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You searched for subject:(Music Based On Composer s Images). Showing records 1 – 30 of 80955 total matches.

[1] [2] [3] [4] [5] … [2699]

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Temple University

1. Contreras, Maria Elena. Paradoja [dissertation].

Degree: 2008, Temple University

Music Composition

D.M.A.

Paradoja: Concerto for Orchestra consists of three contrasting movements: slow, fast, slow (Paradoja = "paradox," Sp.). These movements are framed by a… (more)

Subjects/Keywords: Music; Latin American Composer; Venezuelan Composer; Women Composer; Musical Compositions

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Contreras, M. E. (2008). Paradoja [dissertation]. (Thesis). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,926

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Contreras, Maria Elena. “Paradoja [dissertation].” 2008. Thesis, Temple University. Accessed January 24, 2020. http://digital.library.temple.edu/u?/p245801coll10,926.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Contreras, Maria Elena. “Paradoja [dissertation].” 2008. Web. 24 Jan 2020.

Vancouver:

Contreras ME. Paradoja [dissertation]. [Internet] [Thesis]. Temple University; 2008. [cited 2020 Jan 24]. Available from: http://digital.library.temple.edu/u?/p245801coll10,926.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Contreras ME. Paradoja [dissertation]. [Thesis]. Temple University; 2008. Available from: http://digital.library.temple.edu/u?/p245801coll10,926

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Temple University

2. Contreras, Maria Elena. Paradoja: concerto for orchestra [score].

Degree: 2008, Temple University

Music Composition

D.M.A.

Paradoja: Concerto for Orchestra consists of three contrasting movements: slow, fast, slow (Paradoja = "paradox," Sp.). These movements are framed by a… (more)

Subjects/Keywords: Music; Latin American Composer; Venezuelan Composer; Women Composer

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Contreras, M. E. (2008). Paradoja: concerto for orchestra [score]. (Thesis). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,969

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Contreras, Maria Elena. “Paradoja: concerto for orchestra [score].” 2008. Thesis, Temple University. Accessed January 24, 2020. http://digital.library.temple.edu/u?/p245801coll10,969.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Contreras, Maria Elena. “Paradoja: concerto for orchestra [score].” 2008. Web. 24 Jan 2020.

Vancouver:

Contreras ME. Paradoja: concerto for orchestra [score]. [Internet] [Thesis]. Temple University; 2008. [cited 2020 Jan 24]. Available from: http://digital.library.temple.edu/u?/p245801coll10,969.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Contreras ME. Paradoja: concerto for orchestra [score]. [Thesis]. Temple University; 2008. Available from: http://digital.library.temple.edu/u?/p245801coll10,969

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

3. Martin, Maria. In The Forest.

Degree: DMA, College-Conservatory of Music : Composition, 2007, University of Cincinnati

 <i>In The Forest</i> is a non-narrative, audio-visual work exploring fall foliage filmed in northwestern Pennsylvania. For me it is a meditation on natural color, motion… (more)

Subjects/Keywords: Music; multimedia; composer; video art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Martin, M. (2007). In The Forest. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179930915

Chicago Manual of Style (16th Edition):

Martin, Maria. “In The Forest.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed January 24, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179930915.

MLA Handbook (7th Edition):

Martin, Maria. “In The Forest.” 2007. Web. 24 Jan 2020.

Vancouver:

Martin M. In The Forest. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2020 Jan 24]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179930915.

Council of Science Editors:

Martin M. In The Forest. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179930915


University of Waikato

4. Dobson, Elizabeth Jane. A Portfolio of Compositions .

Degree: 2010, University of Waikato

 The pieces in this portfolio cover a wide range of methods and styles - from work for a single vocalising percussionist, to singing bowl and… (more)

Subjects/Keywords: music; composition; composer; waikato university

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APA (6th Edition):

Dobson, E. J. (2010). A Portfolio of Compositions . (Masters Thesis). University of Waikato. Retrieved from http://hdl.handle.net/10289/5763

Chicago Manual of Style (16th Edition):

Dobson, Elizabeth Jane. “A Portfolio of Compositions .” 2010. Masters Thesis, University of Waikato. Accessed January 24, 2020. http://hdl.handle.net/10289/5763.

MLA Handbook (7th Edition):

Dobson, Elizabeth Jane. “A Portfolio of Compositions .” 2010. Web. 24 Jan 2020.

Vancouver:

Dobson EJ. A Portfolio of Compositions . [Internet] [Masters thesis]. University of Waikato; 2010. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/10289/5763.

Council of Science Editors:

Dobson EJ. A Portfolio of Compositions . [Masters Thesis]. University of Waikato; 2010. Available from: http://hdl.handle.net/10289/5763


University of North Texas

5. Lee, Sung Yo. Composer/Performer Collaboration as Seen in the Solo Piano Part of Percy Grainger's Edition of the Edvard Grieg Piano Concerto in A Minor, Opus 16.

