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You searched for subject:(Melody). Showing records 1 – 30 of 121 total matches.

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The Ohio State University

1. Whiston, Sandra Kristine. The development of melodic concepts in elementary school age children using computer-assisted instruction as a supplemental tool .

Degree: PhD, Graduate School, 1986, The Ohio State University

Subjects/Keywords: Music; Melody

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APA (6th Edition):

Whiston, S. K. (1986). The development of melodic concepts in elementary school age children using computer-assisted instruction as a supplemental tool . (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487323583622967

Chicago Manual of Style (16th Edition):

Whiston, Sandra Kristine. “The development of melodic concepts in elementary school age children using computer-assisted instruction as a supplemental tool .” 1986. Doctoral Dissertation, The Ohio State University. Accessed June 15, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487323583622967.

MLA Handbook (7th Edition):

Whiston, Sandra Kristine. “The development of melodic concepts in elementary school age children using computer-assisted instruction as a supplemental tool .” 1986. Web. 15 Jun 2019.

Vancouver:

Whiston SK. The development of melodic concepts in elementary school age children using computer-assisted instruction as a supplemental tool . [Internet] [Doctoral dissertation]. The Ohio State University; 1986. [cited 2019 Jun 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487323583622967.

Council of Science Editors:

Whiston SK. The development of melodic concepts in elementary school age children using computer-assisted instruction as a supplemental tool . [Doctoral Dissertation]. The Ohio State University; 1986. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487323583622967


University of Toronto

2. Weiss, Michael William. Vocal Timbre Influences Memory for Melodies.

Degree: 2011, University of Toronto

Several studies have demonstrated that melody recognition is reduced when the timbre (instrument) changes between exposure and test, but no study has evaluated the possibility… (more)

Subjects/Keywords: Memory; Music; Timbre; Melody; 0633

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APA (6th Edition):

Weiss, M. W. (2011). Vocal Timbre Influences Memory for Melodies. (Masters Thesis). University of Toronto. Retrieved from http://hdl.handle.net/1807/31626

Chicago Manual of Style (16th Edition):

Weiss, Michael William. “Vocal Timbre Influences Memory for Melodies.” 2011. Masters Thesis, University of Toronto. Accessed June 15, 2019. http://hdl.handle.net/1807/31626.

MLA Handbook (7th Edition):

Weiss, Michael William. “Vocal Timbre Influences Memory for Melodies.” 2011. Web. 15 Jun 2019.

Vancouver:

Weiss MW. Vocal Timbre Influences Memory for Melodies. [Internet] [Masters thesis]. University of Toronto; 2011. [cited 2019 Jun 15]. Available from: http://hdl.handle.net/1807/31626.

Council of Science Editors:

Weiss MW. Vocal Timbre Influences Memory for Melodies. [Masters Thesis]. University of Toronto; 2011. Available from: http://hdl.handle.net/1807/31626


University of Sydney

3. Smith, Peter Anthony. Computer Aided Statistical Analysis of Motive Use and Compositional Idiom .

Degree: 2012, University of Sydney

 This thesis discusses the creation of a means of pitch-based data representation which allows automated logging and analysis of melodic motivic material. This system also… (more)

Subjects/Keywords: motivic analysis; statistics; melody contour

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APA (6th Edition):

Smith, P. A. (2012). Computer Aided Statistical Analysis of Motive Use and Compositional Idiom . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/9776

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Peter Anthony. “Computer Aided Statistical Analysis of Motive Use and Compositional Idiom .” 2012. Thesis, University of Sydney. Accessed June 15, 2019. http://hdl.handle.net/2123/9776.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Peter Anthony. “Computer Aided Statistical Analysis of Motive Use and Compositional Idiom .” 2012. Web. 15 Jun 2019.

Vancouver:

Smith PA. Computer Aided Statistical Analysis of Motive Use and Compositional Idiom . [Internet] [Thesis]. University of Sydney; 2012. [cited 2019 Jun 15]. Available from: http://hdl.handle.net/2123/9776.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith PA. Computer Aided Statistical Analysis of Motive Use and Compositional Idiom . [Thesis]. University of Sydney; 2012. Available from: http://hdl.handle.net/2123/9776

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan State University

4. Stech, David Alan, 1945-. A computer-assisted approach to micro-analysis of melodic lines.

Degree: PhD, 1976, Michigan State University

Subjects/Keywords: Melody; Computers

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APA (6th Edition):

Stech, David Alan, 1. (1976). A computer-assisted approach to micro-analysis of melodic lines. (Doctoral Dissertation). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:24772

Chicago Manual of Style (16th Edition):

Stech, David Alan, 1945-. “A computer-assisted approach to micro-analysis of melodic lines.” 1976. Doctoral Dissertation, Michigan State University. Accessed June 15, 2019. http://etd.lib.msu.edu/islandora/object/etd:24772.

MLA Handbook (7th Edition):

Stech, David Alan, 1945-. “A computer-assisted approach to micro-analysis of melodic lines.” 1976. Web. 15 Jun 2019.

Vancouver:

Stech, David Alan 1. A computer-assisted approach to micro-analysis of melodic lines. [Internet] [Doctoral dissertation]. Michigan State University; 1976. [cited 2019 Jun 15]. Available from: http://etd.lib.msu.edu/islandora/object/etd:24772.

Council of Science Editors:

Stech, David Alan 1. A computer-assisted approach to micro-analysis of melodic lines. [Doctoral Dissertation]. Michigan State University; 1976. Available from: http://etd.lib.msu.edu/islandora/object/etd:24772


The Ohio State University

5. Godwin, Paul Milton. A study of concepts of melody : with particular reference to some music of the twentieth century and examples from the compositions of Schönberg, Webern and Berg.

