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You searched for subject:(Motion Pictures). Showing records 1 – 30 of 1339 total matches.

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Columbia University

1. Booth, Geoffrey. Cemetery Club.

Degree: 2009, Columbia University

Thesis Binder all about the film production of The Cemetery Club; includes: Producer’s statement, Director’s Statement, Script, Schedule, Budget, Cast Contact List, Crew Contact List, Locations Attachments, and Equipment Quotes.

Subjects/Keywords: Motion pictures

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APA (6th Edition):

Booth, G. (2009). Cemetery Club. (Masters Thesis). Columbia University. Retrieved from https://doi.org/10.7916/D8SB4CRJ

Chicago Manual of Style (16th Edition):

Booth, Geoffrey. “Cemetery Club.” 2009. Masters Thesis, Columbia University. Accessed September 16, 2019. https://doi.org/10.7916/D8SB4CRJ.

MLA Handbook (7th Edition):

Booth, Geoffrey. “Cemetery Club.” 2009. Web. 16 Sep 2019.

Vancouver:

Booth G. Cemetery Club. [Internet] [Masters thesis]. Columbia University; 2009. [cited 2019 Sep 16]. Available from: https://doi.org/10.7916/D8SB4CRJ.

Council of Science Editors:

Booth G. Cemetery Club. [Masters Thesis]. Columbia University; 2009. Available from: https://doi.org/10.7916/D8SB4CRJ


Nelson Mandela Metropolitan University

2. O'Reilly, Kevin Joseph. Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films.

Degree: Faculty of Arts, 2008, Nelson Mandela Metropolitan University

 The roles that women perform as depicted in African films are often dictated to by the type of society they find themselves in. At first… (more)

Subjects/Keywords: Motion pictures  – Africa; Women in motion pictures

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APA (6th Edition):

O'Reilly, K. J. (2008). Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/789

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

O'Reilly, Kevin Joseph. “Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films.” 2008. Thesis, Nelson Mandela Metropolitan University. Accessed September 16, 2019. http://hdl.handle.net/10948/789.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

O'Reilly, Kevin Joseph. “Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films.” 2008. Web. 16 Sep 2019.

Vancouver:

O'Reilly KJ. Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2008. [cited 2019 Sep 16]. Available from: http://hdl.handle.net/10948/789.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

O'Reilly KJ. Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films. [Thesis]. Nelson Mandela Metropolitan University; 2008. Available from: http://hdl.handle.net/10948/789

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Diaz Gandasegui, Vicente. (Un)real (un)realities : exploring the confusion of reality and unreality through cinema.

Degree: PhD, University of Glamorgan, 2011, University of South Wales

 This thesis examines the confusion of reality and unreality in contemporary media discourses, and focuses specifically upon the medium of cinema. The art of our… (more)

Subjects/Keywords: Motion pictures.; Motion pictures - Philosophy; 791.4301

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APA (6th Edition):

Diaz Gandasegui, V. (2011). (Un)real (un)realities : exploring the confusion of reality and unreality through cinema. (Doctoral Dissertation). University of South Wales. Retrieved from http://hdl.handle.net/10265/339

Chicago Manual of Style (16th Edition):

Diaz Gandasegui, Vicente. “(Un)real (un)realities : exploring the confusion of reality and unreality through cinema.” 2011. Doctoral Dissertation, University of South Wales. Accessed September 16, 2019. http://hdl.handle.net/10265/339.

MLA Handbook (7th Edition):

Diaz Gandasegui, Vicente. “(Un)real (un)realities : exploring the confusion of reality and unreality through cinema.” 2011. Web. 16 Sep 2019.

Vancouver:

Diaz Gandasegui V. (Un)real (un)realities : exploring the confusion of reality and unreality through cinema. [Internet] [Doctoral dissertation]. University of South Wales; 2011. [cited 2019 Sep 16]. Available from: http://hdl.handle.net/10265/339.

Council of Science Editors:

Diaz Gandasegui V. (Un)real (un)realities : exploring the confusion of reality and unreality through cinema. [Doctoral Dissertation]. University of South Wales; 2011. Available from: http://hdl.handle.net/10265/339


Rutgers University

4. Arteaga Olórtegui, Claudia A., 1980-. Actos de representación: el rol del medio audiovisual en las luchas indígenas contemporáneas en Perú y Bolivia.

Degree: PhD, Spanish, 2017, Rutgers University

This work studies films about indigenous populations made by non-indigenous and indigenous filmmakers in different moments of national crises in Perú and Bolivia, between 1930… (more)

Subjects/Keywords: Motion pictures – Peru; Motion pictures – Bolivia

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APA (6th Edition):

Arteaga Olórtegui, Claudia A., 1. (2017). Actos de representación: el rol del medio audiovisual en las luchas indígenas contemporáneas en Perú y Bolivia. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/52125/

Chicago Manual of Style (16th Edition):

Arteaga Olórtegui, Claudia A., 1980-. “Actos de representación: el rol del medio audiovisual en las luchas indígenas contemporáneas en Perú y Bolivia.” 2017. Doctoral Dissertation, Rutgers University. Accessed September 16, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/52125/.

MLA Handbook (7th Edition):

Arteaga Olórtegui, Claudia A., 1980-. “Actos de representación: el rol del medio audiovisual en las luchas indígenas contemporáneas en Perú y Bolivia.” 2017. Web. 16 Sep 2019.