Degree: 2017, University of North Texas

 The purpose of this document is threefold. First, it demonstrates what Grieg contributes to the musical text compared with the original Peters edition, particularly, those… (more)

Subjects/Keywords: Composer/Performer Collaborative Edition; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lee, S. Y. (2017). Composer/Performer Collaboration as Seen in the Solo Piano Part of Percy Grainger's Edition of the Edvard Grieg Piano Concerto in A Minor, Opus 16. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc984142/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, Sung Yo. “Composer/Performer Collaboration as Seen in the Solo Piano Part of Percy Grainger's Edition of the Edvard Grieg Piano Concerto in A Minor, Opus 16.” 2017. Thesis, University of North Texas. Accessed January 24, 2020. https://digital.library.unt.edu/ark:/67531/metadc984142/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, Sung Yo. “Composer/Performer Collaboration as Seen in the Solo Piano Part of Percy Grainger's Edition of the Edvard Grieg Piano Concerto in A Minor, Opus 16.” 2017. Web. 24 Jan 2020.

Vancouver:

Lee SY. Composer/Performer Collaboration as Seen in the Solo Piano Part of Percy Grainger's Edition of the Edvard Grieg Piano Concerto in A Minor, Opus 16. [Internet] [Thesis]. University of North Texas; 2017. [cited 2020 Jan 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc984142/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee SY. Composer/Performer Collaboration as Seen in the Solo Piano Part of Percy Grainger's Edition of the Edvard Grieg Piano Concerto in A Minor, Opus 16. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc984142/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oklahoma

6. Shannon, Eric Christopher. FLORENT SCHMITT AND THE LIED ET SCHERZO, OP. 54.

Degree: DMA, 2015, University of Oklahoma

 Though written by a less well-known composer, Florent Schmitt’s Lied et Scherzo, Op. 54, is a work for double woodwind quintet featuring a principal French… (more)

Subjects/Keywords: French composer; twentieth century music; chamber music; music; chamber winds; French horn; composer biography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shannon, E. C. (2015). FLORENT SCHMITT AND THE LIED ET SCHERZO, OP. 54. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/14438

Chicago Manual of Style (16th Edition):

Shannon, Eric Christopher. “FLORENT SCHMITT AND THE LIED ET SCHERZO, OP. 54.” 2015. Doctoral Dissertation, University of Oklahoma. Accessed January 24, 2020. http://hdl.handle.net/11244/14438.

MLA Handbook (7th Edition):

Shannon, Eric Christopher. “FLORENT SCHMITT AND THE LIED ET SCHERZO, OP. 54.” 2015. Web. 24 Jan 2020.

Vancouver:

Shannon EC. FLORENT SCHMITT AND THE LIED ET SCHERZO, OP. 54. [Internet] [Doctoral dissertation]. University of Oklahoma; 2015. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/11244/14438.

Council of Science Editors:

Shannon EC. FLORENT SCHMITT AND THE LIED ET SCHERZO, OP. 54. [Doctoral Dissertation]. University of Oklahoma; 2015. Available from: http://hdl.handle.net/11244/14438


NSYSU

7. Hsu, I-chien. The Implications of Minimalist Music and Space of Theatre in Philip Glassâs âEinstein on the Beachâ.

Degree: Master, Music, 2015, NSYSU

 Abstract The study explores Philip Glassâ s minimalist music in Einstein on the Beach. The aims of this research are to examine how investigate Robert… (more)

Subjects/Keywords: Theatre of images; Einstein on the Beach; Wilson; Avant-garde theatre; Glass; Minimalist music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hsu, I. (2015). The Implications of Minimalist Music and Space of Theatre in Philip Glassâs âEinstein on the Beachâ. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0615115-235229

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hsu, I-chien. “The Implications of Minimalist Music and Space of Theatre in Philip Glassâs âEinstein on the Beachâ.” 2015. Thesis, NSYSU. Accessed January 24, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0615115-235229.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hsu, I-chien. “The Implications of Minimalist Music and Space of Theatre in Philip Glassâs âEinstein on the Beachâ.” 2015. Web. 24 Jan 2020.

Vancouver:

Hsu I. The Implications of Minimalist Music and Space of Theatre in Philip Glassâs âEinstein on the Beachâ. [Internet] [Thesis]. NSYSU; 2015. [cited 2020 Jan 24]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0615115-235229.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hsu I. The Implications of Minimalist Music and Space of Theatre in Philip Glassâs âEinstein on the Beachâ. [Thesis]. NSYSU; 2015. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0615115-235229

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Mourato, Ana Sofia Brás Carrilho. Aplicação para pesquisa de clip arts em dispositivos móveis baseada em esboços.

Degree: 2013, Repositório Científico do Instituto Politécnico de Lisboa

Trabalho Final de Mestrado para obtenção do Grau de Mestre em Engenharia de Redes de Comunicação e Multimédia

Existe atualmente um crescimento exponencial na diversidade… (more)

Subjects/Keywords: Pesquisa baseada em esboço; Imagens clip art; Imagens vetoriais; Imagens raster; Aplicações para android; Search based on sketch; Clip art images; Vector images; Raster images; Android applications

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APA (6th Edition):

Mourato, A. S. B. C. (2013). Aplicação para pesquisa de clip arts em dispositivos móveis baseada em esboços. (Thesis). Repositório Científico do Instituto Politécnico de Lisboa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/6550

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mourato, Ana Sofia Brás Carrilho. “Aplicação para pesquisa de clip arts em dispositivos móveis baseada em esboços.” 2013. Thesis, Repositório Científico do Instituto Politécnico de Lisboa. Accessed January 24, 2020. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/6550.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mourato, Ana Sofia Brás Carrilho. “Aplicação para pesquisa de clip arts em dispositivos móveis baseada em esboços.” 2013. Web. 24 Jan 2020.

