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You searched for subject:(Musicology). Showing records 1 – 30 of 724 total matches.

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University of Cape Town

1. Bethke, Andrew-John. Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century.

Degree: Image, College of Music, 2012, University of Cape Town

 The broader purpose of this study is to investigate musical change in relation to theological and liturgical change. The particular focus of this thesis is… (more)

Subjects/Keywords: Musicology

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APA (6th Edition):

Bethke, A. (2012). Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/10145

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bethke, Andrew-John. “Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century.” 2012. Thesis, University of Cape Town. Accessed April 20, 2019. http://hdl.handle.net/11427/10145.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bethke, Andrew-John. “Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century.” 2012. Web. 20 Apr 2019.

Vancouver:

Bethke A. Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century. [Internet] [Thesis]. University of Cape Town; 2012. [cited 2019 Apr 20]. Available from: http://hdl.handle.net/11427/10145.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bethke A. Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century. [Thesis]. University of Cape Town; 2012. Available from: http://hdl.handle.net/11427/10145

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Helsinki

2. Nelson, John. The significance of Rimsky-Korsakov in the development of a Russian national identity.

Degree: Department of Philosophy, History, Culture and Art Studies, Musicology, 2013, University of Helsinki

Nikolai Rimsky-Korsakov was a significant figure in both the Russian society and culture of the late 19th and early 20th centuries. In addition to being… (more)

Subjects/Keywords: musicology; musicology

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APA (6th Edition):

Nelson, J. (2013). The significance of Rimsky-Korsakov in the development of a Russian national identity. (Doctoral Dissertation). University of Helsinki. Retrieved from http://hdl.handle.net/10138/41117

Chicago Manual of Style (16th Edition):

Nelson, John. “The significance of Rimsky-Korsakov in the development of a Russian national identity.” 2013. Doctoral Dissertation, University of Helsinki. Accessed April 20, 2019. http://hdl.handle.net/10138/41117.

MLA Handbook (7th Edition):

Nelson, John. “The significance of Rimsky-Korsakov in the development of a Russian national identity.” 2013. Web. 20 Apr 2019.

Vancouver:

Nelson J. The significance of Rimsky-Korsakov in the development of a Russian national identity. [Internet] [Doctoral dissertation]. University of Helsinki; 2013. [cited 2019 Apr 20]. Available from: http://hdl.handle.net/10138/41117.

Council of Science Editors:

Nelson J. The significance of Rimsky-Korsakov in the development of a Russian national identity. [Doctoral Dissertation]. University of Helsinki; 2013. Available from: http://hdl.handle.net/10138/41117


University of Helsinki

3. Dominguez Moreno, Áurea. Bassoon Playing in Perspective : Character and Performance Practice from 1800 to 1850.

Degree: Department of Philosophy, History, Culture and Art Studies, Musicology, 2013, University of Helsinki

This dissertation is a theoretical study of bassoon performance practice in the first half of the nineteenth century, analysing the temporal changes that took place… (more)

Subjects/Keywords: musicology; musicology

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APA (6th Edition):

Dominguez Moreno, . (2013). Bassoon Playing in Perspective : Character and Performance Practice from 1800 to 1850. (Doctoral Dissertation). University of Helsinki. Retrieved from http://hdl.handle.net/10138/41960

Chicago Manual of Style (16th Edition):

Dominguez Moreno, Áurea. “Bassoon Playing in Perspective : Character and Performance Practice from 1800 to 1850.” 2013. Doctoral Dissertation, University of Helsinki. Accessed April 20, 2019. http://hdl.handle.net/10138/41960.

MLA Handbook (7th Edition):

Dominguez Moreno, Áurea. “Bassoon Playing in Perspective : Character and Performance Practice from 1800 to 1850.” 2013. Web. 20 Apr 2019.

Vancouver:

Dominguez Moreno . Bassoon Playing in Perspective : Character and Performance Practice from 1800 to 1850. [Internet] [Doctoral dissertation]. University of Helsinki; 2013. [cited 2019 Apr 20]. Available from: http://hdl.handle.net/10138/41960.

Council of Science Editors:

Dominguez Moreno . Bassoon Playing in Perspective : Character and Performance Practice from 1800 to 1850. [Doctoral Dissertation]. University of Helsinki; 2013. Available from: http://hdl.handle.net/10138/41960


University of Helsinki

4. Rosato, Paolo. The Organic Principle in Music Analysis: a Semiotic Approach.

Degree: Department of Philosophy, History, Culture and Art Studies, 2013, University of Helsinki

 Music analysis is an expression that covers a wide field of meanings and phenomena. We can analyze music as an anthropological condition of human beings;… (more)

Subjects/Keywords: musicology; musicology

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APA (6th Edition):

Rosato, P. (2013). The Organic Principle in Music Analysis: a Semiotic Approach. (Doctoral Dissertation). University of Helsinki. Retrieved from http://hdl.handle.net/10138/42161

Chicago Manual of Style (16th Edition):

Rosato, Paolo. “The Organic Principle in Music Analysis: a Semiotic Approach.” 2013. Doctoral Dissertation, University of Helsinki. Accessed April 20, 2019. http://hdl.handle.net/10138/42161.

MLA Handbook (7th Edition):

Rosato, Paolo. “The Organic Principle in Music Analysis: a Semiotic Approach.” 2013. Web. 20 Apr 2019.

Vancouver:

Rosato P. The Organic Principle in Music Analysis: a Semiotic Approach. [Internet] [Doctoral dissertation]. University of Helsinki; 2013. [cited 2019 Apr 20]. Available from: http://hdl.handle.net/10138/42161.

Council of Science Editors:

Rosato P. The Organic Principle in Music Analysis: a Semiotic Approach. [Doctoral Dissertation]. University of Helsinki; 2013. Available from: http://hdl.handle.net/10138/42161


University of Helsinki

5. Navickaitė-Martinelli, Lina. Piano Performance in a Semiotic Key : Society, Musical Canon and Novel Discourses.

Degree: Department of Philosophy, History, Culture and Art Studies, 2014, University of Helsinki

In an attempt to expand and enrich the existing trends of musical performance studies, as well as exploit the potentials of semiotic analysis, this dissertation… (more)

Subjects/Keywords: musicology; musicology

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APA (6th Edition):

Navickaitė-Martinelli, L. (2014). Piano Performance in a Semiotic Key : Society, Musical Canon and Novel Discourses. (Doctoral Dissertation). University of Helsinki. Retrieved from http://hdl.handle.net/10138/136475

Chicago Manual of Style (16th Edition):

Navickaitė-Martinelli, Lina. “Piano Performance in a Semiotic Key : Society, Musical Canon and Novel Discourses.” 2014. Doctoral Dissertation, University of Helsinki. Accessed April 20, 2019. http://hdl.handle.net/10138/136475.

