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You searched for subject:(Marcel duchamp). Showing records 1 – 30 of 63 total matches.

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Université Toulouse II – Le Mirail

1. Jouret, Quentin. L'art de la discrétion ( l'infranuance et le petit usage) : The art of discretion.

Degree: Docteur es, Arts plastiques, 2015, Université Toulouse II – Le Mirail

De même que Maurice Blanchot observait que le quotidien, « c’est ce qu’il y a de plus difficile à découvrir », Quentin Jouret constate qu’il… (more)

Subjects/Keywords: Discretion; Art; Marcel Duchamp; Discretion; Art; Marcel Duchamp

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jouret, Q. (2015). L'art de la discrétion ( l'infranuance et le petit usage) : The art of discretion. (Doctoral Dissertation). Université Toulouse II – Le Mirail. Retrieved from http://www.theses.fr/2015TOU20141

Chicago Manual of Style (16th Edition):

Jouret, Quentin. “L'art de la discrétion ( l'infranuance et le petit usage) : The art of discretion.” 2015. Doctoral Dissertation, Université Toulouse II – Le Mirail. Accessed December 05, 2019. http://www.theses.fr/2015TOU20141.

MLA Handbook (7th Edition):

Jouret, Quentin. “L'art de la discrétion ( l'infranuance et le petit usage) : The art of discretion.” 2015. Web. 05 Dec 2019.

Vancouver:

Jouret Q. L'art de la discrétion ( l'infranuance et le petit usage) : The art of discretion. [Internet] [Doctoral dissertation]. Université Toulouse II – Le Mirail; 2015. [cited 2019 Dec 05]. Available from: http://www.theses.fr/2015TOU20141.

Council of Science Editors:

Jouret Q. L'art de la discrétion ( l'infranuance et le petit usage) : The art of discretion. [Doctoral Dissertation]. Université Toulouse II – Le Mirail; 2015. Available from: http://www.theses.fr/2015TOU20141


The Ohio State University

2. Alkire, Jacqueline Anne. Intellectual conceptualism.

Degree: MA, Art Education, 1979, The Ohio State University

Subjects/Keywords: Marcel Duchamp; Artists

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APA (6th Edition):

Alkire, J. A. (1979). Intellectual conceptualism. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1120587743

Chicago Manual of Style (16th Edition):

Alkire, Jacqueline Anne. “Intellectual conceptualism.” 1979. Masters Thesis, The Ohio State University. Accessed December 05, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1120587743.

MLA Handbook (7th Edition):

Alkire, Jacqueline Anne. “Intellectual conceptualism.” 1979. Web. 05 Dec 2019.

Vancouver:

Alkire JA. Intellectual conceptualism. [Internet] [Masters thesis]. The Ohio State University; 1979. [cited 2019 Dec 05]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1120587743.

Council of Science Editors:

Alkire JA. Intellectual conceptualism. [Masters Thesis]. The Ohio State University; 1979. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1120587743


Halmstad University

3. Howells, Annie. Avant-garde nu och då : ett föränderligt koncept?.

Degree: Humanities and Social Science, 2017, Halmstad University

  I denna undersökning har jag utgått ifrån Sassower och Cicotellos bok The Golden Avant-Garde: Idolatry, Commercialism, and Art. I den diskuterar författarna deras uppfattning… (more)

Subjects/Keywords: Cory Arcangel; Marcel Duchamp; avantgarde; ready made

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APA (6th Edition):

Howells, A. (2017). Avant-garde nu och då : ett föränderligt koncept?. (Thesis). Halmstad University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-33224

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Howells, Annie. “Avant-garde nu och då : ett föränderligt koncept?.” 2017. Thesis, Halmstad University. Accessed December 05, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-33224.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Howells, Annie. “Avant-garde nu och då : ett föränderligt koncept?.” 2017. Web. 05 Dec 2019.

Vancouver:

Howells A. Avant-garde nu och då : ett föränderligt koncept?. [Internet] [Thesis]. Halmstad University; 2017. [cited 2019 Dec 05]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-33224.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Howells A. Avant-garde nu och då : ett föränderligt koncept?. [Thesis]. Halmstad University; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-33224

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad de Chile

4. Ceballos Velásquez, Margoth Jeanette. La mirada lúdica de Marcel Duchamp en la obra de Samy Benmayor .

Degree: 2015, Universidad de Chile

 El Arte y lo lúdico tienen una estrecha relación desde la edad antigua, Federico Nietzsche lo sitúa en el origen de la tragedia griega. Durante… (more)

Subjects/Keywords: Duchamp, Marcel; Benmayor, Samy; Crítica de arte

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APA (6th Edition):

Ceballos Velásquez, M. J. (2015). La mirada lúdica de Marcel Duchamp en la obra de Samy Benmayor . (Thesis). Universidad de Chile. Retrieved from http://www.repositorio.uchile.cl/handle/2250/129687

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ceballos Velásquez, Margoth Jeanette. “La mirada lúdica de Marcel Duchamp en la obra de Samy Benmayor .” 2015. Thesis, Universidad de Chile. Accessed December 05, 2019. http://www.repositorio.uchile.cl/handle/2250/129687.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ceballos Velásquez, Margoth Jeanette. “La mirada lúdica de Marcel Duchamp en la obra de Samy Benmayor .” 2015. Web. 05 Dec 2019.

Vancouver:

Ceballos Velásquez MJ. La mirada lúdica de Marcel Duchamp en la obra de Samy Benmayor . [Internet] [Thesis]. Universidad de Chile; 2015. [cited 2019 Dec 05]. Available from: http://www.repositorio.uchile.cl/handle/2250/129687.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ceballos Velásquez MJ. La mirada lúdica de Marcel Duchamp en la obra de Samy Benmayor . [Thesis]. Universidad de Chile; 2015. Available from: http://www.repositorio.uchile.cl/handle/2250/129687

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Presbiteriana Mackenzie

5. Polyana Zappa. Etant donnés: a construção de uma contradição.

Degree: 2008, Universidade Presbiteriana Mackenzie

The research presents as study object the reflection on Marcel Duchamp s last work Etant donnés ", relating: the reflection of the work-object, the woman… (more)

Subjects/Keywords: art; eroticism; Etant donnés; arte; erotismo; Marcel Duchamp; Etant donnés; CIENCIAS HUMANAS; Marcel Duchamp

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APA (6th Edition):

Zappa, P. (2008). Etant donnés: a construção de uma contradição. (Thesis). Universidade Presbiteriana Mackenzie. Retrieved from http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=748

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zappa, Polyana. “Etant donnés: a construção de uma contradição.” 2008. Thesis, Universidade Presbiteriana Mackenzie. Accessed December 05, 2019. http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=748.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zappa, Polyana. “Etant donnés: a construção de uma contradição.” 2008. Web. 05 Dec 2019.

