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You searched for subject:(Music reception). Showing records 1 – 30 of 53 total matches.

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University of California – Berkeley

1. Cloutier, Eleanor. Repetitive Novelty: Italian Opera in Paris and London in the 1830s and 1840s.

Degree: Music, 2016, University of California – Berkeley

 My dissertation connects music, politics, and society by focusing on the cultural life of the Théâtre Italien in Paris and the King’s Theatre in London.… (more)

Subjects/Keywords: Music; Digital Humanities; London; Opera; Paris; Reception

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APA (6th Edition):

Cloutier, E. (2016). Repetitive Novelty: Italian Opera in Paris and London in the 1830s and 1840s. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/2521w43c

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cloutier, Eleanor. “Repetitive Novelty: Italian Opera in Paris and London in the 1830s and 1840s.” 2016. Thesis, University of California – Berkeley. Accessed June 19, 2019. http://www.escholarship.org/uc/item/2521w43c.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cloutier, Eleanor. “Repetitive Novelty: Italian Opera in Paris and London in the 1830s and 1840s.” 2016. Web. 19 Jun 2019.

Vancouver:

Cloutier E. Repetitive Novelty: Italian Opera in Paris and London in the 1830s and 1840s. [Internet] [Thesis]. University of California – Berkeley; 2016. [cited 2019 Jun 19]. Available from: http://www.escholarship.org/uc/item/2521w43c.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cloutier E. Repetitive Novelty: Italian Opera in Paris and London in the 1830s and 1840s. [Thesis]. University of California – Berkeley; 2016. Available from: http://www.escholarship.org/uc/item/2521w43c

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

2. Dorwick, Dennis. Telemann, The Faithful Music-Master: Telemann Performance and Reception in Australian Music Culture Since 1981 .

Degree: 2017, University of Sydney

 Why has Telemann’s music, better known and accepted during his lifetime than that of his contemporaries, fallen away in the awareness of the today’s listening… (more)

Subjects/Keywords: Telemann; Early music; Reception; Historiography; Ethnomusicology

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APA (6th Edition):

Dorwick, D. (2017). Telemann, The Faithful Music-Master: Telemann Performance and Reception in Australian Music Culture Since 1981 . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/16965

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dorwick, Dennis. “Telemann, The Faithful Music-Master: Telemann Performance and Reception in Australian Music Culture Since 1981 .” 2017. Thesis, University of Sydney. Accessed June 19, 2019. http://hdl.handle.net/2123/16965.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dorwick, Dennis. “Telemann, The Faithful Music-Master: Telemann Performance and Reception in Australian Music Culture Since 1981 .” 2017. Web. 19 Jun 2019.

Vancouver:

Dorwick D. Telemann, The Faithful Music-Master: Telemann Performance and Reception in Australian Music Culture Since 1981 . [Internet] [Thesis]. University of Sydney; 2017. [cited 2019 Jun 19]. Available from: http://hdl.handle.net/2123/16965.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dorwick D. Telemann, The Faithful Music-Master: Telemann Performance and Reception in Australian Music Culture Since 1981 . [Thesis]. University of Sydney; 2017. Available from: http://hdl.handle.net/2123/16965

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

3. Modolell, Jorge L. The Critical Reception of Liszt's Symphonic and Choral Works in the United States, 1857-1890.

Degree: MM, Musicology (Music), 2014, University of Miami

 During the latter half of the nineteenth century, the United States emerged as an epicenter for the performance of Liszt's music. In fact, thanks to… (more)

Subjects/Keywords: Liszt; Musicology; Critical Reception; Music in America

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APA (6th Edition):

Modolell, J. L. (2014). The Critical Reception of Liszt's Symphonic and Choral Works in the United States, 1857-1890. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/482

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Modolell, Jorge L. “The Critical Reception of Liszt's Symphonic and Choral Works in the United States, 1857-1890.” 2014. Thesis, University of Miami. Accessed June 19, 2019. https://scholarlyrepository.miami.edu/oa_theses/482.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Modolell, Jorge L. “The Critical Reception of Liszt's Symphonic and Choral Works in the United States, 1857-1890.” 2014. Web. 19 Jun 2019.

Vancouver:

Modolell JL. The Critical Reception of Liszt's Symphonic and Choral Works in the United States, 1857-1890. [Internet] [Thesis]. University of Miami; 2014. [cited 2019 Jun 19]. Available from: https://scholarlyrepository.miami.edu/oa_theses/482.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Modolell JL. The Critical Reception of Liszt's Symphonic and Choral Works in the United States, 1857-1890. [Thesis]. University of Miami; 2014. Available from: https://scholarlyrepository.miami.edu/oa_theses/482

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

4. Smith, Jacob H. Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878.

Degree: MM, Music History, 2016, Bowling Green State University

 Moravian-born impresario Max Maretzek was one of the leading opera managers in nineteenth-century America, specializing in Italian opera. During his career, Maretzek highlighted three cities… (more)

Subjects/Keywords: Music; italian opera; opera management; maretzek; verdi; reception history; nineteenth century; america; reception theory; impresario; opera production; cultural studies; music history

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APA (6th Edition):

Smith, J. H. (2016). Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1462983831

Chicago Manual of Style (16th Edition):

Smith, Jacob H. “Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878.” 2016. Masters Thesis, Bowling Green State University. Accessed June 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1462983831.

MLA Handbook (7th Edition):

Smith, Jacob H. “Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878.” 2016. Web. 19 Jun 2019.

Vancouver:

Smith JH. Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878. [Internet] [Masters thesis]. Bowling Green State University; 2016. [cited 2019 Jun 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1462983831.

Council of Science Editors:

Smith JH. Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878. [Masters Thesis]. Bowling Green State University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1462983831


University of California – San Diego

5. Bain, Landon Lee. Sondheim and Authorship: Assassins as a Case Study.

Degree: Music, 2017, University of California – San Diego

 The music and lyrics of Stephen Sondheim (1930-) have shaped and influenced American musical theater from the mid-twentieth century onward. Sondheim’s vaunted career has been… (more)

Subjects/Keywords: Music; Authorship; Collaboration; Musical Theater; Reception History; Stephen Sondheim

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APA (6th Edition):

Bain, L. L. (2017). Sondheim and Authorship: Assassins as a Case Study. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/82c1r3q3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bain, Landon Lee. “Sondheim and Authorship: Assassins as a Case Study.” 2017. Thesis, University of California – San Diego. Accessed June 19, 2019. http://www.escholarship.org/uc/item/82c1r3q3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bain, Landon Lee. “Sondheim and Authorship: Assassins as a Case Study.” 2017. Web. 19 Jun 2019.

