subject:(Marshall McLuhan)

Universiteit Utrecht

1. Winsen, Lizzy van. McLuhanitis. The reception of Marshall McLuhan in the Netherlands in the 1960s.

Degree: 2008, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/32338

► This thesis describes the reception of the media theorist Marshall McLuhan in the Netherlands in the 1960s; the decade in which his most famous books… (more)

Subjects/Keywords: Letteren; Marshall McLuhan; Netherlands

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APA (6^th Edition):

Winsen, L. v. (2008). McLuhanitis. The reception of Marshall McLuhan in the Netherlands in the 1960s. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/32338

Chicago Manual of Style (16^th Edition):

Winsen, Lizzy van. “McLuhanitis. The reception of Marshall McLuhan in the Netherlands in the 1960s.” 2008. Masters Thesis, Universiteit Utrecht. Accessed March 08, 2021. http://dspace.library.uu.nl:8080/handle/1874/32338.

MLA Handbook (7^th Edition):

Winsen, Lizzy van. “McLuhanitis. The reception of Marshall McLuhan in the Netherlands in the 1960s.” 2008. Web. 08 Mar 2021.

Vancouver:

Winsen Lv. McLuhanitis. The reception of Marshall McLuhan in the Netherlands in the 1960s. [Internet] [Masters thesis]. Universiteit Utrecht; 2008. [cited 2021 Mar 08]. Available from: http://dspace.library.uu.nl:8080/handle/1874/32338.

Council of Science Editors:

Winsen Lv. McLuhanitis. The reception of Marshall McLuhan in the Netherlands in the 1960s. [Masters Thesis]. Universiteit Utrecht; 2008. Available from: http://dspace.library.uu.nl:8080/handle/1874/32338

University of Toronto

2. Grimaldi, Adriana. The Dialogical Element in Machiavelli's Works.

Degree: PhD, 2014, University of Toronto

URL: http://hdl.handle.net/1807/98531

►

This dissertation will examine the dialogical element in NiccolĂ˛ Machiavelli's works including his two dialogues Arte della guerra and Discorso intorno alla lingua, as well… (more)

Subjects/Keywords: Dialogue; Marshall McLuhan; NiccolĂ˛ Machiavelli; 0295

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APA (6^th Edition):

Grimaldi, A. (2014). The Dialogical Element in Machiavelli's Works. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/98531

Chicago Manual of Style (16^th Edition):

Grimaldi, Adriana. “The Dialogical Element in Machiavelli's Works.” 2014. Doctoral Dissertation, University of Toronto. Accessed March 08, 2021. http://hdl.handle.net/1807/98531.

MLA Handbook (7^th Edition):

Grimaldi, Adriana. “The Dialogical Element in Machiavelli's Works.” 2014. Web. 08 Mar 2021.

Vancouver:

Grimaldi A. The Dialogical Element in Machiavelli's Works. [Internet] [Doctoral dissertation]. University of Toronto; 2014. [cited 2021 Mar 08]. Available from: http://hdl.handle.net/1807/98531.

Council of Science Editors:

Grimaldi A. The Dialogical Element in Machiavelli's Works. [Doctoral Dissertation]. University of Toronto; 2014. Available from: http://hdl.handle.net/1807/98531

Loughborough University

3. Clifford, Reginald A. Critical mediation : tracking the social imaginary.

Degree: PhD, 1999, Loughborough University

URL: http://hdl.handle.net/2134/35473

► Since the pioneering work of Harold Innes and Marshal McLuhan, accounts of social and cultural change that assign a key role to innovations in media… (more)

Subjects/Keywords: 301; Marshall McLuhan

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APA (6^th Edition):

Clifford, R. A. (1999). Critical mediation : tracking the social imaginary. (Doctoral Dissertation). Loughborough University. Retrieved from http://hdl.handle.net/2134/35473

Chicago Manual of Style (16^th Edition):

Clifford, Reginald A. “Critical mediation : tracking the social imaginary.” 1999. Doctoral Dissertation, Loughborough University. Accessed March 08, 2021. http://hdl.handle.net/2134/35473.

MLA Handbook (7^th Edition):

Clifford, Reginald A. “Critical mediation : tracking the social imaginary.” 1999. Web. 08 Mar 2021.

Vancouver:

Clifford RA. Critical mediation : tracking the social imaginary. [Internet] [Doctoral dissertation]. Loughborough University; 1999. [cited 2021 Mar 08]. Available from: http://hdl.handle.net/2134/35473.

Council of Science Editors:

Clifford RA. Critical mediation : tracking the social imaginary. [Doctoral Dissertation]. Loughborough University; 1999. Available from: http://hdl.handle.net/2134/35473

Universidad de Chile

4. Contardo Douglas, Cristian Enrique. Reflexiones sobre la globalización desde el planteamiento de Marshall McLuhan.

Degree: 2005, Universidad de Chile

URL: http://repositorio.uchile.cl/handle/2250/136318

► Sumidos en las complejas y diversas condiciones del mundo actual, se evidencia la exacerbación monumental de un fenómeno que se ha vuelto tanto motivación como… (more)

▼ Sumidos en las complejas y diversas condiciones del mundo actual, se evidencia la exacerbación monumental de un fenómeno que se ha vuelto tanto motivación como excusa. Mientras los gobiernos del mundo firman tratados de libre comercio y las costumbres nacionales se esfuerzan por traspasar las propias fronteras, Internet se establece como el medio de comunicación más eficiente, amplio y universal. Cualquiera que mire a su alrededor debe aceptar resignado la gran razón: vivimos en un mundo globalizado. Pero, ¿qué es la globalización? Como con todos los términos demasiado usados, se presenta difícil intentar una respuesta improvisada. Trate de definir conceptos como fuerza, tiempo o espacio y se dará cuenta de a qué nos referimos. Todos creemos saber de qué se trata, pero es casi imposible conjugar en un par de líneas todo lo que un fenómeno involucra. Es por eso que quisimos explorara el origen de este concepto, remontándonos a quien bautizó nuestro mundo de flujos y conexiones como Aldea Global. Marshall McLuhan es, sin duda, uno de los mayores pensadores de la tecnología que ha otorgado la humanidad en el último siglo. Es por eso que sus ideas se tornan, no sólo propicias, sino que indispensables, para permitir una lectura originaria y consistente de la serie de portentos que todos encerramos bajo el concepto de globalización. Por alguna de esas extrañas pero frecuentes vicisitudes del destino, tiene en sus manos un texto que jamás ha pretendido servir de material de consulta o lectura de agrado. Simplemente nace de la natural y sincera voluntad de cuatro jóvenes de alcanzar un grado académico, para satisfacción de la autoestima propia y de las expectativas familiares. Por ello, hemos tratado de alejarnos de la “Academia” en cuanto a lenguaje y formato, como una forma de hacer propio este tema y todo lo que descubrimos acerca de él. Su elaboración accidentada, inconstante y dispar, nos llevó a saltar, cual posmodernas Alicias, tras el espejo de la cosmovisión. Así, hemos tratado de observar, parados en el vacío y a través de McLuhan, las características de un mundo nuevo, tan amplio que cabe en cualquier cable de su hogar. Para alcanzar este objetivo, aceptamos el desafío planteado por el proyecto de seminario: “Marshall McLuhan y la globalización”, lo hicimos propio y lo transformamos en este mamotreto que titulamos: Reflexiones de la Globalización desde el planteamiento de Marshall McLuhan . Así, a través de seis ensayos introductorios y uno concluyente, hemos buscado ejercitar mentes y plumas para acercarnos a una visión descriptiva y reflexiva de la Aldea Global. Hemos pedido prestadas a nuestro buen Marshall, no sólo sus ideas, sino también el término utilizado para la definición de nuestros capítulos, pues éstos no son más que Exploraciones. A través de la sucesión de ellas, hemos buscado conocer y reflexionar sobre distintos temas de manera de irnos acercando, desde múltiples caminos, al tema de este seminario. La primera de nuestras exploraciones, fue denominada Sobre la…

Subjects/Keywords: McLuhan, Marshall; Globalización

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APA (6^th Edition):

Contardo Douglas, C. E. (2005). Reflexiones sobre la globalización desde el planteamiento de Marshall McLuhan. (Thesis). Universidad de Chile. Retrieved from http://repositorio.uchile.cl/handle/2250/136318

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Contardo Douglas, Cristian Enrique. “Reflexiones sobre la globalización desde el planteamiento de Marshall McLuhan.” 2005. Thesis, Universidad de Chile. Accessed March 08, 2021. http://repositorio.uchile.cl/handle/2250/136318.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Contardo Douglas, Cristian Enrique. “Reflexiones sobre la globalización desde el planteamiento de Marshall McLuhan.” 2005. Web. 08 Mar 2021.