Vancouver:

Arteaga Olórtegui, Claudia A. 1. Actos de representación: el rol del medio audiovisual en las luchas indígenas contemporáneas en Perú y Bolivia. [Internet] [Doctoral dissertation]. Rutgers University; 2017. [cited 2019 Sep 16]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/52125/.

Council of Science Editors:

Arteaga Olórtegui, Claudia A. 1. Actos de representación: el rol del medio audiovisual en las luchas indígenas contemporáneas en Perú y Bolivia. [Doctoral Dissertation]. Rutgers University; 2017. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/52125/


Rutgers University

5. Rios Vasquez, Monica. El archivo espectral: el cine de tres mujeres Chilenas frente a la nación (del cine mudo a la postdictadura).

Degree: PhD, Spanish, 2016, Rutgers University

 In my dissertation, I use archival theory and practice to study the resonance of three lost films directed between 1917 and 1929 by two Chilean… (more)

Subjects/Keywords: Motion pictures – Latin America; Motion pictures – Chile

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APA (6th Edition):

Rios Vasquez, M. (2016). El archivo espectral: el cine de tres mujeres Chilenas frente a la nación (del cine mudo a la postdictadura). (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/51447/

Chicago Manual of Style (16th Edition):

Rios Vasquez, Monica. “El archivo espectral: el cine de tres mujeres Chilenas frente a la nación (del cine mudo a la postdictadura).” 2016. Doctoral Dissertation, Rutgers University. Accessed September 16, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/51447/.

MLA Handbook (7th Edition):

Rios Vasquez, Monica. “El archivo espectral: el cine de tres mujeres Chilenas frente a la nación (del cine mudo a la postdictadura).” 2016. Web. 16 Sep 2019.

Vancouver:

Rios Vasquez M. El archivo espectral: el cine de tres mujeres Chilenas frente a la nación (del cine mudo a la postdictadura). [Internet] [Doctoral dissertation]. Rutgers University; 2016. [cited 2019 Sep 16]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/51447/.

Council of Science Editors:

Rios Vasquez M. El archivo espectral: el cine de tres mujeres Chilenas frente a la nación (del cine mudo a la postdictadura). [Doctoral Dissertation]. Rutgers University; 2016. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/51447/


Cardiff University

6. Gabriel, Gilbert. Altered states, altered sounds : an investigation of how 'subjective states' are signifed by the soundtrack in narrative fiction cinema.

Degree: PhD, 2011, Cardiff University

 This thesis develops an approach to analyse how film soundtracks are used to signify characters’ subjective experiences of altered states that may distort or exceed… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Gabriel, G. (2011). Altered states, altered sounds : an investigation of how 'subjective states' are signifed by the soundtrack in narrative fiction cinema. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/15238/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567165

Chicago Manual of Style (16th Edition):

Gabriel, Gilbert. “Altered states, altered sounds : an investigation of how 'subjective states' are signifed by the soundtrack in narrative fiction cinema.” 2011. Doctoral Dissertation, Cardiff University. Accessed September 16, 2019. http://orca.cf.ac.uk/15238/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567165.

MLA Handbook (7th Edition):

Gabriel, Gilbert. “Altered states, altered sounds : an investigation of how 'subjective states' are signifed by the soundtrack in narrative fiction cinema.” 2011. Web. 16 Sep 2019.

Vancouver:

Gabriel G. Altered states, altered sounds : an investigation of how 'subjective states' are signifed by the soundtrack in narrative fiction cinema. [Internet] [Doctoral dissertation]. Cardiff University; 2011. [cited 2019 Sep 16]. Available from: http://orca.cf.ac.uk/15238/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567165.

Council of Science Editors:

Gabriel G. Altered states, altered sounds : an investigation of how 'subjective states' are signifed by the soundtrack in narrative fiction cinema. [Doctoral Dissertation]. Cardiff University; 2011. Available from: http://orca.cf.ac.uk/15238/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567165


University of Glasgow

7. Dickson, Lesley-Ann. Film festival and cinema audiences: a study of exhibition practice and audience reception at Glasgow Film Festival.

Degree: PhD, 2014, University of Glasgow

 This thesis takes the view that film festivals are ‘social constructions’ and therefore need social subjects (people/audiences) to function. Nevertheless, Film Festival Studies, with its… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Dickson, L. (2014). Film festival and cinema audiences: a study of exhibition practice and audience reception at Glasgow Film Festival. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/5693/

Chicago Manual of Style (16th Edition):

Dickson, Lesley-Ann. “Film festival and cinema audiences: a study of exhibition practice and audience reception at Glasgow Film Festival.” 2014. Doctoral Dissertation, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/5693/.

MLA Handbook (7th Edition):

Dickson, Lesley-Ann. “Film festival and cinema audiences: a study of exhibition practice and audience reception at Glasgow Film Festival.” 2014. Web. 16 Sep 2019.

Vancouver:

Dickson L. Film festival and cinema audiences: a study of exhibition practice and audience reception at Glasgow Film Festival. [Internet] [Doctoral dissertation]. University of Glasgow; 2014. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/5693/.

