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You searched for subject:(Mixed electro acoustic music saxophone ). Showing records 1 – 30 of 37660 total matches.

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1. Sousa Bittencourt, Pedro. Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones.

Degree: Docteur es, Musique, 2015, Paris 8

Étude sur la collaboration et la participation active d’un saxophoniste-chercheur avec plusieurs compositeurs dans la création musicale mixte. Les musiques mixtes combinent un performeur jouant… (more)

Subjects/Keywords: Saxophone; Mixed electro acoustic music (saxophone); Saxophone; Interpretation - music; Composition (music); Music with computers

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APA (6th Edition):

Sousa Bittencourt, P. (2015). Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones. (Doctoral Dissertation). Paris 8. Retrieved from http://www.theses.fr/2015PA080075

Chicago Manual of Style (16th Edition):

Sousa Bittencourt, Pedro. “Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones.” 2015. Doctoral Dissertation, Paris 8. Accessed December 05, 2019. http://www.theses.fr/2015PA080075.

MLA Handbook (7th Edition):

Sousa Bittencourt, Pedro. “Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones.” 2015. Web. 05 Dec 2019.

Vancouver:

Sousa Bittencourt P. Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones. [Internet] [Doctoral dissertation]. Paris 8; 2015. [cited 2019 Dec 05]. Available from: http://www.theses.fr/2015PA080075.

Council of Science Editors:

Sousa Bittencourt P. Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones. [Doctoral Dissertation]. Paris 8; 2015. Available from: http://www.theses.fr/2015PA080075


University of North Texas

2. McCulloch, Peter. UNRAVEL: Acoustic and Electronic Resynthesis.

Degree: 2004, University of North Texas

 UNRAVEL, a work for alto saxophone and interactive electronics. Examines works for saxophone and electro-acoustic music. Analyzes modes of interactivity using Robert Rowe's guidelines, with… (more)

Subjects/Keywords: Saxophone and electronic music  – Scores.; computer; interactive; electronic; electro-acoustic; live electronics; saxophone

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APA (6th Edition):

McCulloch, P. (2004). UNRAVEL: Acoustic and Electronic Resynthesis. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4589/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McCulloch, Peter. “UNRAVEL: Acoustic and Electronic Resynthesis.” 2004. Thesis, University of North Texas. Accessed December 05, 2019. https://digital.library.unt.edu/ark:/67531/metadc4589/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McCulloch, Peter. “UNRAVEL: Acoustic and Electronic Resynthesis.” 2004. Web. 05 Dec 2019.

Vancouver:

McCulloch P. UNRAVEL: Acoustic and Electronic Resynthesis. [Internet] [Thesis]. University of North Texas; 2004. [cited 2019 Dec 05]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4589/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McCulloch P. UNRAVEL: Acoustic and Electronic Resynthesis. [Thesis]. University of North Texas; 2004. Available from: https://digital.library.unt.edu/ark:/67531/metadc4589/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

3. Roberts, Sarah L. The “Avant-pop” Style of Jacob Ter Veldhuis: Annotated Bibliography of Boombox Pieces with an Analysis of “Pimpin’” for Baritone Saxophone and Boombox.

Degree: 2015, University of North Texas

 JacobTV has spent over thirty years utilizing his interest in American pop culture as the muse upon which he creates his works. Sources of popular… (more)

Subjects/Keywords: JacobTV; saxophone; electronic; Boombox; Jacob Ter Veldhuis; electro-acoustic

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APA (6th Edition):

Roberts, S. L. (2015). The “Avant-pop” Style of Jacob Ter Veldhuis: Annotated Bibliography of Boombox Pieces with an Analysis of “Pimpin’” for Baritone Saxophone and Boombox. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc804835/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Roberts, Sarah L. “The “Avant-pop” Style of Jacob Ter Veldhuis: Annotated Bibliography of Boombox Pieces with an Analysis of “Pimpin’” for Baritone Saxophone and Boombox.” 2015. Thesis, University of North Texas. Accessed December 05, 2019. https://digital.library.unt.edu/ark:/67531/metadc804835/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Roberts, Sarah L. “The “Avant-pop” Style of Jacob Ter Veldhuis: Annotated Bibliography of Boombox Pieces with an Analysis of “Pimpin’” for Baritone Saxophone and Boombox.” 2015. Web. 05 Dec 2019.

Vancouver:

Roberts SL. The “Avant-pop” Style of Jacob Ter Veldhuis: Annotated Bibliography of Boombox Pieces with an Analysis of “Pimpin’” for Baritone Saxophone and Boombox. [Internet] [Thesis]. University of North Texas; 2015. [cited 2019 Dec 05]. Available from: https://digital.library.unt.edu/ark:/67531/metadc804835/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roberts SL. The “Avant-pop” Style of Jacob Ter Veldhuis: Annotated Bibliography of Boombox Pieces with an Analysis of “Pimpin’” for Baritone Saxophone and Boombox. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc804835/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

4. Ficarra, Evelyn Jacqueline. Vagues / Fenêtres for String Trio and Electronic Sounds.

Degree: Music, 2010, University of California – Berkeley

 AbstractVagues / Fenêtres for String Trio and Electronic SoundsbyEvelyn Jacqueline FicarraDoctor of Philosophy in MusicUniversity of California, BerkeleyProfessor Edmund Campion, ChairThis research begins with close… (more)

Subjects/Keywords: Music; Chamber; Composition; Electro-Acoustic; Electronic

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APA (6th Edition):

Ficarra, E. J. (2010). Vagues / Fenêtres for String Trio and Electronic Sounds. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/6jf071v1

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ficarra, Evelyn Jacqueline. “Vagues / Fenêtres for String Trio and Electronic Sounds.” 2010. Thesis, University of California – Berkeley. Accessed December 05, 2019. http://www.escholarship.org/uc/item/6jf071v1.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ficarra, Evelyn Jacqueline. “Vagues / Fenêtres for String Trio and Electronic Sounds.” 2010. Web. 05 Dec 2019.

