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You searched for subject:(Motion picture audiences Services for). Showing records 1 – 30 of 54190 total matches.

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Nelson Mandela Metropolitan University

1. Vermaak, Janelle Leigh. Fans of film franchises - the online alien universe: a study of online participation as a catalyst for fan-created objects that expand the film universe.

Degree: 2017, Nelson Mandela Metropolitan University

 This thesis will analyse the ways in which fan participation and creation in online communities extends the film world beyond the film object, and the… (more)

Subjects/Keywords: Motion picture audiences; Fans (Persons); Motion picture industry

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vermaak, J. L. (2017). Fans of film franchises - the online alien universe: a study of online participation as a catalyst for fan-created objects that expand the film universe. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/13938

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vermaak, Janelle Leigh. “Fans of film franchises - the online alien universe: a study of online participation as a catalyst for fan-created objects that expand the film universe.” 2017. Thesis, Nelson Mandela Metropolitan University. Accessed November 27, 2020. http://hdl.handle.net/10948/13938.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vermaak, Janelle Leigh. “Fans of film franchises - the online alien universe: a study of online participation as a catalyst for fan-created objects that expand the film universe.” 2017. Web. 27 Nov 2020.

Vancouver:

Vermaak JL. Fans of film franchises - the online alien universe: a study of online participation as a catalyst for fan-created objects that expand the film universe. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2017. [cited 2020 Nov 27]. Available from: http://hdl.handle.net/10948/13938.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vermaak JL. Fans of film franchises - the online alien universe: a study of online participation as a catalyst for fan-created objects that expand the film universe. [Thesis]. Nelson Mandela Metropolitan University; 2017. Available from: http://hdl.handle.net/10948/13938

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – San Bernardino

2. Chiu, Chun-Kai. Movie theater ticket order system: (MTTOS).

Degree: MSin Computer Science, School of Computer Science and Engineering, 2004, California State University – San Bernardino

 This project is a movie theater order system. This system allows people to get movie information and purchase tickets on the Internet. This project is… (more)

Subjects/Keywords: Ticket brokerage; Motion picture audiences  – Services for; Motion picture theaters  – Management; Reservation systems; Advertising  – Motion pictures; Java (Computer program language); SQL (Computer program language); Computer Sciences

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chiu, C. (2004). Movie theater ticket order system: (MTTOS). (Thesis). California State University – San Bernardino. Retrieved from http://scholarworks.lib.csusb.edu/etd-project/2500

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chiu, Chun-Kai. “Movie theater ticket order system: (MTTOS).” 2004. Thesis, California State University – San Bernardino. Accessed November 27, 2020. http://scholarworks.lib.csusb.edu/etd-project/2500.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chiu, Chun-Kai. “Movie theater ticket order system: (MTTOS).” 2004. Web. 27 Nov 2020.

Vancouver:

Chiu C. Movie theater ticket order system: (MTTOS). [Internet] [Thesis]. California State University – San Bernardino; 2004. [cited 2020 Nov 27]. Available from: http://scholarworks.lib.csusb.edu/etd-project/2500.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chiu C. Movie theater ticket order system: (MTTOS). [Thesis]. California State University – San Bernardino; 2004. Available from: http://scholarworks.lib.csusb.edu/etd-project/2500

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – San Bernardino

3. Chiu, Chun-Kai. Movie theater ticket order system: (MTTOS).

Degree: MSin Computer Science, School of Computer Science and Engineering, 2004, California State University – San Bernardino

 This project is a movie theater order system. This system allows people to get movie information and purchase tickets on the Internet. This project is… (more)

Subjects/Keywords: Ticket brokerage; Motion picture audiences  – Services for; Motion picture theaters  – Management; Reservation systems; Advertising  – Motion pictures; Java (Computer program language); SQL (Computer program language); Computer Sciences

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chiu, C. (2004). Movie theater ticket order system: (MTTOS). (Thesis). California State University – San Bernardino. Retrieved from http://scholarworks.lib.csusb.edu/etd-project/2541

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chiu, Chun-Kai. “Movie theater ticket order system: (MTTOS).” 2004. Thesis, California State University – San Bernardino. Accessed November 27, 2020. http://scholarworks.lib.csusb.edu/etd-project/2541.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chiu, Chun-Kai. “Movie theater ticket order system: (MTTOS).” 2004. Web. 27 Nov 2020.

Vancouver:

Chiu C. Movie theater ticket order system: (MTTOS). [Internet] [Thesis]. California State University – San Bernardino; 2004. [cited 2020 Nov 27]. Available from: http://scholarworks.lib.csusb.edu/etd-project/2541.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chiu C. Movie theater ticket order system: (MTTOS). [Thesis]. California State University – San Bernardino; 2004. Available from: http://scholarworks.lib.csusb.edu/etd-project/2541

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

4. Ríos-Cordero, Hugo J., 1972-. Permutations of cinephilia: aesthetics, technology, and social consciousness.

Degree: PhD, Comparative Literature, 2014, Rutgers University

In this dissertation I investigate the role played by cinephilia both as a moving historical force behind film reviewing and as the engine behind several… (more)

Subjects/Keywords: Motion pictures – Social aspects; Motion picture audiences; Motion pictures – Reviews

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APA (6th Edition):

Ríos-Cordero, Hugo J., 1. (2014). Permutations of cinephilia: aesthetics, technology, and social consciousness. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/45446/

Chicago Manual of Style (16th Edition):

Ríos-Cordero, Hugo J., 1972-. “Permutations of cinephilia: aesthetics, technology, and social consciousness.” 2014. Doctoral Dissertation, Rutgers University. Accessed November 27, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/45446/.

MLA Handbook (7th Edition):

Ríos-Cordero, Hugo J., 1972-. “Permutations of cinephilia: aesthetics, technology, and social consciousness.” 2014. Web. 27 Nov 2020.

