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You searched for subject:(Music industry). Showing records 1 – 30 of 219 total matches.

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The Ohio State University

1. Tolley, David Lancaster. A Music Industry Program for Today's Colleges and Universities.

Degree: DMA, Music, 2008, The Ohio State University

  This paper describes the development of a new music industry program whose purpose is meant to meet the needs of the following three demands:… (more)

Subjects/Keywords: Music; music industry program

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APA (6th Edition):

Tolley, D. L. (2008). A Music Industry Program for Today's Colleges and Universities. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1204667945

Chicago Manual of Style (16th Edition):

Tolley, David Lancaster. “A Music Industry Program for Today's Colleges and Universities.” 2008. Doctoral Dissertation, The Ohio State University. Accessed September 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1204667945.

MLA Handbook (7th Edition):

Tolley, David Lancaster. “A Music Industry Program for Today's Colleges and Universities.” 2008. Web. 17 Sep 2019.

Vancouver:

Tolley DL. A Music Industry Program for Today's Colleges and Universities. [Internet] [Doctoral dissertation]. The Ohio State University; 2008. [cited 2019 Sep 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1204667945.

Council of Science Editors:

Tolley DL. A Music Industry Program for Today's Colleges and Universities. [Doctoral Dissertation]. The Ohio State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1204667945

2. Burgess, Richard James. Structural change in the music industry: the evolving role of the musician.

Degree: PhD, University of Glamorgan, 2015, University of South Wales

 The recording industry is little more than one hundred years old. In its short history there have been many changes that have redefined roles, enabled… (more)

Subjects/Keywords: music industry; musicians

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APA (6th Edition):

Burgess, R. J. (2015). Structural change in the music industry: the evolving role of the musician. (Doctoral Dissertation). University of South Wales. Retrieved from http://hdl.handle.net/10265/755

Chicago Manual of Style (16th Edition):

Burgess, Richard James. “Structural change in the music industry: the evolving role of the musician.” 2015. Doctoral Dissertation, University of South Wales. Accessed September 17, 2019. http://hdl.handle.net/10265/755.

MLA Handbook (7th Edition):

Burgess, Richard James. “Structural change in the music industry: the evolving role of the musician.” 2015. Web. 17 Sep 2019.

Vancouver:

Burgess RJ. Structural change in the music industry: the evolving role of the musician. [Internet] [Doctoral dissertation]. University of South Wales; 2015. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/10265/755.

Council of Science Editors:

Burgess RJ. Structural change in the music industry: the evolving role of the musician. [Doctoral Dissertation]. University of South Wales; 2015. Available from: http://hdl.handle.net/10265/755

3. Burgess, Richard James. Structural change in the music industry : the evolving role of the musician.

Degree: PhD, 2010, University of South Wales

 The recording industry is little more than one hundred years old. In its short history there have been many changes that have redefined roles, enabled… (more)

Subjects/Keywords: 338.4; music industry; musicians; recording industry

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APA (6th Edition):

Burgess, R. J. (2010). Structural change in the music industry : the evolving role of the musician. (Doctoral Dissertation). University of South Wales. Retrieved from https://pure.southwales.ac.uk/en/studentthesis/structural-change-in-the-music-industry(9bc91707-aa31-4037-a303-0b0116b7d163).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.666378

Chicago Manual of Style (16th Edition):

Burgess, Richard James. “Structural change in the music industry : the evolving role of the musician.” 2010. Doctoral Dissertation, University of South Wales. Accessed September 17, 2019. https://pure.southwales.ac.uk/en/studentthesis/structural-change-in-the-music-industry(9bc91707-aa31-4037-a303-0b0116b7d163).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.666378.

MLA Handbook (7th Edition):

Burgess, Richard James. “Structural change in the music industry : the evolving role of the musician.” 2010. Web. 17 Sep 2019.

Vancouver:

Burgess RJ. Structural change in the music industry : the evolving role of the musician. [Internet] [Doctoral dissertation]. University of South Wales; 2010. [cited 2019 Sep 17]. Available from: https://pure.southwales.ac.uk/en/studentthesis/structural-change-in-the-music-industry(9bc91707-aa31-4037-a303-0b0116b7d163).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.666378.

Council of Science Editors:

Burgess RJ. Structural change in the music industry : the evolving role of the musician. [Doctoral Dissertation]. University of South Wales; 2010. Available from: https://pure.southwales.ac.uk/en/studentthesis/structural-change-in-the-music-industry(9bc91707-aa31-4037-a303-0b0116b7d163).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.666378


University of Technology, Sydney

4. Sotheran, Joy Maree. Can creativity be accommodated In the competency paradigm? : a music industry case study.

Degree: 2012, University of Technology, Sydney

 The primary question of this research is; can creativity be accommodated in the competency system? A number of enquiries underpin consideration of this question. Two… (more)

Subjects/Keywords: Creativity.; Competency.; Music industry.