Vancouver:

Bain LL. Sondheim and Authorship: Assassins as a Case Study. [Internet] [Thesis]. University of California – San Diego; 2017. [cited 2019 Jun 19]. Available from: http://www.escholarship.org/uc/item/82c1r3q3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bain LL. Sondheim and Authorship: Assassins as a Case Study. [Thesis]. University of California – San Diego; 2017. Available from: http://www.escholarship.org/uc/item/82c1r3q3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Otago

6. Mathieson, Holly. Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940 .

Degree: 2011, University of Otago

 This dissertation analyses the visuality of three iconic conductors who worked in London between 1840 and 1940; Louis Jullien, Hans Richter and Sir Henry Wood.… (more)

Subjects/Keywords: conductor; iconography; music; Jullien; Richter; Wood; portrait; reception

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APA (6th Edition):

Mathieson, H. (2011). Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940 . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/461

Chicago Manual of Style (16th Edition):

Mathieson, Holly. “Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940 .” 2011. Doctoral Dissertation, University of Otago. Accessed June 19, 2019. http://hdl.handle.net/10523/461.

MLA Handbook (7th Edition):

Mathieson, Holly. “Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940 .” 2011. Web. 19 Jun 2019.

Vancouver:

Mathieson H. Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940 . [Internet] [Doctoral dissertation]. University of Otago; 2011. [cited 2019 Jun 19]. Available from: http://hdl.handle.net/10523/461.

Council of Science Editors:

Mathieson H. Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940 . [Doctoral Dissertation]. University of Otago; 2011. Available from: http://hdl.handle.net/10523/461

7. Shaver-Gleason, Linda. English Reception of Felix Mendelssohn as Told Through British Music Histories.

Degree: 2016, University of California – eScholarship, University of California

 In this dissertation, I analyze presentations of German composer Felix Mendelssohn in English music history books published between 1850 and 1910 in order to explore… (more)

Subjects/Keywords: Music; England; English Musical Renaissance; Historiography; Mendelssohn; Felix; Musicology; Reception Studies

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APA (6th Edition):

Shaver-Gleason, L. (2016). English Reception of Felix Mendelssohn as Told Through British Music Histories. (Thesis). University of California – eScholarship, University of California. Retrieved from http://www.escholarship.org/uc/item/3vd203gj

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shaver-Gleason, Linda. “English Reception of Felix Mendelssohn as Told Through British Music Histories.” 2016. Thesis, University of California – eScholarship, University of California. Accessed June 19, 2019. http://www.escholarship.org/uc/item/3vd203gj.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shaver-Gleason, Linda. “English Reception of Felix Mendelssohn as Told Through British Music Histories.” 2016. Web. 19 Jun 2019.

Vancouver:

Shaver-Gleason L. English Reception of Felix Mendelssohn as Told Through British Music Histories. [Internet] [Thesis]. University of California – eScholarship, University of California; 2016. [cited 2019 Jun 19]. Available from: http://www.escholarship.org/uc/item/3vd203gj.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shaver-Gleason L. English Reception of Felix Mendelssohn as Told Through British Music Histories. [Thesis]. University of California – eScholarship, University of California; 2016. Available from: http://www.escholarship.org/uc/item/3vd203gj

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

8. Kang, Yoonjung. Accumulating Cultural Capital in Colonial Korea: The Reception of Western Classical Music during the 1920s and 1930s.

Degree: 2017, Leiden University

 This study attempts to reconstitute the trajectory of the reception of Western classical music in the late-colonial era Korea by employing Bourdieu’s notion of cultural… (more)

Subjects/Keywords: colonial modernity; Western classical music history in Korea; cultural capital; reception of Western music

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APA (6th Edition):

Kang, Y. (2017). Accumulating Cultural Capital in Colonial Korea: The Reception of Western Classical Music during the 1920s and 1930s. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/47906

Chicago Manual of Style (16th Edition):

Kang, Yoonjung. “Accumulating Cultural Capital in Colonial Korea: The Reception of Western Classical Music during the 1920s and 1930s.” 2017. Masters Thesis, Leiden University. Accessed June 19, 2019. http://hdl.handle.net/1887/47906.

MLA Handbook (7th Edition):

Kang, Yoonjung. “Accumulating Cultural Capital in Colonial Korea: The Reception of Western Classical Music during the 1920s and 1930s.” 2017. Web. 19 Jun 2019.

Vancouver:

Kang Y. Accumulating Cultural Capital in Colonial Korea: The Reception of Western Classical Music during the 1920s and 1930s. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2019 Jun 19]. Available from: http://hdl.handle.net/1887/47906.

Council of Science Editors:

Kang Y. Accumulating Cultural Capital in Colonial Korea: The Reception of Western Classical Music during the 1920s and 1930s. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/47906


Boston University

9. Kjar, David Niels. Wanda, Gould, and Sting: sounding, othering, and hearing early music.

Degree: PhD, Musicology, 2015, Boston University

 This dissertation examines the creative work of harpsichordist Wanda Landowska, pianist Glenn Gould, and singer/songwriter Sting to address aesthetic and revivalist notions of early-music performance… (more)

Subjects/Keywords: Music; Landowska; Gould; Sting; Authenticity; Early music movement; Performance practice; Reception studies; Sound studies

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APA (6th Edition):

Kjar, D. N. (2015). Wanda, Gould, and Sting: sounding, othering, and hearing early music. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/14048

Chicago Manual of Style (16th Edition):

Kjar, David Niels. “Wanda, Gould, and Sting: sounding, othering, and hearing early music.” 2015. Doctoral Dissertation, Boston University. Accessed June 19, 2019. http://hdl.handle.net/2144/14048.

MLA Handbook (7th Edition):

Kjar, David Niels. “Wanda, Gould, and Sting: sounding, othering, and hearing early music.” 2015. Web. 19 Jun 2019.

Vancouver:

Kjar DN. Wanda, Gould, and Sting: sounding, othering, and hearing early music. [Internet] [Doctoral dissertation]. Boston University; 2015. [cited 2019 Jun 19]. Available from: http://hdl.handle.net/2144/14048.