Council of Science Editors:

Dickson L. Film festival and cinema audiences: a study of exhibition practice and audience reception at Glasgow Film Festival. [Doctoral Dissertation]. University of Glasgow; 2014. Available from: http://theses.gla.ac.uk/5693/


University of Western Australia

8. Mercer, Nicholas R. Thinking the commodity through the moving image : a philosophical investigation into cinematic consciousness and the commodity as a mode of communication.

Degree: PhD, 2007, University of Western Australia

 This thesis explores the historical, theoretical and philosophical development of cinematic media as a collective form of technological perception and consciousness. Central to my inquiry… (more)

Subjects/Keywords: Motion pictures; Motion pictures; Motion pictures; Motion pictures; Philosophy of film; Commodity

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APA (6th Edition):

Mercer, N. R. (2007). Thinking the commodity through the moving image : a philosophical investigation into cinematic consciousness and the commodity as a mode of communication. (Doctoral Dissertation). University of Western Australia. Retrieved from http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=10771&local_base=GEN01-INS01

Chicago Manual of Style (16th Edition):

Mercer, Nicholas R. “Thinking the commodity through the moving image : a philosophical investigation into cinematic consciousness and the commodity as a mode of communication.” 2007. Doctoral Dissertation, University of Western Australia. Accessed September 16, 2019. http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=10771&local_base=GEN01-INS01.

MLA Handbook (7th Edition):

Mercer, Nicholas R. “Thinking the commodity through the moving image : a philosophical investigation into cinematic consciousness and the commodity as a mode of communication.” 2007. Web. 16 Sep 2019.

Vancouver:

Mercer NR. Thinking the commodity through the moving image : a philosophical investigation into cinematic consciousness and the commodity as a mode of communication. [Internet] [Doctoral dissertation]. University of Western Australia; 2007. [cited 2019 Sep 16]. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=10771&local_base=GEN01-INS01.

Council of Science Editors:

Mercer NR. Thinking the commodity through the moving image : a philosophical investigation into cinematic consciousness and the commodity as a mode of communication. [Doctoral Dissertation]. University of Western Australia; 2007. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=10771&local_base=GEN01-INS01


University of Glasgow

9. Mackenzie, Michael. Gender, genre and sociocultural change in the Giallo, 1970-1975.

Degree: PhD, 2013, University of Glasgow

 This thesis examines representations of gender in the Italian giallo, a short-lived but tremendously popular, lucrative and prolific body of films in the murder-mystery thriller… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Mackenzie, M. (2013). Gender, genre and sociocultural change in the Giallo, 1970-1975. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/4730/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.586832

Chicago Manual of Style (16th Edition):

Mackenzie, Michael. “Gender, genre and sociocultural change in the Giallo, 1970-1975.” 2013. Doctoral Dissertation, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/4730/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.586832.

MLA Handbook (7th Edition):

Mackenzie, Michael. “Gender, genre and sociocultural change in the Giallo, 1970-1975.” 2013. Web. 16 Sep 2019.

Vancouver:

Mackenzie M. Gender, genre and sociocultural change in the Giallo, 1970-1975. [Internet] [Doctoral dissertation]. University of Glasgow; 2013. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/4730/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.586832.

Council of Science Editors:

Mackenzie M. Gender, genre and sociocultural change in the Giallo, 1970-1975. [Doctoral Dissertation]. University of Glasgow; 2013. Available from: http://theses.gla.ac.uk/4730/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.586832


University of Glasgow

10. Reburn, Jennifer. Watching men : masculinity and surveillance in the American serial killer film 1978-2008.

Degree: PhD, 2012, University of Glasgow

 This thesis explores the depiction of masculinity in the American serial killer film with a particular focus on the articulation of surveillance. I trace shifts… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Reburn, J. (2012). Watching men : masculinity and surveillance in the American serial killer film 1978-2008. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/3390/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.552967

Chicago Manual of Style (16th Edition):

Reburn, Jennifer. “Watching men : masculinity and surveillance in the American serial killer film 1978-2008.” 2012. Doctoral Dissertation, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/3390/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.552967.

MLA Handbook (7th Edition):

Reburn, Jennifer. “Watching men : masculinity and surveillance in the American serial killer film 1978-2008.” 2012. Web. 16 Sep 2019.

Vancouver:

Reburn J. Watching men : masculinity and surveillance in the American serial killer film 1978-2008. [Internet] [Doctoral dissertation]. University of Glasgow; 2012. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/3390/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.552967.

Council of Science Editors:

Reburn J. Watching men : masculinity and surveillance in the American serial killer film 1978-2008. [Doctoral Dissertation]. University of Glasgow; 2012. Available from: http://theses.gla.ac.uk/3390/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.552967


University of Glasgow

11. Ross, Miriam. Developing cinematic culture : a South American case study.

Degree: PhD, 2010, University of Glasgow

 The thesis examines the way that different agents, organisations and institutions intervene in the cinema practice of South America. Using Argentina, Bolivia, Chile and Peru… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Ross, M. (2010). Developing cinematic culture : a South American case study. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/1669/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.515709

Chicago Manual of Style (16th Edition):

Ross, Miriam. “Developing cinematic culture : a South American case study.” 2010. Doctoral Dissertation, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/1669/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.515709.