Vancouver:

Zappa P. Etant donnés: a construção de uma contradição. [Internet] [Thesis]. Universidade Presbiteriana Mackenzie; 2008. [cited 2019 Dec 05]. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=748.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zappa P. Etant donnés: a construção de uma contradição. [Thesis]. Universidade Presbiteriana Mackenzie; 2008. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=748

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

6. Nadeau, David. Influence de l'iconographie duchampienne dans Les Célibataires, vingt ans plus tard, de Roberto Matta .

Degree: 2014, Université de Montréal

 L’alchimie, science de la manipulation des influences spirituelles par une métallurgie sacrée, et la pataphysique, esthétique pseudo-scientifique associant l'ésotérisme à l'humour, sont les deux principaux… (more)

Subjects/Keywords: Roberto Matta; Marcel Duchamp; surréalisme; alchimie; pataphysique; Surrealism; Alchemy; Pataphysics

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APA (6th Edition):

Nadeau, D. (2014). Influence de l'iconographie duchampienne dans Les Célibataires, vingt ans plus tard, de Roberto Matta . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/11012

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nadeau, David. “Influence de l'iconographie duchampienne dans Les Célibataires, vingt ans plus tard, de Roberto Matta .” 2014. Thesis, Université de Montréal. Accessed December 05, 2019. http://hdl.handle.net/1866/11012.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nadeau, David. “Influence de l'iconographie duchampienne dans Les Célibataires, vingt ans plus tard, de Roberto Matta .” 2014. Web. 05 Dec 2019.

Vancouver:

Nadeau D. Influence de l'iconographie duchampienne dans Les Célibataires, vingt ans plus tard, de Roberto Matta . [Internet] [Thesis]. Université de Montréal; 2014. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/1866/11012.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nadeau D. Influence de l'iconographie duchampienne dans Les Célibataires, vingt ans plus tard, de Roberto Matta . [Thesis]. Université de Montréal; 2014. Available from: http://hdl.handle.net/1866/11012

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

7. Fardy, Jonathan R. Double Vision: Reviewing Man Ray and Marcel Duchamp's 1920 Photo-Text.

Degree: MA, Art/Art History, 2008, Bowling Green State University

 In the October, 1922 edition of the Surrealist journal Littérature, Man Ray and Marcel Duchamp published a collaborative work consisting of a photograph of Duchamp’s… (more)

Subjects/Keywords: Art History; Man Ray; Marcel Duchamp; Photo-text; deconstruction

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APA (6th Edition):

Fardy, J. R. (2008). Double Vision: Reviewing Man Ray and Marcel Duchamp's 1920 Photo-Text. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1196371696

Chicago Manual of Style (16th Edition):

Fardy, Jonathan R. “Double Vision: Reviewing Man Ray and Marcel Duchamp's 1920 Photo-Text.” 2008. Masters Thesis, Bowling Green State University. Accessed December 05, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1196371696.

MLA Handbook (7th Edition):

Fardy, Jonathan R. “Double Vision: Reviewing Man Ray and Marcel Duchamp's 1920 Photo-Text.” 2008. Web. 05 Dec 2019.

Vancouver:

Fardy JR. Double Vision: Reviewing Man Ray and Marcel Duchamp's 1920 Photo-Text. [Internet] [Masters thesis]. Bowling Green State University; 2008. [cited 2019 Dec 05]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1196371696.

Council of Science Editors:

Fardy JR. Double Vision: Reviewing Man Ray and Marcel Duchamp's 1920 Photo-Text. [Masters Thesis]. Bowling Green State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1196371696


University of California – Irvine

8. Ching, Kylie. Critiquing the Nude: Kusama, Kubota, and Kihara Appropriate Duchamp’s Nude.

Degree: Arts, Computation, and Engineering- M, 2017, University of California – Irvine

 Almost sixty years after Duchamp completed Nude Descending a Staircase (No.2) in 1912, Japanese American artists, Yayoi Kusama and Shigeko Kubota implicitly and explicitly appropriated… (more)

Subjects/Keywords: Art history; Marcel Duchamp; Nude; Shigeko Kubota; Shigeyuki Kihara; Yayoi Kusama

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APA (6th Edition):

Ching, K. (2017). Critiquing the Nude: Kusama, Kubota, and Kihara Appropriate Duchamp’s Nude. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/0rs8718p

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ching, Kylie. “Critiquing the Nude: Kusama, Kubota, and Kihara Appropriate Duchamp’s Nude.” 2017. Thesis, University of California – Irvine. Accessed December 05, 2019. http://www.escholarship.org/uc/item/0rs8718p.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ching, Kylie. “Critiquing the Nude: Kusama, Kubota, and Kihara Appropriate Duchamp’s Nude.” 2017. Web. 05 Dec 2019.