MLA Handbook (7th Edition):

Navickaitė-Martinelli, Lina. “Piano Performance in a Semiotic Key : Society, Musical Canon and Novel Discourses.” 2014. Web. 20 Apr 2019.

Vancouver:

Navickaitė-Martinelli L. Piano Performance in a Semiotic Key : Society, Musical Canon and Novel Discourses. [Internet] [Doctoral dissertation]. University of Helsinki; 2014. [cited 2019 Apr 20]. Available from: http://hdl.handle.net/10138/136475.

Council of Science Editors:

Navickaitė-Martinelli L. Piano Performance in a Semiotic Key : Society, Musical Canon and Novel Discourses. [Doctoral Dissertation]. University of Helsinki; 2014. Available from: http://hdl.handle.net/10138/136475


University of Helsinki

6. Shpinitskaya, Julia. A Theory of Multicultural Texts : The Music of Erik Bergman As a Phenomenon of Multicultural Europe.

Degree: Department of Philosophy, History, Culture and Art Studies, Musicology, 2016, University of Helsinki

This dissertation is a study of musical cultural mixtures, essentially focusing on mixtures in contemporary European art music and compositions of the Finnish-Swedish composer Erik… (more)

Subjects/Keywords: musicology; musicology

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APA (6th Edition):

Shpinitskaya, J. (2016). A Theory of Multicultural Texts : The Music of Erik Bergman As a Phenomenon of Multicultural Europe. (Doctoral Dissertation). University of Helsinki. Retrieved from http://hdl.handle.net/10138/166661

Chicago Manual of Style (16th Edition):

Shpinitskaya, Julia. “A Theory of Multicultural Texts : The Music of Erik Bergman As a Phenomenon of Multicultural Europe.” 2016. Doctoral Dissertation, University of Helsinki. Accessed April 20, 2019. http://hdl.handle.net/10138/166661.

MLA Handbook (7th Edition):

Shpinitskaya, Julia. “A Theory of Multicultural Texts : The Music of Erik Bergman As a Phenomenon of Multicultural Europe.” 2016. Web. 20 Apr 2019.

Vancouver:

Shpinitskaya J. A Theory of Multicultural Texts : The Music of Erik Bergman As a Phenomenon of Multicultural Europe. [Internet] [Doctoral dissertation]. University of Helsinki; 2016. [cited 2019 Apr 20]. Available from: http://hdl.handle.net/10138/166661.

Council of Science Editors:

Shpinitskaya J. A Theory of Multicultural Texts : The Music of Erik Bergman As a Phenomenon of Multicultural Europe. [Doctoral Dissertation]. University of Helsinki; 2016. Available from: http://hdl.handle.net/10138/166661


University of Helsinki

7. Calleja, Marianela. Ideas of Time in Music : A Philosophico-logical Investigation Applied to Works of Alberto Ginastera (1916 - 1983).

Degree: Department of Philosophy, History, Culture and Art Studies, Musicology, 2013, University of Helsinki

 This thesis proposes temporal conceptions that stem from philosophical inquiry, such as linear time, cyclical time and branching time, to then find a connection with… (more)

Subjects/Keywords: musicology/Philosophy; musicology/Philosophy

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APA (6th Edition):

Calleja, M. (2013). Ideas of Time in Music : A Philosophico-logical Investigation Applied to Works of Alberto Ginastera (1916 - 1983). (Doctoral Dissertation). University of Helsinki. Retrieved from http://hdl.handle.net/10138/40017

Chicago Manual of Style (16th Edition):

Calleja, Marianela. “Ideas of Time in Music : A Philosophico-logical Investigation Applied to Works of Alberto Ginastera (1916 - 1983).” 2013. Doctoral Dissertation, University of Helsinki. Accessed April 20, 2019. http://hdl.handle.net/10138/40017.

MLA Handbook (7th Edition):

Calleja, Marianela. “Ideas of Time in Music : A Philosophico-logical Investigation Applied to Works of Alberto Ginastera (1916 - 1983).” 2013. Web. 20 Apr 2019.

Vancouver:

Calleja M. Ideas of Time in Music : A Philosophico-logical Investigation Applied to Works of Alberto Ginastera (1916 - 1983). [Internet] [Doctoral dissertation]. University of Helsinki; 2013. [cited 2019 Apr 20]. Available from: http://hdl.handle.net/10138/40017.

Council of Science Editors:

Calleja M. Ideas of Time in Music : A Philosophico-logical Investigation Applied to Works of Alberto Ginastera (1916 - 1983). [Doctoral Dissertation]. University of Helsinki; 2013. Available from: http://hdl.handle.net/10138/40017


Eastern Illinois University

8. Bradfield, Steven. A Transcription and Analysis of a Seventeenth-Century Bolognese Trumpet Sonata.

Degree: MA, Music, 1974, Eastern Illinois University

Subjects/Keywords: Musicology

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APA (6th Edition):

Bradfield, S. (1974). A Transcription and Analysis of a Seventeenth-Century Bolognese Trumpet Sonata. (Masters Thesis). Eastern Illinois University. Retrieved from http://thekeep.eiu.edu/theses/3663

Chicago Manual of Style (16th Edition):

Bradfield, Steven. “A Transcription and Analysis of a Seventeenth-Century Bolognese Trumpet Sonata.” 1974. Masters Thesis, Eastern Illinois University. Accessed April 20, 2019. http://thekeep.eiu.edu/theses/3663.

MLA Handbook (7th Edition):

Bradfield, Steven. “A Transcription and Analysis of a Seventeenth-Century Bolognese Trumpet Sonata.” 1974. Web. 20 Apr 2019.

