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You searched for subject:(Medieval iconography). Showing records 1 – 24 of 24 total matches.

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1. Rozestraten, Artur Simões. A iconografia do portador do modelo de arquitetura na arte medieval.

Degree: PhD, História e Fundamentos da Arquitetura e do Urbanismo, 2007, University of São Paulo

Contrastando com a raridade dos vestígios materiais de supostas maquetes de arquitetos medievais há uma profusão de representações artísticas (mosaicos, afrescos e esculturas) que retratam… (more)

Subjects/Keywords: Architecture; Arquitetura; Arte medieval; Iconografia; Iconography; Imaginário; Imaginary; Medieval art; Modelos; Models; Representação; Representation

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APA (6th Edition):

Rozestraten, A. S. (2007). A iconografia do portador do modelo de arquitetura na arte medieval. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/16/16133/tde-20082009-090910/ ;

Chicago Manual of Style (16th Edition):

Rozestraten, Artur Simões. “A iconografia do portador do modelo de arquitetura na arte medieval.” 2007. Doctoral Dissertation, University of São Paulo. Accessed October 15, 2019. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-20082009-090910/ ;.

MLA Handbook (7th Edition):

Rozestraten, Artur Simões. “A iconografia do portador do modelo de arquitetura na arte medieval.” 2007. Web. 15 Oct 2019.

Vancouver:

Rozestraten AS. A iconografia do portador do modelo de arquitetura na arte medieval. [Internet] [Doctoral dissertation]. University of São Paulo; 2007. [cited 2019 Oct 15]. Available from: http://www.teses.usp.br/teses/disponiveis/16/16133/tde-20082009-090910/ ;.

Council of Science Editors:

Rozestraten AS. A iconografia do portador do modelo de arquitetura na arte medieval. [Doctoral Dissertation]. University of São Paulo; 2007. Available from: http://www.teses.usp.br/teses/disponiveis/16/16133/tde-20082009-090910/ ;


University of Edinburgh

2. Graves, Margaret Susanna. Worlds writ small : four studies on miniature architectural forms in the medieval Middle East.

Degree: PhD, 2010, University of Edinburgh

 While academic discussion of ornament within medieval Islamic art has laboured much over the codification and meaning of certain forms, there has been relatively little… (more)

Subjects/Keywords: 720; Islamic art; medieval; architecture; ornamentation; house models; miniature; architectural iconography; medieval

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APA (6th Edition):

Graves, M. S. (2010). Worlds writ small : four studies on miniature architectural forms in the medieval Middle East. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/5489

Chicago Manual of Style (16th Edition):

Graves, Margaret Susanna. “Worlds writ small : four studies on miniature architectural forms in the medieval Middle East.” 2010. Doctoral Dissertation, University of Edinburgh. Accessed October 15, 2019. http://hdl.handle.net/1842/5489.

MLA Handbook (7th Edition):

Graves, Margaret Susanna. “Worlds writ small : four studies on miniature architectural forms in the medieval Middle East.” 2010. Web. 15 Oct 2019.

Vancouver:

Graves MS. Worlds writ small : four studies on miniature architectural forms in the medieval Middle East. [Internet] [Doctoral dissertation]. University of Edinburgh; 2010. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1842/5489.

Council of Science Editors:

Graves MS. Worlds writ small : four studies on miniature architectural forms in the medieval Middle East. [Doctoral Dissertation]. University of Edinburgh; 2010. Available from: http://hdl.handle.net/1842/5489


University of Edinburgh

3. Goetsch, Emily Baldwin. Extra-apocalyptic iconography in the tenth-century Beatus Commentaries on the Apocalypse as indicators of Christian-Muslim relations in medieval Iberia.

Degree: PhD, 2014, University of Edinburgh

 This thesis is an iconographic study of the four earliest and relatively complete tenth-century manuscripts of Beatus’ Commentary on the Apocalypse: New York, Pierpont Morgan… (more)

Subjects/Keywords: 745.6; Beatus; Apocalypse; Iberia; iconography; Islam; medieval Spain

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APA (6th Edition):

Goetsch, E. B. (2014). Extra-apocalyptic iconography in the tenth-century Beatus Commentaries on the Apocalypse as indicators of Christian-Muslim relations in medieval Iberia. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/9488

Chicago Manual of Style (16th Edition):

Goetsch, Emily Baldwin. “Extra-apocalyptic iconography in the tenth-century Beatus Commentaries on the Apocalypse as indicators of Christian-Muslim relations in medieval Iberia.” 2014. Doctoral Dissertation, University of Edinburgh. Accessed October 15, 2019. http://hdl.handle.net/1842/9488.

MLA Handbook (7th Edition):

Goetsch, Emily Baldwin. “Extra-apocalyptic iconography in the tenth-century Beatus Commentaries on the Apocalypse as indicators of Christian-Muslim relations in medieval Iberia.” 2014. Web. 15 Oct 2019.

Vancouver:

Goetsch EB. Extra-apocalyptic iconography in the tenth-century Beatus Commentaries on the Apocalypse as indicators of Christian-Muslim relations in medieval Iberia. [Internet] [Doctoral dissertation]. University of Edinburgh; 2014. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1842/9488.

Council of Science Editors:

Goetsch EB. Extra-apocalyptic iconography in the tenth-century Beatus Commentaries on the Apocalypse as indicators of Christian-Muslim relations in medieval Iberia. [Doctoral Dissertation]. University of Edinburgh; 2014. Available from: http://hdl.handle.net/1842/9488


Queens University

4. Paolozzi, Ashley. The Capital Sculpture of Wells Cathedral, c. 1184-1210 .

Degree: Art History, 2016, Queens University

 The understudied capital sculpture of Wells Cathedral in Somerset, England (c. 1184-1210) provides ample opportunity of expanding the current scholarship and understanding of interior ecclesiastical… (more)

Subjects/Keywords: England; Cathedrals; Religious Art; Medieval; Christianity; Art History; Sculpture; Iconography

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APA (6th Edition):

Paolozzi, A. (2016). The Capital Sculpture of Wells Cathedral, c. 1184-1210 . (Thesis). Queens University. Retrieved from http://hdl.handle.net/1974/14731

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Paolozzi, Ashley. “The Capital Sculpture of Wells Cathedral, c. 1184-1210 .” 2016. Thesis, Queens University. Accessed October 15, 2019. http://hdl.handle.net/1974/14731.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Paolozzi, Ashley. “The Capital Sculpture of Wells Cathedral, c. 1184-1210 .” 2016. Web. 15 Oct 2019.

