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You searched for subject:(Musical analysis). Showing records 1 – 30 of 655 total matches.

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University of Rochester

1. Braman, Wallis D. The use of silence in the instrumental works of representative composers: Baroque, classic, romantic.

Degree: PhD, 2013, University of Rochester

 There is a bit of deception, at once familiar and enjoyable, in the finale of Haydn’s Quartet, opus 33, number 2, which causes amusement every… (more)

Subjects/Keywords: Musical analysis.

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APA (6th Edition):

Braman, W. D. (2013). The use of silence in the instrumental works of representative composers: Baroque, classic, romantic. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/26238

Chicago Manual of Style (16th Edition):

Braman, Wallis D. “The use of silence in the instrumental works of representative composers: Baroque, classic, romantic.” 2013. Doctoral Dissertation, University of Rochester. Accessed May 06, 2021. http://hdl.handle.net/1802/26238.

MLA Handbook (7th Edition):

Braman, Wallis D. “The use of silence in the instrumental works of representative composers: Baroque, classic, romantic.” 2013. Web. 06 May 2021.

Vancouver:

Braman WD. The use of silence in the instrumental works of representative composers: Baroque, classic, romantic. [Internet] [Doctoral dissertation]. University of Rochester; 2013. [cited 2021 May 06]. Available from: http://hdl.handle.net/1802/26238.

Council of Science Editors:

Braman WD. The use of silence in the instrumental works of representative composers: Baroque, classic, romantic. [Doctoral Dissertation]. University of Rochester; 2013. Available from: http://hdl.handle.net/1802/26238

2. Angelo, Bruno Milheira. Minha música sendo outra : a narratividade como coisa composicional.

Degree: 2014, Brazil

Esta tese apresenta estudos interpretativos sobre as obras musicais compostas pelo autor durante seu doutoramento: Introverso (piano), Ao Pó (clarinete em si , trombone, violoncelo,… (more)

Subjects/Keywords: Hermenêutica; Composição musical; Análise musical; Narrativa musical; Musical composition; Musical hermeneutics; Musical narrativity; Musical analysis

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APA (6th Edition):

Angelo, B. M. (2014). Minha música sendo outra : a narratividade como coisa composicional. (Doctoral Dissertation). Brazil. Retrieved from http://hdl.handle.net/10183/97667

Chicago Manual of Style (16th Edition):

Angelo, Bruno Milheira. “Minha música sendo outra : a narratividade como coisa composicional.” 2014. Doctoral Dissertation, Brazil. Accessed May 06, 2021. http://hdl.handle.net/10183/97667.

MLA Handbook (7th Edition):

Angelo, Bruno Milheira. “Minha música sendo outra : a narratividade como coisa composicional.” 2014. Web. 06 May 2021.

Vancouver:

Angelo BM. Minha música sendo outra : a narratividade como coisa composicional. [Internet] [Doctoral dissertation]. Brazil; 2014. [cited 2021 May 06]. Available from: http://hdl.handle.net/10183/97667.

Council of Science Editors:

Angelo BM. Minha música sendo outra : a narratividade como coisa composicional. [Doctoral Dissertation]. Brazil; 2014. Available from: http://hdl.handle.net/10183/97667


Universidade do Minho

3. Freitas, Bárbara Serrano de. Associação da cor à notação musical tradicional: efeitos na leitura e na compreensão musical global .

Degree: 2019, Universidade do Minho

 O presente Relatório de Estágio foi elaborado no âmbito do estágio profissional do Mestrado em Ensino de Música ministrado pela Universidade do Minho. O projeto… (more)

Subjects/Keywords: Análise musical; Notação colorida; Piano; Colored musical notation; Musical analysis

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APA (6th Edition):

Freitas, B. S. d. (2019). Associação da cor à notação musical tradicional: efeitos na leitura e na compreensão musical global . (Masters Thesis). Universidade do Minho. Retrieved from http://hdl.handle.net/1822/62193

Chicago Manual of Style (16th Edition):

Freitas, Bárbara Serrano de. “Associação da cor à notação musical tradicional: efeitos na leitura e na compreensão musical global .” 2019. Masters Thesis, Universidade do Minho. Accessed May 06, 2021. http://hdl.handle.net/1822/62193.

MLA Handbook (7th Edition):

Freitas, Bárbara Serrano de. “Associação da cor à notação musical tradicional: efeitos na leitura e na compreensão musical global .” 2019. Web. 06 May 2021.

Vancouver:

Freitas BSd. Associação da cor à notação musical tradicional: efeitos na leitura e na compreensão musical global . [Internet] [Masters thesis]. Universidade do Minho; 2019. [cited 2021 May 06]. Available from: http://hdl.handle.net/1822/62193.

Council of Science Editors:

Freitas BSd. Associação da cor à notação musical tradicional: efeitos na leitura e na compreensão musical global . [Masters Thesis]. Universidade do Minho; 2019. Available from: http://hdl.handle.net/1822/62193

4. Meine, Rodrigo. Abstração e representação : a função de modelos em composição musical.

Degree: 2018, Brazil

Esta tese consiste na formulação de um entendimento da composição musical à luz do conceito de modelos, conforme a concepção que veio a ser formulada… (more)

Subjects/Keywords: Composição musical; Análise musical; Music composition; Musical analysis; Models

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APA (6th Edition):

Meine, R. (2018). Abstração e representação : a função de modelos em composição musical. (Doctoral Dissertation). Brazil. Retrieved from http://hdl.handle.net/10183/189438

Chicago Manual of Style (16th Edition):

Meine, Rodrigo. “Abstração e representação : a função de modelos em composição musical.” 2018. Doctoral Dissertation, Brazil. Accessed May 06, 2021. http://hdl.handle.net/10183/189438.

MLA Handbook (7th Edition):

Meine, Rodrigo. “Abstração e representação : a função de modelos em composição musical.” 2018. Web. 06 May 2021.

Vancouver:

Meine R. Abstração e representação : a função de modelos em composição musical. [Internet] [Doctoral dissertation]. Brazil; 2018. [cited 2021 May 06]. Available from: http://hdl.handle.net/10183/189438.

Council of Science Editors:

Meine R. Abstração e representação : a função de modelos em composição musical. [Doctoral Dissertation]. Brazil; 2018. Available from: http://hdl.handle.net/10183/189438

5. André de Cillo Rodrigues. Três usos da citação musical no século XX: uma análise das peças Dream-Images de Crumb, Phorion de Foss e Prelúdio para piano nº1 de Willy Corrêa.

