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You searched for subject:(Music science). Showing records 121 – 150 of 282 total matches.

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Harvard University

121. Walden, Daniel Kitt Schelly. The Politics of Tuning and Temperament: Transnational Exchange and the Production of Music Theory in 19th-Century Europe, Asia, and North America.

Degree: PhD, 2019, Harvard University

This dissertation examines how late nineteenth-century discourse on tuning and temperament was co-produced with the global politics of nationalism, transnationalism, colonialism, and imperialism. I concentrate… (more)

Subjects/Keywords: music theory; politics; just intonation; equal temperament; postcolonial; transnational; subaltern Science, Technology and Society Studies; STS; Germany; India; Japan; England; musical instruments; Tanaka Shohei; Hugo Riemann; Alexander Ellis; Hindustani music; Japanese music; European art music; cultural hybridity

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APA (6th Edition):

Walden, D. K. S. (2019). The Politics of Tuning and Temperament: Transnational Exchange and the Production of Music Theory in 19th-Century Europe, Asia, and North America. (Doctoral Dissertation). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:42013088

Chicago Manual of Style (16th Edition):

Walden, Daniel Kitt Schelly. “The Politics of Tuning and Temperament: Transnational Exchange and the Production of Music Theory in 19th-Century Europe, Asia, and North America.” 2019. Doctoral Dissertation, Harvard University. Accessed January 21, 2020. http://nrs.harvard.edu/urn-3:HUL.InstRepos:42013088.

MLA Handbook (7th Edition):

Walden, Daniel Kitt Schelly. “The Politics of Tuning and Temperament: Transnational Exchange and the Production of Music Theory in 19th-Century Europe, Asia, and North America.” 2019. Web. 21 Jan 2020.

Vancouver:

Walden DKS. The Politics of Tuning and Temperament: Transnational Exchange and the Production of Music Theory in 19th-Century Europe, Asia, and North America. [Internet] [Doctoral dissertation]. Harvard University; 2019. [cited 2020 Jan 21]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:42013088.

Council of Science Editors:

Walden DKS. The Politics of Tuning and Temperament: Transnational Exchange and the Production of Music Theory in 19th-Century Europe, Asia, and North America. [Doctoral Dissertation]. Harvard University; 2019. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:42013088


The Ohio State University

122. Cheong, Yong Jeon. Worlds of Musics: Cognitive Ethnomusicological Inquiries on Experience of Time and Space in Human Music-making.

Degree: PhD, Music, 2019, The Ohio State University

 This dissertation is a cognitive ethnomusicological investigation regarding how each individual creates his or her own world via different musical behaviors. The goal of this… (more)

Subjects/Keywords: Music; Cognitive Psychology; Philosophy of Science; Evolution and Development; Comparative; music-making; time; space; specific music training; cultural factor; spatiotemporal processing; multisensory integration; audio-tactile; temporal order judgment; simple reaction time; peripersonal space; music evolution; design features; speech surrogates

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APA (6th Edition):

Cheong, Y. J. (2019). Worlds of Musics: Cognitive Ethnomusicological Inquiries on Experience of Time and Space in Human Music-making. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1555598154844572

Chicago Manual of Style (16th Edition):

Cheong, Yong Jeon. “Worlds of Musics: Cognitive Ethnomusicological Inquiries on Experience of Time and Space in Human Music-making.” 2019. Doctoral Dissertation, The Ohio State University. Accessed January 21, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555598154844572.

MLA Handbook (7th Edition):

Cheong, Yong Jeon. “Worlds of Musics: Cognitive Ethnomusicological Inquiries on Experience of Time and Space in Human Music-making.” 2019. Web. 21 Jan 2020.

Vancouver:

Cheong YJ. Worlds of Musics: Cognitive Ethnomusicological Inquiries on Experience of Time and Space in Human Music-making. [Internet] [Doctoral dissertation]. The Ohio State University; 2019. [cited 2020 Jan 21]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1555598154844572.

Council of Science Editors:

Cheong YJ. Worlds of Musics: Cognitive Ethnomusicological Inquiries on Experience of Time and Space in Human Music-making. [Doctoral Dissertation]. The Ohio State University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1555598154844572

123. Aslanidi, Maria. Μουσική βιβλιοθηκονομία: ακαδημαϊκές μουσικές βιβλιοθήκες και πληροφοριακός γραμματισμός.

Degree: 2014, Ionian University; Ιόνιο Πανεπιστήμιο

This thesis aims to present the design and implementation of a specialized Information Literacy Program with emphasis on Music, appropriate to serve the specific needs… (more)

Subjects/Keywords: ΠΛΗΡΟΦΟΡΙΑΚΟΣ ΓΡΑΜΜΑΤΙΣΜΟΣ; ΜΟΥΣΙΚΗ ΒΙΒΛΙΟΘΗΚΟΝΟΜΙΑ—ΕΠΙΣΤΗΜΗ ΤΗΣ ΠΛΗΡΟΦΟΡΗΣΗΣ; ΜΟΥΣΙΚΗ ΠΛΗΡΟΦΟΡΙΑ; ΕΛΛΗΝΙΚΕΣ ΑΚΑΔΗΜΑΪΚΕΣ ΜΟΥΣΙΚΕΣ ΒΙΒΛΙΟΘΗΚΕΣ; Πληροφοριακά εργαλεία; ΕΝΣΩΜΑΤΩΜΕΝΗ ΔΙΔΑΣΚΑΛΙΑ—ΠΡΟΓΡΑΜΜΑ ΜΑΘΗΜΑΤΩΝ; ΥΠΗΡΕΣΙΕΣ ΑΝΑΦΟΡΑΣ ΚΑΙ ΠΛΗΡΟΦΟΡΗΣΗΣ; ΜΟΥΣΙΚΟΙ ΒΙΒΛΙΟΘΗΚΟΝΟΜΟΙ – ΕΚΠΑΙΔΕΥΤΕΣ; MUSIC LIBRARIANSHIP—INFORMATION SCIENCE; Music information; GREEK ACADEMIC MUSIC LIBRARIES; INFORMATION TOOLS; COURSE-INTEGRATED INSTRUCTION; REFERENCE SERVICES; MUSIC LIBRARIANS—INSTRUCTORS

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APA (6th Edition):

Aslanidi, M. (2014). Μουσική βιβλιοθηκονομία: ακαδημαϊκές μουσικές βιβλιοθήκες και πληροφοριακός γραμματισμός. (Thesis). Ionian University; Ιόνιο Πανεπιστήμιο. Retrieved from http://hdl.handle.net/10442/hedi/35031

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Aslanidi, Maria. “Μουσική βιβλιοθηκονομία: ακαδημαϊκές μουσικές βιβλιοθήκες και πληροφοριακός γραμματισμός.” 2014. Thesis, Ionian University; Ιόνιο Πανεπιστήμιο. Accessed January 21, 2020. http://hdl.handle.net/10442/hedi/35031.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Aslanidi, Maria. “Μουσική βιβλιοθηκονομία: ακαδημαϊκές μουσικές βιβλιοθήκες και πληροφοριακός γραμματισμός.” 2014. Web. 21 Jan 2020.