Vancouver:

Ríos-Cordero, Hugo J. 1. Permutations of cinephilia: aesthetics, technology, and social consciousness. [Internet] [Doctoral dissertation]. Rutgers University; 2014. [cited 2020 Nov 27]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/45446/.

Council of Science Editors:

Ríos-Cordero, Hugo J. 1. Permutations of cinephilia: aesthetics, technology, and social consciousness. [Doctoral Dissertation]. Rutgers University; 2014. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/45446/


Columbia University

5. Ionita, Casiana Elena. The Educated Spectator: Cinema and Pedagogy in France, 1909-1930.

Degree: 2013, Columbia University

 This dissertation draws on a wide range of sources (including motion pictures, film journals, and essays) in order to analyze the debate over the social… (more)

Subjects/Keywords: Ethics; Mass media; Motion picture audiences; Motion pictures

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ionita, C. E. (2013). The Educated Spectator: Cinema and Pedagogy in France, 1909-1930. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8HQ3ZXR

Chicago Manual of Style (16th Edition):

Ionita, Casiana Elena. “The Educated Spectator: Cinema and Pedagogy in France, 1909-1930.” 2013. Doctoral Dissertation, Columbia University. Accessed November 27, 2020. https://doi.org/10.7916/D8HQ3ZXR.

MLA Handbook (7th Edition):

Ionita, Casiana Elena. “The Educated Spectator: Cinema and Pedagogy in France, 1909-1930.” 2013. Web. 27 Nov 2020.

Vancouver:

Ionita CE. The Educated Spectator: Cinema and Pedagogy in France, 1909-1930. [Internet] [Doctoral dissertation]. Columbia University; 2013. [cited 2020 Nov 27]. Available from: https://doi.org/10.7916/D8HQ3ZXR.

Council of Science Editors:

Ionita CE. The Educated Spectator: Cinema and Pedagogy in France, 1909-1930. [Doctoral Dissertation]. Columbia University; 2013. Available from: https://doi.org/10.7916/D8HQ3ZXR


Michigan State University

6. Respress, James R. The new motion picture rating code and its effects on teenage audiences.

Degree: MA, Dept. of Television and Radio, 1973, Michigan State University

Subjects/Keywords: Motion pictures; Motion picture audiences

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Respress, J. R. (1973). The new motion picture rating code and its effects on teenage audiences. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:15740

Chicago Manual of Style (16th Edition):

Respress, James R. “The new motion picture rating code and its effects on teenage audiences.” 1973. Masters Thesis, Michigan State University. Accessed November 27, 2020. http://etd.lib.msu.edu/islandora/object/etd:15740.

MLA Handbook (7th Edition):

Respress, James R. “The new motion picture rating code and its effects on teenage audiences.” 1973. Web. 27 Nov 2020.

Vancouver:

Respress JR. The new motion picture rating code and its effects on teenage audiences. [Internet] [Masters thesis]. Michigan State University; 1973. [cited 2020 Nov 27]. Available from: http://etd.lib.msu.edu/islandora/object/etd:15740.

Council of Science Editors:

Respress JR. The new motion picture rating code and its effects on teenage audiences. [Masters Thesis]. Michigan State University; 1973. Available from: http://etd.lib.msu.edu/islandora/object/etd:15740


Michigan State University

7. Buerkel-Rothfuss, Nancy L. Music preference as an audience variable in film communication.

Degree: MA, Dept. of Advertising, 1974, Michigan State University

Subjects/Keywords: Motion picture music; Motion picture audiences

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Buerkel-Rothfuss, N. L. (1974). Music preference as an audience variable in film communication. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:15627

Chicago Manual of Style (16th Edition):

Buerkel-Rothfuss, Nancy L. “Music preference as an audience variable in film communication.” 1974. Masters Thesis, Michigan State University. Accessed November 27, 2020. http://etd.lib.msu.edu/islandora/object/etd:15627.

MLA Handbook (7th Edition):

Buerkel-Rothfuss, Nancy L. “Music preference as an audience variable in film communication.” 1974. Web. 27 Nov 2020.

Vancouver:

Buerkel-Rothfuss NL. Music preference as an audience variable in film communication. [Internet] [Masters thesis]. Michigan State University; 1974. [cited 2020 Nov 27]. Available from: http://etd.lib.msu.edu/islandora/object/etd:15627.

Council of Science Editors:

Buerkel-Rothfuss NL. Music preference as an audience variable in film communication. [Masters Thesis]. Michigan State University; 1974. Available from: http://etd.lib.msu.edu/islandora/object/etd:15627


Ryerson University

8. Whitehead, Jessica L. The historical process of fandom as a participatory pastime: film discourse in newspapers from 1911 to 1918.:.

Degree: 2012, Ryerson University

 "Who Will Be Ruth?" was a headline that dominated small town newspapers from 1915- 1918. This headline corresponded with a contest that targeted young women… (more)

Subjects/Keywords: Motion pictures  – Competitions  – 20th century.; Motion pictures  – Competitions  – 20th century. – -; Motion picture audiences  – Psychology.; Motion picture audiences  – Psychology. – -; Mass media audiences  – Psychology.; Mass media audiences  – Psychology. – -; Motion pictures and women.; Motion pictures and women. – -

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Whitehead, J. L. (2012). The historical process of fandom as a participatory pastime: film discourse in newspapers from 1911 to 1918.:. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A2938

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Whitehead, Jessica L. “The historical process of fandom as a participatory pastime: film discourse in newspapers from 1911 to 1918.:.” 2012. Thesis, Ryerson University. Accessed November 27, 2020. https://digital.library.ryerson.ca/islandora/object/RULA%3A2938.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Whitehead, Jessica L. “The historical process of fandom as a participatory pastime: film discourse in newspapers from 1911 to 1918.:.” 2012. Web. 27 Nov 2020.