Vancouver:

Paolozzi A. The Capital Sculpture of Wells Cathedral, c. 1184-1210 . [Internet] [Thesis]. Queens University; 2016. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1974/14731.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Paolozzi A. The Capital Sculpture of Wells Cathedral, c. 1184-1210 . [Thesis]. Queens University; 2016. Available from: http://hdl.handle.net/1974/14731

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Temple University

5. Maravi, Pilar L. Del cielo a la tierra: Gonzalo de Berceo, Signos que aparecerán antes del Juicio Final, y sus nexos con la arquitectura medieval española.

Degree: PhD, 2013, Temple University

Spanish

This dissertation is a study of the links between the poem Signos que aparecerán antes del juicio final of Gonzalo de Berceo and the… (more)

Subjects/Keywords: Medieval literature; Literature; Language arts;

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APA (6th Edition):

Maravi, P. L. (2013). Del cielo a la tierra: Gonzalo de Berceo, Signos que aparecerán antes del Juicio Final, y sus nexos con la arquitectura medieval española. (Doctoral Dissertation). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,272222

Chicago Manual of Style (16th Edition):

Maravi, Pilar L. “Del cielo a la tierra: Gonzalo de Berceo, Signos que aparecerán antes del Juicio Final, y sus nexos con la arquitectura medieval española.” 2013. Doctoral Dissertation, Temple University. Accessed October 15, 2019. http://digital.library.temple.edu/u?/p245801coll10,272222.

MLA Handbook (7th Edition):

Maravi, Pilar L. “Del cielo a la tierra: Gonzalo de Berceo, Signos que aparecerán antes del Juicio Final, y sus nexos con la arquitectura medieval española.” 2013. Web. 15 Oct 2019.

Vancouver:

Maravi PL. Del cielo a la tierra: Gonzalo de Berceo, Signos que aparecerán antes del Juicio Final, y sus nexos con la arquitectura medieval española. [Internet] [Doctoral dissertation]. Temple University; 2013. [cited 2019 Oct 15]. Available from: http://digital.library.temple.edu/u?/p245801coll10,272222.

Council of Science Editors:

Maravi PL. Del cielo a la tierra: Gonzalo de Berceo, Signos que aparecerán antes del Juicio Final, y sus nexos con la arquitectura medieval española. [Doctoral Dissertation]. Temple University; 2013. Available from: http://digital.library.temple.edu/u?/p245801coll10,272222


University of Louisville

6. Eckersley, Tracey Elizabeth. Putting Christians on the map : topographic mosaics from late antique Jordan as representations of authority and status.

Degree: PhD, 2016, University of Louisville

  In this dissertation, I examine nine ecclesiastic floor mosaics from Late Antique Palaestina and Arabia that contain topographic motifs ­­˗ images of cities set… (more)

Subjects/Keywords: mosaics; euergetism; patronage; iconography; Jordan; Late Antique; Ancient, Medieval, Renaissance and Baroque Art and Architecture

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APA (6th Edition):

Eckersley, T. E. (2016). Putting Christians on the map : topographic mosaics from late antique Jordan as representations of authority and status. (Doctoral Dissertation). University of Louisville. Retrieved from 10.18297/etd/2484 ; https://ir.library.louisville.edu/etd/2484

Chicago Manual of Style (16th Edition):

Eckersley, Tracey Elizabeth. “Putting Christians on the map : topographic mosaics from late antique Jordan as representations of authority and status.” 2016. Doctoral Dissertation, University of Louisville. Accessed October 15, 2019. 10.18297/etd/2484 ; https://ir.library.louisville.edu/etd/2484.

MLA Handbook (7th Edition):

Eckersley, Tracey Elizabeth. “Putting Christians on the map : topographic mosaics from late antique Jordan as representations of authority and status.” 2016. Web. 15 Oct 2019.

Vancouver:

Eckersley TE. Putting Christians on the map : topographic mosaics from late antique Jordan as representations of authority and status. [Internet] [Doctoral dissertation]. University of Louisville; 2016. [cited 2019 Oct 15]. Available from: 10.18297/etd/2484 ; https://ir.library.louisville.edu/etd/2484.

Council of Science Editors:

Eckersley TE. Putting Christians on the map : topographic mosaics from late antique Jordan as representations of authority and status. [Doctoral Dissertation]. University of Louisville; 2016. Available from: 10.18297/etd/2484 ; https://ir.library.louisville.edu/etd/2484


Louisiana State University

7. Pearson, Alexandra Leigh. Three functions for the fac̦ade of Wells Cathedral: competition for the bishopric, liturgy and processions, and Heavenly Jerusalem.

Degree: MA, Arts and Humanities, 2009, Louisiana State University

  The facade of Wells Cathedral belongs among the most extraordinary church facades in all of England. An expanse of architectural and figural sculpture, the… (more)

Subjects/Keywords: Church Triumphant; Palm Sunday; Marian Iconography; Catholic England; English Gothic Architecture; Medieval Art

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APA (6th Edition):

Pearson, A. L. (2009). Three functions for the fac̦ade of Wells Cathedral: competition for the bishopric, liturgy and processions, and Heavenly Jerusalem. (Masters Thesis). Louisiana State University. Retrieved from etd-04072009-011724 ; https://digitalcommons.lsu.edu/gradschool_theses/1916

Chicago Manual of Style (16th Edition):

Pearson, Alexandra Leigh. “Three functions for the fac̦ade of Wells Cathedral: competition for the bishopric, liturgy and processions, and Heavenly Jerusalem.” 2009. Masters Thesis, Louisiana State University. Accessed October 15, 2019. etd-04072009-011724 ; https://digitalcommons.lsu.edu/gradschool_theses/1916.