MLA Handbook (7th Edition):

Ross, Miriam. “Developing cinematic culture : a South American case study.” 2010. Web. 16 Sep 2019.

Vancouver:

Ross M. Developing cinematic culture : a South American case study. [Internet] [Doctoral dissertation]. University of Glasgow; 2010. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/1669/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.515709.

Council of Science Editors:

Ross M. Developing cinematic culture : a South American case study. [Doctoral Dissertation]. University of Glasgow; 2010. Available from: http://theses.gla.ac.uk/1669/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.515709


University of Hong Kong

12. Laukkanen, Tatu-ilari Timoteus. The contemporary cinema of the BRIC countries and the politics of change.

Degree: PhD, 2016, University of Hong Kong

 Abstract of the thesis entitled “The Contemporary Cinema of the BRIC Countries and the Politics of Change” Submitted by Tatu-Ilari Laukkanen for the degree of… (more)

Subjects/Keywords: Motion pictures - India; Brazil - Motion pictures; Motion pictures - China; Russia - Motion pictures

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APA (6th Edition):

Laukkanen, T. T. (2016). The contemporary cinema of the BRIC countries and the politics of change. (Doctoral Dissertation). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/250747

Chicago Manual of Style (16th Edition):

Laukkanen, Tatu-ilari Timoteus. “The contemporary cinema of the BRIC countries and the politics of change.” 2016. Doctoral Dissertation, University of Hong Kong. Accessed September 16, 2019. http://hdl.handle.net/10722/250747.

MLA Handbook (7th Edition):

Laukkanen, Tatu-ilari Timoteus. “The contemporary cinema of the BRIC countries and the politics of change.” 2016. Web. 16 Sep 2019.

Vancouver:

Laukkanen TT. The contemporary cinema of the BRIC countries and the politics of change. [Internet] [Doctoral dissertation]. University of Hong Kong; 2016. [cited 2019 Sep 16]. Available from: http://hdl.handle.net/10722/250747.

Council of Science Editors:

Laukkanen TT. The contemporary cinema of the BRIC countries and the politics of change. [Doctoral Dissertation]. University of Hong Kong; 2016. Available from: http://hdl.handle.net/10722/250747


London School of Economics and Political Science (LSE)

13. Masrani, Rahoul. The reel city: London, symbolic power and cinema.

Degree: phd, 2016, London School of Economics and Political Science (LSE)

 In this thesis, I explore the ways in which cinematic representations reconstruct and maintain the symbolic power of the global city. Using London as a… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Masrani, R. (2016). The reel city: London, symbolic power and cinema. (Doctoral Dissertation). London School of Economics and Political Science (LSE). Retrieved from http://etheses.lse.ac.uk/3342/

Chicago Manual of Style (16th Edition):

Masrani, Rahoul. “The reel city: London, symbolic power and cinema.” 2016. Doctoral Dissertation, London School of Economics and Political Science (LSE). Accessed September 16, 2019. http://etheses.lse.ac.uk/3342/.

MLA Handbook (7th Edition):

Masrani, Rahoul. “The reel city: London, symbolic power and cinema.” 2016. Web. 16 Sep 2019.

Vancouver:

Masrani R. The reel city: London, symbolic power and cinema. [Internet] [Doctoral dissertation]. London School of Economics and Political Science (LSE); 2016. [cited 2019 Sep 16]. Available from: http://etheses.lse.ac.uk/3342/.

Council of Science Editors:

Masrani R. The reel city: London, symbolic power and cinema. [Doctoral Dissertation]. London School of Economics and Political Science (LSE); 2016. Available from: http://etheses.lse.ac.uk/3342/


The London School of Economics and Political Science (LSE)

14. de la Pava Velez, Benjamin. Celluloid love: audiences and representations of romantic love in late capitalism.

Degree: phd, 2017, The London School of Economics and Political Science (LSE)

 My doctoral research analyses contemporary North American romantic films and the meanings brought to and made from them by socially and economically diverse audiences in… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

de la Pava Velez, B. (2017). Celluloid love: audiences and representations of romantic love in late capitalism. (Doctoral Dissertation). The London School of Economics and Political Science (LSE). Retrieved from http://etheses.lse.ac.uk/3602/

Chicago Manual of Style (16th Edition):

de la Pava Velez, Benjamin. “Celluloid love: audiences and representations of romantic love in late capitalism.” 2017. Doctoral Dissertation, The London School of Economics and Political Science (LSE). Accessed September 16, 2019. http://etheses.lse.ac.uk/3602/.

MLA Handbook (7th Edition):

de la Pava Velez, Benjamin. “Celluloid love: audiences and representations of romantic love in late capitalism.” 2017. Web. 16 Sep 2019.

Vancouver:

de la Pava Velez B. Celluloid love: audiences and representations of romantic love in late capitalism. [Internet] [Doctoral dissertation]. The London School of Economics and Political Science (LSE); 2017. [cited 2019 Sep 16]. Available from: http://etheses.lse.ac.uk/3602/.

