019.

Vancouver:

Lee H. The evolution of lyricism in Modest Musorgsky's compositional style as evidenced in songs and dances of death. [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2011. [cited 2019 Mar 25]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=7446.

Council of Science Editors:

Lee H. The evolution of lyricism in Modest Musorgsky's compositional style as evidenced in songs and dances of death. [Doctoral Dissertation]. University of North Carolina – Greensboro; 2011. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=7446


University of South Carolina

4. Barton, Peter Alan. Modeste Mussorgsky's Songs and Dances of Death (A Performer's Guide).

Degree: DMA, School of Music, 2011, University of South Carolina

  MODESTE MUSSORGSKY'S SONGS AND DANCES OF DEATH [A Performer's Guide] Peter Alan Barton Modeste Petrovich Mussorgsky, one of the Russian composers known as the… (more)

Subjects/Keywords: Field Marshall; Lullaby; Mussorgsky; Serenade; Songs and Dances of Death; Trepak

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APA (6th Edition):

Barton, P. A. (2011). Modeste Mussorgsky's Songs and Dances of Death (A Performer's Guide). (Doctoral Dissertation). University of South Carolina. Retrieved from https://scholarcommons.sc.edu/etd/1634

Chicago Manual of Style (16th Edition):

Barton, Peter Alan. “Modeste Mussorgsky's Songs and Dances of Death (A Performer's Guide).” 2011. Doctoral Dissertation, University of South Carolina. Accessed March 25, 2019. https://scholarcommons.sc.edu/etd/1634.

MLA Handbook (7th Edition):

Barton, Peter Alan. “Modeste Mussorgsky's Songs and Dances of Death (A Performer's Guide).” 2011. Web. 25 Mar 2019.

Vancouver:

Barton PA. Modeste Mussorgsky's Songs and Dances of Death (A Performer's Guide). [Internet] [Doctoral dissertation]. University of South Carolina; 2011. [cited 2019 Mar 25]. Available from: https://scholarcommons.sc.edu/etd/1634.

Council of Science Editors:

Barton PA. Modeste Mussorgsky's Songs and Dances of Death (A Performer's Guide). [Doctoral Dissertation]. University of South Carolina; 2011. Available from: https://scholarcommons.sc.edu/etd/1634


University of Miami

5. Cristea, Ana. Pianistic Mastery of Modest Mussorgsky's Pictures at an Exhibition: Developing Associative Thinking through Analysis of Musical Texture.

Degree: DMA, Keyboard Performance (Music), 2016, University of Miami

 This essay is a detailed analytical and performance guide for pianists who seek musical, technical, and interpretational recommendations and answers during the process of learning… (more)

Subjects/Keywords: Modest Mussorgsky; Pictures at an Exhibition; Textural Analysis; Pianistic Mastery; Associative Thinking

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APA (6th Edition):

Cristea, A. (2016). Pianistic Mastery of Modest Mussorgsky's Pictures at an Exhibition: Developing Associative Thinking through Analysis of Musical Texture. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1649

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cristea, Ana. “Pianistic Mastery of Modest Mussorgsky's Pictures at an Exhibition: Developing Associative Thinking through Analysis of Musical Texture.” 2016. Thesis, University of Miami. Accessed March 25, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1649.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cristea, Ana. “Pianistic Mastery of Modest Mussorgsky's Pictures at an Exhibition: Developing Associative Thinking through Analysis of Musical Texture.” 2016. Web. 25 Mar 2019.

Vancouver:

Cristea A. Pianistic Mastery of Modest Mussorgsky's Pictures at an Exhibition: Developing Associative Thinking through Analysis of Musical Texture. [Internet] [Thesis]. University of Miami; 2016. [cited 2019 Mar 25]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1649.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cristea A. Pianistic Mastery of Modest Mussorgsky's Pictures at an Exhibition: Developing Associative Thinking through Analysis of Musical Texture. [Thesis]. University of Miami; 2016. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1649

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Quick, Matthew G. Mussorgsky’s Pictures at an Exhibition:Identifying the Expressive Narrative through Comparisons with Vocal Literature.