Degree: 2012, University of São Paulo

Este trabalho consiste na análise de três peças que se utilizam da citação musical de maneiras distintas. Ele é, portanto, um estudo a respeito da… (more)

Subjects/Keywords: Análise musical; Citação musical; Composição Musical; Música do Século XX; Musical Analysis; Musical Composition; Musical Quotation; Twentieth Century Music

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APA (6th Edition):

Rodrigues, A. d. C. (2012). Três usos da citação musical no século XX: uma análise das peças Dream-Images de Crumb, Phorion de Foss e Prelúdio para piano nº1 de Willy Corrêa. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-111743/

Chicago Manual of Style (16th Edition):

Rodrigues, André de Cillo. “Três usos da citação musical no século XX: uma análise das peças Dream-Images de Crumb, Phorion de Foss e Prelúdio para piano nº1 de Willy Corrêa.” 2012. Masters Thesis, University of São Paulo. Accessed May 06, 2021. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-111743/.

MLA Handbook (7th Edition):

Rodrigues, André de Cillo. “Três usos da citação musical no século XX: uma análise das peças Dream-Images de Crumb, Phorion de Foss e Prelúdio para piano nº1 de Willy Corrêa.” 2012. Web. 06 May 2021.

Vancouver:

Rodrigues AdC. Três usos da citação musical no século XX: uma análise das peças Dream-Images de Crumb, Phorion de Foss e Prelúdio para piano nº1 de Willy Corrêa. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2021 May 06]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-111743/.

Council of Science Editors:

Rodrigues AdC. Três usos da citação musical no século XX: uma análise das peças Dream-Images de Crumb, Phorion de Foss e Prelúdio para piano nº1 de Willy Corrêa. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-111743/

6. Cleyton Vieira Fernandes. Semiótica musical: princípios teóricos e aplicações sobre o discurso musical, sua produção e recepção.

Degree: 2014, University of São Paulo

A semiótica, precisamente esta de cunho estruturalista da qual tratamos, propõe-se a compreender como o sentido se organiza em objetos dos mais variados modos de… (more)

Subjects/Keywords: Análise musical; Enunciação; Fato musical; Modelo tripartite; Semiótica musical; Enunciation; Musical analysis; Musical fact; Musical semiotics; Tripartite model

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APA (6th Edition):

Fernandes, C. V. (2014). Semiótica musical: princípios teóricos e aplicações sobre o discurso musical, sua produção e recepção. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8139/tde-02062015-165108/

Chicago Manual of Style (16th Edition):

Fernandes, Cleyton Vieira. “Semiótica musical: princípios teóricos e aplicações sobre o discurso musical, sua produção e recepção.” 2014. Doctoral Dissertation, University of São Paulo. Accessed May 06, 2021. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-02062015-165108/.

MLA Handbook (7th Edition):

Fernandes, Cleyton Vieira. “Semiótica musical: princípios teóricos e aplicações sobre o discurso musical, sua produção e recepção.” 2014. Web. 06 May 2021.

Vancouver:

Fernandes CV. Semiótica musical: princípios teóricos e aplicações sobre o discurso musical, sua produção e recepção. [Internet] [Doctoral dissertation]. University of São Paulo; 2014. [cited 2021 May 06]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8139/tde-02062015-165108/.

Council of Science Editors:

Fernandes CV. Semiótica musical: princípios teóricos e aplicações sobre o discurso musical, sua produção e recepção. [Doctoral Dissertation]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/8/8139/tde-02062015-165108/


University of Rochester

7. Kaminsky, Peter Michael (1953 - ). Aspects of harmony, rhythm and form in Schumann's Papillons, Carnaval and Davidsbündlertänze.

Degree: PhD, 2015, University of Rochester

Subjects/Keywords: Musical analysis.

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APA (6th Edition):

Kaminsky, P. M. (. -. ). (2015). Aspects of harmony, rhythm and form in Schumann's Papillons, Carnaval and Davidsbündlertänze. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/30153

Chicago Manual of Style (16th Edition):

Kaminsky, Peter Michael (1953 - ). “Aspects of harmony, rhythm and form in Schumann's Papillons, Carnaval and Davidsbündlertänze.” 2015. Doctoral Dissertation, University of Rochester. Accessed May 06, 2021. http://hdl.handle.net/1802/30153.

MLA Handbook (7th Edition):

Kaminsky, Peter Michael (1953 - ). “Aspects of harmony, rhythm and form in Schumann's Papillons, Carnaval and Davidsbündlertänze.” 2015. Web. 06 May 2021.

Vancouver:

Kaminsky PM(-). Aspects of harmony, rhythm and form in Schumann's Papillons, Carnaval and Davidsbündlertänze. [Internet] [Doctoral dissertation]. University of Rochester; 2015. [cited 2021 May 06]. Available from: http://hdl.handle.net/1802/30153.

Council of Science Editors:

Kaminsky PM(-). Aspects of harmony, rhythm and form in Schumann's Papillons, Carnaval and Davidsbündlertänze. [Doctoral Dissertation]. University of Rochester; 2015. Available from: http://hdl.handle.net/1802/30153


Columbia University

8. Bell, Eamonn Patrick. The Computational Attitude in Music Theory.

Degree: 2019, Columbia University

 Music studies’s turn to computation during the twentieth century has engendered particular habits of thought about music, habits that remain in operation long after the… (more)

Subjects/Keywords: Musical analysis; Computer science

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APA (6th Edition):

Bell, E. P. (2019). The Computational Attitude in Music Theory. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/d8-yfr2-k514

Chicago Manual of Style (16th Edition):

Bell, Eamonn Patrick. “The Computational Attitude in Music Theory.” 2019. Doctoral Dissertation, Columbia University. Accessed May 06, 2021. https://doi.org/10.7916/d8-yfr2-k514.

MLA Handbook (7th Edition):

Bell, Eamonn Patrick. “The Computational Attitude in Music Theory.” 2019. Web. 06 May 2021.

Vancouver:

Bell EP. The Computational Attitude in Music Theory. [Internet] [Doctoral dissertation]. Columbia University; 2019. [cited 2021 May 06]. Available from: https://doi.org/10.7916/d8-yfr2-k514.