Vancouver:

Whitehead JL. The historical process of fandom as a participatory pastime: film discourse in newspapers from 1911 to 1918.:. [Internet] [Thesis]. Ryerson University; 2012. [cited 2020 Nov 27]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A2938.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Whitehead JL. The historical process of fandom as a participatory pastime: film discourse in newspapers from 1911 to 1918.:. [Thesis]. Ryerson University; 2012. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A2938

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

9. Pelovska, Iona. Poetry and reason: means and meanings of the moving image.

Degree: 2015, Ryerson University

 Poetry and Reason departs from the question of cinema as industrial technology and as artistic language. The prosthetic relationship of industrial technologies to the body,… (more)

Subjects/Keywords: Motion pictures  – Philosophy; Motion picture audiences  – Psychological aspects; Motion pictures and literature; Motion pictures  – Psychological aspects

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pelovska, I. (2015). Poetry and reason: means and meanings of the moving image. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A3739

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pelovska, Iona. “Poetry and reason: means and meanings of the moving image.” 2015. Thesis, Ryerson University. Accessed November 27, 2020. https://digital.library.ryerson.ca/islandora/object/RULA%3A3739.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pelovska, Iona. “Poetry and reason: means and meanings of the moving image.” 2015. Web. 27 Nov 2020.

Vancouver:

Pelovska I. Poetry and reason: means and meanings of the moving image. [Internet] [Thesis]. Ryerson University; 2015. [cited 2020 Nov 27]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A3739.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pelovska I. Poetry and reason: means and meanings of the moving image. [Thesis]. Ryerson University; 2015. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A3739

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

10. Scheer, Jennie S. Bearing the ring: the audience and consumers of The Lord of the Rings.

Degree: 2009, Ryerson University

 "I will examine who the contemporary film industries target as well as how they relate to the creation and maintenance of fan communities, who are… (more)

Subjects/Keywords: Motion picture audiences  – Social aspects.; Lord of the Rings films.; Fantasy films  – History and criticism.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Scheer, J. S. (2009). Bearing the ring: the audience and consumers of The Lord of the Rings. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A3099

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scheer, Jennie S. “Bearing the ring: the audience and consumers of The Lord of the Rings.” 2009. Thesis, Ryerson University. Accessed November 27, 2020. https://digital.library.ryerson.ca/islandora/object/RULA%3A3099.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scheer, Jennie S. “Bearing the ring: the audience and consumers of The Lord of the Rings.” 2009. Web. 27 Nov 2020.

Vancouver:

Scheer JS. Bearing the ring: the audience and consumers of The Lord of the Rings. [Internet] [Thesis]. Ryerson University; 2009. [cited 2020 Nov 27]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A3099.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scheer JS. Bearing the ring: the audience and consumers of The Lord of the Rings. [Thesis]. Ryerson University; 2009. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A3099

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

11. Thom, Jessica. The new spectator : a study of the cognitive experience of spectators with three cinematic platforms.

Degree: 2009, Ryerson University

 t is necessary, with the revolution from analog to digital platforms, to evaluate the effect these "new media" have on audience's comprehension of information. The… (more)

Subjects/Keywords: Television viewers; Motion picture audiences; Mobile communication systems; Cognition; Human information processing; Human-computer interaction

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Thom, J. (2009). The new spectator : a study of the cognitive experience of spectators with three cinematic platforms. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A726

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thom, Jessica. “The new spectator : a study of the cognitive experience of spectators with three cinematic platforms.” 2009. Thesis, Ryerson University. Accessed November 27, 2020. https://digital.library.ryerson.ca/islandora/object/RULA%3A726.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thom, Jessica. “The new spectator : a study of the cognitive experience of spectators with three cinematic platforms.” 2009. Web. 27 Nov 2020.

Vancouver:

Thom J. The new spectator : a study of the cognitive experience of spectators with three cinematic platforms. [Internet] [Thesis]. Ryerson University; 2009. [cited 2020 Nov 27]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A726.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thom J. The new spectator : a study of the cognitive experience of spectators with three cinematic platforms. [Thesis]. Ryerson University; 2009. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A726

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

12. Lovedahl, Gerald Grey. An assessment of the effectiveness of a film presentation in changing audience attitudes toward and knowledge of industrial arts .

Degree: PhD, Graduate School, 1977, The Ohio State University

Subjects/Keywords: Education; Motion picture audiences; Industrial arts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lovedahl, G. G. (1977). An assessment of the effectiveness of a film presentation in changing audience attitudes toward and knowledge of industrial arts . (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487067153035146

Chicago Manual of Style (16th Edition):

Lovedahl, Gerald Grey. “An assessment of the effectiveness of a film presentation in changing audience attitudes toward and knowledge of industrial arts .” 1977. Doctoral Dissertation, The Ohio State University. Accessed November 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487067153035146.

MLA Handbook (7th Edition):

Lovedahl, Gerald Grey. “An assessment of the effectiveness of a film presentation in changing audience attitudes toward and knowledge of industrial arts .” 1977. Web. 27 Nov 2020.

Vancouver:

Lovedahl GG. An assessment of the effectiveness of a film presentation in changing audience attitudes toward and knowledge of industrial arts . [Internet] [Doctoral dissertation]. The Ohio State University; 1977. [cited 2020 Nov 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487067153035146.

Council of Science Editors:

Lovedahl GG. An assessment of the effectiveness of a film presentation in changing audience attitudes toward and knowledge of industrial arts . [Doctoral Dissertation]. The Ohio State University; 1977. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487067153035146


The Ohio State University

13. Lovedahl, Gerald Grey. An assessment of the effectiveness of a film presentation in changing audience attitudes toward and knowledge of industrial arts .

Degree: PhD, Graduate School, 1977, The Ohio State University

Subjects/Keywords: Education; Motion picture audiences; Industrial arts

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lovedahl, G. G. (1977). An assessment of the effectiveness of a film presentation in changing audience attitudes toward and knowledge of industrial arts . (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487067284785888

Chicago Manual of Style (16th Edition):

Lovedahl, Gerald Grey. “An assessment of the effectiveness of a film presentation in changing audience attitudes toward and knowledge of industrial arts .” 1977. Doctoral Dissertation, The Ohio State University. Accessed November 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487067284785888.