Vancouver:

Mourato ASBC. Aplicação para pesquisa de clip arts em dispositivos móveis baseada em esboços. [Internet] [Thesis]. Repositório Científico do Instituto Politécnico de Lisboa; 2013. [cited 2020 Jan 24]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/6550.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mourato ASBC. Aplicação para pesquisa de clip arts em dispositivos móveis baseada em esboços. [Thesis]. Repositório Científico do Instituto Politécnico de Lisboa; 2013. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/6550

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Minnesota

9. Crockett, Zachary. Ritual1: a case study in collaborative process.

Degree: PhD, Music, 2012, University of Minnesota

 After introducing historical models of interdisciplinary collaboration, I describe my process, laying out an example for future creators of collaborative arts performances. When I began… (more)

Subjects/Keywords: Choreographer; Collaboration; Composer; Improvisation; Interdisciplinary; Video; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Crockett, Z. (2012). Ritual1: a case study in collaborative process. (Doctoral Dissertation). University of Minnesota. Retrieved from http://purl.umn.edu/121690

Chicago Manual of Style (16th Edition):

Crockett, Zachary. “Ritual1: a case study in collaborative process.” 2012. Doctoral Dissertation, University of Minnesota. Accessed January 24, 2020. http://purl.umn.edu/121690.

MLA Handbook (7th Edition):

Crockett, Zachary. “Ritual1: a case study in collaborative process.” 2012. Web. 24 Jan 2020.

Vancouver:

Crockett Z. Ritual1: a case study in collaborative process. [Internet] [Doctoral dissertation]. University of Minnesota; 2012. [cited 2020 Jan 24]. Available from: http://purl.umn.edu/121690.

Council of Science Editors:

Crockett Z. Ritual1: a case study in collaborative process. [Doctoral Dissertation]. University of Minnesota; 2012. Available from: http://purl.umn.edu/121690


University of Minnesota

10. Curiale, Joseph. Resonant Trajectories.

Degree: PhD, Music, 2015, University of Minnesota

 Abstract My musical composition, Resonant Trajectories is the first entirely electronic PhD dissertation in Music Composition in the history of the University of Minnesota School… (more)

Subjects/Keywords: Composer; Composition; Electronic Music; Haslip; Miller

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APA (6th Edition):

Curiale, J. (2015). Resonant Trajectories. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/175409

Chicago Manual of Style (16th Edition):

Curiale, Joseph. “Resonant Trajectories.” 2015. Doctoral Dissertation, University of Minnesota. Accessed January 24, 2020. http://hdl.handle.net/11299/175409.

MLA Handbook (7th Edition):

Curiale, Joseph. “Resonant Trajectories.” 2015. Web. 24 Jan 2020.

Vancouver:

Curiale J. Resonant Trajectories. [Internet] [Doctoral dissertation]. University of Minnesota; 2015. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/11299/175409.

Council of Science Editors:

Curiale J. Resonant Trajectories. [Doctoral Dissertation]. University of Minnesota; 2015. Available from: http://hdl.handle.net/11299/175409


Louisiana State University

11. Waugh, Carline. A Performer's Guide to Richard Danielpour's A Woman's Life.

Degree: DMA, Music, 2015, Louisiana State University

 This document serves as a guide to the song cycle A Woman’s Life composed by Richard Danielpour in 2007. The document presents relevant biographical information… (more)

Subjects/Keywords: Living Composer; American Music; American Poetry

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Waugh, C. (2015). A Performer's Guide to Richard Danielpour's A Woman's Life. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-06102015-162057 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2542

Chicago Manual of Style (16th Edition):

Waugh, Carline. “A Performer's Guide to Richard Danielpour's A Woman's Life.” 2015. Doctoral Dissertation, Louisiana State University. Accessed January 24, 2020. etd-06102015-162057 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2542.

MLA Handbook (7th Edition):

Waugh, Carline. “A Performer's Guide to Richard Danielpour's A Woman's Life.” 2015. Web. 24 Jan 2020.

Vancouver:

Waugh C. A Performer's Guide to Richard Danielpour's A Woman's Life. [Internet] [Doctoral dissertation]. Louisiana State University; 2015. [cited 2020 Jan 24]. Available from: etd-06102015-162057 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2542.

Council of Science Editors:

Waugh C. A Performer's Guide to Richard Danielpour's A Woman's Life. [Doctoral Dissertation]. Louisiana State University; 2015. Available from: etd-06102015-162057 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2542


University of Arizona

12. Smith, Doug A. A Guide to Composing Works for Voice and Marimba Intended for a Single Performer .

Degree: 2011, University of Arizona

 This research identifies successful compositional techniques for voice and marimba, intended for a single performer, through comparison of commissioned works composed by Beth Caucci, Philip… (more)

Subjects/Keywords: marimba; performer; single; voice; Music; composer; guide

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smith, D. A. (2011). A Guide to Composing Works for Voice and Marimba Intended for a Single Performer . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/202705

Chicago Manual of Style (16th Edition):

Smith, Doug A. “A Guide to Composing Works for Voice and Marimba Intended for a Single Performer .” 2011. Doctoral Dissertation, University of Arizona. Accessed January 24, 2020. http://hdl.handle.net/10150/202705.

