subject:(Monster)

Rochester Institute of Technology

1. Azimi, Palwasha. did i tell you about my date last night?.

Degree: MFA, School of Film and Animation (CAD), 2019, Rochester Institute of Technology

URL: https://scholarworks.rit.edu/theses/10344

► did i tell you about my date last night? is an animated short that illustrates a transformation in two characters who are experiencing their… (more)

Subjects/Keywords: 2D; Animation; Art; Film; Monster

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Azimi, P. (2019). did i tell you about my date last night?. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/10344

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Azimi, Palwasha. “did i tell you about my date last night?.” 2019. Thesis, Rochester Institute of Technology. Accessed January 19, 2021. https://scholarworks.rit.edu/theses/10344.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Azimi, Palwasha. “did i tell you about my date last night?.” 2019. Web. 19 Jan 2021.

Vancouver:

Azimi P. did i tell you about my date last night?. [Internet] [Thesis]. Rochester Institute of Technology; 2019. [cited 2021 Jan 19]. Available from: https://scholarworks.rit.edu/theses/10344.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Azimi P. did i tell you about my date last night?. [Thesis]. Rochester Institute of Technology; 2019. Available from: https://scholarworks.rit.edu/theses/10344

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

2. Pinczés, Mariann. Lady Gaga and the Monster Theory .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/156261

► After the release of her first album The Fame in 2008, Lady Gaga became one of the most influential celebrities in the world as well… (more)

Subjects/Keywords: female monster; Gothic tradition

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Pinczés, M. (2013). Lady Gaga and the Monster Theory . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/156261

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Pinczés, Mariann. “Lady Gaga and the Monster Theory .” 2013. Thesis, University of Debrecen. Accessed January 19, 2021. http://hdl.handle.net/2437/156261.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Pinczés, Mariann. “Lady Gaga and the Monster Theory .” 2013. Web. 19 Jan 2021.

Vancouver:

Pinczés M. Lady Gaga and the Monster Theory . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/2437/156261.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pinczés M. Lady Gaga and the Monster Theory . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/156261

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Fjellstedt, Sara. Formspråk vs karaktärsbeskrivning : När text och visuell form krockar.

Degree: Informatics, 2016, University of Skövde

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-12838

► Detta arbete undersöker hur form påverkar människors perception av en monsterkaraktär som introducerats med textbeskrivning och bild. För att undersöka detta skapades två baskaraktärer… (more)

Subjects/Keywords: Formspråk; karaktärsdesign; 2D-grafik; monster

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Fjellstedt, S. (2016). Formspråk vs karaktärsbeskrivning : När text och visuell form krockar. (Thesis). University of Skövde. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-12838

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Fjellstedt, Sara. “Formspråk vs karaktärsbeskrivning : När text och visuell form krockar.” 2016. Thesis, University of Skövde. Accessed January 19, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-12838.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Fjellstedt, Sara. “Formspråk vs karaktärsbeskrivning : När text och visuell form krockar.” 2016. Web. 19 Jan 2021.

Vancouver:

Fjellstedt S. Formspråk vs karaktärsbeskrivning : När text och visuell form krockar. [Internet] [Thesis]. University of Skövde; 2016. [cited 2021 Jan 19]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-12838.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fjellstedt S. Formspråk vs karaktärsbeskrivning : När text och visuell form krockar. [Thesis]. University of Skövde; 2016. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-12838

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Georgia

4. Wang, Lin. Celebration of the strange.

Degree: 2014, University of Georgia

URL: http://hdl.handle.net/10724/28153

► This dissertation seeks to uncover the artistic appeal and significance of horror tales in Youyang zazu with the assistance of Western concepts and theories. The… (more)

Subjects/Keywords: Zhiguai; Youyang zazu; Horror; Fantastic; Monster; Cosmic

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Wang, L. (2014). Celebration of the strange. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/28153

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Wang, Lin. “Celebration of the strange.” 2014. Thesis, University of Georgia. Accessed January 19, 2021. http://hdl.handle.net/10724/28153.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Wang, Lin. “Celebration of the strange.” 2014. Web. 19 Jan 2021.

Vancouver:

Wang L. Celebration of the strange. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10724/28153.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wang L. Celebration of the strange. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/28153

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Stockholm University

5. Linter, Simon. Mary Shelley’s Unrealised Vision : The Cinematic Evolution of Frankenstein’s Monster.

Degree: English, 2014, Stockholm University

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104476

► Mary Shelley’s novel Frankenstein has been the direct source for many adaptations on stage, television and film, and an indirect source for innumerable hybrid… (more)

Subjects/Keywords: Shelley; monster; form; behaviour; adaptation; film; audience

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Linter, S. (2014). Mary Shelley’s Unrealised Vision : The Cinematic Evolution of Frankenstein’s Monster. (Thesis). Stockholm University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104476

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Linter, Simon. “Mary Shelley’s Unrealised Vision : The Cinematic Evolution of Frankenstein’s Monster.” 2014. Thesis, Stockholm University. Accessed January 19, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104476.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Linter, Simon. “Mary Shelley’s Unrealised Vision : The Cinematic Evolution of Frankenstein’s Monster.” 2014. Web. 19 Jan 2021.

Vancouver:

Linter S. Mary Shelley’s Unrealised Vision : The Cinematic Evolution of Frankenstein’s Monster. [Internet] [Thesis]. Stockholm University; 2014. [cited 2021 Jan 19]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104476.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Linter S. Mary Shelley’s Unrealised Vision : The Cinematic Evolution of Frankenstein’s Monster. [Thesis]. Stockholm University; 2014. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104476

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Jönköping University

6. Bäckström, Tove. De fasansfulla böckerna i undervisningen.

Degree: Education and Communication, 2019, Jönköping University

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-43490

► Skräcklitteraturen har oftast tolkats som en oanvändbar del av skönlitteraturen för skolans undervisning, eftersom teman som skräcklitteraturen berör är svårdiskuterade i undervisningen. En del… (more)

Subjects/Keywords: skräcklitteratur; didaktik; läsmotivation; monster; Educational Sciences; Utbildningsvetenskap

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bäckström, T. (2019). De fasansfulla böckerna i undervisningen. (Thesis). Jönköping University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-43490

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bäckström, Tove. “De fasansfulla böckerna i undervisningen.” 2019. Thesis, Jönköping University. Accessed January 19, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-43490.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bäckström, Tove. “De fasansfulla böckerna i undervisningen.” 2019. Web. 19 Jan 2021.

Vancouver:

Bäckström T. De fasansfulla böckerna i undervisningen. [Internet] [Thesis]. Jönköping University; 2019. [cited 2021 Jan 19]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-43490.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bäckström T. De fasansfulla böckerna i undervisningen. [Thesis]. Jönköping University; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-43490

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Notre Dame

7. Christopher Paul Andrews. Blood and Glitter: Monster Subjectivity in a Concentration of Camp</h1>.

Degree: Art, Art History, and Design, 2010, University of Notre Dame

URL: https://curate.nd.edu/show/jd472v26352

This paper deals with the philosophical implications of queer subjectivity in relationship with monster in horror film. Advisors/Committee Members: Martina Lopez, Committee Chair.

Subjects/Keywords: queer; monster; subjectivity

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Andrews, C. P. (2010). Blood and Glitter: Monster Subjectivity in a Concentration of Camp</h1>. (Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/jd472v26352

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Andrews, Christopher Paul. “Blood and Glitter: Monster Subjectivity in a Concentration of Camp</h1>.” 2010. Thesis, University of Notre Dame. Accessed January 19, 2021. https://curate.nd.edu/show/jd472v26352.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Andrews, Christopher Paul. “Blood and Glitter: Monster Subjectivity in a Concentration of Camp</h1>.” 2010. Web. 19 Jan 2021.

Vancouver:

Andrews CP. Blood and Glitter: Monster Subjectivity in a Concentration of Camp</h1>. [Internet] [Thesis]. University of Notre Dame; 2010. [cited 2021 Jan 19]. Available from: https://curate.nd.edu/show/jd472v26352.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Andrews CP. Blood and Glitter: Monster Subjectivity in a Concentration of Camp</h1>. [Thesis]. University of Notre Dame; 2010. Available from: https://curate.nd.edu/show/jd472v26352

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Arizona

8. Farrar, Paul Waldo. The circulatory system of the Gila monster Heloderma suspectum Cope .

Degree: 1932, University of Arizona

URL: http://hdl.handle.net/10150/324733

Subjects/Keywords: Gila monster.; Hiloderma.