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APA (6th Edition):

Sotheran, J. M. (2012). Can creativity be accommodated In the competency paradigm? : a music industry case study. (Thesis). University of Technology, Sydney. Retrieved from http://hdl.handle.net/10453/21901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sotheran, Joy Maree. “Can creativity be accommodated In the competency paradigm? : a music industry case study.” 2012. Thesis, University of Technology, Sydney. Accessed September 17, 2019. http://hdl.handle.net/10453/21901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sotheran, Joy Maree. “Can creativity be accommodated In the competency paradigm? : a music industry case study.” 2012. Web. 17 Sep 2019.

Vancouver:

Sotheran JM. Can creativity be accommodated In the competency paradigm? : a music industry case study. [Internet] [Thesis]. University of Technology, Sydney; 2012. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/10453/21901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sotheran JM. Can creativity be accommodated In the competency paradigm? : a music industry case study. [Thesis]. University of Technology, Sydney; 2012. Available from: http://hdl.handle.net/10453/21901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

5. Brown, Hugh. It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century.

Degree: 2010, Queensland University of Technology

 This thesis explores the business environment for self-publishing musicians at the end of the 20th century and the start of the 21st century from theoretical… (more)

Subjects/Keywords: self-publishing musician; music industry

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APA (6th Edition):

Brown, H. (2010). It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/47034/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brown, Hugh. “It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century.” 2010. Thesis, Queensland University of Technology. Accessed September 17, 2019. https://eprints.qut.edu.au/47034/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brown, Hugh. “It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century.” 2010. Web. 17 Sep 2019.

Vancouver:

Brown H. It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century. [Internet] [Thesis]. Queensland University of Technology; 2010. [cited 2019 Sep 17]. Available from: https://eprints.qut.edu.au/47034/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brown H. It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century. [Thesis]. Queensland University of Technology; 2010. Available from: https://eprints.qut.edu.au/47034/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

6. Markell, Amanda. Public relations in the music business: how publicists continue to improve a changing industry.

Degree: MA, Strategic Public Relations, 2013, University of Southern California

 This paper examines public relations professionals and how vital they have grown to be within the music industry. ❧ More specifically, this thesis explores a… (more)

Subjects/Keywords: public relations; music; music industry; publicity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Markell, A. (2013). Public relations in the music business: how publicists continue to improve a changing industry. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/252313/rec/5324

Chicago Manual of Style (16th Edition):

Markell, Amanda. “Public relations in the music business: how publicists continue to improve a changing industry.” 2013. Masters Thesis, University of Southern California. Accessed September 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/252313/rec/5324.

MLA Handbook (7th Edition):

Markell, Amanda. “Public relations in the music business: how publicists continue to improve a changing industry.” 2013. Web. 17 Sep 2019.

Vancouver:

Markell A. Public relations in the music business: how publicists continue to improve a changing industry. [Internet] [Masters thesis]. University of Southern California; 2013. [cited 2019 Sep 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/252313/rec/5324.

Council of Science Editors:

Markell A. Public relations in the music business: how publicists continue to improve a changing industry. [Masters Thesis]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/252313/rec/5324


University of Brighton

7. O'Brien, Lucy. Express yourself : reframing women's participation, agency and power in popular music.

Degree: PhD, 2018, University of Brighton

 Spanning a 20 year period of publications (from 1995-2016), this research critically examines women's agency and participation in popular music since the 1920s, demonstrating how… (more)

Subjects/Keywords: gender; popular music; agency; participation; music industry

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APA (6th Edition):

O'Brien, L. (2018). Express yourself : reframing women's participation, agency and power in popular music. (Doctoral Dissertation). University of Brighton. Retrieved from https://research.brighton.ac.uk/en/studentTheses/42bc0bd8-4ecf-40c7-9780-d71956e90df0 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.774366

Chicago Manual of Style (16th Edition):

O'Brien, Lucy. “Express yourself : reframing women's participation, agency and power in popular music.” 2018. Doctoral Dissertation, University of Brighton. Accessed September 17, 2019. https://research.brighton.ac.uk/en/studentTheses/42bc0bd8-4ecf-40c7-9780-d71956e90df0 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.774366.

MLA Handbook (7th Edition):

O'Brien, Lucy. “Express yourself : reframing women's participation, agency and power in popular music.” 2018. Web. 17 Sep 2019.

Vancouver:

O'Brien L. Express yourself : reframing women's participation, agency and power in popular music. [Internet] [Doctoral dissertation]. University of Brighton; 2018. [cited 2019 Sep 17]. Available from: https://research.brighton.ac.uk/en/studentTheses/42bc0bd8-4ecf-40c7-9780-d71956e90df0 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.774366.

