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You searched for subject:(Musical analysis). Showing records 1 – 30 of 468 total matches.

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University of Rochester

1. Braman, Wallis D. The use of silence in the instrumental works of representative composers: Baroque, classic, romantic.

Degree: PhD, 2013, University of Rochester

 There is a bit of deception, at once familiar and enjoyable, in the finale of Haydn’s Quartet, opus 33, number 2, which causes amusement every… (more)

Subjects/Keywords: Musical analysis.

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APA (6th Edition):

Braman, W. D. (2013). The use of silence in the instrumental works of representative composers: Baroque, classic, romantic. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/26238

Chicago Manual of Style (16th Edition):

Braman, Wallis D. “The use of silence in the instrumental works of representative composers: Baroque, classic, romantic.” 2013. Doctoral Dissertation, University of Rochester. Accessed January 19, 2020. http://hdl.handle.net/1802/26238.

MLA Handbook (7th Edition):

Braman, Wallis D. “The use of silence in the instrumental works of representative composers: Baroque, classic, romantic.” 2013. Web. 19 Jan 2020.

Vancouver:

Braman WD. The use of silence in the instrumental works of representative composers: Baroque, classic, romantic. [Internet] [Doctoral dissertation]. University of Rochester; 2013. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/1802/26238.

Council of Science Editors:

Braman WD. The use of silence in the instrumental works of representative composers: Baroque, classic, romantic. [Doctoral Dissertation]. University of Rochester; 2013. Available from: http://hdl.handle.net/1802/26238


University of Oklahoma

2. Morren, Christian Logan. Lee Hoiby's Song Cycle The Shining Place, With Poetry by Emily Dickinson.

Degree: DMA, 2010, University of Oklahoma

 The study is organized into five chapters and begins an introduction to the study. Biographical information on Lee Hoiby is presented in chapter two. The… (more)

Subjects/Keywords: Musical analysis

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APA (6th Edition):

Morren, C. L. (2010). Lee Hoiby's Song Cycle The Shining Place, With Poetry by Emily Dickinson. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/318710

Chicago Manual of Style (16th Edition):

Morren, Christian Logan. “Lee Hoiby's Song Cycle The Shining Place, With Poetry by Emily Dickinson.” 2010. Doctoral Dissertation, University of Oklahoma. Accessed January 19, 2020. http://hdl.handle.net/11244/318710.

MLA Handbook (7th Edition):

Morren, Christian Logan. “Lee Hoiby's Song Cycle The Shining Place, With Poetry by Emily Dickinson.” 2010. Web. 19 Jan 2020.

Vancouver:

Morren CL. Lee Hoiby's Song Cycle The Shining Place, With Poetry by Emily Dickinson. [Internet] [Doctoral dissertation]. University of Oklahoma; 2010. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/11244/318710.

Council of Science Editors:

Morren CL. Lee Hoiby's Song Cycle The Shining Place, With Poetry by Emily Dickinson. [Doctoral Dissertation]. University of Oklahoma; 2010. Available from: http://hdl.handle.net/11244/318710


Universidade do Rio Grande do Sul

3. Angelo, Bruno Milheira. Minha música sendo outra : a narratividade como coisa composicional.

Degree: 2014, Universidade do Rio Grande do Sul

Esta tese apresenta estudos interpretativos sobre as obras musicais compostas pelo autor durante seu doutoramento: Introverso (piano), Ao Pó (clarinete em si , trombone, violoncelo,… (more)

Subjects/Keywords: Musical composition; Hermenêutica; Composição musical; Musical hermeneutics; Análise musical; Musical narrativity; Narrativa musical; Musical analysis

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APA (6th Edition):

Angelo, B. M. (2014). Minha música sendo outra : a narratividade como coisa composicional. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/97667

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Angelo, Bruno Milheira. “Minha música sendo outra : a narratividade como coisa composicional.” 2014. Thesis, Universidade do Rio Grande do Sul. Accessed January 19, 2020. http://hdl.handle.net/10183/97667.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Angelo, Bruno Milheira. “Minha música sendo outra : a narratividade como coisa composicional.” 2014. Web. 19 Jan 2020.

Vancouver:

Angelo BM. Minha música sendo outra : a narratividade como coisa composicional. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2014. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/10183/97667.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Angelo BM. Minha música sendo outra : a narratividade como coisa composicional. [Thesis]. Universidade do Rio Grande do Sul; 2014. Available from: http://hdl.handle.net/10183/97667

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Corrêa, Antenor Ferreira. Integração de técnicas analíticas como princípio de um modelo composicional.

Degree: PhD, Processos de Criação Musical, 2009, University of São Paulo

Nesta pesquisa propõe-se a elaboração de um modelo composicional a partir da integração de três técnicas analíticas: tematicismo, estratificação e refuncionalização. Tem-se por hipótese que… (more)

Subjects/Keywords: Análise musical; Composição musical; Musical analysis; Musical composition; Pedagogia da composição musical; Pedagogy of musical composition; Pós-tonalismo; Post-tonality

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APA (6th Edition):

Corrêa, A. F. (2009). Integração de técnicas analíticas como princípio de um modelo composicional. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-08082009-123917/ ;

Chicago Manual of Style (16th Edition):

Corrêa, Antenor Ferreira. “Integração de técnicas analíticas como princípio de um modelo composicional.” 2009. Doctoral Dissertation, University of São Paulo. Accessed January 19, 2020. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-08082009-123917/ ;.

MLA Handbook (7th Edition):

Corrêa, Antenor Ferreira. “Integração de técnicas analíticas como princípio de um modelo composicional.” 2009. Web. 19 Jan 2020.

Vancouver:

Corrêa AF. Integração de técnicas analíticas como princípio de um modelo composicional. [Internet] [Doctoral dissertation]. University of São Paulo; 2009. [cited 2020 Jan 19]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-08082009-123917/ ;.

Council of Science Editors:

Corrêa AF. Integração de técnicas analíticas como princípio de um modelo composicional. [Doctoral Dissertation]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-08082009-123917/ ;

5. Fernandes, Cleyton Vieira. Semiótica musical: princípios teóricos e aplicações sobre o discurso musical, sua produção e recepção.

