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You searched for subject:(Motion pictures United States Distribution ). Showing records 1 – 30 of 45006 total matches.

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Ryerson University

1. Miller, Adam Patrick. the Remasculation Film: Themes and Variations.

Degree: 2012, Ryerson University

 During the late 1980s and early 1990s, a discourse of masculinity crisis precipitated the appearance of a number of what Susan Jeffords describes as “rearticulations… (more)

Subjects/Keywords: Masculinity in motion pictures; Men in motion pictures; Masculinity; Motion pictures  – Psychological aspects; Motion pictures  – United States  – History  – 20th century

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Miller, A. P. (2012). the Remasculation Film: Themes and Variations. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A1594

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miller, Adam Patrick. “the Remasculation Film: Themes and Variations.” 2012. Thesis, Ryerson University. Accessed December 01, 2020. https://digital.library.ryerson.ca/islandora/object/RULA%3A1594.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miller, Adam Patrick. “the Remasculation Film: Themes and Variations.” 2012. Web. 01 Dec 2020.

Vancouver:

Miller AP. the Remasculation Film: Themes and Variations. [Internet] [Thesis]. Ryerson University; 2012. [cited 2020 Dec 01]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1594.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miller AP. the Remasculation Film: Themes and Variations. [Thesis]. Ryerson University; 2012. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1594

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brock University

2. Bay, Jessica. The new blockbuster film sequel : changing cultural and economic conditions within the film industry .

Degree: Popular Culture Program, 2011, Brock University

 Film sequels are a pervasive part of film consumption practices and have become an important part of the decision making process for Hollywood studios and… (more)

Subjects/Keywords: Culture in motion pictures.; Motion pictures  – Social aspects  – United States.; Motion picture industry  – Economic aspects  – United States

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APA (6th Edition):

Bay, J. (2011). The new blockbuster film sequel : changing cultural and economic conditions within the film industry . (Thesis). Brock University. Retrieved from http://hdl.handle.net/10464/3414

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bay, Jessica. “The new blockbuster film sequel : changing cultural and economic conditions within the film industry .” 2011. Thesis, Brock University. Accessed December 01, 2020. http://hdl.handle.net/10464/3414.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bay, Jessica. “The new blockbuster film sequel : changing cultural and economic conditions within the film industry .” 2011. Web. 01 Dec 2020.

Vancouver:

Bay J. The new blockbuster film sequel : changing cultural and economic conditions within the film industry . [Internet] [Thesis]. Brock University; 2011. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/10464/3414.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bay J. The new blockbuster film sequel : changing cultural and economic conditions within the film industry . [Thesis]. Brock University; 2011. Available from: http://hdl.handle.net/10464/3414

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

3. Watkins, Fred P. Independent Feature Filmmaking: the Historical Development of Current Methods.

Degree: 1992, University of North Texas

 The historical development of independent filmmaking has led to a situation in which an independent filmmaker must do two important things to achieve distribution and… (more)

Subjects/Keywords: independent filmmaking; Hollywood narrative standard; filmmaking skills; Motion pictures  – Production and direction.; Motion pictures  – Distribution.; Motion picture industry  – United States.

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APA (6th Edition):

Watkins, F. P. (1992). Independent Feature Filmmaking: the Historical Development of Current Methods. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500788/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Watkins, Fred P. “Independent Feature Filmmaking: the Historical Development of Current Methods.” 1992. Thesis, University of North Texas. Accessed December 01, 2020. https://digital.library.unt.edu/ark:/67531/metadc500788/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Watkins, Fred P. “Independent Feature Filmmaking: the Historical Development of Current Methods.” 1992. Web. 01 Dec 2020.

Vancouver:

Watkins FP. Independent Feature Filmmaking: the Historical Development of Current Methods. [Internet] [Thesis]. University of North Texas; 1992. [cited 2020 Dec 01]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500788/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Watkins FP. Independent Feature Filmmaking: the Historical Development of Current Methods. [Thesis]. University of North Texas; 1992. Available from: https://digital.library.unt.edu/ark:/67531/metadc500788/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

4. Puente, Henry. The promotion of U.S. Latino films.

Degree: PhD, Radio-Television-Film, 2004, University of Texas – Austin

 This study describes how distributors, publicists, film marketers, and producers of U.S. Latino films have attempted to target this growing and elusive niche market from… (more)

Subjects/Keywords: Motion pictures – United States – Marketing; Hispanic Americans in motion pictures; Hispanic Americans in the motion picture industry; Motion picture industry – United States; Motion pictures – Distribution; Hispanic American consumers; Market segmentation – United States

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APA (6th Edition):

Puente, H. (2004). The promotion of U.S. Latino films. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/1296

Chicago Manual of Style (16th Edition):

Puente, Henry. “The promotion of U.S. Latino films.” 2004. Doctoral Dissertation, University of Texas – Austin. Accessed December 01, 2020. http://hdl.handle.net/2152/1296.

MLA Handbook (7th Edition):

Puente, Henry. “The promotion of U.S. Latino films.” 2004. Web. 01 Dec 2020.

Vancouver:

Puente H. The promotion of U.S. Latino films. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2004. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/2152/1296.

Council of Science Editors:

Puente H. The promotion of U.S. Latino films. [Doctoral Dissertation]. University of Texas – Austin; 2004. Available from: http://hdl.handle.net/2152/1296


University of Hong Kong

5. Yeung, Yuk-ngan. Gender representation in films.

Degree: 2002, University of Hong Kong

Subjects/Keywords: Men in motion pictures.; Heroes in motion pictures.; Motion pictures - United States

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APA (6th Edition):

Yeung, Y. (2002). Gender representation in films. (Thesis). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/40644

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yeung, Yuk-ngan. “Gender representation in films.” 2002. Thesis, University of Hong Kong. Accessed December 01, 2020. http://hdl.handle.net/10722/40644.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yeung, Yuk-ngan. “Gender representation in films.” 2002. Web. 01 Dec 2020.