MLA Handbook (7th Edition):

Pearson, Alexandra Leigh. “Three functions for the fac̦ade of Wells Cathedral: competition for the bishopric, liturgy and processions, and Heavenly Jerusalem.” 2009. Web. 15 Oct 2019.

Vancouver:

Pearson AL. Three functions for the fac̦ade of Wells Cathedral: competition for the bishopric, liturgy and processions, and Heavenly Jerusalem. [Internet] [Masters thesis]. Louisiana State University; 2009. [cited 2019 Oct 15]. Available from: etd-04072009-011724 ; https://digitalcommons.lsu.edu/gradschool_theses/1916.

Council of Science Editors:

Pearson AL. Three functions for the fac̦ade of Wells Cathedral: competition for the bishopric, liturgy and processions, and Heavenly Jerusalem. [Masters Thesis]. Louisiana State University; 2009. Available from: etd-04072009-011724 ; https://digitalcommons.lsu.edu/gradschool_theses/1916


Virginia Tech

8. Armistead, Mary Allyson. The Middle English Physiologus: A Critical Translation and Commentary.

Degree: MA, English, 2001, Virginia Tech

 The tradition of the "Physiologus" is an influential one, and informed medieval literature â not to mention medieval art and architectureâ more than we know.… (more)

Subjects/Keywords: Middle English; Medieval iconography; animals; bestiary

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APA (6th Edition):

Armistead, M. A. (2001). The Middle English Physiologus: A Critical Translation and Commentary. (Masters Thesis). Virginia Tech. Retrieved from http://hdl.handle.net/10919/31894

Chicago Manual of Style (16th Edition):

Armistead, Mary Allyson. “The Middle English Physiologus: A Critical Translation and Commentary.” 2001. Masters Thesis, Virginia Tech. Accessed October 15, 2019. http://hdl.handle.net/10919/31894.

MLA Handbook (7th Edition):

Armistead, Mary Allyson. “The Middle English Physiologus: A Critical Translation and Commentary.” 2001. Web. 15 Oct 2019.

Vancouver:

Armistead MA. The Middle English Physiologus: A Critical Translation and Commentary. [Internet] [Masters thesis]. Virginia Tech; 2001. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/10919/31894.

Council of Science Editors:

Armistead MA. The Middle English Physiologus: A Critical Translation and Commentary. [Masters Thesis]. Virginia Tech; 2001. Available from: http://hdl.handle.net/10919/31894


George Mason University

9. Lockwood, Susan. Artistic Adaptation in the Jewish Diaspora: The Ashkenazi Approach to Ornament in the Decorative Arts .

Degree: 2013, George Mason University

 This thesis challenges some commonly held opinions about the restrictive nature of the Ashkenazi decorative arts vocabulary, often perceived as the result of a long-practiced… (more)

Subjects/Keywords: Jewish art; Jewish history; Ashkenazi; Jewish tombstone iconography; Medieval manuscripts; Jewish Diaspora

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APA (6th Edition):

Lockwood, S. (2013). Artistic Adaptation in the Jewish Diaspora: The Ashkenazi Approach to Ornament in the Decorative Arts . (Thesis). George Mason University. Retrieved from http://hdl.handle.net/1920/8471

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lockwood, Susan. “Artistic Adaptation in the Jewish Diaspora: The Ashkenazi Approach to Ornament in the Decorative Arts .” 2013. Thesis, George Mason University. Accessed October 15, 2019. http://hdl.handle.net/1920/8471.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lockwood, Susan. “Artistic Adaptation in the Jewish Diaspora: The Ashkenazi Approach to Ornament in the Decorative Arts .” 2013. Web. 15 Oct 2019.

Vancouver:

Lockwood S. Artistic Adaptation in the Jewish Diaspora: The Ashkenazi Approach to Ornament in the Decorative Arts . [Internet] [Thesis]. George Mason University; 2013. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1920/8471.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lockwood S. Artistic Adaptation in the Jewish Diaspora: The Ashkenazi Approach to Ornament in the Decorative Arts . [Thesis]. George Mason University; 2013. Available from: http://hdl.handle.net/1920/8471

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Wisconsin – Milwaukee

10. Billings, Traci N. Gender Reflections: a Reconsideration of Pictish Mirror and Comb Symbols.

Degree: MS, Anthropology, 2016, University of Wisconsin – Milwaukee

  The interpretation of prehistoric iconography is complicated by the tendency to project contemporary male/female gender dichotomies into the past. Pictish monumental stone sculpture in… (more)

Subjects/Keywords: Gender; Iconography; Inalienable Objects; Picts; Power; Scotland; Archaeological Anthropology; European History; Medieval History

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APA (6th Edition):

Billings, T. N. (2016). Gender Reflections: a Reconsideration of Pictish Mirror and Comb Symbols. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/1351

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Billings, Traci N. “Gender Reflections: a Reconsideration of Pictish Mirror and Comb Symbols.” 2016. Thesis, University of Wisconsin – Milwaukee. Accessed October 15, 2019. https://dc.uwm.edu/etd/1351.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Billings, Traci N. “Gender Reflections: a Reconsideration of Pictish Mirror and Comb Symbols.” 2016. Web. 15 Oct 2019.