Vancouver:

Contardo Douglas CE. Reflexiones sobre la globalización desde el planteamiento de Marshall McLuhan. [Internet] [Thesis]. Universidad de Chile; 2005. [cited 2021 Mar 08]. Available from: http://repositorio.uchile.cl/handle/2250/136318.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Contardo Douglas CE. Reflexiones sobre la globalización desde el planteamiento de Marshall McLuhan. [Thesis]. Universidad de Chile; 2005. Available from: http://repositorio.uchile.cl/handle/2250/136318

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Duquesne University

5. Sevilla, Amanda. Discarnation: Expounding on Marshall McLuhan's Critique of Modern Subjectivity.

Degree: PhD, Communication and Rhetorical Studies, 2018, Duquesne University

URL: https://dsc.duq.edu/etd/1493

► This project presents Marshall McLuhan’s work as an explication of discarnate subjectivity in mediated environments, with special focus on the consequences of technological environments… (more)

Subjects/Keywords: McLuhan; Marshall McLuhan; subjectivity; discarnation; modernity; Other Philosophy; Rhetoric

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APA (6^th Edition):

Sevilla, A. (2018). Discarnation: Expounding on Marshall McLuhan's Critique of Modern Subjectivity. (Doctoral Dissertation). Duquesne University. Retrieved from https://dsc.duq.edu/etd/1493

Chicago Manual of Style (16^th Edition):

Sevilla, Amanda. “Discarnation: Expounding on Marshall McLuhan's Critique of Modern Subjectivity.” 2018. Doctoral Dissertation, Duquesne University. Accessed March 08, 2021. https://dsc.duq.edu/etd/1493.

MLA Handbook (7^th Edition):

Sevilla, Amanda. “Discarnation: Expounding on Marshall McLuhan's Critique of Modern Subjectivity.” 2018. Web. 08 Mar 2021.

Vancouver:

Sevilla A. Discarnation: Expounding on Marshall McLuhan's Critique of Modern Subjectivity. [Internet] [Doctoral dissertation]. Duquesne University; 2018. [cited 2021 Mar 08]. Available from: https://dsc.duq.edu/etd/1493.

Council of Science Editors:

Sevilla A. Discarnation: Expounding on Marshall McLuhan's Critique of Modern Subjectivity. [Doctoral Dissertation]. Duquesne University; 2018. Available from: https://dsc.duq.edu/etd/1493

University of Alberta

6. Klassen, James R. The Coolest Medium: Thoughts regarding the future of videogames in an overheated culture.

Degree: MA, Humanities Computing, 2014, University of Alberta

URL: https://era.library.ualberta.ca/files/7d278t34d

► This study examines the nature of the medium of modern videogames explored through the works of Marshall McLuhan. I use McLuhan’s themes of hot and… (more)

Subjects/Keywords: Marshall McLuhan; videogames; game studies; hot and cold media

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APA (6^th Edition):

Klassen, J. R. (2014). The Coolest Medium: Thoughts regarding the future of videogames in an overheated culture. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/7d278t34d

Chicago Manual of Style (16^th Edition):

Klassen, James R. “The Coolest Medium: Thoughts regarding the future of videogames in an overheated culture.” 2014. Masters Thesis, University of Alberta. Accessed March 08, 2021. https://era.library.ualberta.ca/files/7d278t34d.

MLA Handbook (7^th Edition):

Klassen, James R. “The Coolest Medium: Thoughts regarding the future of videogames in an overheated culture.” 2014. Web. 08 Mar 2021.

Vancouver:

Klassen JR. The Coolest Medium: Thoughts regarding the future of videogames in an overheated culture. [Internet] [Masters thesis]. University of Alberta; 2014. [cited 2021 Mar 08]. Available from: https://era.library.ualberta.ca/files/7d278t34d.

Council of Science Editors:

Klassen JR. The Coolest Medium: Thoughts regarding the future of videogames in an overheated culture. [Masters Thesis]. University of Alberta; 2014. Available from: https://era.library.ualberta.ca/files/7d278t34d

University of Toronto

7. Pugen, Adam. The Intellective Touch: A Phenomenology of Digital Modernism.

Degree: PhD, 2020, University of Toronto

URL: http://hdl.handle.net/1807/101177

► This dissertation re-examines the methods of existential phenomenology and media ecology by situating both within the aesthetics of “digital modernism,” which, following the media scholar… (more)

Subjects/Keywords: Digital Culture; Marshall McLuhan; Media Ecology; Modernist Aesthetics; Phenomenology; 0459

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APA (6^th Edition):

Pugen, A. (2020). The Intellective Touch: A Phenomenology of Digital Modernism. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/101177

Chicago Manual of Style (16^th Edition):

Pugen, Adam. “The Intellective Touch: A Phenomenology of Digital Modernism.” 2020. Doctoral Dissertation, University of Toronto. Accessed March 08, 2021. http://hdl.handle.net/1807/101177.

MLA Handbook (7^th Edition):

Pugen, Adam. “The Intellective Touch: A Phenomenology of Digital Modernism.” 2020. Web. 08 Mar 2021.

Vancouver:

Pugen A. The Intellective Touch: A Phenomenology of Digital Modernism. [Internet] [Doctoral dissertation]. University of Toronto; 2020. [cited 2021 Mar 08]. Available from: http://hdl.handle.net/1807/101177.

Council of Science Editors:

Pugen A. The Intellective Touch: A Phenomenology of Digital Modernism. [Doctoral Dissertation]. University of Toronto; 2020. Available from: http://hdl.handle.net/1807/101177

Université de Sherbrooke

8. Domingue, Etienne. Vers une herméneutique pluraliste du religieux dans les récits de superhéros : une approche orientée par la pensée de McLuhan.

Degree: 2016, Université de Sherbrooke

URL: http://hdl.handle.net/11143/8813

► Le genre du super-héros s’impose de plus en plus dans l’imaginaire populaire. Les fictions de ce type suscitent l’intérêt des savants en raison de leur… (more)

Subjects/Keywords: Religieux contemporain; Superhéros; Comic book; Herméneutique; Marshall McLuhan

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APA (6^th Edition):

Domingue, E. (2016). Vers une herméneutique pluraliste du religieux dans les récits de superhéros : une approche orientée par la pensée de McLuhan. (Masters Thesis). Université de Sherbrooke. Retrieved from http://hdl.handle.net/11143/8813

Chicago Manual of Style (16^th Edition):

Domingue, Etienne. “Vers une herméneutique pluraliste du religieux dans les récits de superhéros : une approche orientée par la pensée de McLuhan.” 2016. Masters Thesis, Université de Sherbrooke. Accessed March 08, 2021. http://hdl.handle.net/11143/8813.

MLA Handbook (7^th Edition):

Domingue, Etienne. “Vers une herméneutique pluraliste du religieux dans les récits de superhéros : une approche orientée par la pensée de McLuhan.” 2016. Web. 08 Mar 2021.

Vancouver:

Domingue E. Vers une herméneutique pluraliste du religieux dans les récits de superhéros : une approche orientée par la pensée de McLuhan. [Internet] [Masters thesis]. Université de Sherbrooke; 2016. [cited 2021 Mar 08]. Available from: http://hdl.handle.net/11143/8813.

Council of Science Editors:

Domingue E. Vers une herméneutique pluraliste du religieux dans les récits de superhéros : une approche orientée par la pensée de McLuhan. [Masters Thesis]. Université de Sherbrooke; 2016. Available from: http://hdl.handle.net/11143/8813

Duquesne University

9. Wachs, Anthony. The Triptych Tetrad: Marshall McLuhan's Neo-Medieval Communication Theory.

Degree: PhD, Communication and Rhetorical Studies, 2012, Duquesne University

URL: https://dsc.duq.edu/etd/1320

► The work of Marshall McLuhan has often been reduced to the form of catchphrases and "McLuhanisms," such as the "global village" and "the medium is… (more)

Subjects/Keywords: Causality; Laws of media; Marshall McLuhan; Technology; Tetrad; Trivium

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APA (6^th Edition):

Wachs, A. (2012). The Triptych Tetrad: Marshall McLuhan's Neo-Medieval Communication Theory. (Doctoral Dissertation). Duquesne University. Retrieved from https://dsc.duq.edu/etd/1320

Chicago Manual of Style (16^th Edition):

Wachs, Anthony. “The Triptych Tetrad: Marshall McLuhan's Neo-Medieval Communication Theory.” 2012. Doctoral Dissertation, Duquesne University. Accessed March 08, 2021. https://dsc.duq.edu/etd/1320.

