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You searched for subject:(Music aesthetics). Showing records 1 – 30 of 306 total matches.

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University of Rochester

1. Stefaniak, Alexander. "Poetic Virtuosity"| Robert Schumann as a Critic and Composer of Virtuoso Instrumental Music.

Degree: 2012, University of Rochester

  In this dissertation, I explore Robert Schumann's activities as a critic and composer of virtuoso instrumental music. I argue that the view of Schumann… (more)

Subjects/Keywords: Music; Aesthetics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stefaniak, A. (2012). "Poetic Virtuosity"| Robert Schumann as a Critic and Composer of Virtuoso Instrumental Music. (Thesis). University of Rochester. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3543424

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stefaniak, Alexander. “"Poetic Virtuosity"| Robert Schumann as a Critic and Composer of Virtuoso Instrumental Music.” 2012. Thesis, University of Rochester. Accessed June 17, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3543424.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stefaniak, Alexander. “"Poetic Virtuosity"| Robert Schumann as a Critic and Composer of Virtuoso Instrumental Music.” 2012. Web. 17 Jun 2019.

Vancouver:

Stefaniak A. "Poetic Virtuosity"| Robert Schumann as a Critic and Composer of Virtuoso Instrumental Music. [Internet] [Thesis]. University of Rochester; 2012. [cited 2019 Jun 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3543424.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stefaniak A. "Poetic Virtuosity"| Robert Schumann as a Critic and Composer of Virtuoso Instrumental Music. [Thesis]. University of Rochester; 2012. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3543424

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The University of North Carolina at Chapel Hill

2. Barnes, Molly L. Between modern and postmodern worlds| Theodor W. Adorno's struggle with the concept of musical kitsch.

Degree: 2012, The University of North Carolina at Chapel Hill

  The concept of “kitsch” remains a perennial concern for philosophers of aesthetics. Many distinguished writers have contributed to the literature on kitsch, yet the… (more)

Subjects/Keywords: Music; Philosophy; Aesthetics

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APA (6th Edition):

Barnes, M. L. (2012). Between modern and postmodern worlds| Theodor W. Adorno's struggle with the concept of musical kitsch. (Thesis). The University of North Carolina at Chapel Hill. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1518411

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barnes, Molly L. “Between modern and postmodern worlds| Theodor W. Adorno's struggle with the concept of musical kitsch.” 2012. Thesis, The University of North Carolina at Chapel Hill. Accessed June 17, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=1518411.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barnes, Molly L. “Between modern and postmodern worlds| Theodor W. Adorno's struggle with the concept of musical kitsch.” 2012. Web. 17 Jun 2019.

Vancouver:

Barnes ML. Between modern and postmodern worlds| Theodor W. Adorno's struggle with the concept of musical kitsch. [Internet] [Thesis]. The University of North Carolina at Chapel Hill; 2012. [cited 2019 Jun 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1518411.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barnes ML. Between modern and postmodern worlds| Theodor W. Adorno's struggle with the concept of musical kitsch. [Thesis]. The University of North Carolina at Chapel Hill; 2012. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1518411

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida State University

3. Rorke, Christopher Michael. Joseph Conrad and the Aesthetics of Music.

Degree: MM, College of Music, 2015, Florida State University

An essential relationship between science, subjectivity, and music is evident in the work of Joseph Conrad. The origins of this interdependence can be traced back… (more)

Subjects/Keywords: Music; Aesthetics; Literature

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APA (6th Edition):

Rorke, C. M. (2015). Joseph Conrad and the Aesthetics of Music. (Masters Thesis). Florida State University. Retrieved from http://purl.flvc.org/fsu/fd/FSU_migr_etd-9672 ;

Chicago Manual of Style (16th Edition):

Rorke, Christopher Michael. “Joseph Conrad and the Aesthetics of Music.” 2015. Masters Thesis, Florida State University. Accessed June 17, 2019. http://purl.flvc.org/fsu/fd/FSU_migr_etd-9672 ;.

MLA Handbook (7th Edition):

Rorke, Christopher Michael. “Joseph Conrad and the Aesthetics of Music.” 2015. Web. 17 Jun 2019.

Vancouver:

Rorke CM. Joseph Conrad and the Aesthetics of Music. [Internet] [Masters thesis]. Florida State University; 2015. [cited 2019 Jun 17]. Available from: http://purl.flvc.org/fsu/fd/FSU_migr_etd-9672 ;.

Council of Science Editors:

Rorke CM. Joseph Conrad and the Aesthetics of Music. [Masters Thesis]. Florida State University; 2015. Available from: http://purl.flvc.org/fsu/fd/FSU_migr_etd-9672 ;

4. Corder, Nathan Anthony. Determining Conditions| Towards an Aesthetic of Emergence in Live Electronic Music.

Degree: 2018, Mills College

  The concept of emergence, and/or emergent properties, is one that has gained resurgence within the realm of various branches of science and the humanities.… (more)

Subjects/Keywords: Music theory; Music; Aesthetics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Corder, N. A. (2018). Determining Conditions| Towards an Aesthetic of Emergence in Live Electronic Music. (Thesis). Mills College. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10822167

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Corder, Nathan Anthony. “Determining Conditions| Towards an Aesthetic of Emergence in Live Electronic Music.” 2018. Thesis, Mills College. Accessed June 17, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10822167.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Corder, Nathan Anthony. “Determining Conditions| Towards an Aesthetic of Emergence in Live Electronic Music.” 2018. Web. 17 Jun 2019.

