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You searched for subject:(Motion pictures United States History AND criticism ). Showing records 1 – 30 of 4827 total matches.

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University of New Mexico

1. Bender, Carol. Cinema Dance: The Development of an art form as defined by Busby Berkeley's work with the Hollywood musical during the Great Depression.

Degree: Theatre & Dance, 2010, University of New Mexico

 Dance in entertainment film media, cinema dance, is a hot topic in the current arts world, originating from dance in Hollywood films. Cinema dance developed… (more)

Subjects/Keywords: Berkeley; Busby; 1895-1976 – Criticism and interpretation; Dance in motion pictures; television; etc. – United States – History; Cinematography – United States – History; Musical films – United States – History and criticism

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APA (6th Edition):

Bender, C. (2010). Cinema Dance: The Development of an art form as defined by Busby Berkeley's work with the Hollywood musical during the Great Depression. (Masters Thesis). University of New Mexico. Retrieved from http://hdl.handle.net/1928/10278

Chicago Manual of Style (16th Edition):

Bender, Carol. “Cinema Dance: The Development of an art form as defined by Busby Berkeley's work with the Hollywood musical during the Great Depression.” 2010. Masters Thesis, University of New Mexico. Accessed November 17, 2019. http://hdl.handle.net/1928/10278.

MLA Handbook (7th Edition):

Bender, Carol. “Cinema Dance: The Development of an art form as defined by Busby Berkeley's work with the Hollywood musical during the Great Depression.” 2010. Web. 17 Nov 2019.

Vancouver:

Bender C. Cinema Dance: The Development of an art form as defined by Busby Berkeley's work with the Hollywood musical during the Great Depression. [Internet] [Masters thesis]. University of New Mexico; 2010. [cited 2019 Nov 17]. Available from: http://hdl.handle.net/1928/10278.

Council of Science Editors:

Bender C. Cinema Dance: The Development of an art form as defined by Busby Berkeley's work with the Hollywood musical during the Great Depression. [Masters Thesis]. University of New Mexico; 2010. Available from: http://hdl.handle.net/1928/10278


University of Hong Kong

2. Tsang, Wai-ho. Post-9/11 American gothic family in The hills have eyes duology and Twilight saga.

Degree: MA, 2012, University of Hong Kong

9/11 attacks open the 21st Century into the fear of the Other, which is coincidentally at the core of the Gothic tradition. In post-911 Gothic… (more)

Subjects/Keywords: Horror films - United States - History and criticism.; Gothic revival (Literature) - United States.; Monsters in motion pictures.

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APA (6th Edition):

Tsang, W. (2012). Post-9/11 American gothic family in The hills have eyes duology and Twilight saga. (Masters Thesis). University of Hong Kong. Retrieved from Tsang, W. [曾煒豪]. (2012). Post-9/11 American gothic family in The hills have eyes duology and Twilight saga. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4839507 ; http://dx.doi.org/10.5353/th_b4839507 ; http://hdl.handle.net/10722/177285

Chicago Manual of Style (16th Edition):

Tsang, Wai-ho. “Post-9/11 American gothic family in The hills have eyes duology and Twilight saga.” 2012. Masters Thesis, University of Hong Kong. Accessed November 17, 2019. Tsang, W. [曾煒豪]. (2012). Post-9/11 American gothic family in The hills have eyes duology and Twilight saga. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4839507 ; http://dx.doi.org/10.5353/th_b4839507 ; http://hdl.handle.net/10722/177285.

MLA Handbook (7th Edition):

Tsang, Wai-ho. “Post-9/11 American gothic family in The hills have eyes duology and Twilight saga.” 2012. Web. 17 Nov 2019.

Vancouver:

Tsang W. Post-9/11 American gothic family in The hills have eyes duology and Twilight saga. [Internet] [Masters thesis]. University of Hong Kong; 2012. [cited 2019 Nov 17]. Available from: Tsang, W. [曾煒豪]. (2012). Post-9/11 American gothic family in The hills have eyes duology and Twilight saga. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4839507 ; http://dx.doi.org/10.5353/th_b4839507 ; http://hdl.handle.net/10722/177285.

Council of Science Editors:

Tsang W. Post-9/11 American gothic family in The hills have eyes duology and Twilight saga. [Masters Thesis]. University of Hong Kong; 2012. Available from: Tsang, W. [曾煒豪]. (2012). Post-9/11 American gothic family in The hills have eyes duology and Twilight saga. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4839507 ; http://dx.doi.org/10.5353/th_b4839507 ; http://hdl.handle.net/10722/177285


University of Hawaii – Manoa

3. O'Brien, Patrick Gerald. Imagery and symbol of the airplane in American film, 1950-2004.

Degree: PhD, 2009, University of Hawaii – Manoa

Also available by subscription via World Wide Web

v, 287 leaves, bound 29 cm

Subjects/Keywords: Airplanes in motion pictures; Motion pictures  – United States  – History and criticism

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APA (6th Edition):

O'Brien, P. G. (2009). Imagery and symbol of the airplane in American film, 1950-2004. (Doctoral Dissertation). University of Hawaii – Manoa. Retrieved from http://hdl.handle.net/10125/12046

Chicago Manual of Style (16th Edition):

O'Brien, Patrick Gerald. “Imagery and symbol of the airplane in American film, 1950-2004.” 2009. Doctoral Dissertation, University of Hawaii – Manoa. Accessed November 17, 2019. http://hdl.handle.net/10125/12046.

MLA Handbook (7th Edition):

O'Brien, Patrick Gerald. “Imagery and symbol of the airplane in American film, 1950-2004.” 2009. Web. 17 Nov 2019.

Vancouver:

O'Brien PG. Imagery and symbol of the airplane in American film, 1950-2004. [Internet] [Doctoral dissertation]. University of Hawaii – Manoa; 2009. [cited 2019 Nov 17]. Available from: http://hdl.handle.net/10125/12046.

Council of Science Editors:

O'Brien PG. Imagery and symbol of the airplane in American film, 1950-2004. [Doctoral Dissertation]. University of Hawaii – Manoa; 2009. Available from: http://hdl.handle.net/10125/12046


Western Washington University

4. Carter, Siobhan Marie Chaney. Projecting a white savior, the body, and policy: pre-classical and transitional cinema's boxing films in the United States 1893-1915.

