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You searched for subject:(Musicology). Showing records 1 – 30 of 815 total matches.

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University of Cape Town

1. Bethke, Andrew-John. Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century.

Degree: Image, College of Music, 2012, University of Cape Town

 The broader purpose of this study is to investigate musical change in relation to theological and liturgical change. The particular focus of this thesis is… (more)

Subjects/Keywords: Musicology

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APA (6th Edition):

Bethke, A. (2012). Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/10145

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bethke, Andrew-John. “Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century.” 2012. Thesis, University of Cape Town. Accessed February 17, 2020. http://hdl.handle.net/11427/10145.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bethke, Andrew-John. “Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century.” 2012. Web. 17 Feb 2020.

Vancouver:

Bethke A. Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century. [Internet] [Thesis]. University of Cape Town; 2012. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/11427/10145.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bethke A. Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century. [Thesis]. University of Cape Town; 2012. Available from: http://hdl.handle.net/11427/10145

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Helsinki

2. Nelson, John. The significance of Rimsky-Korsakov in the development of a Russian national identity.

Degree: Department of Philosophy, History, Culture and Art Studies, Musicology, 2013, University of Helsinki

Nikolai Rimsky-Korsakov was a significant figure in both the Russian society and culture of the late 19th and early 20th centuries. In addition to being… (more)

Subjects/Keywords: musicology; musicology

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APA (6th Edition):

Nelson, J. (2013). The significance of Rimsky-Korsakov in the development of a Russian national identity. (Doctoral Dissertation). University of Helsinki. Retrieved from http://hdl.handle.net/10138/41117

Chicago Manual of Style (16th Edition):

Nelson, John. “The significance of Rimsky-Korsakov in the development of a Russian national identity.” 2013. Doctoral Dissertation, University of Helsinki. Accessed February 17, 2020. http://hdl.handle.net/10138/41117.

MLA Handbook (7th Edition):

Nelson, John. “The significance of Rimsky-Korsakov in the development of a Russian national identity.” 2013. Web. 17 Feb 2020.

Vancouver:

Nelson J. The significance of Rimsky-Korsakov in the development of a Russian national identity. [Internet] [Doctoral dissertation]. University of Helsinki; 2013. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10138/41117.

Council of Science Editors:

Nelson J. The significance of Rimsky-Korsakov in the development of a Russian national identity. [Doctoral Dissertation]. University of Helsinki; 2013. Available from: http://hdl.handle.net/10138/41117


University of Helsinki

3. Dominguez Moreno, Áurea. Bassoon Playing in Perspective : Character and Performance Practice from 1800 to 1850.

Degree: Department of Philosophy, History, Culture and Art Studies, Musicology, 2013, University of Helsinki

This dissertation is a theoretical study of bassoon performance practice in the first half of the nineteenth century, analysing the temporal changes that took place… (more)

Subjects/Keywords: musicology; musicology

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APA (6th Edition):

Dominguez Moreno, . (2013). Bassoon Playing in Perspective : Character and Performance Practice from 1800 to 1850. (Doctoral Dissertation). University of Helsinki. Retrieved from http://hdl.handle.net/10138/41960

Chicago Manual of Style (16th Edition):

Dominguez Moreno, Áurea. “Bassoon Playing in Perspective : Character and Performance Practice from 1800 to 1850.” 2013. Doctoral Dissertation, University of Helsinki. Accessed February 17, 2020. http://hdl.handle.net/10138/41960.

MLA Handbook (7th Edition):

Dominguez Moreno, Áurea. “Bassoon Playing in Perspective : Character and Performance Practice from 1800 to 1850.” 2013. Web. 17 Feb 2020.

Vancouver:

Dominguez Moreno . Bassoon Playing in Perspective : Character and Performance Practice from 1800 to 1850. [Internet] [Doctoral dissertation]. University of Helsinki; 2013. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10138/41960.

Council of Science Editors:

Dominguez Moreno . Bassoon Playing in Perspective : Character and Performance Practice from 1800 to 1850. [Doctoral Dissertation]. University of Helsinki; 2013. Available from: http://hdl.handle.net/10138/41960


University of Helsinki

4. Rosato, Paolo. The Organic Principle in Music Analysis: a Semiotic Approach.

Degree: Department of Philosophy, History, Culture and Art Studies, 2013, University of Helsinki

 Music analysis is an expression that covers a wide field of meanings and phenomena. We can analyze music as an anthropological condition of human beings;… (more)

Subjects/Keywords: musicology; musicology

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APA (6th Edition):

Rosato, P. (2013). The Organic Principle in Music Analysis: a Semiotic Approach. (Doctoral Dissertation). University of Helsinki. Retrieved from http://hdl.handle.net/10138/42161

Chicago Manual of Style (16th Edition):

Rosato, Paolo. “The Organic Principle in Music Analysis: a Semiotic Approach.” 2013. Doctoral Dissertation, University of Helsinki. Accessed February 17, 2020. http://hdl.handle.net/10138/42161.

MLA Handbook (7th Edition):

Rosato, Paolo. “The Organic Principle in Music Analysis: a Semiotic Approach.” 2013. Web. 17 Feb 2020.

Vancouver:

Rosato P. The Organic Principle in Music Analysis: a Semiotic Approach. [Internet] [Doctoral dissertation]. University of Helsinki; 2013. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10138/42161.

Council of Science Editors:

Rosato P. The Organic Principle in Music Analysis: a Semiotic Approach. [Doctoral Dissertation]. University of Helsinki; 2013. Available from: http://hdl.handle.net/10138/42161


University of Helsinki

5. Navickaitė-Martinelli, Lina. Piano Performance in a Semiotic Key : Society, Musical Canon and Novel Discourses.

Degree: Department of Philosophy, History, Culture and Art Studies, 2014, University of Helsinki

In an attempt to expand and enrich the existing trends of musical performance studies, as well as exploit the potentials of semiotic analysis, this dissertation… (more)

Subjects/Keywords: musicology; musicology

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APA (6th Edition):

Navickaitė-Martinelli, L. (2014). Piano Performance in a Semiotic Key : Society, Musical Canon and Novel Discourses. (Doctoral Dissertation). University of Helsinki. Retrieved from http://hdl.handle.net/10138/136475

Chicago Manual of Style (16th Edition):

Navickaitė-Martinelli, Lina. “Piano Performance in a Semiotic Key : Society, Musical Canon and Novel Discourses.” 2014. Doctoral Dissertation, University of Helsinki. Accessed February 17, 2020. http://hdl.handle.net/10138/136475.