MLA Handbook (7^th Edition):

Wachs, Anthony. “The Triptych Tetrad: Marshall McLuhan's Neo-Medieval Communication Theory.” 2012. Web. 08 Mar 2021.

Vancouver:

Wachs A. The Triptych Tetrad: Marshall McLuhan's Neo-Medieval Communication Theory. [Internet] [Doctoral dissertation]. Duquesne University; 2012. [cited 2021 Mar 08]. Available from: https://dsc.duq.edu/etd/1320.

Council of Science Editors:

Wachs A. The Triptych Tetrad: Marshall McLuhan's Neo-Medieval Communication Theory. [Doctoral Dissertation]. Duquesne University; 2012. Available from: https://dsc.duq.edu/etd/1320

McGill University

10. Fekete, John. Marshall McLuhan, a study in the determinist fetishism of technology.

Degree: MA, Department of English, 1969, McGill University

URL: https://escholarship.mcgill.ca/downloads/kk91fp28w.pdf ; https://escholarship.mcgill.ca/concern/theses/sq87bx078

► If McLuhan’s attempts at synthesis focus the urgent need for a communications imagination , their obscurantism functions as a vaccination against truth. In prophesying retribalization,… (more)

Subjects/Keywords: McLuhan; Marshall; 1911-1980.

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APA (6^th Edition):

Fekete, J. (1969). Marshall McLuhan, a study in the determinist fetishism of technology. (Masters Thesis). McGill University. Retrieved from https://escholarship.mcgill.ca/downloads/kk91fp28w.pdf ; https://escholarship.mcgill.ca/concern/theses/sq87bx078

Chicago Manual of Style (16^th Edition):

Fekete, John. “Marshall McLuhan, a study in the determinist fetishism of technology.” 1969. Masters Thesis, McGill University. Accessed March 08, 2021. https://escholarship.mcgill.ca/downloads/kk91fp28w.pdf ; https://escholarship.mcgill.ca/concern/theses/sq87bx078.

MLA Handbook (7^th Edition):

Fekete, John. “Marshall McLuhan, a study in the determinist fetishism of technology.” 1969. Web. 08 Mar 2021.

Vancouver:

Fekete J. Marshall McLuhan, a study in the determinist fetishism of technology. [Internet] [Masters thesis]. McGill University; 1969. [cited 2021 Mar 08]. Available from: https://escholarship.mcgill.ca/downloads/kk91fp28w.pdf ; https://escholarship.mcgill.ca/concern/theses/sq87bx078.

Council of Science Editors:

Fekete J. Marshall McLuhan, a study in the determinist fetishism of technology. [Masters Thesis]. McGill University; 1969. Available from: https://escholarship.mcgill.ca/downloads/kk91fp28w.pdf ; https://escholarship.mcgill.ca/concern/theses/sq87bx078

Massey University

11. Chrystall, Andrew Brian. The new American vortex : explorations of McLuhan.

Degree: PhD, Media Studies, 2007, Massey University

URL: http://hdl.handle.net/10179/778

► To encounter and digest the oeuvre of H. Marshall McLuhan on his own terms, this study deploys a strategy not dissimilar to that of Poe’s… (more)

Subjects/Keywords: Marshall McLuhan; Theory of communication

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APA (6^th Edition):

Chrystall, A. B. (2007). The new American vortex : explorations of McLuhan. (Doctoral Dissertation). Massey University. Retrieved from http://hdl.handle.net/10179/778

Chicago Manual of Style (16^th Edition):

Chrystall, Andrew Brian. “The new American vortex : explorations of McLuhan.” 2007. Doctoral Dissertation, Massey University. Accessed March 08, 2021. http://hdl.handle.net/10179/778.

MLA Handbook (7^th Edition):

Chrystall, Andrew Brian. “The new American vortex : explorations of McLuhan.” 2007. Web. 08 Mar 2021.

Vancouver:

Chrystall AB. The new American vortex : explorations of McLuhan. [Internet] [Doctoral dissertation]. Massey University; 2007. [cited 2021 Mar 08]. Available from: http://hdl.handle.net/10179/778.

Council of Science Editors:

Chrystall AB. The new American vortex : explorations of McLuhan. [Doctoral Dissertation]. Massey University; 2007. Available from: http://hdl.handle.net/10179/778

University of Sydney

12. Morton, Nicola. Take Me To Another Strange World // Stupid Boring Internet .

Degree: 2016, University of Sydney

URL: http://hdl.handle.net/2123/16786

► This research paper responds to the contemporary calls made by theorists Jean Baudrillard and Marshall McLuhan to interrogate media with art to act as a… (more)

Subjects/Keywords: Media studies; Internet; Performance; Intervention; Marshall McLuhan; Psychic

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APA (6^th Edition):

Morton, N. (2016). Take Me To Another Strange World // Stupid Boring Internet . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/16786

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Morton, Nicola. “Take Me To Another Strange World // Stupid Boring Internet .” 2016. Thesis, University of Sydney. Accessed March 08, 2021. http://hdl.handle.net/2123/16786.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Morton, Nicola. “Take Me To Another Strange World // Stupid Boring Internet .” 2016. Web. 08 Mar 2021.

Vancouver:

Morton N. Take Me To Another Strange World // Stupid Boring Internet . [Internet] [Thesis]. University of Sydney; 2016. [cited 2021 Mar 08]. Available from: http://hdl.handle.net/2123/16786.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morton N. Take Me To Another Strange World // Stupid Boring Internet . [Thesis]. University of Sydney; 2016. Available from: http://hdl.handle.net/2123/16786

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Universidade do Minho

13. Costa, Jorge Manuel Figueiredo. Os motores de busca como extensão da memória humana : um estudo de caso com alunos do ensino secundário .

Degree: 2010, Universidade do Minho

URL: http://hdl.handle.net/1822/12257

► A evolução da tecnologia associada aos computadores e às telecomunicações, juntamente com a invenção da World Wide Web na viragem dos anos noventa, permitiu o… (more)

Subjects/Keywords: Internet; Motores de busca; Extensão da memória; Pesquisa de informação; Construção de conhecimento; Marshall McLuhan; Search engines; Extended memory; Information search,; Knowledge building,; Marshall McLuhan

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APA (6^th Edition):

Costa, J. M. F. (2010). Os motores de busca como extensão da memória humana : um estudo de caso com alunos do ensino secundário . (Masters Thesis). Universidade do Minho. Retrieved from http://hdl.handle.net/1822/12257

Chicago Manual of Style (16^th Edition):

Costa, Jorge Manuel Figueiredo. “Os motores de busca como extensão da memória humana : um estudo de caso com alunos do ensino secundário .” 2010. Masters Thesis, Universidade do Minho. Accessed March 08, 2021. http://hdl.handle.net/1822/12257.

MLA Handbook (7^th Edition):

Costa, Jorge Manuel Figueiredo. “Os motores de busca como extensão da memória humana : um estudo de caso com alunos do ensino secundário .” 2010. Web. 08 Mar 2021.

Vancouver:

Costa JMF. Os motores de busca como extensão da memória humana : um estudo de caso com alunos do ensino secundário . [Internet] [Masters thesis]. Universidade do Minho; 2010. [cited 2021 Mar 08]. Available from: http://hdl.handle.net/1822/12257.

Council of Science Editors:

Costa JMF. Os motores de busca como extensão da memória humana : um estudo de caso com alunos do ensino secundário . [Masters Thesis]. Universidade do Minho; 2010. Available from: http://hdl.handle.net/1822/12257

Ryerson University

14. Browne, Daniel. The fecund interval: visualizing acoustic space in Canadian experimental cinema.:.

Degree: 2012, Ryerson University

URL: https://digital.library.ryerson.ca/islandora/object/RULA%3A2937

► "In this paper, I seek to develop an analysis of an aesthetic framework in which my filmmaking practice is situated, through Marshall McLuhan's ideas concerning… (more)

Subjects/Keywords: McLuhan, Marshall, 1911-1980.; McLuhan, Marshall, 1911-1980. – -; Experimental films – Canada.; Experimental films – Canada. – -; Avant-garde (Aesthetics) – Canada.; Avant-garde (Aesthetics) – Canada. – -; Sound in motion pictures.; Sound in motion pictures. – -

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APA (6^th Edition):

Browne, D. (2012). The fecund interval: visualizing acoustic space in Canadian experimental cinema.:. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A2937

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Browne, Daniel. “The fecund interval: visualizing acoustic space in Canadian experimental cinema.:.” 2012. Thesis, Ryerson University. Accessed March 08, 2021. https://digital.library.ryerson.ca/islandora/object/RULA%3A2937.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Browne, Daniel. “The fecund interval: visualizing acoustic space in Canadian experimental cinema.:.” 2012. Web. 08 Mar 2021.