Degree: PhD, Graduate School, 1972, The Ohio State University

Subjects/Keywords: Music; Melody; Music

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APA (6th Edition):

Godwin, P. M. (1972). A study of concepts of melody : with particular reference to some music of the twentieth century and examples from the compositions of Schönberg, Webern and Berg. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486736568279077

Chicago Manual of Style (16th Edition):

Godwin, Paul Milton. “A study of concepts of melody : with particular reference to some music of the twentieth century and examples from the compositions of Schönberg, Webern and Berg.” 1972. Doctoral Dissertation, The Ohio State University. Accessed June 15, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486736568279077.

MLA Handbook (7th Edition):

Godwin, Paul Milton. “A study of concepts of melody : with particular reference to some music of the twentieth century and examples from the compositions of Schönberg, Webern and Berg.” 1972. Web. 15 Jun 2019.

Vancouver:

Godwin PM. A study of concepts of melody : with particular reference to some music of the twentieth century and examples from the compositions of Schönberg, Webern and Berg. [Internet] [Doctoral dissertation]. The Ohio State University; 1972. [cited 2019 Jun 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486736568279077.

Council of Science Editors:

Godwin PM. A study of concepts of melody : with particular reference to some music of the twentieth century and examples from the compositions of Schönberg, Webern and Berg. [Doctoral Dissertation]. The Ohio State University; 1972. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486736568279077


Texas A&M University

6. Wang, Hao. Design of Pattern Matching Systems: Pattern, Algorithm, and Scanner.

Degree: 2013, Texas A&M University

 Pattern matching is at the core of many computational problems, e.g., search engine, data mining, network security and information retrieval. In this dissertation, we target… (more)

Subjects/Keywords: Regular expression; Melody matching; Time series; FPGA

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APA (6th Edition):

Wang, H. (2013). Design of Pattern Matching Systems: Pattern, Algorithm, and Scanner. (Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/153804

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wang, Hao. “Design of Pattern Matching Systems: Pattern, Algorithm, and Scanner.” 2013. Thesis, Texas A&M University. Accessed June 15, 2019. http://hdl.handle.net/1969.1/153804.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wang, Hao. “Design of Pattern Matching Systems: Pattern, Algorithm, and Scanner.” 2013. Web. 15 Jun 2019.

Vancouver:

Wang H. Design of Pattern Matching Systems: Pattern, Algorithm, and Scanner. [Internet] [Thesis]. Texas A&M University; 2013. [cited 2019 Jun 15]. Available from: http://hdl.handle.net/1969.1/153804.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wang H. Design of Pattern Matching Systems: Pattern, Algorithm, and Scanner. [Thesis]. Texas A&M University; 2013. Available from: http://hdl.handle.net/1969.1/153804

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Macquarie University

7. Marimuthu, Vijay Mohan Raaja. Exploring place pitch & temporal pitch perception with cochlear implants.

Degree: 2013, Macquarie University

"This thesis is submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) September 2012"

1. Introduction  – 2. Introduction to… (more)

Subjects/Keywords: Cochlear implants; cochlear implants; pitch; melody

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APA (6th Edition):

Marimuthu, V. M. R. (2013). Exploring place pitch & temporal pitch perception with cochlear implants. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/349413

Chicago Manual of Style (16th Edition):

Marimuthu, Vijay Mohan Raaja. “Exploring place pitch & temporal pitch perception with cochlear implants.” 2013. Doctoral Dissertation, Macquarie University. Accessed June 15, 2019. http://hdl.handle.net/1959.14/349413.

MLA Handbook (7th Edition):

Marimuthu, Vijay Mohan Raaja. “Exploring place pitch & temporal pitch perception with cochlear implants.” 2013. Web. 15 Jun 2019.

Vancouver:

Marimuthu VMR. Exploring place pitch & temporal pitch perception with cochlear implants. [Internet] [Doctoral dissertation]. Macquarie University; 2013. [cited 2019 Jun 15]. Available from: http://hdl.handle.net/1959.14/349413.

Council of Science Editors:

Marimuthu VMR. Exploring place pitch & temporal pitch perception with cochlear implants. [Doctoral Dissertation]. Macquarie University; 2013. Available from: http://hdl.handle.net/1959.14/349413


University of Toronto

8. Weiss, Michael William. Exploring the Memory Advantage for Vocal Melodies.

Degree: PhD, 2016, University of Toronto

 The voice is a biologically significant and spectrally rich signal that plays a critical role in communication and social engagement throughout life. Nevertheless, music cognition… (more)

Subjects/Keywords: Melody; Memory; Music; Timbre; Voice; 0621

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APA (6th Edition):

Weiss, M. W. (2016). Exploring the Memory Advantage for Vocal Melodies. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/77421

Chicago Manual of Style (16th Edition):

Weiss, Michael William. “Exploring the Memory Advantage for Vocal Melodies.” 2016. Doctoral Dissertation, University of Toronto. Accessed June 15, 2019. http://hdl.handle.net/1807/77421.

MLA Handbook (7th Edition):

Weiss, Michael William. “Exploring the Memory Advantage for Vocal Melodies.” 2016. Web. 15 Jun 2019.

Vancouver:

Weiss MW. Exploring the Memory Advantage for Vocal Melodies. [Internet] [Doctoral dissertation]. University of Toronto; 2016. [cited 2019 Jun 15]. Available from: http://hdl.handle.net/1807/77421.

Council of Science Editors:

Weiss MW. Exploring the Memory Advantage for Vocal Melodies. [Doctoral Dissertation]. University of Toronto; 2016. Available from: http://hdl.handle.net/1807/77421


University of Minnesota

9. Graves, Jackson. Perception of multiple pitches: Sequential and simultaneous pitch relationships.

Degree: PhD, Psychology, 2018, University of Minnesota

 The perception of pitch, a dimension of sound that is important for music perception, speech perception, and sound source segregation, is influenced by its context,… (more)

Subjects/Keywords: amusia; context; harmony; melody; perception; pitch

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APA (6th Edition):

Graves, J. (2018). Perception of multiple pitches: Sequential and simultaneous pitch relationships. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/194607

Chicago Manual of Style (16th Edition):

Graves, Jackson. “Perception of multiple pitches: Sequential and simultaneous pitch relationships.” 2018. Doctoral Dissertation, University of Minnesota. Accessed June 15, 2019. http://hdl.handle.net/11299/194607.