Council of Science Editors:

O'Brien L. Express yourself : reframing women's participation, agency and power in popular music. [Doctoral Dissertation]. University of Brighton; 2018. Available from: https://research.brighton.ac.uk/en/studentTheses/42bc0bd8-4ecf-40c7-9780-d71956e90df0 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.774366


University of Pretoria

8. Leal, Sheldon, R. Tertiary music education in South Africa : meeting the needs of music students and the music industry.

Degree: Music, 2015, University of Pretoria

 This study attempted to determine how tertiary music education programmes are assisting graduates in their quest to enter the plethora of music careers available within… (more)

Subjects/Keywords: Music Business; Music; Music Education; Music Industry; Therapy Education; UCTD

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APA (6th Edition):

Leal, Sheldon, R. (2015). Tertiary music education in South Africa : meeting the needs of music students and the music industry. (Masters Thesis). University of Pretoria. Retrieved from http://hdl.handle.net/2263/44247

Chicago Manual of Style (16th Edition):

Leal, Sheldon, R. “Tertiary music education in South Africa : meeting the needs of music students and the music industry.” 2015. Masters Thesis, University of Pretoria. Accessed September 17, 2019. http://hdl.handle.net/2263/44247.

MLA Handbook (7th Edition):

Leal, Sheldon, R. “Tertiary music education in South Africa : meeting the needs of music students and the music industry.” 2015. Web. 17 Sep 2019.

Vancouver:

Leal, Sheldon R. Tertiary music education in South Africa : meeting the needs of music students and the music industry. [Internet] [Masters thesis]. University of Pretoria; 2015. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/2263/44247.

Council of Science Editors:

Leal, Sheldon R. Tertiary music education in South Africa : meeting the needs of music students and the music industry. [Masters Thesis]. University of Pretoria; 2015. Available from: http://hdl.handle.net/2263/44247


University of Southern California

9. Banner, Nicole Jeanelle. Pop music production.

Degree: MA, Journalism (Broadcast Journalism), 2012, University of Southern California

 The use of live instrument recordings in modern day studios is becoming an archaic form of pop music production. With the advancement of digital technology,… (more)

Subjects/Keywords: music; digital technology; music production; musicians; music industry; music studio; music engineer; music producer

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APA (6th Edition):

Banner, N. J. (2012). Pop music production. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/37565/rec/5114

Chicago Manual of Style (16th Edition):

Banner, Nicole Jeanelle. “Pop music production.” 2012. Masters Thesis, University of Southern California. Accessed September 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/37565/rec/5114.

MLA Handbook (7th Edition):

Banner, Nicole Jeanelle. “Pop music production.” 2012. Web. 17 Sep 2019.

Vancouver:

Banner NJ. Pop music production. [Internet] [Masters thesis]. University of Southern California; 2012. [cited 2019 Sep 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/37565/rec/5114.

Council of Science Editors:

Banner NJ. Pop music production. [Masters Thesis]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/37565/rec/5114


NSYSU

10. Lin, Tai-wei. Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan.

Degree: Master, Business Management, 2016, NSYSU

 Recently, due to the phenomenon of digitization on popular music industry, the sales of the record decline severely. Besides, the digital music market also faces… (more)

Subjects/Keywords: Record store; Digital music; Music corporation; Popular music industry; Artist

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lin, T. (2016). Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0524116-013205

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lin, Tai-wei. “Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan.” 2016. Thesis, NSYSU. Accessed September 17, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0524116-013205.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lin, Tai-wei. “Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan.” 2016. Web. 17 Sep 2019.

Vancouver:

Lin T. Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan. [Internet] [Thesis]. NSYSU; 2016. [cited 2019 Sep 17]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0524116-013205.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lin T. Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan. [Thesis]. NSYSU; 2016. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0524116-013205

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Manchester

11. Redfern, Stefan. Band Hatcher: Support and Development of Emerging Musicians.

Degree: 2010, University of Manchester

 This dissertation is formed of two parts; Part 1: Subject is an academic consideration of the issues surrounding the development of emerging musicians and their… (more)

Subjects/Keywords: music business; social enterprise; music; music industry; emerging musicians; unsigned bands

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Redfern, S. (2010). Band Hatcher: Support and Development of Emerging Musicians. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:98154

Chicago Manual of Style (16th Edition):

Redfern, Stefan. “Band Hatcher: Support and Development of Emerging Musicians.” 2010. Doctoral Dissertation, University of Manchester. Accessed September 17, 2019. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:98154.

MLA Handbook (7th Edition):

Redfern, Stefan. “Band Hatcher: Support and Development of Emerging Musicians.” 2010. Web. 17 Sep 2019.

Vancouver:

Redfern S. Band Hatcher: Support and Development of Emerging Musicians. [Internet] [Doctoral dissertation]. University of Manchester; 2010. [cited 2019 Sep 17]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:98154.

