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You searched for subject:(Martial arts in motion pictures ). Showing records 1 – 30 of 117890 total matches.

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University of Hong Kong

1. Wu, Yuen-wai, Helena. Beyond rivers and lakes: a cultural study of jianghu.

Degree: M. Phil., 2011, University of Hong Kong

published_or_final_version

Comparative Literature

Master

Master of Philosophy

Advisors/Committee Members: Cheung, EMK.

Subjects/Keywords: Martial arts in motion pictures.; Martial arts in literature.

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APA (6th Edition):

Wu, Yuen-wai, H. (2011). Beyond rivers and lakes: a cultural study of jianghu. (Masters Thesis). University of Hong Kong. Retrieved from Wu, Y. H. [胡婉慧]. (2011). Beyond rivers and lakes : a cultural study of jianghu. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4629023 ; http://dx.doi.org/10.5353/th_b4629023 ; http://hdl.handle.net/10722/137084

Chicago Manual of Style (16th Edition):

Wu, Yuen-wai, Helena. “Beyond rivers and lakes: a cultural study of jianghu.” 2011. Masters Thesis, University of Hong Kong. Accessed July 17, 2019. Wu, Y. H. [胡婉慧]. (2011). Beyond rivers and lakes : a cultural study of jianghu. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4629023 ; http://dx.doi.org/10.5353/th_b4629023 ; http://hdl.handle.net/10722/137084.

MLA Handbook (7th Edition):

Wu, Yuen-wai, Helena. “Beyond rivers and lakes: a cultural study of jianghu.” 2011. Web. 17 Jul 2019.

Vancouver:

Wu, Yuen-wai H. Beyond rivers and lakes: a cultural study of jianghu. [Internet] [Masters thesis]. University of Hong Kong; 2011. [cited 2019 Jul 17]. Available from: Wu, Y. H. [胡婉慧]. (2011). Beyond rivers and lakes : a cultural study of jianghu. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4629023 ; http://dx.doi.org/10.5353/th_b4629023 ; http://hdl.handle.net/10722/137084.

Council of Science Editors:

Wu, Yuen-wai H. Beyond rivers and lakes: a cultural study of jianghu. [Masters Thesis]. University of Hong Kong; 2011. Available from: Wu, Y. H. [胡婉慧]. (2011). Beyond rivers and lakes : a cultural study of jianghu. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4629023 ; http://dx.doi.org/10.5353/th_b4629023 ; http://hdl.handle.net/10722/137084


University of Glasgow

2. Figgis, Laurence. (In)edible beauty: the surreal, the uncanny, the sentimental in Walt Disney's fairy-tale cartoons, 1937-1991.

Degree: 2013, University of Glasgow

 This research has not been informed by direct visual comparison between Disney animation and works of avant-garde surrealism. Instead the author has drawn on verbal… (more)

Subjects/Keywords: NX Arts in general; PN1993 Motion Pictures

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APA (6th Edition):

Figgis, L. (2013). (In)edible beauty: the surreal, the uncanny, the sentimental in Walt Disney's fairy-tale cartoons, 1937-1991. (Thesis). University of Glasgow. Retrieved from http://theses.gla.ac.uk/4338/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Figgis, Laurence. “(In)edible beauty: the surreal, the uncanny, the sentimental in Walt Disney's fairy-tale cartoons, 1937-1991.” 2013. Thesis, University of Glasgow. Accessed July 17, 2019. http://theses.gla.ac.uk/4338/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Figgis, Laurence. “(In)edible beauty: the surreal, the uncanny, the sentimental in Walt Disney's fairy-tale cartoons, 1937-1991.” 2013. Web. 17 Jul 2019.

Vancouver:

Figgis L. (In)edible beauty: the surreal, the uncanny, the sentimental in Walt Disney's fairy-tale cartoons, 1937-1991. [Internet] [Thesis]. University of Glasgow; 2013. [cited 2019 Jul 17]. Available from: http://theses.gla.ac.uk/4338/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Figgis L. (In)edible beauty: the surreal, the uncanny, the sentimental in Walt Disney's fairy-tale cartoons, 1937-1991. [Thesis]. University of Glasgow; 2013. Available from: http://theses.gla.ac.uk/4338/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

3. Marnewick, Benjamin Meiring. Drawing on/from a mirror : a self-reflexive study of the representation and perception of violence in contemporary film.

Degree: MA, Visual Arts, 2011, Stellenbosch University

ENGLISH ABSTRACT: The cinematic communication process starts with the creative enunciation by the filmmaker and ends with the viewer's subjective perception of the film. This… (more)

Subjects/Keywords: Visual arts; Violence in motion pictures

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APA (6th Edition):

Marnewick, B. M. (2011). Drawing on/from a mirror : a self-reflexive study of the representation and perception of violence in contemporary film. (Masters Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/6582

Chicago Manual of Style (16th Edition):

Marnewick, Benjamin Meiring. “Drawing on/from a mirror : a self-reflexive study of the representation and perception of violence in contemporary film.” 2011. Masters Thesis, Stellenbosch University. Accessed July 17, 2019. http://hdl.handle.net/10019.1/6582.

MLA Handbook (7th Edition):

Marnewick, Benjamin Meiring. “Drawing on/from a mirror : a self-reflexive study of the representation and perception of violence in contemporary film.” 2011. Web. 17 Jul 2019.

Vancouver:

Marnewick BM. Drawing on/from a mirror : a self-reflexive study of the representation and perception of violence in contemporary film. [Internet] [Masters thesis]. Stellenbosch University; 2011. [cited 2019 Jul 17]. Available from: http://hdl.handle.net/10019.1/6582.

Council of Science Editors:

Marnewick BM. Drawing on/from a mirror : a self-reflexive study of the representation and perception of violence in contemporary film. [Masters Thesis]. Stellenbosch University; 2011. Available from: http://hdl.handle.net/10019.1/6582


Hong Kong University of Science and Technology

4. Tong, Kelley Ka Kei. Hong Kong comedy : Stephen Chow and Kung Fu movies.

Degree: 2012, Hong Kong University of Science and Technology

 Stephen Chow is arguably the most important and distinctive actor and director of the 1990s and 2000s cinema of Hong Kong comedy, with an indigenous… (more)

Subjects/Keywords: Zhou, Xingchi, 1962-; Comedy films; China; Hong Kong; History and criticism; Martial arts films; Motion pictures

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APA (6th Edition):

Tong, K. K. K. (2012). Hong Kong comedy : Stephen Chow and Kung Fu movies. (Thesis). Hong Kong University of Science and Technology. Retrieved from https://doi.org/10.14711/thesis-b1197927 ; http://repository.ust.hk/ir/bitstream/1783.1-73414/1/th_redirect.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tong, Kelley Ka Kei. “Hong Kong comedy : Stephen Chow and Kung Fu movies.” 2012. Thesis, Hong Kong University of Science and Technology. Accessed July 17, 2019. https://doi.org/10.14711/thesis-b1197927 ; http://repository.ust.hk/ir/bitstream/1783.1-73414/1/th_redirect.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tong, Kelley Ka Kei. “Hong Kong comedy : Stephen Chow and Kung Fu movies.” 2012. Web. 17 Jul 2019.