Vancouver:

Corder NA. Determining Conditions| Towards an Aesthetic of Emergence in Live Electronic Music. [Internet] [Thesis]. Mills College; 2018. [cited 2019 Jun 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10822167.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Corder NA. Determining Conditions| Towards an Aesthetic of Emergence in Live Electronic Music. [Thesis]. Mills College; 2018. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10822167

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Neergaard, Balder Blankholm. Schumann as aspiring pianist : technique, sonority, and composition.

Degree: PhD, 2018, Royal College of Music

 In recent decades, the pianism of Robert Schumann's compositions has increasingly gained recognition. What was previously seen as dense and mid-keyboard centric is now recognised… (more)

Subjects/Keywords: 780; Music aesthetics; Music History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Neergaard, B. B. (2018). Schumann as aspiring pianist : technique, sonority, and composition. (Doctoral Dissertation). Royal College of Music. Retrieved from http://researchonline.rcm.ac.uk/389/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.748634

Chicago Manual of Style (16th Edition):

Neergaard, Balder Blankholm. “Schumann as aspiring pianist : technique, sonority, and composition.” 2018. Doctoral Dissertation, Royal College of Music. Accessed June 17, 2019. http://researchonline.rcm.ac.uk/389/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.748634.

MLA Handbook (7th Edition):

Neergaard, Balder Blankholm. “Schumann as aspiring pianist : technique, sonority, and composition.” 2018. Web. 17 Jun 2019.

Vancouver:

Neergaard BB. Schumann as aspiring pianist : technique, sonority, and composition. [Internet] [Doctoral dissertation]. Royal College of Music; 2018. [cited 2019 Jun 17]. Available from: http://researchonline.rcm.ac.uk/389/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.748634.

Council of Science Editors:

Neergaard BB. Schumann as aspiring pianist : technique, sonority, and composition. [Doctoral Dissertation]. Royal College of Music; 2018. Available from: http://researchonline.rcm.ac.uk/389/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.748634


Princeton University

6. Mazzariello, Andrea. The sonic object| Music in/as material with "The Exchange" (original music composition).

Degree: 2011, Princeton University

  Do vinyl records inspire or necessitate different listening postures than mp3s? How might we modulate our listening practice to account for the virtues and… (more)

Subjects/Keywords: Music; Multimedia Communications; Aesthetics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mazzariello, A. (2011). The sonic object| Music in/as material with "The Exchange" (original music composition). (Thesis). Princeton University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3481706

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mazzariello, Andrea. “The sonic object| Music in/as material with "The Exchange" (original music composition).” 2011. Thesis, Princeton University. Accessed June 17, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3481706.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mazzariello, Andrea. “The sonic object| Music in/as material with "The Exchange" (original music composition).” 2011. Web. 17 Jun 2019.

Vancouver:

Mazzariello A. The sonic object| Music in/as material with "The Exchange" (original music composition). [Internet] [Thesis]. Princeton University; 2011. [cited 2019 Jun 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3481706.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mazzariello A. The sonic object| Music in/as material with "The Exchange" (original music composition). [Thesis]. Princeton University; 2011. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3481706

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Charlier, Celina Bordallo. The spatiality and temporality of minimalism through the study of "Vermont Counterpoint" for flute and tape by Steve Reich.

Degree: 2010, New York University

Abstract not available.

Subjects/Keywords: Music; Aesthetics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Charlier, C. B. (2010). The spatiality and temporality of minimalism through the study of "Vermont Counterpoint" for flute and tape by Steve Reich. (Thesis). New York University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3404692

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Charlier, Celina Bordallo. “The spatiality and temporality of minimalism through the study of "Vermont Counterpoint" for flute and tape by Steve Reich.” 2010. Thesis, New York University. Accessed June 17, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3404692.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Charlier, Celina Bordallo. “The spatiality and temporality of minimalism through the study of "Vermont Counterpoint" for flute and tape by Steve Reich.” 2010. Web. 17 Jun 2019.

Vancouver:

Charlier CB. The spatiality and temporality of minimalism through the study of "Vermont Counterpoint" for flute and tape by Steve Reich. [Internet] [Thesis]. New York University; 2010. [cited 2019 Jun 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3404692.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Charlier CB. The spatiality and temporality of minimalism through the study of "Vermont Counterpoint" for flute and tape by Steve Reich. [Thesis]. New York University; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3404692

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Yale University

8. Eng, Sher Ling Clare. Motif and Closure in Twentieth-Century Music| Bartok, Britten and Faure.

Degree: 2012, Yale University

  By the end of the nineteenth century, Classical cadences had become reified elements whose expressive capability had weakened. They also acquired semantic qualities that… (more)

Subjects/Keywords: Music; Speech Communication; Aesthetics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Eng, S. L. C. (2012). Motif and Closure in Twentieth-Century Music| Bartok, Britten and Faure. (Thesis). Yale University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3525192

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Eng, Sher Ling Clare. “Motif and Closure in Twentieth-Century Music| Bartok, Britten and Faure.” 2012. Thesis, Yale University. Accessed June 17, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3525192.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Eng, Sher Ling Clare. “Motif and Closure in Twentieth-Century Music| Bartok, Britten and Faure.” 2012. Web. 17 Jun 2019.