Degree: PhD, Semiótica e Lingüística Geral, 2014, University of São Paulo

A semiótica, precisamente esta de cunho estruturalista da qual tratamos, propõe-se a compreender como o sentido se organiza em objetos dos mais variados modos de… (more)

Subjects/Keywords: Análise musical; Enunciação; Enunciation; Fato musical; Modelo tripartite; Musical analysis; Musical fact; Musical semiotics; Semiótica musical; Tripartite model

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APA (6th Edition):

Fernandes, C. V. (2014). Semiótica musical: princípios teóricos e aplicações sobre o discurso musical, sua produção e recepção. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8139/tde-02062015-165108/ ;

Chicago Manual of Style (16th Edition):

Fernandes, Cleyton Vieira. “Semiótica musical: princípios teóricos e aplicações sobre o discurso musical, sua produção e recepção.” 2014. Doctoral Dissertation, University of São Paulo. Accessed January 19, 2020. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-02062015-165108/ ;.

MLA Handbook (7th Edition):

Fernandes, Cleyton Vieira. “Semiótica musical: princípios teóricos e aplicações sobre o discurso musical, sua produção e recepção.” 2014. Web. 19 Jan 2020.

Vancouver:

Fernandes CV. Semiótica musical: princípios teóricos e aplicações sobre o discurso musical, sua produção e recepção. [Internet] [Doctoral dissertation]. University of São Paulo; 2014. [cited 2020 Jan 19]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8139/tde-02062015-165108/ ;.

Council of Science Editors:

Fernandes CV. Semiótica musical: princípios teóricos e aplicações sobre o discurso musical, sua produção e recepção. [Doctoral Dissertation]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/8/8139/tde-02062015-165108/ ;

6. Rodrigues, André de Cillo. Três usos da citação musical no século XX: uma análise das peças Dream-Images de Crumb, Phorion de Foss e Prelúdio para piano nº1 de Willy Corrêa.

Degree: Mestrado, Processos de Criação Musical, 2012, University of São Paulo

Este trabalho consiste na análise de três peças que se utilizam da citação musical de maneiras distintas. Ele é, portanto, um estudo a respeito da… (more)

Subjects/Keywords: Análise musical; Citação musical; Composição Musical; Música do Século XX; Musical Analysis; Musical Composition; Musical Quotation; Twentieth Century Music

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APA (6th Edition):

Rodrigues, A. d. C. (2012). Três usos da citação musical no século XX: uma análise das peças Dream-Images de Crumb, Phorion de Foss e Prelúdio para piano nº1 de Willy Corrêa. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-111743/ ;

Chicago Manual of Style (16th Edition):

Rodrigues, André de Cillo. “Três usos da citação musical no século XX: uma análise das peças Dream-Images de Crumb, Phorion de Foss e Prelúdio para piano nº1 de Willy Corrêa.” 2012. Masters Thesis, University of São Paulo. Accessed January 19, 2020. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-111743/ ;.

MLA Handbook (7th Edition):

Rodrigues, André de Cillo. “Três usos da citação musical no século XX: uma análise das peças Dream-Images de Crumb, Phorion de Foss e Prelúdio para piano nº1 de Willy Corrêa.” 2012. Web. 19 Jan 2020.

Vancouver:

Rodrigues AdC. Três usos da citação musical no século XX: uma análise das peças Dream-Images de Crumb, Phorion de Foss e Prelúdio para piano nº1 de Willy Corrêa. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2020 Jan 19]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-111743/ ;.

Council of Science Editors:

Rodrigues AdC. Três usos da citação musical no século XX: uma análise das peças Dream-Images de Crumb, Phorion de Foss e Prelúdio para piano nº1 de Willy Corrêa. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-111743/ ;


Universidade do Minho

7. Freitas, Bárbara Serrano de. Associação da cor à notação musical tradicional: efeitos na leitura e na compreensão musical global .

Degree: 2019, Universidade do Minho

 O presente Relatório de Estágio foi elaborado no âmbito do estágio profissional do Mestrado em Ensino de Música ministrado pela Universidade do Minho. O projeto… (more)

Subjects/Keywords: Análise musical; Notação colorida; Piano; Colored musical notation; Musical analysis

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APA (6th Edition):

Freitas, B. S. d. (2019). Associação da cor à notação musical tradicional: efeitos na leitura e na compreensão musical global . (Masters Thesis). Universidade do Minho. Retrieved from http://hdl.handle.net/1822/62193

Chicago Manual of Style (16th Edition):

Freitas, Bárbara Serrano de. “Associação da cor à notação musical tradicional: efeitos na leitura e na compreensão musical global .” 2019. Masters Thesis, Universidade do Minho. Accessed January 19, 2020. http://hdl.handle.net/1822/62193.

MLA Handbook (7th Edition):

Freitas, Bárbara Serrano de. “Associação da cor à notação musical tradicional: efeitos na leitura e na compreensão musical global .” 2019. Web. 19 Jan 2020.

Vancouver:

Freitas BSd. Associação da cor à notação musical tradicional: efeitos na leitura e na compreensão musical global . [Internet] [Masters thesis]. Universidade do Minho; 2019. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/1822/62193.

Council of Science Editors:

Freitas BSd. Associação da cor à notação musical tradicional: efeitos na leitura e na compreensão musical global . [Masters Thesis]. Universidade do Minho; 2019. Available from: http://hdl.handle.net/1822/62193

8. Korrer, Ann. A survey of the musical environment in the homes of kindergarten and nursery school children of Denton, Texas.

Degree: 1948, Texas Woman's University

Subjects/Keywords: Musical analysis

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APA (6th Edition):

Korrer, A. (1948). A survey of the musical environment in the homes of kindergarten and nursery school children of Denton, Texas. (Thesis). Texas Woman's University. Retrieved from http://hdl.handle.net/11274/414

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Korrer, Ann. “A survey of the musical environment in the homes of kindergarten and nursery school children of Denton, Texas.” 1948. Thesis, Texas Woman's University. Accessed January 19, 2020. http://hdl.handle.net/11274/414.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Korrer, Ann. “A survey of the musical environment in the homes of kindergarten and nursery school children of Denton, Texas.” 1948. Web. 19 Jan 2020.