MLA Handbook (7th Edition):

Navickaitė-Martinelli, Lina. “Piano Performance in a Semiotic Key : Society, Musical Canon and Novel Discourses.” 2014. Web. 17 Feb 2020.

Vancouver:

Navickaitė-Martinelli L. Piano Performance in a Semiotic Key : Society, Musical Canon and Novel Discourses. [Internet] [Doctoral dissertation]. University of Helsinki; 2014. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10138/136475.

Council of Science Editors:

Navickaitė-Martinelli L. Piano Performance in a Semiotic Key : Society, Musical Canon and Novel Discourses. [Doctoral Dissertation]. University of Helsinki; 2014. Available from: http://hdl.handle.net/10138/136475


University of Helsinki

6. Shpinitskaya, Julia. A Theory of Multicultural Texts : The Music of Erik Bergman As a Phenomenon of Multicultural Europe.

Degree: Department of Philosophy, History, Culture and Art Studies, Musicology, 2016, University of Helsinki

This dissertation is a study of musical cultural mixtures, essentially focusing on mixtures in contemporary European art music and compositions of the Finnish-Swedish composer Erik… (more)

Subjects/Keywords: musicology; musicology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shpinitskaya, J. (2016). A Theory of Multicultural Texts : The Music of Erik Bergman As a Phenomenon of Multicultural Europe. (Doctoral Dissertation). University of Helsinki. Retrieved from http://hdl.handle.net/10138/166661

Chicago Manual of Style (16th Edition):

Shpinitskaya, Julia. “A Theory of Multicultural Texts : The Music of Erik Bergman As a Phenomenon of Multicultural Europe.” 2016. Doctoral Dissertation, University of Helsinki. Accessed February 17, 2020. http://hdl.handle.net/10138/166661.

MLA Handbook (7th Edition):

Shpinitskaya, Julia. “A Theory of Multicultural Texts : The Music of Erik Bergman As a Phenomenon of Multicultural Europe.” 2016. Web. 17 Feb 2020.

Vancouver:

Shpinitskaya J. A Theory of Multicultural Texts : The Music of Erik Bergman As a Phenomenon of Multicultural Europe. [Internet] [Doctoral dissertation]. University of Helsinki; 2016. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10138/166661.

Council of Science Editors:

Shpinitskaya J. A Theory of Multicultural Texts : The Music of Erik Bergman As a Phenomenon of Multicultural Europe. [Doctoral Dissertation]. University of Helsinki; 2016. Available from: http://hdl.handle.net/10138/166661


University of Helsinki

7. Calleja, Marianela. Ideas of Time in Music : A Philosophico-logical Investigation Applied to Works of Alberto Ginastera (1916 - 1983).

Degree: Department of Philosophy, History, Culture and Art Studies, Musicology, 2013, University of Helsinki

 This thesis proposes temporal conceptions that stem from philosophical inquiry, such as linear time, cyclical time and branching time, to then find a connection with… (more)

Subjects/Keywords: musicology/Philosophy; musicology/Philosophy

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APA (6th Edition):

Calleja, M. (2013). Ideas of Time in Music : A Philosophico-logical Investigation Applied to Works of Alberto Ginastera (1916 - 1983). (Doctoral Dissertation). University of Helsinki. Retrieved from http://hdl.handle.net/10138/40017

Chicago Manual of Style (16th Edition):

Calleja, Marianela. “Ideas of Time in Music : A Philosophico-logical Investigation Applied to Works of Alberto Ginastera (1916 - 1983).” 2013. Doctoral Dissertation, University of Helsinki. Accessed February 17, 2020. http://hdl.handle.net/10138/40017.

MLA Handbook (7th Edition):

Calleja, Marianela. “Ideas of Time in Music : A Philosophico-logical Investigation Applied to Works of Alberto Ginastera (1916 - 1983).” 2013. Web. 17 Feb 2020.

Vancouver:

Calleja M. Ideas of Time in Music : A Philosophico-logical Investigation Applied to Works of Alberto Ginastera (1916 - 1983). [Internet] [Doctoral dissertation]. University of Helsinki; 2013. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10138/40017.

Council of Science Editors:

Calleja M. Ideas of Time in Music : A Philosophico-logical Investigation Applied to Works of Alberto Ginastera (1916 - 1983). [Doctoral Dissertation]. University of Helsinki; 2013. Available from: http://hdl.handle.net/10138/40017


Indiana University

8. Chapman, Katie Elizabeth. Digital Approaches to Troubadour Song .

Degree: 2020, Indiana University

 The troubadours were poet-composers who flourished in Occitania (today southern France) and surrounding areas during the twelfth and thirteenth centuries. Their lyric poems survive in… (more)

Subjects/Keywords: digital musicology; computational musicology; troubadours

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APA (6th Edition):

Chapman, K. E. (2020). Digital Approaches to Troubadour Song . (Thesis). Indiana University. Retrieved from http://hdl.handle.net/2022/25114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chapman, Katie Elizabeth. “Digital Approaches to Troubadour Song .” 2020. Thesis, Indiana University. Accessed February 17, 2020. http://hdl.handle.net/2022/25114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chapman, Katie Elizabeth. “Digital Approaches to Troubadour Song .” 2020. Web. 17 Feb 2020.

Vancouver:

Chapman KE. Digital Approaches to Troubadour Song . [Internet] [Thesis]. Indiana University; 2020. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/2022/25114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chapman KE. Digital Approaches to Troubadour Song . [Thesis]. Indiana University; 2020. Available from: http://hdl.handle.net/2022/25114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Rischitelli, Victor Emanuel. Henry Cowell (1897-1965) and the impact of his first European tour (1923).