Vancouver:

Ficarra EJ. Vagues / Fenêtres for String Trio and Electronic Sounds. [Internet] [Thesis]. University of California – Berkeley; 2010. [cited 2019 Dec 05]. Available from: http://www.escholarship.org/uc/item/6jf071v1.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ficarra EJ. Vagues / Fenêtres for String Trio and Electronic Sounds. [Thesis]. University of California – Berkeley; 2010. Available from: http://www.escholarship.org/uc/item/6jf071v1

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Vistein, Amber. Man Will Not Outlive the Weather: A Sonic Assemblage for the Anthropocene.

Degree: Department of Music, 2017, Brown University

 This thesis provides a thorough discussion of "Man Will Not Outlive the Weather", a chamber opera for mezzo-soprano, flute, cello, piano, percussion, and electronics; composed… (more)

Subjects/Keywords: Electro-acoustic

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APA (6th Edition):

Vistein, A. (2017). Man Will Not Outlive the Weather: A Sonic Assemblage for the Anthropocene. (Thesis). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:733551/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vistein, Amber. “Man Will Not Outlive the Weather: A Sonic Assemblage for the Anthropocene.” 2017. Thesis, Brown University. Accessed December 05, 2019. https://repository.library.brown.edu/studio/item/bdr:733551/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vistein, Amber. “Man Will Not Outlive the Weather: A Sonic Assemblage for the Anthropocene.” 2017. Web. 05 Dec 2019.

Vancouver:

Vistein A. Man Will Not Outlive the Weather: A Sonic Assemblage for the Anthropocene. [Internet] [Thesis]. Brown University; 2017. [cited 2019 Dec 05]. Available from: https://repository.library.brown.edu/studio/item/bdr:733551/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vistein A. Man Will Not Outlive the Weather: A Sonic Assemblage for the Anthropocene. [Thesis]. Brown University; 2017. Available from: https://repository.library.brown.edu/studio/item/bdr:733551/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Iowa

6. Page, Stephen Charles, Jr. A performance edition and technical guide to Johann Sebastian Bach's Chaconne from Partita in D minor, BWV 1004, for alto saxophone.

Degree: DMA, Music, 2011, University of Iowa

  Johann Sebastian Bach's Chaconne from his Partita in D Minor is considered a crown jewel of the violin repertoire. Since its composition, this piece… (more)

Subjects/Keywords: Saxophone; Music

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APA (6th Edition):

Page, Stephen Charles, J. (2011). A performance edition and technical guide to Johann Sebastian Bach's Chaconne from Partita in D minor, BWV 1004, for alto saxophone. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/5034

Chicago Manual of Style (16th Edition):

Page, Stephen Charles, Jr. “A performance edition and technical guide to Johann Sebastian Bach's Chaconne from Partita in D minor, BWV 1004, for alto saxophone.” 2011. Doctoral Dissertation, University of Iowa. Accessed December 05, 2019. https://ir.uiowa.edu/etd/5034.

MLA Handbook (7th Edition):

Page, Stephen Charles, Jr. “A performance edition and technical guide to Johann Sebastian Bach's Chaconne from Partita in D minor, BWV 1004, for alto saxophone.” 2011. Web. 05 Dec 2019.

Vancouver:

Page, Stephen Charles J. A performance edition and technical guide to Johann Sebastian Bach's Chaconne from Partita in D minor, BWV 1004, for alto saxophone. [Internet] [Doctoral dissertation]. University of Iowa; 2011. [cited 2019 Dec 05]. Available from: https://ir.uiowa.edu/etd/5034.

Council of Science Editors:

Page, Stephen Charles J. A performance edition and technical guide to Johann Sebastian Bach's Chaconne from Partita in D minor, BWV 1004, for alto saxophone. [Doctoral Dissertation]. University of Iowa; 2011. Available from: https://ir.uiowa.edu/etd/5034

7. Swilley, Daniel. Problems, current methodologies, and an analytical case study in electro-acoustic music analysis: Lejaren Hiller's Vocalise from seven electronic studies for two-channel tape recorder (1963).

Degree: A.Mus.D., 0265, 2014, University of Illinois – Urbana-Champaign

 This dissertation is an investigation of electro-acoustic music analysis; it highlights the difficulties of analysis, explains some of the prevailing analysis methodologies, and demonstrates the… (more)

Subjects/Keywords: Electro-acoustic Music; Electro-acoustic Music Analysis

…concerning the analysis of electro-acoustic music, (3) a review of current electro… …laboratory for engaging the difficulties and utilizing the methods of electro-acoustic music… …electro-acoustic music analysis. The study made use of methodologies based on listening and also… …problems and methods of electro-acoustic music analysis, to inform algorithm design in computer… …assisted algorithmic composition, and to inform pedagogical approaches in electro-acoustic music… 

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APA (6th Edition):

Swilley, D. (2014). Problems, current methodologies, and an analytical case study in electro-acoustic music analysis: Lejaren Hiller's Vocalise from seven electronic studies for two-channel tape recorder (1963). (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/49416

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Swilley, Daniel. “Problems, current methodologies, and an analytical case study in electro-acoustic music analysis: Lejaren Hiller's Vocalise from seven electronic studies for two-channel tape recorder (1963).” 2014. Thesis, University of Illinois – Urbana-Champaign. Accessed December 05, 2019. http://hdl.handle.net/2142/49416.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Swilley, Daniel. “Problems, current methodologies, and an analytical case study in electro-acoustic music analysis: Lejaren Hiller's Vocalise from seven electronic studies for two-channel tape recorder (1963).” 2014. Web. 05 Dec 2019.