Vancouver:

Eng SLC. Motif and Closure in Twentieth-Century Music| Bartok, Britten and Faure. [Internet] [Thesis]. Yale University; 2012. [cited 2019 Jun 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3525192.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Eng SLC. Motif and Closure in Twentieth-Century Music| Bartok, Britten and Faure. [Thesis]. Yale University; 2012. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3525192

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Indiana University

9. White, Kathryn JoAnn. George Whitefield Chadwick and the American vernacular in his chamber works.

Degree: 2013, Indiana University

  George Whitefield Chadwick incorporated American-sounding material in his chamber works during a time when Americans came to value nationalism in the nineteenth century. In… (more)

Subjects/Keywords: History, United States; Music; Aesthetics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

White, K. J. (2013). George Whitefield Chadwick and the American vernacular in his chamber works. (Thesis). Indiana University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3552600

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

White, Kathryn JoAnn. “George Whitefield Chadwick and the American vernacular in his chamber works.” 2013. Thesis, Indiana University. Accessed June 17, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3552600.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

White, Kathryn JoAnn. “George Whitefield Chadwick and the American vernacular in his chamber works.” 2013. Web. 17 Jun 2019.

Vancouver:

White KJ. George Whitefield Chadwick and the American vernacular in his chamber works. [Internet] [Thesis]. Indiana University; 2013. [cited 2019 Jun 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3552600.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

White KJ. George Whitefield Chadwick and the American vernacular in his chamber works. [Thesis]. Indiana University; 2013. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3552600

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Mirza, Adam. Action Aesthetics| Arendtian Inversions on Politics and Art in the Music of the Avant-Garde.

Degree: 2017, New York University

  This dissertation examines the aesthetics of the mid-20th century musical avant-garde from an Arendtian perspective. I focus on three musical figures: Glenn Gould, Karlheinz… (more)

Subjects/Keywords: Music; Political science; Aesthetics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mirza, A. (2017). Action Aesthetics| Arendtian Inversions on Politics and Art in the Music of the Avant-Garde. (Thesis). New York University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10261772

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mirza, Adam. “Action Aesthetics| Arendtian Inversions on Politics and Art in the Music of the Avant-Garde.” 2017. Thesis, New York University. Accessed June 17, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10261772.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mirza, Adam. “Action Aesthetics| Arendtian Inversions on Politics and Art in the Music of the Avant-Garde.” 2017. Web. 17 Jun 2019.

Vancouver:

Mirza A. Action Aesthetics| Arendtian Inversions on Politics and Art in the Music of the Avant-Garde. [Internet] [Thesis]. New York University; 2017. [cited 2019 Jun 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10261772.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mirza A. Action Aesthetics| Arendtian Inversions on Politics and Art in the Music of the Avant-Garde. [Thesis]. New York University; 2017. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10261772

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Victoria University of Wellington

11. Hamel, Alistair. Artefactualism as an Ontology of Art.

Degree: 2010, Victoria University of Wellington

 This thesis argues for artefactualism about works of art, which is the claim that works of art are artefacts. It does this by considering the… (more)

Subjects/Keywords: Ontology; Aesthetics; Fiction; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hamel, A. (2010). Artefactualism as an Ontology of Art. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/1348

Chicago Manual of Style (16th Edition):

Hamel, Alistair. “Artefactualism as an Ontology of Art.” 2010. Masters Thesis, Victoria University of Wellington. Accessed June 17, 2019. http://hdl.handle.net/10063/1348.

MLA Handbook (7th Edition):

Hamel, Alistair. “Artefactualism as an Ontology of Art.” 2010. Web. 17 Jun 2019.

Vancouver:

Hamel A. Artefactualism as an Ontology of Art. [Internet] [Masters thesis]. Victoria University of Wellington; 2010. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/10063/1348.

Council of Science Editors:

Hamel A. Artefactualism as an Ontology of Art. [Masters Thesis]. Victoria University of Wellington; 2010. Available from: http://hdl.handle.net/10063/1348

12. Jamieson, Andrew. Beyond your circumstances| Enriching experimental music with black Pentecostalism.

Degree: 2014, Mills College

  I (Andrew Jamieson) discuss my creative process, centered around the transcendence of structures, or the dialogue between them. I define structures broadly, from musical… (more)

Subjects/Keywords: Religion, General; Music; Aesthetics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jamieson, A. (2014). Beyond your circumstances| Enriching experimental music with black Pentecostalism. (Thesis). Mills College. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1551687

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jamieson, Andrew. “Beyond your circumstances| Enriching experimental music with black Pentecostalism.” 2014. Thesis, Mills College. Accessed June 17, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=1551687.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jamieson, Andrew. “Beyond your circumstances| Enriching experimental music with black Pentecostalism.” 2014. Web. 17 Jun 2019.

Vancouver:

Jamieson A. Beyond your circumstances| Enriching experimental music with black Pentecostalism. [Internet] [Thesis]. Mills College; 2014. [cited 2019 Jun 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1551687.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jamieson A. Beyond your circumstances| Enriching experimental music with black Pentecostalism. [Thesis]. Mills College; 2014. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1551687

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

13. McGarvey, Matthew Scott. Ambient power : the joint production of perception and space.

Degree: Music, 2011, University of California – San Diego

 How are perception and lived space "produced," how are these productions linked with social and material power, and how does "aesthetic" production fit into this… (more)

Subjects/Keywords: Philosophy and aesthetics Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McGarvey, M. S. (2011). Ambient power : the joint production of perception and space. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/7q49f7fk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McGarvey, Matthew Scott. “Ambient power : the joint production of perception and space.” 2011. Thesis, University of California – San Diego. Accessed June 17, 2019. http://www.escholarship.org/uc/item/7q49f7fk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McGarvey, Matthew Scott. “Ambient power : the joint production of perception and space.” 2011. Web. 17 Jun 2019.