Vancouver:

Korrer A. A survey of the musical environment in the homes of kindergarten and nursery school children of Denton, Texas. [Internet] [Thesis]. Texas Woman's University; 1948. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/11274/414.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Korrer A. A survey of the musical environment in the homes of kindergarten and nursery school children of Denton, Texas. [Thesis]. Texas Woman's University; 1948. Available from: http://hdl.handle.net/11274/414

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Rochester

9. Kaminsky, Peter Michael (1953 - ). Aspects of harmony, rhythm and form in Schumann's Papillons, Carnaval and Davidsbündlertänze.

Degree: PhD, 2015, University of Rochester

Subjects/Keywords: Musical analysis.

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APA (6th Edition):

Kaminsky, P. M. (. -. ). (2015). Aspects of harmony, rhythm and form in Schumann's Papillons, Carnaval and Davidsbündlertänze. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/30153

Chicago Manual of Style (16th Edition):

Kaminsky, Peter Michael (1953 - ). “Aspects of harmony, rhythm and form in Schumann's Papillons, Carnaval and Davidsbündlertänze.” 2015. Doctoral Dissertation, University of Rochester. Accessed January 19, 2020. http://hdl.handle.net/1802/30153.

MLA Handbook (7th Edition):

Kaminsky, Peter Michael (1953 - ). “Aspects of harmony, rhythm and form in Schumann's Papillons, Carnaval and Davidsbündlertänze.” 2015. Web. 19 Jan 2020.

Vancouver:

Kaminsky PM(-). Aspects of harmony, rhythm and form in Schumann's Papillons, Carnaval and Davidsbündlertänze. [Internet] [Doctoral dissertation]. University of Rochester; 2015. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/1802/30153.

Council of Science Editors:

Kaminsky PM(-). Aspects of harmony, rhythm and form in Schumann's Papillons, Carnaval and Davidsbündlertänze. [Doctoral Dissertation]. University of Rochester; 2015. Available from: http://hdl.handle.net/1802/30153


Columbia University

10. Bell, Eamonn Patrick. The Computational Attitude in Music Theory.

Degree: 2019, Columbia University

 Music studies’s turn to computation during the twentieth century has engendered particular habits of thought about music, habits that remain in operation long after the… (more)

Subjects/Keywords: Musical analysis; Computer science

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APA (6th Edition):

Bell, E. P. (2019). The Computational Attitude in Music Theory. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/d8-yfr2-k514

Chicago Manual of Style (16th Edition):

Bell, Eamonn Patrick. “The Computational Attitude in Music Theory.” 2019. Doctoral Dissertation, Columbia University. Accessed January 19, 2020. https://doi.org/10.7916/d8-yfr2-k514.

MLA Handbook (7th Edition):

Bell, Eamonn Patrick. “The Computational Attitude in Music Theory.” 2019. Web. 19 Jan 2020.

Vancouver:

Bell EP. The Computational Attitude in Music Theory. [Internet] [Doctoral dissertation]. Columbia University; 2019. [cited 2020 Jan 19]. Available from: https://doi.org/10.7916/d8-yfr2-k514.

Council of Science Editors:

Bell EP. The Computational Attitude in Music Theory. [Doctoral Dissertation]. Columbia University; 2019. Available from: https://doi.org/10.7916/d8-yfr2-k514


Universidade do Rio Grande do Sul

11. Almeida, Maurício Zamith. A dialética das temporalidades na performance musical : uma interpretação de Cantéyodjayâ de Oliver Messiaen.

Degree: 2013, Universidade do Rio Grande do Sul

Esta tese parte da premissa de que, na tradição da musica ocidental escrita, a performance restitui a obra musical ao tempo e o intérprete, responsável… (more)

Subjects/Keywords: Messiaen, Olivier 1908-1992.; Cantéyodjayâ; Cantéyodjayâ; Time and musical performance; Musical analysis; Tempo; Performance musical; Interpretive construction; Análise musical; Interpretação musical

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APA (6th Edition):

Almeida, M. Z. (2013). A dialética das temporalidades na performance musical : uma interpretação de Cantéyodjayâ de Oliver Messiaen. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/81606

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Almeida, Maurício Zamith. “A dialética das temporalidades na performance musical : uma interpretação de Cantéyodjayâ de Oliver Messiaen.” 2013. Thesis, Universidade do Rio Grande do Sul. Accessed January 19, 2020. http://hdl.handle.net/10183/81606.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Almeida, Maurício Zamith. “A dialética das temporalidades na performance musical : uma interpretação de Cantéyodjayâ de Oliver Messiaen.” 2013. Web. 19 Jan 2020.

Vancouver:

Almeida MZ. A dialética das temporalidades na performance musical : uma interpretação de Cantéyodjayâ de Oliver Messiaen. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2013. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/10183/81606.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Almeida MZ. A dialética das temporalidades na performance musical : uma interpretação de Cantéyodjayâ de Oliver Messiaen. [Thesis]. Universidade do Rio Grande do Sul; 2013. Available from: http://hdl.handle.net/10183/81606

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Hong Kong University of Science and Technology

12. Auguin, Nicolas Jean Leopold Pierre. Identification of live or studio versions of a song via supervised and semi-supervised learning.

Degree: 2014, Hong Kong University of Science and Technology

 In this thesis, we aim to classify "live" and "studio" versions of a song using audio features. We solve this problem using supervised machine learning… (more)

Subjects/Keywords: Musical analysis ; Data processing ; Sound-waves ; Analysis

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APA (6th Edition):

Auguin, N. J. L. P. (2014). Identification of live or studio versions of a song via supervised and semi-supervised learning. (Thesis). Hong Kong University of Science and Technology. Retrieved from http://repository.ust.hk/ir/Record/1783.1-62812 ; https://doi.org/10.14711/thesis-b1274302 ; http://repository.ust.hk/ir/bitstream/1783.1-62812/1/th_redirect.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Auguin, Nicolas Jean Leopold Pierre. “Identification of live or studio versions of a song via supervised and semi-supervised learning.” 2014. Thesis, Hong Kong University of Science and Technology. Accessed January 19, 2020. http://repository.ust.hk/ir/Record/1783.1-62812 ; https://doi.org/10.14711/thesis-b1274302 ; http://repository.ust.hk/ir/bitstream/1783.1-62812/1/th_redirect.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Auguin, Nicolas Jean Leopold Pierre. “Identification of live or studio versions of a song via supervised and semi-supervised learning.” 2014. Web. 19 Jan 2020.