Vancouver:

Swilley D. Problems, current methodologies, and an analytical case study in electro-acoustic music analysis: Lejaren Hiller's Vocalise from seven electronic studies for two-channel tape recorder (1963). [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2014. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/2142/49416.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Swilley D. Problems, current methodologies, and an analytical case study in electro-acoustic music analysis: Lejaren Hiller's Vocalise from seven electronic studies for two-channel tape recorder (1963). [Thesis]. University of Illinois – Urbana-Champaign; 2014. Available from: http://hdl.handle.net/2142/49416

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

8. BARNHART, MICHAEL ROBERT. THE SINGING BRIDGE.

Degree: DMA, College-Conservatory of Music : Composition, 2007, University of Cincinnati

 The Singing Bridge is a piece for percussion trio with recorded electro-acoustic music inspired by and utilizing samples from the sonic environment surrounding the Cincinnati-Covington… (more)

Subjects/Keywords: Music; Singing Bridge; music; Roebling Bridge; music composition; percussion; computer music; electro-acoustic; Cincinnati

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APA (6th Edition):

BARNHART, M. R. (2007). THE SINGING BRIDGE. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195667467

Chicago Manual of Style (16th Edition):

BARNHART, MICHAEL ROBERT. “THE SINGING BRIDGE.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed December 05, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195667467.

MLA Handbook (7th Edition):

BARNHART, MICHAEL ROBERT. “THE SINGING BRIDGE.” 2007. Web. 05 Dec 2019.

Vancouver:

BARNHART MR. THE SINGING BRIDGE. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Dec 05]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195667467.

Council of Science Editors:

BARNHART MR. THE SINGING BRIDGE. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195667467


University of Michigan

9. Ellis, Jennifer. Summary of Dissertation Recitals Three Programs of Harp Music.

Degree: AMU, Music: Performance, 2015, University of Michigan

 Three harp recitals were given in lieu of a written dissertation. My dissertation traced innovation on the harp. In particular, I focused on extended techniques.… (more)

Subjects/Keywords: harp; extended techniques; music; social networks; electro-acoustic; new music; Music and Dance; Arts

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APA (6th Edition):

Ellis, J. (2015). Summary of Dissertation Recitals Three Programs of Harp Music. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/147592

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ellis, Jennifer. “Summary of Dissertation Recitals Three Programs of Harp Music.” 2015. Thesis, University of Michigan. Accessed December 05, 2019. http://hdl.handle.net/2027.42/147592.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ellis, Jennifer. “Summary of Dissertation Recitals Three Programs of Harp Music.” 2015. Web. 05 Dec 2019.

Vancouver:

Ellis J. Summary of Dissertation Recitals Three Programs of Harp Music. [Internet] [Thesis]. University of Michigan; 2015. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/2027.42/147592.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ellis J. Summary of Dissertation Recitals Three Programs of Harp Music. [Thesis]. University of Michigan; 2015. Available from: http://hdl.handle.net/2027.42/147592

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

10. Perez, Francisco. A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3.

Degree: DMA, Music Education & Music Therapy, 2015, University of Kansas

Electro-acoustic music for wind band is an emerging genre among contemporary composers that incorporates and blends an electronic soundtrack and cues with traditional wind nstruments.… (more)

Subjects/Keywords: Music; Band; Electroacoustic; Electro-acoustic; Electronics; Wind Band

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APA (6th Edition):

Perez, F. (2015). A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/19440

Chicago Manual of Style (16th Edition):

Perez, Francisco. “A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3.” 2015. Doctoral Dissertation, University of Kansas. Accessed December 05, 2019. http://hdl.handle.net/1808/19440.

MLA Handbook (7th Edition):

Perez, Francisco. “A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3.” 2015. Web. 05 Dec 2019.

Vancouver:

Perez F. A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3. [Internet] [Doctoral dissertation]. University of Kansas; 2015. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/1808/19440.

Council of Science Editors:

Perez F. A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3. [Doctoral Dissertation]. University of Kansas; 2015. Available from: http://hdl.handle.net/1808/19440


University of California – Berkeley

11. MacCallum, John Andrew. El Árbol de la noche triste.

Degree: Music, 2010, University of California – Berkeley

 El Árbol de la noche triste is a composition for solo scordatura violaand electronicsounds which are generated algorithmically in real-time during the performance.In the work… (more)

Subjects/Keywords: Music; Algorithmic; Composition; Electro-acoustic; Harmonic Series; Stochastic; Viola

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APA (6th Edition):

MacCallum, J. A. (2010). El Árbol de la noche triste. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/5z77z44j

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

MacCallum, John Andrew. “El Árbol de la noche triste.” 2010. Thesis, University of California – Berkeley. Accessed December 05, 2019. http://www.escholarship.org/uc/item/5z77z44j.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

MacCallum, John Andrew. “El Árbol de la noche triste.” 2010. Web. 05 Dec 2019.