MLA Handbook (7th Edition):

Smith, Doug A. “A Guide to Composing Works for Voice and Marimba Intended for a Single Performer .” 2011. Web. 24 Jan 2020.

Vancouver:

Smith DA. A Guide to Composing Works for Voice and Marimba Intended for a Single Performer . [Internet] [Doctoral dissertation]. University of Arizona; 2011. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/10150/202705.

Council of Science Editors:

Smith DA. A Guide to Composing Works for Voice and Marimba Intended for a Single Performer . [Doctoral Dissertation]. University of Arizona; 2011. Available from: http://hdl.handle.net/10150/202705


University of Sydney

13. Hoffman, Sophie. Becoming a Composer: How postgraduate conservatorium students develop their musical identities .

Degree: 2016, University of Sydney

 Musical identities research demonstrates the many roles that music plays in our everyday lives. For musicians, music is more than just a tool for self-discovery;… (more)

Subjects/Keywords: music; composer; student; identity; development; self

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hoffman, S. (2016). Becoming a Composer: How postgraduate conservatorium students develop their musical identities . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/15991

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hoffman, Sophie. “Becoming a Composer: How postgraduate conservatorium students develop their musical identities .” 2016. Thesis, University of Sydney. Accessed January 24, 2020. http://hdl.handle.net/2123/15991.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hoffman, Sophie. “Becoming a Composer: How postgraduate conservatorium students develop their musical identities .” 2016. Web. 24 Jan 2020.

Vancouver:

Hoffman S. Becoming a Composer: How postgraduate conservatorium students develop their musical identities . [Internet] [Thesis]. University of Sydney; 2016. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/2123/15991.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hoffman S. Becoming a Composer: How postgraduate conservatorium students develop their musical identities . [Thesis]. University of Sydney; 2016. Available from: http://hdl.handle.net/2123/15991

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

14. Brindamour, Lydia Winsor. Portfolio of Work, Lydia Winsor Brindamour.

Degree: Music, 2017, University of California – San Diego

This thesis is a portfolio of work completed during my Master’s study at the University of California, San Diego. Included in this portfolio are three papers, written as part of my coursework, and three original compositions.

Subjects/Keywords: Musical composition; Chamber Music; Composer; Composition; Contemporary Music; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brindamour, L. W. (2017). Portfolio of Work, Lydia Winsor Brindamour. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/5tp1q5z8

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brindamour, Lydia Winsor. “Portfolio of Work, Lydia Winsor Brindamour.” 2017. Thesis, University of California – San Diego. Accessed January 24, 2020. http://www.escholarship.org/uc/item/5tp1q5z8.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brindamour, Lydia Winsor. “Portfolio of Work, Lydia Winsor Brindamour.” 2017. Web. 24 Jan 2020.

Vancouver:

Brindamour LW. Portfolio of Work, Lydia Winsor Brindamour. [Internet] [Thesis]. University of California – San Diego; 2017. [cited 2020 Jan 24]. Available from: http://www.escholarship.org/uc/item/5tp1q5z8.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brindamour LW. Portfolio of Work, Lydia Winsor Brindamour. [Thesis]. University of California – San Diego; 2017. Available from: http://www.escholarship.org/uc/item/5tp1q5z8

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Arizona State University

15. Shepherd, Tregoney. Steven Lutvak: The Journey of a Gentleman.

Degree: Music, 2015, Arizona State University

Subjects/Keywords: Music; composer; music; music theater

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APA (6th Edition):

Shepherd, T. (2015). Steven Lutvak: The Journey of a Gentleman. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/30042

Chicago Manual of Style (16th Edition):

Shepherd, Tregoney. “Steven Lutvak: The Journey of a Gentleman.” 2015. Doctoral Dissertation, Arizona State University. Accessed January 24, 2020. http://repository.asu.edu/items/30042.

MLA Handbook (7th Edition):

Shepherd, Tregoney. “Steven Lutvak: The Journey of a Gentleman.” 2015. Web. 24 Jan 2020.

Vancouver:

Shepherd T. Steven Lutvak: The Journey of a Gentleman. [Internet] [Doctoral dissertation]. Arizona State University; 2015. [cited 2020 Jan 24]. Available from: http://repository.asu.edu/items/30042.

Council of Science Editors:

Shepherd T. Steven Lutvak: The Journey of a Gentleman. [Doctoral Dissertation]. Arizona State University; 2015. Available from: http://repository.asu.edu/items/30042


University of British Columbia

16. Anputhas, Markandu. Simulating land use change for assessing future dynamics of land and water resources .

Degree: 2015, University of British Columbia

 Models of land use change fall into two broad categories: pattern based and process based. This thesis focuses on pattern based land use change models,… (more)

Subjects/Keywords: CLUE-S; discriminant function; endogenous variables; food security; pattern based land use models; remote sensing images; simulation; spatial association; water district

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APA (6th Edition):

Anputhas, M. (2015). Simulating land use change for assessing future dynamics of land and water resources . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/56181

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Anputhas, Markandu. “Simulating land use change for assessing future dynamics of land and water resources .” 2015. Thesis, University of British Columbia. Accessed January 24, 2020. http://hdl.handle.net/2429/56181.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Anputhas, Markandu. “Simulating land use change for assessing future dynamics of land and water resources .” 2015. Web. 24 Jan 2020.