Vancouver:

Browne D. The fecund interval: visualizing acoustic space in Canadian experimental cinema.:. [Internet] [Thesis]. Ryerson University; 2012. [cited 2021 Mar 08]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A2937.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Browne D. The fecund interval: visualizing acoustic space in Canadian experimental cinema.:. [Thesis]. Ryerson University; 2012. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A2937

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Universidade de Brasília

15. Rodrigo Miranda Barbosa. A internet como meio de comunicação a partir dos estudos da teoria do meio.

Degree: 2010, Universidade de Brasília

URL: http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=6338

►

The research proposes to understand the Internet from the tradition known as Medium Theory. This tradition is concerned in study the media as key players… (more)

Subjects/Keywords: Marshall McLuhan; Marshall McLuhan; technology; Medium Theory; tecnologia; Teorias da Comunicação; internet; Teoria do Meio; Harold Innis; Joshua Meyrowitz; COMUNICACAO; Theories of Communication; internet; Harold Innis; Joshua Meyrowit

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Barbosa, R. M. (2010). A internet como meio de comunicação a partir dos estudos da teoria do meio. (Thesis). Universidade de Brasília. Retrieved from http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=6338

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Barbosa, Rodrigo Miranda. “A internet como meio de comunicação a partir dos estudos da teoria do meio.” 2010. Thesis, Universidade de Brasília. Accessed March 08, 2021. http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=6338.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Barbosa, Rodrigo Miranda. “A internet como meio de comunicação a partir dos estudos da teoria do meio.” 2010. Web. 08 Mar 2021.

Vancouver:

Barbosa RM. A internet como meio de comunicação a partir dos estudos da teoria do meio. [Internet] [Thesis]. Universidade de Brasília; 2010. [cited 2021 Mar 08]. Available from: http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=6338.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barbosa RM. A internet como meio de comunicação a partir dos estudos da teoria do meio. [Thesis]. Universidade de Brasília; 2010. Available from: http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=6338

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Toronto

16. Lauder, Adam. Digital Materialisms: Information Art In English Canada, 1910-1978.

Degree: PhD, 2016, University of Toronto

URL: http://hdl.handle.net/1807/76436

► Digital Materialisms: Information Art In English Canada, 1910-1978 Adam Lauder Doctor of Philosophy Department of Art University of Toronto 2016 Abstract Information art has a… (more)

▼ Digital Materialisms: Information Art In English Canada, 1910-1978 Adam Lauder Doctor of Philosophy Department of Art University of Toronto 2016 Abstract Information art has a long history in English Canada. The multidisciplinary production of Bertram Brooker (1888-1955) is paradigmatic of early-twentieth-century English-Canadian artists’ distinctive responses to, and interventions within, the channels of an emergent social formation characterized by an unprecedented circulation of “information.” Brooker’s counter-hegemonic renderings of information as a corporeal and qualitative alternative to the mathematical frameworks embraced by American peers cleared a path for a subsequent generation of information artists inspired by the percepts of Marshall McLuhan (1911-1980), notably the Vancouver-based N.E. Thing Co. Ltd. (1966-1978). Like Brooker before them, NETCO’s co-presidents would attribute somatic and ontological meanings to information that trouble the cognitive, linguistic and structuralist frameworks conventionally mobilized by discussions of Conceptual art. In tracing the sources of this discourse network to the Canadian-born British proto-media theorist Wyndham Lewis (1882-1957), as well as its subterranean legacy in the Postminimalism of Robert Smithson (1938-1973), this study simultaneously troubles essentializing narratives of English-Canadian identity that problematically project representations of Canadianicity onto the territorial borders, and terrain (or “landscape”), of the nation state. Inspired in equal measure by recent developments in media archaeology and a resurgent scholarly interest in McLuhan, detailed investigations of discrete information media and instrumentalities are woven into a trajectory of progressive “informationalization” coterminous with the rise of an information society. Through original readings of archival materials and other primary sources, this dissertation argues for a revised understanding of information art produced in and beyond the borders of English Canada as articulating a critique of transcendence. Artists and thinkers implicated in the common “discourse network” delineated in these pages harnessed information concepts and information media to express shared visions of immanence. This dissertation historicizes and marterializes these non-technological visions of information by undertaking an archaeology of specific media and discourses. Advisors/Committee Members: Legge, Elizabeth, History of Art.

Subjects/Keywords: Canadian art; Conceptual art; Harold A. Innis; Henri Bergson; Information art; Marshall McLuhan; 0377

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APA (6^th Edition):

Lauder, A. (2016). Digital Materialisms: Information Art In English Canada, 1910-1978. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/76436

Chicago Manual of Style (16^th Edition):

Lauder, Adam. “Digital Materialisms: Information Art In English Canada, 1910-1978.” 2016. Doctoral Dissertation, University of Toronto. Accessed March 08, 2021. http://hdl.handle.net/1807/76436.

MLA Handbook (7^th Edition):

Lauder, Adam. “Digital Materialisms: Information Art In English Canada, 1910-1978.” 2016. Web. 08 Mar 2021.

Vancouver:

Lauder A. Digital Materialisms: Information Art In English Canada, 1910-1978. [Internet] [Doctoral dissertation]. University of Toronto; 2016. [cited 2021 Mar 08]. Available from: http://hdl.handle.net/1807/76436.

Council of Science Editors:

Lauder A. Digital Materialisms: Information Art In English Canada, 1910-1978. [Doctoral Dissertation]. University of Toronto; 2016. Available from: http://hdl.handle.net/1807/76436

17. Gentric, Katja. Willem Boshoff, monographie d'artiste et catalogue : Willem Boshoff, artist's monograph and catalogue.

Degree: Docteur es, Histoire de l'art, 2013, Université de Bourgogne

URL: http://www.theses.fr/2013DIJOL007

►

Le travail de Willem Boshoff s’articule autour de la date charnière d’avril 1994, les premières élections démocratiques en Afrique du Sud. Il fait des sculptures… (more)

▼

Le travail de Willem Boshoff s’articule autour de la date charnière d’avril 1994, les premières élections démocratiques en Afrique du Sud. Il fait des sculptures en granite et des installations de matériaux accumulés. L’artiste revendique son attachement à un art basé sur le langage, il est écrivain de dictionnaires. En revisitant les questions posées par les artistes du XXème siècle, textes et œuvres produits en Europe sont systématiquement vérifiés au regard de leur contrepartie sud-africaine. L’attitude de Boshoff, une mélancolique interrogation de son rôle de créateur, s’explique par les conditions politiques et son milieu culturel. L’artiste découvre des façons plus dynamiques de faire geste quand il adopte ce persona du druide. Lors de son objection de conscience au service militaire il avait appris qu’il est mieux de cacher la véritable signification d’un signe ou d’inventer des façons de disqualifier les textes. Les “Notes pour une esthétique aveugle” où l’essentiel n’est pas visible, inventent un dictionnaire à être lu avec les mains. Boshoff interroge ici les théories de perception qui munissent l’artiste sud-africain d’une façon de faire basculer le monde occidental vers une pensée qu’il peut réclamer sienne. La multiplicité des langues en Afrique du Sud s’ouvre à des questions de mémoire, d’écologie, de disparition, d’espace mental, des limites de la ficticité. Boshoff incite son spectateur à une opération de traduction qui peut être envisagée de façon tangible dans des œuvres tels que “Writing in the Sand” et les “Jardins de mots”. Le druide est le berger des mots et des plantes en danger d’oubli. Par le même geste il les protège contre la possibilité d’être pétrifiés ou fossilisés dans une théorie ou dans un dogme. Un champ d’intelligibilité du travail de Boshoff est créé à l’aide d’esprits apparentés: Sarkis, Mofokeng, Baumgarten, Gette, Mudzunga, Ulrichs, Zulu, Kosuth, Wafer, Bochner, Filliou, Darboven, Alÿs, Acconci, Langa, Marshall McLuhan, Ivan Vladislavić.