Vancouver:

Tong KKK. Hong Kong comedy : Stephen Chow and Kung Fu movies. [Internet] [Thesis]. Hong Kong University of Science and Technology; 2012. [cited 2019 Jul 17]. Available from: https://doi.org/10.14711/thesis-b1197927 ; http://repository.ust.hk/ir/bitstream/1783.1-73414/1/th_redirect.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tong KKK. Hong Kong comedy : Stephen Chow and Kung Fu movies. [Thesis]. Hong Kong University of Science and Technology; 2012. Available from: https://doi.org/10.14711/thesis-b1197927 ; http://repository.ust.hk/ir/bitstream/1783.1-73414/1/th_redirect.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

5. 吳海珊.; Ng, Hoi-shan, Crystal. Rewriting Louis Cha's classical characters in filmic representation inresponse to the political and cultural mutation of Hong Kong 90S -Wong Kar Wai and Tsui Hark.

Degree: MA, 1998, University of Hong Kong

published_or_final_version

Literary and Cultural Studies

Master

Master of Arts

Subjects/Keywords: Identity (Psychology) in motion pictures - China - Hong Kong.; Motion pictures - China - Hong Kong.; Martial arts fiction, Chinese - China - Hong Kong.; Motion picture film.; Motion picture producers and directors.; Motion pictures producers and directors - China - Hong Kong.

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APA (6th Edition):

吳海珊.; Ng, Hoi-shan, C. (1998). Rewriting Louis Cha's classical characters in filmic representation inresponse to the political and cultural mutation of Hong Kong 90S -Wong Kar Wai and Tsui Hark. (Masters Thesis). University of Hong Kong. Retrieved from Ng, H. C. [吳海珊]. (1998). Rewriting Louis Cha's classical characters in filmic representation in response to the political and cultural mutation of Hong Kong 90S - Wong Kar Wai and Tsui Hark. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195169 ; http://dx.doi.org/10.5353/th_b3195169 ; http://hdl.handle.net/10722/40449

Chicago Manual of Style (16th Edition):

吳海珊.; Ng, Hoi-shan, Crystal. “Rewriting Louis Cha's classical characters in filmic representation inresponse to the political and cultural mutation of Hong Kong 90S -Wong Kar Wai and Tsui Hark.” 1998. Masters Thesis, University of Hong Kong. Accessed July 17, 2019. Ng, H. C. [吳海珊]. (1998). Rewriting Louis Cha's classical characters in filmic representation in response to the political and cultural mutation of Hong Kong 90S - Wong Kar Wai and Tsui Hark. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195169 ; http://dx.doi.org/10.5353/th_b3195169 ; http://hdl.handle.net/10722/40449.

MLA Handbook (7th Edition):

吳海珊.; Ng, Hoi-shan, Crystal. “Rewriting Louis Cha's classical characters in filmic representation inresponse to the political and cultural mutation of Hong Kong 90S -Wong Kar Wai and Tsui Hark.” 1998. Web. 17 Jul 2019.

Vancouver:

吳海珊.; Ng, Hoi-shan C. Rewriting Louis Cha's classical characters in filmic representation inresponse to the political and cultural mutation of Hong Kong 90S -Wong Kar Wai and Tsui Hark. [Internet] [Masters thesis]. University of Hong Kong; 1998. [cited 2019 Jul 17]. Available from: Ng, H. C. [吳海珊]. (1998). Rewriting Louis Cha's classical characters in filmic representation in response to the political and cultural mutation of Hong Kong 90S - Wong Kar Wai and Tsui Hark. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195169 ; http://dx.doi.org/10.5353/th_b3195169 ; http://hdl.handle.net/10722/40449.

Council of Science Editors:

吳海珊.; Ng, Hoi-shan C. Rewriting Louis Cha's classical characters in filmic representation inresponse to the political and cultural mutation of Hong Kong 90S -Wong Kar Wai and Tsui Hark. [Masters Thesis]. University of Hong Kong; 1998. Available from: Ng, H. C. [吳海珊]. (1998). Rewriting Louis Cha's classical characters in filmic representation in response to the political and cultural mutation of Hong Kong 90S - Wong Kar Wai and Tsui Hark. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195169 ; http://dx.doi.org/10.5353/th_b3195169 ; http://hdl.handle.net/10722/40449


Nelson Mandela Metropolitan University

6. O'Reilly, Kevin Joseph. Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films.

Degree: Faculty of Arts, 2008, Nelson Mandela Metropolitan University

 The roles that women perform as depicted in African films are often dictated to by the type of society they find themselves in. At first… (more)

Subjects/Keywords: Motion pictures  – Africa; Women in motion pictures

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APA (6th Edition):

O'Reilly, K. J. (2008). Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/789

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

O'Reilly, Kevin Joseph. “Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films.” 2008. Thesis, Nelson Mandela Metropolitan University. Accessed July 17, 2019. http://hdl.handle.net/10948/789.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

O'Reilly, Kevin Joseph. “Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films.” 2008. Web. 17 Jul 2019.

Vancouver:

O'Reilly KJ. Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2008. [cited 2019 Jul 17]. Available from: http://hdl.handle.net/10948/789.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

O'Reilly KJ. Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films. [Thesis]. Nelson Mandela Metropolitan University; 2008. Available from: http://hdl.handle.net/10948/789

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

7. Jiwaji, Aamera Hamzaali. Negotiating the global : how young women in Nairobi shape their local identities in response to aspects of the mexican telenovela, Cuando seas mia.