MLA Handbook (7th Edition):

Lovedahl, Gerald Grey. “An assessment of the effectiveness of a film presentation in changing audience attitudes toward and knowledge of industrial arts .” 1977. Web. 27 Nov 2020.

Vancouver:

Lovedahl GG. An assessment of the effectiveness of a film presentation in changing audience attitudes toward and knowledge of industrial arts . [Internet] [Doctoral dissertation]. The Ohio State University; 1977. [cited 2020 Nov 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487067284785888.

Council of Science Editors:

Lovedahl GG. An assessment of the effectiveness of a film presentation in changing audience attitudes toward and knowledge of industrial arts . [Doctoral Dissertation]. The Ohio State University; 1977. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487067284785888


University of Stirling

14. Toppin, Monique. Cinema and cultural memory in the Bahamas in the 1950s.

Degree: PhD, 2019, University of Stirling

 Abstract This thesis is a cultural, social and historical research of cinemagoing and the memory of cinema audiences in the city of Nassau, Bahamas in… (more)

Subjects/Keywords: New Cinema History; Memory; Cinemagoing; Moviegoing; Motion pictures Bahamas History 20th century; Motion pictures Social aspects.; Motion picture audiences Bahamas History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Toppin, M. (2019). Cinema and cultural memory in the Bahamas in the 1950s. (Doctoral Dissertation). University of Stirling. Retrieved from http://hdl.handle.net/1893/30780

Chicago Manual of Style (16th Edition):

Toppin, Monique. “Cinema and cultural memory in the Bahamas in the 1950s.” 2019. Doctoral Dissertation, University of Stirling. Accessed November 27, 2020. http://hdl.handle.net/1893/30780.

MLA Handbook (7th Edition):

Toppin, Monique. “Cinema and cultural memory in the Bahamas in the 1950s.” 2019. Web. 27 Nov 2020.

Vancouver:

Toppin M. Cinema and cultural memory in the Bahamas in the 1950s. [Internet] [Doctoral dissertation]. University of Stirling; 2019. [cited 2020 Nov 27]. Available from: http://hdl.handle.net/1893/30780.

Council of Science Editors:

Toppin M. Cinema and cultural memory in the Bahamas in the 1950s. [Doctoral Dissertation]. University of Stirling; 2019. Available from: http://hdl.handle.net/1893/30780


Washington State University

15. [No author]. The effects of violent portrayals in movie previews and individual arousal seeking tendency on viewers' expec[ta]tions and anticipated enjoyment of motion pictures .

Degree: 2004, Washington State University

Subjects/Keywords: Violence in motion pictures.; Motion picture trailers.; Advertising  – Motion pictures.; Motion picture audiences.

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APA (6th Edition):

author], [. (2004). The effects of violent portrayals in movie previews and individual arousal seeking tendency on viewers' expec[ta]tions and anticipated enjoyment of motion pictures . (Thesis). Washington State University. Retrieved from http://hdl.handle.net/2376/182

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “The effects of violent portrayals in movie previews and individual arousal seeking tendency on viewers' expec[ta]tions and anticipated enjoyment of motion pictures .” 2004. Thesis, Washington State University. Accessed November 27, 2020. http://hdl.handle.net/2376/182.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “The effects of violent portrayals in movie previews and individual arousal seeking tendency on viewers' expec[ta]tions and anticipated enjoyment of motion pictures .” 2004. Web. 27 Nov 2020.

Vancouver:

author] [. The effects of violent portrayals in movie previews and individual arousal seeking tendency on viewers' expec[ta]tions and anticipated enjoyment of motion pictures . [Internet] [Thesis]. Washington State University; 2004. [cited 2020 Nov 27]. Available from: http://hdl.handle.net/2376/182.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. The effects of violent portrayals in movie previews and individual arousal seeking tendency on viewers' expec[ta]tions and anticipated enjoyment of motion pictures . [Thesis]. Washington State University; 2004. Available from: http://hdl.handle.net/2376/182

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

16. Phiri, Diana. An investigation into the popularity of Nigerian movies in Zambia: a reception study of Lusaka viewers.

Degree: Faculty of Humanities, Journalism and Media Studies, 2007, Rhodes University

 Motivated by a concern as to why Zambians are attracted to foreign media in the form of Nigerian movies, this thesis is a qualitative audience… (more)

Subjects/Keywords: Motion pictures, Nigerian; Motion picture audiences  – Zambia

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APA (6th Edition):

Phiri, D. (2007). An investigation into the popularity of Nigerian movies in Zambia: a reception study of Lusaka viewers. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1007615

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Phiri, Diana. “An investigation into the popularity of Nigerian movies in Zambia: a reception study of Lusaka viewers.” 2007. Thesis, Rhodes University. Accessed November 27, 2020. http://hdl.handle.net/10962/d1007615.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Phiri, Diana. “An investigation into the popularity of Nigerian movies in Zambia: a reception study of Lusaka viewers.” 2007. Web. 27 Nov 2020.

Vancouver:

Phiri D. An investigation into the popularity of Nigerian movies in Zambia: a reception study of Lusaka viewers. [Internet] [Thesis]. Rhodes University; 2007. [cited 2020 Nov 27]. Available from: http://hdl.handle.net/10962/d1007615.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Phiri D. An investigation into the popularity of Nigerian movies in Zambia: a reception study of Lusaka viewers. [Thesis]. Rhodes University; 2007. Available from: http://hdl.handle.net/10962/d1007615

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brock University

17. Bradley, Sarah. Slackers, slashers and sticklers : Hollywood films and audience reception .

Degree: Popular Culture Program, 2006, Brock University

 This thesis examines the processes through which identity is acquired and the processes that Hollywood :films employ to facilitate audience identification in order to determine… (more)

Subjects/Keywords: Identity (Psychology); Motion pictures; Motion picture audiences.