Council of Science Editors:

Kjar DN. Wanda, Gould, and Sting: sounding, othering, and hearing early music. [Doctoral Dissertation]. Boston University; 2015. Available from: http://hdl.handle.net/2144/14048


University of Cincinnati

10. Kennedy, Michael M. “Isn’t It Swell . . . Nowadays?”: The Reception History of Chicago on Stage and Screen.

Degree: MM, College-Conservatory of Music: Music History, 2014, University of Cincinnati

 The musical Chicago represents an anomaly in Broadway history: its 1996 revival far surpassed the modest success of the original 1975 production. Despite the original… (more)

Subjects/Keywords: Music; Chicago; reception history; Broadway revival; Bob Fosse; John Kander; Fred Ebb

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APA (6th Edition):

Kennedy, M. M. (2014). “Isn’t It Swell . . . Nowadays?”: The Reception History of Chicago on Stage and Screen. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397735101

Chicago Manual of Style (16th Edition):

Kennedy, Michael M. ““Isn’t It Swell . . . Nowadays?”: The Reception History of Chicago on Stage and Screen.” 2014. Masters Thesis, University of Cincinnati. Accessed June 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397735101.

MLA Handbook (7th Edition):

Kennedy, Michael M. ““Isn’t It Swell . . . Nowadays?”: The Reception History of Chicago on Stage and Screen.” 2014. Web. 19 Jun 2019.

Vancouver:

Kennedy MM. “Isn’t It Swell . . . Nowadays?”: The Reception History of Chicago on Stage and Screen. [Internet] [Masters thesis]. University of Cincinnati; 2014. [cited 2019 Jun 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397735101.

Council of Science Editors:

Kennedy MM. “Isn’t It Swell . . . Nowadays?”: The Reception History of Chicago on Stage and Screen. [Masters Thesis]. University of Cincinnati; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397735101


University of Cincinnati

11. Gehl, Robin S. Reassessing a Legacy: Rachmaninoff in America, 1918 – 43.

Degree: PhD, College-Conservatory of Music : Music (Musicology), 2008, University of Cincinnati

  A successful composer and conductor, Sergei Rachmaninoff (1873-1943) fled Russia at the time of the Bolshevik Revolution never to return. Rachmaninoff, at the age… (more)

Subjects/Keywords: Marketing; Mass Media; Music; Rachmaninoff; Steinway; Recordings; Piano performance; America; Twentieth Century; Reception

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APA (6th Edition):

Gehl, R. S. (2008). Reassessing a Legacy: Rachmaninoff in America, 1918 – 43. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1227105259

Chicago Manual of Style (16th Edition):

Gehl, Robin S. “Reassessing a Legacy: Rachmaninoff in America, 1918 – 43.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed June 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1227105259.

MLA Handbook (7th Edition):

Gehl, Robin S. “Reassessing a Legacy: Rachmaninoff in America, 1918 – 43.” 2008. Web. 19 Jun 2019.

Vancouver:

Gehl RS. Reassessing a Legacy: Rachmaninoff in America, 1918 – 43. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2019 Jun 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1227105259.

Council of Science Editors:

Gehl RS. Reassessing a Legacy: Rachmaninoff in America, 1918 – 43. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1227105259


University of Cincinnati

12. Offret, Ashley. A Dozen Little Farinellos: A Reception History of Farinelli in London, 1734-37.

Degree: MM, College-Conservatory of Music : Music History, 2009, University of Cincinnati

 Farinelli’s arrival in London in 1734 to perform with the Opera of the Nobility marked a temporary rise in the declining popularity of Italian Opera… (more)

Subjects/Keywords: Gender; Music; Farinelli; Castrati; Handel; London; Reception history; Baroque Opera; Gender Roles

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APA (6th Edition):

Offret, A. (2009). A Dozen Little Farinellos: A Reception History of Farinelli in London, 1734-37. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243307656

Chicago Manual of Style (16th Edition):

Offret, Ashley. “A Dozen Little Farinellos: A Reception History of Farinelli in London, 1734-37.” 2009. Masters Thesis, University of Cincinnati. Accessed June 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243307656.

MLA Handbook (7th Edition):

Offret, Ashley. “A Dozen Little Farinellos: A Reception History of Farinelli in London, 1734-37.” 2009. Web. 19 Jun 2019.

Vancouver:

Offret A. A Dozen Little Farinellos: A Reception History of Farinelli in London, 1734-37. [Internet] [Masters thesis]. University of Cincinnati; 2009. [cited 2019 Jun 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243307656.

Council of Science Editors:

Offret A. A Dozen Little Farinellos: A Reception History of Farinelli in London, 1734-37. [Masters Thesis]. University of Cincinnati; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243307656


University of California – Berkeley

13. Lin, Tony Hsiu. Myth and Appropriation: Fryderyk Chopin in the Context of Russian and Polish Literature and Culture.

Degree: Slavic Languages & Literatures, 2014, University of California – Berkeley

 Fryderyk Chopin's fame today is too often taken for granted. Chopin lived in a time when Poland did not exist politically, and the history of… (more)

Subjects/Keywords: Slavic studies; Music; Slavic literature; commemorations; Fryderyk Chopin; Jaroslaw Iwaszkiewicz; musicology; piano competitions; reception history

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APA (6th Edition):

Lin, T. H. (2014). Myth and Appropriation: Fryderyk Chopin in the Context of Russian and Polish Literature and Culture. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/09b3q63z

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lin, Tony Hsiu. “Myth and Appropriation: Fryderyk Chopin in the Context of Russian and Polish Literature and Culture.” 2014. Thesis, University of California – Berkeley. Accessed June 19, 2019. http://www.escholarship.org/uc/item/09b3q63z.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lin, Tony Hsiu. “Myth and Appropriation: Fryderyk Chopin in the Context of Russian and Polish Literature and Culture.” 2014. Web. 19 Jun 2019.

Vancouver:

Lin TH. Myth and Appropriation: Fryderyk Chopin in the Context of Russian and Polish Literature and Culture. [Internet] [Thesis]. University of California – Berkeley; 2014. [cited 2019 Jun 19]. Available from: http://www.escholarship.org/uc/item/09b3q63z.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lin TH. Myth and Appropriation: Fryderyk Chopin in the Context of Russian and Polish Literature and Culture. [Thesis]. University of California – Berkeley; 2014. Available from: http://www.escholarship.org/uc/item/09b3q63z

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Iowa

14. Gaetgaeow, Marisa Lily. Authenticity and legacy in the reception of the Joffrey Ballet company’s reconstructed Stravinsky ballets.

Degree: MA, Music, 2018, University of Iowa

  When the Joffrey Ballet reconstructed the 1913 production of Le Sacre du printemps in 1987 and restaged Les Noces in 1989, the reception of… (more)

Subjects/Keywords: Authenticity; Historically informed performance; Joffrey Ballet Company; Reception history; Reconstruction; Revival; Music

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APA (6th Edition):

Gaetgaeow, M. L. (2018). Authenticity and legacy in the reception of the Joffrey Ballet company’s reconstructed Stravinsky ballets. (Masters Thesis). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/6576

Chicago Manual of Style (16th Edition):

Gaetgaeow, Marisa Lily. “Authenticity and legacy in the reception of the Joffrey Ballet company’s reconstructed Stravinsky ballets.” 2018. Masters Thesis, University of Iowa. Accessed June 19, 2019. https://ir.uiowa.edu/etd/6576.