Vancouver:

McGarvey MS. Ambient power : the joint production of perception and space. [Internet] [Thesis]. University of California – San Diego; 2011. [cited 2019 Jun 17]. Available from: http://www.escholarship.org/uc/item/7q49f7fk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McGarvey MS. Ambient power : the joint production of perception and space. [Thesis]. University of California – San Diego; 2011. Available from: http://www.escholarship.org/uc/item/7q49f7fk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

14. Siu, Rhonda Claire. Music and human existence.

Degree: Philosophy, 2014, University of New South Wales

 This thesis investigates the proposition that music plays a crucial role in human existence. More so than the other creative arts, music has been overlooked… (more)

Subjects/Keywords: Philosophy; Music; Aesthetics; Phenomenology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Siu, R. C. (2014). Music and human existence. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/53578 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12273/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Siu, Rhonda Claire. “Music and human existence.” 2014. Doctoral Dissertation, University of New South Wales. Accessed June 17, 2019. http://handle.unsw.edu.au/1959.4/53578 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12273/SOURCE02?view=true.

MLA Handbook (7th Edition):

Siu, Rhonda Claire. “Music and human existence.” 2014. Web. 17 Jun 2019.

Vancouver:

Siu RC. Music and human existence. [Internet] [Doctoral dissertation]. University of New South Wales; 2014. [cited 2019 Jun 17]. Available from: http://handle.unsw.edu.au/1959.4/53578 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12273/SOURCE02?view=true.

Council of Science Editors:

Siu RC. Music and human existence. [Doctoral Dissertation]. University of New South Wales; 2014. Available from: http://handle.unsw.edu.au/1959.4/53578 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12273/SOURCE02?view=true


University of Ottawa

15. Hall, Nerhys. Representations of the Outsider in David Bowie’s Glam Period and its Continuation Through Punk, Goth, and Emo: Thematic, Aesthetic, and Subcultural Considerations .

Degree: 2015, University of Ottawa

 Popular music artists portray a variety of themes through the aesthetics of their music, lyrics, and music videos. One theme in particular that began with… (more)

Subjects/Keywords: Music; Popular Music; Subcultures; Aesthetics; Themes; Outsider

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hall, N. (2015). Representations of the Outsider in David Bowie’s Glam Period and its Continuation Through Punk, Goth, and Emo: Thematic, Aesthetic, and Subcultural Considerations . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/32511

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hall, Nerhys. “Representations of the Outsider in David Bowie’s Glam Period and its Continuation Through Punk, Goth, and Emo: Thematic, Aesthetic, and Subcultural Considerations .” 2015. Thesis, University of Ottawa. Accessed June 17, 2019. http://hdl.handle.net/10393/32511.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hall, Nerhys. “Representations of the Outsider in David Bowie’s Glam Period and its Continuation Through Punk, Goth, and Emo: Thematic, Aesthetic, and Subcultural Considerations .” 2015. Web. 17 Jun 2019.

Vancouver:

Hall N. Representations of the Outsider in David Bowie’s Glam Period and its Continuation Through Punk, Goth, and Emo: Thematic, Aesthetic, and Subcultural Considerations . [Internet] [Thesis]. University of Ottawa; 2015. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/10393/32511.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hall N. Representations of the Outsider in David Bowie’s Glam Period and its Continuation Through Punk, Goth, and Emo: Thematic, Aesthetic, and Subcultural Considerations . [Thesis]. University of Ottawa; 2015. Available from: http://hdl.handle.net/10393/32511

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Alessandri, Elena. Evaluating recorded performance : an investigation of music criticism through Gramophone reviews of Beethoven piano sonata recordings.

Degree: PhD, 2014, Royal College of Music

 Critical review of performance is today one of the most common professional and commercial forms of music written response. Despite the availability of representative material… (more)

Subjects/Keywords: Performance Science; Music aesthetics; Music education

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Alessandri, E. (2014). Evaluating recorded performance : an investigation of music criticism through Gramophone reviews of Beethoven piano sonata recordings. (Doctoral Dissertation). Royal College of Music. Retrieved from http://researchonline.rcm.ac.uk/352/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.657033

Chicago Manual of Style (16th Edition):

Alessandri, Elena. “Evaluating recorded performance : an investigation of music criticism through Gramophone reviews of Beethoven piano sonata recordings.” 2014. Doctoral Dissertation, Royal College of Music. Accessed June 17, 2019. http://researchonline.rcm.ac.uk/352/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.657033.

MLA Handbook (7th Edition):

Alessandri, Elena. “Evaluating recorded performance : an investigation of music criticism through Gramophone reviews of Beethoven piano sonata recordings.” 2014. Web. 17 Jun 2019.

Vancouver:

Alessandri E. Evaluating recorded performance : an investigation of music criticism through Gramophone reviews of Beethoven piano sonata recordings. [Internet] [Doctoral dissertation]. Royal College of Music; 2014. [cited 2019 Jun 17]. Available from: http://researchonline.rcm.ac.uk/352/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.657033.