Degree: MA, History, 2019, Western Washington University

  This thesis examines pre-classical and transitional cinema’s boxing films from 1893-1915 alongside the arc of World Heavyweight Champion Jack Johnson’s career, a career that… (more)

Subjects/Keywords: History; Johnson, Jack, 1878-1946; Jeffries, James J., 1875-1953; Boxing films – United States – History and criticism; Racism – United States – History and criticism; African American boxers – History and criticism; African Americans in motion pictures; United States; masters theses

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APA (6th Edition):

Carter, S. M. C. (2019). Projecting a white savior, the body, and policy: pre-classical and transitional cinema's boxing films in the United States 1893-1915. (Masters Thesis). Western Washington University. Retrieved from https://cedar.wwu.edu/wwuet/911

Chicago Manual of Style (16th Edition):

Carter, Siobhan Marie Chaney. “Projecting a white savior, the body, and policy: pre-classical and transitional cinema's boxing films in the United States 1893-1915.” 2019. Masters Thesis, Western Washington University. Accessed November 17, 2019. https://cedar.wwu.edu/wwuet/911.

MLA Handbook (7th Edition):

Carter, Siobhan Marie Chaney. “Projecting a white savior, the body, and policy: pre-classical and transitional cinema's boxing films in the United States 1893-1915.” 2019. Web. 17 Nov 2019.

Vancouver:

Carter SMC. Projecting a white savior, the body, and policy: pre-classical and transitional cinema's boxing films in the United States 1893-1915. [Internet] [Masters thesis]. Western Washington University; 2019. [cited 2019 Nov 17]. Available from: https://cedar.wwu.edu/wwuet/911.

Council of Science Editors:

Carter SMC. Projecting a white savior, the body, and policy: pre-classical and transitional cinema's boxing films in the United States 1893-1915. [Masters Thesis]. Western Washington University; 2019. Available from: https://cedar.wwu.edu/wwuet/911


McGill University

5. Harrouch, Victor Haim. Cinéma et réalité de l'après-guerre : le film noir.

Degree: MA, Department of English, 1978, McGill University

Subjects/Keywords: Motion pictures  – United States.; Motion pictures  – Plots, themes, etc.; Detective and mystery films  – History and criticism; Gangster films  – History and criticism

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APA (6th Edition):

Harrouch, V. H. (1978). Cinéma et réalité de l'après-guerre : le film noir. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile54563.pdf

Chicago Manual of Style (16th Edition):

Harrouch, Victor Haim. “Cinéma et réalité de l'après-guerre : le film noir.” 1978. Masters Thesis, McGill University. Accessed November 17, 2019. http://digitool.library.mcgill.ca/thesisfile54563.pdf.

MLA Handbook (7th Edition):

Harrouch, Victor Haim. “Cinéma et réalité de l'après-guerre : le film noir.” 1978. Web. 17 Nov 2019.

Vancouver:

Harrouch VH. Cinéma et réalité de l'après-guerre : le film noir. [Internet] [Masters thesis]. McGill University; 1978. [cited 2019 Nov 17]. Available from: http://digitool.library.mcgill.ca/thesisfile54563.pdf.

Council of Science Editors:

Harrouch VH. Cinéma et réalité de l'après-guerre : le film noir. [Masters Thesis]. McGill University; 1978. Available from: http://digitool.library.mcgill.ca/thesisfile54563.pdf


University of Alberta

6. Nebesio, Bohdan. The silent films of Alexander Dovzhenko: a historical poetics.

Degree: PhD, Department of Modern Languages and Comparative Studies, 1996, University of Alberta

Subjects/Keywords: Dovz͡henko, Oleksandr Petrovych, 1894-1956.; Motion pictures – United States – History.; Motion pictures – Soviet Union – History.; Silent films – Ukraine – History and criticism.; Motion pictures – Ukraine – History.

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APA (6th Edition):

Nebesio, B. (1996). The silent films of Alexander Dovzhenko: a historical poetics. (Doctoral Dissertation). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/wm117q96r

Chicago Manual of Style (16th Edition):

Nebesio, Bohdan. “The silent films of Alexander Dovzhenko: a historical poetics.” 1996. Doctoral Dissertation, University of Alberta. Accessed November 17, 2019. https://era.library.ualberta.ca/files/wm117q96r.

MLA Handbook (7th Edition):

Nebesio, Bohdan. “The silent films of Alexander Dovzhenko: a historical poetics.” 1996. Web. 17 Nov 2019.

Vancouver:

Nebesio B. The silent films of Alexander Dovzhenko: a historical poetics. [Internet] [Doctoral dissertation]. University of Alberta; 1996. [cited 2019 Nov 17]. Available from: https://era.library.ualberta.ca/files/wm117q96r.

Council of Science Editors:

Nebesio B. The silent films of Alexander Dovzhenko: a historical poetics. [Doctoral Dissertation]. University of Alberta; 1996. Available from: https://era.library.ualberta.ca/files/wm117q96r

7. Knightly, Patrick J. Politics and the popular culture : an examination of the relationship between politics and film and music.

Degree: Political Science, 1999, University of Massachusetts

Subjects/Keywords: United States Motion pictures Political aspects; United States Popular music Political aspects; War films History and criticism United States

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APA (6th Edition):

Knightly, P. J. (1999). Politics and the popular culture : an examination of the relationship between politics and film and music. (Thesis). University of Massachusetts. Retrieved from https://scholarworks.umass.edu/theses/2551

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Knightly, Patrick J. “Politics and the popular culture : an examination of the relationship between politics and film and music.” 1999. Thesis, University of Massachusetts. Accessed November 17, 2019. https://scholarworks.umass.edu/theses/2551.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Knightly, Patrick J. “Politics and the popular culture : an examination of the relationship between politics and film and music.” 1999. Web. 17 Nov 2019.

Vancouver:

Knightly PJ. Politics and the popular culture : an examination of the relationship between politics and film and music. [Internet] [Thesis]. University of Massachusetts; 1999. [cited 2019 Nov 17]. Available from: https://scholarworks.umass.edu/theses/2551.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Knightly PJ. Politics and the popular culture : an examination of the relationship between politics and film and music. [Thesis]. University of Massachusetts; 1999. Available from: https://scholarworks.umass.edu/theses/2551

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Febus, Jeffrey S. Hollywood and History : Spike Lee's "Malcolm X" .