MLA Handbook (7th Edition):

Graves, Jackson. “Perception of multiple pitches: Sequential and simultaneous pitch relationships.” 2018. Web. 15 Jun 2019.

Vancouver:

Graves J. Perception of multiple pitches: Sequential and simultaneous pitch relationships. [Internet] [Doctoral dissertation]. University of Minnesota; 2018. [cited 2019 Jun 15]. Available from: http://hdl.handle.net/11299/194607.

Council of Science Editors:

Graves J. Perception of multiple pitches: Sequential and simultaneous pitch relationships. [Doctoral Dissertation]. University of Minnesota; 2018. Available from: http://hdl.handle.net/11299/194607


University of Kentucky

10. Turcotte, Tyler. SYMPHONIC FANTASY: DISCUSSION AND ANALYSIS.

Degree: 2019, University of Kentucky

 The following piece is a three movement, twenty minute orchestral work in a Romantic style whose primary goals are accessibility and beauty. In the process… (more)

Subjects/Keywords: Composition; Classical; Orchestral; Romantic; Symphony; Melody; Composition

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APA (6th Edition):

Turcotte, T. (2019). SYMPHONIC FANTASY: DISCUSSION AND ANALYSIS. (Masters Thesis). University of Kentucky. Retrieved from https://uknowledge.uky.edu/music_etds/137

Chicago Manual of Style (16th Edition):

Turcotte, Tyler. “SYMPHONIC FANTASY: DISCUSSION AND ANALYSIS.” 2019. Masters Thesis, University of Kentucky. Accessed June 15, 2019. https://uknowledge.uky.edu/music_etds/137.

MLA Handbook (7th Edition):

Turcotte, Tyler. “SYMPHONIC FANTASY: DISCUSSION AND ANALYSIS.” 2019. Web. 15 Jun 2019.

Vancouver:

Turcotte T. SYMPHONIC FANTASY: DISCUSSION AND ANALYSIS. [Internet] [Masters thesis]. University of Kentucky; 2019. [cited 2019 Jun 15]. Available from: https://uknowledge.uky.edu/music_etds/137.

Council of Science Editors:

Turcotte T. SYMPHONIC FANTASY: DISCUSSION AND ANALYSIS. [Masters Thesis]. University of Kentucky; 2019. Available from: https://uknowledge.uky.edu/music_etds/137


NSYSU

11. Tsai, Yueh-chuan. A study of Leos Janacek Sonata 1.X.1905.

Degree: Master, Music, 2015, NSYSU

 âSonata 1. X. 1905â , a piano work composed by LeoÅ¡ JanáÄek as a tribute to the death of a young Czech from the political… (more)

Subjects/Keywords: Sonata 1. X. 1905; Speech Melody; Speech Melody Theory; JanáÄek; LeoÅ¡ JanáÄek

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APA (6th Edition):

Tsai, Y. (2015). A study of Leos Janacek Sonata 1.X.1905. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0628115-162221

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tsai, Yueh-chuan. “A study of Leos Janacek Sonata 1.X.1905.” 2015. Thesis, NSYSU. Accessed June 15, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0628115-162221.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tsai, Yueh-chuan. “A study of Leos Janacek Sonata 1.X.1905.” 2015. Web. 15 Jun 2019.

Vancouver:

Tsai Y. A study of Leos Janacek Sonata 1.X.1905. [Internet] [Thesis]. NSYSU; 2015. [cited 2019 Jun 15]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0628115-162221.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tsai Y. A study of Leos Janacek Sonata 1.X.1905. [Thesis]. NSYSU; 2015. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0628115-162221

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

12. Burns, Ayleen Hilt. An experimental investigation of melodic contour recognition in Beethoven theme and variations.

Degree: PhD, Graduate School, 1979, The Ohio State University

Subjects/Keywords: Music; Beethoven; Music; Melody

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APA (6th Edition):

Burns, A. H. (1979). An experimental investigation of melodic contour recognition in Beethoven theme and variations. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487087209448846

Chicago Manual of Style (16th Edition):

Burns, Ayleen Hilt. “An experimental investigation of melodic contour recognition in Beethoven theme and variations.” 1979. Doctoral Dissertation, The Ohio State University. Accessed June 15, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487087209448846.

MLA Handbook (7th Edition):

Burns, Ayleen Hilt. “An experimental investigation of melodic contour recognition in Beethoven theme and variations.” 1979. Web. 15 Jun 2019.

Vancouver:

Burns AH. An experimental investigation of melodic contour recognition in Beethoven theme and variations. [Internet] [Doctoral dissertation]. The Ohio State University; 1979. [cited 2019 Jun 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487087209448846.

Council of Science Editors:

Burns AH. An experimental investigation of melodic contour recognition in Beethoven theme and variations. [Doctoral Dissertation]. The Ohio State University; 1979. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487087209448846


Universiteit Utrecht

13. Rodríguez López, Marcelo. Automatic Melody Segmentation.

Degree: 2016, Universiteit Utrecht

 The work presented in this dissertation investigates music segmentation. In the field of Musicology, segmentation refers to a score analysis technique, whereby notated pieces or… (more)

Subjects/Keywords: Music Information Retrieval; Music Segmentation; Melody Segmentation; Automatic Music Description

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APA (6th Edition):

Rodríguez López, M. (2016). Automatic Melody Segmentation. (Doctoral Dissertation). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/334687

Chicago Manual of Style (16th Edition):

Rodríguez López, Marcelo. “Automatic Melody Segmentation.” 2016. Doctoral Dissertation, Universiteit Utrecht. Accessed June 15, 2019. http://dspace.library.uu.nl:8080/handle/1874/334687.

MLA Handbook (7th Edition):

Rodríguez López, Marcelo. “Automatic Melody Segmentation.” 2016. Web. 15 Jun 2019.