Vancouver:

Anputhas M. Simulating land use change for assessing future dynamics of land and water resources . [Internet] [Thesis]. University of British Columbia; 2015. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/2429/56181.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Anputhas M. Simulating land use change for assessing future dynamics of land and water resources . [Thesis]. University of British Columbia; 2015. Available from: http://hdl.handle.net/2429/56181

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Maslen, Travis J. Three reflections on Mount Diablo for wind ensemble.

Degree: M.M., Music (Composition, 2017, California State University – Sacramento

 Three Reflections on Mount Diablo is a large work for wind ensemble, and comprises three movements: Ancient Vistas, March of the Tarantulas, and Wind Caves.… (more)

Subjects/Keywords: Composer; Composition; Concert band; Multi-movement; Band music; Instrumental music

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APA (6th Edition):

Maslen, T. J. (2017). Three reflections on Mount Diablo for wind ensemble. (Masters Thesis). California State University – Sacramento. Retrieved from http://hdl.handle.net/10211.3/198236

Chicago Manual of Style (16th Edition):

Maslen, Travis J. “Three reflections on Mount Diablo for wind ensemble.” 2017. Masters Thesis, California State University – Sacramento. Accessed January 24, 2020. http://hdl.handle.net/10211.3/198236.

MLA Handbook (7th Edition):

Maslen, Travis J. “Three reflections on Mount Diablo for wind ensemble.” 2017. Web. 24 Jan 2020.

Vancouver:

Maslen TJ. Three reflections on Mount Diablo for wind ensemble. [Internet] [Masters thesis]. California State University – Sacramento; 2017. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/10211.3/198236.

Council of Science Editors:

Maslen TJ. Three reflections on Mount Diablo for wind ensemble. [Masters Thesis]. California State University – Sacramento; 2017. Available from: http://hdl.handle.net/10211.3/198236


Bowling Green State University

18. Chan, Chin Ting. Apparitions - a fantasy for chamber ensemble.

Degree: MM, Music Composition, 2011, Bowling Green State University

  Apparitions - a fantasy for chamber ensemble is scored for a chamber group that consists of flute, oboe, clarinet, bassoon, horn, trumpet, trombone, two… (more)

Subjects/Keywords: Music; music; score; composer; contemporary; apparitions; chamber ensemble

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APA (6th Edition):

Chan, C. T. (2011). Apparitions - a fantasy for chamber ensemble. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300936213

Chicago Manual of Style (16th Edition):

Chan, Chin Ting. “Apparitions - a fantasy for chamber ensemble.” 2011. Masters Thesis, Bowling Green State University. Accessed January 24, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300936213.

MLA Handbook (7th Edition):

Chan, Chin Ting. “Apparitions - a fantasy for chamber ensemble.” 2011. Web. 24 Jan 2020.

Vancouver:

Chan CT. Apparitions - a fantasy for chamber ensemble. [Internet] [Masters thesis]. Bowling Green State University; 2011. [cited 2020 Jan 24]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300936213.

Council of Science Editors:

Chan CT. Apparitions - a fantasy for chamber ensemble. [Masters Thesis]. Bowling Green State University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300936213


UCLA

19. Thierman, Jamie Marie. The Integration of African Musical Elements into Western Classical Music.

Degree: Music, 2015, UCLA

 Volume I:In the last several decades, composers of classical music have been looking forinspiration from music of non-Western cultures. This dissertation explores the music of… (more)

Subjects/Keywords: Music; Africa; Classical; Composer; Composition; Music; Non-Western

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APA (6th Edition):

Thierman, J. M. (2015). The Integration of African Musical Elements into Western Classical Music. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/6m18z79r

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thierman, Jamie Marie. “The Integration of African Musical Elements into Western Classical Music.” 2015. Thesis, UCLA. Accessed January 24, 2020. http://www.escholarship.org/uc/item/6m18z79r.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thierman, Jamie Marie. “The Integration of African Musical Elements into Western Classical Music.” 2015. Web. 24 Jan 2020.

Vancouver:

Thierman JM. The Integration of African Musical Elements into Western Classical Music. [Internet] [Thesis]. UCLA; 2015. [cited 2020 Jan 24]. Available from: http://www.escholarship.org/uc/item/6m18z79r.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thierman JM. The Integration of African Musical Elements into Western Classical Music. [Thesis]. UCLA; 2015. Available from: http://www.escholarship.org/uc/item/6m18z79r

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Arizona State University

20. Case-Ruchala, Celeste Ann. A Recording Project Featuring Four Newly Commissioned Pieces For Clarinet.

Degree: Music, 2016, Arizona State University

 The primary objective of this research project is to expand the clarinet repertoire with the addition of four new pieces. Each of these new pieces… (more)

Subjects/Keywords: Music; Fine arts; Performing arts; Clarinet; Commission; Composer; Composition; Modern; Music

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APA (6th Edition):

Case-Ruchala, C. A. (2016). A Recording Project Featuring Four Newly Commissioned Pieces For Clarinet. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/39409

Chicago Manual of Style (16th Edition):

Case-Ruchala, Celeste Ann. “A Recording Project Featuring Four Newly Commissioned Pieces For Clarinet.” 2016. Doctoral Dissertation, Arizona State University. Accessed January 24, 2020. http://repository.asu.edu/items/39409.

