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You searched for subject:(Medieval Poetic). Showing records 1 – 9 of 9 total matches.

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University of Missouri – Columbia

1. Ramey, Peter A. The poetics of the medium: aesthetic forms and technologies of the word in the English Middle Ages.

Degree: 2012, University of Missouri – Columbia

 [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This dissertation argues that we can understand poetic form in the Middle Ages as language… (more)

Subjects/Keywords: medieval literature; poetic form; communication technology

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APA (6th Edition):

Ramey, P. A. (2012). The poetics of the medium: aesthetic forms and technologies of the word in the English Middle Ages. (Thesis). University of Missouri – Columbia. Retrieved from http://hdl.handle.net/10355/15189

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ramey, Peter A. “The poetics of the medium: aesthetic forms and technologies of the word in the English Middle Ages.” 2012. Thesis, University of Missouri – Columbia. Accessed October 17, 2019. http://hdl.handle.net/10355/15189.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ramey, Peter A. “The poetics of the medium: aesthetic forms and technologies of the word in the English Middle Ages.” 2012. Web. 17 Oct 2019.

Vancouver:

Ramey PA. The poetics of the medium: aesthetic forms and technologies of the word in the English Middle Ages. [Internet] [Thesis]. University of Missouri – Columbia; 2012. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10355/15189.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ramey PA. The poetics of the medium: aesthetic forms and technologies of the word in the English Middle Ages. [Thesis]. University of Missouri – Columbia; 2012. Available from: http://hdl.handle.net/10355/15189

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Missouri – Columbia

2. Ramey, Peter A. The poetics of the medium: aesthetic forms and technologies of the word in the English Middle Ages.

Degree: 2012, University of Missouri – Columbia

 [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This dissertation argues that we can understand poetic form in the Middle Ages as language… (more)

Subjects/Keywords: medieval literature; poetic form; communication technology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ramey, P. A. (2012). The poetics of the medium: aesthetic forms and technologies of the word in the English Middle Ages. (Thesis). University of Missouri – Columbia. Retrieved from https://doi.org/10.32469/10355/15189

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ramey, Peter A. “The poetics of the medium: aesthetic forms and technologies of the word in the English Middle Ages.” 2012. Thesis, University of Missouri – Columbia. Accessed October 17, 2019. https://doi.org/10.32469/10355/15189.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ramey, Peter A. “The poetics of the medium: aesthetic forms and technologies of the word in the English Middle Ages.” 2012. Web. 17 Oct 2019.

Vancouver:

Ramey PA. The poetics of the medium: aesthetic forms and technologies of the word in the English Middle Ages. [Internet] [Thesis]. University of Missouri – Columbia; 2012. [cited 2019 Oct 17]. Available from: https://doi.org/10.32469/10355/15189.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ramey PA. The poetics of the medium: aesthetic forms and technologies of the word in the English Middle Ages. [Thesis]. University of Missouri – Columbia; 2012. Available from: https://doi.org/10.32469/10355/15189

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Georgia

3. Hannon, Timothy. The transforming self and otherworldly wisdom: sources of poetic inspiration in medieval northwest Europe.

Degree: MA, Comparative Literature, 2010, University of Georgia

 Certain tales of the medieval Norse, Anglo-Saxons, Irish and Welsh explain the source of poetic inspiration as existing in a world apart, whether that be… (more)

Subjects/Keywords: Medieval; Poetic inspiration; Inspiration; Poetry; Myth; Legend; Norse; Óðinn; Odin; Anglo-Saxon; Irish; Welsh; Medieval England; Medieval Ireland; Medieval Wales; Medieval Iceland; Medieval Scandinavia; Medieval poetry; Medieval Christianity; Taliesin

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APA (6th Edition):

Hannon, T. (2010). The transforming self and otherworldly wisdom: sources of poetic inspiration in medieval northwest Europe. (Masters Thesis). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/hannon_timothy_201005_ma

Chicago Manual of Style (16th Edition):

Hannon, Timothy. “The transforming self and otherworldly wisdom: sources of poetic inspiration in medieval northwest Europe.” 2010. Masters Thesis, University of Georgia. Accessed October 17, 2019. http://purl.galileo.usg.edu/uga_etd/hannon_timothy_201005_ma.