Vancouver:

Rodríguez López M. Automatic Melody Segmentation. [Internet] [Doctoral dissertation]. Universiteit Utrecht; 2016. [cited 2019 Jun 15]. Available from: http://dspace.library.uu.nl:8080/handle/1874/334687.

Council of Science Editors:

Rodríguez López M. Automatic Melody Segmentation. [Doctoral Dissertation]. Universiteit Utrecht; 2016. Available from: http://dspace.library.uu.nl:8080/handle/1874/334687


University of Hong Kong

14. Ho, Wing-see, Vincie. A phonological study of the tone-melody correspondence in Cantonese pop music.

Degree: PhD, 2010, University of Hong Kong

 This PhD research aims at revealing the underlying complexity of the grammar of tone-melody mapping in Cantonese pop music. While linguists have shown a growing… (more)

Subjects/Keywords: Melody.; Cantonese dialects - Tone.; Popular music - China - Hong Kong.

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APA (6th Edition):

Ho, Wing-see, V. (2010). A phonological study of the tone-melody correspondence in Cantonese pop music. (Doctoral Dissertation). University of Hong Kong. Retrieved from Ho, W. V. [何詠詩]. (2010). A phonological study of the tone-melody correspondence in Cantonese pop music. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5089975 ; http://dx.doi.org/10.5353/th_b5089975 ; http://hdl.handle.net/10722/192830

Chicago Manual of Style (16th Edition):

Ho, Wing-see, Vincie. “A phonological study of the tone-melody correspondence in Cantonese pop music.” 2010. Doctoral Dissertation, University of Hong Kong. Accessed June 15, 2019. Ho, W. V. [何詠詩]. (2010). A phonological study of the tone-melody correspondence in Cantonese pop music. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5089975 ; http://dx.doi.org/10.5353/th_b5089975 ; http://hdl.handle.net/10722/192830.

MLA Handbook (7th Edition):

Ho, Wing-see, Vincie. “A phonological study of the tone-melody correspondence in Cantonese pop music.” 2010. Web. 15 Jun 2019.

Vancouver:

Ho, Wing-see V. A phonological study of the tone-melody correspondence in Cantonese pop music. [Internet] [Doctoral dissertation]. University of Hong Kong; 2010. [cited 2019 Jun 15]. Available from: Ho, W. V. [何詠詩]. (2010). A phonological study of the tone-melody correspondence in Cantonese pop music. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5089975 ; http://dx.doi.org/10.5353/th_b5089975 ; http://hdl.handle.net/10722/192830.

Council of Science Editors:

Ho, Wing-see V. A phonological study of the tone-melody correspondence in Cantonese pop music. [Doctoral Dissertation]. University of Hong Kong; 2010. Available from: Ho, W. V. [何詠詩]. (2010). A phonological study of the tone-melody correspondence in Cantonese pop music. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5089975 ; http://dx.doi.org/10.5353/th_b5089975 ; http://hdl.handle.net/10722/192830


University of Hong Kong

15. 周敏盈.; Chow, Man-ying. Singing the right tones of the words: the principles and poetics of tone-melody mapping in Cantopop.

Degree: M. Phil., 2012, University of Hong Kong

 In tone languages, tones, in addition to phonemes, are used to differentiate meanings. The tone of a word changes its meaning. This gives rise… (more)

Subjects/Keywords: Melody.; Cantonese dialects - Tone.; Popular music - China - Hong Kong.

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APA (6th Edition):

周敏盈.; Chow, M. (2012). Singing the right tones of the words: the principles and poetics of tone-melody mapping in Cantopop. (Masters Thesis). University of Hong Kong. Retrieved from Chow, M. [周敏盈]. (2012). Singing the right tones of the words : the principles and poetics of tone-melody mapping in Cantopop. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4807993 ; http://dx.doi.org/10.5353/th_b4807993 ; http://hdl.handle.net/10722/161588

Chicago Manual of Style (16th Edition):

周敏盈.; Chow, Man-ying. “Singing the right tones of the words: the principles and poetics of tone-melody mapping in Cantopop.” 2012. Masters Thesis, University of Hong Kong. Accessed June 15, 2019. Chow, M. [周敏盈]. (2012). Singing the right tones of the words : the principles and poetics of tone-melody mapping in Cantopop. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4807993 ; http://dx.doi.org/10.5353/th_b4807993 ; http://hdl.handle.net/10722/161588.

MLA Handbook (7th Edition):

周敏盈.; Chow, Man-ying. “Singing the right tones of the words: the principles and poetics of tone-melody mapping in Cantopop.” 2012. Web. 15 Jun 2019.

Vancouver:

周敏盈.; Chow M. Singing the right tones of the words: the principles and poetics of tone-melody mapping in Cantopop. [Internet] [Masters thesis]. University of Hong Kong; 2012. [cited 2019 Jun 15]. Available from: Chow, M. [周敏盈]. (2012). Singing the right tones of the words : the principles and poetics of tone-melody mapping in Cantopop. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4807993 ; http://dx.doi.org/10.5353/th_b4807993 ; http://hdl.handle.net/10722/161588.

Council of Science Editors:

周敏盈.; Chow M. Singing the right tones of the words: the principles and poetics of tone-melody mapping in Cantopop. [Masters Thesis]. University of Hong Kong; 2012. Available from: Chow, M. [周敏盈]. (2012). Singing the right tones of the words : the principles and poetics of tone-melody mapping in Cantopop. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4807993 ; http://dx.doi.org/10.5353/th_b4807993 ; http://hdl.handle.net/10722/161588


UCLA

16. Schnurr, Andrew Alan. Mimetic Transpositions: An Aesthetic Theory of Composition Linking Music and Speech.

Degree: Music, 2013, UCLA

 For centuries, the potential connections between music and speech have captivated the imagination of vast numbers of researchers, theorists, and musicians alike. My inquiry into… (more)

Subjects/Keywords: Music; Philosophy; metaphor; mimesis; music composition; prosody; speech melody; Steve Reich

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schnurr, A. A. (2013). Mimetic Transpositions: An Aesthetic Theory of Composition Linking Music and Speech. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/7gr3m16t

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schnurr, Andrew Alan. “Mimetic Transpositions: An Aesthetic Theory of Composition Linking Music and Speech.” 2013. Thesis, UCLA. Accessed June 15, 2019. http://www.escholarship.org/uc/item/7gr3m16t.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schnurr, Andrew Alan. “Mimetic Transpositions: An Aesthetic Theory of Composition Linking Music and Speech.” 2013. Web. 15 Jun 2019.