Vancouver:

Yeung Y. Gender representation in films. [Internet] [Thesis]. University of Hong Kong; 2002. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/10722/40644.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yeung Y. Gender representation in films. [Thesis]. University of Hong Kong; 2002. Available from: http://hdl.handle.net/10722/40644

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Reynolds, Kevin Patrick. That justice be seen : the American prosecution's use of film at the Nuremberg International Military Tribunal.

Degree: PhD, 2011, University of Sussex

 This dissertation examines the use of motion-picture film by the American Prosecution before and during the 'Trial of the Major War Criminals' at the Nuremberg… (more)

Subjects/Keywords: 900; DD History of Germany; E151 United States (General); PN1993 Motion pictures

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APA (6th Edition):

Reynolds, K. P. (2011). That justice be seen : the American prosecution's use of film at the Nuremberg International Military Tribunal. (Doctoral Dissertation). University of Sussex. Retrieved from http://sro.sussex.ac.uk/id/eprint/7595/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.554850

Chicago Manual of Style (16th Edition):

Reynolds, Kevin Patrick. “That justice be seen : the American prosecution's use of film at the Nuremberg International Military Tribunal.” 2011. Doctoral Dissertation, University of Sussex. Accessed December 01, 2020. http://sro.sussex.ac.uk/id/eprint/7595/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.554850.

MLA Handbook (7th Edition):

Reynolds, Kevin Patrick. “That justice be seen : the American prosecution's use of film at the Nuremberg International Military Tribunal.” 2011. Web. 01 Dec 2020.

Vancouver:

Reynolds KP. That justice be seen : the American prosecution's use of film at the Nuremberg International Military Tribunal. [Internet] [Doctoral dissertation]. University of Sussex; 2011. [cited 2020 Dec 01]. Available from: http://sro.sussex.ac.uk/id/eprint/7595/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.554850.

Council of Science Editors:

Reynolds KP. That justice be seen : the American prosecution's use of film at the Nuremberg International Military Tribunal. [Doctoral Dissertation]. University of Sussex; 2011. Available from: http://sro.sussex.ac.uk/id/eprint/7595/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.554850


Michigan State University

7. Chaffin, Thomas Daniel. Managing brands as a resource : a study of Hollywood film franchises.

Degree: 2015, Michigan State University

Thesis Ph. D. Michigan State University. Business Administration - Strategic Management 2015.

In spite of the extensive research that has been carried out on the… (more)

Subjects/Keywords: Motion pictures – United States – Marketing; Film sequels – United States – Marketing; Brand name products; Product management; Management; Marketing

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APA (6th Edition):

Chaffin, T. D. (2015). Managing brands as a resource : a study of Hollywood film franchises. (Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:3571

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chaffin, Thomas Daniel. “Managing brands as a resource : a study of Hollywood film franchises.” 2015. Thesis, Michigan State University. Accessed December 01, 2020. http://etd.lib.msu.edu/islandora/object/etd:3571.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chaffin, Thomas Daniel. “Managing brands as a resource : a study of Hollywood film franchises.” 2015. Web. 01 Dec 2020.

Vancouver:

Chaffin TD. Managing brands as a resource : a study of Hollywood film franchises. [Internet] [Thesis]. Michigan State University; 2015. [cited 2020 Dec 01]. Available from: http://etd.lib.msu.edu/islandora/object/etd:3571.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chaffin TD. Managing brands as a resource : a study of Hollywood film franchises. [Thesis]. Michigan State University; 2015. Available from: http://etd.lib.msu.edu/islandora/object/etd:3571

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Mexico

8. Halbgewachs, Nancy Copeland. Censorship and Holocaust Film in the Hollywood Studio System.

Degree: Sociology, 2012, University of New Mexico

 Following the end of World War II in 1945 to 1969, Hollywood films remained silent about the extermination camps, the sites of the murders and… (more)

Subjects/Keywords: Holocaust; Jewish (1939-1945); in motion pictures; Motion pictures – Censorship – United States – History – 20th century; Motion Picture Producers and Distributors of America

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Halbgewachs, N. C. (2012). Censorship and Holocaust Film in the Hollywood Studio System. (Doctoral Dissertation). University of New Mexico. Retrieved from http://hdl.handle.net/1928/17476

Chicago Manual of Style (16th Edition):

Halbgewachs, Nancy Copeland. “Censorship and Holocaust Film in the Hollywood Studio System.” 2012. Doctoral Dissertation, University of New Mexico. Accessed December 01, 2020. http://hdl.handle.net/1928/17476.

MLA Handbook (7th Edition):

Halbgewachs, Nancy Copeland. “Censorship and Holocaust Film in the Hollywood Studio System.” 2012. Web. 01 Dec 2020.

Vancouver:

Halbgewachs NC. Censorship and Holocaust Film in the Hollywood Studio System. [Internet] [Doctoral dissertation]. University of New Mexico; 2012. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/1928/17476.

Council of Science Editors:

Halbgewachs NC. Censorship and Holocaust Film in the Hollywood Studio System. [Doctoral Dissertation]. University of New Mexico; 2012. Available from: http://hdl.handle.net/1928/17476


University of Arizona

9. Lamb, Charles Russell, 1924-. Motion pictures in small towns and rural areas .

Degree: 1950, University of Arizona

Subjects/Keywords: Motion pictures  – Distribution.

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APA (6th Edition):

Lamb, Charles Russell, 1. (1950). Motion pictures in small towns and rural areas . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/347589

Chicago Manual of Style (16th Edition):

Lamb, Charles Russell, 1924-. “Motion pictures in small towns and rural areas .” 1950. Masters Thesis, University of Arizona. Accessed December 01, 2020. http://hdl.handle.net/10150/347589.

MLA Handbook (7th Edition):

Lamb, Charles Russell, 1924-. “Motion pictures in small towns and rural areas .” 1950. Web. 01 Dec 2020.