Vancouver:

Billings TN. Gender Reflections: a Reconsideration of Pictish Mirror and Comb Symbols. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2016. [cited 2019 Oct 15]. Available from: https://dc.uwm.edu/etd/1351.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Billings TN. Gender Reflections: a Reconsideration of Pictish Mirror and Comb Symbols. [Thesis]. University of Wisconsin – Milwaukee; 2016. Available from: https://dc.uwm.edu/etd/1351

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Univerzitet u Beogradu

11. Odak, Marina, 1969-. Иконографија и симболика представа на српском средњовековном новцу.

Degree: Filološki fakultet, 2016, Univerzitet u Beogradu

Историја уметности - Историја средоовековне уметности / Art History - Medieval Art History

У антици и средоем веку право на коване новца представљало је централно… (more)

Subjects/Keywords: Medieval Serbia; Byzantium; Medieval West; money; seals; jewellery; iconography of images; symbolism of images; ideology of rulers; propaganda of rulers

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APA (6th Edition):

Odak, Marina, 1. (2016). Иконографија и симболика представа на српском средњовековном новцу. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:10725/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Odak, Marina, 1969-. “Иконографија и симболика представа на српском средњовековном новцу.” 2016. Thesis, Univerzitet u Beogradu. Accessed October 15, 2019. https://fedorabg.bg.ac.rs/fedora/get/o:10725/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Odak, Marina, 1969-. “Иконографија и симболика представа на српском средњовековном новцу.” 2016. Web. 15 Oct 2019.

Vancouver:

Odak, Marina 1. Иконографија и симболика представа на српском средњовековном новцу. [Internet] [Thesis]. Univerzitet u Beogradu; 2016. [cited 2019 Oct 15]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:10725/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Odak, Marina 1. Иконографија и симболика представа на српском средњовековном новцу. [Thesis]. Univerzitet u Beogradu; 2016. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:10725/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Plymouth

12. Andrew, Susan. Late medieval roof bosses in the churches of Devon.

Degree: PhD, 2011, University of Plymouth

 The extensive survival of late medieval bosses in the roofs of many parish churches in Devon has long been recognised. These carvings escaped the widespread… (more)

Subjects/Keywords: 270; roof boss, medieval carving, medieval parish church, Devon church, iconography, green man, foliate head, three hares, pre-Reformation religion

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APA (6th Edition):

Andrew, S. (2011). Late medieval roof bosses in the churches of Devon. (Doctoral Dissertation). University of Plymouth. Retrieved from http://hdl.handle.net/10026.1/529

Chicago Manual of Style (16th Edition):

Andrew, Susan. “Late medieval roof bosses in the churches of Devon.” 2011. Doctoral Dissertation, University of Plymouth. Accessed October 15, 2019. http://hdl.handle.net/10026.1/529.

MLA Handbook (7th Edition):

Andrew, Susan. “Late medieval roof bosses in the churches of Devon.” 2011. Web. 15 Oct 2019.

Vancouver:

Andrew S. Late medieval roof bosses in the churches of Devon. [Internet] [Doctoral dissertation]. University of Plymouth; 2011. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/10026.1/529.

Council of Science Editors:

Andrew S. Late medieval roof bosses in the churches of Devon. [Doctoral Dissertation]. University of Plymouth; 2011. Available from: http://hdl.handle.net/10026.1/529


University of Guelph

13. Stojanovic, Vanja. The Kilnaruane High Cross: Iconography, Site, and Potential Pilgrimage Round in Bantry, County Cork .

Degree: 2015, University of Guelph

 This thesis considers the iconography and site of the last-surviving (fragmentary) standing cross in south-west Ireland: the Kilnaruane High Cross. Overlooking Bantry Bay atop a… (more)

Subjects/Keywords: iconography; Ireland; Bantry; County Cork; Saint Brendan the Navigator; Medieval art; Art History; High Cross; currach; pilgrimage; medieval sculpture

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APA (6th Edition):

Stojanovic, V. (2015). The Kilnaruane High Cross: Iconography, Site, and Potential Pilgrimage Round in Bantry, County Cork . (Thesis). University of Guelph. Retrieved from https://atrium.lib.uoguelph.ca/xmlui/handle/10214/9081

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stojanovic, Vanja. “The Kilnaruane High Cross: Iconography, Site, and Potential Pilgrimage Round in Bantry, County Cork .” 2015. Thesis, University of Guelph. Accessed October 15, 2019. https://atrium.lib.uoguelph.ca/xmlui/handle/10214/9081.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stojanovic, Vanja. “The Kilnaruane High Cross: Iconography, Site, and Potential Pilgrimage Round in Bantry, County Cork .” 2015. Web. 15 Oct 2019.

Vancouver:

Stojanovic V. The Kilnaruane High Cross: Iconography, Site, and Potential Pilgrimage Round in Bantry, County Cork . [Internet] [Thesis]. University of Guelph; 2015. [cited 2019 Oct 15]. Available from: https://atrium.lib.uoguelph.ca/xmlui/handle/10214/9081.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stojanovic V. The Kilnaruane High Cross: Iconography, Site, and Potential Pilgrimage Round in Bantry, County Cork . [Thesis]. University of Guelph; 2015. Available from: https://atrium.lib.uoguelph.ca/xmlui/handle/10214/9081

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Ho, Sau Fong. Iconography analysis of the representations of the Last Judgement in late medieval France.

Degree: 2012, University of Edinburgh

 The aim of this thesis is to analyse the iconographic elements in large-scale representations of the Last Judgement in late medieval France, c. 1380 –… (more)

Subjects/Keywords: Last Judgement; French medieval painting; iconography

…in France: the Late Middle Ages: A Study of Medieval Iconography and Its Sources, trans… …intended and to whom it was directed? Previous studies of the Last Judgement iconography in… …studies of the Last Judgement iconography tend either to be unhelpfully broad, featuring only… …Judgement iconography with broad coverage, such as the account by Emile Mâle 6 s .7 More often… …developments of iconography within regional and local settings and do not focus on any particular… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ho, S. F. (2012). Iconography analysis of the representations of the Last Judgement in late medieval France. (Thesis). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/7601

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ho, Sau Fong. “Iconography analysis of the representations of the Last Judgement in late medieval France.” 2012. Thesis, University of Edinburgh. Accessed October 15, 2019. http://hdl.handle.net/1842/7601.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ho, Sau Fong. “Iconography analysis of the representations of the Last Judgement in late medieval France.” 2012. Web. 15 Oct 2019.