Vancouver:

Schnurr AA. Mimetic Transpositions: An Aesthetic Theory of Composition Linking Music and Speech. [Internet] [Thesis]. UCLA; 2013. [cited 2019 Jun 15]. Available from: http://www.escholarship.org/uc/item/7gr3m16t.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schnurr AA. Mimetic Transpositions: An Aesthetic Theory of Composition Linking Music and Speech. [Thesis]. UCLA; 2013. Available from: http://www.escholarship.org/uc/item/7gr3m16t

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

17. Bardoux Loven, Cécile. Karl-Birger Blomdahl et Ingvar Lidholm : enjeux mélodiques, tonals et organiques des années 1940 : Karl-Birger Blomdahl and Ingvar Lidholm : Exploring melodic, tonal and organic challenges in the 1940s.

Degree: Docteur es, Musicologie, 2013, Université Paris-Sorbonne – Paris IV

Karl-Birger Blomdahl (1916-1968) et Ingvar Lidholm (né en 1921) sont deux chefs de file de la musique suédoise moderne. Étudiants à Stockholm, ils forment un… (more)

Subjects/Keywords: Sweden; Blomdahl; Lidholm; The 1940s; Melody; Tonality; Organicism; Anti-romanticism

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APA (6th Edition):

Bardoux Loven, C. (2013). Karl-Birger Blomdahl et Ingvar Lidholm : enjeux mélodiques, tonals et organiques des années 1940 : Karl-Birger Blomdahl and Ingvar Lidholm : Exploring melodic, tonal and organic challenges in the 1940s. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2013PA040004

Chicago Manual of Style (16th Edition):

Bardoux Loven, Cécile. “Karl-Birger Blomdahl et Ingvar Lidholm : enjeux mélodiques, tonals et organiques des années 1940 : Karl-Birger Blomdahl and Ingvar Lidholm : Exploring melodic, tonal and organic challenges in the 1940s.” 2013. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed June 15, 2019. http://www.theses.fr/2013PA040004.

MLA Handbook (7th Edition):

Bardoux Loven, Cécile. “Karl-Birger Blomdahl et Ingvar Lidholm : enjeux mélodiques, tonals et organiques des années 1940 : Karl-Birger Blomdahl and Ingvar Lidholm : Exploring melodic, tonal and organic challenges in the 1940s.” 2013. Web. 15 Jun 2019.

Vancouver:

Bardoux Loven C. Karl-Birger Blomdahl et Ingvar Lidholm : enjeux mélodiques, tonals et organiques des années 1940 : Karl-Birger Blomdahl and Ingvar Lidholm : Exploring melodic, tonal and organic challenges in the 1940s. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2013. [cited 2019 Jun 15]. Available from: http://www.theses.fr/2013PA040004.

Council of Science Editors:

Bardoux Loven C. Karl-Birger Blomdahl et Ingvar Lidholm : enjeux mélodiques, tonals et organiques des années 1940 : Karl-Birger Blomdahl and Ingvar Lidholm : Exploring melodic, tonal and organic challenges in the 1940s. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2013. Available from: http://www.theses.fr/2013PA040004


University of Toronto

18. McCaslin, Jonathan David. Melodic Jazz Drumming.

Degree: 2015, University of Toronto

This dissertation examines and explores how jazz drummers consider the concept of "melodic drumming" and how it relates to their own personal performance practice. The… (more)

Subjects/Keywords: Drummers; Drumming; Drums; Drum Set; Jazz; Melody; 0413

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APA (6th Edition):

McCaslin, J. D. (2015). Melodic Jazz Drumming. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/69408

Chicago Manual of Style (16th Edition):

McCaslin, Jonathan David. “Melodic Jazz Drumming.” 2015. Doctoral Dissertation, University of Toronto. Accessed June 15, 2019. http://hdl.handle.net/1807/69408.

MLA Handbook (7th Edition):

McCaslin, Jonathan David. “Melodic Jazz Drumming.” 2015. Web. 15 Jun 2019.

Vancouver:

McCaslin JD. Melodic Jazz Drumming. [Internet] [Doctoral dissertation]. University of Toronto; 2015. [cited 2019 Jun 15]. Available from: http://hdl.handle.net/1807/69408.

Council of Science Editors:

McCaslin JD. Melodic Jazz Drumming. [Doctoral Dissertation]. University of Toronto; 2015. Available from: http://hdl.handle.net/1807/69408


Columbia University

19. Haapamaki, Sampo Elias. Order in Désordre: Rhythmic and Melodic Structure in György Ligeti's Piano Etude No. 1.

Degree: 2012, Columbia University

 This dissertation is in two unrelated parts: the first part is the Dissertation Essay (p. 1-49) and the second part is the Dissertation Composition (p.… (more)

Subjects/Keywords: Music; Composition (Music); Melody; Musical meter and rhythm; Etudes (Ligeti, György)

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APA (6th Edition):

Haapamaki, S. E. (2012). Order in Désordre: Rhythmic and Melodic Structure in György Ligeti's Piano Etude No. 1. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D88S4X04

Chicago Manual of Style (16th Edition):

Haapamaki, Sampo Elias. “Order in Désordre: Rhythmic and Melodic Structure in György Ligeti's Piano Etude No. 1.” 2012. Doctoral Dissertation, Columbia University. Accessed June 15, 2019. https://doi.org/10.7916/D88S4X04.