Council of Science Editors:

Redfern S. Band Hatcher: Support and Development of Emerging Musicians. [Doctoral Dissertation]. University of Manchester; 2010. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:98154


University of Helsinki

12. Peltola, Juuso. Digitalization of music and Long Tail effect in Finnish music industry.

Degree: Department of Political and Economic Studies; Helsingfors universitet, Statsvetenskapliga fakulteten, Institutionen för politik och ekonomi, 2017, University of Helsinki

 In this thesis the existence of Long Tail effect in Finnish music industry is studied. The Long Tail effect is defined as the expansion of… (more)

Subjects/Keywords: Long Tail; music industry; music market; digitalization; Taloustiede; Economics; Ekonomi; Long Tail; music industry; music market; digitalization

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Peltola, J. (2017). Digitalization of music and Long Tail effect in Finnish music industry. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/232013

Chicago Manual of Style (16th Edition):

Peltola, Juuso. “Digitalization of music and Long Tail effect in Finnish music industry.” 2017. Masters Thesis, University of Helsinki. Accessed September 17, 2019. http://hdl.handle.net/10138/232013.

MLA Handbook (7th Edition):

Peltola, Juuso. “Digitalization of music and Long Tail effect in Finnish music industry.” 2017. Web. 17 Sep 2019.

Vancouver:

Peltola J. Digitalization of music and Long Tail effect in Finnish music industry. [Internet] [Masters thesis]. University of Helsinki; 2017. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/10138/232013.

Council of Science Editors:

Peltola J. Digitalization of music and Long Tail effect in Finnish music industry. [Masters Thesis]. University of Helsinki; 2017. Available from: http://hdl.handle.net/10138/232013


University of Vermont

13. Savicky, Jonathan M. Entertainment Law: Redefining the Role of Transactional Attorneys.

Degree: The Department of Music and Dance, 2017, University of Vermont

  This thesis will examine how the role of transactional lawyers and their relationships with artists in the music industry first developed and then have… (more)

Subjects/Keywords: Transactional Entertainment Attorneys in the Music Industry

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Savicky, J. M. (2017). Entertainment Law: Redefining the Role of Transactional Attorneys. (Thesis). University of Vermont. Retrieved from https://scholarworks.uvm.edu/hcoltheses/170

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Savicky, Jonathan M. “Entertainment Law: Redefining the Role of Transactional Attorneys.” 2017. Thesis, University of Vermont. Accessed September 17, 2019. https://scholarworks.uvm.edu/hcoltheses/170.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Savicky, Jonathan M. “Entertainment Law: Redefining the Role of Transactional Attorneys.” 2017. Web. 17 Sep 2019.

Vancouver:

Savicky JM. Entertainment Law: Redefining the Role of Transactional Attorneys. [Internet] [Thesis]. University of Vermont; 2017. [cited 2019 Sep 17]. Available from: https://scholarworks.uvm.edu/hcoltheses/170.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Savicky JM. Entertainment Law: Redefining the Role of Transactional Attorneys. [Thesis]. University of Vermont; 2017. Available from: https://scholarworks.uvm.edu/hcoltheses/170

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Jönköping University

14. Melander, Joakim. Exploring leadership styles in the music industry.

Degree: Jönköping International Business School, 2018, Jönköping University

  This is a study which is looking to explore how and why the leadership styles within the music industry differs from the various sectors… (more)

Subjects/Keywords: Leadership styles; music industry; Business Administration; Företagsekonomi

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Melander, J. (2018). Exploring leadership styles in the music industry. (Thesis). Jönköping University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-39954

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Melander, Joakim. “Exploring leadership styles in the music industry.” 2018. Thesis, Jönköping University. Accessed September 17, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-39954.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Melander, Joakim. “Exploring leadership styles in the music industry.” 2018. Web. 17 Sep 2019.

Vancouver:

Melander J. Exploring leadership styles in the music industry. [Internet] [Thesis]. Jönköping University; 2018. [cited 2019 Sep 17]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-39954.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Melander J. Exploring leadership styles in the music industry. [Thesis]. Jönköping University; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-39954

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Catholique de Louvain

15. Schröder, Raphaël. Theories of Justice, Copyright and Music.

Degree: 2015, Université Catholique de Louvain

Is the modern copyright system fair ? Copyright is a legal tool that plays a major role in our everyday lives: it controls our access… (more)

Subjects/Keywords: Copyright; Theories of justice; Music Industry

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APA (6th Edition):

Schröder, R. (2015). Theories of Justice, Copyright and Music. (Thesis). Université Catholique de Louvain. Retrieved from http://hdl.handle.net/2078.1/thesis:3344

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schröder, Raphaël. “Theories of Justice, Copyright and Music.” 2015. Thesis, Université Catholique de Louvain. Accessed September 17, 2019. http://hdl.handle.net/2078.1/thesis:3344.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schröder, Raphaël. “Theories of Justice, Copyright and Music.” 2015. Web. 17 Sep 2019.