Vancouver:

Lamb, Charles Russell 1. Motion pictures in small towns and rural areas . [Internet] [Masters thesis]. University of Arizona; 1950. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/10150/347589.

Council of Science Editors:

Lamb, Charles Russell 1. Motion pictures in small towns and rural areas . [Masters Thesis]. University of Arizona; 1950. Available from: http://hdl.handle.net/10150/347589


Macquarie University

10. Klindo, Mile. The Hollywood Left and McCarthyism: the political and aesthetic legacy of the Red Scare.

Degree: PhD, 2011, Macquarie University

Bibliography: p. 345-361.

Introduction: Contextualising the tension between the 'American dream' and Marxism in pre-blacklist Hollywood  – Conscious and 'unconscious' Marxism in Hollywood: Abraham Polonsky,… (more)

Subjects/Keywords: Motion pictures  – Political aspects  – United States  – History; Motion picture industry  – Political aspects  – United States  – History; Motion picture producers and directors  – Political activity  – United States  – History; Blacklisting of entertainers  – United States; Communism and motion pictures  – United States; Radicalism  – United States  – History; Politics in motion pictures; Hollywood (Los Angeles, Calif.)  – History; McCarthyism; Marxism; Stalinism; class; Polonsky; Rossen; Losey; Kazan; Biberman; Garfield; Brando; Salt of the earth

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APA (6th Edition):

Klindo, M. (2011). The Hollywood Left and McCarthyism: the political and aesthetic legacy of the Red Scare. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/193688

Chicago Manual of Style (16th Edition):

Klindo, Mile. “The Hollywood Left and McCarthyism: the political and aesthetic legacy of the Red Scare.” 2011. Doctoral Dissertation, Macquarie University. Accessed December 01, 2020. http://hdl.handle.net/1959.14/193688.

MLA Handbook (7th Edition):

Klindo, Mile. “The Hollywood Left and McCarthyism: the political and aesthetic legacy of the Red Scare.” 2011. Web. 01 Dec 2020.

Vancouver:

Klindo M. The Hollywood Left and McCarthyism: the political and aesthetic legacy of the Red Scare. [Internet] [Doctoral dissertation]. Macquarie University; 2011. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/1959.14/193688.

Council of Science Editors:

Klindo M. The Hollywood Left and McCarthyism: the political and aesthetic legacy of the Red Scare. [Doctoral Dissertation]. Macquarie University; 2011. Available from: http://hdl.handle.net/1959.14/193688


Nelson Mandela Metropolitan University

11. Kotze, Mieke. Beyond Pierre Hadot’s promethean and orphic framework: critical reflections on Leonardo Dicaprio’s environmental documentaries in relation to the veil of ISIS.

Degree: 2019, Nelson Mandela Metropolitan University

 In his book The Veil of Isis: An Essay on the History of the Idea of Nature (2006), Pierre Hadot details two opposing paradigmatic attitudes… (more)

Subjects/Keywords: Philosophy of nature; Documentary films  – United States  – History and criticism; Environmental films  – United States  – History and criticism; Motion pictures  – United States  – History  – 21st century

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APA (6th Edition):

Kotze, M. (2019). Beyond Pierre Hadot’s promethean and orphic framework: critical reflections on Leonardo Dicaprio’s environmental documentaries in relation to the veil of ISIS. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/40599

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kotze, Mieke. “Beyond Pierre Hadot’s promethean and orphic framework: critical reflections on Leonardo Dicaprio’s environmental documentaries in relation to the veil of ISIS.” 2019. Thesis, Nelson Mandela Metropolitan University. Accessed December 01, 2020. http://hdl.handle.net/10948/40599.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kotze, Mieke. “Beyond Pierre Hadot’s promethean and orphic framework: critical reflections on Leonardo Dicaprio’s environmental documentaries in relation to the veil of ISIS.” 2019. Web. 01 Dec 2020.

Vancouver:

Kotze M. Beyond Pierre Hadot’s promethean and orphic framework: critical reflections on Leonardo Dicaprio’s environmental documentaries in relation to the veil of ISIS. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2019. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/10948/40599.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kotze M. Beyond Pierre Hadot’s promethean and orphic framework: critical reflections on Leonardo Dicaprio’s environmental documentaries in relation to the veil of ISIS. [Thesis]. Nelson Mandela Metropolitan University; 2019. Available from: http://hdl.handle.net/10948/40599

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hawaii – Manoa

12. O'Brien, Patrick Gerald. Imagery and symbol of the airplane in American film, 1950-2004.

Degree: PhD, 2009, University of Hawaii – Manoa

Also available by subscription via World Wide Web

v, 287 leaves, bound 29 cm

Subjects/Keywords: Airplanes in motion pictures; Motion pictures  – United States  – History and criticism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

O'Brien, P. G. (2009). Imagery and symbol of the airplane in American film, 1950-2004. (Doctoral Dissertation). University of Hawaii – Manoa. Retrieved from http://hdl.handle.net/10125/12046

Chicago Manual of Style (16th Edition):

O'Brien, Patrick Gerald. “Imagery and symbol of the airplane in American film, 1950-2004.” 2009. Doctoral Dissertation, University of Hawaii – Manoa. Accessed December 01, 2020. http://hdl.handle.net/10125/12046.

MLA Handbook (7th Edition):

O'Brien, Patrick Gerald. “Imagery and symbol of the airplane in American film, 1950-2004.” 2009. Web. 01 Dec 2020.

Vancouver:

O'Brien PG. Imagery and symbol of the airplane in American film, 1950-2004. [Internet] [Doctoral dissertation]. University of Hawaii – Manoa; 2009. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/10125/12046.