Council of Science Editors:

Bell EP. The Computational Attitude in Music Theory. [Doctoral Dissertation]. Columbia University; 2019. Available from: https://doi.org/10.7916/d8-yfr2-k514

9. Korrer, Ann. A survey of the musical environment in the homes of kindergarten and nursery school children of Denton, Texas.

Degree: 1948, Texas Woman's University

Subjects/Keywords: Musical analysis

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APA (6th Edition):

Korrer, A. (1948). A survey of the musical environment in the homes of kindergarten and nursery school children of Denton, Texas. (Thesis). Texas Woman's University. Retrieved from http://hdl.handle.net/11274/414

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Korrer, Ann. “A survey of the musical environment in the homes of kindergarten and nursery school children of Denton, Texas.” 1948. Thesis, Texas Woman's University. Accessed May 06, 2021. http://hdl.handle.net/11274/414.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Korrer, Ann. “A survey of the musical environment in the homes of kindergarten and nursery school children of Denton, Texas.” 1948. Web. 06 May 2021.

Vancouver:

Korrer A. A survey of the musical environment in the homes of kindergarten and nursery school children of Denton, Texas. [Internet] [Thesis]. Texas Woman's University; 1948. [cited 2021 May 06]. Available from: http://hdl.handle.net/11274/414.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Korrer A. A survey of the musical environment in the homes of kindergarten and nursery school children of Denton, Texas. [Thesis]. Texas Woman's University; 1948. Available from: http://hdl.handle.net/11274/414

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas State University – San Marcos

10. Roth, Kayla D. "Son of Beatles": A Historical and Analytical Study of the Music of Electric Light Orchestra.

Degree: MM, Music, 2011, Texas State University – San Marcos

 Electric Light Orchestra (ELO) was a fixture of the popular music scene in the 1970s and early 1980s. Of the eleven studio albums, the band… (more)

Subjects/Keywords: Musical analysis; Popular music

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APA (6th Edition):

Roth, K. D. (2011). "Son of Beatles": A Historical and Analytical Study of the Music of Electric Light Orchestra. (Masters Thesis). Texas State University – San Marcos. Retrieved from https://digital.library.txstate.edu/handle/10877/12496

Chicago Manual of Style (16th Edition):

Roth, Kayla D. “"Son of Beatles": A Historical and Analytical Study of the Music of Electric Light Orchestra.” 2011. Masters Thesis, Texas State University – San Marcos. Accessed May 06, 2021. https://digital.library.txstate.edu/handle/10877/12496.

MLA Handbook (7th Edition):

Roth, Kayla D. “"Son of Beatles": A Historical and Analytical Study of the Music of Electric Light Orchestra.” 2011. Web. 06 May 2021.

Vancouver:

Roth KD. "Son of Beatles": A Historical and Analytical Study of the Music of Electric Light Orchestra. [Internet] [Masters thesis]. Texas State University – San Marcos; 2011. [cited 2021 May 06]. Available from: https://digital.library.txstate.edu/handle/10877/12496.

Council of Science Editors:

Roth KD. "Son of Beatles": A Historical and Analytical Study of the Music of Electric Light Orchestra. [Masters Thesis]. Texas State University – San Marcos; 2011. Available from: https://digital.library.txstate.edu/handle/10877/12496


University of Oklahoma

11. Morren, Christian Logan. Lee Hoiby's Song Cycle The Shining Place, With Poetry by Emily Dickinson.

Degree: DMA, 2010, University of Oklahoma

 The study is organized into five chapters and begins an introduction to the study. Biographical information on Lee Hoiby is presented in chapter two. The… (more)

Subjects/Keywords: Musical analysis

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APA (6th Edition):

Morren, C. L. (2010). Lee Hoiby's Song Cycle The Shining Place, With Poetry by Emily Dickinson. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/318710

Chicago Manual of Style (16th Edition):

Morren, Christian Logan. “Lee Hoiby's Song Cycle The Shining Place, With Poetry by Emily Dickinson.” 2010. Doctoral Dissertation, University of Oklahoma. Accessed May 06, 2021. http://hdl.handle.net/11244/318710.

MLA Handbook (7th Edition):

Morren, Christian Logan. “Lee Hoiby's Song Cycle The Shining Place, With Poetry by Emily Dickinson.” 2010. Web. 06 May 2021.

Vancouver:

Morren CL. Lee Hoiby's Song Cycle The Shining Place, With Poetry by Emily Dickinson. [Internet] [Doctoral dissertation]. University of Oklahoma; 2010. [cited 2021 May 06]. Available from: http://hdl.handle.net/11244/318710.

Council of Science Editors:

Morren CL. Lee Hoiby's Song Cycle The Shining Place, With Poetry by Emily Dickinson. [Doctoral Dissertation]. University of Oklahoma; 2010. Available from: http://hdl.handle.net/11244/318710


Delft University of Technology

12. Peperkamp, J.B. (author). Extracting information from collections of musical performances using Dynamic Time Warping.

Degree: 2016, Delft University of Technology

When performing a piece of music, there are certain ways in which performers turn the score into their own musical interpretation of it. The difference… (more)

Subjects/Keywords: Dynamic Time Warping; musical performance analysis; musical structure analysis

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APA (6th Edition):

Peperkamp, J. B. (. (2016). Extracting information from collections of musical performances using Dynamic Time Warping. (Masters Thesis). Delft University of Technology. Retrieved from http://resolver.tudelft.nl/uuid:ef93503c-ce97-41d4-baf3-c7e7c08ed355

Chicago Manual of Style (16th Edition):

Peperkamp, J B (author). “Extracting information from collections of musical performances using Dynamic Time Warping.” 2016. Masters Thesis, Delft University of Technology. Accessed May 06, 2021. http://resolver.tudelft.nl/uuid:ef93503c-ce97-41d4-baf3-c7e7c08ed355.

MLA Handbook (7th Edition):

Peperkamp, J B (author). “Extracting information from collections of musical performances using Dynamic Time Warping.” 2016. Web. 06 May 2021.

Vancouver:

Peperkamp JB(. Extracting information from collections of musical performances using Dynamic Time Warping. [Internet] [Masters thesis]. Delft University of Technology; 2016. [cited 2021 May 06]. Available from: http://resolver.tudelft.nl/uuid:ef93503c-ce97-41d4-baf3-c7e7c08ed355.