Degree: 1994, Drake U

 The debate between historical fiction and historical fact has long been an issue of film and television theorists in relationship to historical representations in film… (more)

Subjects/Keywords: Motion picture producers and directors – United States – Criticism and interpretation; Documentary films – Technique; Cinematography – History; Motion pictures – History

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APA (6th Edition):

Febus, J. S. (1994). Hollywood and History : Spike Lee's "Malcolm X" . (Thesis). Drake U. Retrieved from http://hdl.handle.net/2092/448

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Febus, Jeffrey S. “Hollywood and History : Spike Lee's "Malcolm X" .” 1994. Thesis, Drake U. Accessed November 17, 2019. http://hdl.handle.net/2092/448.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Febus, Jeffrey S. “Hollywood and History : Spike Lee's "Malcolm X" .” 1994. Web. 17 Nov 2019.

Vancouver:

Febus JS. Hollywood and History : Spike Lee's "Malcolm X" . [Internet] [Thesis]. Drake U; 1994. [cited 2019 Nov 17]. Available from: http://hdl.handle.net/2092/448.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Febus JS. Hollywood and History : Spike Lee's "Malcolm X" . [Thesis]. Drake U; 1994. Available from: http://hdl.handle.net/2092/448

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Carolina – Greensboro

9. Brown, Sherronda J. The haunted ground we walk on: (un)knowable gendered and racialized subjects.

Degree: 2015, University of North Carolina – Greensboro

 The purpose of this work is to analyze haunting narratives in cinematic texts, exploring the significance of gendered and racialized violences on the screen while… (more)

Subjects/Keywords: Horror films – History and criticism; Violence in motion pictures; Race in motion pictures; Ghosts in motion pictures; Women in motion pictures; Sex role in motion pictures

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APA (6th Edition):

Brown, S. J. (2015). The haunted ground we walk on: (un)knowable gendered and racialized subjects. (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067

Chicago Manual of Style (16th Edition):

Brown, Sherronda J. “The haunted ground we walk on: (un)knowable gendered and racialized subjects.” 2015. Masters Thesis, University of North Carolina – Greensboro. Accessed November 17, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067.

MLA Handbook (7th Edition):

Brown, Sherronda J. “The haunted ground we walk on: (un)knowable gendered and racialized subjects.” 2015. Web. 17 Nov 2019.

Vancouver:

Brown SJ. The haunted ground we walk on: (un)knowable gendered and racialized subjects. [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2015. [cited 2019 Nov 17]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067.

Council of Science Editors:

Brown SJ. The haunted ground we walk on: (un)knowable gendered and racialized subjects. [Masters Thesis]. University of North Carolina – Greensboro; 2015. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067


Michigan State University

10. Brouwer, Joel R. Images of community : constructions of ethnicity and identity in late 20th century American film.

Degree: PhD, Department of English, 1997, Michigan State University

Subjects/Keywords: Lee, Spike – Criticism and interpretation; Scorsese, Martin – Criticism and interpretation; Wang, Wayne – Criticism and interpretation; Motion pictures – United States – History; Ethnicity – United States

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APA (6th Edition):

Brouwer, J. R. (1997). Images of community : constructions of ethnicity and identity in late 20th century American film. (Doctoral Dissertation). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:26206

Chicago Manual of Style (16th Edition):

Brouwer, Joel R. “Images of community : constructions of ethnicity and identity in late 20th century American film.” 1997. Doctoral Dissertation, Michigan State University. Accessed November 17, 2019. http://etd.lib.msu.edu/islandora/object/etd:26206.

MLA Handbook (7th Edition):

Brouwer, Joel R. “Images of community : constructions of ethnicity and identity in late 20th century American film.” 1997. Web. 17 Nov 2019.

Vancouver:

Brouwer JR. Images of community : constructions of ethnicity and identity in late 20th century American film. [Internet] [Doctoral dissertation]. Michigan State University; 1997. [cited 2019 Nov 17]. Available from: http://etd.lib.msu.edu/islandora/object/etd:26206.

Council of Science Editors:

Brouwer JR. Images of community : constructions of ethnicity and identity in late 20th century American film. [Doctoral Dissertation]. Michigan State University; 1997. Available from: http://etd.lib.msu.edu/islandora/object/etd:26206


University of California – San Diego

11. Liu, Xiangyang. Shanghai in contemporary Chinese film.

Degree: Comparative literature, 2010, University of California – San Diego

 This thesis is intended to investigate a series of films produced since the 1990s. All of these films deal with the theme of Shanghai, old… (more)

Subjects/Keywords: China Shanghai In motion pictures City and town life; China History and criticism Motion pictures

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APA (6th Edition):

Liu, X. (2010). Shanghai in contemporary Chinese film. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/6369w953

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Liu, Xiangyang. “Shanghai in contemporary Chinese film.” 2010. Thesis, University of California – San Diego. Accessed November 17, 2019. http://www.escholarship.org/uc/item/6369w953.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Liu, Xiangyang. “Shanghai in contemporary Chinese film.” 2010. Web. 17 Nov 2019.

Vancouver:

Liu X. Shanghai in contemporary Chinese film. [Internet] [Thesis]. University of California – San Diego; 2010. [cited 2019 Nov 17]. Available from: http://www.escholarship.org/uc/item/6369w953.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Liu X. Shanghai in contemporary Chinese film. [Thesis]. University of California – San Diego; 2010. Available from: http://www.escholarship.org/uc/item/6369w953

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Central Connecticut State University

12. Cotterill, Steven. Hollywood remembers? : a critical analysis of the film industry's portrayal of the Vietnam War.

Degree: Department of History, 1992, Central Connecticut State University

"Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in History."; Thesis advisor: W. S. Hommon.; M.A.,Central Connecticut State University,1992; Advisors/Committee Members: Hommon, W. S..

Subjects/Keywords: Vietnam War, 1961-1975 – Motion pictures and the war.; War films – United States – History and criticism.

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APA (6th Edition):

Cotterill, S. (1992). Hollywood remembers? : a critical analysis of the film industry's portrayal of the Vietnam War. (Thesis). Central Connecticut State University. Retrieved from http://content.library.ccsu.edu/u?/ccsutheses,2782

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cotterill, Steven. “Hollywood remembers? : a critical analysis of the film industry's portrayal of the Vietnam War.” 1992. Thesis, Central Connecticut State University. Accessed November 17, 2019. http://content.library.ccsu.edu/u?/ccsutheses,2782.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cotterill, Steven. “Hollywood remembers? : a critical analysis of the film industry's portrayal of the Vietnam War.” 1992. Web. 17 Nov 2019.