Vancouver:

Bradfield S. A Transcription and Analysis of a Seventeenth-Century Bolognese Trumpet Sonata. [Internet] [Masters thesis]. Eastern Illinois University; 1974. [cited 2019 Apr 20]. Available from: http://thekeep.eiu.edu/theses/3663.

Council of Science Editors:

Bradfield S. A Transcription and Analysis of a Seventeenth-Century Bolognese Trumpet Sonata. [Masters Thesis]. Eastern Illinois University; 1974. Available from: http://thekeep.eiu.edu/theses/3663


Eastern Illinois University

9. Scott, Richard O. Two Operas of Benjamin Britten: An Analysis of Style.

Degree: MA, Music, 1967, Eastern Illinois University

Subjects/Keywords: Musicology

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APA (6th Edition):

Scott, R. O. (1967). Two Operas of Benjamin Britten: An Analysis of Style. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/4207

Chicago Manual of Style (16th Edition):

Scott, Richard O. “Two Operas of Benjamin Britten: An Analysis of Style.” 1967. Masters Thesis, Eastern Illinois University. Accessed April 20, 2019. https://thekeep.eiu.edu/theses/4207.

MLA Handbook (7th Edition):

Scott, Richard O. “Two Operas of Benjamin Britten: An Analysis of Style.” 1967. Web. 20 Apr 2019.

Vancouver:

Scott RO. Two Operas of Benjamin Britten: An Analysis of Style. [Internet] [Masters thesis]. Eastern Illinois University; 1967. [cited 2019 Apr 20]. Available from: https://thekeep.eiu.edu/theses/4207.

Council of Science Editors:

Scott RO. Two Operas of Benjamin Britten: An Analysis of Style. [Masters Thesis]. Eastern Illinois University; 1967. Available from: https://thekeep.eiu.edu/theses/4207


Eastern Illinois University

10. Walgren, Carol L. Nelson. A Study of the Solo Piano Works of Paul Creston.

Degree: MA, Music, 1967, Eastern Illinois University

Subjects/Keywords: Musicology

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APA (6th Edition):

Walgren, C. L. N. (1967). A Study of the Solo Piano Works of Paul Creston. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/4211

Chicago Manual of Style (16th Edition):

Walgren, Carol L Nelson. “A Study of the Solo Piano Works of Paul Creston.” 1967. Masters Thesis, Eastern Illinois University. Accessed April 20, 2019. https://thekeep.eiu.edu/theses/4211.

MLA Handbook (7th Edition):

Walgren, Carol L Nelson. “A Study of the Solo Piano Works of Paul Creston.” 1967. Web. 20 Apr 2019.

Vancouver:

Walgren CLN. A Study of the Solo Piano Works of Paul Creston. [Internet] [Masters thesis]. Eastern Illinois University; 1967. [cited 2019 Apr 20]. Available from: https://thekeep.eiu.edu/theses/4211.

Council of Science Editors:

Walgren CLN. A Study of the Solo Piano Works of Paul Creston. [Masters Thesis]. Eastern Illinois University; 1967. Available from: https://thekeep.eiu.edu/theses/4211


Florida State University

11. Fannin, Amelia. Charles Koechlin's Silhouettes de Comédie for Bassoon and Orchestra: An in Depth Study.

Degree: Doctor of Music, Music, 2009, Florida State University

Charles Koechlin composed the Silhouettes de Comédie for bassoon and orchestra in 1943. It is a monumental work for bassoon due to its length, scope,… (more)

Subjects/Keywords: Music; Musicology

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APA (6th Edition):

Fannin, A. (2009). Charles Koechlin's Silhouettes de Comédie for Bassoon and Orchestra: An in Depth Study. (Masters Thesis). Florida State University. Retrieved from http://purl.flvc.org/fsu/fd/FSU_migr_etd-4506 ;

Chicago Manual of Style (16th Edition):

Fannin, Amelia. “Charles Koechlin's Silhouettes de Comédie for Bassoon and Orchestra: An in Depth Study.” 2009. Masters Thesis, Florida State University. Accessed April 20, 2019. http://purl.flvc.org/fsu/fd/FSU_migr_etd-4506 ;.

MLA Handbook (7th Edition):

Fannin, Amelia. “Charles Koechlin's Silhouettes de Comédie for Bassoon and Orchestra: An in Depth Study.” 2009. Web. 20 Apr 2019.

Vancouver:

Fannin A. Charles Koechlin's Silhouettes de Comédie for Bassoon and Orchestra: An in Depth Study. [Internet] [Masters thesis]. Florida State University; 2009. [cited 2019 Apr 20]. Available from: http://purl.flvc.org/fsu/fd/FSU_migr_etd-4506 ;.

Council of Science Editors:

Fannin A. Charles Koechlin's Silhouettes de Comédie for Bassoon and Orchestra: An in Depth Study. [Masters Thesis]. Florida State University; 2009. Available from: http://purl.flvc.org/fsu/fd/FSU_migr_etd-4506 ;


Uppsala University

12. Lindblad, Amandus. När operan blir museum : En undersökning om operapublikens vanor och konsumtion av opera i Sverige.

Degree: Musicology, 2018, Uppsala University

Studies regarding cultural consumption of opera in general, and opera at Swedish opera institutions in particular are scarce. This investigation aims to draw attention… (more)

Subjects/Keywords: Musicology; Musikvetenskap

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APA (6th Edition):

Lindblad, A. (2018). När operan blir museum : En undersökning om operapublikens vanor och konsumtion av opera i Sverige. (Thesis). Uppsala University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-346173

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lindblad, Amandus. “När operan blir museum : En undersökning om operapublikens vanor och konsumtion av opera i Sverige.” 2018. Thesis, Uppsala University. Accessed April 20, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-346173.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lindblad, Amandus. “När operan blir museum : En undersökning om operapublikens vanor och konsumtion av opera i Sverige.” 2018. Web. 20 Apr 2019.