Vancouver:

MacCallum JA. El Árbol de la noche triste. [Internet] [Thesis]. University of California – Berkeley; 2010. [cited 2019 Dec 05]. Available from: http://www.escholarship.org/uc/item/5z77z44j.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

MacCallum JA. El Árbol de la noche triste. [Thesis]. University of California – Berkeley; 2010. Available from: http://www.escholarship.org/uc/item/5z77z44j

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

12. Borden, Stacy R. Work for Five-String Electronic Violin and Tape (Torn Edges).

Degree: MM, Music Composition, 2008, Bowling Green State University

 Torn Edges, a Work for Five-String Electronic Violin and Tape, was written in partial fulfillment of the requirements for the degree of Master of Music(more)

Subjects/Keywords: Music; Tape and Instruments; Electro-acoustic, Electronic Violin; Five-string Violin; Music Technology

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APA (6th Edition):

Borden, S. R. (2008). Work for Five-String Electronic Violin and Tape (Torn Edges). (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1213920863

Chicago Manual of Style (16th Edition):

Borden, Stacy R. “Work for Five-String Electronic Violin and Tape (Torn Edges).” 2008. Masters Thesis, Bowling Green State University. Accessed December 05, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1213920863.

MLA Handbook (7th Edition):

Borden, Stacy R. “Work for Five-String Electronic Violin and Tape (Torn Edges).” 2008. Web. 05 Dec 2019.

Vancouver:

Borden SR. Work for Five-String Electronic Violin and Tape (Torn Edges). [Internet] [Masters thesis]. Bowling Green State University; 2008. [cited 2019 Dec 05]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1213920863.

Council of Science Editors:

Borden SR. Work for Five-String Electronic Violin and Tape (Torn Edges). [Masters Thesis]. Bowling Green State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1213920863


University of Alberta

13. Kerslake, Laura, J. Without Ceasing: A Performance Analysis of Six Solo Works for Saxophone.

Degree: Doctor of Music, Department of Music, 2015, University of Alberta

 This thesis for the Doctor of Music degree consists of an audio recording, a public recital, a scholarly essay and program notes to compliment the… (more)

Subjects/Keywords: Performance; Music; Saxophone

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APA (6th Edition):

Kerslake, Laura, J. (2015). Without Ceasing: A Performance Analysis of Six Solo Works for Saxophone. (Doctoral Dissertation). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/ng451m21c

Chicago Manual of Style (16th Edition):

Kerslake, Laura, J. “Without Ceasing: A Performance Analysis of Six Solo Works for Saxophone.” 2015. Doctoral Dissertation, University of Alberta. Accessed December 05, 2019. https://era.library.ualberta.ca/files/ng451m21c.

MLA Handbook (7th Edition):

Kerslake, Laura, J. “Without Ceasing: A Performance Analysis of Six Solo Works for Saxophone.” 2015. Web. 05 Dec 2019.

Vancouver:

Kerslake, Laura J. Without Ceasing: A Performance Analysis of Six Solo Works for Saxophone. [Internet] [Doctoral dissertation]. University of Alberta; 2015. [cited 2019 Dec 05]. Available from: https://era.library.ualberta.ca/files/ng451m21c.

Council of Science Editors:

Kerslake, Laura J. Without Ceasing: A Performance Analysis of Six Solo Works for Saxophone. [Doctoral Dissertation]. University of Alberta; 2015. Available from: https://era.library.ualberta.ca/files/ng451m21c


Louisiana State University

14. Kelly, Ashley. The Saxophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014.

Degree: DMA, Music, 2015, Louisiana State University

 The Saxophone Symposium is the journal of the North American Saxophone Alliance and is a peer-reviewed academic publication. Since 1976, its readership has enjoyed articles… (more)

Subjects/Keywords: music; saxophone research; saxophone pedagogy; saxophone history; N.A.S.A.; saxophone symposium; saxophone; symposium; North American Saxophone Alliance

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APA (6th Edition):

Kelly, A. (2015). The Saxophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-06232015-090030 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2819

Chicago Manual of Style (16th Edition):

Kelly, Ashley. “The Saxophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014.” 2015. Doctoral Dissertation, Louisiana State University. Accessed December 05, 2019. etd-06232015-090030 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2819.

MLA Handbook (7th Edition):

Kelly, Ashley. “The Saxophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014.” 2015. Web. 05 Dec 2019.

Vancouver:

Kelly A. The Saxophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014. [Internet] [Doctoral dissertation]. Louisiana State University; 2015. [cited 2019 Dec 05]. Available from: etd-06232015-090030 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2819.

Council of Science Editors:

Kelly A. The Saxophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014. [Doctoral Dissertation]. Louisiana State University; 2015. Available from: etd-06232015-090030 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2819


Kansas State University

15. Martin, Miranda Noel. The versatility of the saxophone as presented through a series of compositions.

Degree: MM, School of Music, Theatre, and Dance, 2017, Kansas State University

 The saxophone is used in many different styles, instrumentations, and medians, which undoubtedly makes it a very versatile instrument. This report comprises a series of… (more)

Subjects/Keywords: Music; Composition; Miranda; Martin; Saxophone

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Martin, M. N. (2017). The versatility of the saxophone as presented through a series of compositions. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/35465

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Martin, Miranda Noel. “The versatility of the saxophone as presented through a series of compositions.” 2017. Thesis, Kansas State University. Accessed December 05, 2019. http://hdl.handle.net/2097/35465.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Martin, Miranda Noel. “The versatility of the saxophone as presented through a series of compositions.” 2017. Web. 05 Dec 2019.