Vancouver:

Auguin NJLP. Identification of live or studio versions of a song via supervised and semi-supervised learning. [Internet] [Thesis]. Hong Kong University of Science and Technology; 2014. [cited 2020 Jan 19]. Available from: http://repository.ust.hk/ir/Record/1783.1-62812 ; https://doi.org/10.14711/thesis-b1274302 ; http://repository.ust.hk/ir/bitstream/1783.1-62812/1/th_redirect.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Auguin NJLP. Identification of live or studio versions of a song via supervised and semi-supervised learning. [Thesis]. Hong Kong University of Science and Technology; 2014. Available from: http://repository.ust.hk/ir/Record/1783.1-62812 ; https://doi.org/10.14711/thesis-b1274302 ; http://repository.ust.hk/ir/bitstream/1783.1-62812/1/th_redirect.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

13. Woodruff Carr, Kali. Experience-Dependent Enhancement of Musical Training for Auditory Scene Analysis.

Degree: 2012, University of Florida

 Making sense of everyday acoustic environments relies on the ability to organize and correctly parse concurrent sounds into segregated streams originating from discrete sources. Resolution… (more)

Subjects/Keywords: Incidental music; Instrumental music; Musical memory; Musical perception; Musical performance; Musical pitch; Musical register; Musical statistics; Musical talent; Musicians; Auditory scene analysis; Music; Sound

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APA (6th Edition):

Woodruff Carr, K. (2012). Experience-Dependent Enhancement of Musical Training for Auditory Scene Analysis. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00060615

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Woodruff Carr, Kali. “Experience-Dependent Enhancement of Musical Training for Auditory Scene Analysis.” 2012. Thesis, University of Florida. Accessed January 19, 2020. http://ufdc.ufl.edu/AA00060615.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Woodruff Carr, Kali. “Experience-Dependent Enhancement of Musical Training for Auditory Scene Analysis.” 2012. Web. 19 Jan 2020.

Vancouver:

Woodruff Carr K. Experience-Dependent Enhancement of Musical Training for Auditory Scene Analysis. [Internet] [Thesis]. University of Florida; 2012. [cited 2020 Jan 19]. Available from: http://ufdc.ufl.edu/AA00060615.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Woodruff Carr K. Experience-Dependent Enhancement of Musical Training for Auditory Scene Analysis. [Thesis]. University of Florida; 2012. Available from: http://ufdc.ufl.edu/AA00060615

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Assumpção, Sérgio Eduardo Martineli de. Ascendência retórica das formas musicais.

Degree: Mestrado, Musicologia, 2007, University of São Paulo

Esta pesquisa tem como objetivo investigar as influências e traços da retórica na gênese das formas musicais. Parte-se do pressuposto de que, a partir do… (more)

Subjects/Keywords: Análise musical; Filosofia; Formas musicais; Music; Música; Musical analysis; Musical forms; Philosophy; Retórica; Rhetoric

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Assumpção, S. E. M. d. (2007). Ascendência retórica das formas musicais. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27140/tde-23072009-204002/ ;

Chicago Manual of Style (16th Edition):

Assumpção, Sérgio Eduardo Martineli de. “Ascendência retórica das formas musicais.” 2007. Masters Thesis, University of São Paulo. Accessed January 19, 2020. http://www.teses.usp.br/teses/disponiveis/27/27140/tde-23072009-204002/ ;.

MLA Handbook (7th Edition):

Assumpção, Sérgio Eduardo Martineli de. “Ascendência retórica das formas musicais.” 2007. Web. 19 Jan 2020.

Vancouver:

Assumpção SEMd. Ascendência retórica das formas musicais. [Internet] [Masters thesis]. University of São Paulo; 2007. [cited 2020 Jan 19]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27140/tde-23072009-204002/ ;.

Council of Science Editors:

Assumpção SEMd. Ascendência retórica das formas musicais. [Masters Thesis]. University of São Paulo; 2007. Available from: http://www.teses.usp.br/teses/disponiveis/27/27140/tde-23072009-204002/ ;

15. Souza, Luciana Gastaldi Sardinha. Uma abordagem didático-pedagógica da racionalidade matemática na criação musical.

Degree: PhD, Educação, 2012, University of São Paulo

A presente tese se ocupa, do ponto de vista didático-pedagógico, em estudar a presença da racionalidade matemática na criação musical. A linguagem matemática é uma… (more)

Subjects/Keywords: Análise musical; Interdisciplinaridade; Interdisciplinarity; Matemática; Mathematics; Music; Música; Musical analysis

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APA (6th Edition):

Souza, L. G. S. (2012). Uma abordagem didático-pedagógica da racionalidade matemática na criação musical. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/48/48134/tde-21012013-142634/ ;

Chicago Manual of Style (16th Edition):

Souza, Luciana Gastaldi Sardinha. “Uma abordagem didático-pedagógica da racionalidade matemática na criação musical.” 2012. Doctoral Dissertation, University of São Paulo. Accessed January 19, 2020. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-21012013-142634/ ;.

MLA Handbook (7th Edition):

Souza, Luciana Gastaldi Sardinha. “Uma abordagem didático-pedagógica da racionalidade matemática na criação musical.” 2012. Web. 19 Jan 2020.

Vancouver:

Souza LGS. Uma abordagem didático-pedagógica da racionalidade matemática na criação musical. [Internet] [Doctoral dissertation]. University of São Paulo; 2012. [cited 2020 Jan 19]. Available from: http://www.teses.usp.br/teses/disponiveis/48/48134/tde-21012013-142634/ ;.