Vancouver:

Lindblad A. När operan blir museum : En undersökning om operapublikens vanor och konsumtion av opera i Sverige. [Internet] [Thesis]. Uppsala University; 2018. [cited 2019 Apr 20]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-346173.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lindblad A. När operan blir museum : En undersökning om operapublikens vanor och konsumtion av opera i Sverige. [Thesis]. Uppsala University; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-346173

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Eastern Illinois University

13. McArthur, Bonnie Fansler. A Survey of the Keyboard Prelude.

Degree: MA, Music, 1987, Eastern Illinois University

  A study of the prelude, the oldest form of idiomatic music for keyboard instruments, offers insight into the heart of piano music. This thesis,… (more)

Subjects/Keywords: Musicology

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APA (6th Edition):

McArthur, B. F. (1987). A Survey of the Keyboard Prelude. (Masters Thesis). Eastern Illinois University. Retrieved from http://thekeep.eiu.edu/theses/2638

Chicago Manual of Style (16th Edition):

McArthur, Bonnie Fansler. “A Survey of the Keyboard Prelude.” 1987. Masters Thesis, Eastern Illinois University. Accessed April 20, 2019. http://thekeep.eiu.edu/theses/2638.

MLA Handbook (7th Edition):

McArthur, Bonnie Fansler. “A Survey of the Keyboard Prelude.” 1987. Web. 20 Apr 2019.

Vancouver:

McArthur BF. A Survey of the Keyboard Prelude. [Internet] [Masters thesis]. Eastern Illinois University; 1987. [cited 2019 Apr 20]. Available from: http://thekeep.eiu.edu/theses/2638.

Council of Science Editors:

McArthur BF. A Survey of the Keyboard Prelude. [Masters Thesis]. Eastern Illinois University; 1987. Available from: http://thekeep.eiu.edu/theses/2638


Eastern Illinois University

14. Hitchens, Susan Hayes. Religious Change as an Influence on Sacred Musical Styles in Tudor England.

Degree: MA, Music, 1975, Eastern Illinois University

Subjects/Keywords: Musicology

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APA (6th Edition):

Hitchens, S. H. (1975). Religious Change as an Influence on Sacred Musical Styles in Tudor England. (Masters Thesis). Eastern Illinois University. Retrieved from http://thekeep.eiu.edu/theses/3326

Chicago Manual of Style (16th Edition):

Hitchens, Susan Hayes. “Religious Change as an Influence on Sacred Musical Styles in Tudor England.” 1975. Masters Thesis, Eastern Illinois University. Accessed April 20, 2019. http://thekeep.eiu.edu/theses/3326.

MLA Handbook (7th Edition):

Hitchens, Susan Hayes. “Religious Change as an Influence on Sacred Musical Styles in Tudor England.” 1975. Web. 20 Apr 2019.

Vancouver:

Hitchens SH. Religious Change as an Influence on Sacred Musical Styles in Tudor England. [Internet] [Masters thesis]. Eastern Illinois University; 1975. [cited 2019 Apr 20]. Available from: http://thekeep.eiu.edu/theses/3326.

Council of Science Editors:

Hitchens SH. Religious Change as an Influence on Sacred Musical Styles in Tudor England. [Masters Thesis]. Eastern Illinois University; 1975. Available from: http://thekeep.eiu.edu/theses/3326

15. Rischitelli, Victor Emanuel. Henry Cowell (1897-1965) and the impact of his first European tour (1923).

Degree: MMus, 2005, Australian Catholic University

 In 1923, American composer and pianist, Henry Cowell (1897-1965) gave his first highly successful concert tour of Europe, playing his own unique compositions. This thesis… (more)

Subjects/Keywords: Musicology

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APA (6th Edition):

Rischitelli, V. E. (2005). Henry Cowell (1897-1965) and the impact of his first European tour (1923). (Thesis). Australian Catholic University. Retrieved from https://researchbank.acu.edu.au/theses/123

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rischitelli, Victor Emanuel. “Henry Cowell (1897-1965) and the impact of his first European tour (1923).” 2005. Thesis, Australian Catholic University. Accessed April 20, 2019. https://researchbank.acu.edu.au/theses/123.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rischitelli, Victor Emanuel. “Henry Cowell (1897-1965) and the impact of his first European tour (1923).” 2005. Web. 20 Apr 2019.

Vancouver:

Rischitelli VE. Henry Cowell (1897-1965) and the impact of his first European tour (1923). [Internet] [Thesis]. Australian Catholic University; 2005. [cited 2019 Apr 20]. Available from: https://researchbank.acu.edu.au/theses/123.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rischitelli VE. Henry Cowell (1897-1965) and the impact of his first European tour (1923). [Thesis]. Australian Catholic University; 2005. Available from: https://researchbank.acu.edu.au/theses/123

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Crichton, Ian Kieran. The most divine of all Arts: Neoplatonism, Anglo-Catholicism and music in the published writings of A E H Nickson.

Degree: MMus, 2004, Australian Catholic University

 This thesis examines the life and thought of the influential Melbourne organist, teacher and music critic, Arthur Ernest Howard Nickson (1876-1964). Born in Melbourne, Nickson… (more)

Subjects/Keywords: Musicology

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APA (6th Edition):

Crichton, I. K. (2004). The most divine of all Arts: Neoplatonism, Anglo-Catholicism and music in the published writings of A E H Nickson. (Thesis). Australian Catholic University. Retrieved from https://researchbank.acu.edu.au/theses/80

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Crichton, Ian Kieran. “The most divine of all Arts: Neoplatonism, Anglo-Catholicism and music in the published writings of A E H Nickson.” 2004. Thesis, Australian Catholic University. Accessed April 20, 2019. https://researchbank.acu.edu.au/theses/80.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Crichton, Ian Kieran. “The most divine of all Arts: Neoplatonism, Anglo-Catholicism and music in the published writings of A E H Nickson.” 2004. Web. 20 Apr 2019.

Vancouver:

Crichton IK. The most divine of all Arts: Neoplatonism, Anglo-Catholicism and music in the published writings of A E H Nickson. [Internet] [Thesis]. Australian Catholic University; 2004. [cited 2019 Apr 20]. Available from: https://researchbank.acu.edu.au/theses/80.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crichton IK. The most divine of all Arts: Neoplatonism, Anglo-Catholicism and music in the published writings of A E H Nickson. [Thesis]. Australian Catholic University; 2004. Available from: https://researchbank.acu.edu.au/theses/80

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Curtis, Paul Raymond. The music of Dom Stephen Moreno, OSB: A study of its sources, chronology and context.

