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You searched for subject:(Malabou). Showing records 1 – 5 of 5 total matches.

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University of California – San Diego

1. Bovino, Emily Verla. The Monochroidal Artist or Noctuidae, Nematodes and Glaucomic Vision : : [Reading the Color of Concrete Comedy in Alphonse Allais' Album Primo-Avrilesque (1897) through Philosopher Catherine Malabou's The New Wounded (2012)].

Degree: Art history, theory and criticism, 2013, University of California – San Diego

 The thesis is a fictionalist thought-experiment that works with the new materialist concepts of cerebrality and destructive plasticity, in an integrative approach to art history,… (more)

Subjects/Keywords: Allais, Alphonse 1854-1905. Influence; Malabou, Catherine. Influence; Psychological aspects Art; Psychological aspects Aesthetics; Synesthesia in art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bovino, E. V. (2013). The Monochroidal Artist or Noctuidae, Nematodes and Glaucomic Vision : : [Reading the Color of Concrete Comedy in Alphonse Allais' Album Primo-Avrilesque (1897) through Philosopher Catherine Malabou's The New Wounded (2012)]. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/0xc2k5b7

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bovino, Emily Verla. “The Monochroidal Artist or Noctuidae, Nematodes and Glaucomic Vision : : [Reading the Color of Concrete Comedy in Alphonse Allais' Album Primo-Avrilesque (1897) through Philosopher Catherine Malabou's The New Wounded (2012)].” 2013. Thesis, University of California – San Diego. Accessed July 21, 2019. http://www.escholarship.org/uc/item/0xc2k5b7.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bovino, Emily Verla. “The Monochroidal Artist or Noctuidae, Nematodes and Glaucomic Vision : : [Reading the Color of Concrete Comedy in Alphonse Allais' Album Primo-Avrilesque (1897) through Philosopher Catherine Malabou's The New Wounded (2012)].” 2013. Web. 21 Jul 2019.

Vancouver:

Bovino EV. The Monochroidal Artist or Noctuidae, Nematodes and Glaucomic Vision : : [Reading the Color of Concrete Comedy in Alphonse Allais' Album Primo-Avrilesque (1897) through Philosopher Catherine Malabou's The New Wounded (2012)]. [Internet] [Thesis]. University of California – San Diego; 2013. [cited 2019 Jul 21]. Available from: http://www.escholarship.org/uc/item/0xc2k5b7.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bovino EV. The Monochroidal Artist or Noctuidae, Nematodes and Glaucomic Vision : : [Reading the Color of Concrete Comedy in Alphonse Allais' Album Primo-Avrilesque (1897) through Philosopher Catherine Malabou's The New Wounded (2012)]. [Thesis]. University of California – San Diego; 2013. Available from: http://www.escholarship.org/uc/item/0xc2k5b7

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Wormald, Thomas. Sculpted Selves, Sculpted Worlds: Plasticity and Habit in the Thought of Catherine Malabou.

Degree: 2014, University of Western Ontario

 One of the contemporary trends marking our current moment in theory is the call for the elaboration of ‘new’ materialisms. The new materialisms, however, have… (more)

Subjects/Keywords: Catherine Malabou; plasticity; habit; materialism; ontology

…Catherine Malabou, however, troubles this bifurcated organization. Malabou is frequently grouped… …Malabou is distinguished from other these contemporary Hegelianisms in regard to the… …making the emancipatory nature of plasticity that Malabou envisages actualized and effectual. I… …Malabou, Being’s ability to receive, give and annihilate form. As such, what Malabou’s… …work, is through the operation of habit which Malabou calls the “instrument” of plasticity… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wormald, T. (2014). Sculpted Selves, Sculpted Worlds: Plasticity and Habit in the Thought of Catherine Malabou. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/2398

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wormald, Thomas. “Sculpted Selves, Sculpted Worlds: Plasticity and Habit in the Thought of Catherine Malabou.” 2014. Thesis, University of Western Ontario. Accessed July 21, 2019. https://ir.lib.uwo.ca/etd/2398.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wormald, Thomas. “Sculpted Selves, Sculpted Worlds: Plasticity and Habit in the Thought of Catherine Malabou.” 2014. Web. 21 Jul 2019.

Vancouver:

Wormald T. Sculpted Selves, Sculpted Worlds: Plasticity and Habit in the Thought of Catherine Malabou. [Internet] [Thesis]. University of Western Ontario; 2014. [cited 2019 Jul 21]. Available from: https://ir.lib.uwo.ca/etd/2398.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wormald T. Sculpted Selves, Sculpted Worlds: Plasticity and Habit in the Thought of Catherine Malabou. [Thesis]. University of Western Ontario; 2014. Available from: https://ir.lib.uwo.ca/etd/2398

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas State University – San Marcos

3. McIntosh, Jo C. Early Modern Gender Multiplicity: Agency, Loyalty, and Constancy in Lady Mary Wroth's The First Part of the Countess of Montgomery's Urania.

Degree: MA, Literature, 2013, Texas State University – San Marcos

 This thesis applies French philosopher Catherine Malabou's process of a woman "acting without" to a reading of Mary Wroth's Urania I to reveal characters that… (more)

Subjects/Keywords: Early modern; Renaissance; Gender; Difference; Agency; Loyalty; Constancy; Malabou; Wroth; Sidney; Feminine; Masculine; Equity; Pedagogy; Malabou, Catherine – Changer de différence – English – Criticism and interpretation; Wroth, Mary – Lady – approximately 1586-approximately 1640 – Countesse of Mountgomeries Urania – Part 1 – Criticism and interpretation; Sex role in literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McIntosh, J. C. (2013). Early Modern Gender Multiplicity: Agency, Loyalty, and Constancy in Lady Mary Wroth's The First Part of the Countess of Montgomery's Urania. (Masters Thesis). Texas State University – San Marcos. Retrieved from https://digital.library.txstate.edu/handle/10877/4546

Chicago Manual of Style (16th Edition):

McIntosh, Jo C. “Early Modern Gender Multiplicity: Agency, Loyalty, and Constancy in Lady Mary Wroth's The First Part of the Countess of Montgomery's Urania.” 2013. Masters Thesis, Texas State University – San Marcos. Accessed July 21, 2019. https://digital.library.txstate.edu/handle/10877/4546.