Vancouver:

Aslanidi M. Μουσική βιβλιοθηκονομία: ακαδημαϊκές μουσικές βιβλιοθήκες και πληροφοριακός γραμματισμός. [Internet] [Thesis]. Ionian University; Ιόνιο Πανεπιστήμιο; 2014. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/10442/hedi/35031.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Aslanidi M. Μουσική βιβλιοθηκονομία: ακαδημαϊκές μουσικές βιβλιοθήκες και πληροφοριακός γραμματισμός. [Thesis]. Ionian University; Ιόνιο Πανεπιστήμιο; 2014. Available from: http://hdl.handle.net/10442/hedi/35031

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

124. McGinney, William Lawrence. The Sounds of the Dystopian Future: Music for Science Fiction Films of the New Hollywood Era, 1966-1976.

Degree: 2009, University of North Texas

 From 1966 to1976, science fiction films tended to depict civilizations of the future that had become intrinsically antagonistic to their inhabitants as a result of… (more)

Subjects/Keywords: modernist music; Film music; science fiction; Motion picture music  – History and criticism.; Science fiction films  – History and criticism.

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APA (6th Edition):

McGinney, W. L. (2009). The Sounds of the Dystopian Future: Music for Science Fiction Films of the New Hollywood Era, 1966-1976. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc9839/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McGinney, William Lawrence. “The Sounds of the Dystopian Future: Music for Science Fiction Films of the New Hollywood Era, 1966-1976.” 2009. Thesis, University of North Texas. Accessed January 21, 2020. https://digital.library.unt.edu/ark:/67531/metadc9839/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McGinney, William Lawrence. “The Sounds of the Dystopian Future: Music for Science Fiction Films of the New Hollywood Era, 1966-1976.” 2009. Web. 21 Jan 2020.

Vancouver:

McGinney WL. The Sounds of the Dystopian Future: Music for Science Fiction Films of the New Hollywood Era, 1966-1976. [Internet] [Thesis]. University of North Texas; 2009. [cited 2020 Jan 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc9839/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McGinney WL. The Sounds of the Dystopian Future: Music for Science Fiction Films of the New Hollywood Era, 1966-1976. [Thesis]. University of North Texas; 2009. Available from: https://digital.library.unt.edu/ark:/67531/metadc9839/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arkansas

125. Griffith, Asher. Fight or Flight.

Degree: MM, 2013, University of Arkansas

  Fight or Flight is a one-act, science-fiction opera. Outwardly the story of an astronaut who is marooned on the Moon, this dark comedy is… (more)

Subjects/Keywords: Communication and the arts; Fight or Flight; Asher Griffith; Matt Miguez; Opera; Original composition; Science fiction; Acting; Composition; Music Performance; Other Music

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APA (6th Edition):

Griffith, A. (2013). Fight or Flight. (Masters Thesis). University of Arkansas. Retrieved from https://scholarworks.uark.edu/etd/787

Chicago Manual of Style (16th Edition):

Griffith, Asher. “Fight or Flight.” 2013. Masters Thesis, University of Arkansas. Accessed January 21, 2020. https://scholarworks.uark.edu/etd/787.

MLA Handbook (7th Edition):

Griffith, Asher. “Fight or Flight.” 2013. Web. 21 Jan 2020.

Vancouver:

Griffith A. Fight or Flight. [Internet] [Masters thesis]. University of Arkansas; 2013. [cited 2020 Jan 21]. Available from: https://scholarworks.uark.edu/etd/787.

Council of Science Editors:

Griffith A. Fight or Flight. [Masters Thesis]. University of Arkansas; 2013. Available from: https://scholarworks.uark.edu/etd/787


University of Arkansas

126. Muniz, Ryan David. Congruent and Incongruent Effects of Ethnic Music on Ethnic Menu Item Selection.

Degree: MS, 2013, University of Arkansas

  This study investigated what impact ethnic music had on ethnic menu item selection. College students were randomly divided into three groups and listened to… (more)

Subjects/Keywords: Social sciences; Communication and the arts; Biological sciences; Ethnic music; Menu item selection; Restaurant atmossphere; Educational Psychology; Experimental Analysis of Behavior; Higher Education and Teaching; Other Food Science; Other Music

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APA (6th Edition):

Muniz, R. D. (2013). Congruent and Incongruent Effects of Ethnic Music on Ethnic Menu Item Selection. (Masters Thesis). University of Arkansas. Retrieved from https://scholarworks.uark.edu/etd/963

Chicago Manual of Style (16th Edition):

Muniz, Ryan David. “Congruent and Incongruent Effects of Ethnic Music on Ethnic Menu Item Selection.” 2013. Masters Thesis, University of Arkansas. Accessed January 21, 2020. https://scholarworks.uark.edu/etd/963.

MLA Handbook (7th Edition):

Muniz, Ryan David. “Congruent and Incongruent Effects of Ethnic Music on Ethnic Menu Item Selection.” 2013. Web. 21 Jan 2020.

Vancouver:

Muniz RD. Congruent and Incongruent Effects of Ethnic Music on Ethnic Menu Item Selection. [Internet] [Masters thesis]. University of Arkansas; 2013. [cited 2020 Jan 21]. Available from: https://scholarworks.uark.edu/etd/963.

Council of Science Editors:

Muniz RD. Congruent and Incongruent Effects of Ethnic Music on Ethnic Menu Item Selection. [Masters Thesis]. University of Arkansas; 2013. Available from: https://scholarworks.uark.edu/etd/963


Bowling Green State University

127. Diaz, Raymond. Primo Passaggio: Measures Associated with Different Interpretations Sung by an Elite Soprano Performer.