Degree: PhD, 2006, Australian Catholic University

 Dom Stephen Moreno OSB (1889-1953) was one of Australia’s most respected and prolific composers of church music in the early twentieth century. He lived for… (more)

Subjects/Keywords: Musicology

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APA (6th Edition):

Curtis, P. R. (2006). The music of Dom Stephen Moreno, OSB: A study of its sources, chronology and context. (Doctoral Dissertation). Australian Catholic University. Retrieved from https://researchbank.acu.edu.au/theses/186

Chicago Manual of Style (16th Edition):

Curtis, Paul Raymond. “The music of Dom Stephen Moreno, OSB: A study of its sources, chronology and context.” 2006. Doctoral Dissertation, Australian Catholic University. Accessed April 20, 2019. https://researchbank.acu.edu.au/theses/186.

MLA Handbook (7th Edition):

Curtis, Paul Raymond. “The music of Dom Stephen Moreno, OSB: A study of its sources, chronology and context.” 2006. Web. 20 Apr 2019.

Vancouver:

Curtis PR. The music of Dom Stephen Moreno, OSB: A study of its sources, chronology and context. [Internet] [Doctoral dissertation]. Australian Catholic University; 2006. [cited 2019 Apr 20]. Available from: https://researchbank.acu.edu.au/theses/186.

Council of Science Editors:

Curtis PR. The music of Dom Stephen Moreno, OSB: A study of its sources, chronology and context. [Doctoral Dissertation]. Australian Catholic University; 2006. Available from: https://researchbank.acu.edu.au/theses/186


Eastern Illinois University

18. Logue, Jean. Samuel Sebastian Wesley – His Life and Music in Relation to the Nineteenth Century.

Degree: MA, Music, 1977, Eastern Illinois University

Subjects/Keywords: Musicology

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APA (6th Edition):

Logue, J. (1977). Samuel Sebastian Wesley – His Life and Music in Relation to the Nineteenth Century. (Masters Thesis). Eastern Illinois University. Retrieved from http://thekeep.eiu.edu/theses/3340

Chicago Manual of Style (16th Edition):

Logue, Jean. “Samuel Sebastian Wesley – His Life and Music in Relation to the Nineteenth Century.” 1977. Masters Thesis, Eastern Illinois University. Accessed April 20, 2019. http://thekeep.eiu.edu/theses/3340.

MLA Handbook (7th Edition):

Logue, Jean. “Samuel Sebastian Wesley – His Life and Music in Relation to the Nineteenth Century.” 1977. Web. 20 Apr 2019.

Vancouver:

Logue J. Samuel Sebastian Wesley – His Life and Music in Relation to the Nineteenth Century. [Internet] [Masters thesis]. Eastern Illinois University; 1977. [cited 2019 Apr 20]. Available from: http://thekeep.eiu.edu/theses/3340.

Council of Science Editors:

Logue J. Samuel Sebastian Wesley – His Life and Music in Relation to the Nineteenth Century. [Masters Thesis]. Eastern Illinois University; 1977. Available from: http://thekeep.eiu.edu/theses/3340


Uppsala University

19. Shamerany, Marco. Musik som protest : En fallstudie av musikgruppen LöstFolk.

Degree: Musicology, 2018, Uppsala University

  The Uppsala music group LöstFolk has in various ways distinguished itself and become identified with protest music in Sweden. Their approach goes beyond simply… (more)

Subjects/Keywords: Musicology; Musikvetenskap

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APA (6th Edition):

Shamerany, M. (2018). Musik som protest : En fallstudie av musikgruppen LöstFolk. (Thesis). Uppsala University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-346942

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shamerany, Marco. “Musik som protest : En fallstudie av musikgruppen LöstFolk.” 2018. Thesis, Uppsala University. Accessed April 20, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-346942.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shamerany, Marco. “Musik som protest : En fallstudie av musikgruppen LöstFolk.” 2018. Web. 20 Apr 2019.

Vancouver:

Shamerany M. Musik som protest : En fallstudie av musikgruppen LöstFolk. [Internet] [Thesis]. Uppsala University; 2018. [cited 2019 Apr 20]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-346942.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shamerany M. Musik som protest : En fallstudie av musikgruppen LöstFolk. [Thesis]. Uppsala University; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-346942

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tennessee – Knoxville

20. Smith, Jonathon Murray. "We’ll All Shout Together in that Morning": Iconicity and Sacred Harp Singing on Sand Mountain, Alabama.

Degree: MM, Music, 2009, University of Tennessee – Knoxville

 This thesis explores the cultural context of Sacred Harp singing on Sand Mountain, Alabama. Using Stephen Feld’s concept of “iconicity of style,” I demonstrate that… (more)

Subjects/Keywords: Musicology

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APA (6th Edition):

Smith, J. M. (2009). "We’ll All Shout Together in that Morning": Iconicity and Sacred Harp Singing on Sand Mountain, Alabama. (Thesis). University of Tennessee – Knoxville. Retrieved from https://trace.tennessee.edu/utk_gradthes/559

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Jonathon Murray. “"We’ll All Shout Together in that Morning": Iconicity and Sacred Harp Singing on Sand Mountain, Alabama.” 2009. Thesis, University of Tennessee – Knoxville. Accessed April 20, 2019. https://trace.tennessee.edu/utk_gradthes/559.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Jonathon Murray. “"We’ll All Shout Together in that Morning": Iconicity and Sacred Harp Singing on Sand Mountain, Alabama.” 2009. Web. 20 Apr 2019.