Degree: MMus, 2005, Australian Catholic University

 In 1923, American composer and pianist, Henry Cowell (1897-1965) gave his first highly successful concert tour of Europe, playing his own unique compositions. This thesis… (more)

Subjects/Keywords: Musicology

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APA (6th Edition):

Rischitelli, V. E. (2005). Henry Cowell (1897-1965) and the impact of his first European tour (1923). (Thesis). Australian Catholic University. Retrieved from https://researchbank.acu.edu.au/theses/123

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rischitelli, Victor Emanuel. “Henry Cowell (1897-1965) and the impact of his first European tour (1923).” 2005. Thesis, Australian Catholic University. Accessed February 17, 2020. https://researchbank.acu.edu.au/theses/123.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rischitelli, Victor Emanuel. “Henry Cowell (1897-1965) and the impact of his first European tour (1923).” 2005. Web. 17 Feb 2020.

Vancouver:

Rischitelli VE. Henry Cowell (1897-1965) and the impact of his first European tour (1923). [Internet] [Thesis]. Australian Catholic University; 2005. [cited 2020 Feb 17]. Available from: https://researchbank.acu.edu.au/theses/123.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rischitelli VE. Henry Cowell (1897-1965) and the impact of his first European tour (1923). [Thesis]. Australian Catholic University; 2005. Available from: https://researchbank.acu.edu.au/theses/123

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Crichton, Ian Kieran. The most divine of all Arts: Neoplatonism, Anglo-Catholicism and music in the published writings of A E H Nickson.

Degree: MMus, 2004, Australian Catholic University

 This thesis examines the life and thought of the influential Melbourne organist, teacher and music critic, Arthur Ernest Howard Nickson (1876-1964). Born in Melbourne, Nickson… (more)

Subjects/Keywords: Musicology

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APA (6th Edition):

Crichton, I. K. (2004). The most divine of all Arts: Neoplatonism, Anglo-Catholicism and music in the published writings of A E H Nickson. (Thesis). Australian Catholic University. Retrieved from https://researchbank.acu.edu.au/theses/80

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Crichton, Ian Kieran. “The most divine of all Arts: Neoplatonism, Anglo-Catholicism and music in the published writings of A E H Nickson.” 2004. Thesis, Australian Catholic University. Accessed February 17, 2020. https://researchbank.acu.edu.au/theses/80.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Crichton, Ian Kieran. “The most divine of all Arts: Neoplatonism, Anglo-Catholicism and music in the published writings of A E H Nickson.” 2004. Web. 17 Feb 2020.

Vancouver:

Crichton IK. The most divine of all Arts: Neoplatonism, Anglo-Catholicism and music in the published writings of A E H Nickson. [Internet] [Thesis]. Australian Catholic University; 2004. [cited 2020 Feb 17]. Available from: https://researchbank.acu.edu.au/theses/80.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crichton IK. The most divine of all Arts: Neoplatonism, Anglo-Catholicism and music in the published writings of A E H Nickson. [Thesis]. Australian Catholic University; 2004. Available from: https://researchbank.acu.edu.au/theses/80

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Curtis, Paul Raymond. The music of Dom Stephen Moreno, OSB: A study of its sources, chronology and context.

Degree: PhD, 2006, Australian Catholic University

 Dom Stephen Moreno OSB (1889-1953) was one of Australia’s most respected and prolific composers of church music in the early twentieth century. He lived for… (more)

Subjects/Keywords: Musicology

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APA (6th Edition):

Curtis, P. R. (2006). The music of Dom Stephen Moreno, OSB: A study of its sources, chronology and context. (Doctoral Dissertation). Australian Catholic University. Retrieved from https://researchbank.acu.edu.au/theses/186

Chicago Manual of Style (16th Edition):

Curtis, Paul Raymond. “The music of Dom Stephen Moreno, OSB: A study of its sources, chronology and context.” 2006. Doctoral Dissertation, Australian Catholic University. Accessed February 17, 2020. https://researchbank.acu.edu.au/theses/186.

MLA Handbook (7th Edition):

Curtis, Paul Raymond. “The music of Dom Stephen Moreno, OSB: A study of its sources, chronology and context.” 2006. Web. 17 Feb 2020.

Vancouver:

Curtis PR. The music of Dom Stephen Moreno, OSB: A study of its sources, chronology and context. [Internet] [Doctoral dissertation]. Australian Catholic University; 2006. [cited 2020 Feb 17]. Available from: https://researchbank.acu.edu.au/theses/186.

Council of Science Editors:

Curtis PR. The music of Dom Stephen Moreno, OSB: A study of its sources, chronology and context. [Doctoral Dissertation]. Australian Catholic University; 2006. Available from: https://researchbank.acu.edu.au/theses/186


University of Tennessee – Knoxville

12. Smith, Jonathon Murray. "We’ll All Shout Together in that Morning": Iconicity and Sacred Harp Singing on Sand Mountain, Alabama.

Degree: MM, Music, 2009, University of Tennessee – Knoxville

 This thesis explores the cultural context of Sacred Harp singing on Sand Mountain, Alabama. Using Stephen Feld’s concept of “iconicity of style,” I demonstrate that… (more)

Subjects/Keywords: Musicology

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APA (6th Edition):

Smith, J. M. (2009). "We’ll All Shout Together in that Morning": Iconicity and Sacred Harp Singing on Sand Mountain, Alabama. (Thesis). University of Tennessee – Knoxville. Retrieved from https://trace.tennessee.edu/utk_gradthes/559

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Jonathon Murray. “"We’ll All Shout Together in that Morning": Iconicity and Sacred Harp Singing on Sand Mountain, Alabama.” 2009. Thesis, University of Tennessee – Knoxville. Accessed February 17, 2020. https://trace.tennessee.edu/utk_gradthes/559.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Jonathon Murray. “"We’ll All Shout Together in that Morning": Iconicity and Sacred Harp Singing on Sand Mountain, Alabama.” 2009. Web. 17 Feb 2020.