Council of Science Editors:

O'Brien PG. Imagery and symbol of the airplane in American film, 1950-2004. [Doctoral Dissertation]. University of Hawaii – Manoa; 2009. Available from: http://hdl.handle.net/10125/12046


University of North Texas

13. Ford, Conny (Conny M.). Differences in Marketing Mainstream and Independent Feature Films in the United States (1990-1995).

Degree: 1995, University of North Texas

 The purpose of this study is (1) to examine mainstream studio films and their marketing (2) to examine independent films and their marketing (3) to… (more)

Subjects/Keywords: films; marketing; Motion pictures  – United States  – Marketing.; Motion picture industry  – United States.

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APA (6th Edition):

Ford, C. (. M. ). (1995). Differences in Marketing Mainstream and Independent Feature Films in the United States (1990-1995). (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278064/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ford, Conny (Conny M ). “Differences in Marketing Mainstream and Independent Feature Films in the United States (1990-1995).” 1995. Thesis, University of North Texas. Accessed December 01, 2020. https://digital.library.unt.edu/ark:/67531/metadc278064/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ford, Conny (Conny M ). “Differences in Marketing Mainstream and Independent Feature Films in the United States (1990-1995).” 1995. Web. 01 Dec 2020.

Vancouver:

Ford C(M). Differences in Marketing Mainstream and Independent Feature Films in the United States (1990-1995). [Internet] [Thesis]. University of North Texas; 1995. [cited 2020 Dec 01]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278064/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ford C(M). Differences in Marketing Mainstream and Independent Feature Films in the United States (1990-1995). [Thesis]. University of North Texas; 1995. Available from: https://digital.library.unt.edu/ark:/67531/metadc278064/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Western Washington University

14. George, Aaron. Cold War fictions : gender, anticommunism, and the reconfiguration of the post-war United States.

Degree: MA, History, 2012, Western Washington University

  At the height of the Cold War, films and books that focused on anticommunist themes used depictions of communism as a way to promote… (more)

Subjects/Keywords: History; Cold War – Social aspects – United States; Cold War in literature – History – 20th century; Cold War in motion pictures – History – 20th century; Women – United States – History – 20th century; Men – United States – History – 20th century; Masculinity – United States; Femininity – United States; United States; masters theses

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APA (6th Edition):

George, A. (2012). Cold War fictions : gender, anticommunism, and the reconfiguration of the post-war United States. (Masters Thesis). Western Washington University. Retrieved from https://doi.org/10.25710/861x-4442 ; https://cedar.wwu.edu/wwuet/201

Chicago Manual of Style (16th Edition):

George, Aaron. “Cold War fictions : gender, anticommunism, and the reconfiguration of the post-war United States.” 2012. Masters Thesis, Western Washington University. Accessed December 01, 2020. https://doi.org/10.25710/861x-4442 ; https://cedar.wwu.edu/wwuet/201.

MLA Handbook (7th Edition):

George, Aaron. “Cold War fictions : gender, anticommunism, and the reconfiguration of the post-war United States.” 2012. Web. 01 Dec 2020.

Vancouver:

George A. Cold War fictions : gender, anticommunism, and the reconfiguration of the post-war United States. [Internet] [Masters thesis]. Western Washington University; 2012. [cited 2020 Dec 01]. Available from: https://doi.org/10.25710/861x-4442 ; https://cedar.wwu.edu/wwuet/201.

Council of Science Editors:

George A. Cold War fictions : gender, anticommunism, and the reconfiguration of the post-war United States. [Masters Thesis]. Western Washington University; 2012. Available from: https://doi.org/10.25710/861x-4442 ; https://cedar.wwu.edu/wwuet/201


University of North Texas

15. Hubbard, Christine Karen Reeves. Rebellion and Reconciliation: Social Psychology, Genre, and the Teen Film 1980-1989.

Degree: 1996, University of North Texas

 In this dissertation, I bring together film theory, literary criticism, anthropology and psychology to develop a paradigm for the study of teen films that can… (more)

Subjects/Keywords: Motion pictures and teenagers  – United States.; Motion pictures  – United States  – History.; Motion pictures  – Social aspects  – United States.; rebellion; reconciliation; teen film; film theory

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APA (6th Edition):

Hubbard, C. K. R. (1996). Rebellion and Reconciliation: Social Psychology, Genre, and the Teen Film 1980-1989. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc279235/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hubbard, Christine Karen Reeves. “Rebellion and Reconciliation: Social Psychology, Genre, and the Teen Film 1980-1989.” 1996. Thesis, University of North Texas. Accessed December 01, 2020. https://digital.library.unt.edu/ark:/67531/metadc279235/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hubbard, Christine Karen Reeves. “Rebellion and Reconciliation: Social Psychology, Genre, and the Teen Film 1980-1989.” 1996. Web. 01 Dec 2020.

Vancouver:

Hubbard CKR. Rebellion and Reconciliation: Social Psychology, Genre, and the Teen Film 1980-1989. [Internet] [Thesis]. University of North Texas; 1996. [cited 2020 Dec 01]. Available from: https://digital.library.unt.edu/ark:/67531/metadc279235/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hubbard CKR. Rebellion and Reconciliation: Social Psychology, Genre, and the Teen Film 1980-1989. [Thesis]. University of North Texas; 1996. Available from: https://digital.library.unt.edu/ark:/67531/metadc279235/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Hossain, Md. Munir. Antecedents of attitudes towards foreign movies and their effects on viewing behaviour : a case of Hollywood and Bollywood.