Vancouver:

Ho SF. Iconography analysis of the representations of the Last Judgement in late medieval France. [Internet] [Thesis]. University of Edinburgh; 2012. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1842/7601.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ho SF. Iconography analysis of the representations of the Last Judgement in late medieval France. [Thesis]. University of Edinburgh; 2012. Available from: http://hdl.handle.net/1842/7601

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Thuaudet, Olivier. Les accessoires métalliques du vêtement et de la parure de corps en Provence du XIe au XVIe siècle : étude archéologique et approche croisée d'une production méconnue : Metal clothing accessories and body adornment in Provence from the eleventh to the sixteenth century : archaeological study and cross of a little known approach production.

Degree: Docteur es, Archéologie, 2015, Aix Marseille Université

Les fouilles archéologiques portant sur la période des XIe – XVIe siècles menées en Provence livrent de très nombreux accessoires métalliques du costume et de… (more)

Subjects/Keywords: Métal; Artefacts; Costume; Moyen Âge; Epoque moderne; Archéologie; Sources écrites; Iconographie; Metal; Artefacts; Costume; Medieval; Modern period; Archeology; Written sources; Iconography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Thuaudet, O. (2015). Les accessoires métalliques du vêtement et de la parure de corps en Provence du XIe au XVIe siècle : étude archéologique et approche croisée d'une production méconnue : Metal clothing accessories and body adornment in Provence from the eleventh to the sixteenth century : archaeological study and cross of a little known approach production. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2015AIXM3128

Chicago Manual of Style (16th Edition):

Thuaudet, Olivier. “Les accessoires métalliques du vêtement et de la parure de corps en Provence du XIe au XVIe siècle : étude archéologique et approche croisée d'une production méconnue : Metal clothing accessories and body adornment in Provence from the eleventh to the sixteenth century : archaeological study and cross of a little known approach production.” 2015. Doctoral Dissertation, Aix Marseille Université. Accessed October 15, 2019. http://www.theses.fr/2015AIXM3128.

MLA Handbook (7th Edition):

Thuaudet, Olivier. “Les accessoires métalliques du vêtement et de la parure de corps en Provence du XIe au XVIe siècle : étude archéologique et approche croisée d'une production méconnue : Metal clothing accessories and body adornment in Provence from the eleventh to the sixteenth century : archaeological study and cross of a little known approach production.” 2015. Web. 15 Oct 2019.

Vancouver:

Thuaudet O. Les accessoires métalliques du vêtement et de la parure de corps en Provence du XIe au XVIe siècle : étude archéologique et approche croisée d'une production méconnue : Metal clothing accessories and body adornment in Provence from the eleventh to the sixteenth century : archaeological study and cross of a little known approach production. [Internet] [Doctoral dissertation]. Aix Marseille Université 2015. [cited 2019 Oct 15]. Available from: http://www.theses.fr/2015AIXM3128.

Council of Science Editors:

Thuaudet O. Les accessoires métalliques du vêtement et de la parure de corps en Provence du XIe au XVIe siècle : étude archéologique et approche croisée d'une production méconnue : Metal clothing accessories and body adornment in Provence from the eleventh to the sixteenth century : archaeological study and cross of a little known approach production. [Doctoral Dissertation]. Aix Marseille Université 2015. Available from: http://www.theses.fr/2015AIXM3128


University of Guelph

16. Duong, Yen M. Materiality in the Queenship of Isabeau of Bavaria .

Degree: 2014, University of Guelph

 This thesis revisits the origins of Isabeau of Bavaria’s notorious reputation – her ‘Black Legend’. Among medievalists, the commonly held opinion regarding Isabeau, Queen Consort… (more)

Subjects/Keywords: queenship; Isabeau de Baviere; Isabeau of Bavaria; Late-Medieval France; Gender performance; fifteenth-century France; material culture studies; iconography

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APA (6th Edition):

Duong, Y. M. (2014). Materiality in the Queenship of Isabeau of Bavaria . (Thesis). University of Guelph. Retrieved from https://atrium.lib.uoguelph.ca/xmlui/handle/10214/8013

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Duong, Yen M. “Materiality in the Queenship of Isabeau of Bavaria .” 2014. Thesis, University of Guelph. Accessed October 15, 2019. https://atrium.lib.uoguelph.ca/xmlui/handle/10214/8013.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Duong, Yen M. “Materiality in the Queenship of Isabeau of Bavaria .” 2014. Web. 15 Oct 2019.

Vancouver:

Duong YM. Materiality in the Queenship of Isabeau of Bavaria . [Internet] [Thesis]. University of Guelph; 2014. [cited 2019 Oct 15]. Available from: https://atrium.lib.uoguelph.ca/xmlui/handle/10214/8013.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Duong YM. Materiality in the Queenship of Isabeau of Bavaria . [Thesis]. University of Guelph; 2014. Available from: https://atrium.lib.uoguelph.ca/xmlui/handle/10214/8013

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Tarleton, Madison Elizabeth. Central Sacrifice and the Sacrificial Other: A Thematic Comparison of Anti-Judaic and Anti-Semitic Artwork Emerging in Germany.