MLA Handbook (7th Edition):

Haapamaki, Sampo Elias. “Order in Désordre: Rhythmic and Melodic Structure in György Ligeti's Piano Etude No. 1.” 2012. Web. 15 Jun 2019.

Vancouver:

Haapamaki SE. Order in Désordre: Rhythmic and Melodic Structure in György Ligeti's Piano Etude No. 1. [Internet] [Doctoral dissertation]. Columbia University; 2012. [cited 2019 Jun 15]. Available from: https://doi.org/10.7916/D88S4X04.

Council of Science Editors:

Haapamaki SE. Order in Désordre: Rhythmic and Melodic Structure in György Ligeti's Piano Etude No. 1. [Doctoral Dissertation]. Columbia University; 2012. Available from: https://doi.org/10.7916/D88S4X04


University of Minnesota

20. Dumas, Roger Edward. Melodies in space: neural processing of musical features.

Degree: PhD, 2013, University of Minnesota

 With modern digital technology, it is now possible to capture, store and describe the brain's response to musical stimuli with some degree of confidence. Increasing… (more)

Subjects/Keywords: Magnetoencephalography; Melody; Pitch perception; Probability; Serial correlation; Tonal space

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APA (6th Edition):

Dumas, R. E. (2013). Melodies in space: neural processing of musical features. (Doctoral Dissertation). University of Minnesota. Retrieved from http://purl.umn.edu/155664

Chicago Manual of Style (16th Edition):

Dumas, Roger Edward. “Melodies in space: neural processing of musical features.” 2013. Doctoral Dissertation, University of Minnesota. Accessed June 15, 2019. http://purl.umn.edu/155664.

MLA Handbook (7th Edition):

Dumas, Roger Edward. “Melodies in space: neural processing of musical features.” 2013. Web. 15 Jun 2019.

Vancouver:

Dumas RE. Melodies in space: neural processing of musical features. [Internet] [Doctoral dissertation]. University of Minnesota; 2013. [cited 2019 Jun 15]. Available from: http://purl.umn.edu/155664.

Council of Science Editors:

Dumas RE. Melodies in space: neural processing of musical features. [Doctoral Dissertation]. University of Minnesota; 2013. Available from: http://purl.umn.edu/155664


University of Miami

21. Hanna, Mirette. Leoš Janácek: The Theory of Speech Melody in His Piano Sonata 1.X.1905 and In The Mists.

Degree: DMA, Keyboard Performance (Music), 2019, University of Miami

 Janáček’s fascination with the intonation of speech started at an early age, and it accompanied him throughout his life. The study outlines elements of speech… (more)

Subjects/Keywords: Janáček; Janacek; Speech Melody; Piano Sonata; In The Mists

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APA (6th Edition):

Hanna, M. (2019). Leoš Janácek: The Theory of Speech Melody in His Piano Sonata 1.X.1905 and In The Mists. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/2297

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hanna, Mirette. “Leoš Janácek: The Theory of Speech Melody in His Piano Sonata 1.X.1905 and In The Mists.” 2019. Thesis, University of Miami. Accessed June 15, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/2297.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hanna, Mirette. “Leoš Janácek: The Theory of Speech Melody in His Piano Sonata 1.X.1905 and In The Mists.” 2019. Web. 15 Jun 2019.

Vancouver:

Hanna M. Leoš Janácek: The Theory of Speech Melody in His Piano Sonata 1.X.1905 and In The Mists. [Internet] [Thesis]. University of Miami; 2019. [cited 2019 Jun 15]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/2297.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hanna M. Leoš Janácek: The Theory of Speech Melody in His Piano Sonata 1.X.1905 and In The Mists. [Thesis]. University of Miami; 2019. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/2297

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

22. Rodd, J.J.E. A perceptual magnet effect in pitch accents: parametric modelling.

Degree: 2015, Universiteit Utrecht

 This thesis presents the results of two experiments that suggest the presence of a Perceptual Magnet Effect (PME, Kuhl 1991) in pitch accents (linguistically significant… (more)

Subjects/Keywords: intonation; pitch accent; parametric modelling; prosodic modelling; speech melody; perceptual magnet effect; speech perception

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rodd, J. J. E. (2015). A perceptual magnet effect in pitch accents: parametric modelling. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/320439

Chicago Manual of Style (16th Edition):

Rodd, J J E. “A perceptual magnet effect in pitch accents: parametric modelling.” 2015. Masters Thesis, Universiteit Utrecht. Accessed June 15, 2019. http://dspace.library.uu.nl:8080/handle/1874/320439.

MLA Handbook (7th Edition):

Rodd, J J E. “A perceptual magnet effect in pitch accents: parametric modelling.” 2015. Web. 15 Jun 2019.

Vancouver:

Rodd JJE. A perceptual magnet effect in pitch accents: parametric modelling. [Internet] [Masters thesis]. Universiteit Utrecht; 2015. [cited 2019 Jun 15]. Available from: http://dspace.library.uu.nl:8080/handle/1874/320439.

Council of Science Editors:

Rodd JJE. A perceptual magnet effect in pitch accents: parametric modelling. [Masters Thesis]. Universiteit Utrecht; 2015. Available from: http://dspace.library.uu.nl:8080/handle/1874/320439

23. Souza, André Ricardo de. A intenção na melodia: estudo interdisciplinar sobre as relações entre entoação e gênero de discurso nas manifestações vocais (da fala ao canto).

Degree: PhD, Filologia e Língua Portuguesa, 2014, University of São Paulo

Este trabalho apresenta uma reflexão acerca da natureza da entoação e de seu papel no funcionamento e no uso da linguagem, numa perspectiva interdisciplinar que… (more)

Subjects/Keywords: Entoação; Fala espontânea; Gênero do discurso; Intenção; Intention; Intonation; Melodia; Melody; Speech genre; Spontaneous speech

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Souza, A. R. d. (2014). A intenção na melodia: estudo interdisciplinar sobre as relações entre entoação e gênero de discurso nas manifestações vocais (da fala ao canto). (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8142/tde-07052015-172420/ ;

Chicago Manual of Style (16th Edition):

Souza, André Ricardo de. “A intenção na melodia: estudo interdisciplinar sobre as relações entre entoação e gênero de discurso nas manifestações vocais (da fala ao canto).” 2014. Doctoral Dissertation, University of São Paulo. Accessed June 15, 2019. http://www.teses.usp.br/teses/disponiveis/8/8142/tde-07052015-172420/ ;.