Council of Science Editors:

Peperkamp JB(. Extracting information from collections of musical performances using Dynamic Time Warping. [Masters Thesis]. Delft University of Technology; 2016. Available from: http://resolver.tudelft.nl/uuid:ef93503c-ce97-41d4-baf3-c7e7c08ed355


Hong Kong University of Science and Technology

13. Auguin, Nicolas Jean Leopold Pierre. Identification of live or studio versions of a song via supervised and semi-supervised learning.

Degree: 2014, Hong Kong University of Science and Technology

 In this thesis, we aim to classify "live" and "studio" versions of a song using audio features. We solve this problem using supervised machine learning… (more)

Subjects/Keywords: Musical analysis ; Data processing ; Sound-waves ; Analysis

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APA (6th Edition):

Auguin, N. J. L. P. (2014). Identification of live or studio versions of a song via supervised and semi-supervised learning. (Thesis). Hong Kong University of Science and Technology. Retrieved from http://repository.ust.hk/ir/Record/1783.1-62812 ; https://doi.org/10.14711/thesis-b1274302 ; http://repository.ust.hk/ir/bitstream/1783.1-62812/1/th_redirect.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Auguin, Nicolas Jean Leopold Pierre. “Identification of live or studio versions of a song via supervised and semi-supervised learning.” 2014. Thesis, Hong Kong University of Science and Technology. Accessed May 06, 2021. http://repository.ust.hk/ir/Record/1783.1-62812 ; https://doi.org/10.14711/thesis-b1274302 ; http://repository.ust.hk/ir/bitstream/1783.1-62812/1/th_redirect.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Auguin, Nicolas Jean Leopold Pierre. “Identification of live or studio versions of a song via supervised and semi-supervised learning.” 2014. Web. 06 May 2021.

Vancouver:

Auguin NJLP. Identification of live or studio versions of a song via supervised and semi-supervised learning. [Internet] [Thesis]. Hong Kong University of Science and Technology; 2014. [cited 2021 May 06]. Available from: http://repository.ust.hk/ir/Record/1783.1-62812 ; https://doi.org/10.14711/thesis-b1274302 ; http://repository.ust.hk/ir/bitstream/1783.1-62812/1/th_redirect.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Auguin NJLP. Identification of live or studio versions of a song via supervised and semi-supervised learning. [Thesis]. Hong Kong University of Science and Technology; 2014. Available from: http://repository.ust.hk/ir/Record/1783.1-62812 ; https://doi.org/10.14711/thesis-b1274302 ; http://repository.ust.hk/ir/bitstream/1783.1-62812/1/th_redirect.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Almeida, Maurício Zamith. A dialética das temporalidades na performance musical : uma interpretação de Cantéyodjayâ de Oliver Messiaen.

Degree: 2013, Brazil

Esta tese parte da premissa de que, na tradição da musica ocidental escrita, a performance restitui a obra musical ao tempo e o intérprete, responsável… (more)

Subjects/Keywords: Messiaen, Olivier 1908-1992.; Cantéyodjayâ; Tempo; Performance musical; Análise musical; Interpretação musical; Cantéyodjayâ; Time and musical performance; Musical analysis; Interpretive construction

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APA (6th Edition):

Almeida, M. Z. (2013). A dialética das temporalidades na performance musical : uma interpretação de Cantéyodjayâ de Oliver Messiaen. (Doctoral Dissertation). Brazil. Retrieved from http://hdl.handle.net/10183/81606

Chicago Manual of Style (16th Edition):

Almeida, Maurício Zamith. “A dialética das temporalidades na performance musical : uma interpretação de Cantéyodjayâ de Oliver Messiaen.” 2013. Doctoral Dissertation, Brazil. Accessed May 06, 2021. http://hdl.handle.net/10183/81606.

MLA Handbook (7th Edition):

Almeida, Maurício Zamith. “A dialética das temporalidades na performance musical : uma interpretação de Cantéyodjayâ de Oliver Messiaen.” 2013. Web. 06 May 2021.

Vancouver:

Almeida MZ. A dialética das temporalidades na performance musical : uma interpretação de Cantéyodjayâ de Oliver Messiaen. [Internet] [Doctoral dissertation]. Brazil; 2013. [cited 2021 May 06]. Available from: http://hdl.handle.net/10183/81606.

Council of Science Editors:

Almeida MZ. A dialética das temporalidades na performance musical : uma interpretação de Cantéyodjayâ de Oliver Messiaen. [Doctoral Dissertation]. Brazil; 2013. Available from: http://hdl.handle.net/10183/81606

15. Denise Mayumi Ogata. Análise musical e processos harmônicos em Concert à quatre, de Olivier Messiaen.

Degree: 2016, University of São Paulo

Esta dissertação desenvolve uma análise musical de Concert à quatre (1990-1991), obra composta por Olivier Messiaen para quatro solistas (flauta, oboé, violoncelo, piano) e grande… (more)

Subjects/Keywords: Análise musical; Messiaen; Processos musicais harmônicos; Messiaen; Musical analysis; Musical harmonic processes

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APA (6th Edition):

Ogata, D. M. (2016). Análise musical e processos harmônicos em Concert à quatre, de Olivier Messiaen. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27157/tde-01022017-105225/

Chicago Manual of Style (16th Edition):

Ogata, Denise Mayumi. “Análise musical e processos harmônicos em Concert à quatre, de Olivier Messiaen.” 2016. Masters Thesis, University of São Paulo. Accessed May 06, 2021. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-01022017-105225/.

MLA Handbook (7th Edition):

Ogata, Denise Mayumi. “Análise musical e processos harmônicos em Concert à quatre, de Olivier Messiaen.” 2016. Web. 06 May 2021.

Vancouver:

Ogata DM. Análise musical e processos harmônicos em Concert à quatre, de Olivier Messiaen. [Internet] [Masters thesis]. University of São Paulo; 2016. [cited 2021 May 06]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-01022017-105225/.

Council of Science Editors:

Ogata DM. Análise musical e processos harmônicos em Concert à quatre, de Olivier Messiaen. [Masters Thesis]. University of São Paulo; 2016. Available from: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-01022017-105225/

16. Corrêa, João Francisco de Souza. Música como intertexto : perspectivas sobre intertextualidade e composição musical.

Degree: 2019, Brazil

A presente tese desenvolve um estudo sobre a intertextualidade no contexto da análise e da composição musical. Ela está organizada em duas partes. Na primeira,… (more)

Subjects/Keywords: Intertextualidade; Composição musical; Análise musical; Processo composicional; Intertextuality; Composition; Musical analysis; Compositional process

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APA (6th Edition):

Corrêa, J. F. d. S. (2019). Música como intertexto : perspectivas sobre intertextualidade e composição musical. (Doctoral Dissertation). Brazil. Retrieved from http://hdl.handle.net/10183/200882

Chicago Manual of Style (16th Edition):

Corrêa, João Francisco de Souza. “Música como intertexto : perspectivas sobre intertextualidade e composição musical.” 2019. Doctoral Dissertation, Brazil. Accessed May 06, 2021. http://hdl.handle.net/10183/200882.