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APA (6th Edition):

Bradley, S. (2006). Slackers, slashers and sticklers : Hollywood films and audience reception . (Thesis). Brock University. Retrieved from http://hdl.handle.net/10464/1193

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bradley, Sarah. “Slackers, slashers and sticklers : Hollywood films and audience reception .” 2006. Thesis, Brock University. Accessed November 27, 2020. http://hdl.handle.net/10464/1193.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bradley, Sarah. “Slackers, slashers and sticklers : Hollywood films and audience reception .” 2006. Web. 27 Nov 2020.

Vancouver:

Bradley S. Slackers, slashers and sticklers : Hollywood films and audience reception . [Internet] [Thesis]. Brock University; 2006. [cited 2020 Nov 27]. Available from: http://hdl.handle.net/10464/1193.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bradley S. Slackers, slashers and sticklers : Hollywood films and audience reception . [Thesis]. Brock University; 2006. Available from: http://hdl.handle.net/10464/1193

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

18. 蔡穎儀. Reading audiences: spectatorship and stars inHong Kong cinema : the case of Chow Yun-fat.

Degree: 1998, University of Hong Kong

Subjects/Keywords: Motion picture actors and actresses - China - Hong Kong.; Motion picture audiences - China - Hong Kong.; Motion picture audiences - Attitudes.; Motion picture actors and actresses.

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APA (6th Edition):

蔡穎儀.. (1998). Reading audiences: spectatorship and stars inHong Kong cinema : the case of Chow Yun-fat. (Thesis). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/31256

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

蔡穎儀.. “Reading audiences: spectatorship and stars inHong Kong cinema : the case of Chow Yun-fat.” 1998. Thesis, University of Hong Kong. Accessed November 27, 2020. http://hdl.handle.net/10722/31256.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

蔡穎儀.. “Reading audiences: spectatorship and stars inHong Kong cinema : the case of Chow Yun-fat.” 1998. Web. 27 Nov 2020.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

蔡穎儀.. Reading audiences: spectatorship and stars inHong Kong cinema : the case of Chow Yun-fat. [Internet] [Thesis]. University of Hong Kong; 1998. [cited 2020 Nov 27]. Available from: http://hdl.handle.net/10722/31256.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

蔡穎儀.. Reading audiences: spectatorship and stars inHong Kong cinema : the case of Chow Yun-fat. [Thesis]. University of Hong Kong; 1998. Available from: http://hdl.handle.net/10722/31256

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation


University of Stirling

19. Cherry, Brigid S. G. The female horror film audience : viewing pleasures and fan practices.

Degree: PhD, School of Arts and Humanities, 1999, University of Stirling

 What is at stake for female fans and followers of horror cinema? This study explores the pleasures in horror film viewing for female members of… (more)

Subjects/Keywords: Horror films; Film theory Feminist criticism; Motion picture audiences

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APA (6th Edition):

Cherry, B. S. G. (1999). The female horror film audience : viewing pleasures and fan practices. (Doctoral Dissertation). University of Stirling. Retrieved from http://hdl.handle.net/1893/2268

Chicago Manual of Style (16th Edition):

Cherry, Brigid S G. “The female horror film audience : viewing pleasures and fan practices.” 1999. Doctoral Dissertation, University of Stirling. Accessed November 27, 2020. http://hdl.handle.net/1893/2268.

MLA Handbook (7th Edition):

Cherry, Brigid S G. “The female horror film audience : viewing pleasures and fan practices.” 1999. Web. 27 Nov 2020.

Vancouver:

Cherry BSG. The female horror film audience : viewing pleasures and fan practices. [Internet] [Doctoral dissertation]. University of Stirling; 1999. [cited 2020 Nov 27]. Available from: http://hdl.handle.net/1893/2268.

Council of Science Editors:

Cherry BSG. The female horror film audience : viewing pleasures and fan practices. [Doctoral Dissertation]. University of Stirling; 1999. Available from: http://hdl.handle.net/1893/2268

20. Rutherford, Anne. 'What makes a film tick?' : cinematic affect, materiality and mimetic innervation.

Degree: 2006, Western Sydney University

 This PhD explores questions of cinematic affect and its relationship to mimetic experience. Through an examination of cinematic materiality, it argues that film must be… (more)

Subjects/Keywords: Doctor of Philosophy (PhD); motion pictures; philosophy; motion picture audiences

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APA (6th Edition):

Rutherford, A. (2006). 'What makes a film tick?' : cinematic affect, materiality and mimetic innervation. (Thesis). Western Sydney University. Retrieved from http://handle.uws.edu.au:8081/1959.7/20720

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rutherford, Anne. “'What makes a film tick?' : cinematic affect, materiality and mimetic innervation.” 2006. Thesis, Western Sydney University. Accessed November 27, 2020. http://handle.uws.edu.au:8081/1959.7/20720.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rutherford, Anne. “'What makes a film tick?' : cinematic affect, materiality and mimetic innervation.” 2006. Web. 27 Nov 2020.

Vancouver:

Rutherford A. 'What makes a film tick?' : cinematic affect, materiality and mimetic innervation. [Internet] [Thesis]. Western Sydney University; 2006. [cited 2020 Nov 27]. Available from: http://handle.uws.edu.au:8081/1959.7/20720.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rutherford A. 'What makes a film tick?' : cinematic affect, materiality and mimetic innervation. [Thesis]. Western Sydney University; 2006. Available from: http://handle.uws.edu.au:8081/1959.7/20720

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas Tech University

21. Garza, Steven David. The Influence of movie genre on audience reaction to product placement.

Degree: Mass Communications, 2003, Texas Tech University

 The use of brand placements is quite evident in movies today. The success of some brands reporting a phenomenal sales increase may be partly dependant… (more)

Subjects/Keywords: Advertising  – Psychological aspects; Advertising  – Motion pictures; Motion picture audiences; Advertising  – Pictorial works

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APA (6th Edition):

Garza, S. D. (2003). The Influence of movie genre on audience reaction to product placement. (Thesis). Texas Tech University. Retrieved from http://hdl.handle.net/2346/16913

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Garza, Steven David. “The Influence of movie genre on audience reaction to product placement.” 2003. Thesis, Texas Tech University. Accessed November 27, 2020. http://hdl.handle.net/2346/16913.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Garza, Steven David. “The Influence of movie genre on audience reaction to product placement.” 2003. Web. 27 Nov 2020.