Vancouver:

Schröder R. Theories of Justice, Copyright and Music. [Internet] [Thesis]. Université Catholique de Louvain; 2015. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/2078.1/thesis:3344.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schröder R. Theories of Justice, Copyright and Music. [Thesis]. Université Catholique de Louvain; 2015. Available from: http://hdl.handle.net/2078.1/thesis:3344

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Dóra Eyland Garðarsdóttir 1975. Iceland's house scene : accessing global markets? .

Degree: 2013, University of Bifröst

 The aim of this research is to gain better understanding of how the music market structure is, on international level. The global market for electronic… (more)

Subjects/Keywords: Félagsvísindi; Tónlist; Music industry; Economic value

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APA (6th Edition):

1975, D. E. G. (2013). Iceland's house scene : accessing global markets? . (Thesis). University of Bifröst. Retrieved from http://hdl.handle.net/1946/16167

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

1975, Dóra Eyland Garðarsdóttir. “Iceland's house scene : accessing global markets? .” 2013. Thesis, University of Bifröst. Accessed September 17, 2019. http://hdl.handle.net/1946/16167.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

1975, Dóra Eyland Garðarsdóttir. “Iceland's house scene : accessing global markets? .” 2013. Web. 17 Sep 2019.

Vancouver:

1975 DEG. Iceland's house scene : accessing global markets? . [Internet] [Thesis]. University of Bifröst; 2013. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/1946/16167.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

1975 DEG. Iceland's house scene : accessing global markets? . [Thesis]. University of Bifröst; 2013. Available from: http://hdl.handle.net/1946/16167

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

17. Escher, Anna. Women in the music industry: profiling female percussionists.

Degree: MA, Specialized Journalism (The Arts), 2014, University of Southern California

 The relevance of this project exists to investigate how women as artists have navigated musical careers throughout the 21st century. They have shared with me… (more)

Subjects/Keywords: percussion; drums; feminism; women; industry; music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Escher, A. (2014). Women in the music industry: profiling female percussionists. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/374529/rec/7951

Chicago Manual of Style (16th Edition):

Escher, Anna. “Women in the music industry: profiling female percussionists.” 2014. Masters Thesis, University of Southern California. Accessed September 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/374529/rec/7951.

MLA Handbook (7th Edition):

Escher, Anna. “Women in the music industry: profiling female percussionists.” 2014. Web. 17 Sep 2019.

Vancouver:

Escher A. Women in the music industry: profiling female percussionists. [Internet] [Masters thesis]. University of Southern California; 2014. [cited 2019 Sep 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/374529/rec/7951.

Council of Science Editors:

Escher A. Women in the music industry: profiling female percussionists. [Masters Thesis]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/374529/rec/7951


University of Southern California

18. Haithcoat, Rebecca. Will the sun set in the West? How the Internet’s usurping of the music industry is collapsing regionalism and threatening the West Coast’s race to recapture hip hop’s crown.

Degree: MA, Specialized Journalism (The Arts), 2010, University of Southern California

 At the dawn of the Aughts, hip hop was doing a bustling business. It had done what its progenitors had only dared to dream. Not… (more)

Subjects/Keywords: hip hop; Los Angeles; Internet; music industry

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Haithcoat, R. (2010). Will the sun set in the West? How the Internet’s usurping of the music industry is collapsing regionalism and threatening the West Coast’s race to recapture hip hop’s crown. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/382706/rec/7938

Chicago Manual of Style (16th Edition):

Haithcoat, Rebecca. “Will the sun set in the West? How the Internet’s usurping of the music industry is collapsing regionalism and threatening the West Coast’s race to recapture hip hop’s crown.” 2010. Masters Thesis, University of Southern California. Accessed September 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/382706/rec/7938.

MLA Handbook (7th Edition):

Haithcoat, Rebecca. “Will the sun set in the West? How the Internet’s usurping of the music industry is collapsing regionalism and threatening the West Coast’s race to recapture hip hop’s crown.” 2010. Web. 17 Sep 2019.

Vancouver:

Haithcoat R. Will the sun set in the West? How the Internet’s usurping of the music industry is collapsing regionalism and threatening the West Coast’s race to recapture hip hop’s crown. [Internet] [Masters thesis]. University of Southern California; 2010. [cited 2019 Sep 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/382706/rec/7938.

Council of Science Editors:

Haithcoat R. Will the sun set in the West? How the Internet’s usurping of the music industry is collapsing regionalism and threatening the West Coast’s race to recapture hip hop’s crown. [Masters Thesis]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/382706/rec/7938


Georgia State University

19. Lawson, Selena Michelle. Radiohead: The Guitar Weilding, Dancing, Singing Commodity.

Degree: MA, Communication, 2009, Georgia State University

 In 2007, Radiohead released a downloadable album, In Rainbows, allowing consumers to pay what they thought the album was worth. The band responded to a… (more)

Subjects/Keywords: participatory culture; music fandom; Radiohead; In Rainbows; digital music; music industry; commodification; music artists; music communities; iTunes; downloaded music; Napster; Communication

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lawson, S. M. (2009). Radiohead: The Guitar Weilding, Dancing, Singing Commodity. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_theses/47

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lawson, Selena Michelle. “Radiohead: The Guitar Weilding, Dancing, Singing Commodity.” 2009. Thesis, Georgia State University. Accessed September 17, 2019. https://scholarworks.gsu.edu/communication_theses/47.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lawson, Selena Michelle. “Radiohead: The Guitar Weilding, Dancing, Singing Commodity.” 2009. Web. 17 Sep 2019.