MLA Handbook (7th Edition):

Gaetgaeow, Marisa Lily. “Authenticity and legacy in the reception of the Joffrey Ballet company’s reconstructed Stravinsky ballets.” 2018. Web. 19 Jun 2019.

Vancouver:

Gaetgaeow ML. Authenticity and legacy in the reception of the Joffrey Ballet company’s reconstructed Stravinsky ballets. [Internet] [Masters thesis]. University of Iowa; 2018. [cited 2019 Jun 19]. Available from: https://ir.uiowa.edu/etd/6576.

Council of Science Editors:

Gaetgaeow ML. Authenticity and legacy in the reception of the Joffrey Ballet company’s reconstructed Stravinsky ballets. [Masters Thesis]. University of Iowa; 2018. Available from: https://ir.uiowa.edu/etd/6576


Université Paris-Sorbonne – Paris IV

15. Reraki, Vassiliki. Comment les auditeurs reçoivent-ils les musiques traditionnelles ? Le cas de la musique crétoise. Mémoriser la musique dans un contexte de tradition orale : How do the listeners receive traditional music? The case of Cretan music. Memorizing music in a context of oral tradition.

Degree: Docteur es, Musique et musicologie, 2017, Université Paris-Sorbonne – Paris IV

Ce travail se propose d’étudier la réception des musiques traditionnelles orales en tant que processus dynamique et plus particulièrement comme un acte de construction temporelle… (more)

Subjects/Keywords: Musiques traditionnelles; Réception; Oralité; Mémoire; Musique crétoise; Modèle; Geste; Performance; Traditional music; Reception; Orality; Memory; Cretan music; Model; Gesture; Performance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Reraki, V. (2017). Comment les auditeurs reçoivent-ils les musiques traditionnelles ? Le cas de la musique crétoise. Mémoriser la musique dans un contexte de tradition orale : How do the listeners receive traditional music? The case of Cretan music. Memorizing music in a context of oral tradition. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2017PA040189

Chicago Manual of Style (16th Edition):

Reraki, Vassiliki. “Comment les auditeurs reçoivent-ils les musiques traditionnelles ? Le cas de la musique crétoise. Mémoriser la musique dans un contexte de tradition orale : How do the listeners receive traditional music? The case of Cretan music. Memorizing music in a context of oral tradition.” 2017. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed June 19, 2019. http://www.theses.fr/2017PA040189.

MLA Handbook (7th Edition):

Reraki, Vassiliki. “Comment les auditeurs reçoivent-ils les musiques traditionnelles ? Le cas de la musique crétoise. Mémoriser la musique dans un contexte de tradition orale : How do the listeners receive traditional music? The case of Cretan music. Memorizing music in a context of oral tradition.” 2017. Web. 19 Jun 2019.

Vancouver:

Reraki V. Comment les auditeurs reçoivent-ils les musiques traditionnelles ? Le cas de la musique crétoise. Mémoriser la musique dans un contexte de tradition orale : How do the listeners receive traditional music? The case of Cretan music. Memorizing music in a context of oral tradition. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2017. [cited 2019 Jun 19]. Available from: http://www.theses.fr/2017PA040189.

Council of Science Editors:

Reraki V. Comment les auditeurs reçoivent-ils les musiques traditionnelles ? Le cas de la musique crétoise. Mémoriser la musique dans un contexte de tradition orale : How do the listeners receive traditional music? The case of Cretan music. Memorizing music in a context of oral tradition. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2017. Available from: http://www.theses.fr/2017PA040189

16. Horvat, Diana. VPLIV ZVOČNEGA OZADJA NA GLASBENE PREFERENCE UČENCEV.

Degree: 2016, Univerza v Mariboru

Glasba predstavlja pomemben del našega vsakdana. Večino časa jo poslušamo pasivno. Kljub temu se nam vtisne v spomin in v nas vzbudi določena čustva, ki… (more)

Subjects/Keywords: zvočno ozadje; vplivi glasbe; čustveno doživljanje glasbe; sprejemanje glasbe; glasbene preference; audio background; music influence; emotional music experience; music reception; music preference; info:eu-repo/classification/udc/37.015.311:78(043.2)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Horvat, D. (2016). VPLIV ZVOČNEGA OZADJA NA GLASBENE PREFERENCE UČENCEV. (Masters Thesis). Univerza v Mariboru. Retrieved from https://dk.um.si/IzpisGradiva.php?id=60338 ; https://dk.um.si/Dokument.php?id=94712&dn= ; http://www.cobiss.si/scripts/cobiss?command=DISPLAY&base=cobib&rid=22406664&fmt=11

Chicago Manual of Style (16th Edition):

Horvat, Diana. “VPLIV ZVOČNEGA OZADJA NA GLASBENE PREFERENCE UČENCEV.” 2016. Masters Thesis, Univerza v Mariboru. Accessed June 19, 2019. https://dk.um.si/IzpisGradiva.php?id=60338 ; https://dk.um.si/Dokument.php?id=94712&dn= ; http://www.cobiss.si/scripts/cobiss?command=DISPLAY&base=cobib&rid=22406664&fmt=11.

MLA Handbook (7th Edition):

Horvat, Diana. “VPLIV ZVOČNEGA OZADJA NA GLASBENE PREFERENCE UČENCEV.” 2016. Web. 19 Jun 2019.

Vancouver:

Horvat D. VPLIV ZVOČNEGA OZADJA NA GLASBENE PREFERENCE UČENCEV. [Internet] [Masters thesis]. Univerza v Mariboru; 2016. [cited 2019 Jun 19]. Available from: https://dk.um.si/IzpisGradiva.php?id=60338 ; https://dk.um.si/Dokument.php?id=94712&dn= ; http://www.cobiss.si/scripts/cobiss?command=DISPLAY&base=cobib&rid=22406664&fmt=11.

Council of Science Editors:

Horvat D. VPLIV ZVOČNEGA OZADJA NA GLASBENE PREFERENCE UČENCEV. [Masters Thesis]. Univerza v Mariboru; 2016. Available from: https://dk.um.si/IzpisGradiva.php?id=60338 ; https://dk.um.si/Dokument.php?id=94712&dn= ; http://www.cobiss.si/scripts/cobiss?command=DISPLAY&base=cobib&rid=22406664&fmt=11


University of North Texas

17. Cassell, Holly Kathleen. Looking through a Different Lens, Beyond Censorship: The American Reception of "Lady Macbeth of the Mtsensk District".