MLA Handbook (7th Edition):

Case-Ruchala, Celeste Ann. “A Recording Project Featuring Four Newly Commissioned Pieces For Clarinet.” 2016. Web. 24 Jan 2020.

Vancouver:

Case-Ruchala CA. A Recording Project Featuring Four Newly Commissioned Pieces For Clarinet. [Internet] [Doctoral dissertation]. Arizona State University; 2016. [cited 2020 Jan 24]. Available from: http://repository.asu.edu/items/39409.

Council of Science Editors:

Case-Ruchala CA. A Recording Project Featuring Four Newly Commissioned Pieces For Clarinet. [Doctoral Dissertation]. Arizona State University; 2016. Available from: http://repository.asu.edu/items/39409


University of Toronto

21. Dupuis, Sophie. The Girl Who Looked by the Window.

Degree: 2019, University of Toronto

The Girl Who Looked by the Window was inspired by a picture from American photographer Gregory Crewdson’s Twilight series of 1998-2002. The untitled photograph shows… (more)

Subjects/Keywords: Canadian composer; Composition; Gregory Crewdson; Music Score; Orchestra; Orchestral Music; 0214

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APA (6th Edition):

Dupuis, S. (2019). The Girl Who Looked by the Window. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/97415

Chicago Manual of Style (16th Edition):

Dupuis, Sophie. “The Girl Who Looked by the Window.” 2019. Doctoral Dissertation, University of Toronto. Accessed January 24, 2020. http://hdl.handle.net/1807/97415.

MLA Handbook (7th Edition):

Dupuis, Sophie. “The Girl Who Looked by the Window.” 2019. Web. 24 Jan 2020.

Vancouver:

Dupuis S. The Girl Who Looked by the Window. [Internet] [Doctoral dissertation]. University of Toronto; 2019. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/1807/97415.

Council of Science Editors:

Dupuis S. The Girl Who Looked by the Window. [Doctoral Dissertation]. University of Toronto; 2019. Available from: http://hdl.handle.net/1807/97415


University of Southern California

22. Kim, Samuel. Contextual modeling of audio signals toward information retrieval.

Degree: PhD, Electrical Engineering, 2010, University of Southern California

 The main focus of this dissertation is on audio modeling and indexing toward audio information retrieval. In this regard, various novel methodologies are proposed in… (more)

Subjects/Keywords: audio context; audio modeling; content-based audio information retrieval; context-based audio information retrieval; music information retrieval; music fingerprint; cover-song identification; composer identification; environmental sound; unstructured audio; acoustic topic models; acoustic word; text-like audio signal processing; naive sound description modeling; intermediate audio descriptive layer

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APA (6th Edition):

Kim, S. (2010). Contextual modeling of audio signals toward information retrieval. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/411470/rec/1623

Chicago Manual of Style (16th Edition):

Kim, Samuel. “Contextual modeling of audio signals toward information retrieval.” 2010. Doctoral Dissertation, University of Southern California. Accessed January 24, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/411470/rec/1623.

MLA Handbook (7th Edition):

Kim, Samuel. “Contextual modeling of audio signals toward information retrieval.” 2010. Web. 24 Jan 2020.

Vancouver:

Kim S. Contextual modeling of audio signals toward information retrieval. [Internet] [Doctoral dissertation]. University of Southern California; 2010. [cited 2020 Jan 24]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/411470/rec/1623.

Council of Science Editors:

Kim S. Contextual modeling of audio signals toward information retrieval. [Doctoral Dissertation]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/411470/rec/1623


University of Cincinnati

23. SO, JEONG-HWA. Rhetorical Perspectives on the Large Settings of Catechism Chorales in J. S. Bach's Clavierübung III.

Degree: DMA, College-Conservatory of Music : Organ, 2008, University of Cincinnati

 To understand Bach's chorale preludes, one must engage in several preceding investigations, including Lutheran doctrine and rhetorical modes of musical expression. Bach was raised in… (more)

Subjects/Keywords: Music; Clavier&252; bung III; Catechism Chorales; J. S. Bach; Lutheran philosophy on Music; Musica poetica

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APA (6th Edition):

SO, J. (2008). Rhetorical Perspectives on the Large Settings of Catechism Chorales in J. S. Bach's Clavierübung III. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1216409097

Chicago Manual of Style (16th Edition):

SO, JEONG-HWA. “Rhetorical Perspectives on the Large Settings of Catechism Chorales in J. S. Bach's Clavierübung III.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed January 24, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1216409097.

MLA Handbook (7th Edition):

SO, JEONG-HWA. “Rhetorical Perspectives on the Large Settings of Catechism Chorales in J. S. Bach's Clavierübung III.” 2008. Web. 24 Jan 2020.

Vancouver:

SO J. Rhetorical Perspectives on the Large Settings of Catechism Chorales in J. S. Bach's Clavierübung III. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2020 Jan 24]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1216409097.

Council of Science Editors:

SO J. Rhetorical Perspectives on the Large Settings of Catechism Chorales in J. S. Bach's Clavierübung III. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1216409097


The Ohio State University

24. Sansbury, Sally Liew. The Xinjiang piano suites of Shi Fu.

Degree: DMA, Music, 2007, The Ohio State University

 A distinguished Chinese ethnomusicologist and composer, Shi Fu has spent considerable time researching and collecting minority folk songs in Xinjiang, a province in the northwest… (more)

Subjects/Keywords: Music; Xinjiang Piano Suites; Chinese composer; ethnic minority folk music; Chinese piano music

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APA (6th Edition):

Sansbury, S. L. (2007). The Xinjiang piano suites of Shi Fu. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1180495584

Chicago Manual of Style (16th Edition):

Sansbury, Sally Liew. “The Xinjiang piano suites of Shi Fu.” 2007. Doctoral Dissertation, The Ohio State University. Accessed January 24, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1180495584.