Degree: 2015, Western Sydney University

 Consumers in developed and developing nations generally prefer products/services made in their home countries for economic, social and ethical reasons, and resist accepting foreign ones.… (more)

Subjects/Keywords: motion pictures; social aspects; ethnocentrism; foreign films; United States; Thesis (Ph.D.) – University of Western Sydney, 2015; India

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APA (6th Edition):

Hossain, M. M. (2015). Antecedents of attitudes towards foreign movies and their effects on viewing behaviour : a case of Hollywood and Bollywood. (Thesis). Western Sydney University. Retrieved from http://hdl.handle.net/1959.7/uws:32816

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hossain, Md Munir. “Antecedents of attitudes towards foreign movies and their effects on viewing behaviour : a case of Hollywood and Bollywood.” 2015. Thesis, Western Sydney University. Accessed December 01, 2020. http://hdl.handle.net/1959.7/uws:32816.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hossain, Md Munir. “Antecedents of attitudes towards foreign movies and their effects on viewing behaviour : a case of Hollywood and Bollywood.” 2015. Web. 01 Dec 2020.

Vancouver:

Hossain MM. Antecedents of attitudes towards foreign movies and their effects on viewing behaviour : a case of Hollywood and Bollywood. [Internet] [Thesis]. Western Sydney University; 2015. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/1959.7/uws:32816.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hossain MM. Antecedents of attitudes towards foreign movies and their effects on viewing behaviour : a case of Hollywood and Bollywood. [Thesis]. Western Sydney University; 2015. Available from: http://hdl.handle.net/1959.7/uws:32816

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida Atlantic University

17. Lieberman, Vividiana. One yard shy of empowerment: cinematic portrayals of female athletes.

Degree: MA, 2012, Florida Atlantic University

Summary: Sports are a primary zone of masculinity and sports films are a popular genre. One is hard pressed to find many leading female roles… (more)

Subjects/Keywords: Women athletes – United States; Feminism and sports; Competition (Psychology); Minorities in motion pictures; Sex discrimination against women

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APA (6th Edition):

Lieberman, V. (2012). One yard shy of empowerment: cinematic portrayals of female athletes. (Masters Thesis). Florida Atlantic University. Retrieved from http://purl.flvc.org/FAU/3342205

Chicago Manual of Style (16th Edition):

Lieberman, Vividiana. “One yard shy of empowerment: cinematic portrayals of female athletes.” 2012. Masters Thesis, Florida Atlantic University. Accessed December 01, 2020. http://purl.flvc.org/FAU/3342205.

MLA Handbook (7th Edition):

Lieberman, Vividiana. “One yard shy of empowerment: cinematic portrayals of female athletes.” 2012. Web. 01 Dec 2020.

Vancouver:

Lieberman V. One yard shy of empowerment: cinematic portrayals of female athletes. [Internet] [Masters thesis]. Florida Atlantic University; 2012. [cited 2020 Dec 01]. Available from: http://purl.flvc.org/FAU/3342205.

Council of Science Editors:

Lieberman V. One yard shy of empowerment: cinematic portrayals of female athletes. [Masters Thesis]. Florida Atlantic University; 2012. Available from: http://purl.flvc.org/FAU/3342205


University of Greenwich

18. Collins, John Roy. Reel wars: Cold War, civil rights and Hollywood's changing interpretation of the American Civil War 1945-75.

Degree: School of Humanities and Social Sciences, 2006, University of Greenwich

 This study is an examination of America's evolving sense of racial and national identity in the period from 1945 to the mid 1970s as refracted… (more)

Subjects/Keywords: E151 United States (General); PN1993 Motion Pictures

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APA (6th Edition):

Collins, J. R. (2006). Reel wars: Cold War, civil rights and Hollywood's changing interpretation of the American Civil War 1945-75. (Thesis). University of Greenwich. Retrieved from http://gala.gre.ac.uk/id/eprint/8542/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Collins, John Roy. “Reel wars: Cold War, civil rights and Hollywood's changing interpretation of the American Civil War 1945-75.” 2006. Thesis, University of Greenwich. Accessed December 01, 2020. http://gala.gre.ac.uk/id/eprint/8542/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Collins, John Roy. “Reel wars: Cold War, civil rights and Hollywood's changing interpretation of the American Civil War 1945-75.” 2006. Web. 01 Dec 2020.

Vancouver:

Collins JR. Reel wars: Cold War, civil rights and Hollywood's changing interpretation of the American Civil War 1945-75. [Internet] [Thesis]. University of Greenwich; 2006. [cited 2020 Dec 01]. Available from: http://gala.gre.ac.uk/id/eprint/8542/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Collins JR. Reel wars: Cold War, civil rights and Hollywood's changing interpretation of the American Civil War 1945-75. [Thesis]. University of Greenwich; 2006. Available from: http://gala.gre.ac.uk/id/eprint/8542/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

19. Langley, Richard Mark. Ameritocracy : Hollywood blockbusters and the universalisation of American values.

Degree: PhD, 2012, University of Birmingham

 The thesis contends that there is a dominant strand of thinking driving the prevailing metanarrative of American global hegemony. This strand, constructed here as Ameritocracy,… (more)

Subjects/Keywords: 970; E11 America (General); E151 United States (General); N Visual arts (General) For photography, see TR; PN1993 Motion Pictures

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APA (6th Edition):

Langley, R. M. (2012). Ameritocracy : Hollywood blockbusters and the universalisation of American values. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3376/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.556868

Chicago Manual of Style (16th Edition):

Langley, Richard Mark. “Ameritocracy : Hollywood blockbusters and the universalisation of American values.” 2012. Doctoral Dissertation, University of Birmingham. Accessed December 01, 2020. http://etheses.bham.ac.uk//id/eprint/3376/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.556868.

MLA Handbook (7th Edition):

Langley, Richard Mark. “Ameritocracy : Hollywood blockbusters and the universalisation of American values.” 2012. Web. 01 Dec 2020.

Vancouver:

Langley RM. Ameritocracy : Hollywood blockbusters and the universalisation of American values. [Internet] [Doctoral dissertation]. University of Birmingham; 2012. [cited 2020 Dec 01]. Available from: http://etheses.bham.ac.uk//id/eprint/3376/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.556868.