Degree: 2017, University of North Texas

 The censorship of Lady Macbeth of the Mtsensk District is a familiar story to musicologists, but reception of the opera is not frequently mentioned. Examining… (more)

Subjects/Keywords: Lady Macbeth; Shostakovich; censorship; Soviet Union; American; reception; music; musicology; Lady Macbeth of the Mtsensk District; America; Russian music; Soviet music; Music; History, United States; History, Russian and Soviet

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APA (6th Edition):

Cassell, H. K. (2017). Looking through a Different Lens, Beyond Censorship: The American Reception of "Lady Macbeth of the Mtsensk District". (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1011793/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cassell, Holly Kathleen. “Looking through a Different Lens, Beyond Censorship: The American Reception of "Lady Macbeth of the Mtsensk District".” 2017. Thesis, University of North Texas. Accessed June 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc1011793/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cassell, Holly Kathleen. “Looking through a Different Lens, Beyond Censorship: The American Reception of "Lady Macbeth of the Mtsensk District".” 2017. Web. 19 Jun 2019.

Vancouver:

Cassell HK. Looking through a Different Lens, Beyond Censorship: The American Reception of "Lady Macbeth of the Mtsensk District". [Internet] [Thesis]. University of North Texas; 2017. [cited 2019 Jun 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011793/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cassell HK. Looking through a Different Lens, Beyond Censorship: The American Reception of "Lady Macbeth of the Mtsensk District". [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011793/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

18. Tang, Andy chi-chung. Pythagoras at the smithy : science and rhetoric from antiquity to the early modern period.

Degree: Music, 2012, University of Texas – Austin

 It has been said that Pythagoras discovered the perfect musical intervals by chance when he heard sounds of hammers striking an anvil at a nearby… (more)

Subjects/Keywords: History of music theory; Pythagoras; Hammers; Anvil; Nicomachus; Claudius Ptolemy; Boethius; Marin Mersenne; Reception history; Ancient music; Pythagoreanism; Acoustics; History of science; Music history

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tang, A. c. (2012). Pythagoras at the smithy : science and rhetoric from antiquity to the early modern period. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/27195

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tang, Andy chi-chung. “Pythagoras at the smithy : science and rhetoric from antiquity to the early modern period.” 2012. Thesis, University of Texas – Austin. Accessed June 19, 2019. http://hdl.handle.net/2152/27195.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tang, Andy chi-chung. “Pythagoras at the smithy : science and rhetoric from antiquity to the early modern period.” 2012. Web. 19 Jun 2019.

Vancouver:

Tang Ac. Pythagoras at the smithy : science and rhetoric from antiquity to the early modern period. [Internet] [Thesis]. University of Texas – Austin; 2012. [cited 2019 Jun 19]. Available from: http://hdl.handle.net/2152/27195.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tang Ac. Pythagoras at the smithy : science and rhetoric from antiquity to the early modern period. [Thesis]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/27195

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

19. Kirkendoll, Elizabeth. “Slightly Overlooked Professionally”: Popular Music in Postmillennial Romantic Comedies.

Degree: PhD, Music, 2018, The Ohio State University

 In recent years film scholars has turned their attention to the cinematic conventions of romantic comedies. Tamar Jeffers McDonald, Deborah Jermyn, and Stacey Abbott have… (more)

Subjects/Keywords: Music; romantic comedy; music; popular music; popular song; film; feminism; women in film; postmillennial; chick flick; media; comedy; bridget jones; love actually; trainwreck; subversion; romcom; interview; intertextual; greys anatomy; reception

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kirkendoll, E. (2018). “Slightly Overlooked Professionally”: Popular Music in Postmillennial Romantic Comedies. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1531250614267114

Chicago Manual of Style (16th Edition):

Kirkendoll, Elizabeth. ““Slightly Overlooked Professionally”: Popular Music in Postmillennial Romantic Comedies.” 2018. Doctoral Dissertation, The Ohio State University. Accessed June 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1531250614267114.

MLA Handbook (7th Edition):

Kirkendoll, Elizabeth. ““Slightly Overlooked Professionally”: Popular Music in Postmillennial Romantic Comedies.” 2018. Web. 19 Jun 2019.

Vancouver:

Kirkendoll E. “Slightly Overlooked Professionally”: Popular Music in Postmillennial Romantic Comedies. [Internet] [Doctoral dissertation]. The Ohio State University; 2018. [cited 2019 Jun 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1531250614267114.

Council of Science Editors:

Kirkendoll E. “Slightly Overlooked Professionally”: Popular Music in Postmillennial Romantic Comedies. [Doctoral Dissertation]. The Ohio State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1531250614267114

20. Cruz, Rui Martins da. A dimensão crítica na interpretação musical.

Degree: 2010, Instituto Politécnico do Porto

Dissertação para obtenção do grau de Mestre em Música - Interpretação Artística

A abordagem da performance musical a partir de modelos de pensamento estético e… (more)

Subjects/Keywords: Teoria estética da performance; Modelos críticos; Interpretação; Recepção crítica; Music performance aesthetics; Criticism; Interpretation; Critical reception

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APA (6th Edition):

Cruz, R. M. d. (2010). A dimensão crítica na interpretação musical. (Thesis). Instituto Politécnico do Porto. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/4088

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cruz, Rui Martins da. “A dimensão crítica na interpretação musical.” 2010. Thesis, Instituto Politécnico do Porto. Accessed June 19, 2019. http://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/4088.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cruz, Rui Martins da. “A dimensão crítica na interpretação musical.” 2010. Web. 19 Jun 2019.

Vancouver:

Cruz RMd. A dimensão crítica na interpretação musical. [Internet] [Thesis]. Instituto Politécnico do Porto; 2010. [cited 2019 Jun 19]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/4088.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cruz RMd. A dimensão crítica na interpretação musical. [Thesis]. Instituto Politécnico do Porto; 2010. Available from: http://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/4088

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Cruz, Rui Martins da. A dimensão crítica na interpretação musical.

Degree: 2011, Instituto Politécnico do Porto

A abordagem da performance musical a partir de modelos de pensamento estético e outros critérios de razão é um exercício que envolve uma articulação complexa… (more)

Subjects/Keywords: Teoria estética da performance; Modelos críticos; Interpretação; Recepção crítica; Music performance aesthetics; Criticism; Interpretation; Critical reception

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cruz, R. M. d. (2011). A dimensão crítica na interpretação musical. (Thesis). Instituto Politécnico do Porto. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/9598

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cruz, Rui Martins da. “A dimensão crítica na interpretação musical.” 2011. Thesis, Instituto Politécnico do Porto. Accessed June 19, 2019. https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/9598.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cruz, Rui Martins da. “A dimensão crítica na interpretação musical.” 2011. Web. 19 Jun 2019.