Vancouver:

Ching K. Critiquing the Nude: Kusama, Kubota, and Kihara Appropriate Duchamp’s Nude. [Internet] [Thesis]. University of California – Irvine; 2017. [cited 2019 Dec 05]. Available from: http://www.escholarship.org/uc/item/0rs8718p.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ching K. Critiquing the Nude: Kusama, Kubota, and Kihara Appropriate Duchamp’s Nude. [Thesis]. University of California – Irvine; 2017. Available from: http://www.escholarship.org/uc/item/0rs8718p

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Lisboa

9. Soares, Marta Isabel Gonçalves, 1973-. A matriz.

Degree: 2012, Universidade de Lisboa

Tese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Bedlas Artes, 2012

En partant d’une pratique de peinture dans laquelle l'existence préalable d'une matrice physique… (more)

Subjects/Keywords: Duchamp, Marcel, 1887-1968; Ray, Man, 1890-1976; Matrizes; Pintura; Prática

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APA (6th Edition):

Soares, Marta Isabel Gonçalves, 1. (2012). A matriz. (Thesis). Universidade de Lisboa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/5059

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Soares, Marta Isabel Gonçalves, 1973-. “A matriz.” 2012. Thesis, Universidade de Lisboa. Accessed December 05, 2019. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/5059.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Soares, Marta Isabel Gonçalves, 1973-. “A matriz.” 2012. Web. 05 Dec 2019.

Vancouver:

Soares, Marta Isabel Gonçalves 1. A matriz. [Internet] [Thesis]. Universidade de Lisboa; 2012. [cited 2019 Dec 05]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/5059.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Soares, Marta Isabel Gonçalves 1. A matriz. [Thesis]. Universidade de Lisboa; 2012. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/5059

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

10. Subotincic, Natalija. The anamorphosis of architecture : a co-incidence of desire and embodiment (an excursion into the world of visual indifference).

Degree: M. Arch., School of Architecture., 1989, McGill University

Subjects/Keywords: Duchamp, Marcel, 1887-1968; Architecture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Subotincic, N. (1989). The anamorphosis of architecture : a co-incidence of desire and embodiment (an excursion into the world of visual indifference). (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile55638.pdf

Chicago Manual of Style (16th Edition):

Subotincic, Natalija. “The anamorphosis of architecture : a co-incidence of desire and embodiment (an excursion into the world of visual indifference).” 1989. Masters Thesis, McGill University. Accessed December 05, 2019. http://digitool.library.mcgill.ca/thesisfile55638.pdf.

MLA Handbook (7th Edition):

Subotincic, Natalija. “The anamorphosis of architecture : a co-incidence of desire and embodiment (an excursion into the world of visual indifference).” 1989. Web. 05 Dec 2019.

Vancouver:

Subotincic N. The anamorphosis of architecture : a co-incidence of desire and embodiment (an excursion into the world of visual indifference). [Internet] [Masters thesis]. McGill University; 1989. [cited 2019 Dec 05]. Available from: http://digitool.library.mcgill.ca/thesisfile55638.pdf.

Council of Science Editors:

Subotincic N. The anamorphosis of architecture : a co-incidence of desire and embodiment (an excursion into the world of visual indifference). [Masters Thesis]. McGill University; 1989. Available from: http://digitool.library.mcgill.ca/thesisfile55638.pdf

11. Auffray, Fabienne. La dimension cachée de l'objet 1913-2013 : The hidden dimension of the object 1913 -2013.

Degree: Docteur es, Information et communication, 2016, Côte d'Azur

Le banal objet manufacturé a pris une place de plus en plus importante sur la scène artistique depuis son irruption, via le geste de Marcel(more)

Subjects/Keywords: Objet; Art contemporain; Dématérialisation; Marcel Duchamp; Object; Contemporary art; Dematerialization

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Auffray, F. (2016). La dimension cachée de l'objet 1913-2013 : The hidden dimension of the object 1913 -2013. (Doctoral Dissertation). Côte d'Azur. Retrieved from http://www.theses.fr/2016AZUR2042

Chicago Manual of Style (16th Edition):

Auffray, Fabienne. “La dimension cachée de l'objet 1913-2013 : The hidden dimension of the object 1913 -2013.” 2016. Doctoral Dissertation, Côte d'Azur. Accessed December 05, 2019. http://www.theses.fr/2016AZUR2042.

MLA Handbook (7th Edition):

Auffray, Fabienne. “La dimension cachée de l'objet 1913-2013 : The hidden dimension of the object 1913 -2013.” 2016. Web. 05 Dec 2019.

Vancouver:

Auffray F. La dimension cachée de l'objet 1913-2013 : The hidden dimension of the object 1913 -2013. [Internet] [Doctoral dissertation]. Côte d'Azur; 2016. [cited 2019 Dec 05]. Available from: http://www.theses.fr/2016AZUR2042.

Council of Science Editors:

Auffray F. La dimension cachée de l'objet 1913-2013 : The hidden dimension of the object 1913 -2013. [Doctoral Dissertation]. Côte d'Azur; 2016. Available from: http://www.theses.fr/2016AZUR2042


Universidade Estadual de Campinas

12. Pereira, Caroliny, 1983-. Zona de intervalo da criação : o "inframince" duchampiano como conceito operatório no ato criativo = Zone d'intervalle de la création: l'inframince duchampienne comme concept opératoire dans l'acte creatif .

Degree: 2018, Universidade Estadual de Campinas

 Resumo: O que perdura de quando algo entra em contanto com outro? Quais elementos existem nessa passagem que possibilitam a troca, a partilha, a criação?… (more)

Subjects/Keywords: Duchamp, Marcel, 1887-1968; Criação na arte; Artes

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APA (6th Edition):

Pereira, Caroliny, 1. (2018). Zona de intervalo da criação : o "inframince" duchampiano como conceito operatório no ato criativo = Zone d'intervalle de la création: l'inframince duchampienne comme concept opératoire dans l'acte creatif . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/333538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pereira, Caroliny, 1983-. “Zona de intervalo da criação : o "inframince" duchampiano como conceito operatório no ato criativo = Zone d'intervalle de la création: l'inframince duchampienne comme concept opératoire dans l'acte creatif .” 2018. Thesis, Universidade Estadual de Campinas. Accessed December 05, 2019. http://repositorio.unicamp.br/jspui/handle/REPOSIP/333538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pereira, Caroliny, 1983-. “Zona de intervalo da criação : o "inframince" duchampiano como conceito operatório no ato criativo = Zone d'intervalle de la création: l'inframince duchampienne comme concept opératoire dans l'acte creatif .” 2018. Web. 05 Dec 2019.