Vancouver:

Garza SD. The Influence of movie genre on audience reaction to product placement. [Internet] [Thesis]. Texas Tech University; 2003. [cited 2020 Nov 27]. Available from: http://hdl.handle.net/2346/16913.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Garza SD. The Influence of movie genre on audience reaction to product placement. [Thesis]. Texas Tech University; 2003. Available from: http://hdl.handle.net/2346/16913

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Stirling

22. Tsakiri, Maria. What are you looking at?: Representations of disability in documentary films.

Degree: PhD, School of Education, 2015, University of Stirling

 This study sets out to explore the representations of disability in documentary films. Its starting point is that when such representations of disability films are… (more)

Subjects/Keywords: disability; documentary films; crip killjoys; crip analysis; representations.; critical disability studies; disability film festivals; Motion picture audiences; People with disabilities in motion pictures; Documentary films; Documentary films History and criticism

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APA (6th Edition):

Tsakiri, M. (2015). What are you looking at?: Representations of disability in documentary films. (Doctoral Dissertation). University of Stirling. Retrieved from http://hdl.handle.net/1893/24517

Chicago Manual of Style (16th Edition):

Tsakiri, Maria. “What are you looking at?: Representations of disability in documentary films.” 2015. Doctoral Dissertation, University of Stirling. Accessed November 27, 2020. http://hdl.handle.net/1893/24517.

MLA Handbook (7th Edition):

Tsakiri, Maria. “What are you looking at?: Representations of disability in documentary films.” 2015. Web. 27 Nov 2020.

Vancouver:

Tsakiri M. What are you looking at?: Representations of disability in documentary films. [Internet] [Doctoral dissertation]. University of Stirling; 2015. [cited 2020 Nov 27]. Available from: http://hdl.handle.net/1893/24517.

Council of Science Editors:

Tsakiri M. What are you looking at?: Representations of disability in documentary films. [Doctoral Dissertation]. University of Stirling; 2015. Available from: http://hdl.handle.net/1893/24517


University of Utah

23. Madsen, Allen Andrew. Hollywood film music in the secondary performing ensemble: Utah music educators' attitudes and teaching practices.

Degree: M.Mus;, Music (School of);, 2010, University of Utah

 The purpose of this study was to determine the impact of Hollywood film music on the secondary instrumental music educator in Utah. Ensemble directors must… (more)

Subjects/Keywords: Motion picture music

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APA (6th Edition):

Madsen, A. A. (2010). Hollywood film music in the secondary performing ensemble: Utah music educators' attitudes and teaching practices. (Masters Thesis). University of Utah. Retrieved from http://content.lib.utah.edu/cdm/singleitem/collection/etd2/id/1521/rec/584

Chicago Manual of Style (16th Edition):

Madsen, Allen Andrew. “Hollywood film music in the secondary performing ensemble: Utah music educators' attitudes and teaching practices.” 2010. Masters Thesis, University of Utah. Accessed November 27, 2020. http://content.lib.utah.edu/cdm/singleitem/collection/etd2/id/1521/rec/584.

MLA Handbook (7th Edition):

Madsen, Allen Andrew. “Hollywood film music in the secondary performing ensemble: Utah music educators' attitudes and teaching practices.” 2010. Web. 27 Nov 2020.

Vancouver:

Madsen AA. Hollywood film music in the secondary performing ensemble: Utah music educators' attitudes and teaching practices. [Internet] [Masters thesis]. University of Utah; 2010. [cited 2020 Nov 27]. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd2/id/1521/rec/584.

Council of Science Editors:

Madsen AA. Hollywood film music in the secondary performing ensemble: Utah music educators' attitudes and teaching practices. [Masters Thesis]. University of Utah; 2010. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd2/id/1521/rec/584


University of Oklahoma

24. Jacob, Tvli. “USING MOTION PICTURE STORYTELLING AS AN INDIGENOUS METHOD TO EXPLORE FOOD SOVEREIGNTY IN AN AMERICAN INDIAN/ALASKA NATIVE TRIBE”.

Degree: PhD, 2019, University of Oklahoma

 For many American Indian/Alaska Native (AI/AN) communities, food is important, not only for basic health reasons, but cultural, traditional and spiritual as well. The concepts… (more)

Subjects/Keywords: motion; picture; storytelling

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APA (6th Edition):

Jacob, T. (2019). “USING MOTION PICTURE STORYTELLING AS AN INDIGENOUS METHOD TO EXPLORE FOOD SOVEREIGNTY IN AN AMERICAN INDIAN/ALASKA NATIVE TRIBE”. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/321129

Chicago Manual of Style (16th Edition):

Jacob, Tvli. ““USING MOTION PICTURE STORYTELLING AS AN INDIGENOUS METHOD TO EXPLORE FOOD SOVEREIGNTY IN AN AMERICAN INDIAN/ALASKA NATIVE TRIBE”.” 2019. Doctoral Dissertation, University of Oklahoma. Accessed November 27, 2020. http://hdl.handle.net/11244/321129.

MLA Handbook (7th Edition):

Jacob, Tvli. ““USING MOTION PICTURE STORYTELLING AS AN INDIGENOUS METHOD TO EXPLORE FOOD SOVEREIGNTY IN AN AMERICAN INDIAN/ALASKA NATIVE TRIBE”.” 2019. Web. 27 Nov 2020.