Vancouver:

Smith JM. "We’ll All Shout Together in that Morning": Iconicity and Sacred Harp Singing on Sand Mountain, Alabama. [Internet] [Thesis]. University of Tennessee – Knoxville; 2009. [cited 2020 Feb 17]. Available from: https://trace.tennessee.edu/utk_gradthes/559.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith JM. "We’ll All Shout Together in that Morning": Iconicity and Sacred Harp Singing on Sand Mountain, Alabama. [Thesis]. University of Tennessee – Knoxville; 2009. Available from: https://trace.tennessee.edu/utk_gradthes/559

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Eastern Illinois University

13. McArthur, Bonnie Fansler. A Survey of the Keyboard Prelude.

Degree: MA, Music, 1987, Eastern Illinois University

  A study of the prelude, the oldest form of idiomatic music for keyboard instruments, offers insight into the heart of piano music. This thesis,… (more)

Subjects/Keywords: Musicology

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APA (6th Edition):

McArthur, B. F. (1987). A Survey of the Keyboard Prelude. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/2638

Chicago Manual of Style (16th Edition):

McArthur, Bonnie Fansler. “A Survey of the Keyboard Prelude.” 1987. Masters Thesis, Eastern Illinois University. Accessed February 17, 2020. https://thekeep.eiu.edu/theses/2638.

MLA Handbook (7th Edition):

McArthur, Bonnie Fansler. “A Survey of the Keyboard Prelude.” 1987. Web. 17 Feb 2020.

Vancouver:

McArthur BF. A Survey of the Keyboard Prelude. [Internet] [Masters thesis]. Eastern Illinois University; 1987. [cited 2020 Feb 17]. Available from: https://thekeep.eiu.edu/theses/2638.

Council of Science Editors:

McArthur BF. A Survey of the Keyboard Prelude. [Masters Thesis]. Eastern Illinois University; 1987. Available from: https://thekeep.eiu.edu/theses/2638


Eastern Illinois University

14. Hitchens, Susan Hayes. Religious Change as an Influence on Sacred Musical Styles in Tudor England.

Degree: MA, Music, 1975, Eastern Illinois University

Subjects/Keywords: Musicology

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APA (6th Edition):

Hitchens, S. H. (1975). Religious Change as an Influence on Sacred Musical Styles in Tudor England. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/3326

Chicago Manual of Style (16th Edition):

Hitchens, Susan Hayes. “Religious Change as an Influence on Sacred Musical Styles in Tudor England.” 1975. Masters Thesis, Eastern Illinois University. Accessed February 17, 2020. https://thekeep.eiu.edu/theses/3326.

MLA Handbook (7th Edition):

Hitchens, Susan Hayes. “Religious Change as an Influence on Sacred Musical Styles in Tudor England.” 1975. Web. 17 Feb 2020.

Vancouver:

Hitchens SH. Religious Change as an Influence on Sacred Musical Styles in Tudor England. [Internet] [Masters thesis]. Eastern Illinois University; 1975. [cited 2020 Feb 17]. Available from: https://thekeep.eiu.edu/theses/3326.

Council of Science Editors:

Hitchens SH. Religious Change as an Influence on Sacred Musical Styles in Tudor England. [Masters Thesis]. Eastern Illinois University; 1975. Available from: https://thekeep.eiu.edu/theses/3326


Eastern Illinois University

15. Logue, Jean. Samuel Sebastian Wesley – His Life and Music in Relation to the Nineteenth Century.

Degree: MA, Music, 1977, Eastern Illinois University

Subjects/Keywords: Musicology

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APA (6th Edition):

Logue, J. (1977). Samuel Sebastian Wesley – His Life and Music in Relation to the Nineteenth Century. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/3340

Chicago Manual of Style (16th Edition):

Logue, Jean. “Samuel Sebastian Wesley – His Life and Music in Relation to the Nineteenth Century.” 1977. Masters Thesis, Eastern Illinois University. Accessed February 17, 2020. https://thekeep.eiu.edu/theses/3340.

MLA Handbook (7th Edition):

Logue, Jean. “Samuel Sebastian Wesley – His Life and Music in Relation to the Nineteenth Century.” 1977. Web. 17 Feb 2020.

Vancouver:

Logue J. Samuel Sebastian Wesley – His Life and Music in Relation to the Nineteenth Century. [Internet] [Masters thesis]. Eastern Illinois University; 1977. [cited 2020 Feb 17]. Available from: https://thekeep.eiu.edu/theses/3340.

Council of Science Editors:

Logue J. Samuel Sebastian Wesley – His Life and Music in Relation to the Nineteenth Century. [Masters Thesis]. Eastern Illinois University; 1977. Available from: https://thekeep.eiu.edu/theses/3340


Eastern Illinois University

16. Bradfield, Steven. A Transcription and Analysis of a Seventeenth-Century Bolognese Trumpet Sonata.

Degree: MA, Music, 1974, Eastern Illinois University

Subjects/Keywords: Musicology

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APA (6th Edition):

Bradfield, S. (1974). A Transcription and Analysis of a Seventeenth-Century Bolognese Trumpet Sonata. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/3663

Chicago Manual of Style (16th Edition):

Bradfield, Steven. “A Transcription and Analysis of a Seventeenth-Century Bolognese Trumpet Sonata.” 1974. Masters Thesis, Eastern Illinois University. Accessed February 17, 2020. https://thekeep.eiu.edu/theses/3663.

MLA Handbook (7th Edition):

Bradfield, Steven. “A Transcription and Analysis of a Seventeenth-Century Bolognese Trumpet Sonata.” 1974. Web. 17 Feb 2020.

Vancouver:

Bradfield S. A Transcription and Analysis of a Seventeenth-Century Bolognese Trumpet Sonata. [Internet] [Masters thesis]. Eastern Illinois University; 1974. [cited 2020 Feb 17]. Available from: https://thekeep.eiu.edu/theses/3663.