Degree: MS, Communication Disorders, 2018, Bowling Green State University

 The primo passaggio is the sequence of notes in a singer’s voice that typically differentiates the chest voice from the head voice. Negotiating the primo… (more)

Subjects/Keywords: Acoustics; Communication; Fine Arts; Music; Music Education; Performing Arts; Pedagogy; Speech Therapy; Theater; larynx; voice; phonation; voice science; aerodynamics; registration; interpretation of song; emotion; head voice; chest voice

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APA (6th Edition):

Diaz, R. (2018). Primo Passaggio: Measures Associated with Different Interpretations Sung by an Elite Soprano Performer. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522530897483835

Chicago Manual of Style (16th Edition):

Diaz, Raymond. “Primo Passaggio: Measures Associated with Different Interpretations Sung by an Elite Soprano Performer.” 2018. Masters Thesis, Bowling Green State University. Accessed January 21, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522530897483835.

MLA Handbook (7th Edition):

Diaz, Raymond. “Primo Passaggio: Measures Associated with Different Interpretations Sung by an Elite Soprano Performer.” 2018. Web. 21 Jan 2020.

Vancouver:

Diaz R. Primo Passaggio: Measures Associated with Different Interpretations Sung by an Elite Soprano Performer. [Internet] [Masters thesis]. Bowling Green State University; 2018. [cited 2020 Jan 21]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522530897483835.

Council of Science Editors:

Diaz R. Primo Passaggio: Measures Associated with Different Interpretations Sung by an Elite Soprano Performer. [Masters Thesis]. Bowling Green State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522530897483835


McGill University

128. Holbrook, Geoffrey. Sets and senses : a work for symphony orchestra accompanied by an analysis : a hierarchy of scienceart interactions.

Degree: MM, Schulich School of Music., 2006, McGill University

 Sets and the Senses is a work for symphony orchestra that bears the interaction between science and art as its overriding theme. Formalizations of compositional… (more)

Subjects/Keywords: Orchestral music  – Scores.; Orchestral music  – Analysis, appreciation.; Art and science.; Set theory.

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APA (6th Edition):

Holbrook, G. (2006). Sets and senses : a work for symphony orchestra accompanied by an analysis : a hierarchy of scienceart interactions. (Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile99174.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Holbrook, Geoffrey. “Sets and senses : a work for symphony orchestra accompanied by an analysis : a hierarchy of scienceart interactions.” 2006. Thesis, McGill University. Accessed January 21, 2020. http://digitool.library.mcgill.ca/thesisfile99174.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Holbrook, Geoffrey. “Sets and senses : a work for symphony orchestra accompanied by an analysis : a hierarchy of scienceart interactions.” 2006. Web. 21 Jan 2020.

Vancouver:

Holbrook G. Sets and senses : a work for symphony orchestra accompanied by an analysis : a hierarchy of scienceart interactions. [Internet] [Thesis]. McGill University; 2006. [cited 2020 Jan 21]. Available from: http://digitool.library.mcgill.ca/thesisfile99174.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Holbrook G. Sets and senses : a work for symphony orchestra accompanied by an analysis : a hierarchy of scienceart interactions. [Thesis]. McGill University; 2006. Available from: http://digitool.library.mcgill.ca/thesisfile99174.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kentucky

129. Campelo, André. SINGING PORTUGUESE NASAL VOWELS: PRACTICAL STRATEGIES FOR MANAGING NASALITY IN BRAZILIAN ART SONGS.

Degree: 2017, University of Kentucky

 The articulation of Portuguese nasalized vowels poses some articulatory problems accompanied by negative acoustic effects for the performance of Brazilian art songs. The main objective… (more)

Subjects/Keywords: Brazilian Art Song; Nasality; Brazilian Portuguese; Nasalized vowels; Resonance strategies; Modern Languages; Music Education; Music Performance; Spanish and Portuguese Language and Literature; Speech and Hearing Science

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APA (6th Edition):

Campelo, A. (2017). SINGING PORTUGUESE NASAL VOWELS: PRACTICAL STRATEGIES FOR MANAGING NASALITY IN BRAZILIAN ART SONGS. (Doctoral Dissertation). University of Kentucky. Retrieved from https://uknowledge.uky.edu/music_etds/89

Chicago Manual of Style (16th Edition):

Campelo, André. “SINGING PORTUGUESE NASAL VOWELS: PRACTICAL STRATEGIES FOR MANAGING NASALITY IN BRAZILIAN ART SONGS.” 2017. Doctoral Dissertation, University of Kentucky. Accessed January 21, 2020. https://uknowledge.uky.edu/music_etds/89.

MLA Handbook (7th Edition):

Campelo, André. “SINGING PORTUGUESE NASAL VOWELS: PRACTICAL STRATEGIES FOR MANAGING NASALITY IN BRAZILIAN ART SONGS.” 2017. Web. 21 Jan 2020.

Vancouver:

Campelo A. SINGING PORTUGUESE NASAL VOWELS: PRACTICAL STRATEGIES FOR MANAGING NASALITY IN BRAZILIAN ART SONGS. [Internet] [Doctoral dissertation]. University of Kentucky; 2017. [cited 2020 Jan 21]. Available from: https://uknowledge.uky.edu/music_etds/89.

Council of Science Editors:

Campelo A. SINGING PORTUGUESE NASAL VOWELS: PRACTICAL STRATEGIES FOR MANAGING NASALITY IN BRAZILIAN ART SONGS. [Doctoral Dissertation]. University of Kentucky; 2017. Available from: https://uknowledge.uky.edu/music_etds/89

130. Lai, Chi-Fu. Tile-based modeling and its applications in computer graphics .

Degree: 2016, Nanyang Technological University

 Our ancient ancestors invented tiles predominantly for the purpose of decorating architectural interior and exterior structures varying from ceilings, floors to walls. Due to the… (more)

Subjects/Keywords: DRNTU::Engineering::Computer science and engineering::Computing methodologies::Computer graphics; DRNTU::Visual arts and music::Visual arts; DRNTU::Visual arts and music::Animation::3D

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APA (6th Edition):

Lai, C. (2016). Tile-based modeling and its applications in computer graphics . (Thesis). Nanyang Technological University. Retrieved from http://hdl.handle.net/10356/69077

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lai, Chi-Fu. “Tile-based modeling and its applications in computer graphics .” 2016. Thesis, Nanyang Technological University. Accessed January 21, 2020. http://hdl.handle.net/10356/69077.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lai, Chi-Fu. “Tile-based modeling and its applications in computer graphics .” 2016. Web. 21 Jan 2020.