Willem Boshoff’s work articulates around a pivotal date, April 1994, the first democratic elections in South Africa. He may choose to work gigantic rocks of granite or establish vast installations of accumulated material. The artist claims that his work is based on language, often taking the form of Dictionaries. While reviewing the main questions by artists of the twentieth century, texts or artworks from Europe are systematically tested against their South African counterpart. Boshoff’s attitude is determined by a melancholic questioning of his role as a creator linked to a political situation and cultural milieu. He discovers more dynamic ways of presenting gestures when his artistic activity is related to the way of life of a druid. As a conscientious objector he learnt that it is often better to hide the true signification of a sign or to disqualify a text. Boshoff’s “Notes towards a blind Aesthetic”, where the essential is not visible, invent a dictionary to be read with the hands. Questioning perception theories provides the artist…

Advisors/Committee Members: Turowski, Andrzej (thesis director).

Subjects/Keywords: Willem Boshoff; Afrique du Sud; Conceptualisme; Actionnisme; Art et Nature; Dictionnaire; Poésie Concrète; Traduction; Marshall McLuhan; Ivan Vladislavić; No keyword; 730

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APA (6^th Edition):

Gentric, K. (2013). Willem Boshoff, monographie d'artiste et catalogue : Willem Boshoff, artist's monograph and catalogue. (Doctoral Dissertation). Université de Bourgogne. Retrieved from http://www.theses.fr/2013DIJOL007

Chicago Manual of Style (16^th Edition):

Gentric, Katja. “Willem Boshoff, monographie d'artiste et catalogue : Willem Boshoff, artist's monograph and catalogue.” 2013. Doctoral Dissertation, Université de Bourgogne. Accessed March 08, 2021. http://www.theses.fr/2013DIJOL007.

MLA Handbook (7^th Edition):

Gentric, Katja. “Willem Boshoff, monographie d'artiste et catalogue : Willem Boshoff, artist's monograph and catalogue.” 2013. Web. 08 Mar 2021.

Vancouver:

Gentric K. Willem Boshoff, monographie d'artiste et catalogue : Willem Boshoff, artist's monograph and catalogue. [Internet] [Doctoral dissertation]. Université de Bourgogne; 2013. [cited 2021 Mar 08]. Available from: http://www.theses.fr/2013DIJOL007.

Council of Science Editors:

Gentric K. Willem Boshoff, monographie d'artiste et catalogue : Willem Boshoff, artist's monograph and catalogue. [Doctoral Dissertation]. Université de Bourgogne; 2013. Available from: http://www.theses.fr/2013DIJOL007

Columbia University

18. Ryan, Tina Rivers. McLuhan's Bulbs: Light Art and the Dawn of New Media.

Degree: 2016, Columbia University

URL: https://doi.org/10.7916/D82V2G52

► “McLuhan’s Bulbs” argues that the 1960s movement of “light art” is the primary site of negotiation between the discourses of “medium” and “media” in postwar… (more)

Subjects/Keywords: New media art; Light art; Art; Piene, Otto, 1928-2014; Tsai, Wen-Ying, 1928-2013; McLuhan, Marshall, 1911-1980

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Ryan, T. R. (2016). McLuhan's Bulbs: Light Art and the Dawn of New Media. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D82V2G52

Chicago Manual of Style (16^th Edition):

Ryan, Tina Rivers. “McLuhan's Bulbs: Light Art and the Dawn of New Media.” 2016. Doctoral Dissertation, Columbia University. Accessed March 08, 2021. https://doi.org/10.7916/D82V2G52.

MLA Handbook (7^th Edition):

Ryan, Tina Rivers. “McLuhan's Bulbs: Light Art and the Dawn of New Media.” 2016. Web. 08 Mar 2021.

Vancouver:

Ryan TR. McLuhan's Bulbs: Light Art and the Dawn of New Media. [Internet] [Doctoral dissertation]. Columbia University; 2016. [cited 2021 Mar 08]. Available from: https://doi.org/10.7916/D82V2G52.

Council of Science Editors:

Ryan TR. McLuhan's Bulbs: Light Art and the Dawn of New Media. [Doctoral Dissertation]. Columbia University; 2016. Available from: https://doi.org/10.7916/D82V2G52

Michigan State University

19. Penta, Gerard Charles, 1939-. Marshall McLuhan and educational theory : an inquiry into the epistemological and aesthetic foundations of learning style.

Degree: PhD, 1974, Michigan State University

URL: http://etd.lib.msu.edu/islandora/object/etd:45532

Subjects/Keywords: McLuhan, Marshall, 1911-1980; Learning, Psychology of

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Penta, Gerard Charles, 1. (1974). Marshall McLuhan and educational theory : an inquiry into the epistemological and aesthetic foundations of learning style. (Doctoral Dissertation). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:45532

Chicago Manual of Style (16^th Edition):

Penta, Gerard Charles, 1939-. “Marshall McLuhan and educational theory : an inquiry into the epistemological and aesthetic foundations of learning style.” 1974. Doctoral Dissertation, Michigan State University. Accessed March 08, 2021. http://etd.lib.msu.edu/islandora/object/etd:45532.

MLA Handbook (7^th Edition):

Penta, Gerard Charles, 1939-. “Marshall McLuhan and educational theory : an inquiry into the epistemological and aesthetic foundations of learning style.” 1974. Web. 08 Mar 2021.

Vancouver:

Penta, Gerard Charles 1. Marshall McLuhan and educational theory : an inquiry into the epistemological and aesthetic foundations of learning style. [Internet] [Doctoral dissertation]. Michigan State University; 1974. [cited 2021 Mar 08]. Available from: http://etd.lib.msu.edu/islandora/object/etd:45532.

Council of Science Editors:

Penta, Gerard Charles 1. Marshall McLuhan and educational theory : an inquiry into the epistemological and aesthetic foundations of learning style. [Doctoral Dissertation]. Michigan State University; 1974. Available from: http://etd.lib.msu.edu/islandora/object/etd:45532

University of Hawaii

20. DeSure, Pearl A. That Does Not Compute: Unpacking the Fembot in American Science Fiction.

Degree: 2019, University of Hawaii

URL: http://hdl.handle.net/10125/62064

Subjects/Keywords: robots; science fiction; Marshall McLuhan; Donna Haraway; Alan Turing

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APA (6^th Edition):

DeSure, P. A. (2019). That Does Not Compute: Unpacking the Fembot in American Science Fiction. (Thesis). University of Hawaii. Retrieved from http://hdl.handle.net/10125/62064

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

DeSure, Pearl A. “That Does Not Compute: Unpacking the Fembot in American Science Fiction.” 2019. Thesis, University of Hawaii. Accessed March 08, 2021. http://hdl.handle.net/10125/62064.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

DeSure, Pearl A. “That Does Not Compute: Unpacking the Fembot in American Science Fiction.” 2019. Web. 08 Mar 2021.

Vancouver:

DeSure PA. That Does Not Compute: Unpacking the Fembot in American Science Fiction. [Internet] [Thesis]. University of Hawaii; 2019. [cited 2021 Mar 08]. Available from: http://hdl.handle.net/10125/62064.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

DeSure PA. That Does Not Compute: Unpacking the Fembot in American Science Fiction. [Thesis]. University of Hawaii; 2019. Available from: http://hdl.handle.net/10125/62064

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

California State University – Northridge

21. Tregenza, Robert Lynn. An experimental study of Marshall McLuhan's theories regarding the affect of the television medium on audience perception.

Degree: MA, Department of Journalism, 1973, California State University – Northridge

URL: http://hdl.handle.net/10211.2/4561

► This thesis suggests that Marshall McLuhan???s ideas regarding the nature and effects of the television medium on audience perception are invalid. McLuhan contends the medium… (more)

▼ This thesis suggests that Marshall McLuhan???s ideas regarding the nature and effects of the television medium on audience perception are invalid. McLuhan contends the medium of transmission in a communications system is the element which has the most effect in modifying the audience's perception. He defines television to be a "cool??? medium, stating its nature is more involving than a "hot" medium. Three dependent variables were tested based on direct quotes from McLuhan???s book, Understanding media. Seventy-five college students were randomly divided into three treatment groups and exposed to the same lecture via three different mediums of communication. Two of the dependent variables were designed to test the degree of involvement of the subjects in the lecture. The other dependent variable dealt with how the subjects perceived the personality of the lecturer???s performance. To obtain data to measure involvement, the subjects were asked to write any questions they would like to ask of the lecturer. The numbers of words generated were used to measure the involvement of the subject. The data measured to determine the degree of understanding, which was also used as a measure of involvement, was obtained from the scores of an objective test on the lecture content. The subject???s perception of the performance of the lecturer was derived through the use of a semantic differential. Four statistical tests were used for the analysis of the raw scores. The major analysis of variance was done using a multivariate statistic. A one-way univariate analysis of variance was conducted along with a planned comparison with the first dependent variable to see if there was a significant difference between the live and television groups. The Scheffe statistics was used as a ???post -hoc??? comparison between television and radio and radio and live. The results of all the statistical tests conducted showed there were no significant differences between any of the treatment groups on any dependent variable. The results of the experiment did not support any of the hypotheses advanced form the idea of McLuhan regarding the nature and effect of the television medium. An alternative idea was tentatively advanced by the author on the basis of theories of perception developed by Gestalt psychologists and the results of this and other experiments resulting in no significant difference between mediums. A medium of transmission possesses a common boundary which is necessary for the closure of any stimulus field. The content or message provides a sense of "inner belongingness," also essential for closure. The medium is not the message because of its dependence on the content for ???inner belongingness???. The content is in turn dependent on a common boundary if it is to have closure. This interaction results in the medium being closed rather than open. Involvement and understanding result from the interaction and dependence of the medium, the message and the audience member upon each other.