Vancouver:

Cruz RMd. A dimensão crítica na interpretação musical. [Internet] [Thesis]. Instituto Politécnico do Porto; 2011. [cited 2019 Jun 19]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/9598.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cruz RMd. A dimensão crítica na interpretação musical. [Thesis]. Instituto Politécnico do Porto; 2011. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/9598

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Branda, Eva. Representations of Antonín Dvořák: A Study of his Music through the Lens of Late Nineteenth-century Czech Criticism.

Degree: 2014, University of Toronto

Commenting on Antonín Dvořák (1841–1904), music critic Václav Juda Novotný declared in 1881 that “a Czech composer has to write, first and foremost, for a… (more)

Subjects/Keywords: Dvořák; Reception; Czech music; Criticism; 0413

…Conclusion 268 Chapter Five – Towards an Understanding of Dvořák’s Czech Reception: Mapping out… …Letting the Music “speak for itself”?: Dvořák as Strategist 293 Conclusion 306 Appendices… …perceptions of this work were shaped in large part by the many music critics who gathered around… …the contrary, he played an active part in his own reception, as will be shown in 4 Dvořák… …296–305. Antonín Dvořák, “Music in America,” Harper’s New Monthly Magazine 90 (1895… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Branda, E. (2014). Representations of Antonín Dvořák: A Study of his Music through the Lens of Late Nineteenth-century Czech Criticism. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/65646

Chicago Manual of Style (16th Edition):

Branda, Eva. “Representations of Antonín Dvořák: A Study of his Music through the Lens of Late Nineteenth-century Czech Criticism.” 2014. Doctoral Dissertation, University of Toronto. Accessed June 19, 2019. http://hdl.handle.net/1807/65646.

MLA Handbook (7th Edition):

Branda, Eva. “Representations of Antonín Dvořák: A Study of his Music through the Lens of Late Nineteenth-century Czech Criticism.” 2014. Web. 19 Jun 2019.

Vancouver:

Branda E. Representations of Antonín Dvořák: A Study of his Music through the Lens of Late Nineteenth-century Czech Criticism. [Internet] [Doctoral dissertation]. University of Toronto; 2014. [cited 2019 Jun 19]. Available from: http://hdl.handle.net/1807/65646.

Council of Science Editors:

Branda E. Representations of Antonín Dvořák: A Study of his Music through the Lens of Late Nineteenth-century Czech Criticism. [Doctoral Dissertation]. University of Toronto; 2014. Available from: http://hdl.handle.net/1807/65646

23. Μπαρμπάκη, Μαρία. Οι πρώτοι μουσικοί σύλλογοι της Αθήνας και του Πειραιά και η συμβολή τους στη μουσική παιδεία (1871-1909).

Degree: 2009, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

This dissertation is part of the broader research into the history of educational music institutions in 19th-century Greece. It intends to study the societies established… (more)

Subjects/Keywords: Μουσική; Εκπαίδευση; 19ος αιώνας; Ρεπερτόριο συναυλιών; Υποδοχή ρεπερτορίου; Μουσικοί σύλλογοι; Φιλαρμονικές εταιρίες; Music; Education; 19th century; Concerts repertory; Reception repertory; Music societies; Philarmonic societies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Μπαρμπάκη, . . (2009). Οι πρώτοι μουσικοί σύλλογοι της Αθήνας και του Πειραιά και η συμβολή τους στη μουσική παιδεία (1871-1909). (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/24408

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Μπαρμπάκη, Μαρία. “Οι πρώτοι μουσικοί σύλλογοι της Αθήνας και του Πειραιά και η συμβολή τους στη μουσική παιδεία (1871-1909).” 2009. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed June 19, 2019. http://hdl.handle.net/10442/hedi/24408.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Μπαρμπάκη, Μαρία. “Οι πρώτοι μουσικοί σύλλογοι της Αθήνας και του Πειραιά και η συμβολή τους στη μουσική παιδεία (1871-1909).” 2009. Web. 19 Jun 2019.

Vancouver:

Μπαρμπάκη . Οι πρώτοι μουσικοί σύλλογοι της Αθήνας και του Πειραιά και η συμβολή τους στη μουσική παιδεία (1871-1909). [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2009. [cited 2019 Jun 19]. Available from: http://hdl.handle.net/10442/hedi/24408.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Μπαρμπάκη . Οι πρώτοι μουσικοί σύλλογοι της Αθήνας και του Πειραιά και η συμβολή τους στη μουσική παιδεία (1871-1909). [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2009. Available from: http://hdl.handle.net/10442/hedi/24408

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Federal do Maranhão

24. PAULO AUGUSTO EMERY SACHSE PELLEGRINI. RECEPÇÃO NA CULTURA DIGITAL: o caso da música desmaterializada.

Degree: 2012, Universidade Federal do Maranhão

Este trabalho realiza um estudo de recepção da música desmaterializada, com base nos Estudos Culturais, nos ambientes da cultura digital e da modernidade tardia. Entende… (more)

Subjects/Keywords: Indústria Cultural; Estudos Culturais; Modernidade Tardia; COMUNICACAO; Reception; Digital Culture; Recepção; Cultura Digital; Música Desmaterializada; Dematerialized Music; Cultural Industry; Cultural Studies; Late Modernity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

PELLEGRINI, P. A. E. S. (2012). RECEPÇÃO NA CULTURA DIGITAL: o caso da música desmaterializada. (Thesis). Universidade Federal do Maranhão. Retrieved from http://www.tedebc.ufma.br//tde_busca/arquivo.php?codArquivo=777

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

PELLEGRINI, PAULO AUGUSTO EMERY SACHSE. “RECEPÇÃO NA CULTURA DIGITAL: o caso da música desmaterializada.” 2012. Thesis, Universidade Federal do Maranhão. Accessed June 19, 2019. http://www.tedebc.ufma.br//tde_busca/arquivo.php?codArquivo=777.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

PELLEGRINI, PAULO AUGUSTO EMERY SACHSE. “RECEPÇÃO NA CULTURA DIGITAL: o caso da música desmaterializada.” 2012. Web. 19 Jun 2019.