Vancouver:

Lai C. Tile-based modeling and its applications in computer graphics . [Internet] [Thesis]. Nanyang Technological University; 2016. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/10356/69077.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lai C. Tile-based modeling and its applications in computer graphics . [Thesis]. Nanyang Technological University; 2016. Available from: http://hdl.handle.net/10356/69077

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

131. Gharib, Roozbeh. Mobile-Based Interactive Music for Public Spaces.

Degree: MA -MA, Music, 2016, York University

 With the emergence of modern mobile devices equipped with various types of built-in sensors, interactive art has become easily accessible to everyone, musicians and non-musicians… (more)

Subjects/Keywords: Computer science; Interactive computer music; Electroacoustic performance; Electroacoustic music composition; Algorithmic composition; Collaborative musical improvisation; Soundscape; New media; Human computer interaction; Interactive design; Interactive composition; Mobile music; Music generation method; Interactive music player design; Sound design; New interfaces for musical expression; Augmented reality; Mapping techniques; Pure Data; Pd; Max/MSP; SuperCollider

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APA (6th Edition):

Gharib, R. (2016). Mobile-Based Interactive Music for Public Spaces. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/32171

Chicago Manual of Style (16th Edition):

Gharib, Roozbeh. “Mobile-Based Interactive Music for Public Spaces.” 2016. Masters Thesis, York University. Accessed January 21, 2020. http://hdl.handle.net/10315/32171.

MLA Handbook (7th Edition):

Gharib, Roozbeh. “Mobile-Based Interactive Music for Public Spaces.” 2016. Web. 21 Jan 2020.

Vancouver:

Gharib R. Mobile-Based Interactive Music for Public Spaces. [Internet] [Masters thesis]. York University; 2016. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/10315/32171.

Council of Science Editors:

Gharib R. Mobile-Based Interactive Music for Public Spaces. [Masters Thesis]. York University; 2016. Available from: http://hdl.handle.net/10315/32171

132. Novotny, Paul Anthony. Humanasonics: Compositions Inspired by Anthropological Human Universals.

Degree: MA -MA, Music, 2017, York University

 Human universals are the commonalitiesthe onenessof mankind, and anthropology is charged with their study. Universals form a general, immutable foundational theory of humanity. The purpose… (more)

Subjects/Keywords: Humanity; Mankind; Universals; Human Universals; Human Nature; Human Culture; Music Universals; Music; Musics; Art; Music Composition; Composition; Jazz; Jazz Orchestra; Anthropology; Ethnomusicology; Aesthetics; Psychology; Music Psychology; Music science; Phonetics; International Phonetic Alphabet; Cultural Diversity; Kinship; Water; Play; Humanasonics; Donald E. Brown; Steven Brown; Joseph Jordania; Cross-cultural; Classification; Norman Ludwin; Hexachord; Limited Intervals; Melodic Linking

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APA (6th Edition):

Novotny, P. A. (2017). Humanasonics: Compositions Inspired by Anthropological Human Universals. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/33598

Chicago Manual of Style (16th Edition):

Novotny, Paul Anthony. “Humanasonics: Compositions Inspired by Anthropological Human Universals.” 2017. Masters Thesis, York University. Accessed January 21, 2020. http://hdl.handle.net/10315/33598.

MLA Handbook (7th Edition):

Novotny, Paul Anthony. “Humanasonics: Compositions Inspired by Anthropological Human Universals.” 2017. Web. 21 Jan 2020.

Vancouver:

Novotny PA. Humanasonics: Compositions Inspired by Anthropological Human Universals. [Internet] [Masters thesis]. York University; 2017. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/10315/33598.

Council of Science Editors:

Novotny PA. Humanasonics: Compositions Inspired by Anthropological Human Universals. [Masters Thesis]. York University; 2017. Available from: http://hdl.handle.net/10315/33598


University of Georgia

133. Sterrs, Tamika Sakayi. Toward a compositional paradigm based on post-tonality, jazz, and counterpoint.

Degree: PhD, Music, 2013, University of Georgia

 There is a neglected body of musical works which engage post-tonality, jazz, and counterpoint. The sharing in common of a modernist aesthetic, a propensity for… (more)

Subjects/Keywords: post-tonality; jazz; counterpoint; Bach; intertextuality; borrowing; allusion; paradigm; taxonomy; philosophy of science; fugue; musical space; modernism; twentieth-century music

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APA (6th Edition):

Sterrs, T. S. (2013). Toward a compositional paradigm based on post-tonality, jazz, and counterpoint. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/sterrs_tamika_s_201305_phd

Chicago Manual of Style (16th Edition):

Sterrs, Tamika Sakayi. “Toward a compositional paradigm based on post-tonality, jazz, and counterpoint.” 2013. Doctoral Dissertation, University of Georgia. Accessed January 21, 2020. http://purl.galileo.usg.edu/uga_etd/sterrs_tamika_s_201305_phd.

MLA Handbook (7th Edition):

Sterrs, Tamika Sakayi. “Toward a compositional paradigm based on post-tonality, jazz, and counterpoint.” 2013. Web. 21 Jan 2020.

Vancouver:

Sterrs TS. Toward a compositional paradigm based on post-tonality, jazz, and counterpoint. [Internet] [Doctoral dissertation]. University of Georgia; 2013. [cited 2020 Jan 21]. Available from: http://purl.galileo.usg.edu/uga_etd/sterrs_tamika_s_201305_phd.

Council of Science Editors:

Sterrs TS. Toward a compositional paradigm based on post-tonality, jazz, and counterpoint. [Doctoral Dissertation]. University of Georgia; 2013. Available from: http://purl.galileo.usg.edu/uga_etd/sterrs_tamika_s_201305_phd

134. Oliveira, Juliano de. O desenvolvimento da poética eletroacústica na trilha sonora de filmes de ficção científica norte-americanos.

Degree: Mestrado, Musicologia, 2012, University of São Paulo

Nesta dissertação, buscou-se realizar um estudo histórico e analítico acerca do desenvolvimento da poética e dos processos da música eletroacústica na trilha sonora - principalmente… (more)

Subjects/Keywords: Electroacoustic music; Electronic instruments; Ficção científica; Instrumentos eletrônicos; Música eletroacústica; Science fiction; Sound design; Sound design; Soundtrack; Trilha sonora

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APA (6th Edition):

Oliveira, J. d. (2012). O desenvolvimento da poética eletroacústica na trilha sonora de filmes de ficção científica norte-americanos. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27157/tde-16052013-160340/ ;

Chicago Manual of Style (16th Edition):

Oliveira, Juliano de. “O desenvolvimento da poética eletroacústica na trilha sonora de filmes de ficção científica norte-americanos.” 2012. Masters Thesis, University of São Paulo. Accessed January 21, 2020. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-16052013-160340/ ;.