Vancouver:

Martin MN. The versatility of the saxophone as presented through a series of compositions. [Internet] [Thesis]. Kansas State University; 2017. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/2097/35465.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Martin MN. The versatility of the saxophone as presented through a series of compositions. [Thesis]. Kansas State University; 2017. Available from: http://hdl.handle.net/2097/35465

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

16. Moore, Keith. A Multiphonic Reappraisal and the Alto Saxophone Concerto Radial.

Degree: 2014, Columbia University

 This dissertation analyzes the original composition Radial, which is scored for alto saxophone solo, small orchestra and live electronics. Multiphonics are a common feature on… (more)

Subjects/Keywords: Music; Multiphonics; Saxophone – Multiphonics

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APA (6th Edition):

Moore, K. (2014). A Multiphonic Reappraisal and the Alto Saxophone Concerto Radial. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D89S1P63

Chicago Manual of Style (16th Edition):

Moore, Keith. “A Multiphonic Reappraisal and the Alto Saxophone Concerto Radial.” 2014. Doctoral Dissertation, Columbia University. Accessed December 05, 2019. https://doi.org/10.7916/D89S1P63.

MLA Handbook (7th Edition):

Moore, Keith. “A Multiphonic Reappraisal and the Alto Saxophone Concerto Radial.” 2014. Web. 05 Dec 2019.

Vancouver:

Moore K. A Multiphonic Reappraisal and the Alto Saxophone Concerto Radial. [Internet] [Doctoral dissertation]. Columbia University; 2014. [cited 2019 Dec 05]. Available from: https://doi.org/10.7916/D89S1P63.

Council of Science Editors:

Moore K. A Multiphonic Reappraisal and the Alto Saxophone Concerto Radial. [Doctoral Dissertation]. Columbia University; 2014. Available from: https://doi.org/10.7916/D89S1P63


Victoria University of Wellington

17. Johnson, Lucien. The Way of Steve Lacy: Finding Individuality through Musical Genealogy.

Degree: 2012, Victoria University of Wellington

 This research project traces Lacy’s life in music, looking at his long period of apprenticeship, the brief but important period in which he focussed exclusively… (more)

Subjects/Keywords: Jazz; Saxophone; Improvisation (Music)

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APA (6th Edition):

Johnson, L. (2012). The Way of Steve Lacy: Finding Individuality through Musical Genealogy. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/2109

Chicago Manual of Style (16th Edition):

Johnson, Lucien. “The Way of Steve Lacy: Finding Individuality through Musical Genealogy.” 2012. Masters Thesis, Victoria University of Wellington. Accessed December 05, 2019. http://hdl.handle.net/10063/2109.

MLA Handbook (7th Edition):

Johnson, Lucien. “The Way of Steve Lacy: Finding Individuality through Musical Genealogy.” 2012. Web. 05 Dec 2019.

Vancouver:

Johnson L. The Way of Steve Lacy: Finding Individuality through Musical Genealogy. [Internet] [Masters thesis]. Victoria University of Wellington; 2012. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/10063/2109.

Council of Science Editors:

Johnson L. The Way of Steve Lacy: Finding Individuality through Musical Genealogy. [Masters Thesis]. Victoria University of Wellington; 2012. Available from: http://hdl.handle.net/10063/2109


University of Tasmania

18. Schröder, F. The creation of a new Australian repertoire for the saxophone utilising multiphonics.

Degree: 1998, University of Tasmania

 The principal aim of this project is to stimulate and facilitate the creation of a new Australian saxophone repertoire utilising multiphonics. This dissertation will begin… (more)

Subjects/Keywords: Saxophone music

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APA (6th Edition):

Schröder, F. (1998). The creation of a new Australian repertoire for the saxophone utilising multiphonics. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/30475/1/Schroder_whole_thesis_ex_copyright_material.pdf ; https://eprints.utas.edu.au/30475/2/Schroder_whole_thesis.pdf ; https://eprints.utas.edu.au/30475/3/Schroder%20music.zip

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schröder, F. “The creation of a new Australian repertoire for the saxophone utilising multiphonics.” 1998. Thesis, University of Tasmania. Accessed December 05, 2019. https://eprints.utas.edu.au/30475/1/Schroder_whole_thesis_ex_copyright_material.pdf ; https://eprints.utas.edu.au/30475/2/Schroder_whole_thesis.pdf ; https://eprints.utas.edu.au/30475/3/Schroder%20music.zip.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schröder, F. “The creation of a new Australian repertoire for the saxophone utilising multiphonics.” 1998. Web. 05 Dec 2019.

Vancouver:

Schröder F. The creation of a new Australian repertoire for the saxophone utilising multiphonics. [Internet] [Thesis]. University of Tasmania; 1998. [cited 2019 Dec 05]. Available from: https://eprints.utas.edu.au/30475/1/Schroder_whole_thesis_ex_copyright_material.pdf ; https://eprints.utas.edu.au/30475/2/Schroder_whole_thesis.pdf ; https://eprints.utas.edu.au/30475/3/Schroder%20music.zip.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schröder F. The creation of a new Australian repertoire for the saxophone utilising multiphonics. [Thesis]. University of Tasmania; 1998. Available from: https://eprints.utas.edu.au/30475/1/Schroder_whole_thesis_ex_copyright_material.pdf ; https://eprints.utas.edu.au/30475/2/Schroder_whole_thesis.pdf ; https://eprints.utas.edu.au/30475/3/Schroder%20music.zip

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Arizona State University

19. Ocampo Cardona, Javier Andrés. Modern Latin American Repertoire For Classical Saxophone: A Recording Project and Performance Guide.