Vancouver:

Lawson SM. Radiohead: The Guitar Weilding, Dancing, Singing Commodity. [Internet] [Thesis]. Georgia State University; 2009. [cited 2019 Sep 17]. Available from: https://scholarworks.gsu.edu/communication_theses/47.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lawson SM. Radiohead: The Guitar Weilding, Dancing, Singing Commodity. [Thesis]. Georgia State University; 2009. Available from: https://scholarworks.gsu.edu/communication_theses/47

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

20. Rynderman, Benjamin. The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform.

Degree: 2016, Queensland University of Technology

 This thesis identifies Australia’s place in the worldwide recorded music industries and seeks the reasons behind the delays of launches in Australia of online music(more)

Subjects/Keywords: Australian music industry; Copyright; Music Licensing; Collection Societies; iTunes; Spotify; Pandora

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rynderman, B. (2016). The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform. (Thesis). Queensland University of Technology. Retrieved from http://eprints.qut.edu.au/97527/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rynderman, Benjamin. “The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform.” 2016. Thesis, Queensland University of Technology. Accessed September 17, 2019. http://eprints.qut.edu.au/97527/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rynderman, Benjamin. “The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform.” 2016. Web. 17 Sep 2019.

Vancouver:

Rynderman B. The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform. [Internet] [Thesis]. Queensland University of Technology; 2016. [cited 2019 Sep 17]. Available from: http://eprints.qut.edu.au/97527/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rynderman B. The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform. [Thesis]. Queensland University of Technology; 2016. Available from: http://eprints.qut.edu.au/97527/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

21. Chen, Hsiu-Chun. A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry.

Degree: Master, Theatre Arts, 2015, NSYSU

 The music carriers and the business model of music industry have changed dramatically due to the internet development. It is true in many researches that… (more)

Subjects/Keywords: Business Model; Popular Music Industry; Music Carrier; Disruptive Innovation; Technology Innovation

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APA (6th Edition):

Chen, H. (2015). A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0022115-120334

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chen, Hsiu-Chun. “A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry.” 2015. Thesis, NSYSU. Accessed September 17, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0022115-120334.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chen, Hsiu-Chun. “A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry.” 2015. Web. 17 Sep 2019.

Vancouver:

Chen H. A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry. [Internet] [Thesis]. NSYSU; 2015. [cited 2019 Sep 17]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0022115-120334.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chen H. A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry. [Thesis]. NSYSU; 2015. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0022115-120334

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Indiana University

22. Moore, Rebekah Elizabeth. Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities .

Degree: 2015, Indiana University

 This dissertation focuses on music practices that have been largely uncharted in Balinese music studies. In the twelve years following the 2002 terrorist bombings, during… (more)

Subjects/Keywords: Applied Ethnomusicology; Bali; Ethnomusicology; Music Industry; Phenomenology; Popular Music

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APA (6th Edition):

Moore, R. E. (2015). Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities . (Thesis). Indiana University. Retrieved from http://hdl.handle.net/2022/19720

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moore, Rebekah Elizabeth. “Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities .” 2015. Thesis, Indiana University. Accessed September 17, 2019. http://hdl.handle.net/2022/19720.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moore, Rebekah Elizabeth. “Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities .” 2015. Web. 17 Sep 2019.

Vancouver:

Moore RE. Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities . [Internet] [Thesis]. Indiana University; 2015. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/2022/19720.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moore RE. Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities . [Thesis]. Indiana University; 2015. Available from: http://hdl.handle.net/2022/19720

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Otago

23. Smith, Dianne Marie. Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand .

Degree: 2010, University of Otago

 This thesis is a study in gender relations in sound engineering for contemporary rock music in New Zealand. I contend that music audiences and music(more)

Subjects/Keywords: popular music; sound engineering; women; gender; power; technology; music industry; work

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APA (6th Edition):

Smith, D. M. (2010). Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/373

Chicago Manual of Style (16th Edition):

Smith, Dianne Marie. “Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand .” 2010. Doctoral Dissertation, University of Otago. Accessed September 17, 2019. http://hdl.handle.net/10523/373.

MLA Handbook (7th Edition):

Smith, Dianne Marie. “Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand .” 2010. Web. 17 Sep 2019.

Vancouver:

Smith DM. Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand . [Internet] [Doctoral dissertation]. University of Otago; 2010. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/10523/373.