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Farrar, P. W. (1932). The circulatory system of the Gila monster Heloderma suspectum Cope . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/324733

Chicago Manual of Style (16^th Edition):

Farrar, Paul Waldo. “The circulatory system of the Gila monster Heloderma suspectum Cope .” 1932. Masters Thesis, University of Arizona. Accessed January 19, 2021. http://hdl.handle.net/10150/324733.

MLA Handbook (7^th Edition):

Farrar, Paul Waldo. “The circulatory system of the Gila monster Heloderma suspectum Cope .” 1932. Web. 19 Jan 2021.

Vancouver:

Farrar PW. The circulatory system of the Gila monster Heloderma suspectum Cope . [Internet] [Masters thesis]. University of Arizona; 1932. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10150/324733.

Council of Science Editors:

Farrar PW. The circulatory system of the Gila monster Heloderma suspectum Cope . [Masters Thesis]. University of Arizona; 1932. Available from: http://hdl.handle.net/10150/324733

University of Arizona

9. Lardner, Peter James. DIURNAL AND SEASONAL LOCOMOTORY ACTIVITY IN THE GILA MONSTER, HELODERMA SUSPECTUM, COPE .

Degree: 1969, University of Arizona

URL: http://hdl.handle.net/10150/288138

Subjects/Keywords: Heloderma.; Gila monster.

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Lardner, P. J. (1969). DIURNAL AND SEASONAL LOCOMOTORY ACTIVITY IN THE GILA MONSTER, HELODERMA SUSPECTUM, COPE . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/288138

Chicago Manual of Style (16^th Edition):

Lardner, Peter James. “DIURNAL AND SEASONAL LOCOMOTORY ACTIVITY IN THE GILA MONSTER, HELODERMA SUSPECTUM, COPE .” 1969. Doctoral Dissertation, University of Arizona. Accessed January 19, 2021. http://hdl.handle.net/10150/288138.

MLA Handbook (7^th Edition):

Lardner, Peter James. “DIURNAL AND SEASONAL LOCOMOTORY ACTIVITY IN THE GILA MONSTER, HELODERMA SUSPECTUM, COPE .” 1969. Web. 19 Jan 2021.

Vancouver:

Lardner PJ. DIURNAL AND SEASONAL LOCOMOTORY ACTIVITY IN THE GILA MONSTER, HELODERMA SUSPECTUM, COPE . [Internet] [Doctoral dissertation]. University of Arizona; 1969. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10150/288138.

Council of Science Editors:

Lardner PJ. DIURNAL AND SEASONAL LOCOMOTORY ACTIVITY IN THE GILA MONSTER, HELODERMA SUSPECTUM, COPE . [Doctoral Dissertation]. University of Arizona; 1969. Available from: http://hdl.handle.net/10150/288138

University of Southern Mississippi

10. Lewis, Jennifer. Werewolves: A Three-Dimensional Content Analysis of Films from 1980-2014.

Degree: MA, 2019, University of Southern Mississippi

URL: https://aquila.usm.edu/masters_theses/659

► WEREWOLVES: A THREE-DIMENSIONAL CONTENT ANALYSIS OF FILMS FROM 1980 – 2014 revolves around how monsters function in stories. Monsters represent fears and teach social… (more)

Subjects/Keywords: werewolves; films studies; cultural anthropology; content analysis; monster theory; monster anthropology; Folklore; Other Anthropology; Social and Cultural Anthropology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Lewis, J. (2019). Werewolves: A Three-Dimensional Content Analysis of Films from 1980-2014. (Masters Thesis). University of Southern Mississippi. Retrieved from https://aquila.usm.edu/masters_theses/659

Chicago Manual of Style (16^th Edition):

Lewis, Jennifer. “Werewolves: A Three-Dimensional Content Analysis of Films from 1980-2014.” 2019. Masters Thesis, University of Southern Mississippi. Accessed January 19, 2021. https://aquila.usm.edu/masters_theses/659.

MLA Handbook (7^th Edition):

Lewis, Jennifer. “Werewolves: A Three-Dimensional Content Analysis of Films from 1980-2014.” 2019. Web. 19 Jan 2021.

Vancouver:

Lewis J. Werewolves: A Three-Dimensional Content Analysis of Films from 1980-2014. [Internet] [Masters thesis]. University of Southern Mississippi; 2019. [cited 2021 Jan 19]. Available from: https://aquila.usm.edu/masters_theses/659.

Council of Science Editors:

Lewis J. Werewolves: A Three-Dimensional Content Analysis of Films from 1980-2014. [Masters Thesis]. University of Southern Mississippi; 2019. Available from: https://aquila.usm.edu/masters_theses/659

11. Litsgård, Matilda. Aldrig stilla, aldrig farliga : Groteska kroppar i Mare Kandres romaner Bestiarium och Xavier.

Degree: culture and media studies, 2019, Umeå University

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-156042

►

In this paper, I study the bodies in Mare Kandre’s two novels Bestiarium (1999) and Xavier (2002), with the help of Mikhail Bakhtin’s theories… (more)

▼

In this paper, I study the bodies in Mare Kandre’s two novels Bestiarium (1999) and Xavier (2002), with the help of Mikhail Bakhtin’s theories of the grotesque. I examine the worldview that is portrayed in the novels – focusing on the attitude towards death – and seek answers to the following questions: how do the human bodies look and how do they relate to their surroundings? What does the way they are portrayed say about the world the novels portray? And what role does laughter play in the novels? I also examine the similarity between a grotesque body, and a gothic monster. As a result, I find that one body may exist both in life and death at the same time, that the bodies can merge together, and that the boundaries between body and world may be exceeded. I also find the grotesque abilities of the body not to be threatening, but filled with possibilities. Here, even monsters are not harmful.

I den här uppsatsen undersöker jag kropparna i Mare Kandres två romaner Bestiarium (1999) och Xavier (2002), med utgångspunkt i Michail Bachtins teorier om det groteska. Jag söker svar på hur hans begrepp kan öka förståelsen för den värld som målas upp i romanerna, med ett fokus på inställningen till döden. Jag ställer mig frågor om hur de mänskliga kropparna ser ut och hur de förhåller sig till resten av världen, vad sättet de gestaltas på säger om romanvärlden och vilken roll skrattet spelar i romanerna. Jag undersöker också likheten mellan groteska kroppar och gotiska monster. I min analys visar jag att kropparna i Mare Kandres romaner kan befinna sig både i livet och döden samtidigt, att de ständigt är i rörelse och kan uppgå i varandra. Dessutom kan gränsen mellan kropp och värld upplösas. Jag visar också på att den glädje som kännetecknade medeltidens grotesk bara kan förnimmas, men att de groteska kropparna trots det besitter positiva möjligheter. Inte ens monster måste här besegras, då de inte utgör något hot.

Subjects/Keywords: Mare Kandre; Mikhail Bakhtin; Grotesque; Gothic; Body; Monster; Mare Kandre; Michail Bachtin; Grotesk; Gotik; Kropp; Monster; General Literature Studies; Litteraturvetenskap

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Litsgård, M. (2019). Aldrig stilla, aldrig farliga : Groteska kroppar i Mare Kandres romaner Bestiarium och Xavier. (Thesis). Umeå University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-156042

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Litsgård, Matilda. “Aldrig stilla, aldrig farliga : Groteska kroppar i Mare Kandres romaner Bestiarium och Xavier.” 2019. Thesis, Umeå University. Accessed January 19, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-156042.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Litsgård, Matilda. “Aldrig stilla, aldrig farliga : Groteska kroppar i Mare Kandres romaner Bestiarium och Xavier.” 2019. Web. 19 Jan 2021.

Vancouver:

Litsgård M. Aldrig stilla, aldrig farliga : Groteska kroppar i Mare Kandres romaner Bestiarium och Xavier. [Internet] [Thesis]. Umeå University; 2019. [cited 2021 Jan 19]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-156042.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Litsgård M. Aldrig stilla, aldrig farliga : Groteska kroppar i Mare Kandres romaner Bestiarium och Xavier. [Thesis]. Umeå University; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-156042

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Universiteit Utrecht

12. Baren, Annabel Margaret van. Stitch and Split: Feminist Alternatives to Frankensteinian Myths in Shelley Jackson’s "Patchwork Girl".

Degree: 2007, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/23227

► The thesis explores how Shelley Jackson’s hypertext work “Patchwork Girl” (1995) provides a feminist alternative to dominant Frankensteinian mythologies of unethical creation, arguing that it… (more)

Subjects/Keywords: Letteren; Shelley Jackson; monster; Patchwork Girl; Frankenstein; hypertext; feminism; gender; materiality

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Baren, A. M. v. (2007). Stitch and Split: Feminist Alternatives to Frankensteinian Myths in Shelley Jackson’s "Patchwork Girl". (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/23227

Chicago Manual of Style (16^th Edition):

Baren, Annabel Margaret van. “Stitch and Split: Feminist Alternatives to Frankensteinian Myths in Shelley Jackson’s "Patchwork Girl".” 2007. Masters Thesis, Universiteit Utrecht. Accessed January 19, 2021. http://dspace.library.uu.nl:8080/handle/1874/23227.