Subjects/Keywords: McLuhan, Marshall, 1911-1980.; Dissertations, Academic – CSUN – Journalism

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APA (6^th Edition):

Tregenza, R. L. (1973). An experimental study of Marshall McLuhan's theories regarding the affect of the television medium on audience perception. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.2/4561

Chicago Manual of Style (16^th Edition):

Tregenza, Robert Lynn. “An experimental study of Marshall McLuhan's theories regarding the affect of the television medium on audience perception.” 1973. Masters Thesis, California State University – Northridge. Accessed March 08, 2021. http://hdl.handle.net/10211.2/4561.

MLA Handbook (7^th Edition):

Tregenza, Robert Lynn. “An experimental study of Marshall McLuhan's theories regarding the affect of the television medium on audience perception.” 1973. Web. 08 Mar 2021.

Vancouver:

Tregenza RL. An experimental study of Marshall McLuhan's theories regarding the affect of the television medium on audience perception. [Internet] [Masters thesis]. California State University – Northridge; 1973. [cited 2021 Mar 08]. Available from: http://hdl.handle.net/10211.2/4561.

Council of Science Editors:

Tregenza RL. An experimental study of Marshall McLuhan's theories regarding the affect of the television medium on audience perception. [Masters Thesis]. California State University – Northridge; 1973. Available from: http://hdl.handle.net/10211.2/4561

University of Georgia

22. Waters, Bryan Jesse. A wonderful corner for echoes.

Degree: 2014, University of Georgia

URL: http://hdl.handle.net/10724/27339

► This thesis argues that Charles Dickens’ A Tale of Two Cities is a novel particularly interested in sound as a way of understanding human behavior… (more)

Subjects/Keywords: Charles Dickens; Marshall McLuhan; Walter Ong; Michel Foucault; A Tale of Two Cities; Sound; Echoes; Orality; Literacy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Waters, B. J. (2014). A wonderful corner for echoes. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/27339

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Waters, Bryan Jesse. “A wonderful corner for echoes.” 2014. Thesis, University of Georgia. Accessed March 08, 2021. http://hdl.handle.net/10724/27339.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Waters, Bryan Jesse. “A wonderful corner for echoes.” 2014. Web. 08 Mar 2021.

Vancouver:

Waters BJ. A wonderful corner for echoes. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Mar 08]. Available from: http://hdl.handle.net/10724/27339.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Waters BJ. A wonderful corner for echoes. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/27339

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Edinburgh

23. Dance, Mark. By Heart or by Hard Drive: Augmenting, Transforming and Remembering in Total Recall.

Degree: 2013, University of Edinburgh

URL: http://hdl.handle.net/1842/8609

► It is the claim of Microsoft researchers Gordon Bell and Jim Gemmell that human memory can be augmented with a variety of computational technologies. Ultimately,… (more)

Subjects/Keywords: memory; Total Recall; technology; Charles Taylor; augmentation; Marshall McLuhan; hermeneutics; contact theory; Gordon Bell; Jim Gemmell; cognitive technology; background understanding; identity; enlightenment epistemology

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APA (6^th Edition):

Dance, M. (2013). By Heart or by Hard Drive: Augmenting, Transforming and Remembering in Total Recall. (Thesis). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/8609

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Dance, Mark. “By Heart or by Hard Drive: Augmenting, Transforming and Remembering in Total Recall.” 2013. Thesis, University of Edinburgh. Accessed March 08, 2021. http://hdl.handle.net/1842/8609.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Dance, Mark. “By Heart or by Hard Drive: Augmenting, Transforming and Remembering in Total Recall.” 2013. Web. 08 Mar 2021.

Vancouver:

Dance M. By Heart or by Hard Drive: Augmenting, Transforming and Remembering in Total Recall. [Internet] [Thesis]. University of Edinburgh; 2013. [cited 2021 Mar 08]. Available from: http://hdl.handle.net/1842/8609.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dance M. By Heart or by Hard Drive: Augmenting, Transforming and Remembering in Total Recall. [Thesis]. University of Edinburgh; 2013. Available from: http://hdl.handle.net/1842/8609

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Domingue, Etienne. Vers une herméneutique pluraliste du religieux dans les récits de superhéros : une approche orientée par la pensée de McLuhan.

Degree: MA, Études du religieux contemporain, 2016, Université de Sherbrooke

URL: http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QSHERU/TC-QSHERU-11143_8813.pdf ; http://savoirs.usherbrooke.ca/bitstream/11143/8813/4/Domingue_Etienne_MA_2016.pdf

► Le genre du super-héros s’impose de plus en plus dans l’imaginaire populaire. Les fictions de ce type suscitent l’intérêt des savants en raison de leur… (more)

Subjects/Keywords: Religieux contemporain; Superhéros; Comic book; Herméneutique; Marshall McLuhan

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APA (6^th Edition):

Domingue, E. (2016). Vers une herméneutique pluraliste du religieux dans les récits de superhéros : une approche orientée par la pensée de McLuhan. (Masters Thesis). Université de Sherbrooke. Retrieved from http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QSHERU/TC-QSHERU-11143_8813.pdf ; http://savoirs.usherbrooke.ca/bitstream/11143/8813/4/Domingue_Etienne_MA_2016.pdf

Chicago Manual of Style (16^th Edition):

Domingue, Etienne. “Vers une herméneutique pluraliste du religieux dans les récits de superhéros : une approche orientée par la pensée de McLuhan.” 2016. Masters Thesis, Université de Sherbrooke. Accessed March 08, 2021. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QSHERU/TC-QSHERU-11143_8813.pdf ; http://savoirs.usherbrooke.ca/bitstream/11143/8813/4/Domingue_Etienne_MA_2016.pdf.

MLA Handbook (7^th Edition):

Domingue, Etienne. “Vers une herméneutique pluraliste du religieux dans les récits de superhéros : une approche orientée par la pensée de McLuhan.” 2016. Web. 08 Mar 2021.

Vancouver:

Domingue E. Vers une herméneutique pluraliste du religieux dans les récits de superhéros : une approche orientée par la pensée de McLuhan. [Internet] [Masters thesis]. Université de Sherbrooke; 2016. [cited 2021 Mar 08]. Available from: http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QSHERU/TC-QSHERU-11143_8813.pdf ; http://savoirs.usherbrooke.ca/bitstream/11143/8813/4/Domingue_Etienne_MA_2016.pdf.

Council of Science Editors:

Domingue E. Vers une herméneutique pluraliste du religieux dans les récits de superhéros : une approche orientée par la pensée de McLuhan. [Masters Thesis]. Université de Sherbrooke; 2016. Available from: http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QSHERU/TC-QSHERU-11143_8813.pdf ; http://savoirs.usherbrooke.ca/bitstream/11143/8813/4/Domingue_Etienne_MA_2016.pdf

University of Kansas

25. Meserko, Vince. Upright Citizens of the Digital Age: Podcasting and Popular Culture in an Alternative Comedy Scene.

Degree: MA, Communication Studies, 2010, University of Kansas

URL: http://hdl.handle.net/1808/7702

► In this thesis I look at how one of our newest communication mediums, the podcast, is being used by a group of Los Angeles-based comedians… (more)

Subjects/Keywords: Communication; Comedy; Mcluhan, Marshall; Media convergence; Medium theory; Podcasts; Popular culture

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APA (6^th Edition):

Meserko, V. (2010). Upright Citizens of the Digital Age: Podcasting and Popular Culture in an Alternative Comedy Scene. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/7702

Chicago Manual of Style (16^th Edition):

Meserko, Vince. “Upright Citizens of the Digital Age: Podcasting and Popular Culture in an Alternative Comedy Scene.” 2010. Masters Thesis, University of Kansas. Accessed March 08, 2021. http://hdl.handle.net/1808/7702.