MLA Handbook (7th Edition):

Hannon, Timothy. “The transforming self and otherworldly wisdom: sources of poetic inspiration in medieval northwest Europe.” 2010. Web. 17 Oct 2019.

Vancouver:

Hannon T. The transforming self and otherworldly wisdom: sources of poetic inspiration in medieval northwest Europe. [Internet] [Masters thesis]. University of Georgia; 2010. [cited 2019 Oct 17]. Available from: http://purl.galileo.usg.edu/uga_etd/hannon_timothy_201005_ma.

Council of Science Editors:

Hannon T. The transforming self and otherworldly wisdom: sources of poetic inspiration in medieval northwest Europe. [Masters Thesis]. University of Georgia; 2010. Available from: http://purl.galileo.usg.edu/uga_etd/hannon_timothy_201005_ma

4. Molin, Samuel. L'éclosion de l'écriture métaphorique à l'aube de la littérature française : étude sur la métaphore dans les textes du XIIème siècle : The birth of metaphorical writing at the dawn of French literature : study on metaphor in the 12th century texts.

Degree: Docteur es, Littératures française, francophones et comparée, 2014, Université Michel de Montaigne – Bordeaux III

La littérature en langue vernaculaire du XIIe siècle cristallise une évolution lente dans les styles d'écriture : une simple lecture permet de constater l'absence ou… (more)

Subjects/Keywords: Métaphore; XIIe siècle; Poétique latine; Poétique médiévale; Stylistique médiévale; Metaphor; 12th century; Latin Poetic; Medieval Poetic; Medieval Stylistic

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APA (6th Edition):

Molin, S. (2014). L'éclosion de l'écriture métaphorique à l'aube de la littérature française : étude sur la métaphore dans les textes du XIIème siècle : The birth of metaphorical writing at the dawn of French literature : study on metaphor in the 12th century texts. (Doctoral Dissertation). Université Michel de Montaigne – Bordeaux III. Retrieved from http://www.theses.fr/2014BOR30037

Chicago Manual of Style (16th Edition):

Molin, Samuel. “L'éclosion de l'écriture métaphorique à l'aube de la littérature française : étude sur la métaphore dans les textes du XIIème siècle : The birth of metaphorical writing at the dawn of French literature : study on metaphor in the 12th century texts.” 2014. Doctoral Dissertation, Université Michel de Montaigne – Bordeaux III. Accessed October 17, 2019. http://www.theses.fr/2014BOR30037.

MLA Handbook (7th Edition):

Molin, Samuel. “L'éclosion de l'écriture métaphorique à l'aube de la littérature française : étude sur la métaphore dans les textes du XIIème siècle : The birth of metaphorical writing at the dawn of French literature : study on metaphor in the 12th century texts.” 2014. Web. 17 Oct 2019.

Vancouver:

Molin S. L'éclosion de l'écriture métaphorique à l'aube de la littérature française : étude sur la métaphore dans les textes du XIIème siècle : The birth of metaphorical writing at the dawn of French literature : study on metaphor in the 12th century texts. [Internet] [Doctoral dissertation]. Université Michel de Montaigne – Bordeaux III; 2014. [cited 2019 Oct 17]. Available from: http://www.theses.fr/2014BOR30037.

Council of Science Editors:

Molin S. L'éclosion de l'écriture métaphorique à l'aube de la littérature française : étude sur la métaphore dans les textes du XIIème siècle : The birth of metaphorical writing at the dawn of French literature : study on metaphor in the 12th century texts. [Doctoral Dissertation]. Université Michel de Montaigne – Bordeaux III; 2014. Available from: http://www.theses.fr/2014BOR30037


University of Pennsylvania

5. Pious, Samantha Spotswood Weil. The Cent Ballades D’amant Et De Dame Of Christine De Pizan: A Critical Introduction And Literary Translation.