Degree: DMA, Music, 2011, Arizona State University

 During the twentieth-century, the dual influence of nationalism and modernism in the eclectic music from Latin America promoted an idiosyncratic style which naturally combined traditional… (more)

Subjects/Keywords: Music; Classical music; Folk music; Latin American music; Popular music; Saxophone; Saxophone repertoire

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APA (6th Edition):

Ocampo Cardona, J. A. (2011). Modern Latin American Repertoire For Classical Saxophone: A Recording Project and Performance Guide. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/14381

Chicago Manual of Style (16th Edition):

Ocampo Cardona, Javier Andrés. “Modern Latin American Repertoire For Classical Saxophone: A Recording Project and Performance Guide.” 2011. Doctoral Dissertation, Arizona State University. Accessed December 05, 2019. http://repository.asu.edu/items/14381.

MLA Handbook (7th Edition):

Ocampo Cardona, Javier Andrés. “Modern Latin American Repertoire For Classical Saxophone: A Recording Project and Performance Guide.” 2011. Web. 05 Dec 2019.

Vancouver:

Ocampo Cardona JA. Modern Latin American Repertoire For Classical Saxophone: A Recording Project and Performance Guide. [Internet] [Doctoral dissertation]. Arizona State University; 2011. [cited 2019 Dec 05]. Available from: http://repository.asu.edu/items/14381.

Council of Science Editors:

Ocampo Cardona JA. Modern Latin American Repertoire For Classical Saxophone: A Recording Project and Performance Guide. [Doctoral Dissertation]. Arizona State University; 2011. Available from: http://repository.asu.edu/items/14381


University of Cincinnati

20. Wang, Jennifer A. Wind in Her Hair.

Degree: MM, College-Conservatory of Music : Composition, 2004, University of Cincinnati

 <i>WIND IN HER HAIR</i> was commissioned by NeXT Ens, an electro-acoustic music ensemble founded in October 2003 by pianist Shiau-uen Ding. The piece is inspired… (more)

Subjects/Keywords: Music; Electro-acoustic; Computer; Tape; RTCmix; Cmix; Composition

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APA (6th Edition):

Wang, J. A. (2004). Wind in Her Hair. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085678411

Chicago Manual of Style (16th Edition):

Wang, Jennifer A. “Wind in Her Hair.” 2004. Masters Thesis, University of Cincinnati. Accessed December 05, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085678411.

MLA Handbook (7th Edition):

Wang, Jennifer A. “Wind in Her Hair.” 2004. Web. 05 Dec 2019.

Vancouver:

Wang JA. Wind in Her Hair. [Internet] [Masters thesis]. University of Cincinnati; 2004. [cited 2019 Dec 05]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085678411.

Council of Science Editors:

Wang JA. Wind in Her Hair. [Masters Thesis]. University of Cincinnati; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085678411


Ohio University

21. Beery, Timothy Russell. Parameters of Articulation: an Introduction to Analysis of Form in Electroacoustic Music.

Degree: MM, Music Theory (Fine Arts), 2019, Ohio University

 Throughout the history of electroacoustic music, a concise method of analysis has eluded researchers. Though many exceptional examples of nomenclature exist, no standard system for… (more)

Subjects/Keywords: Music; Performing Arts; Pedagogy; Composition; Electroacoustic; Electro-acoustic; acousmatic; analysis; spectromorphology; spectro-morphology; form; articulation; articulators; continuation, continuators

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APA (6th Edition):

Beery, T. R. (2019). Parameters of Articulation: an Introduction to Analysis of Form in Electroacoustic Music. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1557400355694011

Chicago Manual of Style (16th Edition):

Beery, Timothy Russell. “Parameters of Articulation: an Introduction to Analysis of Form in Electroacoustic Music.” 2019. Masters Thesis, Ohio University. Accessed December 05, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1557400355694011.

MLA Handbook (7th Edition):

Beery, Timothy Russell. “Parameters of Articulation: an Introduction to Analysis of Form in Electroacoustic Music.” 2019. Web. 05 Dec 2019.

Vancouver:

Beery TR. Parameters of Articulation: an Introduction to Analysis of Form in Electroacoustic Music. [Internet] [Masters thesis]. Ohio University; 2019. [cited 2019 Dec 05]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1557400355694011.

Council of Science Editors:

Beery TR. Parameters of Articulation: an Introduction to Analysis of Form in Electroacoustic Music. [Masters Thesis]. Ohio University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1557400355694011


University of Cincinnati

22. Ding, Shiau-Uen. Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”.

Degree: DMA, College-Conservatory of Music : Piano, 2007, University of Cincinnati

Music reflects the society and technology of its age. For 21st century pianists, in addition to mastering traditional solo piano and chamber repertoire, cultivating skills… (more)

Subjects/Keywords: Music; Education, Music; contemporary music; computer music; electroacoustic; electro-acoustic; piano; tape; Christopher Bailey; Balladei; Luigi Nono; sofferte onde serene; Mario Davidovsky; Synchronisms; Jonathan Harvey; Tombeau de Messiaen; James Mobberley

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APA (6th Edition):

Ding, S. (2007). Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179467001

Chicago Manual of Style (16th Edition):

Ding, Shiau-Uen. “Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed December 05, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179467001.

MLA Handbook (7th Edition):

Ding, Shiau-Uen. “Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”.” 2007. Web. 05 Dec 2019.

Vancouver:

Ding S. Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Dec 05]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179467001.

Council of Science Editors:

Ding S. Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179467001


University of Kansas

23. McCray, Brandon W. The Saxophone as a Solo Instument in Gospel Music: The Musical Contributions of Dr. Vernard Johnson.