MLA Handbook (7th Edition):

Oliveira, Juliano de. “O desenvolvimento da poética eletroacústica na trilha sonora de filmes de ficção científica norte-americanos.” 2012. Web. 21 Jan 2020.

Vancouver:

Oliveira Jd. O desenvolvimento da poética eletroacústica na trilha sonora de filmes de ficção científica norte-americanos. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2020 Jan 21]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-16052013-160340/ ;.

Council of Science Editors:

Oliveira Jd. O desenvolvimento da poética eletroacústica na trilha sonora de filmes de ficção científica norte-americanos. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-16052013-160340/ ;


Temple University

135. Vidiksis, Adam. Vidiksis-Transfigurations [Score].

Degree: 2013, Temple University

Music Composition

D.M.A.

Transfigurations is a symphonic work in one movement for orchestra and live computer processing utilizing the graphical audio programming language Pure Data.… (more)

Subjects/Keywords: Music; Computer science;

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APA (6th Edition):

Vidiksis, A. (2013). Vidiksis-Transfigurations [Score]. (Thesis). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,253754

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vidiksis, Adam. “Vidiksis-Transfigurations [Score].” 2013. Thesis, Temple University. Accessed January 21, 2020. http://digital.library.temple.edu/u?/p245801coll10,253754.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vidiksis, Adam. “Vidiksis-Transfigurations [Score].” 2013. Web. 21 Jan 2020.

Vancouver:

Vidiksis A. Vidiksis-Transfigurations [Score]. [Internet] [Thesis]. Temple University; 2013. [cited 2020 Jan 21]. Available from: http://digital.library.temple.edu/u?/p245801coll10,253754.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vidiksis A. Vidiksis-Transfigurations [Score]. [Thesis]. Temple University; 2013. Available from: http://digital.library.temple.edu/u?/p245801coll10,253754

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Temple University

136. Vidiksis, Adam. Transfigurations: A Symphonic Work for Orchestra and Live Computer Processing.

Degree: 2013, Temple University

Music Composition

D.M.A.

Transfigurations is a symphonic work in one movement for orchestra and live computer processing utilizing the graphical audio programming language Pure Data.… (more)

Subjects/Keywords: Music; Computer science;

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APA (6th Edition):

Vidiksis, A. (2013). Transfigurations: A Symphonic Work for Orchestra and Live Computer Processing. (Thesis). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,253841

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vidiksis, Adam. “Transfigurations: A Symphonic Work for Orchestra and Live Computer Processing.” 2013. Thesis, Temple University. Accessed January 21, 2020. http://digital.library.temple.edu/u?/p245801coll10,253841.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vidiksis, Adam. “Transfigurations: A Symphonic Work for Orchestra and Live Computer Processing.” 2013. Web. 21 Jan 2020.

Vancouver:

Vidiksis A. Transfigurations: A Symphonic Work for Orchestra and Live Computer Processing. [Internet] [Thesis]. Temple University; 2013. [cited 2020 Jan 21]. Available from: http://digital.library.temple.edu/u?/p245801coll10,253841.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vidiksis A. Transfigurations: A Symphonic Work for Orchestra and Live Computer Processing. [Thesis]. Temple University; 2013. Available from: http://digital.library.temple.edu/u?/p245801coll10,253841

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Temple University

137. Vidiksis, Adam. Vidiksis-Transfigurations [Digital File].

Degree: 2013, Temple University

Music Composition

D.M.A.

Transfigurations is a symphonic work in one movement for orchestra and live computer processing utilizing the graphical audio programming language Pure Data.… (more)

Subjects/Keywords: Music; Computer science;

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vidiksis, A. (2013). Vidiksis-Transfigurations [Digital File]. (Thesis). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,253842

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vidiksis, Adam. “Vidiksis-Transfigurations [Digital File].” 2013. Thesis, Temple University. Accessed January 21, 2020. http://digital.library.temple.edu/u?/p245801coll10,253842.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vidiksis, Adam. “Vidiksis-Transfigurations [Digital File].” 2013. Web. 21 Jan 2020.

Vancouver:

Vidiksis A. Vidiksis-Transfigurations [Digital File]. [Internet] [Thesis]. Temple University; 2013. [cited 2020 Jan 21]. Available from: http://digital.library.temple.edu/u?/p245801coll10,253842.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vidiksis A. Vidiksis-Transfigurations [Digital File]. [Thesis]. Temple University; 2013. Available from: http://digital.library.temple.edu/u?/p245801coll10,253842

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad Nacional de Colombia

138. Parra Anzola, Fabio Leonardo. Categorización de letras de canciones de un portal web usando agrupación.

Degree: http://www.bdigital.unal.edu.co/46305/, 2013, Universidad Nacional de Colombia

Algoritmos de clasificación y de agrupación han sido usados ampliamente en sistemas de recuperación de información musical (MIR) para organizar repositorios musicales en categorías o… (more)

Subjects/Keywords: 0 Generalidades / Computer science, information & general works; 62 Ingeniería y operaciones afines / Engineering; 78 Música / Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Parra Anzola, F. L. (2013). Categorización de letras de canciones de un portal web usando agrupación. (Thesis). Universidad Nacional de Colombia. Retrieved from http://www.bdigital.unal.edu.co/46305/1/02822295.2013.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Parra Anzola, Fabio Leonardo. “Categorización de letras de canciones de un portal web usando agrupación.” 2013. Thesis, Universidad Nacional de Colombia. Accessed January 21, 2020. http://www.bdigital.unal.edu.co/46305/1/02822295.2013.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Parra Anzola, Fabio Leonardo. “Categorización de letras de canciones de un portal web usando agrupación.” 2013. Web. 21 Jan 2020.

Vancouver:

Parra Anzola FL. Categorización de letras de canciones de un portal web usando agrupación. [Internet] [Thesis]. Universidad Nacional de Colombia; 2013. [cited 2020 Jan 21]. Available from: http://www.bdigital.unal.edu.co/46305/1/02822295.2013.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Parra Anzola FL. Categorización de letras de canciones de un portal web usando agrupación. [Thesis]. Universidad Nacional de Colombia; 2013. Available from: http://www.bdigital.unal.edu.co/46305/1/02822295.2013.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

139. [No author]. Copyright and digital music collections in South Africa.