Council of Science Editors:

Souza LGS. Uma abordagem didático-pedagógica da racionalidade matemática na criação musical. [Doctoral Dissertation]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/48/48134/tde-21012013-142634/ ;


Brunel University

16. Niles, Richard. The invisible artist : arrangers in popular music (1950-2000) : their contribution and techniques.

Degree: PhD, 2007, Brunel University

 This thesis is based on the research conducted by the author for the series, Richard Niles' History of Pop Arranging, seven thirty-minute documentary programmes for… (more)

Subjects/Keywords: 700; Popular music : Musical arranging : Musicians : Musical analysis

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APA (6th Edition):

Niles, R. (2007). The invisible artist : arrangers in popular music (1950-2000) : their contribution and techniques. (Doctoral Dissertation). Brunel University. Retrieved from http://bura.brunel.ac.uk/handle/2438/7914 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.572817

Chicago Manual of Style (16th Edition):

Niles, Richard. “The invisible artist : arrangers in popular music (1950-2000) : their contribution and techniques.” 2007. Doctoral Dissertation, Brunel University. Accessed January 19, 2020. http://bura.brunel.ac.uk/handle/2438/7914 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.572817.

MLA Handbook (7th Edition):

Niles, Richard. “The invisible artist : arrangers in popular music (1950-2000) : their contribution and techniques.” 2007. Web. 19 Jan 2020.

Vancouver:

Niles R. The invisible artist : arrangers in popular music (1950-2000) : their contribution and techniques. [Internet] [Doctoral dissertation]. Brunel University; 2007. [cited 2020 Jan 19]. Available from: http://bura.brunel.ac.uk/handle/2438/7914 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.572817.

Council of Science Editors:

Niles R. The invisible artist : arrangers in popular music (1950-2000) : their contribution and techniques. [Doctoral Dissertation]. Brunel University; 2007. Available from: http://bura.brunel.ac.uk/handle/2438/7914 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.572817


Columbia University

17. DeGraf, Galen Philip. Navigating Musical Periodicities: Modes of Perception and Types of Temporal Knowledge.

Degree: 2018, Columbia University

 This dissertation explores multi-modal, symbolic, and embodied strategies for navigating musical periodicity, or “meter.” In the first half, I argue that these resources and techniques… (more)

Subjects/Keywords: Musical meter and rhythm; Music – Instruction and study; Musical analysis

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APA (6th Edition):

DeGraf, G. P. (2018). Navigating Musical Periodicities: Modes of Perception and Types of Temporal Knowledge. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8P28FP9

Chicago Manual of Style (16th Edition):

DeGraf, Galen Philip. “Navigating Musical Periodicities: Modes of Perception and Types of Temporal Knowledge.” 2018. Doctoral Dissertation, Columbia University. Accessed January 19, 2020. https://doi.org/10.7916/D8P28FP9.

MLA Handbook (7th Edition):

DeGraf, Galen Philip. “Navigating Musical Periodicities: Modes of Perception and Types of Temporal Knowledge.” 2018. Web. 19 Jan 2020.

Vancouver:

DeGraf GP. Navigating Musical Periodicities: Modes of Perception and Types of Temporal Knowledge. [Internet] [Doctoral dissertation]. Columbia University; 2018. [cited 2020 Jan 19]. Available from: https://doi.org/10.7916/D8P28FP9.

Council of Science Editors:

DeGraf GP. Navigating Musical Periodicities: Modes of Perception and Types of Temporal Knowledge. [Doctoral Dissertation]. Columbia University; 2018. Available from: https://doi.org/10.7916/D8P28FP9


Universidade do Minho

18. Silva, Andreia Cristina Soares da. A análise musical na formação do jovem músico: componente exclusiva da disciplina de Análise e Técnicas de Composição? .

Degree: 2018, Universidade do Minho

 Elaborado no âmbito do Estágio Profissional do Mestrado em Ensino de Música da Universidade do Minho, o presente Relatório de Estágio descreve a conceção, desenvolvimento… (more)

Subjects/Keywords: Análise musical; Ciências musicais; Transversalidade; Interdisciplinaridade; Musical analysis; Musicology; Transversality; Interdisciplinary

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Silva, A. C. S. d. (2018). A análise musical na formação do jovem músico: componente exclusiva da disciplina de Análise e Técnicas de Composição? . (Masters Thesis). Universidade do Minho. Retrieved from http://hdl.handle.net/1822/58345

Chicago Manual of Style (16th Edition):

Silva, Andreia Cristina Soares da. “A análise musical na formação do jovem músico: componente exclusiva da disciplina de Análise e Técnicas de Composição? .” 2018. Masters Thesis, Universidade do Minho. Accessed January 19, 2020. http://hdl.handle.net/1822/58345.

MLA Handbook (7th Edition):

Silva, Andreia Cristina Soares da. “A análise musical na formação do jovem músico: componente exclusiva da disciplina de Análise e Técnicas de Composição? .” 2018. Web. 19 Jan 2020.

Vancouver:

Silva ACSd. A análise musical na formação do jovem músico: componente exclusiva da disciplina de Análise e Técnicas de Composição? . [Internet] [Masters thesis]. Universidade do Minho; 2018. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/1822/58345.

Council of Science Editors:

Silva ACSd. A análise musical na formação do jovem músico: componente exclusiva da disciplina de Análise e Técnicas de Composição? . [Masters Thesis]. Universidade do Minho; 2018. Available from: http://hdl.handle.net/1822/58345


University of Kentucky

19. O'Fallon, David E. Concerto for Viola: A New Work for Solo Viola and Orchestra with Analysis and Commentary.

Degree: 2015, University of Kentucky

 This project consists of a new work for solo viola with orchestra and includes an analysis of that work with commentary on the composer's stylistic… (more)

Subjects/Keywords: music composition; musical analysis; viola concerto; musical score; Composition; Music Performance

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APA (6th Edition):

O'Fallon, D. E. (2015). Concerto for Viola: A New Work for Solo Viola and Orchestra with Analysis and Commentary. (Doctoral Dissertation). University of Kentucky. Retrieved from https://uknowledge.uky.edu/music_etds/50

Chicago Manual of Style (16th Edition):

O'Fallon, David E. “Concerto for Viola: A New Work for Solo Viola and Orchestra with Analysis and Commentary.” 2015. Doctoral Dissertation, University of Kentucky. Accessed January 19, 2020. https://uknowledge.uky.edu/music_etds/50.

MLA Handbook (7th Edition):

O'Fallon, David E. “Concerto for Viola: A New Work for Solo Viola and Orchestra with Analysis and Commentary.” 2015. Web. 19 Jan 2020.