Degree: DMA, Music, 2015, University of Kansas

 Dr. Vernard Johnson (b.1948) is an African American musician who introduced the saxophone as a solo instrument to the gospel music tradition in the black… (more)

Subjects/Keywords: Music; Gospel; Gospel Music; Saxophone; Vernard Johnson

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APA (6th Edition):

McCray, B. W. (2015). The Saxophone as a Solo Instument in Gospel Music: The Musical Contributions of Dr. Vernard Johnson. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/19429

Chicago Manual of Style (16th Edition):

McCray, Brandon W. “The Saxophone as a Solo Instument in Gospel Music: The Musical Contributions of Dr. Vernard Johnson.” 2015. Doctoral Dissertation, University of Kansas. Accessed December 05, 2019. http://hdl.handle.net/1808/19429.

MLA Handbook (7th Edition):

McCray, Brandon W. “The Saxophone as a Solo Instument in Gospel Music: The Musical Contributions of Dr. Vernard Johnson.” 2015. Web. 05 Dec 2019.

Vancouver:

McCray BW. The Saxophone as a Solo Instument in Gospel Music: The Musical Contributions of Dr. Vernard Johnson. [Internet] [Doctoral dissertation]. University of Kansas; 2015. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/1808/19429.

Council of Science Editors:

McCray BW. The Saxophone as a Solo Instument in Gospel Music: The Musical Contributions of Dr. Vernard Johnson. [Doctoral Dissertation]. University of Kansas; 2015. Available from: http://hdl.handle.net/1808/19429


University of Washington

24. Smith, Evan Austin. Compositional Techniques in the Saxophone Works of Yusef Lateef.

Degree: 2017, University of Washington

 Yusef Lateef (1920-2013) is one of the most influential figures in the history of the saxophone. After garnering acclaim from his hundreds of improvisatory recordings… (more)

Subjects/Keywords: Composition; Improvisation; Lateef; Repertoire; Saxophone; Music; Music

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APA (6th Edition):

Smith, E. A. (2017). Compositional Techniques in the Saxophone Works of Yusef Lateef. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/38663

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Evan Austin. “Compositional Techniques in the Saxophone Works of Yusef Lateef.” 2017. Thesis, University of Washington. Accessed December 05, 2019. http://hdl.handle.net/1773/38663.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Evan Austin. “Compositional Techniques in the Saxophone Works of Yusef Lateef.” 2017. Web. 05 Dec 2019.

Vancouver:

Smith EA. Compositional Techniques in the Saxophone Works of Yusef Lateef. [Internet] [Thesis]. University of Washington; 2017. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/1773/38663.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith EA. Compositional Techniques in the Saxophone Works of Yusef Lateef. [Thesis]. University of Washington; 2017. Available from: http://hdl.handle.net/1773/38663

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Carolina – Greensboro

25. Ostercamp, Neil Lewis. The improvisational style of Steve Lacy: analyses of selected transcriptions (1957-1962).

Degree: 2018, University of North Carolina – Greensboro

 This document investigates and draws conclusions regarding the improvisational style of Steve Lacy between 1957 and 1962 based on improvised solos from the albums Soprano… (more)

Subjects/Keywords: Lacy, Steve; Improvisation (Music); Saxophone music (Jazz)

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APA (6th Edition):

Ostercamp, N. L. (2018). The improvisational style of Steve Lacy: analyses of selected transcriptions (1957-1962). (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23228

Chicago Manual of Style (16th Edition):

Ostercamp, Neil Lewis. “The improvisational style of Steve Lacy: analyses of selected transcriptions (1957-1962).” 2018. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed December 05, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23228.

MLA Handbook (7th Edition):

Ostercamp, Neil Lewis. “The improvisational style of Steve Lacy: analyses of selected transcriptions (1957-1962).” 2018. Web. 05 Dec 2019.

Vancouver:

Ostercamp NL. The improvisational style of Steve Lacy: analyses of selected transcriptions (1957-1962). [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2018. [cited 2019 Dec 05]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23228.

Council of Science Editors:

Ostercamp NL. The improvisational style of Steve Lacy: analyses of selected transcriptions (1957-1962). [Doctoral Dissertation]. University of North Carolina – Greensboro; 2018. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23228


University of Michigan

26. Siegfried, Jeffrey. Dissertation Summary of Three Recitals: Yizkor - In Memoriam; A Cold Threshold; The New Virtuosity.

Degree: AMU, Music: Performance, 2019, University of Michigan

 In lieu of a written dissertation, three recital programs were presented. The three recitals that were given addressed varying themes in each program. The first… (more)

Subjects/Keywords: Music; Saxophone; Music and Dance; Arts

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APA (6th Edition):

Siegfried, J. (2019). Dissertation Summary of Three Recitals: Yizkor - In Memoriam; A Cold Threshold; The New Virtuosity. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/151614

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Siegfried, Jeffrey. “Dissertation Summary of Three Recitals: Yizkor - In Memoriam; A Cold Threshold; The New Virtuosity.” 2019. Thesis, University of Michigan. Accessed December 05, 2019. http://hdl.handle.net/2027.42/151614.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Siegfried, Jeffrey. “Dissertation Summary of Three Recitals: Yizkor - In Memoriam; A Cold Threshold; The New Virtuosity.” 2019. Web. 05 Dec 2019.