MLA Handbook (7^th Edition):

Baren, Annabel Margaret van. “Stitch and Split: Feminist Alternatives to Frankensteinian Myths in Shelley Jackson’s "Patchwork Girl".” 2007. Web. 19 Jan 2021.

Vancouver:

Baren AMv. Stitch and Split: Feminist Alternatives to Frankensteinian Myths in Shelley Jackson’s "Patchwork Girl". [Internet] [Masters thesis]. Universiteit Utrecht; 2007. [cited 2021 Jan 19]. Available from: http://dspace.library.uu.nl:8080/handle/1874/23227.

Council of Science Editors:

Baren AMv. Stitch and Split: Feminist Alternatives to Frankensteinian Myths in Shelley Jackson’s "Patchwork Girl". [Masters Thesis]. Universiteit Utrecht; 2007. Available from: http://dspace.library.uu.nl:8080/handle/1874/23227

University of California – Santa Cruz

13. Burr, Wendy. The Monster in The Machine.

Degree: Theater Arts, 2014, University of California – Santa Cruz

URL: http://www.escholarship.org/uc/item/3p0347w5

► The following thesis maps the evolution of my dramaturgy for the UCSC production of Machinal, written by Sophie Treadwell and directed by Kirsten Brandt, in… (more)

▼ The following thesis maps the evolution of my dramaturgy for the UCSC production of Machinal, written by Sophie Treadwell and directed by Kirsten Brandt, in three sections. It serves to detail my process through evidence, analysis, interpretation and reflection. The first section I refer to as my "monster essay," which places Treadwell's work beneath the microscope, to be viewed through the lens of Jeffrey Jerome Cohen's Seven Theses of Monster Theory. My essay exposes the fears and desires of 1920's America through objective analysis and informed interpretation. This essay served to inform my work as a dramaturg, using Monster Theory as an empirical method of cultural and historical investigation. The second section is a direct reflection of my dramaturgy for the 2014 production of Machinal. It begins with an assessment of how Monster Theory influenced my process, followed by a linear evaluation of my role as a dramaturg. It functions to provide an account of the objective successes of this production's dramaturgy in addition to exposing moments where further dramaturgy could have enriched the depth of the performance. Each of these documents is then supported by the evidence present within the third section, my dramaturgical casebook, which is separate to this file.The casebook's contents reflect a portion of my research, providing a glimpse at the socio-political and cultural elements of history that were relevant to both the historical moment of Treadwell's writing in addition to how it has been interpreted since its debut in 1928 to the present. Furthermore, it documents historical evidence of the Snyder-Gray trial which was heavily influential to Treadwell's work as being exemplary of the fears and desires present not only within the individual, but within the larger social sphere of the late 1920's in America. Newspaper articles, essays, and other resources retrieved both online as well as from physical documents provide concrete evidence that exposes the world of Machinal, both in its written form and as it was set in Brandt's production. In addition, this casebook reveals evidence of my dramaturgy that directly influenced the production. In particular, this is seen through the actor's packet, program notes, production journal and the external lobby display. Finally, it documents the designer and artist research, renderings and statements as well as production stills in order to historicize our production.

Subjects/Keywords: Theater; Dramaturgy; Jeffrey Jerome Cohen; Machinal; Monster Theory; Society; Sophie Treadwell

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Burr, W. (2014). The Monster in The Machine. (Thesis). University of California – Santa Cruz. Retrieved from http://www.escholarship.org/uc/item/3p0347w5

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Burr, Wendy. “The Monster in The Machine.” 2014. Thesis, University of California – Santa Cruz. Accessed January 19, 2021. http://www.escholarship.org/uc/item/3p0347w5.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Burr, Wendy. “The Monster in The Machine.” 2014. Web. 19 Jan 2021.

Vancouver:

Burr W. The Monster in The Machine. [Internet] [Thesis]. University of California – Santa Cruz; 2014. [cited 2021 Jan 19]. Available from: http://www.escholarship.org/uc/item/3p0347w5.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Burr W. The Monster in The Machine. [Thesis]. University of California – Santa Cruz; 2014. Available from: http://www.escholarship.org/uc/item/3p0347w5

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Manchester

14. Wright, Benjamin. GRAPHS ASSOCIATED WITH THE SPORADIC SIMPLE GROUPS Fi24 AND BM.

Degree: 2011, University of Manchester

URL: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:119844

See text for abstract.

We compute some graph structures associated with the sporadic simple groups BM and Fi24

Advisors/Committee Members: STOHR, RALPH R, Rowley, Peter, Stohr, Ralph.

Subjects/Keywords: Finite Group Theory; Sporadic Simple Group; Baby Monster; Fi24

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Wright, B. (2011). GRAPHS ASSOCIATED WITH THE SPORADIC SIMPLE GROUPS Fi24 AND BM. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:119844

Chicago Manual of Style (16^th Edition):

Wright, Benjamin. “GRAPHS ASSOCIATED WITH THE SPORADIC SIMPLE GROUPS Fi24 AND BM.” 2011. Doctoral Dissertation, University of Manchester. Accessed January 19, 2021. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:119844.

MLA Handbook (7^th Edition):

Wright, Benjamin. “GRAPHS ASSOCIATED WITH THE SPORADIC SIMPLE GROUPS Fi24 AND BM.” 2011. Web. 19 Jan 2021.

Vancouver:

Wright B. GRAPHS ASSOCIATED WITH THE SPORADIC SIMPLE GROUPS Fi24 AND BM. [Internet] [Doctoral dissertation]. University of Manchester; 2011. [cited 2021 Jan 19]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:119844.

Council of Science Editors:

Wright B. GRAPHS ASSOCIATED WITH THE SPORADIC SIMPLE GROUPS Fi24 AND BM. [Doctoral Dissertation]. University of Manchester; 2011. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:119844

15. Store, Paul. Viking 'otherness' in Anglo-Norman chronicles.

Degree: PhD, 2018, University of Winchester

URL: http://winchester.elsevierpure.com/en/studentTheses/86567583-7b72-4371-9ffa-2874e090982a ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.809612

► This thesis deals with the presentation of largely pre-conquest history in the works of five Anglo-Norman historians writing in the early twelfth century. The works… (more)

Subjects/Keywords: otherness; Vikings; Danes; Anglo-Norman; chroniclers; monster theory; Twelfth-Century

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Store, P. (2018). Viking 'otherness' in Anglo-Norman chronicles. (Doctoral Dissertation). University of Winchester. Retrieved from http://winchester.elsevierpure.com/en/studentTheses/86567583-7b72-4371-9ffa-2874e090982a ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.809612

Chicago Manual of Style (16^th Edition):

Store, Paul. “Viking 'otherness' in Anglo-Norman chronicles.” 2018. Doctoral Dissertation, University of Winchester. Accessed January 19, 2021. http://winchester.elsevierpure.com/en/studentTheses/86567583-7b72-4371-9ffa-2874e090982a ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.809612.

MLA Handbook (7^th Edition):

Store, Paul. “Viking 'otherness' in Anglo-Norman chronicles.” 2018. Web. 19 Jan 2021.

Vancouver:

Store P. Viking 'otherness' in Anglo-Norman chronicles. [Internet] [Doctoral dissertation]. University of Winchester; 2018. [cited 2021 Jan 19]. Available from: http://winchester.elsevierpure.com/en/studentTheses/86567583-7b72-4371-9ffa-2874e090982a ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.809612.