Council of Science Editors:

Alessandri E. Evaluating recorded performance : an investigation of music criticism through Gramophone reviews of Beethoven piano sonata recordings. [Doctoral Dissertation]. Royal College of Music; 2014. Available from: http://researchonline.rcm.ac.uk/352/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.657033


University of California – Santa Cruz

17. Tsadka, Maayan. Persistence, Resistance, Resonance.

Degree: Music Composition, 2015, University of California – Santa Cruz

 Persistence, Resistance, ResonanceMaayan TsadkaAbstract Sound cannot travel in a vacuum, physically or socially. The ways in which sound operates are a result of acoustic properties,… (more)

Subjects/Keywords: Music; Acoustics; Aesthetics; Acoustics; Aesthetics; Music Composition; Politics; Protest Chants; Resonance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tsadka, M. (2015). Persistence, Resistance, Resonance. (Thesis). University of California – Santa Cruz. Retrieved from http://www.escholarship.org/uc/item/6j64n7k4

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tsadka, Maayan. “Persistence, Resistance, Resonance.” 2015. Thesis, University of California – Santa Cruz. Accessed June 17, 2019. http://www.escholarship.org/uc/item/6j64n7k4.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tsadka, Maayan. “Persistence, Resistance, Resonance.” 2015. Web. 17 Jun 2019.

Vancouver:

Tsadka M. Persistence, Resistance, Resonance. [Internet] [Thesis]. University of California – Santa Cruz; 2015. [cited 2019 Jun 17]. Available from: http://www.escholarship.org/uc/item/6j64n7k4.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tsadka M. Persistence, Resistance, Resonance. [Thesis]. University of California – Santa Cruz; 2015. Available from: http://www.escholarship.org/uc/item/6j64n7k4

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

18. Cody, Joshua. Nono and Marxist Aesthetics.

Degree: 2014, Columbia University

 This essay discusses the work of the Venetian composer Luigi Nono (29 January 1924 - 8 May 1990) in the context of Marxist aesthetics. Nono… (more)

Subjects/Keywords: Music; Music – Philosophy and aesthetics; Communist aesthetics; Nono, Luigi

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cody, J. (2014). Nono and Marxist Aesthetics. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8BV7DK0

Chicago Manual of Style (16th Edition):

Cody, Joshua. “Nono and Marxist Aesthetics.” 2014. Doctoral Dissertation, Columbia University. Accessed June 17, 2019. https://doi.org/10.7916/D8BV7DK0.

MLA Handbook (7th Edition):

Cody, Joshua. “Nono and Marxist Aesthetics.” 2014. Web. 17 Jun 2019.

Vancouver:

Cody J. Nono and Marxist Aesthetics. [Internet] [Doctoral dissertation]. Columbia University; 2014. [cited 2019 Jun 17]. Available from: https://doi.org/10.7916/D8BV7DK0.

Council of Science Editors:

Cody J. Nono and Marxist Aesthetics. [Doctoral Dissertation]. Columbia University; 2014. Available from: https://doi.org/10.7916/D8BV7DK0

19. Waddell, George. Time to decide : a study of evaluative decision-making in music performance.

Degree: PhD, 2019, Royal College of Music

 This thesis considers the act of music performance quality evaluation as a performance in itself, examining the processes as well as the products of evaluative… (more)

Subjects/Keywords: Performance Science; Music Psychology; Music aesthetics; Music cognition; Music Education

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Waddell, G. (2019). Time to decide : a study of evaluative decision-making in music performance. (Doctoral Dissertation). Royal College of Music. Retrieved from http://researchonline.rcm.ac.uk/460/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.772225

Chicago Manual of Style (16th Edition):

Waddell, George. “Time to decide : a study of evaluative decision-making in music performance.” 2019. Doctoral Dissertation, Royal College of Music. Accessed June 17, 2019. http://researchonline.rcm.ac.uk/460/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.772225.

MLA Handbook (7th Edition):

Waddell, George. “Time to decide : a study of evaluative decision-making in music performance.” 2019. Web. 17 Jun 2019.

Vancouver:

Waddell G. Time to decide : a study of evaluative decision-making in music performance. [Internet] [Doctoral dissertation]. Royal College of Music; 2019. [cited 2019 Jun 17]. Available from: http://researchonline.rcm.ac.uk/460/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.772225.

Council of Science Editors:

Waddell G. Time to decide : a study of evaluative decision-making in music performance. [Doctoral Dissertation]. Royal College of Music; 2019. Available from: http://researchonline.rcm.ac.uk/460/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.772225


Columbia University

20. Diels, Natacha Dominique. Music and the Uncanny Valley.

Degree: 2016, Columbia University

 This dissertation is comprised of a recent series of compositions, titled the Nightmare series, and this thesis. The three compositions are Nightmare for JACK (a… (more)

Subjects/Keywords: Aesthetics; Uncanny, The (Psychoanalysis); Music – Philosophy and aesthetics; Avant-garde (Music); Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Diels, N. D. (2016). Music and the Uncanny Valley. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8H9956Z

Chicago Manual of Style (16th Edition):

Diels, Natacha Dominique. “Music and the Uncanny Valley.” 2016. Doctoral Dissertation, Columbia University. Accessed June 17, 2019. https://doi.org/10.7916/D8H9956Z.

MLA Handbook (7th Edition):

Diels, Natacha Dominique. “Music and the Uncanny Valley.” 2016. Web. 17 Jun 2019.

Vancouver:

Diels ND. Music and the Uncanny Valley. [Internet] [Doctoral dissertation]. Columbia University; 2016. [cited 2019 Jun 17]. Available from: https://doi.org/10.7916/D8H9956Z.