Degree: MA, Religious Studies, 2017, U of Denver

  This study finds solace in image(s) more so than in written text(s) and the religious understanding of anti-Judaic and anti-Semitic distinction, rather than a… (more)

Subjects/Keywords: Anti-Jewish Iconography; Anti-Judaism; Anti-Semitic Propoganda; Anti-Semitism; Germany; Medieval Artwork; History of Art, Architecture, and Archaeology; Jewish Studies; Religion

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APA (6th Edition):

Tarleton, M. E. (2017). Central Sacrifice and the Sacrificial Other: A Thematic Comparison of Anti-Judaic and Anti-Semitic Artwork Emerging in Germany. (Thesis). U of Denver. Retrieved from https://digitalcommons.du.edu/etd/1301

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tarleton, Madison Elizabeth. “Central Sacrifice and the Sacrificial Other: A Thematic Comparison of Anti-Judaic and Anti-Semitic Artwork Emerging in Germany.” 2017. Thesis, U of Denver. Accessed October 15, 2019. https://digitalcommons.du.edu/etd/1301.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tarleton, Madison Elizabeth. “Central Sacrifice and the Sacrificial Other: A Thematic Comparison of Anti-Judaic and Anti-Semitic Artwork Emerging in Germany.” 2017. Web. 15 Oct 2019.

Vancouver:

Tarleton ME. Central Sacrifice and the Sacrificial Other: A Thematic Comparison of Anti-Judaic and Anti-Semitic Artwork Emerging in Germany. [Internet] [Thesis]. U of Denver; 2017. [cited 2019 Oct 15]. Available from: https://digitalcommons.du.edu/etd/1301.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tarleton ME. Central Sacrifice and the Sacrificial Other: A Thematic Comparison of Anti-Judaic and Anti-Semitic Artwork Emerging in Germany. [Thesis]. U of Denver; 2017. Available from: https://digitalcommons.du.edu/etd/1301

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

18. Fresquet, Xavier. Les cithares-planche médiévales : organologie, reconstitution et translatio musicae : Medieval board zithers : organology, reconstruction and translatio musicae.

Degree: Docteur es, Musicologie, 2011, Université Paris-Sorbonne – Paris IV

Développée à partir d’un corpus documentaire de plus de 200 représentations iconographiques réparties entre le IXe et le XVe siècle, cette thèse s’appuie aussi sur… (more)

Subjects/Keywords: Cithares-planche; Moyen Âge; Qanun; Dulcimer; Psaltérion; Organologie; Iconographie; Translatio; Board zither; Instrumental classification; Dulce melos; Dulcimer; Instruments making and performance, social and symbolic function; Hackbrett; Iconography; Medieval instruments

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APA (6th Edition):

Fresquet, X. (2011). Les cithares-planche médiévales : organologie, reconstitution et translatio musicae : Medieval board zithers : organology, reconstruction and translatio musicae. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2011PA040074

Chicago Manual of Style (16th Edition):

Fresquet, Xavier. “Les cithares-planche médiévales : organologie, reconstitution et translatio musicae : Medieval board zithers : organology, reconstruction and translatio musicae.” 2011. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed October 15, 2019. http://www.theses.fr/2011PA040074.

MLA Handbook (7th Edition):

Fresquet, Xavier. “Les cithares-planche médiévales : organologie, reconstitution et translatio musicae : Medieval board zithers : organology, reconstruction and translatio musicae.” 2011. Web. 15 Oct 2019.

Vancouver:

Fresquet X. Les cithares-planche médiévales : organologie, reconstitution et translatio musicae : Medieval board zithers : organology, reconstruction and translatio musicae. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2011. [cited 2019 Oct 15]. Available from: http://www.theses.fr/2011PA040074.

Council of Science Editors:

Fresquet X. Les cithares-planche médiévales : organologie, reconstitution et translatio musicae : Medieval board zithers : organology, reconstruction and translatio musicae. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2011. Available from: http://www.theses.fr/2011PA040074

19. Dionysopoulos, Nikolaos. Πορτρέτα κοσμικών δωρητών στην εντοίχια ζωγραφική του Αγίου Όρους (14ος-αρχές 16ου αιώνα): η ιστορική και η ιδεολογική διάσταση της εικονογραφίας του ορθόδοξου ηγεμόνα στο αθωνικό περιβάλλον.

Degree: 2012, University of Thessaly (UTH); Πανεπιστήμιο Θεσσαλίας

 In the medieval world of Eastern Christianity, the donor who committed himself to the obligation of financially supporting the erection or renovation of a church,… (more)

Subjects/Keywords: Άγιον Όρος; Μνημειακή ζωγραφική; Πορτρέτα; Δωρητές; Ορθόδοξοι ηγεμόνες; Βυζαντινή αυτοκρατορία; Μεσαιωνική Σερβία; Βλαχία; Μολδαβία; Οθωμανική αυτοκρατορία; Οικουμενικό Πατριαρχείο; Εικονογραφία; Mount Athos; Monumental painting; Portraits; Donors; Orthodox rulers; Byzantine empire; Medieval Serbia; Wallachia; Moldavia; Ottoman empire; Ecumenical Patriarchate; Iconography

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APA (6th Edition):

Dionysopoulos, N. (2012). Πορτρέτα κοσμικών δωρητών στην εντοίχια ζωγραφική του Αγίου Όρους (14ος-αρχές 16ου αιώνα): η ιστορική και η ιδεολογική διάσταση της εικονογραφίας του ορθόδοξου ηγεμόνα στο αθωνικό περιβάλλον. (Thesis). University of Thessaly (UTH); Πανεπιστήμιο Θεσσαλίας. Retrieved from http://hdl.handle.net/10442/hedi/32125

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dionysopoulos, Nikolaos. “Πορτρέτα κοσμικών δωρητών στην εντοίχια ζωγραφική του Αγίου Όρους (14ος-αρχές 16ου αιώνα): η ιστορική και η ιδεολογική διάσταση της εικονογραφίας του ορθόδοξου ηγεμόνα στο αθωνικό περιβάλλον.” 2012. Thesis, University of Thessaly (UTH); Πανεπιστήμιο Θεσσαλίας. Accessed October 15, 2019. http://hdl.handle.net/10442/hedi/32125.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dionysopoulos, Nikolaos. “Πορτρέτα κοσμικών δωρητών στην εντοίχια ζωγραφική του Αγίου Όρους (14ος-αρχές 16ου αιώνα): η ιστορική και η ιδεολογική διάσταση της εικονογραφίας του ορθόδοξου ηγεμόνα στο αθωνικό περιβάλλον.” 2012. Web. 15 Oct 2019.