Degree: Faculty of Humanities, Journalism and Media Studies, 2010, Rhodes University

 Latin American telenovelas have been exported to more than a hundred countries across the globe. While they are popular in their country of production because… (more)

Subjects/Keywords: Cuando seas mia (Television program); Television soap operas  – Kenya; Motion pictures and youth  – Kenya; Emigration and immigration in motion pictures  – Kenya; Ethnicity in motion pictures  – Kenya; Arts and society  – Kenya

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APA (6th Edition):

Jiwaji, A. H. (2010). Negotiating the global : how young women in Nairobi shape their local identities in response to aspects of the mexican telenovela, Cuando seas mia. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1013364

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jiwaji, Aamera Hamzaali. “Negotiating the global : how young women in Nairobi shape their local identities in response to aspects of the mexican telenovela, Cuando seas mia.” 2010. Thesis, Rhodes University. Accessed July 17, 2019. http://hdl.handle.net/10962/d1013364.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jiwaji, Aamera Hamzaali. “Negotiating the global : how young women in Nairobi shape their local identities in response to aspects of the mexican telenovela, Cuando seas mia.” 2010. Web. 17 Jul 2019.

Vancouver:

Jiwaji AH. Negotiating the global : how young women in Nairobi shape their local identities in response to aspects of the mexican telenovela, Cuando seas mia. [Internet] [Thesis]. Rhodes University; 2010. [cited 2019 Jul 17]. Available from: http://hdl.handle.net/10962/d1013364.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jiwaji AH. Negotiating the global : how young women in Nairobi shape their local identities in response to aspects of the mexican telenovela, Cuando seas mia. [Thesis]. Rhodes University; 2010. Available from: http://hdl.handle.net/10962/d1013364

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Stirling

8. Tiller, Elizabeth. Women Walking: The Flâneuse and Urban Tourist in Cinema.

Degree: M. Phil., 2015, University of Stirling

 This thesis looks at representations of female mobility and the female gaze in films set in Paris and Tuscany. It primarily looks at these representations… (more)

Subjects/Keywords: Flaneurs in motion pictures; Women in motion pictures; Women tourists; Gaze in motion pictures

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APA (6th Edition):

Tiller, E. (2015). Women Walking: The Flâneuse and Urban Tourist in Cinema. (Masters Thesis). University of Stirling. Retrieved from http://hdl.handle.net/1893/25096

Chicago Manual of Style (16th Edition):

Tiller, Elizabeth. “Women Walking: The Flâneuse and Urban Tourist in Cinema.” 2015. Masters Thesis, University of Stirling. Accessed July 17, 2019. http://hdl.handle.net/1893/25096.

MLA Handbook (7th Edition):

Tiller, Elizabeth. “Women Walking: The Flâneuse and Urban Tourist in Cinema.” 2015. Web. 17 Jul 2019.

Vancouver:

Tiller E. Women Walking: The Flâneuse and Urban Tourist in Cinema. [Internet] [Masters thesis]. University of Stirling; 2015. [cited 2019 Jul 17]. Available from: http://hdl.handle.net/1893/25096.

Council of Science Editors:

Tiller E. Women Walking: The Flâneuse and Urban Tourist in Cinema. [Masters Thesis]. University of Stirling; 2015. Available from: http://hdl.handle.net/1893/25096

9. Coates, Maran. Moderat's rusty nails and loie fuller's serpentine dance : analysis cloth, the body and movement as symbolic interpretation of meaning in film.

Degree: Mtech, Faculty of Arts, 2012, Nelson Mandela Metropolitan Universtiy

 The main objective of the study is to explore how cloth, the body and movement are able to communicate possible symbolic meaning in Loïe Fuller’s… (more)

Subjects/Keywords: Fashion in motion pictures

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APA (6th Edition):

Coates, M. (2012). Moderat's rusty nails and loie fuller's serpentine dance : analysis cloth, the body and movement as symbolic interpretation of meaning in film. (Masters Thesis). Nelson Mandela Metropolitan Universtiy. Retrieved from http://hdl.handle.net/10948/d1015733

Chicago Manual of Style (16th Edition):

Coates, Maran. “Moderat's rusty nails and loie fuller's serpentine dance : analysis cloth, the body and movement as symbolic interpretation of meaning in film.” 2012. Masters Thesis, Nelson Mandela Metropolitan Universtiy. Accessed July 17, 2019. http://hdl.handle.net/10948/d1015733.

MLA Handbook (7th Edition):

Coates, Maran. “Moderat's rusty nails and loie fuller's serpentine dance : analysis cloth, the body and movement as symbolic interpretation of meaning in film.” 2012. Web. 17 Jul 2019.

Vancouver:

Coates M. Moderat's rusty nails and loie fuller's serpentine dance : analysis cloth, the body and movement as symbolic interpretation of meaning in film. [Internet] [Masters thesis]. Nelson Mandela Metropolitan Universtiy; 2012. [cited 2019 Jul 17]. Available from: http://hdl.handle.net/10948/d1015733.

Council of Science Editors:

Coates M. Moderat's rusty nails and loie fuller's serpentine dance : analysis cloth, the body and movement as symbolic interpretation of meaning in film. [Masters Thesis]. Nelson Mandela Metropolitan Universtiy; 2012. Available from: http://hdl.handle.net/10948/d1015733


Nelson Mandela Metropolitan University

10. Theodosiou, Stephanie Nicole. A comparative study of masculinity in the Twilight films and selected teen dramas.

Degree: Faculty of Arts, 2012, Nelson Mandela Metropolitan University

 This research paper aims to investigate the effect mainstream cinema has on the formulation and practice of the masculine stereotype in society, thus exploring the… (more)

Subjects/Keywords: Masculinity in motion pictures

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APA (6th Edition):

Theodosiou, S. N. (2012). A comparative study of masculinity in the Twilight films and selected teen dramas. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/d1019976

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Theodosiou, Stephanie Nicole. “A comparative study of masculinity in the Twilight films and selected teen dramas.” 2012. Thesis, Nelson Mandela Metropolitan University. Accessed July 17, 2019. http://hdl.handle.net/10948/d1019976.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Theodosiou, Stephanie Nicole. “A comparative study of masculinity in the Twilight films and selected teen dramas.” 2012. Web. 17 Jul 2019.

Vancouver:

Theodosiou SN. A comparative study of masculinity in the Twilight films and selected teen dramas. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2012. [cited 2019 Jul 17]. Available from: http://hdl.handle.net/10948/d1019976.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Theodosiou SN. A comparative study of masculinity in the Twilight films and selected teen dramas. [Thesis]. Nelson Mandela Metropolitan University; 2012. Available from: http://hdl.handle.net/10948/d1019976

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

11. Waller, Kathleen Clare. Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong.

Degree: PhD, 2015, University of Hong Kong

At the turn of the century, two major traumas have linked New York City and Hong Kong from opposite sides of the globe. Hong Kong’s… (more)

Subjects/Keywords: Immigrants in motion pictures

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APA (6th Edition):

Waller, K. C. (2015). Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. (Doctoral Dissertation). University of Hong Kong. Retrieved from Waller, K. C.. (2015). Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5760950 ; http://hdl.handle.net/10722/226750

Chicago Manual of Style (16th Edition):

Waller, Kathleen Clare. “Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong.” 2015. Doctoral Dissertation, University of Hong Kong. Accessed July 17, 2019. Waller, K. C.. (2015). Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5760950 ; http://hdl.handle.net/10722/226750.