Council of Science Editors:

Diels ND. Music and the Uncanny Valley. [Doctoral Dissertation]. Columbia University; 2016. Available from: https://doi.org/10.7916/D8H9956Z


University of California – San Diego

21. Hepfer, Jonathan David. Conducting, Teaching, Curating: Re-channelings of a Percussive Education.

Degree: Music, 2016, University of California – San Diego

 This dissertation examines the ways that my formal training and education as a percussionist have provided a logical foundation for three separate vectors of activity… (more)

Subjects/Keywords: Music; Aesthetics; Music education; Conducting; Curating; Music; Percussion; Teaching

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hepfer, J. D. (2016). Conducting, Teaching, Curating: Re-channelings of a Percussive Education. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/00x5v9r5

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hepfer, Jonathan David. “Conducting, Teaching, Curating: Re-channelings of a Percussive Education.” 2016. Thesis, University of California – San Diego. Accessed June 17, 2019. http://www.escholarship.org/uc/item/00x5v9r5.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hepfer, Jonathan David. “Conducting, Teaching, Curating: Re-channelings of a Percussive Education.” 2016. Web. 17 Jun 2019.

Vancouver:

Hepfer JD. Conducting, Teaching, Curating: Re-channelings of a Percussive Education. [Internet] [Thesis]. University of California – San Diego; 2016. [cited 2019 Jun 17]. Available from: http://www.escholarship.org/uc/item/00x5v9r5.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hepfer JD. Conducting, Teaching, Curating: Re-channelings of a Percussive Education. [Thesis]. University of California – San Diego; 2016. Available from: http://www.escholarship.org/uc/item/00x5v9r5

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


George Mason University

22. Petravage, Laura. The Re-establishment of the French Musical Aesthetic at the Beginning of the Twentieth Century and the Perception of Nationalism in Francis Poulenc's Choral Music, Quatre motets pour un temps de pénitence, FP 97, and Figure humaine, FP 120 .

Degree: 2016, George Mason University

 The late-nineteenth century was a time of transition and change in the political and social lives of the French people. This shift to the modern… (more)

Subjects/Keywords: Music; aesthetics; choral music; Francis Poulenc; music; nationalism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Petravage, L. (2016). The Re-establishment of the French Musical Aesthetic at the Beginning of the Twentieth Century and the Perception of Nationalism in Francis Poulenc's Choral Music, Quatre motets pour un temps de pénitence, FP 97, and Figure humaine, FP 120 . (Thesis). George Mason University. Retrieved from http://hdl.handle.net/1920/10633

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Petravage, Laura. “The Re-establishment of the French Musical Aesthetic at the Beginning of the Twentieth Century and the Perception of Nationalism in Francis Poulenc's Choral Music, Quatre motets pour un temps de pénitence, FP 97, and Figure humaine, FP 120 .” 2016. Thesis, George Mason University. Accessed June 17, 2019. http://hdl.handle.net/1920/10633.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Petravage, Laura. “The Re-establishment of the French Musical Aesthetic at the Beginning of the Twentieth Century and the Perception of Nationalism in Francis Poulenc's Choral Music, Quatre motets pour un temps de pénitence, FP 97, and Figure humaine, FP 120 .” 2016. Web. 17 Jun 2019.

Vancouver:

Petravage L. The Re-establishment of the French Musical Aesthetic at the Beginning of the Twentieth Century and the Perception of Nationalism in Francis Poulenc's Choral Music, Quatre motets pour un temps de pénitence, FP 97, and Figure humaine, FP 120 . [Internet] [Thesis]. George Mason University; 2016. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/1920/10633.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Petravage L. The Re-establishment of the French Musical Aesthetic at the Beginning of the Twentieth Century and the Perception of Nationalism in Francis Poulenc's Choral Music, Quatre motets pour un temps de pénitence, FP 97, and Figure humaine, FP 120 . [Thesis]. George Mason University; 2016. Available from: http://hdl.handle.net/1920/10633

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Bower, Bruno Benjamin. The Crystal Palace Saturday Concerts, 1865-1879 : a case study of the nineteenth-century programme note.

Degree: PhD, 2016, Royal College of Music

 In recent decades, historical concert programmes have emerged as a fascinating resource for cultural study. As yet, however, little detailed work has been done on… (more)

Subjects/Keywords: 780; Music aesthetics; Music History; Music and society

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bower, B. B. (2016). The Crystal Palace Saturday Concerts, 1865-1879 : a case study of the nineteenth-century programme note. (Doctoral Dissertation). Royal College of Music. Retrieved from http://researchonline.rcm.ac.uk/386/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.691364

Chicago Manual of Style (16th Edition):

Bower, Bruno Benjamin. “The Crystal Palace Saturday Concerts, 1865-1879 : a case study of the nineteenth-century programme note.” 2016. Doctoral Dissertation, Royal College of Music. Accessed June 17, 2019. http://researchonline.rcm.ac.uk/386/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.691364.

MLA Handbook (7th Edition):

Bower, Bruno Benjamin. “The Crystal Palace Saturday Concerts, 1865-1879 : a case study of the nineteenth-century programme note.” 2016. Web. 17 Jun 2019.

Vancouver:

Bower BB. The Crystal Palace Saturday Concerts, 1865-1879 : a case study of the nineteenth-century programme note. [Internet] [Doctoral dissertation]. Royal College of Music; 2016. [cited 2019 Jun 17]. Available from: http://researchonline.rcm.ac.uk/386/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.691364.