Council of Science Editors:

de la Pava Velez B. Celluloid love: audiences and representations of romantic love in late capitalism. [Doctoral Dissertation]. The London School of Economics and Political Science (LSE); 2017. Available from: http://etheses.lse.ac.uk/3602/


University of Glasgow

15. Kumar, Akshaya. Provincialising Bollywood: Bhojpuri cinema and the vernacularisation of North Indian media.

Degree: PhD, 2015, University of Glasgow

 This thesis is an investigation of the explosive growth of Bhojpuri cinema alongside the vernacularisation of north Indian media in the last decade. As these… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Kumar, A. (2015). Provincialising Bollywood: Bhojpuri cinema and the vernacularisation of North Indian media. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/6520/

Chicago Manual of Style (16th Edition):

Kumar, Akshaya. “Provincialising Bollywood: Bhojpuri cinema and the vernacularisation of North Indian media.” 2015. Doctoral Dissertation, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/6520/.

MLA Handbook (7th Edition):

Kumar, Akshaya. “Provincialising Bollywood: Bhojpuri cinema and the vernacularisation of North Indian media.” 2015. Web. 16 Sep 2019.

Vancouver:

Kumar A. Provincialising Bollywood: Bhojpuri cinema and the vernacularisation of North Indian media. [Internet] [Doctoral dissertation]. University of Glasgow; 2015. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/6520/.

Council of Science Editors:

Kumar A. Provincialising Bollywood: Bhojpuri cinema and the vernacularisation of North Indian media. [Doctoral Dissertation]. University of Glasgow; 2015. Available from: http://theses.gla.ac.uk/6520/


Cardiff University

16. Barrowman, Kyle. Screen of vision : Ayn Rand and the possibilities of an objectivist aesthetics of cinema.

Degree: PhD, 2018, Cardiff University

 This thesis is my attempt to establish a foundation, based on the philosophy of Objectivism as it was developed and elaborated by the Russian-American novelist… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Barrowman, K. (2018). Screen of vision : Ayn Rand and the possibilities of an objectivist aesthetics of cinema. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/119306/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768064

Chicago Manual of Style (16th Edition):

Barrowman, Kyle. “Screen of vision : Ayn Rand and the possibilities of an objectivist aesthetics of cinema.” 2018. Doctoral Dissertation, Cardiff University. Accessed September 16, 2019. http://orca.cf.ac.uk/119306/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768064.

MLA Handbook (7th Edition):

Barrowman, Kyle. “Screen of vision : Ayn Rand and the possibilities of an objectivist aesthetics of cinema.” 2018. Web. 16 Sep 2019.

Vancouver:

Barrowman K. Screen of vision : Ayn Rand and the possibilities of an objectivist aesthetics of cinema. [Internet] [Doctoral dissertation]. Cardiff University; 2018. [cited 2019 Sep 16]. Available from: http://orca.cf.ac.uk/119306/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768064.

Council of Science Editors:

Barrowman K. Screen of vision : Ayn Rand and the possibilities of an objectivist aesthetics of cinema. [Doctoral Dissertation]. Cardiff University; 2018. Available from: http://orca.cf.ac.uk/119306/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768064


University of Glasgow

17. Mackenzie, Michael. Gender, genre and sociocultural change in the Giallo: 1970-1975.

Degree: PhD, 2013, University of Glasgow

 This thesis examines representations of gender in the Italian giallo, a short-lived but tremendously popular, lucrative and prolific body of films in the murder-mystery thriller… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Mackenzie, M. (2013). Gender, genre and sociocultural change in the Giallo: 1970-1975. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/4730/

Chicago Manual of Style (16th Edition):

Mackenzie, Michael. “Gender, genre and sociocultural change in the Giallo: 1970-1975.” 2013. Doctoral Dissertation, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/4730/.

MLA Handbook (7th Edition):

Mackenzie, Michael. “Gender, genre and sociocultural change in the Giallo: 1970-1975.” 2013. Web. 16 Sep 2019.

Vancouver:

Mackenzie M. Gender, genre and sociocultural change in the Giallo: 1970-1975. [Internet] [Doctoral dissertation]. University of Glasgow; 2013. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/4730/.

Council of Science Editors:

Mackenzie M. Gender, genre and sociocultural change in the Giallo: 1970-1975. [Doctoral Dissertation]. University of Glasgow; 2013. Available from: http://theses.gla.ac.uk/4730/


University of Glasgow

18. McWhirter, Andrew Christopher. Film criticism in the digital age.

Degree: PhD, 2014, University of Glasgow

 In a period of proposed crisis and disruptive transformation to media, journalism and criticism, this thesis provides a comprehensive analysis of English-language film criticism by… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

McWhirter, A. C. (2014). Film criticism in the digital age. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/5165/

Chicago Manual of Style (16th Edition):

McWhirter, Andrew Christopher. “Film criticism in the digital age.” 2014. Doctoral Dissertation, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/5165/.

MLA Handbook (7th Edition):

McWhirter, Andrew Christopher. “Film criticism in the digital age.” 2014. Web. 16 Sep 2019.

Vancouver:

McWhirter AC. Film criticism in the digital age. [Internet] [Doctoral dissertation]. University of Glasgow; 2014. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/5165/.