Degree: DMA, College-Conservatory of Music: Piano, 2014, University of Cincinnati

 This document reveals connections between Mussorgsky’s Pictures at an Exhibition and his vocal literature in order to provide a new perspective on the expressive narrative… (more)

Subjects/Keywords: Music; Mussorgsky; Pictures; Exhibition; Piano; Cycle; Vocal

…Example 2.1.7 Mussorgsky, “You Drunken Sot,” mm. 20–21. p. 28 Example 2.1.8… …Mussorgsky, Pictures at an Exhibition, “Limoges,” m. 5. p. 28 Example 2.1.9 Mussorgsky, “You… …Drunken Sot,” mm. 34–39. p. 29 Example 2.1.10 Mussorgsky, Pictures at an Exhibition, “Limoges… …mm. 23–26. p. 30 Example 2.1.11 Mussorgsky, “You Drunken Sot,” mm. 87–88. p. 30… …Example 2.1.12 Mussorgsky, Pictures at an Exhibition, “Limoges,” m. 37. p. 31 Example 2.2.1… 

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APA (6th Edition):

Quick, M. G. (2014). Mussorgsky’s Pictures at an Exhibition:Identifying the Expressive Narrative through Comparisons with Vocal Literature. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406819727

Chicago Manual of Style (16th Edition):

Quick, Matthew G. “Mussorgsky’s Pictures at an Exhibition:Identifying the Expressive Narrative through Comparisons with Vocal Literature.” 2014. Doctoral Dissertation, University of Cincinnati. Accessed March 25, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406819727.

MLA Handbook (7th Edition):

Quick, Matthew G. “Mussorgsky’s Pictures at an Exhibition:Identifying the Expressive Narrative through Comparisons with Vocal Literature.” 2014. Web. 25 Mar 2019.

Vancouver:

Quick MG. Mussorgsky’s Pictures at an Exhibition:Identifying the Expressive Narrative through Comparisons with Vocal Literature. [Internet] [Doctoral dissertation]. University of Cincinnati; 2014. [cited 2019 Mar 25]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406819727.

Council of Science Editors:

Quick MG. Mussorgsky’s Pictures at an Exhibition:Identifying the Expressive Narrative through Comparisons with Vocal Literature. [Doctoral Dissertation]. University of Cincinnati; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406819727

7. Blank, Florette Mary. The song cycles of Mossorgsky.

Degree: 1957, North Texas State College

This study outlines the history of and development of Russian music, leading into the song cycles of Modest Petrovich Mussorgsky.

Subjects/Keywords: Modest Petrovich Mussorgsky; song cycles; Russian music; musical analysis

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APA (6th Edition):

Blank, F. M. (1957). The song cycles of Mossorgsky. (Thesis). North Texas State College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc798314/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Blank, Florette Mary. “The song cycles of Mossorgsky.” 1957. Thesis, North Texas State College. Accessed March 25, 2019. https://digital.library.unt.edu/ark:/67531/metadc798314/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Blank, Florette Mary. “The song cycles of Mossorgsky.” 1957. Web. 25 Mar 2019.

Vancouver:

Blank FM. The song cycles of Mossorgsky. [Internet] [Thesis]. North Texas State College; 1957. [cited 2019 Mar 25]. Available from: https://digital.library.unt.edu/ark:/67531/metadc798314/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Blank FM. The song cycles of Mossorgsky. [Thesis]. North Texas State College; 1957. Available from: https://digital.library.unt.edu/ark:/67531/metadc798314/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Georgia

8. Dean, Terry Lynn. The nineteenth-century Russian operatic roots of Prokofyev’s War and peace.

Degree: PhD, Music, 2009, University of Georgia

 More than fifty years after Prokofyev’s death, War and Peace remains a misunderstood composition. While there are many reasons why the opera remains misunderstood, the… (more)

Subjects/Keywords: Sergei Prokofyev; Prokofiev; Opera; Russian music; Soviet music; Rimsky-Korsakov; Chaikovsky; Tchaikovsky; Musorgsky; Mussorgsky; Boris Asafyev; Boris Asafiev; Intonatsiya; War and Peace; Socialist Realism; Psychology and Music

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APA (6th Edition):

Dean, T. L. (2009). The nineteenth-century Russian operatic roots of Prokofyev’s War and peace. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/dean_terry_l_200905_phd

Chicago Manual of Style (16th Edition):

Dean, Terry Lynn. “The nineteenth-century Russian operatic roots of Prokofyev’s War and peace.” 2009. Doctoral Dissertation, University of Georgia. Accessed March 25, 2019. http://purl.galileo.usg.edu/uga_etd/dean_terry_l_200905_phd.