Council of Science Editors:

Bower BB. The Crystal Palace Saturday Concerts, 1865-1879 : a case study of the nineteenth-century programme note. [Doctoral Dissertation]. Royal College of Music; 2016. Available from: http://researchonline.rcm.ac.uk/386/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.691364

24. Christensen, Anne Marie. The solo for a violin : a new perspective on the Italian violinists in London in the eighteenth century.

Degree: PhD, 2018, Royal College of Music

 Throughout the eighteenth century Italian violinists were praised and admired by London audiences. Though never as feted as the Italian castrati and sopranos, the Italian… (more)

Subjects/Keywords: 780; Music aesthetics; Music History; Music and society

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Christensen, A. M. (2018). The solo for a violin : a new perspective on the Italian violinists in London in the eighteenth century. (Doctoral Dissertation). Royal College of Music. Retrieved from http://researchonline.rcm.ac.uk/387/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.748630

Chicago Manual of Style (16th Edition):

Christensen, Anne Marie. “The solo for a violin : a new perspective on the Italian violinists in London in the eighteenth century.” 2018. Doctoral Dissertation, Royal College of Music. Accessed June 17, 2019. http://researchonline.rcm.ac.uk/387/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.748630.

MLA Handbook (7th Edition):

Christensen, Anne Marie. “The solo for a violin : a new perspective on the Italian violinists in London in the eighteenth century.” 2018. Web. 17 Jun 2019.

Vancouver:

Christensen AM. The solo for a violin : a new perspective on the Italian violinists in London in the eighteenth century. [Internet] [Doctoral dissertation]. Royal College of Music; 2018. [cited 2019 Jun 17]. Available from: http://researchonline.rcm.ac.uk/387/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.748630.

Council of Science Editors:

Christensen AM. The solo for a violin : a new perspective on the Italian violinists in London in the eighteenth century. [Doctoral Dissertation]. Royal College of Music; 2018. Available from: http://researchonline.rcm.ac.uk/387/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.748630

25. McHugh, Erin Rose. The vocality of the dramatic soprano voice in Richard Strauss's Salome and Elektra.

Degree: PhD, 2018, Royal College of Music

 This thesis explores how voice, the body, and gender interact to characterise the eponymous leading roles in Richard Strauss's Salome (1905) and Elektra (1909). Approaching… (more)

Subjects/Keywords: 780; Music aesthetics; Music History; Music and society

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McHugh, E. R. (2018). The vocality of the dramatic soprano voice in Richard Strauss's Salome and Elektra. (Doctoral Dissertation). Royal College of Music. Retrieved from http://researchonline.rcm.ac.uk/388/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.748633

Chicago Manual of Style (16th Edition):

McHugh, Erin Rose. “The vocality of the dramatic soprano voice in Richard Strauss's Salome and Elektra.” 2018. Doctoral Dissertation, Royal College of Music. Accessed June 17, 2019. http://researchonline.rcm.ac.uk/388/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.748633.

MLA Handbook (7th Edition):

McHugh, Erin Rose. “The vocality of the dramatic soprano voice in Richard Strauss's Salome and Elektra.” 2018. Web. 17 Jun 2019.

Vancouver:

McHugh ER. The vocality of the dramatic soprano voice in Richard Strauss's Salome and Elektra. [Internet] [Doctoral dissertation]. Royal College of Music; 2018. [cited 2019 Jun 17]. Available from: http://researchonline.rcm.ac.uk/388/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.748633.

Council of Science Editors:

McHugh ER. The vocality of the dramatic soprano voice in Richard Strauss's Salome and Elektra. [Doctoral Dissertation]. Royal College of Music; 2018. Available from: http://researchonline.rcm.ac.uk/388/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.748633

26. Razumovskaya, Maria. Heinrich Neuhaus : aesthetics and philosophy of an interpretation.

Degree: PhD, 2014, Royal College of Music

 This thesis investigates one of the key figures of Russian pianism in the twentieth century, Heinrich Gustavovich Neuhaus (1888 - 1964). Although Neuhaus is known,… (more)

Subjects/Keywords: Musical instruction and study; Music aesthetics; Music education; Music History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Razumovskaya, M. (2014). Heinrich Neuhaus : aesthetics and philosophy of an interpretation. (Doctoral Dissertation). Royal College of Music. Retrieved from http://researchonline.rcm.ac.uk/355/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.691362

Chicago Manual of Style (16th Edition):

Razumovskaya, Maria. “Heinrich Neuhaus : aesthetics and philosophy of an interpretation.” 2014. Doctoral Dissertation, Royal College of Music. Accessed June 17, 2019. http://researchonline.rcm.ac.uk/355/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.691362.

MLA Handbook (7th Edition):

Razumovskaya, Maria. “Heinrich Neuhaus : aesthetics and philosophy of an interpretation.” 2014. Web. 17 Jun 2019.

Vancouver:

Razumovskaya M. Heinrich Neuhaus : aesthetics and philosophy of an interpretation. [Internet] [Doctoral dissertation]. Royal College of Music; 2014. [cited 2019 Jun 17]. Available from: http://researchonline.rcm.ac.uk/355/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.691362.