Vancouver:

Pereira, Caroliny 1. Zona de intervalo da criação : o "inframince" duchampiano como conceito operatório no ato criativo = Zone d'intervalle de la création: l'inframince duchampienne comme concept opératoire dans l'acte creatif . [Internet] [Thesis]. Universidade Estadual de Campinas; 2018. [cited 2019 Dec 05]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/333538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pereira, Caroliny 1. Zona de intervalo da criação : o "inframince" duchampiano como conceito operatório no ato criativo = Zone d'intervalle de la création: l'inframince duchampienne comme concept opératoire dans l'acte creatif . [Thesis]. Universidade Estadual de Campinas; 2018. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/333538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Lehmann, Maria-Rosa. An Essay on the blurring of art and life : les inaugurations des expositions internationales du Surréalisme à Paris (1938, 1947, 1959) en tant qu'événements précurseurs de l'art de la performance : An Essay on the blurring of art and life : the openings of the international surrealist exhibitions in Paris (1938, 1947, 1959) - pioneer events of performance art.

Degree: Docteur es, Histoire de l'art, 2018, Paris 1

Si c’est le futurisme et le Dadaïsme qui sont mis de l’avant dans la plupart des publications sur l’histoire de ce que l’on nomme la… (more)

Subjects/Keywords: Surréalisme; L'art de la performance; Happenings; Révolte; André Breton; Marcel Duchamp; Jean-Jacques Lebel; Action; Surrealism; Performance art; Happenings; André Breton; Marcel Duchamp; Jean-Jacques Lebel; Action; 791

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lehmann, M. (2018). An Essay on the blurring of art and life : les inaugurations des expositions internationales du Surréalisme à Paris (1938, 1947, 1959) en tant qu'événements précurseurs de l'art de la performance : An Essay on the blurring of art and life : the openings of the international surrealist exhibitions in Paris (1938, 1947, 1959) - pioneer events of performance art. (Doctoral Dissertation). Paris 1. Retrieved from http://www.theses.fr/2018PA01H025

Chicago Manual of Style (16th Edition):

Lehmann, Maria-Rosa. “An Essay on the blurring of art and life : les inaugurations des expositions internationales du Surréalisme à Paris (1938, 1947, 1959) en tant qu'événements précurseurs de l'art de la performance : An Essay on the blurring of art and life : the openings of the international surrealist exhibitions in Paris (1938, 1947, 1959) - pioneer events of performance art.” 2018. Doctoral Dissertation, Paris 1. Accessed December 05, 2019. http://www.theses.fr/2018PA01H025.

MLA Handbook (7th Edition):

Lehmann, Maria-Rosa. “An Essay on the blurring of art and life : les inaugurations des expositions internationales du Surréalisme à Paris (1938, 1947, 1959) en tant qu'événements précurseurs de l'art de la performance : An Essay on the blurring of art and life : the openings of the international surrealist exhibitions in Paris (1938, 1947, 1959) - pioneer events of performance art.” 2018. Web. 05 Dec 2019.

Vancouver:

Lehmann M. An Essay on the blurring of art and life : les inaugurations des expositions internationales du Surréalisme à Paris (1938, 1947, 1959) en tant qu'événements précurseurs de l'art de la performance : An Essay on the blurring of art and life : the openings of the international surrealist exhibitions in Paris (1938, 1947, 1959) - pioneer events of performance art. [Internet] [Doctoral dissertation]. Paris 1; 2018. [cited 2019 Dec 05]. Available from: http://www.theses.fr/2018PA01H025.

Council of Science Editors:

Lehmann M. An Essay on the blurring of art and life : les inaugurations des expositions internationales du Surréalisme à Paris (1938, 1947, 1959) en tant qu'événements précurseurs de l'art de la performance : An Essay on the blurring of art and life : the openings of the international surrealist exhibitions in Paris (1938, 1947, 1959) - pioneer events of performance art. [Doctoral Dissertation]. Paris 1; 2018. Available from: http://www.theses.fr/2018PA01H025

14. Masuko, Wallace Vieira. HRMD: R.

Degree: Mestrado, Poéticas Visuais, 2012, University of São Paulo

 Dissertação apresentada ao Programa de Pós-graduação em Artes Visuais, área de concentração Poéticas Visuais, da Escola de Comunicação e Artes da Universidade de São Paulo,… (more)

Subjects/Keywords: Artes - século 20 - Estados Unidos; Artistas - século 20 - Estados Unidos; Marcel Duchamp 1887-1968

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Masuko, W. V. (2012). HRMD: R. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27159/tde-01032013-110646/ ;

Chicago Manual of Style (16th Edition):

Masuko, Wallace Vieira. “HRMD: R.” 2012. Masters Thesis, University of São Paulo. Accessed December 05, 2019. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-01032013-110646/ ;.

MLA Handbook (7th Edition):

Masuko, Wallace Vieira. “HRMD: R.” 2012. Web. 05 Dec 2019.

Vancouver:

Masuko WV. HRMD: R. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2019 Dec 05]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-01032013-110646/ ;.

Council of Science Editors:

Masuko WV. HRMD: R. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-01032013-110646/ ;


Université du Québec à Montréal

15. Daoust, Ariane. Performer la paresse.

Degree: 2011, Université du Québec à Montréal

 Partant d'une formulation énigmatique du philosophe allemand Gotthold Ephraim Lessing (1729-1781), « Paressons en toutes choses, hormis en aimant et en buvant, hormis en paressant… (more)

Subjects/Keywords: Dordevic Goran; Duchamp Marcel 1887-1968; Stilinovic Maldem 1947-; Art conceptuel; Paresse; Thème artistique

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Daoust, A. (2011). Performer la paresse. (Thesis). Université du Québec à Montréal. Retrieved from http://www.archipel.uqam.ca/4141/1/M12110.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Daoust, Ariane. “Performer la paresse.” 2011. Thesis, Université du Québec à Montréal. Accessed December 05, 2019. http://www.archipel.uqam.ca/4141/1/M12110.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Daoust, Ariane. “Performer la paresse.” 2011. Web. 05 Dec 2019.