Council of Science Editors:

Store P. Viking 'otherness' in Anglo-Norman chronicles. [Doctoral Dissertation]. University of Winchester; 2018. Available from: http://winchester.elsevierpure.com/en/studentTheses/86567583-7b72-4371-9ffa-2874e090982a ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.809612

Texas A&M University

16. Gil Poisa, Maria. Nuevos Monstruos en el Cine Español Contemporáneo.

Degree: PhD, Hispanic Studies, 2017, Texas A&M University

URL: http://hdl.handle.net/1969.1/161484

► The figure of the monster has always been object of human curiosity. The monster, the other, is the representation of what provokes fear or rejection,… (more)

▼ The figure of the monster has always been object of human curiosity. The monster, the other, is the representation of what provokes fear or rejection, sometimes for being different and sometimes, whereas, for being too close. The goal of this dissertation is to analyze the figure and evolution of the monster until isolating its basic features and being able of answering one central question: What is a monster? Used as we are to the monster to be the cause or consequence, what chases or threatens a normative protagonist around whom the story moves, focus in this case the exceptionality the monster embodies can be nothing but appealing. This work consists of two introductory chapters devoted to monster studies from the works of historians, philosophers and film scholars, and three chapters of case analysis based on seven contemporary Spanish films. The selection of the cases is based in three criteria: films produced in Spain, during the democratic period and whose protagonist was a monster itself, in any of its shapes. The first chapter is a brief review of how the figure of the monster is developed in the history of Western culture, from Ancient Greece to 20th century. The second chapter proposes a definition of the concept that starts from the question of the self identity and the relativism of exceptionality. The first analyzed case deals with the concept of the monstrification of the individual through the invasion of domestic space. The next chapter addresses the analysis from a different perspective: monstrosity and its transmission through the role of the gaze. Finally, the last chapter is also built around the role of the gaze in the monstrification of the subject, but in this case from another point of view: how the action and desire of seeing can monstrify not only the character, but the spectator as well. The conclusion of this doctoral dissertation can be summarized in a protagonist monster, a figure that, far from being hidden, makes itself present, becoming the center of the narrative and dragging the spectator with it, forcing the audience to look inside themselves. Advisors/Committee Members: Curry, Richard (advisor), Humphrey, Daniel (committee member), Kallendorf, Hilaire (committee member), Villalobos, José (committee member).

Subjects/Keywords: Monster; Spanish film; horror film; space; film theory; psychoanalysis

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Gil Poisa, M. (2017). Nuevos Monstruos en el Cine Español Contemporáneo. (Doctoral Dissertation). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/161484

Chicago Manual of Style (16^th Edition):

Gil Poisa, Maria. “Nuevos Monstruos en el Cine Español Contemporáneo.” 2017. Doctoral Dissertation, Texas A&M University. Accessed January 19, 2021. http://hdl.handle.net/1969.1/161484.

MLA Handbook (7^th Edition):

Gil Poisa, Maria. “Nuevos Monstruos en el Cine Español Contemporáneo.” 2017. Web. 19 Jan 2021.

Vancouver:

Gil Poisa M. Nuevos Monstruos en el Cine Español Contemporáneo. [Internet] [Doctoral dissertation]. Texas A&M University; 2017. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/1969.1/161484.

Council of Science Editors:

Gil Poisa M. Nuevos Monstruos en el Cine Español Contemporáneo. [Doctoral Dissertation]. Texas A&M University; 2017. Available from: http://hdl.handle.net/1969.1/161484

Freie Universität Berlin

17. Arias-Mora, Dennis. Metaphors of the Biopolitical Knowledge and its Bodies (Costa Rica, 1900-1946).

Degree: 2013, Freie Universität Berlin

URL: http://dx.doi.org/10.17169/refubium-13759

► This research examines biopolitics, its knowledges and language, during the first half of the twentieth century in Costa Rica. The main proposal is that the… (more)

▼ This research examines biopolitics, its knowledges and language, during the first half of the twentieth century in Costa Rica. The main proposal is that the social mediation of intellectuals and literature, within biopolitical knowledge, produces a narrative transformation, which is noticeable in the internal metaphors of biopower, political language and literary contents. Biopolitics has a corporeal history and comprises, as an incursion of the biologic into the government of life and populations, a group of knowledges that intervene the bodies. Literature is a knowledge and, due to its participation in the popularization of scientific knowledge, is part of biopolitics—it reproduces, criticizes and completes its epistemology. The mediation between biopolitics and literature creates two metaphors of power: the hero and the monster, given that writers supply a functional knowledge of classical culture. The metaphor is both linguistic expression and social reality; the heroic and the monstrous are an experienced discourse within the practices of knowledge, politics and bodies. These premises are developed by analyzing the components of biopower such as statistical, medical and hygienic knowledge and their repercussion on bodies and by looking at diverse expressions of the corporeality: the healthy, sick, deformed or monstrous. Next, the role of literature within that biopolitical knowledge is explored drawing on the mediation of writers to disseminate science through their magazines, literary works and cultural as well as political organizations. To that end, the case of three writers is employed: Joaquín García Monge, through which the transnational flow of biopolitcal knowledges and metaphors is observed; Carmen Lyra, with whom the relationship of women with biopower and the changeover from an aesthetics of a vulnerable body to the biopolitical agenda of communism are distinguished; and Carlos Luis Fallas, who evidences the biopolitical contrast between interior and periphery of the country and the transformation of the communist knowledge of bodies and space into a novel that operates as biopolitical metaphor. Advisors/Committee Members: [email protected] (contact), m (gender), Prof. Dr. Stefan Rinke (firstReferee), PD Dr. Nikolaus Böttcher (furtherReferee).

Subjects/Keywords: Biopolitics; Body; Metaphor; Monster; Hero; 900 Geschichte und Geografie

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Arias-Mora, D. (2013). Metaphors of the Biopolitical Knowledge and its Bodies (Costa Rica, 1900-1946). (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-13759

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Arias-Mora, Dennis. “Metaphors of the Biopolitical Knowledge and its Bodies (Costa Rica, 1900-1946).” 2013. Thesis, Freie Universität Berlin. Accessed January 19, 2021. http://dx.doi.org/10.17169/refubium-13759.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Arias-Mora, Dennis. “Metaphors of the Biopolitical Knowledge and its Bodies (Costa Rica, 1900-1946).” 2013. Web. 19 Jan 2021.

Vancouver:

Arias-Mora D. Metaphors of the Biopolitical Knowledge and its Bodies (Costa Rica, 1900-1946). [Internet] [Thesis]. Freie Universität Berlin; 2013. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.17169/refubium-13759.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Arias-Mora D. Metaphors of the Biopolitical Knowledge and its Bodies (Costa Rica, 1900-1946). [Thesis]. Freie Universität Berlin; 2013. Available from: http://dx.doi.org/10.17169/refubium-13759

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Wright, Kristen Danielle. "A Monster Turned to Manly Shape": Monstrosity on the Renaissance Stage.

Degree: The Catholic University of America

URL: http://hdl.handle.net/1961/cuislandora:40925

►

Degree Awarded: Ph.D. English Language and Literature. The Catholic University of America

This dissertation examines the change from medieval descriptions of physically monstrous races and… (more)

▼

Degree Awarded: Ph.D. English Language and Literature. The Catholic University of America

This dissertation examines the change from medieval descriptions of physically monstrous races and creatures to the depictions of monstrosity as a moral or mental state on the Renaissance stage. Renaissance audiences were still fascinated by physically grotesque monsters, as evidenced by the popularity of broadside ballads featuring monstrous births, but despite the fact that the stage is an ideal vehicle for displaying visual difference, there are very few visually remarkable monsters in Renaissance drama. This work therefore examines the villains and avengers of the Renaissance stage who look human but behave like monsters in order to provide a more complete understanding of the social, moral, and philosophical significance of their actions. Although there have been many studies of medieval monsters, there have been few studies of Renaissance monsters aside from scholars who examine the significance of the monstrous or deformed body in public exhibitions and broadsides, such as Lorraine Daston, Katherine Parks, and Mark Burnett. This study, therefore, offers a new understanding of monstrosity in the Renaissance, and how these villains are conceived of as monsters of the mind: they reject human reason and sympathy in favor of fulfilling their own monstrous passions. This dissertation contributes to the growing field of monster studies. Its offers a new interpretation of what it means to be a monster on the Renaissance stage, expanding upon the definition of monstrosity in the Renaissance to more closely align with period debates and ideas about the boundary between the human and inhuman. This study begins by outlining the late medieval understanding of monstrosity and then examining the diminishment of physical monsters in Renaissance literature. The first chapter considers medieval works such as The Sultan of Babylon and Sir Thomas Malory's Le Morte d'Arthur. The study then moves to the consideration of early modern discussions of monsters and monstrosity in Francis Bacon, Sir Thomas Browne, Michel de Montaigne, Thomas Wright, and William Rankin in order to establish what type of behavior is categorized as monstrous. In the remaining chapters, the study proceeds through a selection of Renaissance tragedies, including Norton and Sackville's Gorboduc, Thomas Kyd's The Spanish Tragedy, Christopher Marlowe's Tamburlaine The Great, and William Shakespeare's Richard III and Othello. Instead of simply creating monsters whose appearances reveal their moral corruption, these dramatists create a range of characters whose bodies may or may not be indicative of their mental state: a character who appears different (whether because of race or other physical difference) is not necessarily villainous, but the character who appears "normal" and acts kindly may hide monstrous intentions. They demonstrate that the line between human and monster lies not in the body, but in the ability to control the passions through human reason and…

Advisors/Committee Members: Michael Mack (Advisor), Tobias Gregory (Other), Lilla Kopar (Other).