Council of Science Editors:

Langley RM. Ameritocracy : Hollywood blockbusters and the universalisation of American values. [Doctoral Dissertation]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3376/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.556868


Macquarie University

20. Mairata, James. Prizing the popular: Steven Spielberg and style by stealth.

Degree: 2016, Macquarie University

Theoretical thesis.

Bibliography: pages 283-306.

Introduction  – Chapter I. Fundamentals of classical narration  – Chapter II. Spielberg as filmmaker  – Chapter III. Continuity editing as… (more)

Subjects/Keywords: Spielberg, Steven  – Criticism and interpretation; Motion pictures  – Production and direction  – United States; Cinematography  – Technique; Spielberg; deep space; wide reverse; cognitive

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APA (6th Edition):

Mairata, J. (2016). Prizing the popular: Steven Spielberg and style by stealth. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/1075212

Chicago Manual of Style (16th Edition):

Mairata, James. “Prizing the popular: Steven Spielberg and style by stealth.” 2016. Doctoral Dissertation, Macquarie University. Accessed December 01, 2020. http://hdl.handle.net/1959.14/1075212.

MLA Handbook (7th Edition):

Mairata, James. “Prizing the popular: Steven Spielberg and style by stealth.” 2016. Web. 01 Dec 2020.

Vancouver:

Mairata J. Prizing the popular: Steven Spielberg and style by stealth. [Internet] [Doctoral dissertation]. Macquarie University; 2016. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/1959.14/1075212.

Council of Science Editors:

Mairata J. Prizing the popular: Steven Spielberg and style by stealth. [Doctoral Dissertation]. Macquarie University; 2016. Available from: http://hdl.handle.net/1959.14/1075212


Ryerson University

21. Kerr, David. Vertiginous pleasures.

Degree: 2006, Ryerson University

 In the opening lines to his unique collection of cinematic art, Italian Movie Posters, Dave Kehr reminds us that "in the final analysis, movie posters… (more)

Subjects/Keywords: Film posters; Motion pictures  – Social aspects  – United States.; Motion pictures and the arts; Printed ephemera; Motion pictures  – Aesthetics

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APA (6th Edition):

Kerr, D. (2006). Vertiginous pleasures. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A3192

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kerr, David. “Vertiginous pleasures.” 2006. Thesis, Ryerson University. Accessed December 01, 2020. https://digital.library.ryerson.ca/islandora/object/RULA%3A3192.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kerr, David. “Vertiginous pleasures.” 2006. Web. 01 Dec 2020.

Vancouver:

Kerr D. Vertiginous pleasures. [Internet] [Thesis]. Ryerson University; 2006. [cited 2020 Dec 01]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A3192.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kerr D. Vertiginous pleasures. [Thesis]. Ryerson University; 2006. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A3192

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan State University

22. Xie, Tianshi. Asian stereotypes in the mass media : a content analysis of Asian minority portrayals in U.S. films.

Degree: MA, Department of Communications, 2007, Michigan State University

Subjects/Keywords: Asians in motion pictures; Stereotypes (Social psychology) in motion pictures; Motion pictures – United States

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APA (6th Edition):

Xie, T. (2007). Asian stereotypes in the mass media : a content analysis of Asian minority portrayals in U.S. films. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:38786

Chicago Manual of Style (16th Edition):

Xie, Tianshi. “Asian stereotypes in the mass media : a content analysis of Asian minority portrayals in U.S. films.” 2007. Masters Thesis, Michigan State University. Accessed December 01, 2020. http://etd.lib.msu.edu/islandora/object/etd:38786.

MLA Handbook (7th Edition):

Xie, Tianshi. “Asian stereotypes in the mass media : a content analysis of Asian minority portrayals in U.S. films.” 2007. Web. 01 Dec 2020.

Vancouver:

Xie T. Asian stereotypes in the mass media : a content analysis of Asian minority portrayals in U.S. films. [Internet] [Masters thesis]. Michigan State University; 2007. [cited 2020 Dec 01]. Available from: http://etd.lib.msu.edu/islandora/object/etd:38786.

Council of Science Editors:

Xie T. Asian stereotypes in the mass media : a content analysis of Asian minority portrayals in U.S. films. [Masters Thesis]. Michigan State University; 2007. Available from: http://etd.lib.msu.edu/islandora/object/etd:38786


University of North Texas

23. Budziszewski, Przemyslaw. Our enemy, ourselves: Political conspiracy in American cinema, 1970-present.

Degree: 2003, University of North Texas

 This thesis is an examination of "paranoid conspiracy" films, a film noir subgenre that emerged in mainstream American cinema in the early 1970s and turns… (more)

Subjects/Keywords: Conspiracy in motion pictures.; Motion pictures  – United States.; Conspiracy theories; motion pictures; film analysis

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APA (6th Edition):

Budziszewski, P. (2003). Our enemy, ourselves: Political conspiracy in American cinema, 1970-present. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4269/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Budziszewski, Przemyslaw. “Our enemy, ourselves: Political conspiracy in American cinema, 1970-present.” 2003. Thesis, University of North Texas. Accessed December 01, 2020. https://digital.library.unt.edu/ark:/67531/metadc4269/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Budziszewski, Przemyslaw. “Our enemy, ourselves: Political conspiracy in American cinema, 1970-present.” 2003. Web. 01 Dec 2020.

Vancouver:

Budziszewski P. Our enemy, ourselves: Political conspiracy in American cinema, 1970-present. [Internet] [Thesis]. University of North Texas; 2003. [cited 2020 Dec 01]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4269/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Budziszewski P. Our enemy, ourselves: Political conspiracy in American cinema, 1970-present. [Thesis]. University of North Texas; 2003. Available from: https://digital.library.unt.edu/ark:/67531/metadc4269/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan State University

24. Williamson, Patricia A. Ratings and their reasons : an investigation of the efficiency, application and unintended consequences of the Motion Picture Association of America's film rating system.