Vancouver:

Daoust A. Performer la paresse. [Internet] [Thesis]. Université du Québec à Montréal; 2011. [cited 2019 Dec 05]. Available from: http://www.archipel.uqam.ca/4141/1/M12110.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Daoust A. Performer la paresse. [Thesis]. Université du Québec à Montréal; 2011. Available from: http://www.archipel.uqam.ca/4141/1/M12110.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Debrecen

16. Bihari, Anikó. Marcel Duchamp - aki az avantgárd mozgalom számára is túl kirívó volt, avagy hogyan is képes arra, hogy a mindenből semmit csináljon .

Degree: DE – Bölcsészettudományi Kar, University of Debrecen

 A szakdolgozatom Marcel Duchamp munkásságáról és életéről szól, arról hogyan változtatta meg a mai művészetfelfogásunkat, vonta kétségbe a műalkotás mibenlétét. Dadaista törekvései is megjelennek gondolkodásában,… (more)

Subjects/Keywords: Marcel Duchamp; művészet; antiművészet; ready-made

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bihari, A. (n.d.). Marcel Duchamp - aki az avantgárd mozgalom számára is túl kirívó volt, avagy hogyan is képes arra, hogy a mindenből semmit csináljon . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/212104

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bihari, Anikó. “Marcel Duchamp - aki az avantgárd mozgalom számára is túl kirívó volt, avagy hogyan is képes arra, hogy a mindenből semmit csináljon .” Thesis, University of Debrecen. Accessed December 05, 2019. http://hdl.handle.net/2437/212104.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bihari, Anikó. “Marcel Duchamp - aki az avantgárd mozgalom számára is túl kirívó volt, avagy hogyan is képes arra, hogy a mindenből semmit csináljon .” Web. 05 Dec 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Bihari A. Marcel Duchamp - aki az avantgárd mozgalom számára is túl kirívó volt, avagy hogyan is képes arra, hogy a mindenből semmit csináljon . [Internet] [Thesis]. University of Debrecen; [cited 2019 Dec 05]. Available from: http://hdl.handle.net/2437/212104.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Bihari A. Marcel Duchamp - aki az avantgárd mozgalom számára is túl kirívó volt, avagy hogyan is képes arra, hogy a mindenből semmit csináljon . [Thesis]. University of Debrecen; Available from: http://hdl.handle.net/2437/212104

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


Stockholm University

17. Gustafsson, Frida. Picasso möter Duchamp : En narratologisk undersökning av performativitet, positionering och värdering i Moderna Museets katalogtexter.

Degree: Art History, 2014, Stockholm University

  I denna uppsats undersöks katalogtexter producerade eller reproducerade av Moderna Museet i Stockholm om Pablo Picasso och Marcel Duchamp. Texterna undersöks, med utgångspunkt i… (more)

Subjects/Keywords: narratologi; Moderna Museet; narration; performativitet; utställningskatalog; Pablo Picasso; Marcel Duchamp; modernism; postmodernism; konstnärskap

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gustafsson, F. (2014). Picasso möter Duchamp : En narratologisk undersökning av performativitet, positionering och värdering i Moderna Museets katalogtexter. (Thesis). Stockholm University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104909

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gustafsson, Frida. “Picasso möter Duchamp : En narratologisk undersökning av performativitet, positionering och värdering i Moderna Museets katalogtexter.” 2014. Thesis, Stockholm University. Accessed December 05, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104909.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gustafsson, Frida. “Picasso möter Duchamp : En narratologisk undersökning av performativitet, positionering och värdering i Moderna Museets katalogtexter.” 2014. Web. 05 Dec 2019.

Vancouver:

Gustafsson F. Picasso möter Duchamp : En narratologisk undersökning av performativitet, positionering och värdering i Moderna Museets katalogtexter. [Internet] [Thesis]. Stockholm University; 2014. [cited 2019 Dec 05]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104909.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gustafsson F. Picasso möter Duchamp : En narratologisk undersökning av performativitet, positionering och värdering i Moderna Museets katalogtexter. [Thesis]. Stockholm University; 2014. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104909

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Québec à Montréal

18. Daoust, Ariane. Performer la paresse.

Degree: 2011, Université du Québec à Montréal

 Partant d'une formulation énigmatique du philosophe allemand Gotthold Ephraim Lessing (1729-1781), « Paressons en toutes choses, hormis en aimant et en buvant, hormis en paressant… (more)

Subjects/Keywords: Dordevic Goran; Duchamp Marcel 1887-1968; Stilinovic Maldem 1947-; Art conceptuel; Paresse; Thème artistique

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Daoust, A. (2011). Performer la paresse. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/4141/1/M12110.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Daoust, Ariane. “Performer la paresse.” 2011. Thesis, Université du Québec à Montréal. Accessed December 05, 2019. http://archipel.uqam.ca/4141/1/M12110.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Daoust, Ariane. “Performer la paresse.” 2011. Web. 05 Dec 2019.

Vancouver:

Daoust A. Performer la paresse. [Internet] [Thesis]. Université du Québec à Montréal; 2011. [cited 2019 Dec 05]. Available from: http://archipel.uqam.ca/4141/1/M12110.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Daoust A. Performer la paresse. [Thesis]. Université du Québec à Montréal; 2011. Available from: http://archipel.uqam.ca/4141/1/M12110.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

19. Smart, M. Marie. Made in France: the World Wars and the 'other' avant-garde tradition.

Degree: PhD, English, 2015, University of Southern California

 Made in France is a comparative study of the war aesthetics of Marcel Duchamp, Samuel Beckett, and Gertrude Stein. These artists are seminal figures of… (more)

Subjects/Keywords: World War I; World War II; avant-garde; modernism; Marcel Duchamp; Samuel Beckett; Gertrude Stein

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smart, M. M. (2015). Made in France: the World Wars and the 'other' avant-garde tradition. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/307287/rec/3900

Chicago Manual of Style (16th Edition):

Smart, M Marie. “Made in France: the World Wars and the 'other' avant-garde tradition.” 2015. Doctoral Dissertation, University of Southern California. Accessed December 05, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/307287/rec/3900.

MLA Handbook (7th Edition):

Smart, M Marie. “Made in France: the World Wars and the 'other' avant-garde tradition.” 2015. Web. 05 Dec 2019.