Vancouver:

Cotterill S. Hollywood remembers? : a critical analysis of the film industry's portrayal of the Vietnam War. [Internet] [Thesis]. Central Connecticut State University; 1992. [cited 2019 Nov 17]. Available from: http://content.library.ccsu.edu/u?/ccsutheses,2782.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cotterill S. Hollywood remembers? : a critical analysis of the film industry's portrayal of the Vietnam War. [Thesis]. Central Connecticut State University; 1992. Available from: http://content.library.ccsu.edu/u?/ccsutheses,2782

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Stirling

13. Moffat, Katie Louise. Crisis Politics in Contemporary Nordic Film Culture: Representing Race and Ethnicity in a Transforming Europe.

Degree: PhD, 2018, University of Stirling

 Identity politics in the Nordic region, that is, Sweden, Denmark, Finland, Iceland and Norway, is in crisis. While these five small nations have garnered a… (more)

Subjects/Keywords: Nordic cinema; immigration; multiculturalism; welfare state; crisis; Motion pictures Scandinavia; Motion pictures Scandinavia History and criticism; Racism in motion pictures; Ethnicity in motion pictures

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APA (6th Edition):

Moffat, K. L. (2018). Crisis Politics in Contemporary Nordic Film Culture: Representing Race and Ethnicity in a Transforming Europe. (Doctoral Dissertation). University of Stirling. Retrieved from http://hdl.handle.net/1893/29975

Chicago Manual of Style (16th Edition):

Moffat, Katie Louise. “Crisis Politics in Contemporary Nordic Film Culture: Representing Race and Ethnicity in a Transforming Europe.” 2018. Doctoral Dissertation, University of Stirling. Accessed November 17, 2019. http://hdl.handle.net/1893/29975.

MLA Handbook (7th Edition):

Moffat, Katie Louise. “Crisis Politics in Contemporary Nordic Film Culture: Representing Race and Ethnicity in a Transforming Europe.” 2018. Web. 17 Nov 2019.

Vancouver:

Moffat KL. Crisis Politics in Contemporary Nordic Film Culture: Representing Race and Ethnicity in a Transforming Europe. [Internet] [Doctoral dissertation]. University of Stirling; 2018. [cited 2019 Nov 17]. Available from: http://hdl.handle.net/1893/29975.

Council of Science Editors:

Moffat KL. Crisis Politics in Contemporary Nordic Film Culture: Representing Race and Ethnicity in a Transforming Europe. [Doctoral Dissertation]. University of Stirling; 2018. Available from: http://hdl.handle.net/1893/29975


Michigan State University

14. Ryan, Connor O'Neill. Lagos never spoils : the aesthetics, affect, and politics of the city in Nigerian screen media.

Degree: 2015, Michigan State University

LAGOS NEVER SPOILS: THE AESTHETICS, AFFECT, AND POLITICS OF THE CITY IN NIGERIAN SCREEN MEDIAByConnor O’Neill RyanStudies of cinema and urban modernity in Europe and… (more)

Subjects/Keywords: Motion pictures – Social aspects – Nigeria; Motion pictures – Political aspects – Nigeria; Motion pictures – Nigeria – History and criticism; City and town life in motion pictures; Aesthetics; Film studies; African studies

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APA (6th Edition):

Ryan, C. O. (2015). Lagos never spoils : the aesthetics, affect, and politics of the city in Nigerian screen media. (Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:3656

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ryan, Connor O'Neill. “Lagos never spoils : the aesthetics, affect, and politics of the city in Nigerian screen media.” 2015. Thesis, Michigan State University. Accessed November 17, 2019. http://etd.lib.msu.edu/islandora/object/etd:3656.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ryan, Connor O'Neill. “Lagos never spoils : the aesthetics, affect, and politics of the city in Nigerian screen media.” 2015. Web. 17 Nov 2019.

Vancouver:

Ryan CO. Lagos never spoils : the aesthetics, affect, and politics of the city in Nigerian screen media. [Internet] [Thesis]. Michigan State University; 2015. [cited 2019 Nov 17]. Available from: http://etd.lib.msu.edu/islandora/object/etd:3656.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ryan CO. Lagos never spoils : the aesthetics, affect, and politics of the city in Nigerian screen media. [Thesis]. Michigan State University; 2015. Available from: http://etd.lib.msu.edu/islandora/object/etd:3656

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Drake, Jessica Ryan. The importance of sound design and its affect on perception.

Degree: 2013, SUNY College at Fredonia

 The purpose of this research is to clearly define the importance of sound design in film, television, and movies, with emphasis on how the audience… (more)

Subjects/Keywords: Motion pictures  – Evaluation.; Sound in design.; Western films  – History and criticism.

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APA (6th Edition):

Drake, J. R. (2013). The importance of sound design and its affect on perception. (Masters Thesis). SUNY College at Fredonia. Retrieved from http://hdl.handle.net/1951/58385

Chicago Manual of Style (16th Edition):

Drake, Jessica Ryan. “The importance of sound design and its affect on perception. ” 2013. Masters Thesis, SUNY College at Fredonia. Accessed November 17, 2019. http://hdl.handle.net/1951/58385.

MLA Handbook (7th Edition):

Drake, Jessica Ryan. “The importance of sound design and its affect on perception. ” 2013. Web. 17 Nov 2019.

Vancouver:

Drake JR. The importance of sound design and its affect on perception. [Internet] [Masters thesis]. SUNY College at Fredonia; 2013. [cited 2019 Nov 17]. Available from: http://hdl.handle.net/1951/58385.

Council of Science Editors:

Drake JR. The importance of sound design and its affect on perception. [Masters Thesis]. SUNY College at Fredonia; 2013. Available from: http://hdl.handle.net/1951/58385


Rutgers University

16. Sclafani, Kathleen J., 1962-. 'Border consciousness' and the re-imagination of nation in the films of Akin, Dresen and Petzold.