Subjects/Keywords: English literature; drama; monster; Renaissance

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Wright, K. D. (n.d.). "A Monster Turned to Manly Shape": Monstrosity on the Renaissance Stage. (Thesis). The Catholic University of America. Retrieved from http://hdl.handle.net/1961/cuislandora:40925

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Wright, Kristen Danielle. “"A Monster Turned to Manly Shape": Monstrosity on the Renaissance Stage.” Thesis, The Catholic University of America. Accessed January 19, 2021. http://hdl.handle.net/1961/cuislandora:40925.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Wright, Kristen Danielle. “"A Monster Turned to Manly Shape": Monstrosity on the Renaissance Stage.” Web. 19 Jan 2021.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Wright KD. "A Monster Turned to Manly Shape": Monstrosity on the Renaissance Stage. [Internet] [Thesis]. The Catholic University of America; [cited 2021 Jan 19]. Available from: http://hdl.handle.net/1961/cuislandora:40925.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Wright KD. "A Monster Turned to Manly Shape": Monstrosity on the Renaissance Stage. [Thesis]. The Catholic University of America; Available from: http://hdl.handle.net/1961/cuislandora:40925

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

University of Debrecen

19. Mészáros, Judit. Gender and Monstrosity in British Gothic Fiction .

Degree: DE – Bölcsészettudományi Kar, University of Debrecen

URL: http://hdl.handle.net/2437/209434

The thesis focuses on the 19th century British gothic literature and uncovers how the different types of monsters represent the contemporary social and cultural problems, taking into account the issues concerning the two genders as well. Advisors/Committee Members: Bényei, Tamás (advisor).

Subjects/Keywords: gender; monster; gothic; victorian; literature

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Mészáros, J. (n.d.). Gender and Monstrosity in British Gothic Fiction . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/209434

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Mészáros, Judit. “Gender and Monstrosity in British Gothic Fiction .” Thesis, University of Debrecen. Accessed January 19, 2021. http://hdl.handle.net/2437/209434.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Mészáros, Judit. “Gender and Monstrosity in British Gothic Fiction .” Web. 19 Jan 2021.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Mészáros J. Gender and Monstrosity in British Gothic Fiction . [Internet] [Thesis]. University of Debrecen; [cited 2021 Jan 19]. Available from: http://hdl.handle.net/2437/209434.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Mészáros J. Gender and Monstrosity in British Gothic Fiction . [Thesis]. University of Debrecen; Available from: http://hdl.handle.net/2437/209434

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

University of Manchester

20. Wright, Benjamin. Graphs associated with the sporadic simple groups Fi₂₄ and BM.

Degree: PhD, 2011, University of Manchester

URL: https://www.research.manchester.ac.uk/portal/en/theses/graphs-associated-with-the-sporadic-simple-groups-fi24-and-bm(dcdd493b-929d-4f91-a6bc-48c6b5fda3ba).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538465

► Our aim is to calculate some graphs associated with two of the larger sporadicsimple groups, Fi₂₄ and the Baby Monster. Firstly we calculate the point… (more)

Subjects/Keywords: 510; Finite Group Theory; Sporadic Simple Group; Baby Monster; Fi24

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Wright, B. (2011). Graphs associated with the sporadic simple groups Fi₂₄ and BM. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/graphs-associated-with-the-sporadic-simple-groups-fi24-and-bm(dcdd493b-929d-4f91-a6bc-48c6b5fda3ba).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538465

Chicago Manual of Style (16^th Edition):

Wright, Benjamin. “Graphs associated with the sporadic simple groups Fi₂₄ and BM.” 2011. Doctoral Dissertation, University of Manchester. Accessed January 19, 2021. https://www.research.manchester.ac.uk/portal/en/theses/graphs-associated-with-the-sporadic-simple-groups-fi24-and-bm(dcdd493b-929d-4f91-a6bc-48c6b5fda3ba).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538465.

MLA Handbook (7^th Edition):

Wright, Benjamin. “Graphs associated with the sporadic simple groups Fi₂₄ and BM.” 2011. Web. 19 Jan 2021.

Vancouver:

Wright B. Graphs associated with the sporadic simple groups Fi₂₄ and BM. [Internet] [Doctoral dissertation]. University of Manchester; 2011. [cited 2021 Jan 19]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/graphs-associated-with-the-sporadic-simple-groups-fi24-and-bm(dcdd493b-929d-4f91-a6bc-48c6b5fda3ba).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538465.

Council of Science Editors:

Wright B. Graphs associated with the sporadic simple groups Fi₂₄ and BM. [Doctoral Dissertation]. University of Manchester; 2011. Available from: https://www.research.manchester.ac.uk/portal/en/theses/graphs-associated-with-the-sporadic-simple-groups-fi24-and-bm(dcdd493b-929d-4f91-a6bc-48c6b5fda3ba).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538465

Royal Holloway, University of London

21. Elliott-Smith, Darren. Off-cuts : gay masculinities in queer horror film and television since 2000.

Degree: PhD, 2013, Royal Holloway, University of London

URL: https://pure.royalholloway.ac.uk/portal/en/publications/offcuts-gay-masculinities-in-queer-horror-film-and-television-since-2000(4e488ff5-4c68-436c-8d69-15fbc4bb80d3).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792149

► This thesis highlights the limits of a metaphorical understanding of homosexuality in the horror film in an age where its presence has become explicit. Extending… (more)

▼ This thesis highlights the limits of a metaphorical understanding of homosexuality in the horror film in an age where its presence has become explicit. Extending on Harry M. Benshoff's work on homosexual representation in Monsters in the Closet (1997) this thesis argues that, post 2000, the horror genre has developed to include representations of gay masculinity that point to a queer horror aesthetic where homosexuality is often unequivocally referenced. My hypothesis is that queer horror and its representations of gay masculinity reveals more about gay male anxieties in the early twenty-first century than heterosexual ones. Queer horror focuses on gay men's anxieties about their judgement by heteronormative standards and often encourage a homo-normative apeing of heterosexual culture, feeding further anxieties surrounding the cultural conflation of gay masculinity with a shameful femininity. In departing from the analysis of the queer monster as a symbol of heterosexual anxiety and fear, this study moves the discussion forward to focus instead on the anxieties within gay male subcultures. Queer horror designates horror that is crafted by male directors/producers who identify as gay, bi, queer or transgendered and whose work features homoerotic, or explicitly homosexual, narratives with 'out' gay characters. The thesis considers video art horror (Indelible (Charles Lum, US 2004)); independently distributed exploitation films; direct to video, low-budget slashers (Hellbent (Etheredge-Outzs, US 2007)); pornographic gay zombie films (Otto, or; up With Dead People (Bruce LaBruce, CA/GE 2008)); and art house horror (Let the Right One In (Tomas Alfredson, SE 2009)). Employing psychoanalysis (Sigmund Freud, Jacques Lacan, and Julia Kristeva), critical cultural commentary (Leo Bersani) as well as close readings of classic and cult horror, this thesis argues that queer horror projects contemporary anxieties within gay male subcultures onto its characters and into its narratives, building upon the figurative role of gay monstrosity.

Subjects/Keywords: Queer; Gay; Masculinities; Horror; Film; Television; Gothic; Monster; Royal Holloway

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Elliott-Smith, D. (2013). Off-cuts : gay masculinities in queer horror film and television since 2000. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/offcuts-gay-masculinities-in-queer-horror-film-and-television-since-2000(4e488ff5-4c68-436c-8d69-15fbc4bb80d3).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792149

Chicago Manual of Style (16^th Edition):

Elliott-Smith, Darren. “Off-cuts : gay masculinities in queer horror film and television since 2000.” 2013. Doctoral Dissertation, Royal Holloway, University of London. Accessed January 19, 2021. https://pure.royalholloway.ac.uk/portal/en/publications/offcuts-gay-masculinities-in-queer-horror-film-and-television-since-2000(4e488ff5-4c68-436c-8d69-15fbc4bb80d3).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792149.

MLA Handbook (7^th Edition):

Elliott-Smith, Darren. “Off-cuts : gay masculinities in queer horror film and television since 2000.” 2013. Web. 19 Jan 2021.

Vancouver:

Elliott-Smith D. Off-cuts : gay masculinities in queer horror film and television since 2000. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2013. [cited 2021 Jan 19]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/offcuts-gay-masculinities-in-queer-horror-film-and-television-since-2000(4e488ff5-4c68-436c-8d69-15fbc4bb80d3).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792149.