Vancouver:

O'Fallon DE. Concerto for Viola: A New Work for Solo Viola and Orchestra with Analysis and Commentary. [Internet] [Doctoral dissertation]. University of Kentucky; 2015. [cited 2020 Jan 19]. Available from: https://uknowledge.uky.edu/music_etds/50.

Council of Science Editors:

O'Fallon DE. Concerto for Viola: A New Work for Solo Viola and Orchestra with Analysis and Commentary. [Doctoral Dissertation]. University of Kentucky; 2015. Available from: https://uknowledge.uky.edu/music_etds/50

20. Silva, Felipe Garibaldi de Almeida. Obra de Claudio Santoro para violão solo: contexto de criação, análise musical e sugestões técnico-interpretativas.

Degree: Mestrado, Processos de Criação Musical, 2014, University of São Paulo

A obra de Claudio Santoro (1919-1989) para violão é representativa de um importante segmento do repertório de concerto do violão brasileiro, constituído pela produção de… (more)

Subjects/Keywords: Análise musical; Brazilian Music; Claudio Santoro; Claudio Santoro; Guitar; Interpretação-musical; Música brasileira; Musical Analysis; Musical Interpretation; Violão

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Silva, F. G. d. A. (2014). Obra de Claudio Santoro para violão solo: contexto de criação, análise musical e sugestões técnico-interpretativas. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-01062015-153437/ ;

Chicago Manual of Style (16th Edition):

Silva, Felipe Garibaldi de Almeida. “Obra de Claudio Santoro para violão solo: contexto de criação, análise musical e sugestões técnico-interpretativas.” 2014. Masters Thesis, University of São Paulo. Accessed January 19, 2020. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-01062015-153437/ ;.

MLA Handbook (7th Edition):

Silva, Felipe Garibaldi de Almeida. “Obra de Claudio Santoro para violão solo: contexto de criação, análise musical e sugestões técnico-interpretativas.” 2014. Web. 19 Jan 2020.

Vancouver:

Silva FGdA. Obra de Claudio Santoro para violão solo: contexto de criação, análise musical e sugestões técnico-interpretativas. [Internet] [Masters thesis]. University of São Paulo; 2014. [cited 2020 Jan 19]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-01062015-153437/ ;.

Council of Science Editors:

Silva FGdA. Obra de Claudio Santoro para violão solo: contexto de criação, análise musical e sugestões técnico-interpretativas. [Masters Thesis]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-01062015-153437/ ;

21. Nery Filho, Walter. Os voos do Passarinho de Pano e análise dos processos composicionais na suíte Prole do Bebê nº 2 de Villa-Lobos.

Degree: Mestrado, Processos de Criação Musical, 2012, University of São Paulo

Esta dissertação pretende, por meio da análise musical, trazer à luz os processos composicionais envolvidos na elaboração das peças O Passarinho de Pano, A Baratinha… (more)

Subjects/Keywords: Análise Musical; Baby's Family Second Series; Modernismo Musical; Musical Modernism; Musical Analysis; Prole do Bebê No 2; Villa-Lobos; Villa-Lobos

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APA (6th Edition):

Nery Filho, W. (2012). Os voos do Passarinho de Pano e análise dos processos composicionais na suíte Prole do Bebê nº 2 de Villa-Lobos. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-144532/ ;

Chicago Manual of Style (16th Edition):

Nery Filho, Walter. “Os voos do Passarinho de Pano e análise dos processos composicionais na suíte Prole do Bebê nº 2 de Villa-Lobos.” 2012. Masters Thesis, University of São Paulo. Accessed January 19, 2020. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-144532/ ;.

MLA Handbook (7th Edition):

Nery Filho, Walter. “Os voos do Passarinho de Pano e análise dos processos composicionais na suíte Prole do Bebê nº 2 de Villa-Lobos.” 2012. Web. 19 Jan 2020.

Vancouver:

Nery Filho W. Os voos do Passarinho de Pano e análise dos processos composicionais na suíte Prole do Bebê nº 2 de Villa-Lobos. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2020 Jan 19]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-144532/ ;.

Council of Science Editors:

Nery Filho W. Os voos do Passarinho de Pano e análise dos processos composicionais na suíte Prole do Bebê nº 2 de Villa-Lobos. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-144532/ ;


University of Florida

22. Agarwala, Vibha. The Spatial Translation of Schenkerian Analysis.

Degree: 2011, University of Florida

 Architecture and music share unexplored design and analytic frameworks. In tonal music, reductive analysis is a method that demonstrates the hierarchy of the composition's musical(more)

Subjects/Keywords: Architectural design; Design analysis; Houses; Music analysis; Music composition; Musical phrases; Musical rhythm; Musical structure; Musical timbre; Schenkerian analysis; Architecture; Schenkerian analysis

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APA (6th Edition):

Agarwala, V. (2011). The Spatial Translation of Schenkerian Analysis. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00060695

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Agarwala, Vibha. “The Spatial Translation of Schenkerian Analysis.” 2011. Thesis, University of Florida. Accessed January 19, 2020. http://ufdc.ufl.edu/AA00060695.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Agarwala, Vibha. “The Spatial Translation of Schenkerian Analysis.” 2011. Web. 19 Jan 2020.

Vancouver:

Agarwala V. The Spatial Translation of Schenkerian Analysis. [Internet] [Thesis]. University of Florida; 2011. [cited 2020 Jan 19]. Available from: http://ufdc.ufl.edu/AA00060695.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Agarwala V. The Spatial Translation of Schenkerian Analysis. [Thesis]. University of Florida; 2011. Available from: http://ufdc.ufl.edu/AA00060695

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

23. Kingwell, Adrian Paul. MUSICAL DRAMATURGY IN JASON ROBERT BROWN’S THE LAST FIVE YEARS .

Degree: 2017, University of Sydney

 The Last Five Years opened at the Minetta Lane Theatre on March, 2002. This piece integrates dramatic and musical elements to present a story which… (more)

Subjects/Keywords: Musical Theatre Analysis; Jason Robert Brown

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APA (6th Edition):

Kingwell, A. P. (2017). MUSICAL DRAMATURGY IN JASON ROBERT BROWN’S THE LAST FIVE YEARS . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/17659

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kingwell, Adrian Paul. “MUSICAL DRAMATURGY IN JASON ROBERT BROWN’S THE LAST FIVE YEARS .” 2017. Thesis, University of Sydney. Accessed January 19, 2020. http://hdl.handle.net/2123/17659.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kingwell, Adrian Paul. “MUSICAL DRAMATURGY IN JASON ROBERT BROWN’S THE LAST FIVE YEARS .” 2017. Web. 19 Jan 2020.