Degree: 2018, University of Pennsylvania

 Christine de Pizan (ca. 1364–1430?) was the first professional secular woman writer of late-medieval (or early modern) France. Despite her significance in global literary history,… (more)

Subjects/Keywords: Christine de Pizan; poetic forms; poetics; poetry; Comparative Literature; Medieval Studies; Translation Studies

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APA (6th Edition):

Pious, S. S. W. (2018). The Cent Ballades D’amant Et De Dame Of Christine De Pizan: A Critical Introduction And Literary Translation. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/2768

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pious, Samantha Spotswood Weil. “The Cent Ballades D’amant Et De Dame Of Christine De Pizan: A Critical Introduction And Literary Translation.” 2018. Thesis, University of Pennsylvania. Accessed October 17, 2019. https://repository.upenn.edu/edissertations/2768.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pious, Samantha Spotswood Weil. “The Cent Ballades D’amant Et De Dame Of Christine De Pizan: A Critical Introduction And Literary Translation.” 2018. Web. 17 Oct 2019.

Vancouver:

Pious SSW. The Cent Ballades D’amant Et De Dame Of Christine De Pizan: A Critical Introduction And Literary Translation. [Internet] [Thesis]. University of Pennsylvania; 2018. [cited 2019 Oct 17]. Available from: https://repository.upenn.edu/edissertations/2768.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pious SSW. The Cent Ballades D’amant Et De Dame Of Christine De Pizan: A Critical Introduction And Literary Translation. [Thesis]. University of Pennsylvania; 2018. Available from: https://repository.upenn.edu/edissertations/2768

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Franceschini, Baptiste. L'oulipien translateur : la bibliothèque médiévale de Jacques Roubaud : The oulipian ''translator'' : the medieval library of Jacques Roubaud.

Degree: Docteur es, Littérature française, francophone et comparée, 2013, Université Michel de Montaigne – Bordeaux III

Cette thèse s'intéresse à la manière dont l'Oulipien Jacques Roubaud, tout en réécrivant des textes et des motifs venus du Moyen Âge, exhume aussi des… (more)

Subjects/Keywords: Jacques Roubaud; Poétique médiévale; Oulipo; Moyen Âge; Réécriture; Intertextualité; Jacques Roubaud; Medieval poetic; Oulipo; Middle Ages; Rewriting; Intertextuality

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APA (6th Edition):

Franceschini, B. (2013). L'oulipien translateur : la bibliothèque médiévale de Jacques Roubaud : The oulipian ''translator'' : the medieval library of Jacques Roubaud. (Doctoral Dissertation). Université Michel de Montaigne – Bordeaux III. Retrieved from http://www.theses.fr/2013BOR30002

Chicago Manual of Style (16th Edition):

Franceschini, Baptiste. “L'oulipien translateur : la bibliothèque médiévale de Jacques Roubaud : The oulipian ''translator'' : the medieval library of Jacques Roubaud.” 2013. Doctoral Dissertation, Université Michel de Montaigne – Bordeaux III. Accessed October 17, 2019. http://www.theses.fr/2013BOR30002.

MLA Handbook (7th Edition):

Franceschini, Baptiste. “L'oulipien translateur : la bibliothèque médiévale de Jacques Roubaud : The oulipian ''translator'' : the medieval library of Jacques Roubaud.” 2013. Web. 17 Oct 2019.

Vancouver:

Franceschini B. L'oulipien translateur : la bibliothèque médiévale de Jacques Roubaud : The oulipian ''translator'' : the medieval library of Jacques Roubaud. [Internet] [Doctoral dissertation]. Université Michel de Montaigne – Bordeaux III; 2013. [cited 2019 Oct 17]. Available from: http://www.theses.fr/2013BOR30002.