Council of Science Editors:

McWhirter AC. Film criticism in the digital age. [Doctoral Dissertation]. University of Glasgow; 2014. Available from: http://theses.gla.ac.uk/5165/


University of Glasgow

19. Macleod, Allison. Spaces of collision: queer masculinities in recent Irish cinema.

Degree: PhD, 2013, University of Glasgow

 This thesis maps out and analyses images of queer masculinities in recent Irish cinema to investigate what forms of queerness are enabled through their intersections… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Macleod, A. (2013). Spaces of collision: queer masculinities in recent Irish cinema. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/5246/

Chicago Manual of Style (16th Edition):

Macleod, Allison. “Spaces of collision: queer masculinities in recent Irish cinema.” 2013. Doctoral Dissertation, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/5246/.

MLA Handbook (7th Edition):

Macleod, Allison. “Spaces of collision: queer masculinities in recent Irish cinema.” 2013. Web. 16 Sep 2019.

Vancouver:

Macleod A. Spaces of collision: queer masculinities in recent Irish cinema. [Internet] [Doctoral dissertation]. University of Glasgow; 2013. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/5246/.

Council of Science Editors:

Macleod A. Spaces of collision: queer masculinities in recent Irish cinema. [Doctoral Dissertation]. University of Glasgow; 2013. Available from: http://theses.gla.ac.uk/5246/


University of Glasgow

20. Bartlett, Rebecca. How failure works: understanding and analysing the characteristics of badfilm, 1950-1970.

Degree: PhD, 2015, University of Glasgow

 This thesis uses close textual analysis to examine formal stylistic characteristics located in films that have, since their initial release, gained a reputation for being… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Bartlett, R. (2015). How failure works: understanding and analysing the characteristics of badfilm, 1950-1970. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/7058/

Chicago Manual of Style (16th Edition):

Bartlett, Rebecca. “How failure works: understanding and analysing the characteristics of badfilm, 1950-1970.” 2015. Doctoral Dissertation, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/7058/.

MLA Handbook (7th Edition):

Bartlett, Rebecca. “How failure works: understanding and analysing the characteristics of badfilm, 1950-1970.” 2015. Web. 16 Sep 2019.

Vancouver:

Bartlett R. How failure works: understanding and analysing the characteristics of badfilm, 1950-1970. [Internet] [Doctoral dissertation]. University of Glasgow; 2015. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/7058/.

Council of Science Editors:

Bartlett R. How failure works: understanding and analysing the characteristics of badfilm, 1950-1970. [Doctoral Dissertation]. University of Glasgow; 2015. Available from: http://theses.gla.ac.uk/7058/


University of Glasgow

21. Phillis, Philip. Towards an inclusive discourse: representation of Albanian immigrants in Greek cinema.

Degree: PhD, 2015, University of Glasgow

 This thesis outlines and discusses portrayals of Albanian and Ethnic Greek migrants from Albania in contemporary Greek cinema. The focus is on seven coproduced films… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Phillis, P. (2015). Towards an inclusive discourse: representation of Albanian immigrants in Greek cinema. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/6303/

Chicago Manual of Style (16th Edition):

Phillis, Philip. “Towards an inclusive discourse: representation of Albanian immigrants in Greek cinema.” 2015. Doctoral Dissertation, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/6303/.

MLA Handbook (7th Edition):

Phillis, Philip. “Towards an inclusive discourse: representation of Albanian immigrants in Greek cinema.” 2015. Web. 16 Sep 2019.

Vancouver:

Phillis P. Towards an inclusive discourse: representation of Albanian immigrants in Greek cinema. [Internet] [Doctoral dissertation]. University of Glasgow; 2015. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/6303/.

Council of Science Editors:

Phillis P. Towards an inclusive discourse: representation of Albanian immigrants in Greek cinema. [Doctoral Dissertation]. University of Glasgow; 2015. Available from: http://theses.gla.ac.uk/6303/

22. Lee, Ming-Yu. Diary film in America and in Taiwan: narrative, temporality, and changing technology.

Degree: PhD, 2015, University of Glasgow

 The diary film as a unique, personal, and private cinematic genre for a long time has not received its fair share of attention in academic… (more)

Subjects/Keywords: PN1993 Motion Pictures

Page 1

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APA (6th Edition):

Lee, M. (2015). Diary film in America and in Taiwan: narrative, temporality, and changing technology. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/6679/

Chicago Manual of Style (16th Edition):

Lee, Ming-Yu. “Diary film in America and in Taiwan: narrative, temporality, and changing technology.” 2015. Doctoral Dissertation, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/6679/.

MLA Handbook (7th Edition):

Lee, Ming-Yu. “Diary film in America and in Taiwan: narrative, temporality, and changing technology.” 2015. Web. 16 Sep 2019.

Vancouver:

Lee M. Diary film in America and in Taiwan: narrative, temporality, and changing technology. [Internet] [Doctoral dissertation]. University of Glasgow; 2015. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/6679/.

Council of Science Editors:

Lee M. Diary film in America and in Taiwan: narrative, temporality, and changing technology. [Doctoral Dissertation]. University of Glasgow; 2015. Available from: http://theses.gla.ac.uk/6679/


University of Glasgow

23. Ross, Miriam. Developing cinematic culture: a South American case study.

Degree: PhD, 2010, University of Glasgow

 The thesis examines the way that different agents, organisations and institutions intervene in the cinema practice of South America. Using Argentina, Bolivia, Chile and Peru… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Ross, M. (2010). Developing cinematic culture: a South American case study. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/1669/

Chicago Manual of Style (16th Edition):

Ross, Miriam. “Developing cinematic culture: a South American case study.” 2010. Doctoral Dissertation, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/1669/.