Council of Science Editors:

Elliott-Smith D. Off-cuts : gay masculinities in queer horror film and television since 2000. [Doctoral Dissertation]. Royal Holloway, University of London; 2013. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/offcuts-gay-masculinities-in-queer-horror-film-and-television-since-2000(4e488ff5-4c68-436c-8d69-15fbc4bb80d3).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792149

22. Elg, Eva-Marie // Emie. Kan konstnären använda desorientering som metod för att krossa fördomar? : ESSÄ i Praktisk Konstnärlig Självreflektion.

Degree: 2016, , The Department for Acting

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-187

►

SLUTSATS: För att nå min egen, djupaste, svarta spegel hade jag behövt ”möta mitt eget mörker”, som Soran Ismail beskriver det i Absolut Svensk…… (more)

Subjects/Keywords: Identitet; sexualitet; fördomar; begär; queer; posthumanism; monster; Arts; Konst

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Elg, E. /. E. (2016). Kan konstnären använda desorientering som metod för att krossa fördomar? : ESSÄ i Praktisk Konstnärlig Självreflektion. (Thesis). , The Department for Acting. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-187

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Elg, Eva-Marie // Emie. “Kan konstnären använda desorientering som metod för att krossa fördomar? : ESSÄ i Praktisk Konstnärlig Självreflektion.” 2016. Thesis, , The Department for Acting. Accessed January 19, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-187.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Elg, Eva-Marie // Emie. “Kan konstnären använda desorientering som metod för att krossa fördomar? : ESSÄ i Praktisk Konstnärlig Självreflektion.” 2016. Web. 19 Jan 2021.

Vancouver:

Elg E/E. Kan konstnären använda desorientering som metod för att krossa fördomar? : ESSÄ i Praktisk Konstnärlig Självreflektion. [Internet] [Thesis]. , The Department for Acting; 2016. [cited 2021 Jan 19]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-187.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Elg E/E. Kan konstnären använda desorientering som metod för att krossa fördomar? : ESSÄ i Praktisk Konstnärlig Självreflektion. [Thesis]. , The Department for Acting; 2016. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-187

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Tammemägi, Mathilda. Knäpp din blus innan du dödar mig, tack : En studie om obehagskänslor och sexualiserade kvinnliga monster.

Degree: Informatics, 2019, University of Skövde

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-17633

► Denna studie undersöker korrelationen mellan en ökad grad av sexualisering av kvinnliga monster och obehagskänslor. Artefakten som skapades för detta syfte bestod av fem… (more)

Subjects/Keywords: monstruös kvinnlighet; sexualisering; kvinnliga monster; karaktärsdesign; Media Studies; Medievetenskap

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Tammemägi, M. (2019). Knäpp din blus innan du dödar mig, tack : En studie om obehagskänslor och sexualiserade kvinnliga monster. (Thesis). University of Skövde. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-17633

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Tammemägi, Mathilda. “Knäpp din blus innan du dödar mig, tack : En studie om obehagskänslor och sexualiserade kvinnliga monster.” 2019. Thesis, University of Skövde. Accessed January 19, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-17633.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Tammemägi, Mathilda. “Knäpp din blus innan du dödar mig, tack : En studie om obehagskänslor och sexualiserade kvinnliga monster.” 2019. Web. 19 Jan 2021.

Vancouver:

Tammemägi M. Knäpp din blus innan du dödar mig, tack : En studie om obehagskänslor och sexualiserade kvinnliga monster. [Internet] [Thesis]. University of Skövde; 2019. [cited 2021 Jan 19]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-17633.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tammemägi M. Knäpp din blus innan du dödar mig, tack : En studie om obehagskänslor och sexualiserade kvinnliga monster. [Thesis]. University of Skövde; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-17633

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Washington

24. Kinzer, Kent. Todos somos monstruos: DistopÃa, injusticia e hibridez en tres obras de la narrativa latinoamericana contemporÃ¡nea.

Degree: PhD, 2020, University of Washington

URL: http://hdl.handle.net/1773/45273

► While the monster has traditionally played the role of the villain and has symbolized the Other, I propose that it also represents the self. These… (more)

Subjects/Keywords: Latin America; monster; Latin American literature; Romance languages and literature

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Kinzer, K. (2020). Todos somos monstruos: DistopÃa, injusticia e hibridez en tres obras de la narrativa latinoamericana contemporÃ¡nea. (Doctoral Dissertation). University of Washington. Retrieved from http://hdl.handle.net/1773/45273

Chicago Manual of Style (16^th Edition):

Kinzer, Kent. “Todos somos monstruos: DistopÃa, injusticia e hibridez en tres obras de la narrativa latinoamericana contemporÃ¡nea.” 2020. Doctoral Dissertation, University of Washington. Accessed January 19, 2021. http://hdl.handle.net/1773/45273.

MLA Handbook (7^th Edition):

Kinzer, Kent. “Todos somos monstruos: DistopÃa, injusticia e hibridez en tres obras de la narrativa latinoamericana contemporÃ¡nea.” 2020. Web. 19 Jan 2021.

Vancouver:

Kinzer K. Todos somos monstruos: DistopÃa, injusticia e hibridez en tres obras de la narrativa latinoamericana contemporÃ¡nea. [Internet] [Doctoral dissertation]. University of Washington; 2020. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/1773/45273.

Council of Science Editors:

Kinzer K. Todos somos monstruos: DistopÃa, injusticia e hibridez en tres obras de la narrativa latinoamericana contemporÃ¡nea. [Doctoral Dissertation]. University of Washington; 2020. Available from: http://hdl.handle.net/1773/45273

University of Oregon

25. Ares, Alvaro. MONSTRUOS FAMILIARES: REPRESENTACIONES DEL MIEDO EN LA GUERRA CIVIL Y LA POSGUERRA EN LA LITERATURA Y EL CINE ESPAÑOL CONTEMPORÁNEO.

Degree: PhD, Department of Romance Languages, 2016, University of Oregon

URL: http://hdl.handle.net/1794/20560

► This dissertation studies the cultural traces of the experience of fear in relation to the social and cultural legacies of the Spanish Civil War and… (more)

▼ This dissertation studies the cultural traces of the experience of fear in relation to the social and cultural legacies of the Spanish Civil War and the Francoist dictatorship. By applying the theoretical and narratological insights afforded by the horror genre and through the figure of the monster, the research identifies and analyzes alternative memories of the traumatic past, exploring the experience of fear within film and literature to reveal and claim an unrecognized approach to the representation of the war, with key critical findings and implications regarding the shaping and interpretation of the Spanish social imaginary of this event in this most persistent of cultural debates. Chapter II, explores the maquis in Luna de lobos (1985) by Julio Llamazares, tracing the human involution of a group of men that seeking refuge from Francoist repression become monstrous shells of themselves. It pursues this degradation to rethink the locus of the monster, finding it in the monstrous policies of the regime, that demands the exorcism of the resistance movement—the ultimate Other—rendering it ghostly by community and family as the cornerstone foundational violence of a new society. Chapter III, delves into the cinematographic representation of monsters and monstrous elements in Pa negre (2010) by Agustí Villaronga. It studies the competing narratives in postwar Spain that turn a child of the defeated into a monstrous regime supporter, a process that suggests the origins of contemporary society as the monstrous traces of Francoist society. It analyzes the features that render its protagonist, first, a monster in the eyes of the new regime—along the lines of the classical monster—to later on, through disappointment, shame and betrayal, a monster to his family and social class—thus becoming a modern monster. Chapter IV tackles a cinematographic allegorical representation of the past in Balada triste de trompeta (2010) by Álex de la Iglesia, a tour de force that attempts to be a total narrative of the war, a collage of historical memory through the monstrous moments that define Francoism. The fusion of elements from “esperpento”, horror and melodramatic national romance render a unique postnational satire. Advisors/Committee Members: Herrmann, Gina (advisor).

Subjects/Keywords: Fear; Francoism; Horror; Monster; Spanish Civil War; Terror

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Ares, A. (2016). MONSTRUOS FAMILIARES: REPRESENTACIONES DEL MIEDO EN LA GUERRA CIVIL Y LA POSGUERRA EN LA LITERATURA Y EL CINE ESPAÑOL CONTEMPORÁNEO. (Doctoral Dissertation). University of Oregon. Retrieved from http://hdl.handle.net/1794/20560

Chicago Manual of Style (16^th Edition):

Ares, Alvaro. “MONSTRUOS FAMILIARES: REPRESENTACIONES DEL MIEDO EN LA GUERRA CIVIL Y LA POSGUERRA EN LA LITERATURA Y EL CINE ESPAÑOL CONTEMPORÁNEO.” 2016. Doctoral Dissertation, University of Oregon. Accessed January 19, 2021. http://hdl.handle.net/1794/20560.