Council of Science Editors:

Bradfield S. A Transcription and Analysis of a Seventeenth-Century Bolognese Trumpet Sonata. [Masters Thesis]. Eastern Illinois University; 1974. Available from: https://thekeep.eiu.edu/theses/3663


Eastern Illinois University

17. Allen, Emmanuel Mark. A Comparative Study of Selected Chorale Settings from Martin Luther to J.S. Bach.

Degree: MA, Music, 1972, Eastern Illinois University

Subjects/Keywords: Musicology

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APA (6th Edition):

Allen, E. M. (1972). A Comparative Study of Selected Chorale Settings from Martin Luther to J.S. Bach. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/3899

Chicago Manual of Style (16th Edition):

Allen, Emmanuel Mark. “A Comparative Study of Selected Chorale Settings from Martin Luther to J.S. Bach.” 1972. Masters Thesis, Eastern Illinois University. Accessed February 17, 2020. https://thekeep.eiu.edu/theses/3899.

MLA Handbook (7th Edition):

Allen, Emmanuel Mark. “A Comparative Study of Selected Chorale Settings from Martin Luther to J.S. Bach.” 1972. Web. 17 Feb 2020.

Vancouver:

Allen EM. A Comparative Study of Selected Chorale Settings from Martin Luther to J.S. Bach. [Internet] [Masters thesis]. Eastern Illinois University; 1972. [cited 2020 Feb 17]. Available from: https://thekeep.eiu.edu/theses/3899.

Council of Science Editors:

Allen EM. A Comparative Study of Selected Chorale Settings from Martin Luther to J.S. Bach. [Masters Thesis]. Eastern Illinois University; 1972. Available from: https://thekeep.eiu.edu/theses/3899


Eastern Illinois University

18. Tracy, Gretchen van Sciver. Three Concepts of the Sonata Principle.

Degree: MA, Music, 1970, Eastern Illinois University

Subjects/Keywords: Musicology

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APA (6th Edition):

Tracy, G. v. S. (1970). Three Concepts of the Sonata Principle. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/4049

Chicago Manual of Style (16th Edition):

Tracy, Gretchen van Sciver. “Three Concepts of the Sonata Principle.” 1970. Masters Thesis, Eastern Illinois University. Accessed February 17, 2020. https://thekeep.eiu.edu/theses/4049.

MLA Handbook (7th Edition):

Tracy, Gretchen van Sciver. “Three Concepts of the Sonata Principle.” 1970. Web. 17 Feb 2020.

Vancouver:

Tracy GvS. Three Concepts of the Sonata Principle. [Internet] [Masters thesis]. Eastern Illinois University; 1970. [cited 2020 Feb 17]. Available from: https://thekeep.eiu.edu/theses/4049.

Council of Science Editors:

Tracy GvS. Three Concepts of the Sonata Principle. [Masters Thesis]. Eastern Illinois University; 1970. Available from: https://thekeep.eiu.edu/theses/4049


Eastern Illinois University

19. Beckemeyer, Mildred L. A Piano Recital Analysis.

Degree: MA, Music, 1968, Eastern Illinois University

Subjects/Keywords: Musicology

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APA (6th Edition):

Beckemeyer, M. L. (1968). A Piano Recital Analysis. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/4126

Chicago Manual of Style (16th Edition):

Beckemeyer, Mildred L. “A Piano Recital Analysis.” 1968. Masters Thesis, Eastern Illinois University. Accessed February 17, 2020. https://thekeep.eiu.edu/theses/4126.

MLA Handbook (7th Edition):

Beckemeyer, Mildred L. “A Piano Recital Analysis.” 1968. Web. 17 Feb 2020.

Vancouver:

Beckemeyer ML. A Piano Recital Analysis. [Internet] [Masters thesis]. Eastern Illinois University; 1968. [cited 2020 Feb 17]. Available from: https://thekeep.eiu.edu/theses/4126.

Council of Science Editors:

Beckemeyer ML. A Piano Recital Analysis. [Masters Thesis]. Eastern Illinois University; 1968. Available from: https://thekeep.eiu.edu/theses/4126


Eastern Illinois University

20. Scott, Richard O. Two Operas of Benjamin Britten: An Analysis of Style.

Degree: MA, Music, 1967, Eastern Illinois University

Subjects/Keywords: Musicology

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APA (6th Edition):

Scott, R. O. (1967). Two Operas of Benjamin Britten: An Analysis of Style. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/4207

Chicago Manual of Style (16th Edition):

Scott, Richard O. “Two Operas of Benjamin Britten: An Analysis of Style.” 1967. Masters Thesis, Eastern Illinois University. Accessed February 17, 2020. https://thekeep.eiu.edu/theses/4207.

MLA Handbook (7th Edition):

Scott, Richard O. “Two Operas of Benjamin Britten: An Analysis of Style.” 1967. Web. 17 Feb 2020.

Vancouver:

Scott RO. Two Operas of Benjamin Britten: An Analysis of Style. [Internet] [Masters thesis]. Eastern Illinois University; 1967. [cited 2020 Feb 17]. Available from: https://thekeep.eiu.edu/theses/4207.

Council of Science Editors:

Scott RO. Two Operas of Benjamin Britten: An Analysis of Style. [Masters Thesis]. Eastern Illinois University; 1967. Available from: https://thekeep.eiu.edu/theses/4207


Eastern Illinois University

21. Walgren, Carol L. Nelson. A Study of the Solo Piano Works of Paul Creston.

Degree: MA, Music, 1967, Eastern Illinois University

Subjects/Keywords: Musicology

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APA (6th Edition):

Walgren, C. L. N. (1967). A Study of the Solo Piano Works of Paul Creston. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/4211

Chicago Manual of Style (16th Edition):

Walgren, Carol L Nelson. “A Study of the Solo Piano Works of Paul Creston.” 1967. Masters Thesis, Eastern Illinois University. Accessed February 17, 2020. https://thekeep.eiu.edu/theses/4211.

MLA Handbook (7th Edition):

Walgren, Carol L Nelson. “A Study of the Solo Piano Works of Paul Creston.” 1967. Web. 17 Feb 2020.