MLA Handbook (7th Edition):

Ross, Miriam. “Developing cinematic culture: a South American case study.” 2010. Web. 16 Sep 2019.

Vancouver:

Ross M. Developing cinematic culture: a South American case study. [Internet] [Doctoral dissertation]. University of Glasgow; 2010. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/1669/.

Council of Science Editors:

Ross M. Developing cinematic culture: a South American case study. [Doctoral Dissertation]. University of Glasgow; 2010. Available from: http://theses.gla.ac.uk/1669/


University of Glasgow

24. Aaltonen, Minna-Ella. Touch, taste & devour: phenomenology of film and the film experiencer in the cinema of sensations.

Degree: 2011, University of Glasgow

 This thesis explores the possibilities of reconciling corporeal and visceral film experience with theory. It provides an analyses of two contemporary films; Marina de Van's… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Aaltonen, M. (2011). Touch, taste & devour: phenomenology of film and the film experiencer in the cinema of sensations. (Thesis). University of Glasgow. Retrieved from http://theses.gla.ac.uk/2666/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Aaltonen, Minna-Ella. “Touch, taste & devour: phenomenology of film and the film experiencer in the cinema of sensations.” 2011. Thesis, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/2666/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Aaltonen, Minna-Ella. “Touch, taste & devour: phenomenology of film and the film experiencer in the cinema of sensations.” 2011. Web. 16 Sep 2019.

Vancouver:

Aaltonen M. Touch, taste & devour: phenomenology of film and the film experiencer in the cinema of sensations. [Internet] [Thesis]. University of Glasgow; 2011. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/2666/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Aaltonen M. Touch, taste & devour: phenomenology of film and the film experiencer in the cinema of sensations. [Thesis]. University of Glasgow; 2011. Available from: http://theses.gla.ac.uk/2666/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Glasgow

25. Ferguson, Laura Elizabeth. Kicking the Vietnam syndrome? Collective memory of the Vietnam War in fictional American cinema following the 1991 Gulf War.

Degree: PhD, 2011, University of Glasgow

 This thesis analyses the concept of the “Vietnam Syndrome” and its continuing manifestation in fictional American films produced after the 1991 Gulf War, with reference… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Ferguson, L. E. (2011). Kicking the Vietnam syndrome? Collective memory of the Vietnam War in fictional American cinema following the 1991 Gulf War. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/2672/

Chicago Manual of Style (16th Edition):

Ferguson, Laura Elizabeth. “Kicking the Vietnam syndrome? Collective memory of the Vietnam War in fictional American cinema following the 1991 Gulf War.” 2011. Doctoral Dissertation, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/2672/.

MLA Handbook (7th Edition):

Ferguson, Laura Elizabeth. “Kicking the Vietnam syndrome? Collective memory of the Vietnam War in fictional American cinema following the 1991 Gulf War.” 2011. Web. 16 Sep 2019.

Vancouver:

Ferguson LE. Kicking the Vietnam syndrome? Collective memory of the Vietnam War in fictional American cinema following the 1991 Gulf War. [Internet] [Doctoral dissertation]. University of Glasgow; 2011. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/2672/.

Council of Science Editors:

Ferguson LE. Kicking the Vietnam syndrome? Collective memory of the Vietnam War in fictional American cinema following the 1991 Gulf War. [Doctoral Dissertation]. University of Glasgow; 2011. Available from: http://theses.gla.ac.uk/2672/


University of Glasgow

26. Wardrop, Georgina. Redefining gender in twenty-first century spanish cinema: the films of Pedro Almodóvar.

Degree: 2011, University of Glasgow

 The aim of this research is the evolving cultural conception of gendered identities in prominent and significant films produced in 21st Century Spanish cinema of… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Wardrop, G. (2011). Redefining gender in twenty-first century spanish cinema: the films of Pedro Almodóvar. (Thesis). University of Glasgow. Retrieved from http://theses.gla.ac.uk/2925/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wardrop, Georgina. “Redefining gender in twenty-first century spanish cinema: the films of Pedro Almodóvar.” 2011. Thesis, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/2925/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wardrop, Georgina. “Redefining gender in twenty-first century spanish cinema: the films of Pedro Almodóvar.” 2011. Web. 16 Sep 2019.

Vancouver:

Wardrop G. Redefining gender in twenty-first century spanish cinema: the films of Pedro Almodóvar. [Internet] [Thesis]. University of Glasgow; 2011. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/2925/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wardrop G. Redefining gender in twenty-first century spanish cinema: the films of Pedro Almodóvar. [Thesis]. University of Glasgow; 2011. Available from: http://theses.gla.ac.uk/2925/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Glasgow

27. Hughes, Katherine Ross. Queer possibilities in teen friendships in film, 2000-2009.

Degree: PhD, 2013, University of Glasgow

 This thesis seeks to determine how representations of dyadic teen homosocial bonds and relationships in film lend themselves to queer possibilities. Looking at teens in… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Hughes, K. R. (2013). Queer possibilities in teen friendships in film, 2000-2009. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/4085/

Chicago Manual of Style (16th Edition):

Hughes, Katherine Ross. “Queer possibilities in teen friendships in film, 2000-2009.” 2013. Doctoral Dissertation, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/4085/.