Vancouver:

Smart MM. Made in France: the World Wars and the 'other' avant-garde tradition. [Internet] [Doctoral dissertation]. University of Southern California; 2015. [cited 2019 Dec 05]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/307287/rec/3900.

Council of Science Editors:

Smart MM. Made in France: the World Wars and the 'other' avant-garde tradition. [Doctoral Dissertation]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/307287/rec/3900


Princeton University

20. Filipovic, Elena. The Apparently Marginal Activities of Marcel Duchamp .

Degree: PhD, 2013, Princeton University

 This study focuses on a series of fugitive operations (or what I am calling “activities”) that Marcel Duchamp (1887–1968) incited in order to test, theorize,… (more)

Subjects/Keywords: artist as curator; Boîte-en-valise; Etant donnés; exhibition history; Marcel Duchamp; reproduction

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Filipovic, E. (2013). The Apparently Marginal Activities of Marcel Duchamp . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01bn9996871

Chicago Manual of Style (16th Edition):

Filipovic, Elena. “The Apparently Marginal Activities of Marcel Duchamp .” 2013. Doctoral Dissertation, Princeton University. Accessed December 05, 2019. http://arks.princeton.edu/ark:/88435/dsp01bn9996871.

MLA Handbook (7th Edition):

Filipovic, Elena. “The Apparently Marginal Activities of Marcel Duchamp .” 2013. Web. 05 Dec 2019.

Vancouver:

Filipovic E. The Apparently Marginal Activities of Marcel Duchamp . [Internet] [Doctoral dissertation]. Princeton University; 2013. [cited 2019 Dec 05]. Available from: http://arks.princeton.edu/ark:/88435/dsp01bn9996871.

Council of Science Editors:

Filipovic E. The Apparently Marginal Activities of Marcel Duchamp . [Doctoral Dissertation]. Princeton University; 2013. Available from: http://arks.princeton.edu/ark:/88435/dsp01bn9996871

21. Caroliny Pereira. Fragmentos Instantâneos: um estudo do mecanismo cinematográfico bergsoniano na pintura Nu descendo uma escada, de Marcel Duchamp.

Degree: 2012, Federal University of Uberlândia

The research called Snapshots Fragments; a study of Bergsonian cinematographic mechanism in the Marcel Duchamps painting Nude Descending a Staircase, is based in arts and… (more)

Subjects/Keywords: Nu descendo uma escada; Duchamp; Mecanismo cinematográfico; Movimento; Bergson; ARTES; Artistas franceses - Séc. XX; Pintura moderna - Séc. XX; Nu na arte; Duchamp, Marcel, 1887-1968; Nude descending a staircase; Marcel duchamp; Cinematic mechanism; Movement

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pereira, C. (2012). Fragmentos Instantâneos: um estudo do mecanismo cinematográfico bergsoniano na pintura Nu descendo uma escada, de Marcel Duchamp. (Thesis). Federal University of Uberlândia. Retrieved from http://www.bdtd.ufu.br//tde_busca/arquivo.php?codArquivo=4687

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pereira, Caroliny. “Fragmentos Instantâneos: um estudo do mecanismo cinematográfico bergsoniano na pintura Nu descendo uma escada, de Marcel Duchamp.” 2012. Thesis, Federal University of Uberlândia. Accessed December 05, 2019. http://www.bdtd.ufu.br//tde_busca/arquivo.php?codArquivo=4687.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pereira, Caroliny. “Fragmentos Instantâneos: um estudo do mecanismo cinematográfico bergsoniano na pintura Nu descendo uma escada, de Marcel Duchamp.” 2012. Web. 05 Dec 2019.

Vancouver:

Pereira C. Fragmentos Instantâneos: um estudo do mecanismo cinematográfico bergsoniano na pintura Nu descendo uma escada, de Marcel Duchamp. [Internet] [Thesis]. Federal University of Uberlândia; 2012. [cited 2019 Dec 05]. Available from: http://www.bdtd.ufu.br//tde_busca/arquivo.php?codArquivo=4687.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pereira C. Fragmentos Instantâneos: um estudo do mecanismo cinematográfico bergsoniano na pintura Nu descendo uma escada, de Marcel Duchamp. [Thesis]. Federal University of Uberlândia; 2012. Available from: http://www.bdtd.ufu.br//tde_busca/arquivo.php?codArquivo=4687

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

22. Oliveira, Maria Silvia de. Étant Donnés = a mise-en-scène eclipsada do jogo anadiômeno de Marcel Duchamp = Étant Donnés: the eclipsed mise-en-scène of the anadyomene game of Marcel Duchamp .

Degree: 2013, Universidade Estadual de Campinas

 Resumo: Esta pesquisa tem como objetivo dissertar sobre "Étant Donnés: 1º la chute d'eau, 2º le gaz d'éclairage", uma poderosa criação realizada silenciosamente ao longo… (more)

Subjects/Keywords: Duchamp, Marcel, 1887-1968. Étant donnés; Movimento (Encenação); Iluminuras de livros e manuscritos; Imagem tridimensional; Documentário (Cinema)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Oliveira, M. S. d. (2013). Étant Donnés = a mise-en-scène eclipsada do jogo anadiômeno de Marcel Duchamp = Étant Donnés: the eclipsed mise-en-scène of the anadyomene game of Marcel Duchamp . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/284552

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oliveira, Maria Silvia de. “Étant Donnés = a mise-en-scène eclipsada do jogo anadiômeno de Marcel Duchamp = Étant Donnés: the eclipsed mise-en-scène of the anadyomene game of Marcel Duchamp .” 2013. Thesis, Universidade Estadual de Campinas. Accessed December 05, 2019. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284552.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oliveira, Maria Silvia de. “Étant Donnés = a mise-en-scène eclipsada do jogo anadiômeno de Marcel Duchamp = Étant Donnés: the eclipsed mise-en-scène of the anadyomene game of Marcel Duchamp .” 2013. Web. 05 Dec 2019.