Vancouver:

Kingwell AP. MUSICAL DRAMATURGY IN JASON ROBERT BROWN’S THE LAST FIVE YEARS . [Internet] [Thesis]. University of Sydney; 2017. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/2123/17659.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kingwell AP. MUSICAL DRAMATURGY IN JASON ROBERT BROWN’S THE LAST FIVE YEARS . [Thesis]. University of Sydney; 2017. Available from: http://hdl.handle.net/2123/17659

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Victoria

24. Mountain, Rosemary. An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto.

Degree: School of Music, 2018, University of Victoria

 An investigation into the nature and functions of periodicity is presented through analysis and discussion. Periodicity is established by the repetition of any musical event… (more)

Subjects/Keywords: Musical form; Music, 20th century; Analysis, appreciation

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APA (6th Edition):

Mountain, R. (2018). An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto. (Thesis). University of Victoria. Retrieved from https://dspace.library.uvic.ca//handle/1828/9666

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mountain, Rosemary. “An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto.” 2018. Thesis, University of Victoria. Accessed January 19, 2020. https://dspace.library.uvic.ca//handle/1828/9666.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mountain, Rosemary. “An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto.” 2018. Web. 19 Jan 2020.

Vancouver:

Mountain R. An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto. [Internet] [Thesis]. University of Victoria; 2018. [cited 2020 Jan 19]. Available from: https://dspace.library.uvic.ca//handle/1828/9666.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mountain R. An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto. [Thesis]. University of Victoria; 2018. Available from: https://dspace.library.uvic.ca//handle/1828/9666

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Edinburgh

25. Renfrew, Mary Claire. Exploring the 'I' in musician : investigating musical identities of professional orchestral musicians.

Degree: PhD, 2016, University of Edinburgh

 The lived experiences of professional orchestral musicians are under-­‐researched by scholars in both music and psychology, who are interested in the world of the professional… (more)

Subjects/Keywords: musical identities; music psychology; Interpretative Phenomenological Analysis

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Renfrew, M. C. (2016). Exploring the 'I' in musician : investigating musical identities of professional orchestral musicians. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/29570

Chicago Manual of Style (16th Edition):

Renfrew, Mary Claire. “Exploring the 'I' in musician : investigating musical identities of professional orchestral musicians.” 2016. Doctoral Dissertation, University of Edinburgh. Accessed January 19, 2020. http://hdl.handle.net/1842/29570.

MLA Handbook (7th Edition):

Renfrew, Mary Claire. “Exploring the 'I' in musician : investigating musical identities of professional orchestral musicians.” 2016. Web. 19 Jan 2020.

Vancouver:

Renfrew MC. Exploring the 'I' in musician : investigating musical identities of professional orchestral musicians. [Internet] [Doctoral dissertation]. University of Edinburgh; 2016. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/1842/29570.

Council of Science Editors:

Renfrew MC. Exploring the 'I' in musician : investigating musical identities of professional orchestral musicians. [Doctoral Dissertation]. University of Edinburgh; 2016. Available from: http://hdl.handle.net/1842/29570


Queen Mary, University of London

26. Stark, Adam. Musicians and machines : bridging the semantic gap in live performance.

Degree: PhD, 2011, Queen Mary, University of London

 This thesis explores the automatic extraction of musical information from live performances - with the intention of using that information to create novel, responsive and… (more)

Subjects/Keywords: 780; harmonic analysis; beat tracking; musical representation

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APA (6th Edition):

Stark, A. (2011). Musicians and machines : bridging the semantic gap in live performance. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/15050 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542015

Chicago Manual of Style (16th Edition):

Stark, Adam. “Musicians and machines : bridging the semantic gap in live performance.” 2011. Doctoral Dissertation, Queen Mary, University of London. Accessed January 19, 2020. http://qmro.qmul.ac.uk/xmlui/handle/123456789/15050 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542015.

MLA Handbook (7th Edition):

Stark, Adam. “Musicians and machines : bridging the semantic gap in live performance.” 2011. Web. 19 Jan 2020.

Vancouver:

Stark A. Musicians and machines : bridging the semantic gap in live performance. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2011. [cited 2020 Jan 19]. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/15050 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542015.

Council of Science Editors:

Stark A. Musicians and machines : bridging the semantic gap in live performance. [Doctoral Dissertation]. Queen Mary, University of London; 2011. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/15050 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542015


University of North Carolina – Greensboro

27. Heim, Amanda M. Using post-tonal analytical techniques for a better performance of Ida Gotkovsky's Quatour de saxophones.

Degree: 2011, University of North Carolina – Greensboro

 This document analyzes Gotkovsky's Quatour de Saxophones from a post-tonal perspective, focusing on performance-related decisions. Because much of the repertoire for chamber ensembles, particularly saxophone… (more)

Subjects/Keywords: Gotkovsky, Ida. – Quartets, – Saxophones; Musical analysis

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Heim, A. M. (2011). Using post-tonal analytical techniques for a better performance of Ida Gotkovsky's Quatour de saxophones. (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=8127

Chicago Manual of Style (16th Edition):

Heim, Amanda M. “Using post-tonal analytical techniques for a better performance of Ida Gotkovsky's Quatour de saxophones.” 2011. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed January 19, 2020. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=8127.

MLA Handbook (7th Edition):

Heim, Amanda M. “Using post-tonal analytical techniques for a better performance of Ida Gotkovsky's Quatour de saxophones.” 2011. Web. 19 Jan 2020.

Vancouver:

Heim AM. Using post-tonal analytical techniques for a better performance of Ida Gotkovsky's Quatour de saxophones. [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2011. [cited 2020 Jan 19]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=8127.