Degree: Library and information science, 2009, University of KwaZulu-Natal

 The crux of the research problem for this study pertains to the fact that, as the world moves towards a digital age, it is imperative… (more)

Subjects/Keywords: Library and information science.; Libraries – Special collections – Sound recordings.; Copyright – Music.; Sound – Recording and reproducing – Digital techniques.

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APA (6th Edition):

author], [. (2009). Copyright and digital music collections in South Africa. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/1253

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Copyright and digital music collections in South Africa. ” 2009. Thesis, University of KwaZulu-Natal. Accessed January 21, 2020. http://hdl.handle.net/10413/1253.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Copyright and digital music collections in South Africa. ” 2009. Web. 21 Jan 2020.

Vancouver:

author] [. Copyright and digital music collections in South Africa. [Internet] [Thesis]. University of KwaZulu-Natal; 2009. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/10413/1253.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Copyright and digital music collections in South Africa. [Thesis]. University of KwaZulu-Natal; 2009. Available from: http://hdl.handle.net/10413/1253

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Rio Grande do Norte

140. Silva, Leandro Assunção da. Clara Nunes como obra de arte: a epistemologia das ciências humanas a partir da cultura musical .

Degree: 2013, Universidade do Rio Grande do Norte

 The thesis has its largest array in the reorganization of science that is built from the middle of the last century and its horizon reconnection… (more)

Subjects/Keywords: Clara Nunes. Religação entre ciência e arte. Música brasileira; Clara Nunes. Religion between science and art. Brazilian Music

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APA (6th Edition):

Silva, L. A. d. (2013). Clara Nunes como obra de arte: a epistemologia das ciências humanas a partir da cultura musical . (Thesis). Universidade do Rio Grande do Norte. Retrieved from http://repositorio.ufrn.br/handle/123456789/13837

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Silva, Leandro Assunção da. “Clara Nunes como obra de arte: a epistemologia das ciências humanas a partir da cultura musical .” 2013. Thesis, Universidade do Rio Grande do Norte. Accessed January 21, 2020. http://repositorio.ufrn.br/handle/123456789/13837.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Silva, Leandro Assunção da. “Clara Nunes como obra de arte: a epistemologia das ciências humanas a partir da cultura musical .” 2013. Web. 21 Jan 2020.

Vancouver:

Silva LAd. Clara Nunes como obra de arte: a epistemologia das ciências humanas a partir da cultura musical . [Internet] [Thesis]. Universidade do Rio Grande do Norte; 2013. [cited 2020 Jan 21]. Available from: http://repositorio.ufrn.br/handle/123456789/13837.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Silva LAd. Clara Nunes como obra de arte: a epistemologia das ciências humanas a partir da cultura musical . [Thesis]. Universidade do Rio Grande do Norte; 2013. Available from: http://repositorio.ufrn.br/handle/123456789/13837

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Portland State University

141. Vurkaç, Mehmet. Prestructuring Multilayer Perceptrons based on Information-Theoretic Modeling of a Partido-Alto-based Grammar for Afro-Brazilian Music: Enhanced Generalization and Principles of Parsimony, including an Investigation of Statistical Paradigms.

Degree: PhD, Electrical and Computer Engineering, 2011, Portland State University

  The present study shows that prestructuring based on domain knowledge leads to statistically significant generalization-performance improvement in artificial neural networks (NNs) of the multilayer… (more)

Subjects/Keywords: Clave; Machine learning; Prestructuring; Samba; Computational intelligence; Musical meter and rhythm; Neural networks (Computer science)  – Methodology; Information theory in music; Perceptrons

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APA (6th Edition):

Vurkaç, M. (2011). Prestructuring Multilayer Perceptrons based on Information-Theoretic Modeling of a Partido-Alto-based Grammar for Afro-Brazilian Music: Enhanced Generalization and Principles of Parsimony, including an Investigation of Statistical Paradigms. (Doctoral Dissertation). Portland State University. Retrieved from https://pdxscholar.library.pdx.edu/open_access_etds/384

Chicago Manual of Style (16th Edition):

Vurkaç, Mehmet. “Prestructuring Multilayer Perceptrons based on Information-Theoretic Modeling of a Partido-Alto-based Grammar for Afro-Brazilian Music: Enhanced Generalization and Principles of Parsimony, including an Investigation of Statistical Paradigms.” 2011. Doctoral Dissertation, Portland State University. Accessed January 21, 2020. https://pdxscholar.library.pdx.edu/open_access_etds/384.

MLA Handbook (7th Edition):

Vurkaç, Mehmet. “Prestructuring Multilayer Perceptrons based on Information-Theoretic Modeling of a Partido-Alto-based Grammar for Afro-Brazilian Music: Enhanced Generalization and Principles of Parsimony, including an Investigation of Statistical Paradigms.” 2011. Web. 21 Jan 2020.

Vancouver:

Vurkaç M. Prestructuring Multilayer Perceptrons based on Information-Theoretic Modeling of a Partido-Alto-based Grammar for Afro-Brazilian Music: Enhanced Generalization and Principles of Parsimony, including an Investigation of Statistical Paradigms. [Internet] [Doctoral dissertation]. Portland State University; 2011. [cited 2020 Jan 21]. Available from: https://pdxscholar.library.pdx.edu/open_access_etds/384.

Council of Science Editors:

Vurkaç M. Prestructuring Multilayer Perceptrons based on Information-Theoretic Modeling of a Partido-Alto-based Grammar for Afro-Brazilian Music: Enhanced Generalization and Principles of Parsimony, including an Investigation of Statistical Paradigms. [Doctoral Dissertation]. Portland State University; 2011. Available from: https://pdxscholar.library.pdx.edu/open_access_etds/384


University of Kansas

142. Cipriano, Raffaele. Interactive Concert Programs Software for Enhancing Live Performances.

Degree: DMA, Music, 2018, University of Kansas

 Concerts and live performances are usually better appreciated when additional information about the exhibition and the performers are provided. For centuries, printed pamphlets or booklets… (more)

Subjects/Keywords: Music; Computer science; Performing arts education; Audience engagement; Augmented performance; Concert; Concert Experience; Program Notes; Technology Integration

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APA (6th Edition):

Cipriano, R. (2018). Interactive Concert Programs Software for Enhancing Live Performances. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/27110

Chicago Manual of Style (16th Edition):

Cipriano, Raffaele. “Interactive Concert Programs Software for Enhancing Live Performances.” 2018. Doctoral Dissertation, University of Kansas. Accessed January 21, 2020. http://hdl.handle.net/1808/27110.