MLA Handbook (7th Edition):

Waller, Kathleen Clare. “Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong.” 2015. Web. 17 Jul 2019.

Vancouver:

Waller KC. Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. [Internet] [Doctoral dissertation]. University of Hong Kong; 2015. [cited 2019 Jul 17]. Available from: Waller, K. C.. (2015). Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5760950 ; http://hdl.handle.net/10722/226750.

Council of Science Editors:

Waller KC. Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. [Doctoral Dissertation]. University of Hong Kong; 2015. Available from: Waller, K. C.. (2015). Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5760950 ; http://hdl.handle.net/10722/226750


University of Hong Kong

12. Beaumont, James Andrew. The public and the private body : representing disability in world cinema.

Degree: MA, 2016, University of Hong Kong

This dissertation aims to provide new readings of Jacques Audiard’s Rust and Bone and Lee Chang-dong’s Oasis, showing how the films draw attention to the… (more)

Subjects/Keywords: Disabilities in motion pictures

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APA (6th Edition):

Beaumont, J. A. (2016). The public and the private body : representing disability in world cinema. (Masters Thesis). University of Hong Kong. Retrieved from Beaumont, J. A.. (2016). The public and the private body : representing disability in world cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5813908. ; http://dx.doi.org/10.5353/th_b5813908 ; http://hdl.handle.net/10722/237479

Chicago Manual of Style (16th Edition):

Beaumont, James Andrew. “The public and the private body : representing disability in world cinema.” 2016. Masters Thesis, University of Hong Kong. Accessed July 17, 2019. Beaumont, J. A.. (2016). The public and the private body : representing disability in world cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5813908. ; http://dx.doi.org/10.5353/th_b5813908 ; http://hdl.handle.net/10722/237479.

MLA Handbook (7th Edition):

Beaumont, James Andrew. “The public and the private body : representing disability in world cinema.” 2016. Web. 17 Jul 2019.

Vancouver:

Beaumont JA. The public and the private body : representing disability in world cinema. [Internet] [Masters thesis]. University of Hong Kong; 2016. [cited 2019 Jul 17]. Available from: Beaumont, J. A.. (2016). The public and the private body : representing disability in world cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5813908. ; http://dx.doi.org/10.5353/th_b5813908 ; http://hdl.handle.net/10722/237479.

Council of Science Editors:

Beaumont JA. The public and the private body : representing disability in world cinema. [Masters Thesis]. University of Hong Kong; 2016. Available from: Beaumont, J. A.. (2016). The public and the private body : representing disability in world cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5813908. ; http://dx.doi.org/10.5353/th_b5813908 ; http://hdl.handle.net/10722/237479


University of Hong Kong

13. 賴勇衡; Lai, Yung-hang. The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features.

Degree: MA, 2013, University of Hong Kong

This dissertation is a case study of three feature films directed by Gan Xiao’er, a Chinese independent filmmaker. I argue that these films are set… (more)

Subjects/Keywords: Christianity in motion pictures

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APA (6th Edition):

賴勇衡; Lai, Y. (2013). The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features. (Masters Thesis). University of Hong Kong. Retrieved from Lai, Y. [賴勇衡]. (2013). The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5099034 ; http://dx.doi.org/10.5353/th_b5099034 ; http://hdl.handle.net/10722/193566

Chicago Manual of Style (16th Edition):

賴勇衡; Lai, Yung-hang. “The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features.” 2013. Masters Thesis, University of Hong Kong. Accessed July 17, 2019. Lai, Y. [賴勇衡]. (2013). The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5099034 ; http://dx.doi.org/10.5353/th_b5099034 ; http://hdl.handle.net/10722/193566.

MLA Handbook (7th Edition):

賴勇衡; Lai, Yung-hang. “The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features.” 2013. Web. 17 Jul 2019.

Vancouver:

賴勇衡; Lai Y. The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features. [Internet] [Masters thesis]. University of Hong Kong; 2013. [cited 2019 Jul 17]. Available from: Lai, Y. [賴勇衡]. (2013). The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5099034 ; http://dx.doi.org/10.5353/th_b5099034 ; http://hdl.handle.net/10722/193566.

Council of Science Editors:

賴勇衡; Lai Y. The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features. [Masters Thesis]. University of Hong Kong; 2013. Available from: Lai, Y. [賴勇衡]. (2013). The postsocialist cross in rural China : a case study of Gan Xiao'er's religious features. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5099034 ; http://dx.doi.org/10.5353/th_b5099034 ; http://hdl.handle.net/10722/193566


University of Hong Kong

14. 陳仁川; Chan, Yan-chuen. Neorealism and the Chinese ideology in Yamada Yoji's family films.

Degree: PhD, 2014, University of Hong Kong

 Besides Tora-san series and samurai trilogy, veteran Japanese filmmaker Yamada Yoji also endeavors in making family films, however, his ‘home drama’1 genre has long been… (more)

Subjects/Keywords: Realism in motion pictures

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APA (6th Edition):

陳仁川; Chan, Y. (2014). Neorealism and the Chinese ideology in Yamada Yoji's family films. (Doctoral Dissertation). University of Hong Kong. Retrieved from Chan, Y. [陳仁川]. (2014). Neorealism and the Chinese ideology in Yamada Yoji's family films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5446485 ; http://hdl.handle.net/10722/210180

Chicago Manual of Style (16th Edition):

陳仁川; Chan, Yan-chuen. “Neorealism and the Chinese ideology in Yamada Yoji's family films.” 2014. Doctoral Dissertation, University of Hong Kong. Accessed July 17, 2019. Chan, Y. [陳仁川]. (2014). Neorealism and the Chinese ideology in Yamada Yoji's family films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5446485 ; http://hdl.handle.net/10722/210180.

MLA Handbook (7th Edition):

陳仁川; Chan, Yan-chuen. “Neorealism and the Chinese ideology in Yamada Yoji's family films.” 2014. Web. 17 Jul 2019.