Vancouver:

Dionysopoulos N. Πορτρέτα κοσμικών δωρητών στην εντοίχια ζωγραφική του Αγίου Όρους (14ος-αρχές 16ου αιώνα): η ιστορική και η ιδεολογική διάσταση της εικονογραφίας του ορθόδοξου ηγεμόνα στο αθωνικό περιβάλλον. [Internet] [Thesis]. University of Thessaly (UTH); Πανεπιστήμιο Θεσσαλίας; 2012. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/10442/hedi/32125.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dionysopoulos N. Πορτρέτα κοσμικών δωρητών στην εντοίχια ζωγραφική του Αγίου Όρους (14ος-αρχές 16ου αιώνα): η ιστορική και η ιδεολογική διάσταση της εικονογραφίας του ορθόδοξου ηγεμόνα στο αθωνικό περιβάλλον. [Thesis]. University of Thessaly (UTH); Πανεπιστήμιο Θεσσαλίας; 2012. Available from: http://hdl.handle.net/10442/hedi/32125

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Bertoni Cren, Nadia. La sculpture sur bois polychrome des XIe et XIIe siècles en Bourgogne : Roman wood sculptures from Burgundy.

Degree: Docteur es, Histoire de l'art, 2013, Université de Bourgogne

Le corpus de sculptures romanes en bois de la région de Bourgogne est réuni pour la première fois dans un catalogue, complété par une documentation… (more)

Subjects/Keywords: Sculpture médiévale; Bois polychrome; Art roman; Bourgogne; XIe siècle; XIIe siècle; Cluny; Autun; Vézelay; Examen stylistique; Medieval wood sculpture; Romanesque art; Burgundy; XIth century; XIIth century; Cluny; Autun; Vezelay; Stylistic examination; Iconography; 730

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bertoni Cren, N. (2013). La sculpture sur bois polychrome des XIe et XIIe siècles en Bourgogne : Roman wood sculptures from Burgundy. (Doctoral Dissertation). Université de Bourgogne. Retrieved from http://www.theses.fr/2013DIJOL030

Chicago Manual of Style (16th Edition):

Bertoni Cren, Nadia. “La sculpture sur bois polychrome des XIe et XIIe siècles en Bourgogne : Roman wood sculptures from Burgundy.” 2013. Doctoral Dissertation, Université de Bourgogne. Accessed October 15, 2019. http://www.theses.fr/2013DIJOL030.

MLA Handbook (7th Edition):

Bertoni Cren, Nadia. “La sculpture sur bois polychrome des XIe et XIIe siècles en Bourgogne : Roman wood sculptures from Burgundy.” 2013. Web. 15 Oct 2019.

Vancouver:

Bertoni Cren N. La sculpture sur bois polychrome des XIe et XIIe siècles en Bourgogne : Roman wood sculptures from Burgundy. [Internet] [Doctoral dissertation]. Université de Bourgogne; 2013. [cited 2019 Oct 15]. Available from: http://www.theses.fr/2013DIJOL030.

Council of Science Editors:

Bertoni Cren N. La sculpture sur bois polychrome des XIe et XIIe siècles en Bourgogne : Roman wood sculptures from Burgundy. [Doctoral Dissertation]. Université de Bourgogne; 2013. Available from: http://www.theses.fr/2013DIJOL030

21. Cayuela Vellido, Begoña. Tradiciones y transmisión iconográfica en el arte altomedieval. La iconografía del sacrificio de Isaac en el arte hispánico (siglos VII al XII).

Degree: Departament d'Història de l'Art, 2013, Universitat de Barcelona

 This thesis studies the iconography of the sacrifice of Isaac in a group of Hispanic medieval works dating from the seventh century to the twelfth… (more)

Subjects/Keywords: Imatges religioses; Imaginería religiosa; Holy cards; Iconografia; Iconografía; Iconography; Art romànic; Arte románico; Romanesque art; Art medieval; Arte medieval; Medieval art; Ciències Humanes i Socials; 74

…sacrificio de Isaac en el período medieval (BASCHET, 2000: 63-98). El objetivo de este… …arte medieval. Como hipótesis a validar se plantea la proposición de que aquellos objetos… …revisará la historiografía pertinente sobre el tema en el campo de la Historia del arte medieval… …más controvertidos de la Historia del arte medieval en la actualidad. El congreso que el… …Index of Christian Art organizara hace veinte años, titulado Iconography at the Crossroads, se… 

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APA (6th Edition):

Cayuela Vellido, B. (2013). Tradiciones y transmisión iconográfica en el arte altomedieval. La iconografía del sacrificio de Isaac en el arte hispánico (siglos VII al XII). (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/129907

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cayuela Vellido, Begoña. “Tradiciones y transmisión iconográfica en el arte altomedieval. La iconografía del sacrificio de Isaac en el arte hispánico (siglos VII al XII).” 2013. Thesis, Universitat de Barcelona. Accessed October 15, 2019. http://hdl.handle.net/10803/129907.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cayuela Vellido, Begoña. “Tradiciones y transmisión iconográfica en el arte altomedieval. La iconografía del sacrificio de Isaac en el arte hispánico (siglos VII al XII).” 2013. Web. 15 Oct 2019.