Degree: PhD, Comparative Literature, 2011, Rutgers University

In my dissertation I explore the role that borders play in the construction of German identity through the films of Fatih Akin, Andreas Dresen and… (more)

Subjects/Keywords: Nationalism – Germany; Motion pictures – Germany – History and criticism

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APA (6th Edition):

Sclafani, Kathleen J., 1. (2011). 'Border consciousness' and the re-imagination of nation in the films of Akin, Dresen and Petzold. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000057685

Chicago Manual of Style (16th Edition):

Sclafani, Kathleen J., 1962-. “'Border consciousness' and the re-imagination of nation in the films of Akin, Dresen and Petzold.” 2011. Doctoral Dissertation, Rutgers University. Accessed November 17, 2019. http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000057685.

MLA Handbook (7th Edition):

Sclafani, Kathleen J., 1962-. “'Border consciousness' and the re-imagination of nation in the films of Akin, Dresen and Petzold.” 2011. Web. 17 Nov 2019.

Vancouver:

Sclafani, Kathleen J. 1. 'Border consciousness' and the re-imagination of nation in the films of Akin, Dresen and Petzold. [Internet] [Doctoral dissertation]. Rutgers University; 2011. [cited 2019 Nov 17]. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000057685.

Council of Science Editors:

Sclafani, Kathleen J. 1. 'Border consciousness' and the re-imagination of nation in the films of Akin, Dresen and Petzold. [Doctoral Dissertation]. Rutgers University; 2011. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000057685


University of Oxford

17. Vaughan, Michael Hunter. From camera to code : Godard, Resnais and the problem of representation in film theory.

Degree: PhD, 2008, University of Oxford

 This thesis presents a theory of film representation as a process of organizing relations in order to connote the image's status as a type of… (more)

Subjects/Keywords: 791.43; Criticism and interpretation : Motion pictures : History and criticism : Representation (Philosophy) : France

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APA (6th Edition):

Vaughan, M. H. (2008). From camera to code : Godard, Resnais and the problem of representation in film theory. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:d8752498-1a8c-48ec-b774-b3e9f1e410ea ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503995

Chicago Manual of Style (16th Edition):

Vaughan, Michael Hunter. “From camera to code : Godard, Resnais and the problem of representation in film theory.” 2008. Doctoral Dissertation, University of Oxford. Accessed November 17, 2019. http://ora.ox.ac.uk/objects/uuid:d8752498-1a8c-48ec-b774-b3e9f1e410ea ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503995.

MLA Handbook (7th Edition):

Vaughan, Michael Hunter. “From camera to code : Godard, Resnais and the problem of representation in film theory.” 2008. Web. 17 Nov 2019.

Vancouver:

Vaughan MH. From camera to code : Godard, Resnais and the problem of representation in film theory. [Internet] [Doctoral dissertation]. University of Oxford; 2008. [cited 2019 Nov 17]. Available from: http://ora.ox.ac.uk/objects/uuid:d8752498-1a8c-48ec-b774-b3e9f1e410ea ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503995.

Council of Science Editors:

Vaughan MH. From camera to code : Godard, Resnais and the problem of representation in film theory. [Doctoral Dissertation]. University of Oxford; 2008. Available from: http://ora.ox.ac.uk/objects/uuid:d8752498-1a8c-48ec-b774-b3e9f1e410ea ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503995


University of KwaZulu-Natal

18. [No author]. Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence.

Degree: English, 2008, University of KwaZulu-Natal

 This thesis is an in-depth analysis of George Romero's 'Living Dead' tetralogy of films, comprising Night of the Living Dead (1968), Dawn ofthe-Bead (1978), Day… (more)

Subjects/Keywords: Horror films – History and criticism.; Romero, George A. – Criticism and interpretation.; Zombie films – History and criticism.; Motion picture – Producers and directors – United States.; English.

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APA (6th Edition):

author], [. (2008). Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/302

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence. ” 2008. Thesis, University of KwaZulu-Natal. Accessed November 17, 2019. http://hdl.handle.net/10413/302.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence. ” 2008. Web. 17 Nov 2019.

Vancouver:

author] [. Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence. [Internet] [Thesis]. University of KwaZulu-Natal; 2008. [cited 2019 Nov 17]. Available from: http://hdl.handle.net/10413/302.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Dead reckoning : an analysis of George Romero's 'Living dead' series in relation to contemporary theories of film genre and representations of race, class, culture and violence. [Thesis]. University of KwaZulu-Natal; 2008. Available from: http://hdl.handle.net/10413/302

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

19. Shao, Dong. A study of yingxi fiction in the early republican China = Min chu ying xi xiao shuo yan jiu.

Degree: M. Phil., 2014, University of Hong Kong

The dissertation attempted to study Yingxi Fiction, a genre of fiction, which emerged and prevailed in Shanghai during the early two decades of the twentieth… (more)

Subjects/Keywords: Chinese fiction - 20th century - History and criticism; Motion pictures - China - History - 20th century

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APA (6th Edition):

Shao, D. (2014). A study of yingxi fiction in the early republican China = Min chu ying xi xiao shuo yan jiu. (Masters Thesis). University of Hong Kong. Retrieved from Shao, D. [邵棟]. (2014). A study of yingxi fiction in the early republican China = Min chu ying xi xiao shuo yan jiu. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5317067 ; http://dx.doi.org/10.5353/th_b5317067 ; http://hdl.handle.net/10722/206447

Chicago Manual of Style (16th Edition):

Shao, Dong. “A study of yingxi fiction in the early republican China = Min chu ying xi xiao shuo yan jiu.” 2014. Masters Thesis, University of Hong Kong. Accessed November 17, 2019. Shao, D. [邵棟]. (2014). A study of yingxi fiction in the early republican China = Min chu ying xi xiao shuo yan jiu. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5317067 ; http://dx.doi.org/10.5353/th_b5317067 ; http://hdl.handle.net/10722/206447.

MLA Handbook (7th Edition):

Shao, Dong. “A study of yingxi fiction in the early republican China = Min chu ying xi xiao shuo yan jiu.” 2014. Web. 17 Nov 2019.

Vancouver:

Shao D. A study of yingxi fiction in the early republican China = Min chu ying xi xiao shuo yan jiu. [Internet] [Masters thesis]. University of Hong Kong; 2014. [cited 2019 Nov 17]. Available from: Shao, D. [邵棟]. (2014). A study of yingxi fiction in the early republican China = Min chu ying xi xiao shuo yan jiu. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5317067 ; http://dx.doi.org/10.5353/th_b5317067 ; http://hdl.handle.net/10722/206447.