Vancouver:

Smith JM. "We’ll All Shout Together in that Morning": Iconicity and Sacred Harp Singing on Sand Mountain, Alabama. [Internet] [Thesis]. University of Tennessee – Knoxville; 2009. [cited 2019 Apr 20]. Available from: https://trace.tennessee.edu/utk_gradthes/559.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith JM. "We’ll All Shout Together in that Morning": Iconicity and Sacred Harp Singing on Sand Mountain, Alabama. [Thesis]. University of Tennessee – Knoxville; 2009. Available from: https://trace.tennessee.edu/utk_gradthes/559

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Eastern Illinois University

21. Allen, Emmanuel Mark. A Comparative Study of Selected Chorale Settings from Martin Luther to J.S. Bach.

Degree: MA, Music, 1972, Eastern Illinois University

Subjects/Keywords: Musicology

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APA (6th Edition):

Allen, E. M. (1972). A Comparative Study of Selected Chorale Settings from Martin Luther to J.S. Bach. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/3899

Chicago Manual of Style (16th Edition):

Allen, Emmanuel Mark. “A Comparative Study of Selected Chorale Settings from Martin Luther to J.S. Bach.” 1972. Masters Thesis, Eastern Illinois University. Accessed April 20, 2019. https://thekeep.eiu.edu/theses/3899.

MLA Handbook (7th Edition):

Allen, Emmanuel Mark. “A Comparative Study of Selected Chorale Settings from Martin Luther to J.S. Bach.” 1972. Web. 20 Apr 2019.

Vancouver:

Allen EM. A Comparative Study of Selected Chorale Settings from Martin Luther to J.S. Bach. [Internet] [Masters thesis]. Eastern Illinois University; 1972. [cited 2019 Apr 20]. Available from: https://thekeep.eiu.edu/theses/3899.

Council of Science Editors:

Allen EM. A Comparative Study of Selected Chorale Settings from Martin Luther to J.S. Bach. [Masters Thesis]. Eastern Illinois University; 1972. Available from: https://thekeep.eiu.edu/theses/3899


Eastern Illinois University

22. Tracy, Gretchen van Sciver. Three Concepts of the Sonata Principle.

Degree: MA, Music, 1970, Eastern Illinois University

Subjects/Keywords: Musicology

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APA (6th Edition):

Tracy, G. v. S. (1970). Three Concepts of the Sonata Principle. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/4049

Chicago Manual of Style (16th Edition):

Tracy, Gretchen van Sciver. “Three Concepts of the Sonata Principle.” 1970. Masters Thesis, Eastern Illinois University. Accessed April 20, 2019. https://thekeep.eiu.edu/theses/4049.

MLA Handbook (7th Edition):

Tracy, Gretchen van Sciver. “Three Concepts of the Sonata Principle.” 1970. Web. 20 Apr 2019.

Vancouver:

Tracy GvS. Three Concepts of the Sonata Principle. [Internet] [Masters thesis]. Eastern Illinois University; 1970. [cited 2019 Apr 20]. Available from: https://thekeep.eiu.edu/theses/4049.

Council of Science Editors:

Tracy GvS. Three Concepts of the Sonata Principle. [Masters Thesis]. Eastern Illinois University; 1970. Available from: https://thekeep.eiu.edu/theses/4049


Eastern Illinois University

23. Beckemeyer, Mildred L. A Piano Recital Analysis.

Degree: MA, Music, 1968, Eastern Illinois University

Subjects/Keywords: Musicology

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APA (6th Edition):

Beckemeyer, M. L. (1968). A Piano Recital Analysis. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/4126

Chicago Manual of Style (16th Edition):

Beckemeyer, Mildred L. “A Piano Recital Analysis.” 1968. Masters Thesis, Eastern Illinois University. Accessed April 20, 2019. https://thekeep.eiu.edu/theses/4126.

MLA Handbook (7th Edition):

Beckemeyer, Mildred L. “A Piano Recital Analysis.” 1968. Web. 20 Apr 2019.

Vancouver:

Beckemeyer ML. A Piano Recital Analysis. [Internet] [Masters thesis]. Eastern Illinois University; 1968. [cited 2019 Apr 20]. Available from: https://thekeep.eiu.edu/theses/4126.

Council of Science Editors:

Beckemeyer ML. A Piano Recital Analysis. [Masters Thesis]. Eastern Illinois University; 1968. Available from: https://thekeep.eiu.edu/theses/4126

24. Reimann, Heli. Jazz in Soviet Estonia from 1944 to 1953: meanings, spaces and paradoxes.

Degree: Department of Philosophy, History, Culture and Art Studies, 2015, University of Helsinki

 In Estonian jazz history, the period from 1944 to 1953 was dynamic and contradictory, when the official status of jazz changed from a highly prized… (more)

Subjects/Keywords: musicology; musicology

…Jazz History and Research Program at the University of Rutgers and my studies of musicology… …in Musicology, which, by granting me membership (2011–2015), enabled me to… 

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APA (6th Edition):

Reimann, H. (2015). Jazz in Soviet Estonia from 1944 to 1953: meanings, spaces and paradoxes. (Doctoral Dissertation). University of Helsinki. Retrieved from http://hdl.handle.net/10138/157762

Chicago Manual of Style (16th Edition):

Reimann, Heli. “Jazz in Soviet Estonia from 1944 to 1953: meanings, spaces and paradoxes.” 2015. Doctoral Dissertation, University of Helsinki. Accessed April 20, 2019. http://hdl.handle.net/10138/157762.

MLA Handbook (7th Edition):

Reimann, Heli. “Jazz in Soviet Estonia from 1944 to 1953: meanings, spaces and paradoxes.” 2015. Web. 20 Apr 2019.

Vancouver:

Reimann H. Jazz in Soviet Estonia from 1944 to 1953: meanings, spaces and paradoxes. [Internet] [Doctoral dissertation]. University of Helsinki; 2015. [cited 2019 Apr 20]. Available from: http://hdl.handle.net/10138/157762.

Council of Science Editors:

Reimann H. Jazz in Soviet Estonia from 1944 to 1953: meanings, spaces and paradoxes. [Doctoral Dissertation]. University of Helsinki; 2015. Available from: http://hdl.handle.net/10138/157762

25. Salada, Corinne M. "a Music Unquestionably Italian in Idiom": Nationalism as an Evolutionary Process in the Music of Alfredo Casella.