Vancouver:

陳仁川; Chan Y. Neorealism and the Chinese ideology in Yamada Yoji's family films. [Internet] [Doctoral dissertation]. University of Hong Kong; 2014. [cited 2019 Jul 17]. Available from: Chan, Y. [陳仁川]. (2014). Neorealism and the Chinese ideology in Yamada Yoji's family films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5446485 ; http://hdl.handle.net/10722/210180.

Council of Science Editors:

陳仁川; Chan Y. Neorealism and the Chinese ideology in Yamada Yoji's family films. [Doctoral Dissertation]. University of Hong Kong; 2014. Available from: Chan, Y. [陳仁川]. (2014). Neorealism and the Chinese ideology in Yamada Yoji's family films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5446485 ; http://hdl.handle.net/10722/210180


University of Hong Kong

15. Lo, Po-yee. Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films.

Degree: MA, 2014, University of Hong Kong

In the past decade, Ann Hui as a well-known filmmaker has produced several films concerning women in their middle and older age. My research examines… (more)

Subjects/Keywords: Women in motion pictures

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APA (6th Edition):

Lo, P. (2014). Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. (Masters Thesis). University of Hong Kong. Retrieved from Lo, P. [勞保儀]. (2014). Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5318837 ; http://dx.doi.org/10.5353/th_b5318837 ; http://hdl.handle.net/10722/206613

Chicago Manual of Style (16th Edition):

Lo, Po-yee. “Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films.” 2014. Masters Thesis, University of Hong Kong. Accessed July 17, 2019. Lo, P. [勞保儀]. (2014). Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5318837 ; http://dx.doi.org/10.5353/th_b5318837 ; http://hdl.handle.net/10722/206613.

MLA Handbook (7th Edition):

Lo, Po-yee. “Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films.” 2014. Web. 17 Jul 2019.

Vancouver:

Lo P. Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. [Internet] [Masters thesis]. University of Hong Kong; 2014. [cited 2019 Jul 17]. Available from: Lo, P. [勞保儀]. (2014). Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5318837 ; http://dx.doi.org/10.5353/th_b5318837 ; http://hdl.handle.net/10722/206613.

Council of Science Editors:

Lo P. Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. [Masters Thesis]. University of Hong Kong; 2014. Available from: Lo, P. [勞保儀]. (2014). Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5318837 ; http://dx.doi.org/10.5353/th_b5318837 ; http://hdl.handle.net/10722/206613


University of Hong Kong

16. Chen, Lusi. Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff.

Degree: MA, 2014, University of Hong Kong

Drawing from Michel de Certeau’s notion of the production of space as a practice, this dissertation examines the production of space in Pang Ho-Cheung’s Love… (more)

Subjects/Keywords: Space in motion pictures

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APA (6th Edition):

Chen, L. (2014). Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff. (Masters Thesis). University of Hong Kong. Retrieved from Chen, L. [陳露絲]. (2014). Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5319502 ; http://dx.doi.org/10.5353/th_b5319502 ; http://hdl.handle.net/10722/206560

Chicago Manual of Style (16th Edition):

Chen, Lusi. “Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff.” 2014. Masters Thesis, University of Hong Kong. Accessed July 17, 2019. Chen, L. [陳露絲]. (2014). Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5319502 ; http://dx.doi.org/10.5353/th_b5319502 ; http://hdl.handle.net/10722/206560.

MLA Handbook (7th Edition):

Chen, Lusi. “Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff.” 2014. Web. 17 Jul 2019.

Vancouver:

Chen L. Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff. [Internet] [Masters thesis]. University of Hong Kong; 2014. [cited 2019 Jul 17]. Available from: Chen, L. [陳露絲]. (2014). Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5319502 ; http://dx.doi.org/10.5353/th_b5319502 ; http://hdl.handle.net/10722/206560.

Council of Science Editors:

Chen L. Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff. [Masters Thesis]. University of Hong Kong; 2014. Available from: Chen, L. [陳露絲]. (2014). Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5319502 ; http://dx.doi.org/10.5353/th_b5319502 ; http://hdl.handle.net/10722/206560


University of Hong Kong

17. Coe, Jason George. Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films".

Degree: MA, 2012, University of Hong Kong

This dissertation scrutinizes a corpus of films considered to be the stylistic and thematic descendants of Yasujiro Ozu, which I call “feeling of life films.”… (more)

Subjects/Keywords: Women in motion pictures.

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APA (6th Edition):

Coe, J. G. (2012). Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films". (Masters Thesis). University of Hong Kong. Retrieved from Coe, J. G.. (2012). Left behind by history : complicating narrative, modernity in the mundane, and reading history through women in "feeling of life films". (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4853953 ; http://dx.doi.org/10.5353/th_b4853953 ; http://hdl.handle.net/10722/180066

Chicago Manual of Style (16th Edition):

Coe, Jason George. “Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films".” 2012. Masters Thesis, University of Hong Kong. Accessed July 17, 2019. Coe, J. G.. (2012). Left behind by history : complicating narrative, modernity in the mundane, and reading history through women in "feeling of life films". (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4853953 ; http://dx.doi.org/10.5353/th_b4853953 ; http://hdl.handle.net/10722/180066.

MLA Handbook (7th Edition):

Coe, Jason George. “Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films".” 2012. Web. 17 Jul 2019.

Vancouver:

Coe JG. Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films". [Internet] [Masters thesis]. University of Hong Kong; 2012. [cited 2019 Jul 17]. Available from: Coe, J. G.. (2012). Left behind by history : complicating narrative, modernity in the mundane, and reading history through women in "feeling of life films". (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4853953 ; http://dx.doi.org/10.5353/th_b4853953 ; http://hdl.handle.net/10722/180066.

Council of Science Editors:

Coe JG. Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films". [Masters Thesis]. University of Hong Kong; 2012. Available from: Coe, J. G.. (2012). Left behind by history : complicating narrative, modernity in the mundane, and reading history through women in "feeling of life films". (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4853953 ; http://dx.doi.org/10.5353/th_b4853953 ; http://hdl.handle.net/10722/180066


Oregon State University

18. Yeager, Angela L. Immigrant encounters : film narratives of the modern immigrant.

Degree: MA, English, 2012, Oregon State University

 This thesis employs a narrative analysis of more than twenty-five films that are centrally concerned with immigrants and the immigrant experience. In Part One, drawing… (more)

Subjects/Keywords: Film; Immigrants in motion pictures

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APA (6th Edition):

Yeager, A. L. (2012). Immigrant encounters : film narratives of the modern immigrant. (Masters Thesis). Oregon State University. Retrieved from http://hdl.handle.net/1957/35804

Chicago Manual of Style (16th Edition):

Yeager, Angela L. “Immigrant encounters : film narratives of the modern immigrant.” 2012. Masters Thesis, Oregon State University. Accessed July 17, 2019. http://hdl.handle.net/1957/35804.