MLA Handbook (7^th Edition):

Meserko, Vince. “Upright Citizens of the Digital Age: Podcasting and Popular Culture in an Alternative Comedy Scene.” 2010. Web. 08 Mar 2021.

Vancouver:

Meserko V. Upright Citizens of the Digital Age: Podcasting and Popular Culture in an Alternative Comedy Scene. [Internet] [Masters thesis]. University of Kansas; 2010. [cited 2021 Mar 08]. Available from: http://hdl.handle.net/1808/7702.

Council of Science Editors:

Meserko V. Upright Citizens of the Digital Age: Podcasting and Popular Culture in an Alternative Comedy Scene. [Masters Thesis]. University of Kansas; 2010. Available from: http://hdl.handle.net/1808/7702

University of Manitoba

26. Buckwold, Jarad. Of space, time, and the archives between: the life of Hugh A. Taylor and the redefinition of the archival cosmos.

Degree: History, 2016, University of Manitoba

URL: http://hdl.handle.net/1993/31725

► While today, archival theory is permeated with postmodern ideas and philosophies, borrowing from fields as diverse as anthropology and computer science, even just a few… (more)

Subjects/Keywords: Archives; Cosmic; Philosophy; Biography; Epistemology; Ontology; Metaphysics; Archives of Alberta; Archives of New Brunswick; Archives of Nova Scotia; Library and Archives Canada; Archival theory; Records; Orality; Marshall McLuhan

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APA (6^th Edition):

Buckwold, J. (2016). Of space, time, and the archives between: the life of Hugh A. Taylor and the redefinition of the archival cosmos. (Masters Thesis). University of Manitoba. Retrieved from http://hdl.handle.net/1993/31725

Chicago Manual of Style (16^th Edition):

Buckwold, Jarad. “Of space, time, and the archives between: the life of Hugh A. Taylor and the redefinition of the archival cosmos.” 2016. Masters Thesis, University of Manitoba. Accessed March 08, 2021. http://hdl.handle.net/1993/31725.

MLA Handbook (7^th Edition):

Buckwold, Jarad. “Of space, time, and the archives between: the life of Hugh A. Taylor and the redefinition of the archival cosmos.” 2016. Web. 08 Mar 2021.

Vancouver:

Buckwold J. Of space, time, and the archives between: the life of Hugh A. Taylor and the redefinition of the archival cosmos. [Internet] [Masters thesis]. University of Manitoba; 2016. [cited 2021 Mar 08]. Available from: http://hdl.handle.net/1993/31725.

Council of Science Editors:

Buckwold J. Of space, time, and the archives between: the life of Hugh A. Taylor and the redefinition of the archival cosmos. [Masters Thesis]. University of Manitoba; 2016. Available from: http://hdl.handle.net/1993/31725

University of Melbourne

27. Lovell, Jonathan Paul. Mystic Media: A Historical Account of Technological Transcendentalism within the Immersive Multimedia Environments of the 1960-70s.

Degree: 2019, University of Melbourne

URL: http://hdl.handle.net/11343/233225

► Throughout history, there has been a recurring impulse for artists to create Immersive Multimedia Environments (IMEs), which through the combined force of multiple artistic and… (more)

▼ Throughout history, there has been a recurring impulse for artists to create Immersive Multimedia Environments (IMEs), which through the combined force of multiple artistic and communicative mediums, surround and suffuse the entire sensory field of their audience with the aesthetic stimuli required to construct an alternate reality. The first declarations of this impulse were often found in religious architecture; however, echoes of this ideal are heard throughout the last two centuries, from Richard Wagner’s demands for the Gesamtkunstwerk to the rhetoric of cyberspace that occurred at the turn of the millennium. This dissertation argues that many of these total works of art are designed with the intentions of implicating embodied and environmental phenomena, as a means of generating transcendental experiences within their audiences. To elaborate upon this contention within a detailed context, this thesis focuses on the Expanded Cinema movement of the 1960s and 70s. The ambitions of this movement were to invent a new cinematic language by deconstructing and reconstructing media technologies (film, video, computer graphics), live performances (theatre, dance, music) and the architecture of their presentation, so that audiences may become an integral part of the art. However, according to Gene Youngblood’s influential account of the movement called Expanded Cinema (1970), this scene of aesthetic inquiry had quickly accrued the transcendentalist rhetoric of the era, such as that espoused by the counterculture and Marshall McLuhan. To these artists, Expanded Cinema used the combined power of the psychedelic and cybernetic as means of experimenting with the embodied and environmental methods of expanding consciousness. To highlight the architectural contribution to this movement, this research conducts a cross-sectional and comparative study on how three IMEs of the Expanded Cinema movement employed different spatial strategies to curate the phenomenological and epistemological conditions that can evoke transcendental experiences within their audiences. Specifically, it explores the Labyrinth (1967), Cerebrum (1968), and the works of Pulsa (1966-73), by interviewing the people involved with these projects and investigating archival materials. These accounts are measured against the technological-mysticism found within Marshall McLuhan’s influential media theory, and against the psychological, sociological and anthropological discourse that best explain transcendental phenomena.

Subjects/Keywords: Immersive Multimedia Environments; Expanded Cinema; Labyrinth; Cerebrum; Pulsa; Marshall McLuhan; Gene Youngblood; Media Theory; Counterculture; Transcendentalism; Psychedelia; Cybernetics; Architecture; Media Art; Performance Art; Total Work of Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Lovell, J. P. (2019). Mystic Media: A Historical Account of Technological Transcendentalism within the Immersive Multimedia Environments of the 1960-70s. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/233225

Chicago Manual of Style (16^th Edition):

Lovell, Jonathan Paul. “Mystic Media: A Historical Account of Technological Transcendentalism within the Immersive Multimedia Environments of the 1960-70s.” 2019. Doctoral Dissertation, University of Melbourne. Accessed March 08, 2021. http://hdl.handle.net/11343/233225.

MLA Handbook (7^th Edition):

Lovell, Jonathan Paul. “Mystic Media: A Historical Account of Technological Transcendentalism within the Immersive Multimedia Environments of the 1960-70s.” 2019. Web. 08 Mar 2021.

Vancouver:

Lovell JP. Mystic Media: A Historical Account of Technological Transcendentalism within the Immersive Multimedia Environments of the 1960-70s. [Internet] [Doctoral dissertation]. University of Melbourne; 2019. [cited 2021 Mar 08]. Available from: http://hdl.handle.net/11343/233225.

Council of Science Editors:

Lovell JP. Mystic Media: A Historical Account of Technological Transcendentalism within the Immersive Multimedia Environments of the 1960-70s. [Doctoral Dissertation]. University of Melbourne; 2019. Available from: http://hdl.handle.net/11343/233225

University of Adelaide

28. Rae, Alice. McLuhan’s unconscious.

Degree: 2008, University of Adelaide

URL: http://hdl.handle.net/2440/49671

► The proof set forward in this thesis is that the method of Marshall McLuhan (1911-1980), which he came in the 1970’s to describe as ‘structuralist’,… (more)