Vancouver:

PELLEGRINI PAES. RECEPÇÃO NA CULTURA DIGITAL: o caso da música desmaterializada. [Internet] [Thesis]. Universidade Federal do Maranhão; 2012. [cited 2019 Jun 19]. Available from: http://www.tedebc.ufma.br//tde_busca/arquivo.php?codArquivo=777.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

PELLEGRINI PAES. RECEPÇÃO NA CULTURA DIGITAL: o caso da música desmaterializada. [Thesis]. Universidade Federal do Maranhão; 2012. Available from: http://www.tedebc.ufma.br//tde_busca/arquivo.php?codArquivo=777

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

25. Ho, Karen R. Narrative in the music of Jay Chou : a case study of music, globalization and semantics .

Degree: 2010, Université de Montréal

 Un auditoire constitué d'une variété de différentes cultures et traditions nationales peut-il arriver à une compréhension commune d'une seule chanson populaire? Utilisant une analyse musématique,… (more)

Subjects/Keywords: Analyse musématique; Musemes; Analyse paradigmatique; Paradigmatic analysis; Tests d'écoute; Reception test; Transcription; Transcription; Musique populaire; Popular music; Chinois; Chinese; Montréal; Montreal; Jay Chou; Jay Chou

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APA (6th Edition):

Ho, K. R. (2010). Narrative in the music of Jay Chou : a case study of music, globalization and semantics . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/4803

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ho, Karen R. “Narrative in the music of Jay Chou : a case study of music, globalization and semantics .” 2010. Thesis, Université de Montréal. Accessed June 19, 2019. http://hdl.handle.net/1866/4803.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ho, Karen R. “Narrative in the music of Jay Chou : a case study of music, globalization and semantics .” 2010. Web. 19 Jun 2019.

Vancouver:

Ho KR. Narrative in the music of Jay Chou : a case study of music, globalization and semantics . [Internet] [Thesis]. Université de Montréal; 2010. [cited 2019 Jun 19]. Available from: http://hdl.handle.net/1866/4803.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ho KR. Narrative in the music of Jay Chou : a case study of music, globalization and semantics . [Thesis]. Université de Montréal; 2010. Available from: http://hdl.handle.net/1866/4803

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

26. Vroegh, T.P. Paintings in Narrative Motion; A Comparative Approach to Musical and Cinematic Transpositions of Visual Art and Some Suggestions for Cognitive Narratological Analysis.

Degree: 2009, Universiteit Utrecht

 Like music composed in response to painting, films about particular paintings can also be regarded as the exploration and sophisticated application of the narrative possibilities… (more)

Subjects/Keywords: Letteren; cognitive narratology, intermediality, reception theory, cognitive (neuro) science, music and visual arts, film theory, aesthetics and ideology, mental representation, visual imagery, Die Toteninsel, event boundaries.

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APA (6th Edition):

Vroegh, T. P. (2009). Paintings in Narrative Motion; A Comparative Approach to Musical and Cinematic Transpositions of Visual Art and Some Suggestions for Cognitive Narratological Analysis. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/36023

Chicago Manual of Style (16th Edition):

Vroegh, T P. “Paintings in Narrative Motion; A Comparative Approach to Musical and Cinematic Transpositions of Visual Art and Some Suggestions for Cognitive Narratological Analysis.” 2009. Masters Thesis, Universiteit Utrecht. Accessed June 19, 2019. http://dspace.library.uu.nl:8080/handle/1874/36023.

MLA Handbook (7th Edition):

Vroegh, T P. “Paintings in Narrative Motion; A Comparative Approach to Musical and Cinematic Transpositions of Visual Art and Some Suggestions for Cognitive Narratological Analysis.” 2009. Web. 19 Jun 2019.

Vancouver:

Vroegh TP. Paintings in Narrative Motion; A Comparative Approach to Musical and Cinematic Transpositions of Visual Art and Some Suggestions for Cognitive Narratological Analysis. [Internet] [Masters thesis]. Universiteit Utrecht; 2009. [cited 2019 Jun 19]. Available from: http://dspace.library.uu.nl:8080/handle/1874/36023.

Council of Science Editors:

Vroegh TP. Paintings in Narrative Motion; A Comparative Approach to Musical and Cinematic Transpositions of Visual Art and Some Suggestions for Cognitive Narratological Analysis. [Masters Thesis]. Universiteit Utrecht; 2009. Available from: http://dspace.library.uu.nl:8080/handle/1874/36023


Bowling Green State University

27. Martin, Christopher Alan. ‘We Feed Off Each Other’: Embodiment, Phenomenology and Listener Receptivity of Nirvana’s <cite>In Utero</cite>.

Degree: MA, Popular Culture, 2006, Bowling Green State University

 Despite the fact that listening to recorded music is a predominant form of human interaction with music in general, music scholarship often continues to classify… (more)

Subjects/Keywords: American Studies; Music; Nirvana (musical group); musical reception; embodiment; phenomenology

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APA (6th Edition):

Martin, C. A. (2006). ‘We Feed Off Each Other’: Embodiment, Phenomenology and Listener Receptivity of Nirvana’s <cite>In Utero</cite>. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1143406900

Chicago Manual of Style (16th Edition):

Martin, Christopher Alan. “‘We Feed Off Each Other’: Embodiment, Phenomenology and Listener Receptivity of Nirvana’s <cite>In Utero</cite>.” 2006. Masters Thesis, Bowling Green State University. Accessed June 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1143406900.

MLA Handbook (7th Edition):

Martin, Christopher Alan. “‘We Feed Off Each Other’: Embodiment, Phenomenology and Listener Receptivity of Nirvana’s <cite>In Utero</cite>.” 2006. Web. 19 Jun 2019.

Vancouver:

Martin CA. ‘We Feed Off Each Other’: Embodiment, Phenomenology and Listener Receptivity of Nirvana’s <cite>In Utero</cite>. [Internet] [Masters thesis]. Bowling Green State University; 2006. [cited 2019 Jun 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1143406900.

Council of Science Editors:

Martin CA. ‘We Feed Off Each Other’: Embodiment, Phenomenology and Listener Receptivity of Nirvana’s <cite>In Utero</cite>. [Masters Thesis]. Bowling Green State University; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1143406900

28. Neill, Sarah Elaine. The Modernist Kaleidoscope: Schoenberg's Reception History in England, America, Germany and Austria 1908-1924 .