MLA Handbook (7th Edition):

Souza, André Ricardo de. “A intenção na melodia: estudo interdisciplinar sobre as relações entre entoação e gênero de discurso nas manifestações vocais (da fala ao canto).” 2014. Web. 15 Jun 2019.

Vancouver:

Souza ARd. A intenção na melodia: estudo interdisciplinar sobre as relações entre entoação e gênero de discurso nas manifestações vocais (da fala ao canto). [Internet] [Doctoral dissertation]. University of São Paulo; 2014. [cited 2019 Jun 15]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8142/tde-07052015-172420/ ;.

Council of Science Editors:

Souza ARd. A intenção na melodia: estudo interdisciplinar sobre as relações entre entoação e gênero de discurso nas manifestações vocais (da fala ao canto). [Doctoral Dissertation]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/8/8142/tde-07052015-172420/ ;


NSYSU

24. Huang, Ping-ju. Chinaâs Film Industry and Soft Power.

Degree: Master, ICAPS, 2014, NSYSU

 In the view of Chinese government, cultural industry and hard power are the basics of soft power. The Chinese government put more and more emphasis… (more)

Subjects/Keywords: Confucius; film co-production; main melody films; da pian; soft power; Chinaâs film industry

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Huang, P. (2014). Chinaâs Film Industry and Soft Power. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0111114-035929

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Huang, Ping-ju. “Chinaâs Film Industry and Soft Power.” 2014. Thesis, NSYSU. Accessed June 15, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0111114-035929.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Huang, Ping-ju. “Chinaâs Film Industry and Soft Power.” 2014. Web. 15 Jun 2019.

Vancouver:

Huang P. Chinaâs Film Industry and Soft Power. [Internet] [Thesis]. NSYSU; 2014. [cited 2019 Jun 15]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0111114-035929.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Huang P. Chinaâs Film Industry and Soft Power. [Thesis]. NSYSU; 2014. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0111114-035929

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Victoria

25. Li, Ya. Timing and melody: an acoustic study of rhythmic patterns of Chinese dialects.

Degree: Department of Linguistics, 2015, University of Victoria

 Inspired by Lin and Huang’s (2009) rhythmic study of Chinese dialects, this study examines speech rhythm of 21 Chinese dialects from three perspectives, timing, melody,… (more)

Subjects/Keywords: Chinese dialects; Syllable-timing; Chinese syllable structure; Chinese tone structure; Speech melody; Speech rhythm

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APA (6th Edition):

Li, Y. (2015). Timing and melody: an acoustic study of rhythmic patterns of Chinese dialects. (Thesis). University of Victoria. Retrieved from http://hdl.handle.net/1828/6612

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Li, Ya. “Timing and melody: an acoustic study of rhythmic patterns of Chinese dialects.” 2015. Thesis, University of Victoria. Accessed June 15, 2019. http://hdl.handle.net/1828/6612.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Li, Ya. “Timing and melody: an acoustic study of rhythmic patterns of Chinese dialects.” 2015. Web. 15 Jun 2019.

Vancouver:

Li Y. Timing and melody: an acoustic study of rhythmic patterns of Chinese dialects. [Internet] [Thesis]. University of Victoria; 2015. [cited 2019 Jun 15]. Available from: http://hdl.handle.net/1828/6612.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Li Y. Timing and melody: an acoustic study of rhythmic patterns of Chinese dialects. [Thesis]. University of Victoria; 2015. Available from: http://hdl.handle.net/1828/6612

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Rio Grande do Sul

26. Alípio, Alisson Cardoso Monteiro. O processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastin Bach.

Degree: 2010, Universidade do Rio Grande do Sul

Este trabalho trata do processo de digitação para violão da Ciaccona BWV 1004 (original para violino) de Johann Sebastian Bach (1685-1750). O objetivo foi desenvolver… (more)

Subjects/Keywords: Violão : Transcrição musical; Classical guitar; Fingering; Melodia polifônica; Digitação; Transcription; Motive; Polyphonic melody

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APA (6th Edition):

Alípio, A. C. M. (2010). O processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastin Bach. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/28065

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alípio, Alisson Cardoso Monteiro. “O processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastin Bach.” 2010. Thesis, Universidade do Rio Grande do Sul. Accessed June 15, 2019. http://hdl.handle.net/10183/28065.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alípio, Alisson Cardoso Monteiro. “O processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastin Bach.” 2010. Web. 15 Jun 2019.

Vancouver:

Alípio ACM. O processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastin Bach. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2010. [cited 2019 Jun 15]. Available from: http://hdl.handle.net/10183/28065.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alípio ACM. O processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastin Bach. [Thesis]. Universidade do Rio Grande do Sul; 2010. Available from: http://hdl.handle.net/10183/28065

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Pennsylvania

27. Pooley, Thomas Mathew. Melody as Prosody: Toward a Usage-Based Theory of Music.

Degree: 2014, University of Pennsylvania

MELODY AS PROSODY: TOWARD A USAGE-BASED THEORY OF MUSIC Thomas M. Pooley Gary A. Tomlinson Rationalist modes of inquiry have dominated the cognitive science of… (more)

Subjects/Keywords: melody; music cognition; prosody; song; speech; usage-based theory; Linguistics; Music; Psychology

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APA (6th Edition):

Pooley, T. M. (2014). Melody as Prosody: Toward a Usage-Based Theory of Music. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/1407

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pooley, Thomas Mathew. “Melody as Prosody: Toward a Usage-Based Theory of Music.” 2014. Thesis, University of Pennsylvania. Accessed June 15, 2019. https://repository.upenn.edu/edissertations/1407.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pooley, Thomas Mathew. “Melody as Prosody: Toward a Usage-Based Theory of Music.” 2014. Web. 15 Jun 2019.