Council of Science Editors:

Smith DM. Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand . [Doctoral Dissertation]. University of Otago; 2010. Available from: http://hdl.handle.net/10523/373


University of Wollongong

24. Gordon, Andrea. Community music, place and belonging in the Bega Valley, NSW, Australia.

Degree: MS- Research, 2012, University of Wollongong

  The uncertain future of country towns in Australia has triggered wide-ranging discussions of their social, environmental and economic sustainability. Another, ‘fourth pillar’ of sustainability… (more)

Subjects/Keywords: place; belonging; rurality; music; creative industry; community music

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APA (6th Edition):

Gordon, A. (2012). Community music, place and belonging in the Bega Valley, NSW, Australia. (Masters Thesis). University of Wollongong. Retrieved from ; https://ro.uow.edu.au/theses/3718

Chicago Manual of Style (16th Edition):

Gordon, Andrea. “Community music, place and belonging in the Bega Valley, NSW, Australia.” 2012. Masters Thesis, University of Wollongong. Accessed September 17, 2019. ; https://ro.uow.edu.au/theses/3718.

MLA Handbook (7th Edition):

Gordon, Andrea. “Community music, place and belonging in the Bega Valley, NSW, Australia.” 2012. Web. 17 Sep 2019.

Vancouver:

Gordon A. Community music, place and belonging in the Bega Valley, NSW, Australia. [Internet] [Masters thesis]. University of Wollongong; 2012. [cited 2019 Sep 17]. Available from: ; https://ro.uow.edu.au/theses/3718.

Council of Science Editors:

Gordon A. Community music, place and belonging in the Bega Valley, NSW, Australia. [Masters Thesis]. University of Wollongong; 2012. Available from: ; https://ro.uow.edu.au/theses/3718


University of Toronto

25. Zendel, Adam Michael. Living the Dream: Precarious Labour in the Live Music Industry.

Degree: 2014, University of Toronto

This thesis explores the precarious nature of backstage work within the live music industry. Live music is replacing recorded music as the economic core of… (more)

Subjects/Keywords: Cultural Economy; Labour; Live Music Industry; Music; Precarious Labour; 0366

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APA (6th Edition):

Zendel, A. M. (2014). Living the Dream: Precarious Labour in the Live Music Industry. (Masters Thesis). University of Toronto. Retrieved from http://hdl.handle.net/1807/68834

Chicago Manual of Style (16th Edition):

Zendel, Adam Michael. “Living the Dream: Precarious Labour in the Live Music Industry.” 2014. Masters Thesis, University of Toronto. Accessed September 17, 2019. http://hdl.handle.net/1807/68834.

MLA Handbook (7th Edition):

Zendel, Adam Michael. “Living the Dream: Precarious Labour in the Live Music Industry.” 2014. Web. 17 Sep 2019.

Vancouver:

Zendel AM. Living the Dream: Precarious Labour in the Live Music Industry. [Internet] [Masters thesis]. University of Toronto; 2014. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/1807/68834.

Council of Science Editors:

Zendel AM. Living the Dream: Precarious Labour in the Live Music Industry. [Masters Thesis]. University of Toronto; 2014. Available from: http://hdl.handle.net/1807/68834


Columbia University

26. Kielman, Adam Joseph. Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China.

Degree: 2016, Columbia University

 This dissertation is an ethnography centered around two bands based in Guangzhou and their relationships with one of China’s largest record companies. Bridging ethnomusicology, popular… (more)

Subjects/Keywords: Sound recording industry; Popular music – Political aspects; Popular music – Economic aspects; Socialism and music; Popular music; Music; Ethnology; Asians

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kielman, A. J. (2016). Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8TT4RGN

Chicago Manual of Style (16th Edition):

Kielman, Adam Joseph. “Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China.” 2016. Doctoral Dissertation, Columbia University. Accessed September 17, 2019. https://doi.org/10.7916/D8TT4RGN.

MLA Handbook (7th Edition):

Kielman, Adam Joseph. “Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China.” 2016. Web. 17 Sep 2019.

Vancouver:

Kielman AJ. Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China. [Internet] [Doctoral dissertation]. Columbia University; 2016. [cited 2019 Sep 17]. Available from: https://doi.org/10.7916/D8TT4RGN.

Council of Science Editors:

Kielman AJ. Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China. [Doctoral Dissertation]. Columbia University; 2016. Available from: https://doi.org/10.7916/D8TT4RGN


University of Wisconsin – Milwaukee

27. Neibaur, Max. Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor.

Degree: MA, Media Studies, 2015, University of Wisconsin – Milwaukee

  This research builds on literature presenting ideas on the tension between business and art in the music industry and literature defining what a star… (more)

Subjects/Keywords: Art and Business; Music Industry; Pop Music; Social Networks; Star Image; Star Text; Communication; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Neibaur, M. (2015). Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/823

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Neibaur, Max. “Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor.” 2015. Thesis, University of Wisconsin – Milwaukee. Accessed September 17, 2019. https://dc.uwm.edu/etd/823.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Neibaur, Max. “Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor.” 2015. Web. 17 Sep 2019.