MLA Handbook (7th Edition):

Sansbury, Sally Liew. “The Xinjiang piano suites of Shi Fu.” 2007. Web. 24 Jan 2020.

Vancouver:

Sansbury SL. The Xinjiang piano suites of Shi Fu. [Internet] [Doctoral dissertation]. The Ohio State University; 2007. [cited 2020 Jan 24]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1180495584.

Council of Science Editors:

Sansbury SL. The Xinjiang piano suites of Shi Fu. [Doctoral Dissertation]. The Ohio State University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1180495584


University of Akron

25. Domer, Adam D. Analysis of Michael Daugherty’s “Le Tombeau de Liberace”.

Degree: MM, Music-Theory, 2009, University of Akron

 Michael Daugherty is a postmodern composer with a unique style that blends contemporary “classical” music idioms with popular music idioms. This study is an analysis… (more)

Subjects/Keywords: Music; Michael Daugherty; Le Tombeau de Liberace; Liberace; postmodern; music theory; popular music; American composer

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APA (6th Edition):

Domer, A. D. (2009). Analysis of Michael Daugherty’s “Le Tombeau de Liberace”. (Masters Thesis). University of Akron. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=akron1239633394

Chicago Manual of Style (16th Edition):

Domer, Adam D. “Analysis of Michael Daugherty’s “Le Tombeau de Liberace”.” 2009. Masters Thesis, University of Akron. Accessed January 24, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=akron1239633394.

MLA Handbook (7th Edition):

Domer, Adam D. “Analysis of Michael Daugherty’s “Le Tombeau de Liberace”.” 2009. Web. 24 Jan 2020.

Vancouver:

Domer AD. Analysis of Michael Daugherty’s “Le Tombeau de Liberace”. [Internet] [Masters thesis]. University of Akron; 2009. [cited 2020 Jan 24]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=akron1239633394.

Council of Science Editors:

Domer AD. Analysis of Michael Daugherty’s “Le Tombeau de Liberace”. [Masters Thesis]. University of Akron; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=akron1239633394


Boston University

26. Ewing, Micah Hansen. Perspectives of the interaction between composer, student performer, and music educator: commissioned works in selected school ensembles.

Degree: DMA, Music Education, 2016, Boston University

 The purpose of this study was to examine and describe the process entailed in commissioning a new work for a high school music ensemble with… (more)

Subjects/Keywords: Music education; Composer; Commissioned music; Commissioned works; Interpersonal relationships; Music education; Student musician

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APA (6th Edition):

Ewing, M. H. (2016). Perspectives of the interaction between composer, student performer, and music educator: commissioned works in selected school ensembles. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/14564

Chicago Manual of Style (16th Edition):

Ewing, Micah Hansen. “Perspectives of the interaction between composer, student performer, and music educator: commissioned works in selected school ensembles.” 2016. Doctoral Dissertation, Boston University. Accessed January 24, 2020. http://hdl.handle.net/2144/14564.

MLA Handbook (7th Edition):

Ewing, Micah Hansen. “Perspectives of the interaction between composer, student performer, and music educator: commissioned works in selected school ensembles.” 2016. Web. 24 Jan 2020.

Vancouver:

Ewing MH. Perspectives of the interaction between composer, student performer, and music educator: commissioned works in selected school ensembles. [Internet] [Doctoral dissertation]. Boston University; 2016. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/2144/14564.

Council of Science Editors:

Ewing MH. Perspectives of the interaction between composer, student performer, and music educator: commissioned works in selected school ensembles. [Doctoral Dissertation]. Boston University; 2016. Available from: http://hdl.handle.net/2144/14564


University of Western Ontario

27. Duffy, Laura. James Rolfe's Vocal Chamber Music: A Performance Analysis and Interpretation.

Degree: 2019, University of Western Ontario

 This study examines three vocal chamber works by Canadian composer James Rolfe (b. 1961). Rolfe's vocal chamber music is examined through analysis of text setting,… (more)

Subjects/Keywords: Vocalist; Musical Analysis; Musical Interpretation; Contemporary Music; Canadian Composer; Music Pedagogy; Music Performance

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APA (6th Edition):

Duffy, L. (2019). James Rolfe's Vocal Chamber Music: A Performance Analysis and Interpretation. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/6450

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Duffy, Laura. “James Rolfe's Vocal Chamber Music: A Performance Analysis and Interpretation.” 2019. Thesis, University of Western Ontario. Accessed January 24, 2020. https://ir.lib.uwo.ca/etd/6450.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Duffy, Laura. “James Rolfe's Vocal Chamber Music: A Performance Analysis and Interpretation.” 2019. Web. 24 Jan 2020.