MLA Handbook (7th Edition):

Dean, Terry Lynn. “The nineteenth-century Russian operatic roots of Prokofyev’s War and peace.” 2009. Web. 25 Mar 2019.

Vancouver:

Dean TL. The nineteenth-century Russian operatic roots of Prokofyev’s War and peace. [Internet] [Doctoral dissertation]. University of Georgia; 2009. [cited 2019 Mar 25]. Available from: http://purl.galileo.usg.edu/uga_etd/dean_terry_l_200905_phd.

Council of Science Editors:

Dean TL. The nineteenth-century Russian operatic roots of Prokofyev’s War and peace. [Doctoral Dissertation]. University of Georgia; 2009. Available from: http://purl.galileo.usg.edu/uga_etd/dean_terry_l_200905_phd


University of North Texas

9. Pollard, Carol J. Nobody's Fool: A Study of the Yrodivy in Boris Godunov.

Degree: 1999, University of North Texas

 Modest Musorgsky completed two versions of his opera Boris Godunov between 1869 and 1874, with significant changes in the second version. The second version adds… (more)

Subjects/Keywords: Mussorgsky, Modest Petrovich, 1839-1881. Boris Godunov (1872).; opera; russian history; Musorgsky

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APA (6th Edition):

Pollard, C. J. (1999). Nobody's Fool: A Study of the Yrodivy in Boris Godunov. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2242/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pollard, Carol J. “Nobody's Fool: A Study of the Yrodivy in Boris Godunov.” 1999. Thesis, University of North Texas. Accessed March 25, 2019. https://digital.library.unt.edu/ark:/67531/metadc2242/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pollard, Carol J. “Nobody's Fool: A Study of the Yrodivy in Boris Godunov.” 1999. Web. 25 Mar 2019.

Vancouver:

Pollard CJ. Nobody's Fool: A Study of the Yrodivy in Boris Godunov. [Internet] [Thesis]. University of North Texas; 1999. [cited 2019 Mar 25]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2242/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pollard CJ. Nobody's Fool: A Study of the Yrodivy in Boris Godunov. [Thesis]. University of North Texas; 1999. Available from: https://digital.library.unt.edu/ark:/67531/metadc2242/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

10. Rodriguez, James Diderot. The Applicability of Russian Art Song on the Developing Male Voice.

Degree: Music, Moores School of, University of Houston

 This essay offers insight into the efficacy of using Russian repertoire to help develop bass, bass-baritone, and baritone voices. The first section addresses the physiology… (more)

Subjects/Keywords: Russian; Baritone; Bass-Baritone; Bass; Tchaikovsky; Mussorgsky; Rachmaninoff; Cyrillic; Art Song

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APA (6th Edition):

Rodriguez, J. D. (n.d.). The Applicability of Russian Art Song on the Developing Male Voice. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2637

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rodriguez, James Diderot. “The Applicability of Russian Art Song on the Developing Male Voice.” Thesis, University of Houston. Accessed March 25, 2019. http://hdl.handle.net/10657/2637.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rodriguez, James Diderot. “The Applicability of Russian Art Song on the Developing Male Voice.” Web. 25 Mar 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Rodriguez JD. The Applicability of Russian Art Song on the Developing Male Voice. [Internet] [Thesis]. University of Houston; [cited 2019 Mar 25]. Available from: http://hdl.handle.net/10657/2637.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Rodriguez JD. The Applicability of Russian Art Song on the Developing Male Voice. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2637

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


Université de Montréal

11. Ichmouratov, Airat. Comparative Analysis of first scene of Prologue of Mussorgsky's "Boris Godunov" in orchestrations by Mussorgsky and Shostakovich, also presentation of my own compositions: “Youth” Overture and Viola concerto N2 .