MLA Handbook (7th Edition):

Corrêa, João Francisco de Souza. “Música como intertexto : perspectivas sobre intertextualidade e composição musical.” 2019. Web. 06 May 2021.

Vancouver:

Corrêa JFdS. Música como intertexto : perspectivas sobre intertextualidade e composição musical. [Internet] [Doctoral dissertation]. Brazil; 2019. [cited 2021 May 06]. Available from: http://hdl.handle.net/10183/200882.

Council of Science Editors:

Corrêa JFdS. Música como intertexto : perspectivas sobre intertextualidade e composição musical. [Doctoral Dissertation]. Brazil; 2019. Available from: http://hdl.handle.net/10183/200882


Universidade do Minho

17. Silva, Andreia Cristina Soares da. A análise musical na formação do jovem músico: componente exclusiva da disciplina de Análise e Técnicas de Composição? .

Degree: 2018, Universidade do Minho

 Elaborado no âmbito do Estágio Profissional do Mestrado em Ensino de Música da Universidade do Minho, o presente Relatório de Estágio descreve a conceção, desenvolvimento… (more)

Subjects/Keywords: Análise musical; Ciências musicais; Transversalidade; Interdisciplinaridade; Musical analysis; Musicology; Transversality; Interdisciplinary

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APA (6th Edition):

Silva, A. C. S. d. (2018). A análise musical na formação do jovem músico: componente exclusiva da disciplina de Análise e Técnicas de Composição? . (Masters Thesis). Universidade do Minho. Retrieved from http://hdl.handle.net/1822/58345

Chicago Manual of Style (16th Edition):

Silva, Andreia Cristina Soares da. “A análise musical na formação do jovem músico: componente exclusiva da disciplina de Análise e Técnicas de Composição? .” 2018. Masters Thesis, Universidade do Minho. Accessed May 06, 2021. http://hdl.handle.net/1822/58345.

MLA Handbook (7th Edition):

Silva, Andreia Cristina Soares da. “A análise musical na formação do jovem músico: componente exclusiva da disciplina de Análise e Técnicas de Composição? .” 2018. Web. 06 May 2021.

Vancouver:

Silva ACSd. A análise musical na formação do jovem músico: componente exclusiva da disciplina de Análise e Técnicas de Composição? . [Internet] [Masters thesis]. Universidade do Minho; 2018. [cited 2021 May 06]. Available from: http://hdl.handle.net/1822/58345.

Council of Science Editors:

Silva ACSd. A análise musical na formação do jovem músico: componente exclusiva da disciplina de Análise e Técnicas de Composição? . [Masters Thesis]. Universidade do Minho; 2018. Available from: http://hdl.handle.net/1822/58345


Columbia University

18. DeGraf, Galen Philip. Navigating Musical Periodicities: Modes of Perception and Types of Temporal Knowledge.

Degree: 2018, Columbia University

 This dissertation explores multi-modal, symbolic, and embodied strategies for navigating musical periodicity, or “meter.” In the first half, I argue that these resources and techniques… (more)

Subjects/Keywords: Musical meter and rhythm; Music – Instruction and study; Musical analysis

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APA (6th Edition):

DeGraf, G. P. (2018). Navigating Musical Periodicities: Modes of Perception and Types of Temporal Knowledge. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8P28FP9

Chicago Manual of Style (16th Edition):

DeGraf, Galen Philip. “Navigating Musical Periodicities: Modes of Perception and Types of Temporal Knowledge.” 2018. Doctoral Dissertation, Columbia University. Accessed May 06, 2021. https://doi.org/10.7916/D8P28FP9.

MLA Handbook (7th Edition):

DeGraf, Galen Philip. “Navigating Musical Periodicities: Modes of Perception and Types of Temporal Knowledge.” 2018. Web. 06 May 2021.

Vancouver:

DeGraf GP. Navigating Musical Periodicities: Modes of Perception and Types of Temporal Knowledge. [Internet] [Doctoral dissertation]. Columbia University; 2018. [cited 2021 May 06]. Available from: https://doi.org/10.7916/D8P28FP9.

Council of Science Editors:

DeGraf GP. Navigating Musical Periodicities: Modes of Perception and Types of Temporal Knowledge. [Doctoral Dissertation]. Columbia University; 2018. Available from: https://doi.org/10.7916/D8P28FP9


University of Kentucky

19. O'Fallon, David E. Concerto for Viola: A New Work for Solo Viola and Orchestra with Analysis and Commentary.

Degree: 2015, University of Kentucky

 This project consists of a new work for solo viola with orchestra and includes an analysis of that work with commentary on the composer's stylistic… (more)

Subjects/Keywords: music composition; musical analysis; viola concerto; musical score; Composition; Music Performance

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APA (6th Edition):

O'Fallon, D. E. (2015). Concerto for Viola: A New Work for Solo Viola and Orchestra with Analysis and Commentary. (Doctoral Dissertation). University of Kentucky. Retrieved from https://uknowledge.uky.edu/music_etds/50

Chicago Manual of Style (16th Edition):

O'Fallon, David E. “Concerto for Viola: A New Work for Solo Viola and Orchestra with Analysis and Commentary.” 2015. Doctoral Dissertation, University of Kentucky. Accessed May 06, 2021. https://uknowledge.uky.edu/music_etds/50.

MLA Handbook (7th Edition):

O'Fallon, David E. “Concerto for Viola: A New Work for Solo Viola and Orchestra with Analysis and Commentary.” 2015. Web. 06 May 2021.

Vancouver:

O'Fallon DE. Concerto for Viola: A New Work for Solo Viola and Orchestra with Analysis and Commentary. [Internet] [Doctoral dissertation]. University of Kentucky; 2015. [cited 2021 May 06]. Available from: https://uknowledge.uky.edu/music_etds/50.