Council of Science Editors:

Franceschini B. L'oulipien translateur : la bibliothèque médiévale de Jacques Roubaud : The oulipian ''translator'' : the medieval library of Jacques Roubaud. [Doctoral Dissertation]. Université Michel de Montaigne – Bordeaux III; 2013. Available from: http://www.theses.fr/2013BOR30002


University of Cambridge

7. Olley, Katherine Marie. Kinship and Narrative in Old Norse Literature: Parent-Child Relations in Mythic-Heroic Texts .

Degree: 2019, University of Cambridge

 The thesis explores the imaginative depiction of parent-child relations in the Poetic Edda, Snorra Edda and the fornaldarsaga corpus, with the aim of illuminating both… (more)

Subjects/Keywords: Old Norse; Kinship; Parent-Child Relations; Fornaldarsǫgur; Poetic Edda; Snorra Edda; Narrative Structure; Medieval Family; Maternity; Paternity

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APA (6th Edition):

Olley, K. M. (2019). Kinship and Narrative in Old Norse Literature: Parent-Child Relations in Mythic-Heroic Texts . (Thesis). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/290599

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Olley, Katherine Marie. “Kinship and Narrative in Old Norse Literature: Parent-Child Relations in Mythic-Heroic Texts .” 2019. Thesis, University of Cambridge. Accessed October 17, 2019. https://www.repository.cam.ac.uk/handle/1810/290599.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Olley, Katherine Marie. “Kinship and Narrative in Old Norse Literature: Parent-Child Relations in Mythic-Heroic Texts .” 2019. Web. 17 Oct 2019.

Vancouver:

Olley KM. Kinship and Narrative in Old Norse Literature: Parent-Child Relations in Mythic-Heroic Texts . [Internet] [Thesis]. University of Cambridge; 2019. [cited 2019 Oct 17]. Available from: https://www.repository.cam.ac.uk/handle/1810/290599.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Olley KM. Kinship and Narrative in Old Norse Literature: Parent-Child Relations in Mythic-Heroic Texts . [Thesis]. University of Cambridge; 2019. Available from: https://www.repository.cam.ac.uk/handle/1810/290599

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Bedel, Marie. La « matière troyenne » dans la littérature médiévale : Guido delle Colonne Historia destructionis Troiae : introduction, édition-traduction partielles et commentaire : Geração MPB : filiações, diálogos e rupturas. : Movimentos musicais e dinâmica sociocultural no Brasil contemporâneo.

Degree: Docteur es, Lettres et arts, 2014, Université Lumière – Lyon II

 Ce travail propose d’étudier l’un des nombreux textes médiévaux portant sur le mythe de la guerre de Troie. Transmis à l’Occident médiéval non pas par… (more)

Subjects/Keywords: Guerre de Troie; Sicile; Dictys de Crète; Darès de Phrygie; Virgile; Ovide; Isidore de Séville; Benoît de Sainte-Maure; Romans antiques; Morale; Politique; Prose; Latin; Érudition; Géographie; Astronomie; Démonologie; Arts libéraux; Arts poétiques; Mythologie; Révélation; Encyclopédie médiévale; Trojan War; Sicily; Dictys the Cretan; Dares the Phrygian; Virgil; Ovid, Isidore of Seville; Benoît de Sainte-Maure; Ancient novels; Morality; Politics; Prose; Latin; Erudition; Geography; Astronomy; Demonology; Liberal arts; Poetic arts; Mythology; Revelation; Medieval encyclopedia

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APA (6th Edition):

Bedel, M. (2014). La « matière troyenne » dans la littérature médiévale : Guido delle Colonne Historia destructionis Troiae : introduction, édition-traduction partielles et commentaire : Geração MPB : filiações, diálogos e rupturas. : Movimentos musicais e dinâmica sociocultural no Brasil contemporâneo. (Doctoral Dissertation). Université Lumière – Lyon II. Retrieved from http://www.theses.fr/2014LYO20042

Chicago Manual of Style (16th Edition):

Bedel, Marie. “La « matière troyenne » dans la littérature médiévale : Guido delle Colonne Historia destructionis Troiae : introduction, édition-traduction partielles et commentaire : Geração MPB : filiações, diálogos e rupturas. : Movimentos musicais e dinâmica sociocultural no Brasil contemporâneo.” 2014. Doctoral Dissertation, Université Lumière – Lyon II. Accessed October 17, 2019. http://www.theses.fr/2014LYO20042.