Degree: 2017, Université de Montréal

Subjects/Keywords: Airat Ichmouratov; comparative analysis; Modest Mussorgsky; Dmitry Shostakovich; music composition; orchestration; analyse comparative; composition musicale; Modest Moussorgki; Dmitri Chostakovitch

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APA (6th Edition):

Ichmouratov, A. (2017). Comparative Analysis of first scene of Prologue of Mussorgsky's "Boris Godunov" in orchestrations by Mussorgsky and Shostakovich, also presentation of my own compositions: “Youth” Overture and Viola concerto N2 . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/20811

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ichmouratov, Airat. “Comparative Analysis of first scene of Prologue of Mussorgsky's "Boris Godunov" in orchestrations by Mussorgsky and Shostakovich, also presentation of my own compositions: “Youth” Overture and Viola concerto N2 .” 2017. Thesis, Université de Montréal. Accessed March 25, 2019. http://hdl.handle.net/1866/20811.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ichmouratov, Airat. “Comparative Analysis of first scene of Prologue of Mussorgsky's "Boris Godunov" in orchestrations by Mussorgsky and Shostakovich, also presentation of my own compositions: “Youth” Overture and Viola concerto N2 .” 2017. Web. 25 Mar 2019.

Vancouver:

Ichmouratov A. Comparative Analysis of first scene of Prologue of Mussorgsky's "Boris Godunov" in orchestrations by Mussorgsky and Shostakovich, also presentation of my own compositions: “Youth” Overture and Viola concerto N2 . [Internet] [Thesis]. Université de Montréal; 2017. [cited 2019 Mar 25]. Available from: http://hdl.handle.net/1866/20811.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ichmouratov A. Comparative Analysis of first scene of Prologue of Mussorgsky's "Boris Godunov" in orchestrations by Mussorgsky and Shostakovich, also presentation of my own compositions: “Youth” Overture and Viola concerto N2 . [Thesis]. Université de Montréal; 2017. Available from: http://hdl.handle.net/1866/20811

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Fuh, Jason. Musical Means in Mussorgsky’s Songs and Dances of Death: A Singer’s Study Guide.

Degree: DMA, Music, 2017, The Ohio State University

 Modest Mussorgsky’s song cycle Songs and Dances of Death is a series of four miniature dramatic scenes. The text was supplied by Arseny Golenishchev-Kutuzov, who… (more)

Subjects/Keywords: Music; Performing Arts; Slavic Literature; Mussorgsky; Songs and Dances of Death; danse macabre; Golenishchev-Kutuzov; Russian IPA

…of the focal points in this study. Mussorgsky composed sixty-six songs in his lifetime… …reference. 2 Ibid. 2 Chapter 2: The Making of the Composer Modest Petrovich Mussorgsky (… …Alexeyevich Mussorgsky, though an illegitimate son of an officer of the Preobrazhensky Guards and a… …Mussorgsky, in his own autobiography, mistakenly recorded his birthday as March 16 (O.S)… …in Leningrad Cemetery.6 Therefore, according to the Western calendar, Mussorgsky was born… 

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APA (6th Edition):

Fuh, J. (2017). Musical Means in Mussorgsky’s Songs and Dances of Death: A Singer’s Study Guide. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1491830492191113

Chicago Manual of Style (16th Edition):

Fuh, Jason. “Musical Means in Mussorgsky’s Songs and Dances of Death: A Singer’s Study Guide.” 2017. Doctoral Dissertation, The Ohio State University. Accessed March 25, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1491830492191113.

MLA Handbook (7th Edition):

Fuh, Jason. “Musical Means in Mussorgsky’s Songs and Dances of Death: A Singer’s Study Guide.” 2017. Web. 25 Mar 2019.

Vancouver:

Fuh J. Musical Means in Mussorgsky’s Songs and Dances of Death: A Singer’s Study Guide. [Internet] [Doctoral dissertation]. The Ohio State University; 2017. [cited 2019 Mar 25]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1491830492191113.

Council of Science Editors:

Fuh J. Musical Means in Mussorgsky’s Songs and Dances of Death: A Singer’s Study Guide. [Doctoral Dissertation]. The Ohio State University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1491830492191113

.