Vancouver:

Neibaur M. Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2015. [cited 2019 Sep 17]. Available from: https://dc.uwm.edu/etd/823.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Neibaur M. Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor. [Thesis]. University of Wisconsin – Milwaukee; 2015. Available from: https://dc.uwm.edu/etd/823

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oregon

28. Gracon, David D., 1976-. Exiled records and over-the-counterculture: A cultural political economic analysis of the independent record store: Cultural political economic analysis of the independent record store.

Degree: 2010, University of Oregon

 This study examined the cultural political economic significance of the physical "brick and mortar" independent record store in the digital era. The research was built… (more)

Subjects/Keywords: Independent record stores; Music industry; Indie culture; Subcultures; Music retail; Music stores; Record stores; Music; Entrepreneurship; Communication; Economics; Mass communications

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gracon, David D., 1. (2010). Exiled records and over-the-counterculture: A cultural political economic analysis of the independent record store: Cultural political economic analysis of the independent record store. (Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/11155

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gracon, David D., 1976-. “Exiled records and over-the-counterculture: A cultural political economic analysis of the independent record store: Cultural political economic analysis of the independent record store.” 2010. Thesis, University of Oregon. Accessed September 17, 2019. http://hdl.handle.net/1794/11155.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gracon, David D., 1976-. “Exiled records and over-the-counterculture: A cultural political economic analysis of the independent record store: Cultural political economic analysis of the independent record store.” 2010. Web. 17 Sep 2019.

Vancouver:

Gracon, David D. 1. Exiled records and over-the-counterculture: A cultural political economic analysis of the independent record store: Cultural political economic analysis of the independent record store. [Internet] [Thesis]. University of Oregon; 2010. [cited 2019 Sep 17]. Available from: http://hdl.handle.net/1794/11155.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gracon, David D. 1. Exiled records and over-the-counterculture: A cultural political economic analysis of the independent record store: Cultural political economic analysis of the independent record store. [Thesis]. University of Oregon; 2010. Available from: http://hdl.handle.net/1794/11155

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

29. Lee, Ji. Heeding the Call An Historical Overview of Philanthropy in Rock.

Degree: PhD, Mass Communication - Journalism and Communications, 2010, University of Florida

 Sometimes, the social and political involvement of rock musicians goes beyond simple songwriting or protest and instead takes the form of a spectacular concert, recording… (more)

Subjects/Keywords: Audio recordings; Charity; Fundraising; Music concerts; Music industry; Musical performance; Musicians; Philanthropy; Popular music; Rock music; charity, philanthropy, pop, rock

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lee, J. (2010). Heeding the Call An Historical Overview of Philanthropy in Rock. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0042033

Chicago Manual of Style (16th Edition):

Lee, Ji. “Heeding the Call An Historical Overview of Philanthropy in Rock.” 2010. Doctoral Dissertation, University of Florida. Accessed September 17, 2019. http://ufdc.ufl.edu/UFE0042033.

MLA Handbook (7th Edition):

Lee, Ji. “Heeding the Call An Historical Overview of Philanthropy in Rock.” 2010. Web. 17 Sep 2019.

Vancouver:

Lee J. Heeding the Call An Historical Overview of Philanthropy in Rock. [Internet] [Doctoral dissertation]. University of Florida; 2010. [cited 2019 Sep 17]. Available from: http://ufdc.ufl.edu/UFE0042033.

Council of Science Editors:

Lee J. Heeding the Call An Historical Overview of Philanthropy in Rock. [Doctoral Dissertation]. University of Florida; 2010. Available from: http://ufdc.ufl.edu/UFE0042033


NSYSU

30. Wu, Yin-Ting. An empirical analysis on how concert promoters influence concert demands.

Degree: Master, Business Management, 2018, NSYSU

 This study investigates the impact of promoters on the market demand of concerts. The aim of the study is to understand this relationship in music(more)

Subjects/Keywords: instrumental variable; two-stage least square regression; promoter; music industry; concert industry

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wu, Y. (2018). An empirical analysis on how concert promoters influence concert demands. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0605118-160448

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wu, Yin-Ting. “An empirical analysis on how concert promoters influence concert demands.” 2018. Thesis, NSYSU. Accessed September 17, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0605118-160448.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wu, Yin-Ting. “An empirical analysis on how concert promoters influence concert demands.” 2018. Web. 17 Sep 2019.

Vancouver:

Wu Y. An empirical analysis on how concert promoters influence concert demands. [Internet] [Thesis]. NSYSU; 2018. [cited 2019 Sep 17]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0605118-160448.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wu Y. An empirical analysis on how concert promoters influence concert demands. [Thesis]. NSYSU; 2018. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0605118-160448

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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