Vancouver:

Walgren CLN. A Study of the Solo Piano Works of Paul Creston. [Internet] [Masters thesis]. Eastern Illinois University; 1967. [cited 2020 Feb 17]. Available from: https://thekeep.eiu.edu/theses/4211.

Council of Science Editors:

Walgren CLN. A Study of the Solo Piano Works of Paul Creston. [Masters Thesis]. Eastern Illinois University; 1967. Available from: https://thekeep.eiu.edu/theses/4211


Linnaeus University

22. Sellgren, Caroline. Vaggvisan : Användning, funktion och repertoar.

Degree: Music and Art, 2015, Linnaeus University

  I denna uppsats granskas hur nattande av barn går till. Studiens huvudfokus ligger på vad en vaggvisa är, att kategorisera vaggviserepertoaren samt hur vaggvisan… (more)

Subjects/Keywords: Musicology; Musikvetenskap

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APA (6th Edition):

Sellgren, C. (2015). Vaggvisan : Användning, funktion och repertoar. (Thesis). Linnaeus University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-42893

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sellgren, Caroline. “Vaggvisan : Användning, funktion och repertoar.” 2015. Thesis, Linnaeus University. Accessed February 17, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-42893.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sellgren, Caroline. “Vaggvisan : Användning, funktion och repertoar.” 2015. Web. 17 Feb 2020.

Vancouver:

Sellgren C. Vaggvisan : Användning, funktion och repertoar. [Internet] [Thesis]. Linnaeus University; 2015. [cited 2020 Feb 17]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-42893.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sellgren C. Vaggvisan : Användning, funktion och repertoar. [Thesis]. Linnaeus University; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-42893

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Reimann, Heli. Jazz in Soviet Estonia from 1944 to 1953: meanings, spaces and paradoxes.

Degree: Department of Philosophy, History, Culture and Art Studies, 2015, University of Helsinki

 In Estonian jazz history, the period from 1944 to 1953 was dynamic and contradictory, when the official status of jazz changed from a highly prized… (more)

Subjects/Keywords: musicology; musicology

…Jazz History and Research Program at the University of Rutgers and my studies of musicology… …in Musicology, which, by granting me membership (2011–2015), enabled me to… 

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APA (6th Edition):

Reimann, H. (2015). Jazz in Soviet Estonia from 1944 to 1953: meanings, spaces and paradoxes. (Doctoral Dissertation). University of Helsinki. Retrieved from http://hdl.handle.net/10138/157762

Chicago Manual of Style (16th Edition):

Reimann, Heli. “Jazz in Soviet Estonia from 1944 to 1953: meanings, spaces and paradoxes.” 2015. Doctoral Dissertation, University of Helsinki. Accessed February 17, 2020. http://hdl.handle.net/10138/157762.

MLA Handbook (7th Edition):

Reimann, Heli. “Jazz in Soviet Estonia from 1944 to 1953: meanings, spaces and paradoxes.” 2015. Web. 17 Feb 2020.

Vancouver:

Reimann H. Jazz in Soviet Estonia from 1944 to 1953: meanings, spaces and paradoxes. [Internet] [Doctoral dissertation]. University of Helsinki; 2015. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10138/157762.

Council of Science Editors:

Reimann H. Jazz in Soviet Estonia from 1944 to 1953: meanings, spaces and paradoxes. [Doctoral Dissertation]. University of Helsinki; 2015. Available from: http://hdl.handle.net/10138/157762

24. Salada, Corinne M. "a Music Unquestionably Italian in Idiom": Nationalism as an Evolutionary Process in the Music of Alfredo Casella.

Degree: Master of Music (M.M.), Music, 2012, University of Massachusetts

  Little scholarship exists about the extent of musical nationalism in the works of twentieth-century Italian composer Alfredo Casella (1883-1947). Casella’s output, which is divided… (more)

Subjects/Keywords: musicology; nationalism; Alfredo Casella; Italy; Musicology

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APA (6th Edition):

Salada, C. M. (2012). "a Music Unquestionably Italian in Idiom": Nationalism as an Evolutionary Process in the Music of Alfredo Casella. (Masters Thesis). University of Massachusetts. Retrieved from https://scholarworks.umass.edu/theses/855

Chicago Manual of Style (16th Edition):

Salada, Corinne M. “"a Music Unquestionably Italian in Idiom": Nationalism as an Evolutionary Process in the Music of Alfredo Casella.” 2012. Masters Thesis, University of Massachusetts. Accessed February 17, 2020. https://scholarworks.umass.edu/theses/855.

MLA Handbook (7th Edition):

Salada, Corinne M. “"a Music Unquestionably Italian in Idiom": Nationalism as an Evolutionary Process in the Music of Alfredo Casella.” 2012. Web. 17 Feb 2020.

Vancouver:

Salada CM. "a Music Unquestionably Italian in Idiom": Nationalism as an Evolutionary Process in the Music of Alfredo Casella. [Internet] [Masters thesis]. University of Massachusetts; 2012. [cited 2020 Feb 17]. Available from: https://scholarworks.umass.edu/theses/855.

Council of Science Editors:

Salada CM. "a Music Unquestionably Italian in Idiom": Nationalism as an Evolutionary Process in the Music of Alfredo Casella. [Masters Thesis]. University of Massachusetts; 2012. Available from: https://scholarworks.umass.edu/theses/855


University of Helsinki

25. Huttunen, Kaapo. Musiikki ja ääni 2000-luvun suomalaisessa valtavirtaelokuvassa. Viiden elokuvan analyysiä.

Degree: Department of Philosophy, History, Culture and Art Studies; Helsingfors universitet, Humanistiska fakulteten, Institutionen för filosofi, historia, kultur- och konstforskning, 2015, University of Helsinki

 Tutkimuksessa analysoidaan viiden suomalaisen 2000-luvulla valmistuneen fiktiivisen elokuvan musiikkia ja äänisuunnittelua, pyrkimyksenä hahmottaa elokuvamusiikin ja -äänen toimintaa ja yhteispeliä suomalaisessa niin sanotussa valtavirtaelokuvassa. Tarkastellut elokuvat… (more)

Subjects/Keywords: Musicology; Musiikkitiede; Musikvetenskap

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APA (6th Edition):

Huttunen, K. (2015). Musiikki ja ääni 2000-luvun suomalaisessa valtavirtaelokuvassa. Viiden elokuvan analyysiä. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/224207

Chicago Manual of Style (16th Edition):

Huttunen, Kaapo. “Musiikki ja ääni 2000-luvun suomalaisessa valtavirtaelokuvassa. Viiden elokuvan analyysiä.” 2015. Masters Thesis, University of Helsinki. Accessed February 17, 2020. http://hdl.handle.net/10138/224207.