Vancouver:

Cayuela Vellido B. Tradiciones y transmisión iconográfica en el arte altomedieval. La iconografía del sacrificio de Isaac en el arte hispánico (siglos VII al XII). [Internet] [Thesis]. Universitat de Barcelona; 2013. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/10803/129907.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cayuela Vellido B. Tradiciones y transmisión iconográfica en el arte altomedieval. La iconografía del sacrificio de Isaac en el arte hispánico (siglos VII al XII). [Thesis]. Universitat de Barcelona; 2013. Available from: http://hdl.handle.net/10803/129907

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

22. Pryor, Rebekah. This is my body: re-imagining the mother and the sacred in art and ordinary life.

Degree: 2017, University of Melbourne

 This art practice-led project re-examines traditional images of the maternal body in Christian visual culture in order to generate new motifs that more ethically imagine… (more)

Subjects/Keywords: installation art; performance art; visual art; practice-led research; maternal; body; mother; divine; Luce Irigaray; Marie-José Mondzain; Julia Kristeva; Roland Barthes; Julian of Norwich; Rowan Williams; Catherine Keller; Elizabeth A. Johnson; Heather Walton; Christianity; iconography; medieval mysticism; the Virgin Mary; feminist philosophy; feminist theology; constructive theology; religious aesthetic; symbolic; religion; architecture; sacred; domestic; difference; sexuate difference; irreducible; transcendent; interval.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pryor, R. (2017). This is my body: re-imagining the mother and the sacred in art and ordinary life. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/197462

Chicago Manual of Style (16th Edition):

Pryor, Rebekah. “This is my body: re-imagining the mother and the sacred in art and ordinary life.” 2017. Doctoral Dissertation, University of Melbourne. Accessed October 15, 2019. http://hdl.handle.net/11343/197462.

MLA Handbook (7th Edition):

Pryor, Rebekah. “This is my body: re-imagining the mother and the sacred in art and ordinary life.” 2017. Web. 15 Oct 2019.

Vancouver:

Pryor R. This is my body: re-imagining the mother and the sacred in art and ordinary life. [Internet] [Doctoral dissertation]. University of Melbourne; 2017. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/11343/197462.

Council of Science Editors:

Pryor R. This is my body: re-imagining the mother and the sacred in art and ordinary life. [Doctoral Dissertation]. University of Melbourne; 2017. Available from: http://hdl.handle.net/11343/197462

23. López Martínez, María Itzel. Representaciones del héroe en los manuscritos ilustrados de Chrétien de Troyes : estudio iconográfico.

Degree: Departament d'Humanitats, 2015, Universitat Pompeu Fabra

 The illustrated manuscripts that preserve the writings of Chrétien de Troyes, Twelfth century poet and one of the first authors of Arthurian romances, may inspire… (more)

Subjects/Keywords: Chrétien de Troyes; Leyenda artúrica; Héroe artúrico; Héroe; Roman courtois; Arte artúrico; Iconografía medieval; Imagen Edad Media; Representación Edad Media; Arthurian legend; Arthurian hero; Hero; Courtly roman; Arthurian art; Medieval iconography; Medieval image; Image Middle Ages; Representation Middle Ages; 82

…x28;1957, 33). Consideramos, en efecto, que a partir de la novela artúrica medieval, los… 

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APA (6th Edition):

López Martínez, M. I. (2015). Representaciones del héroe en los manuscritos ilustrados de Chrétien de Troyes : estudio iconográfico. (Thesis). Universitat Pompeu Fabra. Retrieved from http://hdl.handle.net/10803/286736

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

López Martínez, María Itzel. “Representaciones del héroe en los manuscritos ilustrados de Chrétien de Troyes : estudio iconográfico.” 2015. Thesis, Universitat Pompeu Fabra. Accessed October 15, 2019. http://hdl.handle.net/10803/286736.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

López Martínez, María Itzel. “Representaciones del héroe en los manuscritos ilustrados de Chrétien de Troyes : estudio iconográfico.” 2015. Web. 15 Oct 2019.

Vancouver:

López Martínez MI. Representaciones del héroe en los manuscritos ilustrados de Chrétien de Troyes : estudio iconográfico. [Internet] [Thesis]. Universitat Pompeu Fabra; 2015. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/10803/286736.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

López Martínez MI. Representaciones del héroe en los manuscritos ilustrados de Chrétien de Troyes : estudio iconográfico. [Thesis]. Universitat Pompeu Fabra; 2015. Available from: http://hdl.handle.net/10803/286736

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Baylor University

24. Werner, Karen Svendsen. Art and artistry in Katherine Anne Porter : iconographic figures and festive patterns.

Degree: English., 2013, Baylor University

 Exploring how art influences the works of Katherine Anne Porter (1890-1980), this study examines the way Porter’s fictional narrative patterns adapt and arrange images from… (more)

Subjects/Keywords: "María Concepción".; Iconography.; Rabelais.; Agrarians.; Mask.; Mirror.; Narrative.; Porter, Katherine Anne.; Noon wine.; Modernist art.; Modernist literature.; Folk art.; Folk carnival.; Festive pattern.; Bruegel, Pieter.; Bakhtin, Mikhail.; Gamio, Manuel.; Boas, Franz.; Joyce, James.; Late-medieval art.; Renaissance art.; Dance of death.; Contemporary anthropology.; Mexican art.; Posada, José Guadalupe.; Book of hours.; Grotesque body.; King figure.; Clown figure.; Pale horse, pale rider.; "The cracked looking-glass".; "The jilting of Granny Weatherall".; Art and writing.; Artistry.

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APA (6th Edition):

Werner, K. S. (2013). Art and artistry in Katherine Anne Porter : iconographic figures and festive patterns. (Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/8603

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Werner, Karen Svendsen. “Art and artistry in Katherine Anne Porter : iconographic figures and festive patterns. ” 2013. Thesis, Baylor University. Accessed October 15, 2019. http://hdl.handle.net/2104/8603.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Werner, Karen Svendsen. “Art and artistry in Katherine Anne Porter : iconographic figures and festive patterns. ” 2013. Web. 15 Oct 2019.

Vancouver:

Werner KS. Art and artistry in Katherine Anne Porter : iconographic figures and festive patterns. [Internet] [Thesis]. Baylor University; 2013. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/2104/8603.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Werner KS. Art and artistry in Katherine Anne Porter : iconographic figures and festive patterns. [Thesis]. Baylor University; 2013. Available from: http://hdl.handle.net/2104/8603

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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