▼ The proof set forward in this thesis is that the method of Marshall McLuhan (1911-1980), which he came in the 1970’s to describe as ‘structuralist’, ‘phenomenological’ and even ‘metaphysical’, owes a heretofore unacknowledged debt to Sigmund Freud (1856-1939). Critics have thus far neglected the influence of nineteenth and twentieth century psychology in McLuhan’s work, although a wealth of biographical material supports the argument that McLuhan’s ‘metaphysical’ method is derived as much from psychoanalysis and analytical psychology (C.G. Jung) as from any of McLuhan’s acknowledged predecessors. Returning to the texts from which McLuhan gained his knowledge of psychology, I trace the influence of Freud, Jung and their disciples upon McLuhan, establishing McLuhan’s use of Freudian concepts and terminology in his first book The Mechanical Bride (1951), and his use of the psychoanalytic concepts of the ‘unconscious’, ‘trauma’ and ‘repression’ in the books that came after it. What McLuhan calls the ‘unconscious’ is more often named by him as Logos, ‘acoustic space’ or the ‘media environment’, and I trace the debts that these concepts owe not only to Freud and Jung but to Aristotle, St. Thomas Aquinas, gestalt theory, art theory, Henri Bergson, Pierre Teilhard de Chardin, Wyndham Lewis, Siegfried Giedion, Harold Innis, the French symbolist poets of the late nineteenth century and the British modernists of the early twentieth. Despite his rejection of the Freudian argument, McLuhan, like Freud, conceptualizes pain or trauma as the ‘cause’ of transformations (i.e. processes) in the unconscious; but while for McLuhan, invoking St. Thomas Aquinas and Aristotle, technologies are ‘formal causes’ simultaneous with (or ‘preceded’ by) their effects, for Freud and his modern interpreter Jacques Lacan, trauma is ‘paradoxical’ in structure, presenting as both its own ‘cause’ and ‘effect’. Situating McLuhan in relation to French structuralism, I contrast McLuhan’s concepts of ‘figure’ (as cause) and ‘ground’ (as effects), elaborated in his last book Laws of Media (1988), to the concepts of the ‘signifier’ and the ‘signified’ in Ferdinand de Saussure’s Course in General Linguistics (1916), and critique McLuhan’s ‘tetrad’, the ideograph with which he illustrates media ‘effects’, in relation to the psychoanalytic concept of the signifier elaborated by Lacan. In reply to McLuhan’s maxim that ‘the medium is the message’, I conclude that technologies, insofar as they function as ‘formal causes’, are doubly ‘hidden’: firstly, because, as McLuhan says, they can only be grasped through their effects; and secondly because, as Lacan says, their effects can only be articulated when they manifest as ‘disturbances’ in the symbolic order, i.e., as fantasies of the Other’s jouissance (enjoyment). There are numerous stories about how McLuhan would frustrate his critics by refusing to take a ‘point-of-view’, and in fact his (psychoanalytic) technique of ‘putting on’ the audience as a mask, and his (deconstructivist) manner of changing perspectives as… Advisors/Committee Members: McCarthy, Greg (advisor), Nursey-Bray, Paul Frederick (advisor), School of History and Politics : Politics (school).

Subjects/Keywords: McLuhan; Freud; Lacan; unconscious; metaphysics; psychology; psychoanalysis; structuralism; McLuhan, Marshall, 1911-1980 Criticism and interpretation.; Freud, Sigmund, 1856-1939 Influence.

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APA (6^th Edition):

Rae, A. (2008). McLuhan’s unconscious. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/49671

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Rae, Alice. “McLuhan’s unconscious.” 2008. Thesis, University of Adelaide. Accessed March 08, 2021. http://hdl.handle.net/2440/49671.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Rae, Alice. “McLuhan’s unconscious.” 2008. Web. 08 Mar 2021.

Vancouver:

Rae A. McLuhan’s unconscious. [Internet] [Thesis]. University of Adelaide; 2008. [cited 2021 Mar 08]. Available from: http://hdl.handle.net/2440/49671.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rae A. McLuhan’s unconscious. [Thesis]. University of Adelaide; 2008. Available from: http://hdl.handle.net/2440/49671

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Universidade do Rio Grande do Sul

29. Medeiros, Rosângela Fachel de. Cinema e identidade cultural : David Cronenberg questionando limites.

Degree: 2008, Universidade do Rio Grande do Sul

URL: http://hdl.handle.net/10183/16861

►

O presente trabalho investiga a marca anglo-canadense na obra do cineasta David Cronenberg a partir do diálogo que instaura com as tradições culturais e teóricas… (more)

▼

O presente trabalho investiga a marca anglo-canadense na obra do cineasta David Cronenberg a partir do diálogo que instaura com as tradições culturais e teóricas do país que dizem respeito, ao tecnicismo, centrado nos meios de comunicação, propagado pelos teóricos da comunicação da Escola de Toronto e, especialmente, por Marshall Mcluhan e levando em consideração a tendência dos protagonistas canadenses a serem não-heróis, apontada por Margaret Atwood. E com o objetivo de contextualizar sua produção artística, mercadológica e culturalmente, no interior do sistema cinematográfico do Canadá, apresenta uma breve historiografia do cinema do país. Em relação à notória recorrência na obra do cineasta em questionar os limites do corpo humano, este trabalho analisa sua confluência com tradições teóricas e artísticas, que centramse nessa questão. E destaca as considerações referentes à abjeção e ao disgust, sentimentos diretamente associados ao temor frente ao rompimento dos limites corporais. O objetivo central deste trabalho é então desvelar como essas heranças da tradição cultural canadense estão relacionadas às obsessões cronenberguianas, principalmente em relação ao corpo, e à forma como esses elementos se amalgamam na configuração de sua obra extrema e única.

This dissertation investigates the Anglo-Canadian trademark in the work of cinematographer David Cronenberg through his dialogue with the cultural and theoretical traditions of the country which concern technicism, centred on the means of communication, disseminated by the theoreticians of communication from the School of Toronto, and specially by Marshall McLuhan and taking into consideration the tendency on the part of the Canadian protagonists to be non-heroes, pointed out by Margaret Atwood. Also aiming to contextualize his artistic production, commercially and culturally, in the Canadian cinematographic system, it presents a brief historiography of cinema in Canada. As to the notorious recurrence of on investigation concerning the limits of the body, this dissertation analyses its confluence with theoretical and artistic traditions focused on this theme. It points out the consideration concerning abjection and disgust, feelings which are directly associated with the fear which the exceeding of the corporeal limits provokes. The central aim of this dissertation is therefore to reveal how these heirlooms of the Canadian cultural tradition are related to Cronenberg's obsessions, notably these related to the human body, and to the way that such elements amalgamate to produce his extreme and unique work.

Advisors/Committee Members: Oliveira, Ubiratan Paiva de.

Subjects/Keywords: Cronenberg, David, 1943-; McLuhan, Marshall, 1911-1980; Atwood, Margaret, 1939-; Literatura comparada; Teoria literária; Cinema e literatura; Cinema canadense; Cinema contemporâneo; Crítica cinematográfica; Cultura; Historiografia; Meios de comunicação; Identidade nacional; Imaginário

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APA (6^th Edition):

Medeiros, R. F. d. (2008). Cinema e identidade cultural : David Cronenberg questionando limites. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/16861

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Medeiros, Rosângela Fachel de. “Cinema e identidade cultural : David Cronenberg questionando limites.” 2008. Thesis, Universidade do Rio Grande do Sul. Accessed March 08, 2021. http://hdl.handle.net/10183/16861.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Medeiros, Rosângela Fachel de. “Cinema e identidade cultural : David Cronenberg questionando limites.” 2008. Web. 08 Mar 2021.

Vancouver:

Medeiros RFd. Cinema e identidade cultural : David Cronenberg questionando limites. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2008. [cited 2021 Mar 08]. Available from: http://hdl.handle.net/10183/16861.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Medeiros RFd. Cinema e identidade cultural : David Cronenberg questionando limites. [Thesis]. Universidade do Rio Grande do Sul; 2008. Available from: http://hdl.handle.net/10183/16861

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Liberty University

30. Shea, Isaac. Medium as King: Social Media & the Political Campaign.

Degree: 2016, Liberty University

URL: http://digitalcommons.liberty.edu/masters/425

► There is a growing need for a greater understanding of the intersection between great content, effective targeting and proper media usage in mediated communication and… (more)

Subjects/Keywords: Kathleen Hall Jamieson; Marshall McLuhan; Mediated Communication; Political Communication; Social Media; Ted Cruz; Communication Technology and New Media; Journalism Studies; Mass Communication; Organizational Communication; Social Influence and Political Communication; Social Media

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APA (6^th Edition):

Shea, I. (2016). Medium as King: Social Media & the Political Campaign. (Masters Thesis). Liberty University. Retrieved from http://digitalcommons.liberty.edu/masters/425

Chicago Manual of Style (16^th Edition):

Shea, Isaac. “Medium as King: Social Media & the Political Campaign.” 2016. Masters Thesis, Liberty University. Accessed March 08, 2021. http://digitalcommons.liberty.edu/masters/425.

MLA Handbook (7^th Edition):

Shea, Isaac. “Medium as King: Social Media & the Political Campaign.” 2016. Web. 08 Mar 2021.

Vancouver:

Shea I. Medium as King: Social Media & the Political Campaign. [Internet] [Masters thesis]. Liberty University; 2016. [cited 2021 Mar 08]. Available from: http://digitalcommons.liberty.edu/masters/425.

Council of Science Editors:

Shea I. Medium as King: Social Media & the Political Campaign. [Masters Thesis]. Liberty University; 2016. Available from: http://digitalcommons.liberty.edu/masters/425

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Open Access Theses and Dissertations