MLA Handbook (7th Edition):

Huttunen, Kaapo. “Musiikki ja ääni 2000-luvun suomalaisessa valtavirtaelokuvassa. Viiden elokuvan analyysiä.” 2015. Web. 17 Feb 2020.

Vancouver:

Huttunen K. Musiikki ja ääni 2000-luvun suomalaisessa valtavirtaelokuvassa. Viiden elokuvan analyysiä. [Internet] [Masters thesis]. University of Helsinki; 2015. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10138/224207.

Council of Science Editors:

Huttunen K. Musiikki ja ääni 2000-luvun suomalaisessa valtavirtaelokuvassa. Viiden elokuvan analyysiä. [Masters Thesis]. University of Helsinki; 2015. Available from: http://hdl.handle.net/10138/224207


University of Helsinki

26. Saari, Juhani. SININEN SOIVA SISIN - Psykoanalyyttis-musiikkiterapeuttinen näkökulma Krzysztof Kieślowskn elokuvaan Kolme väriä: Sininen ja sen ääniraitaan.

Degree: Department of Philosophy, History, Culture and Art Studies; Helsingfors universitet, Humanistiska fakulteten, Institutionen för filosofi, historia, kultur- och konstforskning, 2013, University of Helsinki

 Tämä tutkielma tarkastelee Krzysztof Kieślowskin elokuvaa Kolme väriä: Sininen sekä sen ääniraitaa. Tutkimuksen keskiössä on kysymys toistamisen merkityksestä ihmisen psyykkiselle toiminnalle: mitä musiikin toistumisella pitkin… (more)

Subjects/Keywords: Musicology; Musiikkitiede; Musikvetenskap

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APA (6th Edition):

Saari, J. (2013). SININEN SOIVA SISIN - Psykoanalyyttis-musiikkiterapeuttinen näkökulma Krzysztof Kieślowskn elokuvaan Kolme väriä: Sininen ja sen ääniraitaan. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/166106

Chicago Manual of Style (16th Edition):

Saari, Juhani. “SININEN SOIVA SISIN - Psykoanalyyttis-musiikkiterapeuttinen näkökulma Krzysztof Kieślowskn elokuvaan Kolme väriä: Sininen ja sen ääniraitaan.” 2013. Masters Thesis, University of Helsinki. Accessed February 17, 2020. http://hdl.handle.net/10138/166106.

MLA Handbook (7th Edition):

Saari, Juhani. “SININEN SOIVA SISIN - Psykoanalyyttis-musiikkiterapeuttinen näkökulma Krzysztof Kieślowskn elokuvaan Kolme väriä: Sininen ja sen ääniraitaan.” 2013. Web. 17 Feb 2020.

Vancouver:

Saari J. SININEN SOIVA SISIN - Psykoanalyyttis-musiikkiterapeuttinen näkökulma Krzysztof Kieślowskn elokuvaan Kolme väriä: Sininen ja sen ääniraitaan. [Internet] [Masters thesis]. University of Helsinki; 2013. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10138/166106.

Council of Science Editors:

Saari J. SININEN SOIVA SISIN - Psykoanalyyttis-musiikkiterapeuttinen näkökulma Krzysztof Kieślowskn elokuvaan Kolme väriä: Sininen ja sen ääniraitaan. [Masters Thesis]. University of Helsinki; 2013. Available from: http://hdl.handle.net/10138/166106


University of Helsinki

27. Holmberg-Nordman, Lise. Kunnian kentät  – suomalaisen kulttuuridiskurssin muutos vuosien 1966 ja 2016 valossa.

Degree: Department of Philosophy, History, Culture and Art Studies; Helsingfors universitet, Humanistiska fakulteten, Institutionen för filosofi, historia, kultur- och konstforskning, 2016, University of Helsinki

 Tutkielmani lähtökohtana on ollut vuoden 1966 massakulttuuridebatti, joka käytiin pääasiassa suomalaisten sanomalehtien sivuilla. Sen tutkimiseen päädyin proseminaarityön kautta, joka käsitteli säveltäjä Seppo Nummea kulttuurivaikuttajana. Massakulttuuridebattia… (more)

Subjects/Keywords: Musicology; Musiikkitiede; Musikvetenskap

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APA (6th Edition):

Holmberg-Nordman, L. (2016). Kunnian kentät  – suomalaisen kulttuuridiskurssin muutos vuosien 1966 ja 2016 valossa. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/174358

Chicago Manual of Style (16th Edition):

Holmberg-Nordman, Lise. “Kunnian kentät  – suomalaisen kulttuuridiskurssin muutos vuosien 1966 ja 2016 valossa.” 2016. Masters Thesis, University of Helsinki. Accessed February 17, 2020. http://hdl.handle.net/10138/174358.

MLA Handbook (7th Edition):

Holmberg-Nordman, Lise. “Kunnian kentät  – suomalaisen kulttuuridiskurssin muutos vuosien 1966 ja 2016 valossa.” 2016. Web. 17 Feb 2020.

Vancouver:

Holmberg-Nordman L. Kunnian kentät  – suomalaisen kulttuuridiskurssin muutos vuosien 1966 ja 2016 valossa. [Internet] [Masters thesis]. University of Helsinki; 2016. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10138/174358.