MLA Handbook (7th Edition):

Yeager, Angela L. “Immigrant encounters : film narratives of the modern immigrant.” 2012. Web. 17 Jul 2019.

Vancouver:

Yeager AL. Immigrant encounters : film narratives of the modern immigrant. [Internet] [Masters thesis]. Oregon State University; 2012. [cited 2019 Jul 17]. Available from: http://hdl.handle.net/1957/35804.

Council of Science Editors:

Yeager AL. Immigrant encounters : film narratives of the modern immigrant. [Masters Thesis]. Oregon State University; 2012. Available from: http://hdl.handle.net/1957/35804

19. Boland, Carl. A sonic arts approach to sound design practice.

Degree: PhD, 2012, University of South Wales

 This practice-as-research study documents the development of a sonic arts approach to film sound design. An interdisciplinary conceptual framework that combines selected theories of electroacoustic… (more)

Subjects/Keywords: Sound in motion pictures

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APA (6th Edition):

Boland, C. (2012). A sonic arts approach to sound design practice. (Doctoral Dissertation). University of South Wales. Retrieved from https://pure.southwales.ac.uk/en/studentthesis/a-sonic-arts-approach-to-sound-design-practice(27b39541-a56e-4b59-9b75-290d625c0064).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.749697

Chicago Manual of Style (16th Edition):

Boland, Carl. “A sonic arts approach to sound design practice.” 2012. Doctoral Dissertation, University of South Wales. Accessed July 17, 2019. https://pure.southwales.ac.uk/en/studentthesis/a-sonic-arts-approach-to-sound-design-practice(27b39541-a56e-4b59-9b75-290d625c0064).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.749697.

MLA Handbook (7th Edition):

Boland, Carl. “A sonic arts approach to sound design practice.” 2012. Web. 17 Jul 2019.

Vancouver:

Boland C. A sonic arts approach to sound design practice. [Internet] [Doctoral dissertation]. University of South Wales; 2012. [cited 2019 Jul 17]. Available from: https://pure.southwales.ac.uk/en/studentthesis/a-sonic-arts-approach-to-sound-design-practice(27b39541-a56e-4b59-9b75-290d625c0064).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.749697.

Council of Science Editors:

Boland C. A sonic arts approach to sound design practice. [Doctoral Dissertation]. University of South Wales; 2012. Available from: https://pure.southwales.ac.uk/en/studentthesis/a-sonic-arts-approach-to-sound-design-practice(27b39541-a56e-4b59-9b75-290d625c0064).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.749697


Ryerson University

20. Ciccone, Vanessa. Rated M for misogyny: reimagining gender assessments for film.

Degree: 2017, Ryerson University

 The Bechdel Test is effective at raising awareness about biased gender portrayals in media, yet it has been criticized for being an inaccurate assessment of… (more)

Subjects/Keywords: Stereotypes (Social psychology) in motion pictures.; Women in motion pictures.; Feminism and motion pictures.; Sex role in motion pictures.

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APA (6th Edition):

Ciccone, V. (2017). Rated M for misogyny: reimagining gender assessments for film. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A6808

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ciccone, Vanessa. “Rated M for misogyny: reimagining gender assessments for film.” 2017. Thesis, Ryerson University. Accessed July 17, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A6808.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ciccone, Vanessa. “Rated M for misogyny: reimagining gender assessments for film.” 2017. Web. 17 Jul 2019.

Vancouver:

Ciccone V. Rated M for misogyny: reimagining gender assessments for film. [Internet] [Thesis]. Ryerson University; 2017. [cited 2019 Jul 17]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A6808.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ciccone V. Rated M for misogyny: reimagining gender assessments for film. [Thesis]. Ryerson University; 2017. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A6808

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


East Carolina University

21. Aeby, Elizabeth Carpenter. The Visit, Like Sisters, Storjka.

Degree: 2013, East Carolina University

 This master's thesis is comprised of three short film scripts: The Visit, Like Sisters, and Storjka.  The Visit, a Depression-era dramatic short film, is filled the… (more)

Subjects/Keywords: Fine arts; Film studies; Cherokee; Eastern North Carolina; Gothic; Mysticism; Paganism; Scriptwriting; Motion picture plays; Depressions in motion pictures; Families in motion pictures; Dystopian films

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APA (6th Edition):

Aeby, E. C. (2013). The Visit, Like Sisters, Storjka. (Thesis). East Carolina University. Retrieved from http://hdl.handle.net/10342/4292

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Aeby, Elizabeth Carpenter. “The Visit, Like Sisters, Storjka.” 2013. Thesis, East Carolina University. Accessed July 17, 2019. http://hdl.handle.net/10342/4292.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Aeby, Elizabeth Carpenter. “The Visit, Like Sisters, Storjka.” 2013. Web. 17 Jul 2019.

Vancouver:

Aeby EC. The Visit, Like Sisters, Storjka. [Internet] [Thesis]. East Carolina University; 2013. [cited 2019 Jul 17]. Available from: http://hdl.handle.net/10342/4292.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Aeby EC. The Visit, Like Sisters, Storjka. [Thesis]. East Carolina University; 2013. Available from: http://hdl.handle.net/10342/4292

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

22. Miller, Adam Patrick. the Remasculation Film: Themes and Variations.

Degree: 2012, Ryerson University

 During the late 1980s and early 1990s, a discourse of masculinity crisis precipitated the appearance of a number of what Susan Jeffords describes as “rearticulations… (more)

Subjects/Keywords: Masculinity in motion pictures; Men in motion pictures; Masculinity; Motion pictures  – Psychological aspects; Motion pictures  – United States  – History  – 20th century

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APA (6th Edition):

Miller, A. P. (2012). the Remasculation Film: Themes and Variations. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A1594

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miller, Adam Patrick. “the Remasculation Film: Themes and Variations.” 2012. Thesis, Ryerson University. Accessed July 17, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A1594.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miller, Adam Patrick. “the Remasculation Film: Themes and Variations.” 2012. Web. 17 Jul 2019.