Vancouver:

Pooley TM. Melody as Prosody: Toward a Usage-Based Theory of Music. [Internet] [Thesis]. University of Pennsylvania; 2014. [cited 2019 Jun 15]. Available from: https://repository.upenn.edu/edissertations/1407.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pooley TM. Melody as Prosody: Toward a Usage-Based Theory of Music. [Thesis]. University of Pennsylvania; 2014. Available from: https://repository.upenn.edu/edissertations/1407

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

28. Hartley, Elizabeth Love. Older than they are: the seelction and performance of high-quality standard choral literature for children.

Degree: 2013, University of Florida

 The purpose of this project was to examine the selection and performance of high quality standard choral literature for children. A survey was sent to… (more)

Subjects/Keywords: Childrens songs; Choirs; Conducting; Lesson plans; Melody; Music rehearsal; Musical performance; Musical rhythm; Rehearsal; Students

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hartley, E. L. (2013). Older than they are: the seelction and performance of high-quality standard choral literature for children. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00016997

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hartley, Elizabeth Love. “Older than they are: the seelction and performance of high-quality standard choral literature for children.” 2013. Thesis, University of Florida. Accessed June 15, 2019. http://ufdc.ufl.edu/AA00016997.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hartley, Elizabeth Love. “Older than they are: the seelction and performance of high-quality standard choral literature for children.” 2013. Web. 15 Jun 2019.

Vancouver:

Hartley EL. Older than they are: the seelction and performance of high-quality standard choral literature for children. [Internet] [Thesis]. University of Florida; 2013. [cited 2019 Jun 15]. Available from: http://ufdc.ufl.edu/AA00016997.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hartley EL. Older than they are: the seelction and performance of high-quality standard choral literature for children. [Thesis]. University of Florida; 2013. Available from: http://ufdc.ufl.edu/AA00016997

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Barros, Leonardo Canuto de. O caráter ambivalente da música em Jean-Jacques Rousseau.

Degree: Mestrado, Filosofia, 2015, University of São Paulo

Trata-se de investigar o caráter ambivalente da música na teoria de Jean-Jacques Rousseau. O filósofo defende, ao mesmo tempo, os traços naturais da sinfonia, que… (more)

Subjects/Keywords: Feelings; Harmonia; Harmony; Melodia; Melody; Moral; Morality; Music; Música; Nature; Natureza; Razão; Reason; Rousseau; Rousseau; Sentimento

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barros, L. C. d. (2015). O caráter ambivalente da música em Jean-Jacques Rousseau. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8133/tde-15072015-153423/ ;

Chicago Manual of Style (16th Edition):

Barros, Leonardo Canuto de. “O caráter ambivalente da música em Jean-Jacques Rousseau.” 2015. Masters Thesis, University of São Paulo. Accessed June 15, 2019. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-15072015-153423/ ;.

MLA Handbook (7th Edition):

Barros, Leonardo Canuto de. “O caráter ambivalente da música em Jean-Jacques Rousseau.” 2015. Web. 15 Jun 2019.

Vancouver:

Barros LCd. O caráter ambivalente da música em Jean-Jacques Rousseau. [Internet] [Masters thesis]. University of São Paulo; 2015. [cited 2019 Jun 15]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8133/tde-15072015-153423/ ;.

Council of Science Editors:

Barros LCd. O caráter ambivalente da música em Jean-Jacques Rousseau. [Masters Thesis]. University of São Paulo; 2015. Available from: http://www.teses.usp.br/teses/disponiveis/8/8133/tde-15072015-153423/ ;

30. Carmo Junior, José Roberto do. Melodia e prosódia: um modelo para a interface música-fala com base no estudo comparado do aparelho fonador e dos instrumentos musicais reais e virtuais.

Degree: PhD, Semiótica e Lingüística Geral, 2007, University of São Paulo

O presente estudo procura reconstituir o sistema de categorias da melodia tonal a partir da investigação de algumas propriedades comuns ao aparelho fonador humano e… (more)

Subjects/Keywords: Fonologia prosódica; Glossemática; Glossematics; Instrumentos musicais; Melodia; Melody; musical instruments; Prosódia; Prosodic phonology; Prosody; Semiótica; Semiotics

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carmo Junior, J. R. d. (2007). Melodia e prosódia: um modelo para a interface música-fala com base no estudo comparado do aparelho fonador e dos instrumentos musicais reais e virtuais. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8139/tde-12112007-141109/ ;

Chicago Manual of Style (16th Edition):

Carmo Junior, José Roberto do. “Melodia e prosódia: um modelo para a interface música-fala com base no estudo comparado do aparelho fonador e dos instrumentos musicais reais e virtuais.” 2007. Doctoral Dissertation, University of São Paulo. Accessed June 15, 2019. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-12112007-141109/ ;.

MLA Handbook (7th Edition):

Carmo Junior, José Roberto do. “Melodia e prosódia: um modelo para a interface música-fala com base no estudo comparado do aparelho fonador e dos instrumentos musicais reais e virtuais.” 2007. Web. 15 Jun 2019.

Vancouver:

Carmo Junior JRd. Melodia e prosódia: um modelo para a interface música-fala com base no estudo comparado do aparelho fonador e dos instrumentos musicais reais e virtuais. [Internet] [Doctoral dissertation]. University of São Paulo; 2007. [cited 2019 Jun 15]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8139/tde-12112007-141109/ ;.

Council of Science Editors:

Carmo Junior JRd. Melodia e prosódia: um modelo para a interface música-fala com base no estudo comparado do aparelho fonador e dos instrumentos musicais reais e virtuais. [Doctoral Dissertation]. University of São Paulo; 2007. Available from: http://www.teses.usp.br/teses/disponiveis/8/8139/tde-12112007-141109/ ;

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