MLA Handbook (7^th Edition):

Ares, Alvaro. “MONSTRUOS FAMILIARES: REPRESENTACIONES DEL MIEDO EN LA GUERRA CIVIL Y LA POSGUERRA EN LA LITERATURA Y EL CINE ESPAÑOL CONTEMPORÁNEO.” 2016. Web. 19 Jan 2021.

Vancouver:

Ares A. MONSTRUOS FAMILIARES: REPRESENTACIONES DEL MIEDO EN LA GUERRA CIVIL Y LA POSGUERRA EN LA LITERATURA Y EL CINE ESPAÑOL CONTEMPORÁNEO. [Internet] [Doctoral dissertation]. University of Oregon; 2016. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/1794/20560.

Council of Science Editors:

Ares A. MONSTRUOS FAMILIARES: REPRESENTACIONES DEL MIEDO EN LA GUERRA CIVIL Y LA POSGUERRA EN LA LITERATURA Y EL CINE ESPAÑOL CONTEMPORÁNEO. [Doctoral Dissertation]. University of Oregon; 2016. Available from: http://hdl.handle.net/1794/20560

University of Oregon

26. Kupsch, Mary. The Prince, The Punisher, and The Perpetrator: Masculinity in Animal/Monster Groom Tales.

Degree: MA, Department of English, 2017, University of Oregon

URL: http://hdl.handle.net/1794/22721

► Feminist scholarship concerning fairy tales is too limited. While relationships between male and female characters have been explored extensively, this thesis focuses on masculinity as… (more)

Subjects/Keywords: Animal/Monster grooms; Beauty and the Beast; Fairy tales; Folklore; Masculinity

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Kupsch, M. (2017). The Prince, The Punisher, and The Perpetrator: Masculinity in Animal/Monster Groom Tales. (Masters Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/22721

Chicago Manual of Style (16^th Edition):

Kupsch, Mary. “The Prince, The Punisher, and The Perpetrator: Masculinity in Animal/Monster Groom Tales.” 2017. Masters Thesis, University of Oregon. Accessed January 19, 2021. http://hdl.handle.net/1794/22721.

MLA Handbook (7^th Edition):

Kupsch, Mary. “The Prince, The Punisher, and The Perpetrator: Masculinity in Animal/Monster Groom Tales.” 2017. Web. 19 Jan 2021.

Vancouver:

Kupsch M. The Prince, The Punisher, and The Perpetrator: Masculinity in Animal/Monster Groom Tales. [Internet] [Masters thesis]. University of Oregon; 2017. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/1794/22721.

Council of Science Editors:

Kupsch M. The Prince, The Punisher, and The Perpetrator: Masculinity in Animal/Monster Groom Tales. [Masters Thesis]. University of Oregon; 2017. Available from: http://hdl.handle.net/1794/22721

Universidade do Minho

27. Palha, Joana da Silva Fernandes. Monstruosidades e biomorfismos: figurações contemporâneas na literatura e nas séries televisivas (a partir da poesia de Luís Miguel Nava e da série Black Mirror) .

Degree: 2019, Universidade do Minho

URL: http://hdl.handle.net/1822/64218

► A seguinte investigação terá um foco duplo de leitura crítica: a produção poética do autor português contemporâneo Luís Miguel Nava, analisada a partir de um… (more)

▼ A seguinte investigação terá um foco duplo de leitura crítica: a produção poética do autor português contemporâneo Luís Miguel Nava, analisada a partir de um corpus constituído por duas obras específicas, O céu sob as entranhas (1989) e Vulcão (1994), obras estas que colocaremos em diálogo, a partir de uma abordagem comparatista intermedial, com a série televisiva britânica Black Mirror (2011), uma produção da provedora Zeppotron, posteriormente comprada pela afamada Netflix, escrita pelo argumentista Charlie Brooker. Esta série será por sua vez alvo de análise a partir de três episódios: “Be Right Back”, “Playtest” e “Black Museum”. Assim, ressaltando noções teóricas centrais ao perfil dos dois campos mediáticos estudados, será explorado o tema da monstruosidade sob uma perspetiva contemporânea, dando relevo ao tópico do corpo, lugar de identidades humanas fragmentadas e em constante metamorfose, física e/ou psicológica. Além de estudos de teoria e crítica literária, que apoiarão a leitura das obras do poeta português selecionado, serão convocados, em termos metodológicos, estudos de intermedialidade que permitam enquadrar a proposta de leitura relacional entre o domínio literário e o televisivo, assim como estudos de identidade, em particular aqueles que se articulam com a filosofia contemporânea sobre o (corpo) humano e os limiares que tece com a animalidade; neste sentido, serão especialmente úteis certos pressupostos dos estudos teratológicos, da bioarte e da zoopoética. Com este trabalho, visámos contribuir globalmente para um entendimento dos objetos literários contemporâneos em articulação com outros produtos da cultura de massas, como os televisivos, entre os quais se tecem cada vez mais nexos intertextuais alternativos. De modo particular, pretende-se também propor um outro olhar sobre a poesia de Luís Miguel Nava cujo centramento sobre o corpo se torna paradigmático de um modo contemporâneo de pensar e figurar a identidade humana. Advisors/Committee Members: Ribeiro, Eunice (advisor), Núñez Sabarís, Xaquín (advisor).

Subjects/Keywords: Black mirror; Corpo; Intermedialidade; Luís Miguel Nava; Monstro; Body; Intermediality; Monster

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Palha, J. d. S. F. (2019). Monstruosidades e biomorfismos: figurações contemporâneas na literatura e nas séries televisivas (a partir da poesia de Luís Miguel Nava e da série Black Mirror) . (Masters Thesis). Universidade do Minho. Retrieved from http://hdl.handle.net/1822/64218

Chicago Manual of Style (16^th Edition):

Palha, Joana da Silva Fernandes. “Monstruosidades e biomorfismos: figurações contemporâneas na literatura e nas séries televisivas (a partir da poesia de Luís Miguel Nava e da série Black Mirror) .” 2019. Masters Thesis, Universidade do Minho. Accessed January 19, 2021. http://hdl.handle.net/1822/64218.

MLA Handbook (7^th Edition):

Palha, Joana da Silva Fernandes. “Monstruosidades e biomorfismos: figurações contemporâneas na literatura e nas séries televisivas (a partir da poesia de Luís Miguel Nava e da série Black Mirror) .” 2019. Web. 19 Jan 2021.

Vancouver:

Palha JdSF. Monstruosidades e biomorfismos: figurações contemporâneas na literatura e nas séries televisivas (a partir da poesia de Luís Miguel Nava e da série Black Mirror) . [Internet] [Masters thesis]. Universidade do Minho; 2019. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/1822/64218.

Council of Science Editors:

Palha JdSF. Monstruosidades e biomorfismos: figurações contemporâneas na literatura e nas séries televisivas (a partir da poesia de Luís Miguel Nava e da série Black Mirror) . [Masters Thesis]. Universidade do Minho; 2019. Available from: http://hdl.handle.net/1822/64218

The Ohio State University

28. Oswald, Dana M. Indecent bodies: gender and the monstrous in medieval English literature.

Degree: PhD, English, 2005, The Ohio State University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=osu1116868190

► While Old English literature rarely represents sexualized bodies, and just as rarely represents monsters, Middle English literature teems with bodies that are both sexualized and… (more)

▼ While Old English literature rarely represents sexualized bodies, and just as rarely represents monsters, Middle English literature teems with bodies that are both sexualized and monstrous. In Old English, sexualized bodies appear in overlooked genres like bestiaries or travel narratives—the homes of monsters. Thus, monsters possess some of the only explicitly sexualized forms present in Old English texts. But it is not only the difference between paucity and abundance that marks the change from Old to Middle English monsters; it is also the shift from permanence to mutability. The bodies of Old English monsters are permanent and unchanging; many Middle English monsters, however, are capable of transformation. In order to study the shift from Old English monsters to those in Middle English, I offer four case studies, two Old English and two Middle English. I begin with a discussion of the desire by Old English writers and readers to erase the sexualized bodies of monsters in Wonders of the East. The author and characters in Beowulf, too, attempt to erase the monstrous and reproductive body of Grendel’s mother from the narrative, a tactic that only results in revealing the failure of human communities. In Middle English, monstrous bodies are trickier; they cannot be so easily erased. Because of their ability to transform, the monstrous bodies in Mandeville’s Travels either sexually under- or over-circulate in ways that disrupt proper community and class standards. However, the Middle English romance, Sir Gowther, presents a solution to the problem of the monstrous body; through penance, the child of a demon and a noble woman transforms physically and spiritually into a child of God. Most of these texts attempt to dispel the threat of the monster through erasure, be it the literal removal of the monstrous image, the killing of the monster, or the rehabilitation of the monster through religious means. Mandeville’s Travels, however, reminds us that monsters have infiltrated communities and cannot be easily recognized or erased. Only Mandeville’s Travels, then, acknowledges that the body and social system in which it exists are no longer stable. Advisors/Committee Members: Howe, Nicholas (Advisor).