MLA Handbook (7th Edition):

Cipriano, Raffaele. “Interactive Concert Programs Software for Enhancing Live Performances.” 2018. Web. 21 Jan 2020.

Vancouver:

Cipriano R. Interactive Concert Programs Software for Enhancing Live Performances. [Internet] [Doctoral dissertation]. University of Kansas; 2018. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/1808/27110.

Council of Science Editors:

Cipriano R. Interactive Concert Programs Software for Enhancing Live Performances. [Doctoral Dissertation]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/27110


University of Victoria

143. Chen, Bidong. Audio recognition with distributed wireless sensor networks.

Degree: Dept. of Computer Science, 2010, University of Victoria

 Recent technique advances have made sensor nodes to be smaller, cheaper and more powerful. Compared with traditional centralized sensing systems, wireless sensor networks are very… (more)

Subjects/Keywords: Sensor network; acoustic monitoring; speech music classify; UVic Subject Index::Sciences and Engineering::Applied Sciences::Computer science

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APA (6th Edition):

Chen, B. (2010). Audio recognition with distributed wireless sensor networks. (Masters Thesis). University of Victoria. Retrieved from http://hdl.handle.net/1828/2683

Chicago Manual of Style (16th Edition):

Chen, Bidong. “Audio recognition with distributed wireless sensor networks.” 2010. Masters Thesis, University of Victoria. Accessed January 21, 2020. http://hdl.handle.net/1828/2683.

MLA Handbook (7th Edition):

Chen, Bidong. “Audio recognition with distributed wireless sensor networks.” 2010. Web. 21 Jan 2020.

Vancouver:

Chen B. Audio recognition with distributed wireless sensor networks. [Internet] [Masters thesis]. University of Victoria; 2010. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/1828/2683.

Council of Science Editors:

Chen B. Audio recognition with distributed wireless sensor networks. [Masters Thesis]. University of Victoria; 2010. Available from: http://hdl.handle.net/1828/2683


University of Western Ontario

144. Conroy, Nadia. Understanding Collaborative Sensemaking for System Design — An Investigation of Musicians' Practice.

Degree: 2016, University of Western Ontario

 There is surprisingly little written in information science and technology literature about the design of tools used to support the collaboration of creators. Understanding collaborative… (more)

Subjects/Keywords: Computer Supported Collaborative Work; Sense-Making; System Design; Music Information Behavior; Groupware; Non-work Information Behaviour; Creativity; Library and Information Science

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APA (6th Edition):

Conroy, N. (2016). Understanding Collaborative Sensemaking for System Design — An Investigation of Musicians' Practice. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/4031

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Conroy, Nadia. “Understanding Collaborative Sensemaking for System Design — An Investigation of Musicians' Practice.” 2016. Thesis, University of Western Ontario. Accessed January 21, 2020. https://ir.lib.uwo.ca/etd/4031.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Conroy, Nadia. “Understanding Collaborative Sensemaking for System Design — An Investigation of Musicians' Practice.” 2016. Web. 21 Jan 2020.

Vancouver:

Conroy N. Understanding Collaborative Sensemaking for System Design — An Investigation of Musicians' Practice. [Internet] [Thesis]. University of Western Ontario; 2016. [cited 2020 Jan 21]. Available from: https://ir.lib.uwo.ca/etd/4031.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Conroy N. Understanding Collaborative Sensemaking for System Design — An Investigation of Musicians' Practice. [Thesis]. University of Western Ontario; 2016. Available from: https://ir.lib.uwo.ca/etd/4031

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queen Mary, University of London

145. Noland, Katy C. Computational tonality estimation : signal processing and hidden Markov models.

Degree: PhD, 2009, Queen Mary, University of London

 This thesis investigates computational musical tonality estimation from an audio signal. We present a hidden Markov model (HMM) in which relationships between chords and keys… (more)

Subjects/Keywords: 621.382; Electronic Engineering; Computer Science; Computer music; Audio signals

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APA (6th Edition):

Noland, K. C. (2009). Computational tonality estimation : signal processing and hidden Markov models. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/8492 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.510914

Chicago Manual of Style (16th Edition):

Noland, Katy C. “Computational tonality estimation : signal processing and hidden Markov models.” 2009. Doctoral Dissertation, Queen Mary, University of London. Accessed January 21, 2020. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8492 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.510914.

MLA Handbook (7th Edition):

Noland, Katy C. “Computational tonality estimation : signal processing and hidden Markov models.” 2009. Web. 21 Jan 2020.

Vancouver:

Noland KC. Computational tonality estimation : signal processing and hidden Markov models. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2009. [cited 2020 Jan 21]. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8492 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.510914.

Council of Science Editors:

Noland KC. Computational tonality estimation : signal processing and hidden Markov models. [Doctoral Dissertation]. Queen Mary, University of London; 2009. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8492 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.510914


University of Colorado

146. Ramsey, William Christopher. Let All the Children Boogie: Occult Presences Through the Musical Performances of Sun Ra, David Bowie, Magma, and Janelle Monáe.

Degree: MA, Religious Studies, 2017, University of Colorado

 This thesis project is an interdisciplinary study of four popular musicians: Sun Ra, David Bowie, Christian Vander, and Janelle Monáe. These four performing artists work… (more)

Subjects/Keywords: David Bowie; Janelle Monae; Magma; Science Fiction; Sun Ra; Western esotericism; American Popular Culture; Music; Sociology of Religion

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APA (6th Edition):

Ramsey, W. C. (2017). Let All the Children Boogie: Occult Presences Through the Musical Performances of Sun Ra, David Bowie, Magma, and Janelle Monáe. (Masters Thesis). University of Colorado. Retrieved from https://scholar.colorado.edu/rlst_gradetds/47

Chicago Manual of Style (16th Edition):

Ramsey, William Christopher. “Let All the Children Boogie: Occult Presences Through the Musical Performances of Sun Ra, David Bowie, Magma, and Janelle Monáe.” 2017. Masters Thesis, University of Colorado. Accessed January 21, 2020. https://scholar.colorado.edu/rlst_gradetds/47.

MLA Handbook (7th Edition):

Ramsey, William Christopher. “Let All the Children Boogie: Occult Presences Through the Musical Performances of Sun Ra, David Bowie, Magma, and Janelle Monáe.” 2017. Web. 21 Jan 2020.