Vancouver:

Oliveira MSd. Étant Donnés = a mise-en-scène eclipsada do jogo anadiômeno de Marcel Duchamp = Étant Donnés: the eclipsed mise-en-scène of the anadyomene game of Marcel Duchamp . [Internet] [Thesis]. Universidade Estadual de Campinas; 2013. [cited 2019 Dec 05]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284552.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oliveira MSd. Étant Donnés = a mise-en-scène eclipsada do jogo anadiômeno de Marcel Duchamp = Étant Donnés: the eclipsed mise-en-scène of the anadyomene game of Marcel Duchamp . [Thesis]. Universidade Estadual de Campinas; 2013. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284552

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Edinburgh

23. Otty, Lisa. Signals and noise : art, literature and the avant-garde.

Degree: PhD, 2009, University of Edinburgh

 One of the most consistent features of the diverse artistic movements that have flourished throughout the twentieth century has been their willingness to experiment in… (more)

Subjects/Keywords: 708; aesthetics; avant-garde; Duchamp; Marcel 1887-1968; Warhol; Andy 1928-1987.; Adorno; Theodor W. 1903-1969.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Otty, L. (2009). Signals and noise : art, literature and the avant-garde. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/3454

Chicago Manual of Style (16th Edition):

Otty, Lisa. “Signals and noise : art, literature and the avant-garde.” 2009. Doctoral Dissertation, University of Edinburgh. Accessed December 05, 2019. http://hdl.handle.net/1842/3454.

MLA Handbook (7th Edition):

Otty, Lisa. “Signals and noise : art, literature and the avant-garde.” 2009. Web. 05 Dec 2019.

Vancouver:

Otty L. Signals and noise : art, literature and the avant-garde. [Internet] [Doctoral dissertation]. University of Edinburgh; 2009. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/1842/3454.

Council of Science Editors:

Otty L. Signals and noise : art, literature and the avant-garde. [Doctoral Dissertation]. University of Edinburgh; 2009. Available from: http://hdl.handle.net/1842/3454


Universidade de Lisboa

24. Moreira, Daniel Arnaut, 1986-. A descontextualização do objecto de arte.

Degree: 2014, Universidade de Lisboa

 This thesis, based on the works of Marcel Duchamp and Jeff Koons, begins with the analyses of the decontextualization of the art object. This goal,… (more)

Subjects/Keywords: Duchamp, Marcel, 1887-1968; Koons, Jeff, 1955-; Gell, Alfred; Arte contemporânea; Objectos; Ready-mades; Sociologia da arte

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Moreira, Daniel Arnaut, 1. (2014). A descontextualização do objecto de arte. (Thesis). Universidade de Lisboa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11896

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moreira, Daniel Arnaut, 1986-. “A descontextualização do objecto de arte.” 2014. Thesis, Universidade de Lisboa. Accessed December 05, 2019. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11896.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moreira, Daniel Arnaut, 1986-. “A descontextualização do objecto de arte.” 2014. Web. 05 Dec 2019.

Vancouver:

Moreira, Daniel Arnaut 1. A descontextualização do objecto de arte. [Internet] [Thesis]. Universidade de Lisboa; 2014. [cited 2019 Dec 05]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11896.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moreira, Daniel Arnaut 1. A descontextualização do objecto de arte. [Thesis]. Universidade de Lisboa; 2014. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11896

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Case Western Reserve University

25. Cox, Gerald Paul. Collaged Codes: John Cage's Credo in Us.

Degree: PhD, Musicology, 2011, Case Western Reserve University

  John Cage and Merce Cunningham’s life-long collaboration is one of the richest performing arts partnerships of the twentieth century, one that led to radical… (more)

Subjects/Keywords: Music; John Cage Merce Cunningham Xenia Kashevaroff Credo in Us Marcel Duchamp Joseph Campbell Jean Erdman Radio Indeterminacy avant-garde

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APA (6th Edition):

Cox, G. P. (2011). Collaged Codes: John Cage's Credo in Us. (Doctoral Dissertation). Case Western Reserve University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=case1301716791

Chicago Manual of Style (16th Edition):

Cox, Gerald Paul. “Collaged Codes: John Cage's Credo in Us.” 2011. Doctoral Dissertation, Case Western Reserve University. Accessed December 05, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=case1301716791.

MLA Handbook (7th Edition):

Cox, Gerald Paul. “Collaged Codes: John Cage's Credo in Us.” 2011. Web. 05 Dec 2019.

Vancouver:

Cox GP. Collaged Codes: John Cage's Credo in Us. [Internet] [Doctoral dissertation]. Case Western Reserve University; 2011. [cited 2019 Dec 05]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1301716791.

Council of Science Editors:

Cox GP. Collaged Codes: John Cage's Credo in Us. [Doctoral Dissertation]. Case Western Reserve University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1301716791

26. Paz Agras, Luz. Espacio expositivo contemporáneo : 1923-1942 : interacción entre arte y arquitectura.

Degree: 2013, Universidade da Coruña

 [Abstract] The Early 20th Century Avant-Garde movements situated in the exhibition space a place to experiment with the interaction between art object and space. The… (more)

Subjects/Keywords: Lissitzky, El (1890-1941); Moholy-Nagy, László (1895-1946); Kiesler, Frederick (1890-1965); Duchamp, Marcel (1887-1968)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Paz Agras, L. (2013). Espacio expositivo contemporáneo : 1923-1942 : interacción entre arte y arquitectura. (Thesis). Universidade da Coruña. Retrieved from http://hdl.handle.net/2183/10080

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Paz Agras, Luz. “Espacio expositivo contemporáneo : 1923-1942 : interacción entre arte y arquitectura.” 2013. Thesis, Universidade da Coruña. Accessed December 05, 2019. http://hdl.handle.net/2183/10080.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Paz Agras, Luz. “Espacio expositivo contemporáneo : 1923-1942 : interacción entre arte y arquitectura.” 2013. Web. 05 Dec 2019.