Subjects/Keywords: Literature, English; medieval; gender; monster

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Oswald, D. M. (2005). Indecent bodies: gender and the monstrous in medieval English literature. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1116868190

Chicago Manual of Style (16^th Edition):

Oswald, Dana M. “Indecent bodies: gender and the monstrous in medieval English literature.” 2005. Doctoral Dissertation, The Ohio State University. Accessed January 19, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1116868190.

MLA Handbook (7^th Edition):

Oswald, Dana M. “Indecent bodies: gender and the monstrous in medieval English literature.” 2005. Web. 19 Jan 2021.

Vancouver:

Oswald DM. Indecent bodies: gender and the monstrous in medieval English literature. [Internet] [Doctoral dissertation]. The Ohio State University; 2005. [cited 2021 Jan 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1116868190.

Council of Science Editors:

Oswald DM. Indecent bodies: gender and the monstrous in medieval English literature. [Doctoral Dissertation]. The Ohio State University; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1116868190

Université Paris-Sorbonne – Paris IV

29. Petrilli, Aurore. La lignée monstrueuse de Phorkys et Keto : étude mythologique et iconographique : The Monstruous Lineage of Phorkys and Keto : Mythological and Iconographical Study.

Degree: Docteur es, Histoire et civilisation de l’Antiquité, 2012, Université Paris-Sorbonne – Paris IV

URL: http://www.theses.fr/2012PA040070

►

Depuis la fin de l’Antiquité, les mythes liés aux religions polythéistes ont peu à peu été relégués au domaine du folklore, bien que la mémoire… (more)

▼

Depuis la fin de l’Antiquité, les mythes liés aux religions polythéistes ont peu à peu été relégués au domaine du folklore, bien que la mémoire des grands mythes soit restée vivace dans notre culture. Mais pour comprendre les religions et les sociétés anciennes, il est impératif de revenir aux mythes. De nombreux ouvrages, parfois de vulgarisation, sont consacrés à ce sujet. Cependant, les études contemporaines, suivant en cela la voie déjà tracée par les Anciens, ne se concentrent presque exclusivement que sur la vie des héros grecs. Contrairement à cette tendance générale, notre étude, elle, porte sur le destin de ces oubliés que sont les êtres fabuleux qui peuplent les récits mythologiques et sans qui la renommée des héros mythiques serait amoindrie. La plupart de ces redoutables créatures sont issues de la même lignée dont Phorkys et Kétô sont les lointains aïeux. Parmi leur abondante descendance, nous avons choisi d’étudier ceux que l’on qualifie couramment de monstres. Nous avons procédé à une sélection parmi tous ces membres afin de pouvoir dégager un thème qui soit commun à tous. Nous nous intéresserons exclusivement aux créatures uniques, monstrueuses de naissance et à la morphologie fabuleuse telles que l’Hydre ou Cerbère. A travers un travail d’exploration à la fois littéraire et iconographique, nous tentons de retracer l’histoire des traditions concernant les membres de cette lignée. Des comparaisons avec des mythologies étrangères viennent parfois apporter un complément d’information sur la question. Dans cette entreprise nous devrons considérer des bornes chronologiques et géographiques relativement vastes. En effet, la période s’étendra du IXème ou VIIIème siècle avant J.-C. jusqu’au IIIème siècle après J.-C. Quant au champ géographique, il recouvrira toute la Grèce continentale et insulaire, ainsi que l’Asie Mineure et la Grande Grèce.

Since the end of Antiquity the myths which were related to polytheist religions have gradually been pushed aside towards the grounds of lore, although our culture keeps quite vivid the memory of great myths. Nevertheless, in order to be able to understand both ancient religions and societies, turning back to myths is an absolute necessity. Numerous works, some of which vulgarise, are devoted to the subject. However, contemporary studies - thus following the ways of the ancient themselves – mainly dwell on the lives of Greek heroes. As opposed to this general tendency, our study will be dealing with those forgotten creatures, beings of fantasy that are so often encountered in mythological tales and without whom the fame of these mythic heroes would be lessened. Most of these fearful creatures are issued from Phorkys and Keto’s long lineage. Among their numerous offsprings, we have chosen to study those generally known as “monsters”. We have set up a selection among these monsters in order to underline common characteristics. Thus, we intend to consider only creatures that are unique, monstrous by birth, having fabulous morphologies, such as for instance the Hydra and…

Advisors/Committee Members: Laronde, André (thesis director), Maffre, Jean-Jacques (thesis director).

Subjects/Keywords: Mythologie; Iconographie; Monstre; Créature hybride; Grèce Ancienne; Antiquité; Mythology; Monster; Iconography

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Petrilli, A. (2012). La lignée monstrueuse de Phorkys et Keto : étude mythologique et iconographique : The Monstruous Lineage of Phorkys and Keto : Mythological and Iconographical Study. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2012PA040070

Chicago Manual of Style (16^th Edition):

Petrilli, Aurore. “La lignée monstrueuse de Phorkys et Keto : étude mythologique et iconographique : The Monstruous Lineage of Phorkys and Keto : Mythological and Iconographical Study.” 2012. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed January 19, 2021. http://www.theses.fr/2012PA040070.

MLA Handbook (7^th Edition):

Petrilli, Aurore. “La lignée monstrueuse de Phorkys et Keto : étude mythologique et iconographique : The Monstruous Lineage of Phorkys and Keto : Mythological and Iconographical Study.” 2012. Web. 19 Jan 2021.

Vancouver:

Petrilli A. La lignée monstrueuse de Phorkys et Keto : étude mythologique et iconographique : The Monstruous Lineage of Phorkys and Keto : Mythological and Iconographical Study. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2012. [cited 2021 Jan 19]. Available from: http://www.theses.fr/2012PA040070.

Council of Science Editors:

Petrilli A. La lignée monstrueuse de Phorkys et Keto : étude mythologique et iconographique : The Monstruous Lineage of Phorkys and Keto : Mythological and Iconographical Study. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2012. Available from: http://www.theses.fr/2012PA040070

30. Turney, Brittany Rochelle. The Gyant's Giant Meaning: An Application of Monster Theory to Edmund Spenser's Faerie Queene.

Degree: MA, English, 2014, Arizona State University

URL: http://repository.asu.edu/items/24991

► This paper utilizes insights from emerging monster theory, particularly the idea that monsters are cultural representations, to examine the representation of the Gyant and the… (more)

Subjects/Keywords: Literature; Monster Theory; Spenser

…plague them (Monster Theory 5). Cassandra Eason is another scholar who works in this… …states that “the monstrous body is pure culture” (Cohen 4). Here the monster only… …of warning. Cohen states that, 5 Like a letter on the page, the monster signifies… …into the night (Cohen 4). The idea that a monster is a cultural representation is… …crucial to understanding the part that a monster plays in a text and in relation to the other…

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Turney, B. R. (2014). The Gyant's Giant Meaning: An Application of Monster Theory to Edmund Spenser's Faerie Queene. (Masters Thesis). Arizona State University. Retrieved from http://repository.asu.edu/items/24991

Chicago Manual of Style (16^th Edition):

Turney, Brittany Rochelle. “The Gyant's Giant Meaning: An Application of Monster Theory to Edmund Spenser's Faerie Queene.” 2014. Masters Thesis, Arizona State University. Accessed January 19, 2021. http://repository.asu.edu/items/24991.

MLA Handbook (7^th Edition):

Turney, Brittany Rochelle. “The Gyant's Giant Meaning: An Application of Monster Theory to Edmund Spenser's Faerie Queene.” 2014. Web. 19 Jan 2021.

Vancouver:

Turney BR. The Gyant's Giant Meaning: An Application of Monster Theory to Edmund Spenser's Faerie Queene. [Internet] [Masters thesis]. Arizona State University; 2014. [cited 2021 Jan 19]. Available from: http://repository.asu.edu/items/24991.

Council of Science Editors:

Turney BR. The Gyant's Giant Meaning: An Application of Monster Theory to Edmund Spenser's Faerie Queene. [Masters Thesis]. Arizona State University; 2014. Available from: http://repository.asu.edu/items/24991

Open Access Theses and Dissertations