Vancouver:

Jacob T. “USING MOTION PICTURE STORYTELLING AS AN INDIGENOUS METHOD TO EXPLORE FOOD SOVEREIGNTY IN AN AMERICAN INDIAN/ALASKA NATIVE TRIBE”. [Internet] [Doctoral dissertation]. University of Oklahoma; 2019. [cited 2020 Nov 27]. Available from: http://hdl.handle.net/11244/321129.

Council of Science Editors:

Jacob T. “USING MOTION PICTURE STORYTELLING AS AN INDIGENOUS METHOD TO EXPLORE FOOD SOVEREIGNTY IN AN AMERICAN INDIAN/ALASKA NATIVE TRIBE”. [Doctoral Dissertation]. University of Oklahoma; 2019. Available from: http://hdl.handle.net/11244/321129


Portland State University

25. Labosier, James Bruce. Motion Picture Exhibition and the Development of a Middle-class Clientele: Portland, Oregon, 1894-1915.

Degree: MA, History, 1995, Portland State University

  For about the first fifteen years after its commercial introduction motion picture entertainment throughout the United States was supported almost entirely by the mass… (more)

Subjects/Keywords: Motion picture audiences  – Oregon  – Portland  – History; Motion picture theaters  – Oregon  – Portland  – History; Motion pictures  – Oregon  – Portland  – History; History

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APA (6th Edition):

Labosier, J. B. (1995). Motion Picture Exhibition and the Development of a Middle-class Clientele: Portland, Oregon, 1894-1915. (Masters Thesis). Portland State University. Retrieved from https://pdxscholar.library.pdx.edu/open_access_etds/4952

Chicago Manual of Style (16th Edition):

Labosier, James Bruce. “Motion Picture Exhibition and the Development of a Middle-class Clientele: Portland, Oregon, 1894-1915.” 1995. Masters Thesis, Portland State University. Accessed November 27, 2020. https://pdxscholar.library.pdx.edu/open_access_etds/4952.

MLA Handbook (7th Edition):

Labosier, James Bruce. “Motion Picture Exhibition and the Development of a Middle-class Clientele: Portland, Oregon, 1894-1915.” 1995. Web. 27 Nov 2020.

Vancouver:

Labosier JB. Motion Picture Exhibition and the Development of a Middle-class Clientele: Portland, Oregon, 1894-1915. [Internet] [Masters thesis]. Portland State University; 1995. [cited 2020 Nov 27]. Available from: https://pdxscholar.library.pdx.edu/open_access_etds/4952.

Council of Science Editors:

Labosier JB. Motion Picture Exhibition and the Development of a Middle-class Clientele: Portland, Oregon, 1894-1915. [Masters Thesis]. Portland State University; 1995. Available from: https://pdxscholar.library.pdx.edu/open_access_etds/4952


Michigan State University

26. De Silva, Indrawansa. Understanding motion picture attendance in the age of home video : a synthesis of communication and economic approaches.

Degree: PhD, College of Communication Arts & Sciences, 1994, Michigan State University

Subjects/Keywords: Motion picture audiences – Michigan – Lansing; Home video systems industry – Michigan – Lansing

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APA (6th Edition):

De Silva, I. (1994). Understanding motion picture attendance in the age of home video : a synthesis of communication and economic approaches. (Doctoral Dissertation). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:24513

Chicago Manual of Style (16th Edition):

De Silva, Indrawansa. “Understanding motion picture attendance in the age of home video : a synthesis of communication and economic approaches.” 1994. Doctoral Dissertation, Michigan State University. Accessed November 27, 2020. http://etd.lib.msu.edu/islandora/object/etd:24513.

MLA Handbook (7th Edition):

De Silva, Indrawansa. “Understanding motion picture attendance in the age of home video : a synthesis of communication and economic approaches.” 1994. Web. 27 Nov 2020.

Vancouver:

De Silva I. Understanding motion picture attendance in the age of home video : a synthesis of communication and economic approaches. [Internet] [Doctoral dissertation]. Michigan State University; 1994. [cited 2020 Nov 27]. Available from: http://etd.lib.msu.edu/islandora/object/etd:24513.

Council of Science Editors:

De Silva I. Understanding motion picture attendance in the age of home video : a synthesis of communication and economic approaches. [Doctoral Dissertation]. Michigan State University; 1994. Available from: http://etd.lib.msu.edu/islandora/object/etd:24513


University of Florida

27. Hassapopoulou, Marina. Vending Machines, Punishment Polls, Database Aesthetics The Technocultural Legacy of Interactive Cinema.

Degree: PhD, English, 2013, University of Florida

 This project proposes new ways of interrogating the largely unexplored terrain of interactive cinema (IC), and identifies their place in the development of cinema and… (more)

Subjects/Keywords: Audiences; Databases; Film criticism; Motion picture industry; Movies; Narratives; News media; Social interaction; Software; Viewers; art  – cinema  – communications  – computer  – culture  – digital  – film  – installation  – interactivity  – media

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APA (6th Edition):

Hassapopoulou, M. (2013). Vending Machines, Punishment Polls, Database Aesthetics The Technocultural Legacy of Interactive Cinema. (Doctoral Dissertation). University of Florida. Retrieved from https://ufdc.ufl.edu/UFE0045727

Chicago Manual of Style (16th Edition):

Hassapopoulou, Marina. “Vending Machines, Punishment Polls, Database Aesthetics The Technocultural Legacy of Interactive Cinema.” 2013. Doctoral Dissertation, University of Florida. Accessed November 27, 2020. https://ufdc.ufl.edu/UFE0045727.

MLA Handbook (7th Edition):

Hassapopoulou, Marina. “Vending Machines, Punishment Polls, Database Aesthetics The Technocultural Legacy of Interactive Cinema.” 2013. Web. 27 Nov 2020.