MLA Handbook (7th Edition):

Hughes, Katherine Ross. “Queer possibilities in teen friendships in film, 2000-2009.” 2013. Web. 16 Sep 2019.

Vancouver:

Hughes KR. Queer possibilities in teen friendships in film, 2000-2009. [Internet] [Doctoral dissertation]. University of Glasgow; 2013. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/4085/.

Council of Science Editors:

Hughes KR. Queer possibilities in teen friendships in film, 2000-2009. [Doctoral Dissertation]. University of Glasgow; 2013. Available from: http://theses.gla.ac.uk/4085/


University of Glasgow

28. Moraes, Ana Luisa Siqueira de. Film policy in practice: a case study of Scottish Screen’s funding schemes.

Degree: PhD, 2016, University of Glasgow

 This thesis examines cultural policy for film in Scotland, from 1997 to 2010. It explores the extent to which the industry is shaped by film… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Moraes, A. L. S. d. (2016). Film policy in practice: a case study of Scottish Screen’s funding schemes. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/7615/

Chicago Manual of Style (16th Edition):

Moraes, Ana Luisa Siqueira de. “Film policy in practice: a case study of Scottish Screen’s funding schemes.” 2016. Doctoral Dissertation, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/7615/.

MLA Handbook (7th Edition):

Moraes, Ana Luisa Siqueira de. “Film policy in practice: a case study of Scottish Screen’s funding schemes.” 2016. Web. 16 Sep 2019.

Vancouver:

Moraes ALSd. Film policy in practice: a case study of Scottish Screen’s funding schemes. [Internet] [Doctoral dissertation]. University of Glasgow; 2016. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/7615/.

Council of Science Editors:

Moraes ALSd. Film policy in practice: a case study of Scottish Screen’s funding schemes. [Doctoral Dissertation]. University of Glasgow; 2016. Available from: http://theses.gla.ac.uk/7615/


University of Glasgow

29. Ward, Kenneth. Taking the new wave out of isolation: humour and tragedy of the Czechoslovak new wave and post-communist Czech cinema.

Degree: 2017, University of Glasgow

 A comparison between different eras of Czechoslovak and Czech society, interrogating to what extent Czech culture continues a strand of subversion through humour in the… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Ward, K. (2017). Taking the new wave out of isolation: humour and tragedy of the Czechoslovak new wave and post-communist Czech cinema. (Thesis). University of Glasgow. Retrieved from http://theses.gla.ac.uk/8441/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ward, Kenneth. “Taking the new wave out of isolation: humour and tragedy of the Czechoslovak new wave and post-communist Czech cinema.” 2017. Thesis, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/8441/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ward, Kenneth. “Taking the new wave out of isolation: humour and tragedy of the Czechoslovak new wave and post-communist Czech cinema.” 2017. Web. 16 Sep 2019.

Vancouver:

Ward K. Taking the new wave out of isolation: humour and tragedy of the Czechoslovak new wave and post-communist Czech cinema. [Internet] [Thesis]. University of Glasgow; 2017. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/8441/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ward K. Taking the new wave out of isolation: humour and tragedy of the Czechoslovak new wave and post-communist Czech cinema. [Thesis]. University of Glasgow; 2017. Available from: http://theses.gla.ac.uk/8441/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Glasgow

30. Kelly, Gillian Patricia. A Taylor made star: male beauty, changes in masculinity and the 'lost' stardom of Robert Taylor, Hollywood 1934 - 1969.

Degree: PhD, 2015, University of Glasgow

 Despite being a central figure of Hollywood’s Classical era, Robert Taylor can now be regarded as a ‘lost’ or forgotten screen star, an interesting paradox… (more)

Subjects/Keywords: PN1993 Motion Pictures

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APA (6th Edition):

Kelly, G. P. (2015). A Taylor made star: male beauty, changes in masculinity and the 'lost' stardom of Robert Taylor, Hollywood 1934 - 1969. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/6396/

Chicago Manual of Style (16th Edition):

Kelly, Gillian Patricia. “A Taylor made star: male beauty, changes in masculinity and the 'lost' stardom of Robert Taylor, Hollywood 1934 - 1969.” 2015. Doctoral Dissertation, University of Glasgow. Accessed September 16, 2019. http://theses.gla.ac.uk/6396/.

MLA Handbook (7th Edition):

Kelly, Gillian Patricia. “A Taylor made star: male beauty, changes in masculinity and the 'lost' stardom of Robert Taylor, Hollywood 1934 - 1969.” 2015. Web. 16 Sep 2019.

Vancouver:

Kelly GP. A Taylor made star: male beauty, changes in masculinity and the 'lost' stardom of Robert Taylor, Hollywood 1934 - 1969. [Internet] [Doctoral dissertation]. University of Glasgow; 2015. [cited 2019 Sep 16]. Available from: http://theses.gla.ac.uk/6396/.

Council of Science Editors:

Kelly GP. A Taylor made star: male beauty, changes in masculinity and the 'lost' stardom of Robert Taylor, Hollywood 1934 - 1969. [Doctoral Dissertation]. University of Glasgow; 2015. Available from: http://theses.gla.ac.uk/6396/

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