Council of Science Editors:

Shao D. A study of yingxi fiction in the early republican China = Min chu ying xi xiao shuo yan jiu. [Masters Thesis]. University of Hong Kong; 2014. Available from: Shao, D. [邵棟]. (2014). A study of yingxi fiction in the early republican China = Min chu ying xi xiao shuo yan jiu. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5317067 ; http://dx.doi.org/10.5353/th_b5317067 ; http://hdl.handle.net/10722/206447


Michigan State University

20. Lee, Eunah. The sensibility of the adopted : trauma and childhood in the contemporary literature and cinema of East Asia and its Diaspora.

Degree: 2016, Michigan State University

Thesis Ph. D. Michigan State University. English 2016

"[This] study delineates the persistence of a predominant nostalgic mode and the affect of orphanhood, in the… (more)

Subjects/Keywords: Psychic trauma; Motion pictures – East Asia – History; East Asian literature – History and criticism; Children in literature; Children in motion pictures; Orphans in literature; Orphans in motion pictures; Nostalgia in literature; Nostalgia in motion pictures; English literature; Asian American studies; Film studies; East Asian motion pictures

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APA (6th Edition):

Lee, E. (2016). The sensibility of the adopted : trauma and childhood in the contemporary literature and cinema of East Asia and its Diaspora. (Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:4096

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, Eunah. “The sensibility of the adopted : trauma and childhood in the contemporary literature and cinema of East Asia and its Diaspora.” 2016. Thesis, Michigan State University. Accessed November 17, 2019. http://etd.lib.msu.edu/islandora/object/etd:4096.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, Eunah. “The sensibility of the adopted : trauma and childhood in the contemporary literature and cinema of East Asia and its Diaspora.” 2016. Web. 17 Nov 2019.

Vancouver:

Lee E. The sensibility of the adopted : trauma and childhood in the contemporary literature and cinema of East Asia and its Diaspora. [Internet] [Thesis]. Michigan State University; 2016. [cited 2019 Nov 17]. Available from: http://etd.lib.msu.edu/islandora/object/etd:4096.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee E. The sensibility of the adopted : trauma and childhood in the contemporary literature and cinema of East Asia and its Diaspora. [Thesis]. Michigan State University; 2016. Available from: http://etd.lib.msu.edu/islandora/object/etd:4096

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

21. Callahan, Sarah Francis. A Wonder Whose Origin is not Known: The Importance of the Orphan Hero in Otherworldly Film.

Degree: 2007, University of North Texas

 The purpose of this thesis is to explore the importance of the orphan hero in film and his resonance with the American people. It explores… (more)

Subjects/Keywords: Orphan; superhero; archetype; hero; shadow; lass; sacrifice; hope; love; Heroes in motion pictures.; Orphans.; Batman (Fictitious character); Vader, Darth (Fictitious character); Potter, Harry (Fictitious character); Motion pictures  – United States  – History and criticism.

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APA (6th Edition):

Callahan, S. F. (2007). A Wonder Whose Origin is not Known: The Importance of the Orphan Hero in Otherworldly Film. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc3694/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Callahan, Sarah Francis. “A Wonder Whose Origin is not Known: The Importance of the Orphan Hero in Otherworldly Film.” 2007. Thesis, University of North Texas. Accessed November 17, 2019. https://digital.library.unt.edu/ark:/67531/metadc3694/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Callahan, Sarah Francis. “A Wonder Whose Origin is not Known: The Importance of the Orphan Hero in Otherworldly Film.” 2007. Web. 17 Nov 2019.

Vancouver:

Callahan SF. A Wonder Whose Origin is not Known: The Importance of the Orphan Hero in Otherworldly Film. [Internet] [Thesis]. University of North Texas; 2007. [cited 2019 Nov 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc3694/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Callahan SF. A Wonder Whose Origin is not Known: The Importance of the Orphan Hero in Otherworldly Film. [Thesis]. University of North Texas; 2007. Available from: https://digital.library.unt.edu/ark:/67531/metadc3694/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

22. Hergott, Melissa. The voice and the void: the scream in 1950s American science fiction film.

Degree: 2010, Ryerson University

 In the United States, science fiction film rose to prominence as a critically recognized genre in the 1950s, a decade fraught with cultural complications and… (more)

Subjects/Keywords: Science fiction films  – History and criticism; Science fiction films  – Moral and ethical aspects; Sex role in motion pictures; Women in motion pictures; Men in motion pictures

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APA (6th Edition):

Hergott, M. (2010). The voice and the void: the scream in 1950s American science fiction film. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A3159

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hergott, Melissa. “The voice and the void: the scream in 1950s American science fiction film.” 2010. Thesis, Ryerson University. Accessed November 17, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A3159.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hergott, Melissa. “The voice and the void: the scream in 1950s American science fiction film.” 2010. Web. 17 Nov 2019.

Vancouver:

Hergott M. The voice and the void: the scream in 1950s American science fiction film. [Internet] [Thesis]. Ryerson University; 2010. [cited 2019 Nov 17]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A3159.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hergott M. The voice and the void: the scream in 1950s American science fiction film. [Thesis]. Ryerson University; 2010. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A3159

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Torres, Linda Renee. The unsung stream : the ethnic continuum in U.S. literature and film, from John Rollin Ridge to John Sayles.