Vancouver:

Hassapopoulou M. Vending Machines, Punishment Polls, Database Aesthetics The Technocultural Legacy of Interactive Cinema. [Internet] [Doctoral dissertation]. University of Florida; 2013. [cited 2020 Nov 27]. Available from: https://ufdc.ufl.edu/UFE0045727.

Council of Science Editors:

Hassapopoulou M. Vending Machines, Punishment Polls, Database Aesthetics The Technocultural Legacy of Interactive Cinema. [Doctoral Dissertation]. University of Florida; 2013. Available from: https://ufdc.ufl.edu/UFE0045727


Michigan State University

28. Ward, William J. (William Jeffrey). The heuristic and systematic processing of brand attributes and neutral information sources in the decision to see a film at the theater.

Degree: PhD, Mass Media Program, 2007, Michigan State University

Subjects/Keywords: Motion picture audiences – Middle West – Decision making; Motion picture audiences – Middle West – Psychology; Brand choice; Motivation research (Marketing); Consumer behavior – Middle West – Psychological aspects

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APA (6th Edition):

Ward, W. J. (. J. (2007). The heuristic and systematic processing of brand attributes and neutral information sources in the decision to see a film at the theater. (Doctoral Dissertation). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:38512

Chicago Manual of Style (16th Edition):

Ward, William J (William Jeffrey). “The heuristic and systematic processing of brand attributes and neutral information sources in the decision to see a film at the theater.” 2007. Doctoral Dissertation, Michigan State University. Accessed November 27, 2020. http://etd.lib.msu.edu/islandora/object/etd:38512.

MLA Handbook (7th Edition):

Ward, William J (William Jeffrey). “The heuristic and systematic processing of brand attributes and neutral information sources in the decision to see a film at the theater.” 2007. Web. 27 Nov 2020.

Vancouver:

Ward WJ(J. The heuristic and systematic processing of brand attributes and neutral information sources in the decision to see a film at the theater. [Internet] [Doctoral dissertation]. Michigan State University; 2007. [cited 2020 Nov 27]. Available from: http://etd.lib.msu.edu/islandora/object/etd:38512.

Council of Science Editors:

Ward WJ(J. The heuristic and systematic processing of brand attributes and neutral information sources in the decision to see a film at the theater. [Doctoral Dissertation]. Michigan State University; 2007. Available from: http://etd.lib.msu.edu/islandora/object/etd:38512


University of New South Wales

29. Rassos, Effie. Everyday narratives - reconsidering filmic temporality andspectatorial affect through the quotidian.

Degree: Media, Film & Theatre, 2005, University of New South Wales

 This thesis takes as its focus the relation between particular constructions of filmic time and the resulting affective and emotional experiences these temporalities produce on… (more)

Subjects/Keywords: Time in motion pictures; Motion picture audiences; Motion pictures - Psychological aspects; Motion pictures - Aesthetics

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APA (6th Edition):

Rassos, E. (2005). Everyday narratives - reconsidering filmic temporality andspectatorial affect through the quotidian. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/25717 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1067/SOURCE1?view=true

Chicago Manual of Style (16th Edition):

Rassos, Effie. “Everyday narratives - reconsidering filmic temporality andspectatorial affect through the quotidian.” 2005. Doctoral Dissertation, University of New South Wales. Accessed November 27, 2020. http://handle.unsw.edu.au/1959.4/25717 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1067/SOURCE1?view=true.

MLA Handbook (7th Edition):

Rassos, Effie. “Everyday narratives - reconsidering filmic temporality andspectatorial affect through the quotidian.” 2005. Web. 27 Nov 2020.

Vancouver:

Rassos E. Everyday narratives - reconsidering filmic temporality andspectatorial affect through the quotidian. [Internet] [Doctoral dissertation]. University of New South Wales; 2005. [cited 2020 Nov 27]. Available from: http://handle.unsw.edu.au/1959.4/25717 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1067/SOURCE1?view=true.

Council of Science Editors:

Rassos E. Everyday narratives - reconsidering filmic temporality andspectatorial affect through the quotidian. [Doctoral Dissertation]. University of New South Wales; 2005. Available from: http://handle.unsw.edu.au/1959.4/25717 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1067/SOURCE1?view=true


Rhodes University

30. Muzenda, Makomborero. Whose Wakanda is it anyway? A reception analysis of Black Panther among young black urban Africans.

Degree: Faculty of Humanities, Journalism and Media Studies, 2020, Rhodes University

 As a writer and as an academic, I have long been interested in young black Africans. As a demographic group, we are heralded as the… (more)

Subjects/Keywords: Motion picture audiences; Youth, Black  – Africa  – Attitudes; Popular culture – Africa; Motion pictures  – Social aspects; Youth, Black  – Race identity  – Africa; Identity politics in motion pictures; Identity (Psychology) and mass media; Mass media and youth  – Africa; Mass media and culture  – Africa; Mass media  – Social aspects  – Africa; Postcolonialism and the arts; Representation (Philosophy); Black Panther (Motion picture : 2018)  – History and criticism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Muzenda, M. (2020). Whose Wakanda is it anyway? A reception analysis of Black Panther among young black urban Africans. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/144311

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Muzenda, Makomborero. “Whose Wakanda is it anyway? A reception analysis of Black Panther among young black urban Africans.” 2020. Thesis, Rhodes University. Accessed November 27, 2020. http://hdl.handle.net/10962/144311.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Muzenda, Makomborero. “Whose Wakanda is it anyway? A reception analysis of Black Panther among young black urban Africans.” 2020. Web. 27 Nov 2020.

Vancouver:

Muzenda M. Whose Wakanda is it anyway? A reception analysis of Black Panther among young black urban Africans. [Internet] [Thesis]. Rhodes University; 2020. [cited 2020 Nov 27]. Available from: http://hdl.handle.net/10962/144311.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Muzenda M. Whose Wakanda is it anyway? A reception analysis of Black Panther among young black urban Africans. [Thesis]. Rhodes University; 2020. Available from: http://hdl.handle.net/10962/144311

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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