Degree: Master of Music (M.M.), Music, 2012, University of Massachusetts

  Little scholarship exists about the extent of musical nationalism in the works of twentieth-century Italian composer Alfredo Casella (1883-1947). Casella’s output, which is divided… (more)

Subjects/Keywords: musicology; nationalism; Alfredo Casella; Italy; Musicology

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APA (6th Edition):

Salada, C. M. (2012). "a Music Unquestionably Italian in Idiom": Nationalism as an Evolutionary Process in the Music of Alfredo Casella. (Masters Thesis). University of Massachusetts. Retrieved from https://scholarworks.umass.edu/theses/855

Chicago Manual of Style (16th Edition):

Salada, Corinne M. “"a Music Unquestionably Italian in Idiom": Nationalism as an Evolutionary Process in the Music of Alfredo Casella.” 2012. Masters Thesis, University of Massachusetts. Accessed April 20, 2019. https://scholarworks.umass.edu/theses/855.

MLA Handbook (7th Edition):

Salada, Corinne M. “"a Music Unquestionably Italian in Idiom": Nationalism as an Evolutionary Process in the Music of Alfredo Casella.” 2012. Web. 20 Apr 2019.

Vancouver:

Salada CM. "a Music Unquestionably Italian in Idiom": Nationalism as an Evolutionary Process in the Music of Alfredo Casella. [Internet] [Masters thesis]. University of Massachusetts; 2012. [cited 2019 Apr 20]. Available from: https://scholarworks.umass.edu/theses/855.

Council of Science Editors:

Salada CM. "a Music Unquestionably Italian in Idiom": Nationalism as an Evolutionary Process in the Music of Alfredo Casella. [Masters Thesis]. University of Massachusetts; 2012. Available from: https://scholarworks.umass.edu/theses/855


University of Helsinki

26. Huttunen, Kaapo. Musiikki ja ääni 2000-luvun suomalaisessa valtavirtaelokuvassa. Viiden elokuvan analyysiä.

Degree: Department of Philosophy, History, Culture and Art Studies; Helsingfors universitet, Humanistiska fakulteten, Institutionen för filosofi, historia, kultur- och konstforskning, 2015, University of Helsinki

 Tutkimuksessa analysoidaan viiden suomalaisen 2000-luvulla valmistuneen fiktiivisen elokuvan musiikkia ja äänisuunnittelua, pyrkimyksenä hahmottaa elokuvamusiikin ja -äänen toimintaa ja yhteispeliä suomalaisessa niin sanotussa valtavirtaelokuvassa. Tarkastellut elokuvat… (more)

Subjects/Keywords: Musicology; Musiikkitiede; Musikvetenskap

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APA (6th Edition):

Huttunen, K. (2015). Musiikki ja ääni 2000-luvun suomalaisessa valtavirtaelokuvassa. Viiden elokuvan analyysiä. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/224207

Chicago Manual of Style (16th Edition):

Huttunen, Kaapo. “Musiikki ja ääni 2000-luvun suomalaisessa valtavirtaelokuvassa. Viiden elokuvan analyysiä.” 2015. Masters Thesis, University of Helsinki. Accessed April 20, 2019. http://hdl.handle.net/10138/224207.

MLA Handbook (7th Edition):

Huttunen, Kaapo. “Musiikki ja ääni 2000-luvun suomalaisessa valtavirtaelokuvassa. Viiden elokuvan analyysiä.” 2015. Web. 20 Apr 2019.

Vancouver:

Huttunen K. Musiikki ja ääni 2000-luvun suomalaisessa valtavirtaelokuvassa. Viiden elokuvan analyysiä. [Internet] [Masters thesis]. University of Helsinki; 2015. [cited 2019 Apr 20]. Available from: http://hdl.handle.net/10138/224207.

Council of Science Editors:

Huttunen K. Musiikki ja ääni 2000-luvun suomalaisessa valtavirtaelokuvassa. Viiden elokuvan analyysiä. [Masters Thesis]. University of Helsinki; 2015. Available from: http://hdl.handle.net/10138/224207


University of Helsinki

27. Saari, Juhani. SININEN SOIVA SISIN - Psykoanalyyttis-musiikkiterapeuttinen näkökulma Krzysztof Kieślowskn elokuvaan Kolme väriä: Sininen ja sen ääniraitaan.

Degree: Department of Philosophy, History, Culture and Art Studies; Helsingfors universitet, Humanistiska fakulteten, Institutionen för filosofi, historia, kultur- och konstforskning, 2013, University of Helsinki

 Tämä tutkielma tarkastelee Krzysztof Kieślowskin elokuvaa Kolme väriä: Sininen sekä sen ääniraitaa. Tutkimuksen keskiössä on kysymys toistamisen merkityksestä ihmisen psyykkiselle toiminnalle: mitä musiikin toistumisella pitkin… (more)

Subjects/Keywords: Musicology; Musiikkitiede; Musikvetenskap

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APA (6th Edition):

Saari, J. (2013). SININEN SOIVA SISIN - Psykoanalyyttis-musiikkiterapeuttinen näkökulma Krzysztof Kieślowskn elokuvaan Kolme väriä: Sininen ja sen ääniraitaan. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/166106

Chicago Manual of Style (16th Edition):

Saari, Juhani. “SININEN SOIVA SISIN - Psykoanalyyttis-musiikkiterapeuttinen näkökulma Krzysztof Kieślowskn elokuvaan Kolme väriä: Sininen ja sen ääniraitaan.” 2013. Masters Thesis, University of Helsinki. Accessed April 20, 2019. http://hdl.handle.net/10138/166106.

MLA Handbook (7th Edition):

Saari, Juhani. “SININEN SOIVA SISIN - Psykoanalyyttis-musiikkiterapeuttinen näkökulma Krzysztof Kieślowskn elokuvaan Kolme väriä: Sininen ja sen ääniraitaan.” 2013. Web. 20 Apr 2019.

Vancouver:

Saari J. SININEN SOIVA SISIN - Psykoanalyyttis-musiikkiterapeuttinen näkökulma Krzysztof Kieślowskn elokuvaan Kolme väriä: Sininen ja sen ääniraitaan. [Internet] [Masters thesis]. University of Helsinki; 2013. [cited 2019 Apr 20]. Available from: http://hdl.handle.net/10138/166106.