MLA Handbook (7th Edition):

Bedel, Marie. “La « matière troyenne » dans la littérature médiévale : Guido delle Colonne Historia destructionis Troiae : introduction, édition-traduction partielles et commentaire : Geração MPB : filiações, diálogos e rupturas. : Movimentos musicais e dinâmica sociocultural no Brasil contemporâneo.” 2014. Web. 17 Oct 2019.

Vancouver:

Bedel M. La « matière troyenne » dans la littérature médiévale : Guido delle Colonne Historia destructionis Troiae : introduction, édition-traduction partielles et commentaire : Geração MPB : filiações, diálogos e rupturas. : Movimentos musicais e dinâmica sociocultural no Brasil contemporâneo. [Internet] [Doctoral dissertation]. Université Lumière – Lyon II; 2014. [cited 2019 Oct 17]. Available from: http://www.theses.fr/2014LYO20042.

Council of Science Editors:

Bedel M. La « matière troyenne » dans la littérature médiévale : Guido delle Colonne Historia destructionis Troiae : introduction, édition-traduction partielles et commentaire : Geração MPB : filiações, diálogos e rupturas. : Movimentos musicais e dinâmica sociocultural no Brasil contemporâneo. [Doctoral Dissertation]. Université Lumière – Lyon II; 2014. Available from: http://www.theses.fr/2014LYO20042


Brno University of Technology

9. Hýl, Petr. Slovinské národní divadlo v Lublani .

Degree: 2009, Brno University of Technology

SLOVINSKÉ NÁRODNÍ DIVADLO V LUBLANI Autorská zpráva k diplomové práci Bc. Petr Hýl vedoucí práce: doc. ing. arch. Zdeněk Makovský; SLOVENE NATIONAL THEATRE IN LJUBLJANA Author Report Of The Diploma Work Author: Bc. Petr Hýl Supervisor: doc. ing. arch. Zdeněk Makovský Advisors/Committee Members: Makovský, Zdeněk (advisor).