Council of Science Editors:

O'Fallon DE. Concerto for Viola: A New Work for Solo Viola and Orchestra with Analysis and Commentary. [Doctoral Dissertation]. University of Kentucky; 2015. Available from: https://uknowledge.uky.edu/music_etds/50

20. Luciana Gastaldi Sardinha Souza. Uma abordagem didático-pedagógica da racionalidade matemática na criação musical.

Degree: 2012, University of São Paulo

A presente tese se ocupa, do ponto de vista didático-pedagógico, em estudar a presença da racionalidade matemática na criação musical. A linguagem matemática é uma… (more)

Subjects/Keywords: Análise musical; Interdisciplinaridade; Matemática; Música; Interdisciplinarity; Mathematics; Music; Musical analysis

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APA (6th Edition):

Souza, L. G. S. (2012). Uma abordagem didático-pedagógica da racionalidade matemática na criação musical. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/48/48134/tde-21012013-142634/

Chicago Manual of Style (16th Edition):

Souza, Luciana Gastaldi Sardinha. “Uma abordagem didático-pedagógica da racionalidade matemática na criação musical.” 2012. Doctoral Dissertation, University of São Paulo. Accessed May 06, 2021. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-21012013-142634/.

MLA Handbook (7th Edition):

Souza, Luciana Gastaldi Sardinha. “Uma abordagem didático-pedagógica da racionalidade matemática na criação musical.” 2012. Web. 06 May 2021.

Vancouver:

Souza LGS. Uma abordagem didático-pedagógica da racionalidade matemática na criação musical. [Internet] [Doctoral dissertation]. University of São Paulo; 2012. [cited 2021 May 06]. Available from: http://www.teses.usp.br/teses/disponiveis/48/48134/tde-21012013-142634/.

Council of Science Editors:

Souza LGS. Uma abordagem didático-pedagógica da racionalidade matemática na criação musical. [Doctoral Dissertation]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/48/48134/tde-21012013-142634/

21. Felipe Garibaldi de Almeida Silva. Obra de Claudio Santoro para violão solo: contexto de criação, análise musical e sugestões técnico-interpretativas.

Degree: 2014, University of São Paulo

A obra de Claudio Santoro (1919-1989) para violão é representativa de um importante segmento do repertório de concerto do violão brasileiro, constituído pela produção de… (more)

Subjects/Keywords: Análise musical; Claudio Santoro; Interpretação-musical; Música brasileira; Violão; Brazilian Music; Claudio Santoro; Guitar; Musical Analysis; Musical Interpretation

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APA (6th Edition):

Silva, F. G. d. A. (2014). Obra de Claudio Santoro para violão solo: contexto de criação, análise musical e sugestões técnico-interpretativas. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-01062015-153437/

Chicago Manual of Style (16th Edition):

Silva, Felipe Garibaldi de Almeida. “Obra de Claudio Santoro para violão solo: contexto de criação, análise musical e sugestões técnico-interpretativas.” 2014. Masters Thesis, University of São Paulo. Accessed May 06, 2021. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-01062015-153437/.

MLA Handbook (7th Edition):

Silva, Felipe Garibaldi de Almeida. “Obra de Claudio Santoro para violão solo: contexto de criação, análise musical e sugestões técnico-interpretativas.” 2014. Web. 06 May 2021.

Vancouver:

Silva FGdA. Obra de Claudio Santoro para violão solo: contexto de criação, análise musical e sugestões técnico-interpretativas. [Internet] [Masters thesis]. University of São Paulo; 2014. [cited 2021 May 06]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-01062015-153437/.

Council of Science Editors:

Silva FGdA. Obra de Claudio Santoro para violão solo: contexto de criação, análise musical e sugestões técnico-interpretativas. [Masters Thesis]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-01062015-153437/

22. Walter Nery Filho. Os voos do Passarinho de Pano e análise dos processos composicionais na suíte Prole do Bebê nº 2 de Villa-Lobos.

Degree: 2012, University of São Paulo

Esta dissertação pretende, por meio da análise musical, trazer à luz os processos composicionais envolvidos na elaboração das peças O Passarinho de Pano, A Baratinha… (more)

Subjects/Keywords: Análise Musical; Modernismo Musical; Prole do Bebê No 2; Villa-Lobos; Baby's Family Second Series; Musical Modernism; Musical Analysis; Villa-Lobos

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APA (6th Edition):

Filho, W. N. (2012). Os voos do Passarinho de Pano e análise dos processos composicionais na suíte Prole do Bebê nº 2 de Villa-Lobos. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-144532/

Chicago Manual of Style (16th Edition):

Filho, Walter Nery. “Os voos do Passarinho de Pano e análise dos processos composicionais na suíte Prole do Bebê nº 2 de Villa-Lobos.” 2012. Masters Thesis, University of São Paulo. Accessed May 06, 2021. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-144532/.

MLA Handbook (7th Edition):

Filho, Walter Nery. “Os voos do Passarinho de Pano e análise dos processos composicionais na suíte Prole do Bebê nº 2 de Villa-Lobos.” 2012. Web. 06 May 2021.

Vancouver:

Filho WN. Os voos do Passarinho de Pano e análise dos processos composicionais na suíte Prole do Bebê nº 2 de Villa-Lobos. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2021 May 06]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-144532/.

Council of Science Editors:

Filho WN. Os voos do Passarinho de Pano e análise dos processos composicionais na suíte Prole do Bebê nº 2 de Villa-Lobos. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-144532/


University of Sydney

23. Kingwell, Adrian Paul. MUSICAL DRAMATURGY IN JASON ROBERT BROWN’S THE LAST FIVE YEARS .

Degree: 2017, University of Sydney

 The Last Five Years opened at the Minetta Lane Theatre on March, 2002. This piece integrates dramatic and musical elements to present a story which… (more)

Subjects/Keywords: Musical Theatre Analysis; Jason Robert Brown

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APA (6th Edition):

Kingwell, A. P. (2017). MUSICAL DRAMATURGY IN JASON ROBERT BROWN’S THE LAST FIVE YEARS . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/17659

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kingwell, Adrian Paul. “MUSICAL DRAMATURGY IN JASON ROBERT BROWN’S THE LAST FIVE YEARS .” 2017. Thesis, University of Sydney. Accessed May 06, 2021. http://hdl.handle.net/2123/17659.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kingwell, Adrian Paul. “MUSICAL DRAMATURGY IN JASON ROBERT BROWN’S THE LAST FIVE YEARS .” 2017. Web. 06 May 2021.