Vancouver:

Duffy L. James Rolfe's Vocal Chamber Music: A Performance Analysis and Interpretation. [Internet] [Thesis]. University of Western Ontario; 2019. [cited 2020 Jan 24]. Available from: https://ir.lib.uwo.ca/etd/6450.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Duffy L. James Rolfe's Vocal Chamber Music: A Performance Analysis and Interpretation. [Thesis]. University of Western Ontario; 2019. Available from: https://ir.lib.uwo.ca/etd/6450

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Iowa

28. Jacobson, Marin Ruth Tollefson. Stylistic development in the choral music of Rebecca Clarke.

Degree: DMA, Music, 2011, University of Iowa

  Until the recent publication of twelve choral compositions, Rebecca Clarke (1886-1979) was known solely as a professional violist and composer of chamber music and… (more)

Subjects/Keywords: British Music; Choral Music; Great Britain; Rebecca Clarke; Twentieth-Century English History; Women Composer; Music

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APA (6th Edition):

Jacobson, M. R. T. (2011). Stylistic development in the choral music of Rebecca Clarke. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/988

Chicago Manual of Style (16th Edition):

Jacobson, Marin Ruth Tollefson. “Stylistic development in the choral music of Rebecca Clarke.” 2011. Doctoral Dissertation, University of Iowa. Accessed January 24, 2020. https://ir.uiowa.edu/etd/988.

MLA Handbook (7th Edition):

Jacobson, Marin Ruth Tollefson. “Stylistic development in the choral music of Rebecca Clarke.” 2011. Web. 24 Jan 2020.

Vancouver:

Jacobson MRT. Stylistic development in the choral music of Rebecca Clarke. [Internet] [Doctoral dissertation]. University of Iowa; 2011. [cited 2020 Jan 24]. Available from: https://ir.uiowa.edu/etd/988.

Council of Science Editors:

Jacobson MRT. Stylistic development in the choral music of Rebecca Clarke. [Doctoral Dissertation]. University of Iowa; 2011. Available from: https://ir.uiowa.edu/etd/988


University of South Carolina

29. Olivera, Claudio. Teresa Carreno: Pianist, Composer and Pedagogue. Her Life And Work From The Perspective Of Virtuoso Piano Playing At The End Of The 19th Century.

Degree: DMA, School of Music, 2016, University of South Carolina

  Teresa Carreño (1853 – 1917) was the first Venezuelan artist to achieve international recognition. As a child prodigy, she impressed pianists such as Louis… (more)

Subjects/Keywords: Music; Pianist; composer; pedagogue; perspective; virtuoso piano playing

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APA (6th Edition):

Olivera, C. (2016). Teresa Carreno: Pianist, Composer and Pedagogue. Her Life And Work From The Perspective Of Virtuoso Piano Playing At The End Of The 19th Century. (Doctoral Dissertation). University of South Carolina. Retrieved from https://scholarcommons.sc.edu/etd/3394

Chicago Manual of Style (16th Edition):

Olivera, Claudio. “Teresa Carreno: Pianist, Composer and Pedagogue. Her Life And Work From The Perspective Of Virtuoso Piano Playing At The End Of The 19th Century.” 2016. Doctoral Dissertation, University of South Carolina. Accessed January 24, 2020. https://scholarcommons.sc.edu/etd/3394.

MLA Handbook (7th Edition):

Olivera, Claudio. “Teresa Carreno: Pianist, Composer and Pedagogue. Her Life And Work From The Perspective Of Virtuoso Piano Playing At The End Of The 19th Century.” 2016. Web. 24 Jan 2020.

Vancouver:

Olivera C. Teresa Carreno: Pianist, Composer and Pedagogue. Her Life And Work From The Perspective Of Virtuoso Piano Playing At The End Of The 19th Century. [Internet] [Doctoral dissertation]. University of South Carolina; 2016. [cited 2020 Jan 24]. Available from: https://scholarcommons.sc.edu/etd/3394.

Council of Science Editors:

Olivera C. Teresa Carreno: Pianist, Composer and Pedagogue. Her Life And Work From The Perspective Of Virtuoso Piano Playing At The End Of The 19th Century. [Doctoral Dissertation]. University of South Carolina; 2016. Available from: https://scholarcommons.sc.edu/etd/3394


University of Southern California

30. Barbara, Samuel William. A survey of the unaccompanied choral music of Wolfram Buchenberg.

Degree: DMA, Choral Music, 2013, University of Southern California

 Wolfram Buchenberg (b. 1962) is one of the most celebrated living composers in Germany and he continues to add to an already rich and extensive… (more)

Subjects/Keywords: Wolfram; Buchenberg; a cappella; unaccompanied; choral; music; contemporary; modern; composer; Germany

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APA (6th Edition):

Barbara, S. W. (2013). A survey of the unaccompanied choral music of Wolfram Buchenberg. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/342715/rec/421

Chicago Manual of Style (16th Edition):

Barbara, Samuel William. “A survey of the unaccompanied choral music of Wolfram Buchenberg.” 2013. Doctoral Dissertation, University of Southern California. Accessed January 24, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/342715/rec/421.

MLA Handbook (7th Edition):

Barbara, Samuel William. “A survey of the unaccompanied choral music of Wolfram Buchenberg.” 2013. Web. 24 Jan 2020.

Vancouver:

Barbara SW. A survey of the unaccompanied choral music of Wolfram Buchenberg. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2020 Jan 24]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/342715/rec/421.

Council of Science Editors:

Barbara SW. A survey of the unaccompanied choral music of Wolfram Buchenberg. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/342715/rec/421

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