Degree: Literature, 2012, University of California – San Diego

 The Unsung Stream : the Ethnic Continuum in U.S. Literature and Film, From John Rollin Ridge to John Sayles challenges the historical position of ethnic… (more)

Subjects/Keywords: Ridge, John Rollin 1827-1867 Criticism and interpretation; Sayles, John 1950- Criticism and interpretation; American literature Minority authors History and criticism Themes motives; United States History and criticism Motion pictures Themes motives; Ethnicity in literature History and criticism; Ethnicity in motion pictures History and criticism; Assimilation (Sociology) in literature History and criticism; Assimilation (Sociology) in motion pictures History and criticism; Multiculturalism in literature History and criticism; Multiculturalism in motion pictures History and criticism

…play in United States history (Ramona Bowl). Spectators sit on bleachers facing a… …of Multi-Ethnic Literature of the United States, U of Chicago, IL, April 2005. ―On John… …Literature of the United States x ABSTRACT OF THE DISSERTATION The Unsung Stream: the Ethnic… …the United States. It was Ridge's belief that such advancement in communications… …California in the West: History and Cultural Geographies (Authored Course) Composition… 

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APA (6th Edition):

Torres, L. R. (2012). The unsung stream : the ethnic continuum in U.S. literature and film, from John Rollin Ridge to John Sayles. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/6f71q953

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Torres, Linda Renee. “The unsung stream : the ethnic continuum in U.S. literature and film, from John Rollin Ridge to John Sayles.” 2012. Thesis, University of California – San Diego. Accessed November 17, 2019. http://www.escholarship.org/uc/item/6f71q953.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Torres, Linda Renee. “The unsung stream : the ethnic continuum in U.S. literature and film, from John Rollin Ridge to John Sayles.” 2012. Web. 17 Nov 2019.

Vancouver:

Torres LR. The unsung stream : the ethnic continuum in U.S. literature and film, from John Rollin Ridge to John Sayles. [Internet] [Thesis]. University of California – San Diego; 2012. [cited 2019 Nov 17]. Available from: http://www.escholarship.org/uc/item/6f71q953.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Torres LR. The unsung stream : the ethnic continuum in U.S. literature and film, from John Rollin Ridge to John Sayles. [Thesis]. University of California – San Diego; 2012. Available from: http://www.escholarship.org/uc/item/6f71q953

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

24. Pesch, Katrin. The Chronotope of Ecocinema : Bakhtin's notions of environment and horizon as analytic tools for the study of film and the environment.

Degree: Art history theory and criticism, 2013, University of California – San Diego

 This thesis presents a critical intervention in the emerging fields of ecocinema and transnational film studies. Moving beyond ecocinema studies'engagement with environmental and ecological issues,… (more)

Subjects/Keywords: Bakhtin, M. M. 1895-1975 Influence; Ning, Hao 1977- Criticism and interpretation; History and criticism Motion pictures and transnationalism; Environmentalism in motion pictures History and criticism; Plots, themes, etc. History and criticism Motion pictures; Ecocriticism

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APA (6th Edition):

Pesch, K. (2013). The Chronotope of Ecocinema : Bakhtin's notions of environment and horizon as analytic tools for the study of film and the environment. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/2sn1d3k6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pesch, Katrin. “The Chronotope of Ecocinema : Bakhtin's notions of environment and horizon as analytic tools for the study of film and the environment.” 2013. Thesis, University of California – San Diego. Accessed November 17, 2019. http://www.escholarship.org/uc/item/2sn1d3k6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pesch, Katrin. “The Chronotope of Ecocinema : Bakhtin's notions of environment and horizon as analytic tools for the study of film and the environment.” 2013. Web. 17 Nov 2019.

Vancouver:

Pesch K. The Chronotope of Ecocinema : Bakhtin's notions of environment and horizon as analytic tools for the study of film and the environment. [Internet] [Thesis]. University of California – San Diego; 2013. [cited 2019 Nov 17]. Available from: http://www.escholarship.org/uc/item/2sn1d3k6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pesch K. The Chronotope of Ecocinema : Bakhtin's notions of environment and horizon as analytic tools for the study of film and the environment. [Thesis]. University of California – San Diego; 2013. Available from: http://www.escholarship.org/uc/item/2sn1d3k6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Carolina – Greensboro

25. Sallinas Fernández, Guadalupe. Desolación, miseria y muerte en vida: Representaciones de la muerte en la literatura y el cine mexicano del siglo XX: El luto humano, Pedro Páramo y acario.

Degree: 2017, University of North Carolina – Greensboro

 Los pueblos originarios de Mesoamérica tenían sus propias creencias sobre la muerte antes de la llegada de los europeos. Al llegar los conquistadores, se desencadenó… (more)

Subjects/Keywords: Motion pictures – Mexico – 20th century – History and criticism; Mexican literature – 20th century – History and criticism; Death in motion pictures; Death in literature

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APA (6th Edition):

Sallinas Fernández, G. (2017). Desolación, miseria y muerte en vida: Representaciones de la muerte en la literatura y el cine mexicano del siglo XX: El luto humano, Pedro Páramo y acario. (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=22600

Chicago Manual of Style (16th Edition):

Sallinas Fernández, Guadalupe. “Desolación, miseria y muerte en vida: Representaciones de la muerte en la literatura y el cine mexicano del siglo XX: El luto humano, Pedro Páramo y acario.” 2017. Masters Thesis, University of North Carolina – Greensboro. Accessed November 17, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=22600.

MLA Handbook (7th Edition):

Sallinas Fernández, Guadalupe. “Desolación, miseria y muerte en vida: Representaciones de la muerte en la literatura y el cine mexicano del siglo XX: El luto humano, Pedro Páramo y acario.” 2017. Web. 17 Nov 2019.

Vancouver:

Sallinas Fernández G. Desolación, miseria y muerte en vida: Representaciones de la muerte en la literatura y el cine mexicano del siglo XX: El luto humano, Pedro Páramo y acario. [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2017. [cited 2019 Nov 17]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=22600.

Council of Science Editors:

Sallinas Fernández G. Desolación, miseria y muerte en vida: Representaciones de la muerte en la literatura y el cine mexicano del siglo XX: El luto humano, Pedro Páramo y acario. [Masters Thesis]. University of North Carolina – Greensboro; 2017. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=22600


University of Hong Kong

26. Yalvac, Ahsen. A cultural critique of Turkish cinema in relation to "Arabesk".

Degree: M. Phil., 2001, University of Hong Kong

published_or_final_version

Comparative Literature

Master

Master of Philosophy

Subjects/Keywords: Motion pictures - Turkey - History and criticism.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yalvac, A. (2001). A cultural critique of Turkish cinema in relation to "Arabesk". (Masters Thesis). University of Hong Kong. Retrieved from Yalvac, A.. (2001). A cultural critique of Turkish cinema in relation to "Arabesk". (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122539 ; http://dx.doi.org/10.5353/th_b3122539 ; http://hdl.handle.net/10722/33482

Chicago Manual of Style (16th Edition):

Yalvac, Ahsen. “A cultural critique of Turkish cinema in relation to "Arabesk".” 2001. Masters Thesis, University of Hong Kong. Accessed November 17, 2019. Yalvac, A.. (2001). A cultural critique of Turkish cinema in relation to "Arabesk". (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122539 ; http://dx.doi.org/10.5353/th_b3122539 ; http://hdl.handle.net/10722/33482.