Degree: PhD, Mass Media Program, 2007, Michigan State University

Subjects/Keywords: Motion pictures – Ratings – United States – Public opinion; Motion pictures – Ratings – United States; Violence in motion pictures – Public opinion; Sex in motion pictures – Public opinion; Parents – United States – Attitudes

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APA (6th Edition):

Williamson, P. A. (2007). Ratings and their reasons : an investigation of the efficiency, application and unintended consequences of the Motion Picture Association of America's film rating system. (Doctoral Dissertation). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:47457

Chicago Manual of Style (16th Edition):

Williamson, Patricia A. “Ratings and their reasons : an investigation of the efficiency, application and unintended consequences of the Motion Picture Association of America's film rating system.” 2007. Doctoral Dissertation, Michigan State University. Accessed December 01, 2020. http://etd.lib.msu.edu/islandora/object/etd:47457.

MLA Handbook (7th Edition):

Williamson, Patricia A. “Ratings and their reasons : an investigation of the efficiency, application and unintended consequences of the Motion Picture Association of America's film rating system.” 2007. Web. 01 Dec 2020.

Vancouver:

Williamson PA. Ratings and their reasons : an investigation of the efficiency, application and unintended consequences of the Motion Picture Association of America's film rating system. [Internet] [Doctoral dissertation]. Michigan State University; 2007. [cited 2020 Dec 01]. Available from: http://etd.lib.msu.edu/islandora/object/etd:47457.

Council of Science Editors:

Williamson PA. Ratings and their reasons : an investigation of the efficiency, application and unintended consequences of the Motion Picture Association of America's film rating system. [Doctoral Dissertation]. Michigan State University; 2007. Available from: http://etd.lib.msu.edu/islandora/object/etd:47457


Texas Christian University

25. Myers, James M., 1951-. The Bureau of Motion Pictures : its influence on film content during World War II and the reasons for its failure / by James M. Myers.

Degree: 1998, Texas Christian University

Subjects/Keywords: United States. Office of War Information. Domestic Branch. Bureau of Motion Pictures; World War, 1939-1945 – Motion pictures and the war; Motion pictures – Censorship – United States – History; Motion pictures – United States – History

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APA (6th Edition):

Myers, James M., 1. (1998). The Bureau of Motion Pictures : its influence on film content during World War II and the reasons for its failure / by James M. Myers. (Thesis). Texas Christian University. Retrieved from https://repository.tcu.edu/handle/116099117/33636

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Myers, James M., 1951-. “The Bureau of Motion Pictures : its influence on film content during World War II and the reasons for its failure / by James M. Myers.” 1998. Thesis, Texas Christian University. Accessed December 01, 2020. https://repository.tcu.edu/handle/116099117/33636.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Myers, James M., 1951-. “The Bureau of Motion Pictures : its influence on film content during World War II and the reasons for its failure / by James M. Myers.” 1998. Web. 01 Dec 2020.

Vancouver:

Myers, James M. 1. The Bureau of Motion Pictures : its influence on film content during World War II and the reasons for its failure / by James M. Myers. [Internet] [Thesis]. Texas Christian University; 1998. [cited 2020 Dec 01]. Available from: https://repository.tcu.edu/handle/116099117/33636.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Myers, James M. 1. The Bureau of Motion Pictures : its influence on film content during World War II and the reasons for its failure / by James M. Myers. [Thesis]. Texas Christian University; 1998. Available from: https://repository.tcu.edu/handle/116099117/33636

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

26. Edwards, Kyle D. Corporate fictions: film adaptation and authorship in the classical Hollywood era.

Degree: PhD, English, 2006, University of Texas – Austin

 “Corporate Fictions: Film Adaptation and Authorship in the Classical Hollywood Era” examines the adaptation of literary fiction by select United States motion picture studios—in reality… (more)

Subjects/Keywords: Film adaptations; Motion pictures – United States – History – 20th century; Motion picture industry – United States – History – 20th century; Motion pictures – United States – Marketing – History – 20th century; Advertising – Motion pictures – United States – History – 20th century

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APA (6th Edition):

Edwards, K. D. (2006). Corporate fictions: film adaptation and authorship in the classical Hollywood era. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/3764

Chicago Manual of Style (16th Edition):

Edwards, Kyle D. “Corporate fictions: film adaptation and authorship in the classical Hollywood era.” 2006. Doctoral Dissertation, University of Texas – Austin. Accessed December 01, 2020. http://hdl.handle.net/2152/3764.

MLA Handbook (7th Edition):

Edwards, Kyle D. “Corporate fictions: film adaptation and authorship in the classical Hollywood era.” 2006. Web. 01 Dec 2020.

Vancouver:

Edwards KD. Corporate fictions: film adaptation and authorship in the classical Hollywood era. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2006. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/2152/3764.

Council of Science Editors:

Edwards KD. Corporate fictions: film adaptation and authorship in the classical Hollywood era. [Doctoral Dissertation]. University of Texas – Austin; 2006. Available from: http://hdl.handle.net/2152/3764


Michigan State University

27. Osman, Douglas Clark. Tracing the era of the high-concept film : a study of cinematic trends in popular motion picture production.

Degree: MA, Department of Telecommunication, 1988, Michigan State University

Subjects/Keywords: Motion pictures – United States – History; Film genres; Motion pictures – United States – Plots, themes, etc

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APA (6th Edition):

Osman, D. C. (1988). Tracing the era of the high-concept film : a study of cinematic trends in popular motion picture production. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:20275

Chicago Manual of Style (16th Edition):

Osman, Douglas Clark. “Tracing the era of the high-concept film : a study of cinematic trends in popular motion picture production.” 1988. Masters Thesis, Michigan State University. Accessed December 01, 2020. http://etd.lib.msu.edu/islandora/object/etd:20275.

MLA Handbook (7th Edition):

Osman, Douglas Clark. “Tracing the era of the high-concept film : a study of cinematic trends in popular motion picture production.” 1988. Web. 01 Dec 2020.