Council of Science Editors:

Holmberg-Nordman L. Kunnian kentät  – suomalaisen kulttuuridiskurssin muutos vuosien 1966 ja 2016 valossa. [Masters Thesis]. University of Helsinki; 2016. Available from: http://hdl.handle.net/10138/174358


Universiteit Utrecht

28. Mink, F.M. de. Musical Prodigies: Past, Present, and Future Perspectives on Exceptional Performance and Creativity.

Degree: 2013, Universiteit Utrecht

 This study engages with historical sources, videos on YouTube and research literature to inquire into exceptionality and creativity in the performances of musical prodigies. The… (more)

Subjects/Keywords: Musicology; New Materialism

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APA (6th Edition):

Mink, F. M. d. (2013). Musical Prodigies: Past, Present, and Future Perspectives on Exceptional Performance and Creativity. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/277814

Chicago Manual of Style (16th Edition):

Mink, F M de. “Musical Prodigies: Past, Present, and Future Perspectives on Exceptional Performance and Creativity.” 2013. Masters Thesis, Universiteit Utrecht. Accessed February 17, 2020. http://dspace.library.uu.nl:8080/handle/1874/277814.

MLA Handbook (7th Edition):

Mink, F M de. “Musical Prodigies: Past, Present, and Future Perspectives on Exceptional Performance and Creativity.” 2013. Web. 17 Feb 2020.

Vancouver:

Mink FMd. Musical Prodigies: Past, Present, and Future Perspectives on Exceptional Performance and Creativity. [Internet] [Masters thesis]. Universiteit Utrecht; 2013. [cited 2020 Feb 17]. Available from: http://dspace.library.uu.nl:8080/handle/1874/277814.

Council of Science Editors:

Mink FMd. Musical Prodigies: Past, Present, and Future Perspectives on Exceptional Performance and Creativity. [Masters Thesis]. Universiteit Utrecht; 2013. Available from: http://dspace.library.uu.nl:8080/handle/1874/277814


University of Helsinki

29. Forsman, David. Zenbuddhalaisesta meditaatiosta roomalaiskatoliseen kontemplaatioon - Mukaiji ja Miserere.

Degree: Department of Philosophy, History, Culture and Art Studies; Helsingfors universitet, Humanistiska fakulteten, Institutionen för filosofi, historia, kultur- och konstforskning, 2018, University of Helsinki

 Tämän pro gradu –tutkielman aihe on vertaileva tutkimus kahden mietiskelymusiikkikappaleen välillä. Tutkimukseen valituista kappaleista toinen edustaa japanilaista zenbuddhalaista mietiskelymusiikin traditiota ja on nimeltään Mukaiji. Mukaiji… (more)

Subjects/Keywords: musiikkitiede; Musicology; musikvetenskap

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APA (6th Edition):

Forsman, D. (2018). Zenbuddhalaisesta meditaatiosta roomalaiskatoliseen kontemplaatioon - Mukaiji ja Miserere. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/235697

Chicago Manual of Style (16th Edition):

Forsman, David. “Zenbuddhalaisesta meditaatiosta roomalaiskatoliseen kontemplaatioon - Mukaiji ja Miserere.” 2018. Masters Thesis, University of Helsinki. Accessed February 17, 2020. http://hdl.handle.net/10138/235697.

MLA Handbook (7th Edition):

Forsman, David. “Zenbuddhalaisesta meditaatiosta roomalaiskatoliseen kontemplaatioon - Mukaiji ja Miserere.” 2018. Web. 17 Feb 2020.

Vancouver:

Forsman D. Zenbuddhalaisesta meditaatiosta roomalaiskatoliseen kontemplaatioon - Mukaiji ja Miserere. [Internet] [Masters thesis]. University of Helsinki; 2018. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10138/235697.

Council of Science Editors:

Forsman D. Zenbuddhalaisesta meditaatiosta roomalaiskatoliseen kontemplaatioon - Mukaiji ja Miserere. [Masters Thesis]. University of Helsinki; 2018. Available from: http://hdl.handle.net/10138/235697


University of Helsinki

30. Tuura, Rista. "Totta kai pyrin koko ajan tuntemaan oman kroppani siellä" : Kolmen orkesteriviulistin kokemuksia ruumiillisuudestaan.

Degree: Department of Philosophy, History, Culture and Art Studies; Helsingfors universitet, Humanistiska fakulteten, Institutionen för filosofi, historia, kultur- och konstforskning, 2011, University of Helsinki

 Tutkielmassa esitellään kolmen orkesteriviulistin kokemuksia ja käsityksiä omasta ruumiillisuudestaan muusikon työssään. Muusikkolähtöisyys, laajemmin tarkasteltuna tekijälähtöinen tutkimus, on nykyisin yhä tärkeämpi osa musiikintutkimusta. Muusikkolähtöistä tutkimusta on… (more)

Subjects/Keywords: Musicology; Musiikkitiede; Musikvetenskap

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APA (6th Edition):

Tuura, R. (2011). "Totta kai pyrin koko ajan tuntemaan oman kroppani siellä" : Kolmen orkesteriviulistin kokemuksia ruumiillisuudestaan. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/28507

Chicago Manual of Style (16th Edition):

Tuura, Rista. “"Totta kai pyrin koko ajan tuntemaan oman kroppani siellä" : Kolmen orkesteriviulistin kokemuksia ruumiillisuudestaan.” 2011. Masters Thesis, University of Helsinki. Accessed February 17, 2020. http://hdl.handle.net/10138/28507.

MLA Handbook (7th Edition):

Tuura, Rista. “"Totta kai pyrin koko ajan tuntemaan oman kroppani siellä" : Kolmen orkesteriviulistin kokemuksia ruumiillisuudestaan.” 2011. Web. 17 Feb 2020.

Vancouver:

Tuura R. "Totta kai pyrin koko ajan tuntemaan oman kroppani siellä" : Kolmen orkesteriviulistin kokemuksia ruumiillisuudestaan. [Internet] [Masters thesis]. University of Helsinki; 2011. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10138/28507.

Council of Science Editors:

Tuura R. "Totta kai pyrin koko ajan tuntemaan oman kroppani siellä" : Kolmen orkesteriviulistin kokemuksia ruumiillisuudestaan. [Masters Thesis]. University of Helsinki; 2011. Available from: http://hdl.handle.net/10138/28507

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