MLA Handbook (7th Edition):

Yalvac, Ahsen. “A cultural critique of Turkish cinema in relation to "Arabesk".” 2001. Web. 17 Nov 2019.

Vancouver:

Yalvac A. A cultural critique of Turkish cinema in relation to "Arabesk". [Internet] [Masters thesis]. University of Hong Kong; 2001. [cited 2019 Nov 17]. Available from: Yalvac, A.. (2001). A cultural critique of Turkish cinema in relation to "Arabesk". (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122539 ; http://dx.doi.org/10.5353/th_b3122539 ; http://hdl.handle.net/10722/33482.

Council of Science Editors:

Yalvac A. A cultural critique of Turkish cinema in relation to "Arabesk". [Masters Thesis]. University of Hong Kong; 2001. Available from: Yalvac, A.. (2001). A cultural critique of Turkish cinema in relation to "Arabesk". (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122539 ; http://dx.doi.org/10.5353/th_b3122539 ; http://hdl.handle.net/10722/33482

27. Boswell, Brian T. From scat to satire : toward a taxonomy of humor in twentieth century American media.

Degree: MA, 2009, Ball State University

 Obvious differences exist between the comedy styling of, for example, Jack Benny and Benny Hill. Terms like “highbrow” or “lowbrow” are often used, but there… (more)

Subjects/Keywords: American wit and humor 20th century History and criticism; Wit and humor in motion pictures

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APA (6th Edition):

Boswell, B. T. (2009). From scat to satire : toward a taxonomy of humor in twentieth century American media. (Masters Thesis). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/193468

Chicago Manual of Style (16th Edition):

Boswell, Brian T. “From scat to satire : toward a taxonomy of humor in twentieth century American media.” 2009. Masters Thesis, Ball State University. Accessed November 17, 2019. http://cardinalscholar.bsu.edu/handle/123456789/193468.

MLA Handbook (7th Edition):

Boswell, Brian T. “From scat to satire : toward a taxonomy of humor in twentieth century American media.” 2009. Web. 17 Nov 2019.

Vancouver:

Boswell BT. From scat to satire : toward a taxonomy of humor in twentieth century American media. [Internet] [Masters thesis]. Ball State University; 2009. [cited 2019 Nov 17]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/193468.

Council of Science Editors:

Boswell BT. From scat to satire : toward a taxonomy of humor in twentieth century American media. [Masters Thesis]. Ball State University; 2009. Available from: http://cardinalscholar.bsu.edu/handle/123456789/193468

28. Bender, Walter P. The pogression of mock-documentary film through digital media.

Degree: MA, 2016, Ball State University

 This study is presented as a critical analysis to discuss how mock-documentary film is changing and understood through digital media. The author believes that digital… (more)

Subjects/Keywords: Documentary-style films  – History and criticism.; Digital media.; Motion pictures  – DVD special features.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bender, W. P. (2016). The pogression of mock-documentary film through digital media. (Masters Thesis). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/200571

Chicago Manual of Style (16th Edition):

Bender, Walter P. “The pogression of mock-documentary film through digital media.” 2016. Masters Thesis, Ball State University. Accessed November 17, 2019. http://cardinalscholar.bsu.edu/handle/123456789/200571.

MLA Handbook (7th Edition):

Bender, Walter P. “The pogression of mock-documentary film through digital media.” 2016. Web. 17 Nov 2019.

Vancouver:

Bender WP. The pogression of mock-documentary film through digital media. [Internet] [Masters thesis]. Ball State University; 2016. [cited 2019 Nov 17]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/200571.

Council of Science Editors:

Bender WP. The pogression of mock-documentary film through digital media. [Masters Thesis]. Ball State University; 2016. Available from: http://cardinalscholar.bsu.edu/handle/123456789/200571


University of North Texas

29. McConnell, Sarah E. The Key to Unlocking the Secret Window.

Degree: 2010, University of North Texas

 David Koepp's Secret Window was released by Columbia Pictures in 2004. The film's score was written by Philip Glass and Geoff Zanelli. This thesis analyzes… (more)

Subjects/Keywords: Film music; centricity; transcription; class; pitch; Secret window (Motion picture); Motion picture music  – United States  – History and criticism.; Zanelli, Geoff, 1974- Secret window.; Glass, Philip. Secret window.; Koepp, David.

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APA (6th Edition):

McConnell, S. E. (2010). The Key to Unlocking the Secret Window. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc33226/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McConnell, Sarah E. “The Key to Unlocking the Secret Window.” 2010. Thesis, University of North Texas. Accessed November 17, 2019. https://digital.library.unt.edu/ark:/67531/metadc33226/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McConnell, Sarah E. “The Key to Unlocking the Secret Window.” 2010. Web. 17 Nov 2019.

Vancouver:

McConnell SE. The Key to Unlocking the Secret Window. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc33226/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McConnell SE. The Key to Unlocking the Secret Window. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc33226/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Adelaide

30. Harper, Rowena. Frontier mythology in the American teen film.

Degree: 2009, University of Adelaide

 This thesis examines representations of youth in the American “teen film”. As a critical category, the teen film is still developing, but it has been… (more)

Subjects/Keywords: film; cinema; youth; teen; teen film; youth in film; American film; classical Hollywood narrative; American frontier; Teen films United States History and criticism.; Teenagers in motion pictures; United States Civilization 1945-

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Harper, R. (2009). Frontier mythology in the American teen film. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/56952

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harper, Rowena. “Frontier mythology in the American teen film.” 2009. Thesis, University of Adelaide. Accessed November 17, 2019. http://hdl.handle.net/2440/56952.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harper, Rowena. “Frontier mythology in the American teen film.” 2009. Web. 17 Nov 2019.

Vancouver:

Harper R. Frontier mythology in the American teen film. [Internet] [Thesis]. University of Adelaide; 2009. [cited 2019 Nov 17]. Available from: http://hdl.handle.net/2440/56952.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harper R. Frontier mythology in the American teen film. [Thesis]. University of Adelaide; 2009. Available from: http://hdl.handle.net/2440/56952

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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