Vancouver:

Miller AP. the Remasculation Film: Themes and Variations. [Internet] [Thesis]. Ryerson University; 2012. [cited 2019 Jul 17]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1594.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miller AP. the Remasculation Film: Themes and Variations. [Thesis]. Ryerson University; 2012. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1594

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Latrobe University

23. Thomlinson, Eugene Gregory. Influencing destination image : location placement in film.

Degree: PhD, 2013, Latrobe University

Thesis (Ph.D.) - La Trobe University, 2013

Submission note: "A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy… (more)

Subjects/Keywords: Motion picture locations.; Landscapes in motion pictures.

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APA (6th Edition):

Thomlinson, E. G. (2013). Influencing destination image : location placement in film. (Doctoral Dissertation). Latrobe University. Retrieved from http://hdl.handle.net/1959.9/539751

Chicago Manual of Style (16th Edition):

Thomlinson, Eugene Gregory. “Influencing destination image : location placement in film.” 2013. Doctoral Dissertation, Latrobe University. Accessed July 17, 2019. http://hdl.handle.net/1959.9/539751.

MLA Handbook (7th Edition):

Thomlinson, Eugene Gregory. “Influencing destination image : location placement in film.” 2013. Web. 17 Jul 2019.

Vancouver:

Thomlinson EG. Influencing destination image : location placement in film. [Internet] [Doctoral dissertation]. Latrobe University; 2013. [cited 2019 Jul 17]. Available from: http://hdl.handle.net/1959.9/539751.

Council of Science Editors:

Thomlinson EG. Influencing destination image : location placement in film. [Doctoral Dissertation]. Latrobe University; 2013. Available from: http://hdl.handle.net/1959.9/539751


Durban University of Technology

24. Heath, Alistair. Truth and entertainment : historical film as a representation of the past in the works of selected filmmakers.

Degree: 2015, Durban University of Technology

Submitted in partial fulfillment in compliance with the requirements for the Masters Degree in Technology: Fine Art, Durban University of Technology. Durban. South Africa, 2014.… (more)

Subjects/Keywords: Motion pictures and history; Motion pictures – Influence; Psychoanalysis in motion pictures; Aversion therapy – South Africa

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APA (6th Edition):

Heath, A. (2015). Truth and entertainment : historical film as a representation of the past in the works of selected filmmakers. (Thesis). Durban University of Technology. Retrieved from http://hdl.handle.net/10321/1549

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Heath, Alistair. “Truth and entertainment : historical film as a representation of the past in the works of selected filmmakers.” 2015. Thesis, Durban University of Technology. Accessed July 17, 2019. http://hdl.handle.net/10321/1549.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Heath, Alistair. “Truth and entertainment : historical film as a representation of the past in the works of selected filmmakers.” 2015. Web. 17 Jul 2019.

Vancouver:

Heath A. Truth and entertainment : historical film as a representation of the past in the works of selected filmmakers. [Internet] [Thesis]. Durban University of Technology; 2015. [cited 2019 Jul 17]. Available from: http://hdl.handle.net/10321/1549.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Heath A. Truth and entertainment : historical film as a representation of the past in the works of selected filmmakers. [Thesis]. Durban University of Technology; 2015. Available from: http://hdl.handle.net/10321/1549

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oklahoma

25. Necati, ANAZ. MAPPING GEOPOLITICAL IMAGINATIONS: TURKISH AUDIENCES & VALLEY OF THE WOLVES-PALESTINE.

Degree: PhD, 2012, University of Oklahoma

 Finally, this study highlights that `negotiated\', `oppositional\', and `dominantŕeadership was also present in the meaning-making of the film. Some Turkish audiences understand that the film… (more)

Subjects/Keywords: Motion pictures – Political aspects – Turkey; Motion pictures – Turkey – History; Geopolitics in motion pictures

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APA (6th Edition):

Necati, A. (2012). MAPPING GEOPOLITICAL IMAGINATIONS: TURKISH AUDIENCES & VALLEY OF THE WOLVES-PALESTINE. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/320299

Chicago Manual of Style (16th Edition):

Necati, ANAZ. “MAPPING GEOPOLITICAL IMAGINATIONS: TURKISH AUDIENCES & VALLEY OF THE WOLVES-PALESTINE.” 2012. Doctoral Dissertation, University of Oklahoma. Accessed July 17, 2019. http://hdl.handle.net/11244/320299.

MLA Handbook (7th Edition):

Necati, ANAZ. “MAPPING GEOPOLITICAL IMAGINATIONS: TURKISH AUDIENCES & VALLEY OF THE WOLVES-PALESTINE.” 2012. Web. 17 Jul 2019.

Vancouver:

Necati A. MAPPING GEOPOLITICAL IMAGINATIONS: TURKISH AUDIENCES & VALLEY OF THE WOLVES-PALESTINE. [Internet] [Doctoral dissertation]. University of Oklahoma; 2012. [cited 2019 Jul 17]. Available from: http://hdl.handle.net/11244/320299.

Council of Science Editors:

Necati A. MAPPING GEOPOLITICAL IMAGINATIONS: TURKISH AUDIENCES & VALLEY OF THE WOLVES-PALESTINE. [Doctoral Dissertation]. University of Oklahoma; 2012. Available from: http://hdl.handle.net/11244/320299


University of North Carolina – Greensboro

26. Brown, Sherronda J. The haunted ground we walk on: (un)knowable gendered and racialized subjects.

Degree: 2015, University of North Carolina – Greensboro

 The purpose of this work is to analyze haunting narratives in cinematic texts, exploring the significance of gendered and racialized violences on the screen while… (more)

Subjects/Keywords: Horror films – History and criticism; Violence in motion pictures; Race in motion pictures; Ghosts in motion pictures; Women in motion pictures; Sex role in motion pictures

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APA (6th Edition):

Brown, S. J. (2015). The haunted ground we walk on: (un)knowable gendered and racialized subjects. (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067

Chicago Manual of Style (16th Edition):

Brown, Sherronda J. “The haunted ground we walk on: (un)knowable gendered and racialized subjects.” 2015. Masters Thesis, University of North Carolina – Greensboro. Accessed July 17, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067.

MLA Handbook (7th Edition):

Brown, Sherronda J. “The haunted ground we walk on: (un)knowable gendered and racialized subjects.” 2015. Web. 17 Jul 2019.

Vancouver:

Brown SJ. The haunted ground we walk on: (un)knowable gendered and racialized subjects. [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2015. [cited 2019 Jul 17]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067.

Council of Science Editors:

Brown SJ. The haunted ground we walk on: (un)knowable gendered and racialized subjects. [Masters Thesis]. University of North Carolina – Greensboro; 2015. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067


Macquarie University

27. Robertson, Michelle. Female characters in Turkish German cinematic space: an analysis with examples of three recent films.