Vancouver:

Paz Agras L. Espacio expositivo contemporáneo : 1923-1942 : interacción entre arte y arquitectura. [Internet] [Thesis]. Universidade da Coruña; 2013. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/2183/10080.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Paz Agras L. Espacio expositivo contemporáneo : 1923-1942 : interacción entre arte y arquitectura. [Thesis]. Universidade da Coruña; 2013. Available from: http://hdl.handle.net/2183/10080

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Lisboa

27. Vieira, Ana Rita, 1991-. A imagem depois da imagem : simulacros da paisagem.

Degree: 2015, Universidade de Lisboa

 “A Imagem depois da Imagem: Simulacros da Paisagem” is a theoretical and practical essay that reflects on the rules and conventions of photography. When we… (more)

Subjects/Keywords: Eco, Umberto, 1932-; Rancière, Jacques, 1940-; Duchamp, Marcel, 1887-1968; Levine, Sherrie, 1947-; Manovich, Lev; Fotografia; Paisagem; Simulação; Apropriação; Espectadores

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vieira, Ana Rita, 1. (2015). A imagem depois da imagem : simulacros da paisagem. (Thesis). Universidade de Lisboa. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/18404

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vieira, Ana Rita, 1991-. “A imagem depois da imagem : simulacros da paisagem.” 2015. Thesis, Universidade de Lisboa. Accessed December 05, 2019. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/18404.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vieira, Ana Rita, 1991-. “A imagem depois da imagem : simulacros da paisagem.” 2015. Web. 05 Dec 2019.

Vancouver:

Vieira, Ana Rita 1. A imagem depois da imagem : simulacros da paisagem. [Internet] [Thesis]. Universidade de Lisboa; 2015. [cited 2019 Dec 05]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/18404.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vieira, Ana Rita 1. A imagem depois da imagem : simulacros da paisagem. [Thesis]. Universidade de Lisboa; 2015. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/18404

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Rosado, Carlos Manuel Cunha, 1968-. Devir-crítica e clínica em arquitectura.

Degree: 2014, RCAAP

Dissertação de mestrado integrado em Arquitectura, Universidade Lusíada de Lisboa, 2014

Exame público realizado em 16 de Julho de 2014

A presente investigação tem como… (more)

Subjects/Keywords: Arquitectura - - Filosofia; Serpentine Gallery Pavilion (Londres, Inglaterra); Kant, Immanuel, 1724-1804 - Crítica e interpretação; Duchamp, Marcel, 1887-1968 - Crítica e interpretação

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rosado, Carlos Manuel Cunha, 1. (2014). Devir-crítica e clínica em arquitectura. (Thesis). RCAAP. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ulusiada.pt:11067/996

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rosado, Carlos Manuel Cunha, 1968-. “Devir-crítica e clínica em arquitectura.” 2014. Thesis, RCAAP. Accessed December 05, 2019. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ulusiada.pt:11067/996.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rosado, Carlos Manuel Cunha, 1968-. “Devir-crítica e clínica em arquitectura.” 2014. Web. 05 Dec 2019.

Vancouver:

Rosado, Carlos Manuel Cunha 1. Devir-crítica e clínica em arquitectura. [Internet] [Thesis]. RCAAP; 2014. [cited 2019 Dec 05]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ulusiada.pt:11067/996.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rosado, Carlos Manuel Cunha 1. Devir-crítica e clínica em arquitectura. [Thesis]. RCAAP; 2014. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ulusiada.pt:11067/996

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Pennsylvania

29. Kauffman, Alexander Benjamin. "Faire Un Cinéma": Marcel Duchamp And The Moving Image.

Degree: 2017, University of Pennsylvania

Marcel Duchamp was among the first artists in the transatlantic avant-garde to acquire his own movie camera in 1920. Yet he would produce only a… (more)

Subjects/Keywords: Avant-Garde; Cinema; Film; Marcel Duchamp; Modern Art; Moving Image; Film and Media Studies; History of Art, Architecture, and Archaeology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kauffman, A. B. (2017). "Faire Un Cinéma": Marcel Duchamp And The Moving Image. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/2380

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kauffman, Alexander Benjamin. “"Faire Un Cinéma": Marcel Duchamp And The Moving Image.” 2017. Thesis, University of Pennsylvania. Accessed December 05, 2019. https://repository.upenn.edu/edissertations/2380.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kauffman, Alexander Benjamin. “"Faire Un Cinéma": Marcel Duchamp And The Moving Image.” 2017. Web. 05 Dec 2019.

Vancouver:

Kauffman AB. "Faire Un Cinéma": Marcel Duchamp And The Moving Image. [Internet] [Thesis]. University of Pennsylvania; 2017. [cited 2019 Dec 05]. Available from: https://repository.upenn.edu/edissertations/2380.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kauffman AB. "Faire Un Cinéma": Marcel Duchamp And The Moving Image. [Thesis]. University of Pennsylvania; 2017. Available from: https://repository.upenn.edu/edissertations/2380

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan State University

30. Villa, Theodore F. Marcel Duchamp and the utopian philosophies of Peter Kropotkin and Henri Bergson.

Degree: MA, Department of Art, 1998, Michigan State University

Subjects/Keywords: Duchamp; Marcel; 1887-1968 – Criticism and interpretation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Villa, T. F. (1998). Marcel Duchamp and the utopian philosophies of Peter Kropotkin and Henri Bergson. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:27075

Chicago Manual of Style (16th Edition):

Villa, Theodore F. “Marcel Duchamp and the utopian philosophies of Peter Kropotkin and Henri Bergson.” 1998. Masters Thesis, Michigan State University. Accessed December 05, 2019. http://etd.lib.msu.edu/islandora/object/etd:27075.

MLA Handbook (7th Edition):

Villa, Theodore F. “Marcel Duchamp and the utopian philosophies of Peter Kropotkin and Henri Bergson.” 1998. Web. 05 Dec 2019.

Vancouver:

Villa TF. Marcel Duchamp and the utopian philosophies of Peter Kropotkin and Henri Bergson. [Internet] [Masters thesis]. Michigan State University; 1998. [cited 2019 Dec 05]. Available from: http://etd.lib.msu.edu/islandora/object/etd:27075.

Council of Science Editors:

Villa TF. Marcel Duchamp and the utopian philosophies of Peter Kropotkin and Henri Bergson. [Masters Thesis]. Michigan State University; 1998. Available from: http://etd.lib.msu.edu/islandora/object/etd:27075

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