Subjects/Keywords: DIVADLO Divadelní umění je staré jako lidstvo samo. Za dobu své existence prošlo dlouhým a barvitým vývojem; z něhož jsme zmapovali zřejmě jen malou část. Požadavek činoherního divadla a přítomnost dalších klasických divadel ve městě vedlo k inspiraci divadlem řeckým; japonským; středověkým; alžbětinským; totálním; osvobozeným; arénovým. Moderní budova činohry národního divadla se nemůže spoléhat pouze na klasická schémata; i když i ta mohou být požadována. Návrh reflektuje divadlo především jako místo střetnutí dvou protichůdných světů; světa reálného; v němž žijeme; a světa zidealizovaného; přetvořeného; který vídáme na jevišti; světa skutečnosti a jejího obrazu; světa tragédie a komedie; světa skutečných tváří herců a jejich masek; jejich skutečných osobností a jejich rolí; světa skutečných věcí a kulis; světa prostorového a plošně zjednodušeného. Také dva základní protichůdné pohledy na divadelní umění jako na svět ideální; pompézní; výchovný; poučný a zábavný a na divadlo jako nemilosrdné zrcadlo našeho života; subjektivní; věrné či sarkastické; i rozpor těchto dvou chápání divadla můžeme zahrnout mezi divadelní dvojakosti. BUDOVA Nová budova divadla chce být zhmotněním dialogu; základního stavebního prvku divadelní tvorby; kterým Aischylos povýšil do té doby všeplatné zpěvné a taneční rituály na skutečné drama. Dialog spolu vedou dvě protichůdné formy – budova divadla a její prázdný otisk – veřejné prostranství. Klasifikace dialog a monolog se stává subjektivní; uvažujeme-li za druhý subjekt prázdno. Tato představa dodává úvaze existenciální náboj. Samotné dvě formy – plná a prázdná – mají kromě parafráze divadelní protichůdnosti; pověstného rozhraní dvou světů; přesah do mnoha dalších oblastí života – podobně jako samotné divadlo. Tvar budovy - zužující a zvyšující se hmota - vznikl spolu s prostranstvím spontánně jako asociace doplňkovosti. Tento tvar však reaguje kromě urbanistických a provozních návazností také na ideu moderního divadla; které by mělo být proměnlivé a dynamické. Vzletný tvar budovy zhmotňuje nejen tuto abstraktní dynamiku; ale je také intuitivním přepisem dynamiky hereckého projevu; přetlaku energie sršící z člověka; nepostradatelné nejen k hereckému výkonu; ale také ke všem lidským tvůrčím činnostem.; THEATRE Dramatic art is as old as human society. During its existence it has passed through long and colourful evolution which we charted probably only really partially. Requierement of a drama theatre and presence of another classical thetre buildings in the town caused an inspiration by Greek; Japonese; medieval; Elizabethan; Total; Exempt or arena theatre. A modern bulding of national drama theatre can´t depend of only calssical schemes; though even those could be reguired. The project reflect theatre first of all as a place of a battle of two contradictory worlds; a real world which we live in it; and an ideal; transformated world which we use to see on a stage; a world of reality and a world of its reflex; a world of tragedy and a of comedy; a world of existing faces of actors and a world of their masks; their real personalities and their parts; a world of true things and a world od scenes; a three-dimensional world and a 2D-simplified world. Also the two contradictory views of dramatic art; the first one as an ideal world; pompous; educational; instructive and funy and the second as a merciless mirror of our own lifes; subjective; authentic or caustic; so even this discrepancy of those two different opinions of theatre we could add in the theatre duplicity. BUILDING The new theatre building wants to be an objectification of a dialog; which is the basic structural element of dramatic production; whith which Aischylos sublimated singing and dancig rituals which were of binding force in that times to a real drama. This dialog is runned by two antagonistic forms – the theatre building and its empty impression – a public space. Established classification of dialog and monolog becomes subjective; if we suppose an emptiness as the second object. This idea gives our meditation an existencial character a bit. The two forms by themselves – the full one and the empty one –except of an imitation of theatre dialectics; a proverbial boundery-line of two worlds; also transcend into many other spheres of human life – analogous to a theatre. The shape of the building – a diminished and raising mass – has arised within the open space spontaneously as an association of complementing. But this shape – except other urbanistic and functional sequences - also reacts to an ide of modern theatre; which should be variable and dynamic. The poetic shape of the building not only materializes thist abstract dynamism but it is also an intuitive transscription of dynamism of an actor´s manifestation; an overpressure of human energy which is indispensable not only for a performance but also for all human creative activities.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hýl, P. (2009). Slovinské národní divadlo v Lublani . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/3455

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hýl, Petr. “Slovinské národní divadlo v Lublani .” 2009. Thesis, Brno University of Technology. Accessed October 17, 2019. http://hdl.handle.net/11012/3455.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hýl, Petr. “Slovinské národní divadlo v Lublani .” 2009. Web. 17 Oct 2019.

Vancouver:

Hýl P. Slovinské národní divadlo v Lublani . [Internet] [Thesis]. Brno University of Technology; 2009. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/11012/3455.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hýl P. Slovinské národní divadlo v Lublani . [Thesis]. Brno University of Technology; 2009. Available from: http://hdl.handle.net/11012/3455

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.