Degree: 2014, Duke University

  Much of our understanding of Schoenberg and his music today is colored by early responses to his so-called free-atonal work from the first part… (more)

Subjects/Keywords: Music; History; Austria; Germany; Reception; Schoenberg; United States; Vienna

…stage, to the detriment, one could argue, of the reception of his music. Characterizations as… …intertextuality within a single faction of reception history: published reviews by music and culture… …simple to separate the reception of Schoenberg’s music from the reception of Schoenberg’s… …ambiguity associated with any reception history of music is that the understanding of the ‘reader… …233 CONCLUSION: CONSIDERING SCHOENBERG’S RECEPTION HISTORY POST-1924 ....... 236 APPENDIX… 

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APA (6th Edition):

Neill, S. E. (2014). The Modernist Kaleidoscope: Schoenberg's Reception History in England, America, Germany and Austria 1908-1924 . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/9431

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Neill, Sarah Elaine. “The Modernist Kaleidoscope: Schoenberg's Reception History in England, America, Germany and Austria 1908-1924 .” 2014. Thesis, Duke University. Accessed June 19, 2019. http://hdl.handle.net/10161/9431.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Neill, Sarah Elaine. “The Modernist Kaleidoscope: Schoenberg's Reception History in England, America, Germany and Austria 1908-1924 .” 2014. Web. 19 Jun 2019.

Vancouver:

Neill SE. The Modernist Kaleidoscope: Schoenberg's Reception History in England, America, Germany and Austria 1908-1924 . [Internet] [Thesis]. Duke University; 2014. [cited 2019 Jun 19]. Available from: http://hdl.handle.net/10161/9431.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Neill SE. The Modernist Kaleidoscope: Schoenberg's Reception History in England, America, Germany and Austria 1908-1924 . [Thesis]. Duke University; 2014. Available from: http://hdl.handle.net/10161/9431

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Macquarie University

29. Dean, Jasmine Sofia Jannif. Sentimental songs, melodrama and the nature of filmic narrative in Hindi cinema (1951-1963).

Degree: 2015, Macquarie University

Theoretical thesis.

Bibliography: pages 290-308

Chapter one. Background, scope and approach  – Chapter Two. Hindi cinema and film songs : a literature review  – Chapter… (more)

Subjects/Keywords: Motion picture music  – India; Melodrama in motion pictures; Motion pictures  – India  – History; Hindi cinema; melodrama; songs; Indian Reception Theory; cinema and narrative

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dean, J. S. J. (2015). Sentimental songs, melodrama and the nature of filmic narrative in Hindi cinema (1951-1963). (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/1068298

Chicago Manual of Style (16th Edition):

Dean, Jasmine Sofia Jannif. “Sentimental songs, melodrama and the nature of filmic narrative in Hindi cinema (1951-1963).” 2015. Doctoral Dissertation, Macquarie University. Accessed June 19, 2019. http://hdl.handle.net/1959.14/1068298.

MLA Handbook (7th Edition):

Dean, Jasmine Sofia Jannif. “Sentimental songs, melodrama and the nature of filmic narrative in Hindi cinema (1951-1963).” 2015. Web. 19 Jun 2019.

Vancouver:

Dean JSJ. Sentimental songs, melodrama and the nature of filmic narrative in Hindi cinema (1951-1963). [Internet] [Doctoral dissertation]. Macquarie University; 2015. [cited 2019 Jun 19]. Available from: http://hdl.handle.net/1959.14/1068298.

Council of Science Editors:

Dean JSJ. Sentimental songs, melodrama and the nature of filmic narrative in Hindi cinema (1951-1963). [Doctoral Dissertation]. Macquarie University; 2015. Available from: http://hdl.handle.net/1959.14/1068298


Université Paris-Sorbonne – Paris IV

30. Bonin, Déborah. Salomé dans la France musicale au début du XXe siècle. Approche comparative de La Tragédie de Salomé de Florent Schmitt et de Salomé d’Antoine Mariotte : Salome in music in France at the beginning of the twentieth century. A comparative study of ‘The Tragedy of Salome’ by Florent Schmitt and of ‘Salome’ by Antoine Mariotte.

Degree: Docteur es, Musicologie, 2011, Université Paris-Sorbonne – Paris IV

L’histoire biblique de Salomé est un vaste sujet qui passionne artistes et écrivains depuis longtemps. En musique, il semble toutefois plus présent au début du… (more)

Subjects/Keywords: Ballet; Histoire de la musique; Hystérie; Opéra; Orientalisme; Salomé; Symbolisme; XXe siècle; Ballet; History of music; Hysteria; Opera; Orientalism; Psychoanalysis; Reception; Salome; Symbolism; Twentieth century

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bonin, D. (2011). Salomé dans la France musicale au début du XXe siècle. Approche comparative de La Tragédie de Salomé de Florent Schmitt et de Salomé d’Antoine Mariotte : Salome in music in France at the beginning of the twentieth century. A comparative study of ‘The Tragedy of Salome’ by Florent Schmitt and of ‘Salome’ by Antoine Mariotte. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2011PA040019

Chicago Manual of Style (16th Edition):

Bonin, Déborah. “Salomé dans la France musicale au début du XXe siècle. Approche comparative de La Tragédie de Salomé de Florent Schmitt et de Salomé d’Antoine Mariotte : Salome in music in France at the beginning of the twentieth century. A comparative study of ‘The Tragedy of Salome’ by Florent Schmitt and of ‘Salome’ by Antoine Mariotte.” 2011. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed June 19, 2019. http://www.theses.fr/2011PA040019.

MLA Handbook (7th Edition):

Bonin, Déborah. “Salomé dans la France musicale au début du XXe siècle. Approche comparative de La Tragédie de Salomé de Florent Schmitt et de Salomé d’Antoine Mariotte : Salome in music in France at the beginning of the twentieth century. A comparative study of ‘The Tragedy of Salome’ by Florent Schmitt and of ‘Salome’ by Antoine Mariotte.” 2011. Web. 19 Jun 2019.

Vancouver:

Bonin D. Salomé dans la France musicale au début du XXe siècle. Approche comparative de La Tragédie de Salomé de Florent Schmitt et de Salomé d’Antoine Mariotte : Salome in music in France at the beginning of the twentieth century. A comparative study of ‘The Tragedy of Salome’ by Florent Schmitt and of ‘Salome’ by Antoine Mariotte. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2011. [cited 2019 Jun 19]. Available from: http://www.theses.fr/2011PA040019.

Council of Science Editors:

Bonin D. Salomé dans la France musicale au début du XXe siècle. Approche comparative de La Tragédie de Salomé de Florent Schmitt et de Salomé d’Antoine Mariotte : Salome in music in France at the beginning of the twentieth century. A comparative study of ‘The Tragedy of Salome’ by Florent Schmitt and of ‘Salome’ by Antoine Mariotte. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2011. Available from: http://www.theses.fr/2011PA040019

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