Vancouver:

Kingwell AP. MUSICAL DRAMATURGY IN JASON ROBERT BROWN’S THE LAST FIVE YEARS . [Internet] [Thesis]. University of Sydney; 2017. [cited 2021 May 06]. Available from: http://hdl.handle.net/2123/17659.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kingwell AP. MUSICAL DRAMATURGY IN JASON ROBERT BROWN’S THE LAST FIVE YEARS . [Thesis]. University of Sydney; 2017. Available from: http://hdl.handle.net/2123/17659

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queen Mary, University of London

24. Stark, Adam. Musicians and machines : bridging the semantic gap in live performance.

Degree: PhD, 2011, Queen Mary, University of London

 This thesis explores the automatic extraction of musical information from live performances - with the intention of using that information to create novel, responsive and… (more)

Subjects/Keywords: 780; harmonic analysis; beat tracking; musical representation

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APA (6th Edition):

Stark, A. (2011). Musicians and machines : bridging the semantic gap in live performance. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/15050 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542015

Chicago Manual of Style (16th Edition):

Stark, Adam. “Musicians and machines : bridging the semantic gap in live performance.” 2011. Doctoral Dissertation, Queen Mary, University of London. Accessed May 06, 2021. http://qmro.qmul.ac.uk/xmlui/handle/123456789/15050 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542015.

MLA Handbook (7th Edition):

Stark, Adam. “Musicians and machines : bridging the semantic gap in live performance.” 2011. Web. 06 May 2021.

Vancouver:

Stark A. Musicians and machines : bridging the semantic gap in live performance. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2011. [cited 2021 May 06]. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/15050 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542015.

Council of Science Editors:

Stark A. Musicians and machines : bridging the semantic gap in live performance. [Doctoral Dissertation]. Queen Mary, University of London; 2011. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/15050 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542015


University of Victoria

25. Mountain, Rosemary. An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto.

Degree: School of Music, 2018, University of Victoria

 An investigation into the nature and functions of periodicity is presented through analysis and discussion. Periodicity is established by the repetition of any musical event… (more)

Subjects/Keywords: Musical form; Music, 20th century; Analysis, appreciation

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APA (6th Edition):

Mountain, R. (2018). An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto. (Thesis). University of Victoria. Retrieved from https://dspace.library.uvic.ca//handle/1828/9666

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mountain, Rosemary. “An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto.” 2018. Thesis, University of Victoria. Accessed May 06, 2021. https://dspace.library.uvic.ca//handle/1828/9666.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mountain, Rosemary. “An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto.” 2018. Web. 06 May 2021.

Vancouver:

Mountain R. An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto. [Internet] [Thesis]. University of Victoria; 2018. [cited 2021 May 06]. Available from: https://dspace.library.uvic.ca//handle/1828/9666.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mountain R. An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto. [Thesis]. University of Victoria; 2018. Available from: https://dspace.library.uvic.ca//handle/1828/9666

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Speelman, W.M. The Generation of Meaning in Liturgical Songs: A Semiotic Analysis of Five Liturgical Songs as Syncretic Discourses.

Degree: 1995, Kok Pharos

Subjects/Keywords: Semiotics; Musical Analysis

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APA (6th Edition):

Speelman, W. M. (1995). The Generation of Meaning in Liturgical Songs: A Semiotic Analysis of Five Liturgical Songs as Syncretic Discourses. (Doctoral Dissertation). Kok Pharos. Retrieved from https://research.tilburguniversity.edu/en/publications/bc93afd2-4131-4771-a950-857ebc1b59cf ; urn:nbn:nl:ui:12-bc93afd2-4131-4771-a950-857ebc1b59cf ; bc93afd2-4131-4771-a950-857ebc1b59cf ; urn:isbn:9039005117 ; urn:nbn:nl:ui:12-bc93afd2-4131-4771-a950-857ebc1b59cf ; https://research.tilburguniversity.edu/en/publications/bc93afd2-4131-4771-a950-857ebc1b59cf

Chicago Manual of Style (16th Edition):

Speelman, W M. “The Generation of Meaning in Liturgical Songs: A Semiotic Analysis of Five Liturgical Songs as Syncretic Discourses.” 1995. Doctoral Dissertation, Kok Pharos. Accessed May 06, 2021. https://research.tilburguniversity.edu/en/publications/bc93afd2-4131-4771-a950-857ebc1b59cf ; urn:nbn:nl:ui:12-bc93afd2-4131-4771-a950-857ebc1b59cf ; bc93afd2-4131-4771-a950-857ebc1b59cf ; urn:isbn:9039005117 ; urn:nbn:nl:ui:12-bc93afd2-4131-4771-a950-857ebc1b59cf ; https://research.tilburguniversity.edu/en/publications/bc93afd2-4131-4771-a950-857ebc1b59cf.

MLA Handbook (7th Edition):

Speelman, W M. “The Generation of Meaning in Liturgical Songs: A Semiotic Analysis of Five Liturgical Songs as Syncretic Discourses.” 1995. Web. 06 May 2021.

Vancouver:

Speelman WM. The Generation of Meaning in Liturgical Songs: A Semiotic Analysis of Five Liturgical Songs as Syncretic Discourses. [Internet] [Doctoral dissertation]. Kok Pharos; 1995. [cited 2021 May 06]. Available from: https://research.tilburguniversity.edu/en/publications/bc93afd2-4131-4771-a950-857ebc1b59cf ; urn:nbn:nl:ui:12-bc93afd2-4131-4771-a950-857ebc1b59cf ; bc93afd2-4131-4771-a950-857ebc1b59cf ; urn:isbn:9039005117 ; urn:nbn:nl:ui:12-bc93afd2-4131-4771-a950-857ebc1b59cf ; https://research.tilburguniversity.edu/en/publications/bc93afd2-4131-4771-a950-857ebc1b59cf.