Vancouver:

Osman DC. Tracing the era of the high-concept film : a study of cinematic trends in popular motion picture production. [Internet] [Masters thesis]. Michigan State University; 1988. [cited 2020 Dec 01]. Available from: http://etd.lib.msu.edu/islandora/object/etd:20275.

Council of Science Editors:

Osman DC. Tracing the era of the high-concept film : a study of cinematic trends in popular motion picture production. [Masters Thesis]. Michigan State University; 1988. Available from: http://etd.lib.msu.edu/islandora/object/etd:20275


University of Stirling

28. Ritchie, John. How UK and USA Films Represented and Performed Scottishness from 1895 to 1935: With Particular Attention to the Transition to Sound (1927–1933).

Degree: PhD, 2018, University of Stirling

 This thesis explores the manners in which UK and USA cinema represented and performed Scottish people’s national identity from 1895 to 1935. It starts with… (more)

Subjects/Keywords: Acting; Film; Scottish; Performance; Sound; Lauder; Voice; Music; Motion picture industry Great Britain History 20th century; Motion picture industry United States History 20th century; Sound motion pictures; Lauder, Harry, Sir, 1870-1950; Scotland In motion pictures; Group identity Scotland

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APA (6th Edition):

Ritchie, J. (2018). How UK and USA Films Represented and Performed Scottishness from 1895 to 1935: With Particular Attention to the Transition to Sound (1927–1933). (Doctoral Dissertation). University of Stirling. Retrieved from http://hdl.handle.net/1893/29368

Chicago Manual of Style (16th Edition):

Ritchie, John. “How UK and USA Films Represented and Performed Scottishness from 1895 to 1935: With Particular Attention to the Transition to Sound (1927–1933).” 2018. Doctoral Dissertation, University of Stirling. Accessed December 01, 2020. http://hdl.handle.net/1893/29368.

MLA Handbook (7th Edition):

Ritchie, John. “How UK and USA Films Represented and Performed Scottishness from 1895 to 1935: With Particular Attention to the Transition to Sound (1927–1933).” 2018. Web. 01 Dec 2020.

Vancouver:

Ritchie J. How UK and USA Films Represented and Performed Scottishness from 1895 to 1935: With Particular Attention to the Transition to Sound (1927–1933). [Internet] [Doctoral dissertation]. University of Stirling; 2018. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/1893/29368.

Council of Science Editors:

Ritchie J. How UK and USA Films Represented and Performed Scottishness from 1895 to 1935: With Particular Attention to the Transition to Sound (1927–1933). [Doctoral Dissertation]. University of Stirling; 2018. Available from: http://hdl.handle.net/1893/29368


University of North Texas

29. Munde, Gail Marie. An Examination of Selected Product Characteristics Associated with the Sales Success of Nontheatrical Film and Video Works.

Degree: 1990, University of North Texas

 The purpose of this study was to test assumptions made about characteristics of nontheatrical film and video works that were thought to contribute to the… (more)

Subjects/Keywords: videos in education; sales success; film and video; nontheatrical film and video; film and video criticism; Motion pictures  – United States  – Distribution.; Motion pictures in education.; Video tapes in education.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Munde, G. M. (1990). An Examination of Selected Product Characteristics Associated with the Sales Success of Nontheatrical Film and Video Works. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc331458/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Munde, Gail Marie. “An Examination of Selected Product Characteristics Associated with the Sales Success of Nontheatrical Film and Video Works.” 1990. Thesis, University of North Texas. Accessed December 01, 2020. https://digital.library.unt.edu/ark:/67531/metadc331458/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Munde, Gail Marie. “An Examination of Selected Product Characteristics Associated with the Sales Success of Nontheatrical Film and Video Works.” 1990. Web. 01 Dec 2020.

Vancouver:

Munde GM. An Examination of Selected Product Characteristics Associated with the Sales Success of Nontheatrical Film and Video Works. [Internet] [Thesis]. University of North Texas; 1990. [cited 2020 Dec 01]. Available from: https://digital.library.unt.edu/ark:/67531/metadc331458/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Munde GM. An Examination of Selected Product Characteristics Associated with the Sales Success of Nontheatrical Film and Video Works. [Thesis]. University of North Texas; 1990. Available from: https://digital.library.unt.edu/ark:/67531/metadc331458/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Frick, Caroline Jane. Restoration nation: motion picture archives and "American" film heritage.

Degree: PhD, Radio-Television-Film, 2005, University of Texas – Austin

 With the inception of cinema in the late 1890s, discussions relating to the preservation of film emerged in countries around the globe. Early motion picture… (more)

Subjects/Keywords: Motion picture film – Preservation; Motion pictures – United States

…from UEA, I worked with a variety of film-related organizations across the United States: the… …broadening of what is considered “film history” within the United States. With this project, I hope… …and pundits battled for decades to justify the study and preservation of motion pictures… …exhibition, and conservation of motion pictures, actions justified by their passionate appeal to… …published book on film archives and archivists, this time with a focus on the United States. Our… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Frick, C. J. (2005). Restoration nation: motion picture archives and "American" film heritage. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/1915

Chicago Manual of Style (16th Edition):

Frick, Caroline Jane. “Restoration nation: motion picture archives and "American" film heritage.” 2005. Doctoral Dissertation, University of Texas – Austin. Accessed December 01, 2020. http://hdl.handle.net/2152/1915.

MLA Handbook (7th Edition):

Frick, Caroline Jane. “Restoration nation: motion picture archives and "American" film heritage.” 2005. Web. 01 Dec 2020.

Vancouver:

Frick CJ. Restoration nation: motion picture archives and "American" film heritage. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2005. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/2152/1915.

Council of Science Editors:

Frick CJ. Restoration nation: motion picture archives and "American" film heritage. [Doctoral Dissertation]. University of Texas – Austin; 2005. Available from: http://hdl.handle.net/2152/1915

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