Council of Science Editors:

Saari J. SININEN SOIVA SISIN - Psykoanalyyttis-musiikkiterapeuttinen näkökulma Krzysztof Kieślowskn elokuvaan Kolme väriä: Sininen ja sen ääniraitaan. [Masters Thesis]. University of Helsinki; 2013. Available from: http://hdl.handle.net/10138/166106


University of Helsinki

28. Holmberg-Nordman, Lise. Kunnian kentät  – suomalaisen kulttuuridiskurssin muutos vuosien 1966 ja 2016 valossa.

Degree: Department of Philosophy, History, Culture and Art Studies; Helsingfors universitet, Humanistiska fakulteten, Institutionen för filosofi, historia, kultur- och konstforskning, 2016, University of Helsinki

 Tutkielmani lähtökohtana on ollut vuoden 1966 massakulttuuridebatti, joka käytiin pääasiassa suomalaisten sanomalehtien sivuilla. Sen tutkimiseen päädyin proseminaarityön kautta, joka käsitteli säveltäjä Seppo Nummea kulttuurivaikuttajana. Massakulttuuridebattia… (more)

Subjects/Keywords: Musicology; Musiikkitiede; Musikvetenskap

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APA (6th Edition):

Holmberg-Nordman, L. (2016). Kunnian kentät  – suomalaisen kulttuuridiskurssin muutos vuosien 1966 ja 2016 valossa. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/174358

Chicago Manual of Style (16th Edition):

Holmberg-Nordman, Lise. “Kunnian kentät  – suomalaisen kulttuuridiskurssin muutos vuosien 1966 ja 2016 valossa.” 2016. Masters Thesis, University of Helsinki. Accessed April 20, 2019. http://hdl.handle.net/10138/174358.

MLA Handbook (7th Edition):

Holmberg-Nordman, Lise. “Kunnian kentät  – suomalaisen kulttuuridiskurssin muutos vuosien 1966 ja 2016 valossa.” 2016. Web. 20 Apr 2019.

Vancouver:

Holmberg-Nordman L. Kunnian kentät  – suomalaisen kulttuuridiskurssin muutos vuosien 1966 ja 2016 valossa. [Internet] [Masters thesis]. University of Helsinki; 2016. [cited 2019 Apr 20]. Available from: http://hdl.handle.net/10138/174358.

Council of Science Editors:

Holmberg-Nordman L. Kunnian kentät  – suomalaisen kulttuuridiskurssin muutos vuosien 1966 ja 2016 valossa. [Masters Thesis]. University of Helsinki; 2016. Available from: http://hdl.handle.net/10138/174358


University of Helsinki

29. Björn, Sami Juhani. Kaikuja tulevaisuudesta : Musiikin funktiot Ridley Scottin elokuvassa Blade Runner.

Degree: Department of Philosophy, History, Culture and Art Studies; Helsingfors universitet, Humanistiska fakulteten, Institutionen för filosofi, historia, kultur- och konstforskning, 2013, University of Helsinki

 Tutkielmassa tarkastellaan musiikin funktioita ja merkityksiä Ridley Scottin ohjaamassa tieteiselokuvassa Blade Runner: The Final Cut (2007). Elokuvan ensimmäinen versio Blade Runner sai ensi-iltansa vuonna 1982… (more)

Subjects/Keywords: Musicology; Musiikkitiede; Musikvetenskap

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APA (6th Edition):

Björn, S. J. (2013). Kaikuja tulevaisuudesta : Musiikin funktiot Ridley Scottin elokuvassa Blade Runner. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/39957

Chicago Manual of Style (16th Edition):

Björn, Sami Juhani. “Kaikuja tulevaisuudesta : Musiikin funktiot Ridley Scottin elokuvassa Blade Runner.” 2013. Masters Thesis, University of Helsinki. Accessed April 20, 2019. http://hdl.handle.net/10138/39957.

MLA Handbook (7th Edition):

Björn, Sami Juhani. “Kaikuja tulevaisuudesta : Musiikin funktiot Ridley Scottin elokuvassa Blade Runner.” 2013. Web. 20 Apr 2019.

Vancouver:

Björn SJ. Kaikuja tulevaisuudesta : Musiikin funktiot Ridley Scottin elokuvassa Blade Runner. [Internet] [Masters thesis]. University of Helsinki; 2013. [cited 2019 Apr 20]. Available from: http://hdl.handle.net/10138/39957.

Council of Science Editors:

Björn SJ. Kaikuja tulevaisuudesta : Musiikin funktiot Ridley Scottin elokuvassa Blade Runner. [Masters Thesis]. University of Helsinki; 2013. Available from: http://hdl.handle.net/10138/39957


University of Helsinki

30. Miettinen, Ari. Moodit, riffit ja modulaatiot Metallican albumilla ...And Justice for All.

Degree: Department of Philosophy, History, Culture and Art Studies; Helsingfors universitet, Humanistiska fakulteten, Institutionen för filosofi, historia, kultur- och konstforskning, 2013, University of Helsinki

 Tutkielmassa selvitetään, miltä Metallican 1980-luvun loppupuolen thrash metal -tyyli näyttää, kun sitä tarkastellaan sävellajin käsitteen näkökulmasta. Thrash metal enimmäkseen ei noudata duurimollitonaalisen musiikin harmonismelodisia lainalaisuuksia,… (more)

Subjects/Keywords: Musicology; Musiikkitiede; Musikvetenskap

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APA (6th Edition):

Miettinen, A. (2013). Moodit, riffit ja modulaatiot Metallican albumilla ...And Justice for All. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/39991

Chicago Manual of Style (16th Edition):

Miettinen, Ari. “Moodit, riffit ja modulaatiot Metallican albumilla ...And Justice for All.” 2013. Masters Thesis, University of Helsinki. Accessed April 20, 2019. http://hdl.handle.net/10138/39991.

MLA Handbook (7th Edition):

Miettinen, Ari. “Moodit, riffit ja modulaatiot Metallican albumilla ...And Justice for All.” 2013. Web. 20 Apr 2019.

Vancouver:

Miettinen A. Moodit, riffit ja modulaatiot Metallican albumilla ...And Justice for All. [Internet] [Masters thesis]. University of Helsinki; 2013. [cited 2019 Apr 20]. Available from: http://hdl.handle.net/10138/39991.

Council of Science Editors:

Miettinen A. Moodit, riffit ja modulaatiot Metallican albumilla ...And Justice for All. [Masters Thesis]. University of Helsinki; 2013. Available from: http://hdl.handle.net/10138/39991

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