Council of Science Editors:

Speelman WM. The Generation of Meaning in Liturgical Songs: A Semiotic Analysis of Five Liturgical Songs as Syncretic Discourses. [Doctoral Dissertation]. Kok Pharos; 1995. Available from: https://research.tilburguniversity.edu/en/publications/bc93afd2-4131-4771-a950-857ebc1b59cf ; urn:nbn:nl:ui:12-bc93afd2-4131-4771-a950-857ebc1b59cf ; bc93afd2-4131-4771-a950-857ebc1b59cf ; urn:isbn:9039005117 ; urn:nbn:nl:ui:12-bc93afd2-4131-4771-a950-857ebc1b59cf ; https://research.tilburguniversity.edu/en/publications/bc93afd2-4131-4771-a950-857ebc1b59cf

27. Richards, Doris J. (Doris Jean). Georg Benda and His Melodrama, Ariadne auf Naxos.

Degree: 1970, North Texas State University

 The orchestral interpolations in this melodrama are written to support and enhance the spoken parts rather than compete with them. The alternating music and speech… (more)

Subjects/Keywords: musical analysis; scores

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Richards, D. J. (. J. (1970). Georg Benda and His Melodrama, Ariadne auf Naxos. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1038850/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Richards, Doris J (Doris Jean). “Georg Benda and His Melodrama, Ariadne auf Naxos.” 1970. Thesis, North Texas State University. Accessed May 06, 2021. https://digital.library.unt.edu/ark:/67531/metadc1038850/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Richards, Doris J (Doris Jean). “Georg Benda and His Melodrama, Ariadne auf Naxos.” 1970. Web. 06 May 2021.

Vancouver:

Richards DJ(J. Georg Benda and His Melodrama, Ariadne auf Naxos. [Internet] [Thesis]. North Texas State University; 1970. [cited 2021 May 06]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038850/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Richards DJ(J. Georg Benda and His Melodrama, Ariadne auf Naxos. [Thesis]. North Texas State University; 1970. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038850/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Africa

28. Grevler, Kelly. ‘What makes songs catchy’: a cognitive analysis of melodic hooks in twenty-first century popular music .

Degree: 2019, University of South Africa

 What is it about the vocal melodies of popular music that make you want to listen again and again? This music-theoretical study applies principles of… (more)

Subjects/Keywords: Music cognition; Gestalt Theory; Implication – Realization Model; Musical expectation; Musical analysis; Pop music; Pitch; Interval; Expectation; Catchy; Melodic analysis; Musical hooks

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Grevler, K. (2019). ‘What makes songs catchy’: a cognitive analysis of melodic hooks in twenty-first century popular music . (Masters Thesis). University of South Africa. Retrieved from http://hdl.handle.net/10500/26148

Chicago Manual of Style (16th Edition):

Grevler, Kelly. “‘What makes songs catchy’: a cognitive analysis of melodic hooks in twenty-first century popular music .” 2019. Masters Thesis, University of South Africa. Accessed May 06, 2021. http://hdl.handle.net/10500/26148.

MLA Handbook (7th Edition):

Grevler, Kelly. “‘What makes songs catchy’: a cognitive analysis of melodic hooks in twenty-first century popular music .” 2019. Web. 06 May 2021.

Vancouver:

Grevler K. ‘What makes songs catchy’: a cognitive analysis of melodic hooks in twenty-first century popular music . [Internet] [Masters thesis]. University of South Africa; 2019. [cited 2021 May 06]. Available from: http://hdl.handle.net/10500/26148.

Council of Science Editors:

Grevler K. ‘What makes songs catchy’: a cognitive analysis of melodic hooks in twenty-first century popular music . [Masters Thesis]. University of South Africa; 2019. Available from: http://hdl.handle.net/10500/26148

29. Maria Clara Bastos. Processos de composição e expressão na obra de Itamar Assumpção.

Degree: 2012, University of São Paulo

Este trabalho estuda a obra de Itamar Assumpção, investigando os principais procedimentos de composição musical utilizados, bem como a relação que possuem com suas vivências… (more)

Subjects/Keywords: Análise Musical; Canção Popular; Contrabaixo; Itamar Assumpção; Performance; Double bass; Itamar Assumpção; Musical analysis Musical analysis.; Performance; Popular songwriting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bastos, M. C. (2012). Processos de composição e expressão na obra de Itamar Assumpção. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032014-153837/

Chicago Manual of Style (16th Edition):

Bastos, Maria Clara. “Processos de composição e expressão na obra de Itamar Assumpção.” 2012. Masters Thesis, University of São Paulo. Accessed May 06, 2021. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032014-153837/.

MLA Handbook (7th Edition):

Bastos, Maria Clara. “Processos de composição e expressão na obra de Itamar Assumpção.” 2012. Web. 06 May 2021.

Vancouver:

Bastos MC. Processos de composição e expressão na obra de Itamar Assumpção. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2021 May 06]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032014-153837/.

Council of Science Editors:

Bastos MC. Processos de composição e expressão na obra de Itamar Assumpção. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032014-153837/

30. Ferreira, João Filipe Martins. Relatório da prática profissional e projecto de intervenção : aplicações práticas para o aprofundamento da noção de obra de arte.

Degree: 2017, RCAAP

Este Projeto de Intervenção Pedagógica é centrado no contexto musical da aprendizagem da FM e da ATC, procurando refletir na relação entre ambas as disciplinas,… (more)

Subjects/Keywords: Pensamento crítico; Estética musical; Interdisciplinaridade; Formação musical; Análise e composição musical; Critical thinking; Musical aesthetics; Interdisciplinary; Music education; Musical analysis and composition; Domínio/Área Científica::Humanidades::Artes

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ferreira, J. F. M. (2017). Relatório da prática profissional e projecto de intervenção : aplicações práticas para o aprofundamento da noção de obra de arte. (Thesis). RCAAP. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ucp.pt:10400.14/23832

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ferreira, João Filipe Martins. “Relatório da prática profissional e projecto de intervenção : aplicações práticas para o aprofundamento da noção de obra de arte.” 2017. Thesis, RCAAP. Accessed May 06, 2021. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ucp.pt:10400.14/23832.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ferreira, João Filipe Martins. “Relatório da prática profissional e projecto de intervenção : aplicações práticas para o aprofundamento da noção de obra de arte.” 2017. Web. 06 May 2021.

Vancouver:

Ferreira JFM. Relatório da prática profissional e projecto de intervenção : aplicações práticas para o aprofundamento da noção de obra de arte. [Internet] [Thesis]. RCAAP; 2017. [cited 2021 May 06]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ucp.pt:10400.14/23832.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ferreira JFM. Relatório da prática profissional e projecto de intervenção : aplicações práticas para o aprofundamento da noção de obra de arte. [Thesis]. RCAAP; 2017. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ucp.pt:10400.14/23832

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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