Council of Science Editors:

Heim AM. Using post-tonal analytical techniques for a better performance of Ida Gotkovsky's Quatour de saxophones. [Doctoral Dissertation]. University of North Carolina – Greensboro; 2011. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=8127

28. Richards, Doris J. (Doris Jean). Georg Benda and His Melodrama, Ariadne auf Naxos.

Degree: 1970, North Texas State University

 The orchestral interpolations in this melodrama are written to support and enhance the spoken parts rather than compete with them. The alternating music and speech… (more)

Subjects/Keywords: musical analysis; scores

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Richards, D. J. (. J. (1970). Georg Benda and His Melodrama, Ariadne auf Naxos. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1038850/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Richards, Doris J (Doris Jean). “Georg Benda and His Melodrama, Ariadne auf Naxos.” 1970. Thesis, North Texas State University. Accessed January 19, 2020. https://digital.library.unt.edu/ark:/67531/metadc1038850/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Richards, Doris J (Doris Jean). “Georg Benda and His Melodrama, Ariadne auf Naxos.” 1970. Web. 19 Jan 2020.

Vancouver:

Richards DJ(J. Georg Benda and His Melodrama, Ariadne auf Naxos. [Internet] [Thesis]. North Texas State University; 1970. [cited 2020 Jan 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038850/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Richards DJ(J. Georg Benda and His Melodrama, Ariadne auf Naxos. [Thesis]. North Texas State University; 1970. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038850/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Speelman, W.M. The Generation of Meaning in Liturgical Songs: A Semiotic Analysis of Five Liturgical Songs as Syncretic Discourses.

Degree: 1995, Kok Pharos

Subjects/Keywords: Semiotics; Musical Analysis

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Speelman, W. M. (1995). The Generation of Meaning in Liturgical Songs: A Semiotic Analysis of Five Liturgical Songs as Syncretic Discourses. (Doctoral Dissertation). Kok Pharos. Retrieved from https://research.tilburguniversity.edu/en/publications/bc93afd2-4131-4771-a950-857ebc1b59cf ; urn:nbn:nl:ui:12-bc93afd2-4131-4771-a950-857ebc1b59cf ; bc93afd2-4131-4771-a950-857ebc1b59cf ; urn:isbn:9039005117 ; urn:nbn:nl:ui:12-bc93afd2-4131-4771-a950-857ebc1b59cf ; https://research.tilburguniversity.edu/en/publications/bc93afd2-4131-4771-a950-857ebc1b59cf

Chicago Manual of Style (16th Edition):

Speelman, W M. “The Generation of Meaning in Liturgical Songs: A Semiotic Analysis of Five Liturgical Songs as Syncretic Discourses.” 1995. Doctoral Dissertation, Kok Pharos. Accessed January 19, 2020. https://research.tilburguniversity.edu/en/publications/bc93afd2-4131-4771-a950-857ebc1b59cf ; urn:nbn:nl:ui:12-bc93afd2-4131-4771-a950-857ebc1b59cf ; bc93afd2-4131-4771-a950-857ebc1b59cf ; urn:isbn:9039005117 ; urn:nbn:nl:ui:12-bc93afd2-4131-4771-a950-857ebc1b59cf ; https://research.tilburguniversity.edu/en/publications/bc93afd2-4131-4771-a950-857ebc1b59cf.

MLA Handbook (7th Edition):

Speelman, W M. “The Generation of Meaning in Liturgical Songs: A Semiotic Analysis of Five Liturgical Songs as Syncretic Discourses.” 1995. Web. 19 Jan 2020.

Vancouver:

Speelman WM. The Generation of Meaning in Liturgical Songs: A Semiotic Analysis of Five Liturgical Songs as Syncretic Discourses. [Internet] [Doctoral dissertation]. Kok Pharos; 1995. [cited 2020 Jan 19]. Available from: https://research.tilburguniversity.edu/en/publications/bc93afd2-4131-4771-a950-857ebc1b59cf ; urn:nbn:nl:ui:12-bc93afd2-4131-4771-a950-857ebc1b59cf ; bc93afd2-4131-4771-a950-857ebc1b59cf ; urn:isbn:9039005117 ; urn:nbn:nl:ui:12-bc93afd2-4131-4771-a950-857ebc1b59cf ; https://research.tilburguniversity.edu/en/publications/bc93afd2-4131-4771-a950-857ebc1b59cf.

Council of Science Editors:

Speelman WM. The Generation of Meaning in Liturgical Songs: A Semiotic Analysis of Five Liturgical Songs as Syncretic Discourses. [Doctoral Dissertation]. Kok Pharos; 1995. Available from: https://research.tilburguniversity.edu/en/publications/bc93afd2-4131-4771-a950-857ebc1b59cf ; urn:nbn:nl:ui:12-bc93afd2-4131-4771-a950-857ebc1b59cf ; bc93afd2-4131-4771-a950-857ebc1b59cf ; urn:isbn:9039005117 ; urn:nbn:nl:ui:12-bc93afd2-4131-4771-a950-857ebc1b59cf ; https://research.tilburguniversity.edu/en/publications/bc93afd2-4131-4771-a950-857ebc1b59cf

30. Bastos, Maria Clara. Processos de composição e expressão na obra de Itamar Assumpção.

Degree: Mestrado, Processos de Criação Musical, 2012, University of São Paulo

Este trabalho estuda a obra de Itamar Assumpção, investigando os principais procedimentos de composição musical utilizados, bem como a relação que possuem com suas vivências… (more)

Subjects/Keywords: Análise Musical; Canção Popular; Contrabaixo; Double bass; Itamar Assumpção; Itamar Assumpção; Musical analysis Musical analysis.; Performance; Performance; Popular songwriting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bastos, M. C. (2012). Processos de composição e expressão na obra de Itamar Assumpção. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032014-153837/ ;

Chicago Manual of Style (16th Edition):

Bastos, Maria Clara. “Processos de composição e expressão na obra de Itamar Assumpção.” 2012. Masters Thesis, University of São Paulo. Accessed January 19, 2020. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032014-153837/ ;.

MLA Handbook (7th Edition):

Bastos, Maria Clara. “Processos de composição e expressão na obra de Itamar Assumpção.” 2012. Web. 19 Jan 2020.

Vancouver:

Bastos MC. Processos de composição e expressão na obra de Itamar Assumpção. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2020 Jan 19]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032014-153837/ ;.

Council of Science Editors:

Bastos MC. Processos de composição e expressão na obra de Itamar Assumpção. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032014-153837/ ;

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