Vancouver:

Ramsey WC. Let All the Children Boogie: Occult Presences Through the Musical Performances of Sun Ra, David Bowie, Magma, and Janelle Monáe. [Internet] [Masters thesis]. University of Colorado; 2017. [cited 2020 Jan 21]. Available from: https://scholar.colorado.edu/rlst_gradetds/47.

Council of Science Editors:

Ramsey WC. Let All the Children Boogie: Occult Presences Through the Musical Performances of Sun Ra, David Bowie, Magma, and Janelle Monáe. [Masters Thesis]. University of Colorado; 2017. Available from: https://scholar.colorado.edu/rlst_gradetds/47

147. Mairal, Sukhada Vaidya. The Effect of Background Music on the Visual Categorization of Printed Words in Normal Younger and Older Adults.

Degree: PhD, Speech and Hearing Science, 2015, University of Tennessee Health Science Center

  Aim: Research has shown that background music, with and without vocal content, has a detrimental effect on cognitive task performance. Research has also shown… (more)

Subjects/Keywords: categorization; effect; music; older; word; younger; Communication Sciences and Disorders; Medicine and Health Sciences; Speech and Hearing Science

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mairal, S. V. (2015). The Effect of Background Music on the Visual Categorization of Printed Words in Normal Younger and Older Adults. (Doctoral Dissertation). University of Tennessee Health Science Center. Retrieved from https://dc.uthsc.edu/dissertations/167

Chicago Manual of Style (16th Edition):

Mairal, Sukhada Vaidya. “The Effect of Background Music on the Visual Categorization of Printed Words in Normal Younger and Older Adults.” 2015. Doctoral Dissertation, University of Tennessee Health Science Center. Accessed January 21, 2020. https://dc.uthsc.edu/dissertations/167.

MLA Handbook (7th Edition):

Mairal, Sukhada Vaidya. “The Effect of Background Music on the Visual Categorization of Printed Words in Normal Younger and Older Adults.” 2015. Web. 21 Jan 2020.

Vancouver:

Mairal SV. The Effect of Background Music on the Visual Categorization of Printed Words in Normal Younger and Older Adults. [Internet] [Doctoral dissertation]. University of Tennessee Health Science Center; 2015. [cited 2020 Jan 21]. Available from: https://dc.uthsc.edu/dissertations/167.

Council of Science Editors:

Mairal SV. The Effect of Background Music on the Visual Categorization of Printed Words in Normal Younger and Older Adults. [Doctoral Dissertation]. University of Tennessee Health Science Center; 2015. Available from: https://dc.uthsc.edu/dissertations/167


University of Waterloo

148. Tanur, Luke. A Geometric Approach to Pattern Matching in Polyphonic Music.

Degree: 2005, University of Waterloo

 The music pattern matching problem involves finding matches of a small fragment of music called the "pattern" into a larger body of music called the… (more)

Subjects/Keywords: Computer Science; music information retrieval; algorithms; geometry

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tanur, L. (2005). A Geometric Approach to Pattern Matching in Polyphonic Music. (Thesis). University of Waterloo. Retrieved from http://hdl.handle.net/10012/1132

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tanur, Luke. “A Geometric Approach to Pattern Matching in Polyphonic Music.” 2005. Thesis, University of Waterloo. Accessed January 21, 2020. http://hdl.handle.net/10012/1132.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tanur, Luke. “A Geometric Approach to Pattern Matching in Polyphonic Music.” 2005. Web. 21 Jan 2020.

Vancouver:

Tanur L. A Geometric Approach to Pattern Matching in Polyphonic Music. [Internet] [Thesis]. University of Waterloo; 2005. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/10012/1132.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tanur L. A Geometric Approach to Pattern Matching in Polyphonic Music. [Thesis]. University of Waterloo; 2005. Available from: http://hdl.handle.net/10012/1132

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Waterloo

149. Vane, Roland Edwin. Composer-Centered Computer-Aided Soundtrack Composition.

Degree: 2006, University of Waterloo

 For as long as computers have been around, people have looked for ways to involve them in music. Research in computer music progresses in many… (more)

Subjects/Keywords: Computer Science; human computer interaction; music composition; soundtracks; creativity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vane, R. E. (2006). Composer-Centered Computer-Aided Soundtrack Composition. (Thesis). University of Waterloo. Retrieved from http://hdl.handle.net/10012/1168

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vane, Roland Edwin. “Composer-Centered Computer-Aided Soundtrack Composition.” 2006. Thesis, University of Waterloo. Accessed January 21, 2020. http://hdl.handle.net/10012/1168.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vane, Roland Edwin. “Composer-Centered Computer-Aided Soundtrack Composition.” 2006. Web. 21 Jan 2020.

Vancouver:

Vane RE. Composer-Centered Computer-Aided Soundtrack Composition. [Internet] [Thesis]. University of Waterloo; 2006. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/10012/1168.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vane RE. Composer-Centered Computer-Aided Soundtrack Composition. [Thesis]. University of Waterloo; 2006. Available from: http://hdl.handle.net/10012/1168

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Salford

150. Dines, M. An investigation into the emergence of the anarcho-punk scene of the 1980s.

Degree: PhD, 2004, University of Salford

 This thesis aims to investigate the way in which anarchism - both as a means of theoretical political dissent as well as a practical tool… (more)

Subjects/Keywords: 335.83; M Music; JA Political science (General); HM Sociology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dines, M. (2004). An investigation into the emergence of the anarcho-punk scene of the 1980s. (Doctoral Dissertation). University of Salford. Retrieved from http://usir.salford.ac.uk/id/eprint/2040/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419301

Chicago Manual of Style (16th Edition):

Dines, M. “An investigation into the emergence of the anarcho-punk scene of the 1980s.” 2004. Doctoral Dissertation, University of Salford. Accessed January 21, 2020. http://usir.salford.ac.uk/id/eprint/2040/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419301.

MLA Handbook (7th Edition):

Dines, M. “An investigation into the emergence of the anarcho-punk scene of the 1980s.” 2004. Web. 21 Jan 2020.

Vancouver:

Dines M. An investigation into the emergence of the anarcho-punk scene of the 1980s. [Internet] [Doctoral dissertation]. University of Salford; 2004. [cited 2020 Jan 21]. Available from: http://usir.salford.ac.uk/id/eprint/2040/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419301.

Council of Science Editors:

Dines M. An investigation into the emergence of the anarcho-punk scene of the 1980s. [Doctoral Dissertation]. University of Salford; 2004. Available from: http://usir.salford.ac.uk/id/eprint/2040/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419301

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