Vancouver:

Siegfried J. Dissertation Summary of Three Recitals: Yizkor - In Memoriam; A Cold Threshold; The New Virtuosity. [Internet] [Thesis]. University of Michigan; 2019. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/2027.42/151614.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Siegfried J. Dissertation Summary of Three Recitals: Yizkor - In Memoriam; A Cold Threshold; The New Virtuosity. [Thesis]. University of Michigan; 2019. Available from: http://hdl.handle.net/2027.42/151614

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

27. Jenkins, Chester James, Jenkins. A Conductor’s and Performer’s Guide to Steven Bryant’s Concerto for Alto Saxophone.

Degree: DMA, Music, 2018, The Ohio State University

 The purpose of this work is to examine the history and compositional elements of Steven Bryant’s Concerto for Alto Saxophone and Wind Ensemble, as well… (more)

Subjects/Keywords: Music; saxophone; concerto; steven bryant; alto saxophone; paul creston; joe lulloff; saxophone and wind ensemble

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APA (6th Edition):

Jenkins, Chester James, J. (2018). A Conductor’s and Performer’s Guide to Steven Bryant’s Concerto for Alto Saxophone. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1524180086531008

Chicago Manual of Style (16th Edition):

Jenkins, Chester James, Jenkins. “A Conductor’s and Performer’s Guide to Steven Bryant’s Concerto for Alto Saxophone.” 2018. Doctoral Dissertation, The Ohio State University. Accessed December 05, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1524180086531008.

MLA Handbook (7th Edition):

Jenkins, Chester James, Jenkins. “A Conductor’s and Performer’s Guide to Steven Bryant’s Concerto for Alto Saxophone.” 2018. Web. 05 Dec 2019.

Vancouver:

Jenkins, Chester James J. A Conductor’s and Performer’s Guide to Steven Bryant’s Concerto for Alto Saxophone. [Internet] [Doctoral dissertation]. The Ohio State University; 2018. [cited 2019 Dec 05]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1524180086531008.

Council of Science Editors:

Jenkins, Chester James J. A Conductor’s and Performer’s Guide to Steven Bryant’s Concerto for Alto Saxophone. [Doctoral Dissertation]. The Ohio State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1524180086531008


University of North Texas

28. Murphy, Sean C. The Saxophone Music of Pierre-Philippe Bauzin: A Survey of Original Compositions and Rediscovery of Lost Works.

Degree: 2019, University of North Texas

 Pierre-Philippe Bauzin (1933-2005) was a skilled keyboard performer, improviser, and composer. By way of his close personal friendship with renowned saxophonist Jean-Marie Londeix, Bauzin began… (more)

Subjects/Keywords: saxophone; saxophone performance; saxophone literature; Pierre-Philippe Bauzin; Jean-Marie Londeix; Music; Musical Performances

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Murphy, S. C. (2019). The Saxophone Music of Pierre-Philippe Bauzin: A Survey of Original Compositions and Rediscovery of Lost Works. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1505140/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Murphy, Sean C. “The Saxophone Music of Pierre-Philippe Bauzin: A Survey of Original Compositions and Rediscovery of Lost Works.” 2019. Thesis, University of North Texas. Accessed December 05, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505140/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Murphy, Sean C. “The Saxophone Music of Pierre-Philippe Bauzin: A Survey of Original Compositions and Rediscovery of Lost Works.” 2019. Web. 05 Dec 2019.

Vancouver:

Murphy SC. The Saxophone Music of Pierre-Philippe Bauzin: A Survey of Original Compositions and Rediscovery of Lost Works. [Internet] [Thesis]. University of North Texas; 2019. [cited 2019 Dec 05]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1505140/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Murphy SC. The Saxophone Music of Pierre-Philippe Bauzin: A Survey of Original Compositions and Rediscovery of Lost Works. [Thesis]. University of North Texas; 2019. Available from: https://digital.library.unt.edu/ark:/67531/metadc1505140/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Gomez, Daniel Marcos. Doctoral thesis recital (saxophone).

Degree: DMA, Saxophone performance, 2012, University of Texas – Austin

Sonata in F minor / G. P. Teleman  – Concerto for alto saxophone / Ingolf Dahl  – Sonata / William Albright. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Saxophone music; Saxophone concertos

Page 1

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gomez, D. M. (2012). Doctoral thesis recital (saxophone). (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/23606

Chicago Manual of Style (16th Edition):

Gomez, Daniel Marcos. “Doctoral thesis recital (saxophone).” 2012. Doctoral Dissertation, University of Texas – Austin. Accessed December 05, 2019. http://hdl.handle.net/2152/23606.

MLA Handbook (7th Edition):

Gomez, Daniel Marcos. “Doctoral thesis recital (saxophone).” 2012. Web. 05 Dec 2019.

Vancouver:

Gomez DM. Doctoral thesis recital (saxophone). [Internet] [Doctoral dissertation]. University of Texas – Austin; 2012. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/2152/23606.

Council of Science Editors:

Gomez DM. Doctoral thesis recital (saxophone). [Doctoral Dissertation]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/23606


University of Missouri – Kansas City

30. Johnson, Richard W., 1978-. Quaerere Sententias I .

Degree: 2015, University of Missouri – Kansas City

 Quaerere Sententias (“search for meaning”) is a collection of pieces composed for soloists, digital audio, and video. The first set, Quaerere Sententias I, is comprised… (more)

Subjects/Keywords: Clarinet; electro-acoustic; electronic; Flute; Trumpet; video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Johnson, Richard W., 1. (2015). Quaerere Sententias I . (Thesis). University of Missouri – Kansas City. Retrieved from http://hdl.handle.net/10355/45114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Johnson, Richard W., 1978-. “Quaerere Sententias I .” 2015. Thesis, University of Missouri – Kansas City. Accessed December 05, 2019. http://hdl.handle.net/10355/45114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Johnson, Richard W., 1978-. “Quaerere Sententias I .” 2015. Web. 05 Dec 2019.

Vancouver:

Johnson, Richard W. 1. Quaerere Sententias I . [Internet] [Thesis]. University of Missouri – Kansas City; 2015. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/10355/45114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Johnson, Richard W. 1. Quaerere Sententias I . [Thesis]. University of Missouri – Kansas City; 2015. Available from: http://hdl.handle.net/10355/45114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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