Council of Science Editors:

Razumovskaya M. Heinrich Neuhaus : aesthetics and philosophy of an interpretation. [Doctoral Dissertation]. Royal College of Music; 2014. Available from: http://researchonline.rcm.ac.uk/355/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.691362

27. Hexel, Vasco. Understanding contextual agents and their impact on recent Hollywood film music practice.

Degree: PhD, 2014, Royal College of Music

 Hollywood film composers work within a complex process of film production, with limited control over the final outcome. Certain contextual agents have shaped the developing… (more)

Subjects/Keywords: 781.542; Music; NX Arts in general; Music aesthetics; Music and society

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hexel, V. (2014). Understanding contextual agents and their impact on recent Hollywood film music practice. (Doctoral Dissertation). Royal College of Music. Retrieved from http://researchonline.rcm.ac.uk/382/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.606560

Chicago Manual of Style (16th Edition):

Hexel, Vasco. “Understanding contextual agents and their impact on recent Hollywood film music practice.” 2014. Doctoral Dissertation, Royal College of Music. Accessed June 17, 2019. http://researchonline.rcm.ac.uk/382/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.606560.

MLA Handbook (7th Edition):

Hexel, Vasco. “Understanding contextual agents and their impact on recent Hollywood film music practice.” 2014. Web. 17 Jun 2019.

Vancouver:

Hexel V. Understanding contextual agents and their impact on recent Hollywood film music practice. [Internet] [Doctoral dissertation]. Royal College of Music; 2014. [cited 2019 Jun 17]. Available from: http://researchonline.rcm.ac.uk/382/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.606560.

Council of Science Editors:

Hexel V. Understanding contextual agents and their impact on recent Hollywood film music practice. [Doctoral Dissertation]. Royal College of Music; 2014. Available from: http://researchonline.rcm.ac.uk/382/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.606560


UCLA

28. Naiman, Tiffany. Singing at Death's Door: Late Style, Disability, and the Temporality of Illness in Popular Music.

Degree: Musicology, 2017, UCLA

 This dissertation investigates musical expressions of temporal alterities in works created by popular music artists, identifying their aesthetic responses as their bodies become ill, disabled,… (more)

Subjects/Keywords: Music; Aesthetics; Disability; Illness; Lateness; Style; Temporality

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Naiman, T. (2017). Singing at Death's Door: Late Style, Disability, and the Temporality of Illness in Popular Music. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/3nh600ck

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Naiman, Tiffany. “Singing at Death's Door: Late Style, Disability, and the Temporality of Illness in Popular Music.” 2017. Thesis, UCLA. Accessed June 17, 2019. http://www.escholarship.org/uc/item/3nh600ck.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Naiman, Tiffany. “Singing at Death's Door: Late Style, Disability, and the Temporality of Illness in Popular Music.” 2017. Web. 17 Jun 2019.

Vancouver:

Naiman T. Singing at Death's Door: Late Style, Disability, and the Temporality of Illness in Popular Music. [Internet] [Thesis]. UCLA; 2017. [cited 2019 Jun 17]. Available from: http://www.escholarship.org/uc/item/3nh600ck.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Naiman T. Singing at Death's Door: Late Style, Disability, and the Temporality of Illness in Popular Music. [Thesis]. UCLA; 2017. Available from: http://www.escholarship.org/uc/item/3nh600ck

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

29. Boyd-Hurrell, Sophie. The 'speculative ear': explorations in Adorno and musical modernism.

Degree: 2017, University of Melbourne

 ‘The Speculative Ear’: Explorations in Adorno and Musical Modernism Theodor W. Adorno continues to cut a controversial figure through the discipline of musicology. Against the… (more)

Subjects/Keywords: Adorno; modernism; music; aesthetics; Schoenberg; Babbitt; Radigue

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Boyd-Hurrell, S. (2017). The 'speculative ear': explorations in Adorno and musical modernism. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/190565

Chicago Manual of Style (16th Edition):

Boyd-Hurrell, Sophie. “The 'speculative ear': explorations in Adorno and musical modernism.” 2017. Doctoral Dissertation, University of Melbourne. Accessed June 17, 2019. http://hdl.handle.net/11343/190565.

MLA Handbook (7th Edition):

Boyd-Hurrell, Sophie. “The 'speculative ear': explorations in Adorno and musical modernism.” 2017. Web. 17 Jun 2019.

Vancouver:

Boyd-Hurrell S. The 'speculative ear': explorations in Adorno and musical modernism. [Internet] [Doctoral dissertation]. University of Melbourne; 2017. [cited 2019 Jun 17]. Available from: http://hdl.handle.net/11343/190565.

Council of Science Editors:

Boyd-Hurrell S. The 'speculative ear': explorations in Adorno and musical modernism. [Doctoral Dissertation]. University of Melbourne; 2017. Available from: http://hdl.handle.net/11343/190565

30. Cutileiro, Tiago. Opera and non-narrative music.

Degree: 2014, Universidade de Évora

 Nos últimos vinte-cinco anos, o termo narrativa tem sido um ponto preponderante de discussão musicológica. Os musicólogos que preferem evitar o termo definem narrativa como… (more)

Subjects/Keywords: Aesthetics; Music; Narrative; Non-narrative; opera

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cutileiro, T. (2014). Opera and non-narrative music. (Thesis). Universidade de Évora. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/12013

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cutileiro, Tiago. “Opera and non-narrative music.” 2014. Thesis, Universidade de Évora. Accessed June 17, 2019. https://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/12013.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cutileiro, Tiago. “Opera and non-narrative music.” 2014. Web. 17 Jun 2019.

Vancouver:

Cutileiro T. Opera and non-narrative music. [Internet] [Thesis]. Universidade de Évora; 2014. [cited 2019 Jun 17]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/12013.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cutileiro T. Opera and non-narrative music. [Thesis]. Universidade de Évora; 2014. Available from: https://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/12013

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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