Degree: 2013, Macquarie University

"20th December 2012"

Bibliography: pages 244-259.

1. Introduction  – 2. Immigration and multiculturalism in Germany  – 3. Nation and gender in German cinema  – 4.… (more)

Subjects/Keywords: Motion pictures  – Germany; Women in motion pictures; Gender identity in motion pictures; Ethnicity in motion pictures; Social change in motion pictures; Motion pictures  – Germany  – History; Motion pictures  – Social aspects  – Germany; Motion pictures  – Political aspects  – Germany; German Turkish cinema film women; Turkish-German films; gender; immigration; multiculturalism; Germany

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APA (6th Edition):

Robertson, M. (2013). Female characters in Turkish German cinematic space: an analysis with examples of three recent films. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/304966

Chicago Manual of Style (16th Edition):

Robertson, Michelle. “Female characters in Turkish German cinematic space: an analysis with examples of three recent films.” 2013. Doctoral Dissertation, Macquarie University. Accessed July 17, 2019. http://hdl.handle.net/1959.14/304966.

MLA Handbook (7th Edition):

Robertson, Michelle. “Female characters in Turkish German cinematic space: an analysis with examples of three recent films.” 2013. Web. 17 Jul 2019.

Vancouver:

Robertson M. Female characters in Turkish German cinematic space: an analysis with examples of three recent films. [Internet] [Doctoral dissertation]. Macquarie University; 2013. [cited 2019 Jul 17]. Available from: http://hdl.handle.net/1959.14/304966.

Council of Science Editors:

Robertson M. Female characters in Turkish German cinematic space: an analysis with examples of three recent films. [Doctoral Dissertation]. Macquarie University; 2013. Available from: http://hdl.handle.net/1959.14/304966


Latrobe University

28. Ariano, Andrea. Crisis of action : violence and affect in new Hollywood cinema.

Degree: PhD, 2012, Latrobe University

Thesis (Ph.D.) - La Trobe University, 2012

Submission note: "A thesis submitted in total fulfillment of the requirements for the degree of Doctor of Philosophy… (more)

Subjects/Keywords: Violence in motion pictures.; Affect (Psychology).; Film criticism.; Motion pictures  – Philosophy.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ariano, A. (2012). Crisis of action : violence and affect in new Hollywood cinema. (Doctoral Dissertation). Latrobe University. Retrieved from http://hdl.handle.net/1959.9/516465

Chicago Manual of Style (16th Edition):

Ariano, Andrea. “Crisis of action : violence and affect in new Hollywood cinema.” 2012. Doctoral Dissertation, Latrobe University. Accessed July 17, 2019. http://hdl.handle.net/1959.9/516465.

MLA Handbook (7th Edition):

Ariano, Andrea. “Crisis of action : violence and affect in new Hollywood cinema.” 2012. Web. 17 Jul 2019.

Vancouver:

Ariano A. Crisis of action : violence and affect in new Hollywood cinema. [Internet] [Doctoral dissertation]. Latrobe University; 2012. [cited 2019 Jul 17]. Available from: http://hdl.handle.net/1959.9/516465.

Council of Science Editors:

Ariano A. Crisis of action : violence and affect in new Hollywood cinema. [Doctoral Dissertation]. Latrobe University; 2012. Available from: http://hdl.handle.net/1959.9/516465


Florida Atlantic University

29. Allerton, Tracy. The Meryl Streep mystique: a study of gender, aging, Hollywood and a female star.

Degree: MA, 2010, Florida Atlantic University

Summary: This thesis employs a star study of Meryl Streep, incorporating pertinent feminist, reception and culture-studies theories, to investigate biases within the Hollywood film industry.… (more)

Subjects/Keywords: Streep, Meryl; Sex role in motion pictures; Women in motion pictures; Middle age in motion pictures; Women in popular culture

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APA (6th Edition):

Allerton, T. (2010). The Meryl Streep mystique: a study of gender, aging, Hollywood and a female star. (Masters Thesis). Florida Atlantic University. Retrieved from http://purl.flvc.org/FAU/2867329

Chicago Manual of Style (16th Edition):

Allerton, Tracy. “The Meryl Streep mystique: a study of gender, aging, Hollywood and a female star.” 2010. Masters Thesis, Florida Atlantic University. Accessed July 17, 2019. http://purl.flvc.org/FAU/2867329.

MLA Handbook (7th Edition):

Allerton, Tracy. “The Meryl Streep mystique: a study of gender, aging, Hollywood and a female star.” 2010. Web. 17 Jul 2019.

Vancouver:

Allerton T. The Meryl Streep mystique: a study of gender, aging, Hollywood and a female star. [Internet] [Masters thesis]. Florida Atlantic University; 2010. [cited 2019 Jul 17]. Available from: http://purl.flvc.org/FAU/2867329.

Council of Science Editors:

Allerton T. The Meryl Streep mystique: a study of gender, aging, Hollywood and a female star. [Masters Thesis]. Florida Atlantic University; 2010. Available from: http://purl.flvc.org/FAU/2867329


University of KwaZulu-Natal

30. [No author]. Space, body and subjectivity : shifting conceptions of black African masculinities in four audio-visual texts.

Degree: English, 2010, University of KwaZulu-Natal

 Research in constructions of masculinities in South Africa is already an established field, having in part developed out of the need to contextualise global theories… (more)

Subjects/Keywords: Masculinity in motion pictures – South Africa.; Gender identity in motion pictures – South Africa.; Black men in motion pictures – South Africa.; English.

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APA (6th Edition):

author], [. (2010). Space, body and subjectivity : shifting conceptions of black African masculinities in four audio-visual texts. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/3049

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Space, body and subjectivity : shifting conceptions of black African masculinities in four audio-visual texts. ” 2010. Thesis, University of KwaZulu-Natal. Accessed July 17, 2019. http://hdl.handle.net/10413/3049.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Space, body and subjectivity : shifting conceptions of black African masculinities in four audio-visual texts. ” 2010. Web. 17 Jul 2019.

Vancouver:

author] [. Space, body and subjectivity : shifting conceptions of black African masculinities in four audio-visual texts. [Internet] [Thesis]. University of KwaZulu-Natal; 2010. [cited 2019 Jul 17]. Available from: http://hdl.handle.net/10413/3049.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Space, body and subjectivity : shifting conceptions of black African masculinities in four audio-visual texts. [Thesis]. University of KwaZulu-Natal; 2010. Available from: http://hdl.handle.net/10413/3049

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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