MLA Handbook (7th Edition):

McIntosh, Jo C. “Early Modern Gender Multiplicity: Agency, Loyalty, and Constancy in Lady Mary Wroth's The First Part of the Countess of Montgomery's Urania.” 2013. Web. 21 Jul 2019.

Vancouver:

McIntosh JC. Early Modern Gender Multiplicity: Agency, Loyalty, and Constancy in Lady Mary Wroth's The First Part of the Countess of Montgomery's Urania. [Internet] [Masters thesis]. Texas State University – San Marcos; 2013. [cited 2019 Jul 21]. Available from: https://digital.library.txstate.edu/handle/10877/4546.

Council of Science Editors:

McIntosh JC. Early Modern Gender Multiplicity: Agency, Loyalty, and Constancy in Lady Mary Wroth's The First Part of the Countess of Montgomery's Urania. [Masters Thesis]. Texas State University – San Marcos; 2013. Available from: https://digital.library.txstate.edu/handle/10877/4546

4. McIntosh, Jo C. Early Modern Gender Multiplicity: Agency, Loyalty, and Constancy in Lady Mary Wroth's The First Part of the Countess of Montgomery's Urania.

Degree: 2013

Subjects/Keywords: Early modern; renaissance; gender; difference; agency; loyalty; constancy; Malabou; Wroth; Sidney; feminine; masculine; equity; pedagogy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McIntosh, J. C. (2013). Early Modern Gender Multiplicity: Agency, Loyalty, and Constancy in Lady Mary Wroth's The First Part of the Countess of Montgomery's Urania. (Thesis). [No school.] Retrieved from http://hdl.handle.net/2249.1/62788

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No school.

Chicago Manual of Style (16th Edition):

McIntosh, Jo C. “Early Modern Gender Multiplicity: Agency, Loyalty, and Constancy in Lady Mary Wroth's The First Part of the Countess of Montgomery's Urania.” 2013. Thesis, [No school]. Accessed July 21, 2019. http://hdl.handle.net/2249.1/62788.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No school.

MLA Handbook (7th Edition):

McIntosh, Jo C. “Early Modern Gender Multiplicity: Agency, Loyalty, and Constancy in Lady Mary Wroth's The First Part of the Countess of Montgomery's Urania.” 2013. Web. 21 Jul 2019.

Vancouver:

McIntosh JC. Early Modern Gender Multiplicity: Agency, Loyalty, and Constancy in Lady Mary Wroth's The First Part of the Countess of Montgomery's Urania. [Internet] [Thesis]. [No school]; 2013. [cited 2019 Jul 21]. Available from: http://hdl.handle.net/2249.1/62788.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No school.

Council of Science Editors:

McIntosh JC. Early Modern Gender Multiplicity: Agency, Loyalty, and Constancy in Lady Mary Wroth's The First Part of the Countess of Montgomery's Urania. [Thesis]. [No school]; 2013. Available from: http://hdl.handle.net/2249.1/62788

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No school.

5. Protic, Nemanja. The Twenty-Frist Century Pantagruel: The Function of Grotesque Aesthetics in the Contemporary World.

Degree: PhD, English, 2015, York University

 This dissertation examines whether the grotesque, an aesthetic form associated with the carnivalesque literary mode and commonly seen as aesthetically and politically subversive, can resume… (more)

Subjects/Keywords: Literature; Philosophy; Aesthetics; Anglo-American Literature; Grotesque; Aesthetics; Continental philosophy; Speculative realism; Deleuze; Badiou; Zizek; Neoliberalism; Kant; Film; Comics; Graphic novels; Quentin Tarantino; Sarah Kane; Samuel Delany; Alan Moore; Iain Sinclair; Punk; Peter Ackroyd; Hunter S. Thompson; Oscar Zeta Acosta; 1968; Zombie; Capitalism; Sublime; Beautiful; Abject; Disgusting; Hegemony; Counterculture; Univocity; Multiplicity; Ontology; Ontological; Postmodernism; Robert Crumb; Francis Bacon; Postmodern; Symbolic; Imaginary; Real; Catherine Malabou; Plasticity; Body; Form; Theory of the subject; Brain

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Protic, N. (2015). The Twenty-Frist Century Pantagruel: The Function of Grotesque Aesthetics in the Contemporary World. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/30128

Chicago Manual of Style (16th Edition):

Protic, Nemanja. “The Twenty-Frist Century Pantagruel: The Function of Grotesque Aesthetics in the Contemporary World.” 2015. Doctoral Dissertation, York University. Accessed July 21, 2019. http://hdl.handle.net/10315/30128.

MLA Handbook (7th Edition):

Protic, Nemanja. “The Twenty-Frist Century Pantagruel: The Function of Grotesque Aesthetics in the Contemporary World.” 2015. Web. 21 Jul 2019.

Vancouver:

Protic N. The Twenty-Frist Century Pantagruel: The Function of Grotesque Aesthetics in the Contemporary World. [Internet] [Doctoral dissertation]. York University; 2015. [cited 2019 Jul 21]. Available from: http://hdl.handle.net/10315/30128.

Council of Science Editors:

Protic N. The Twenty-Frist Century Pantagruel: The Function of Grotesque Aesthetics in the Contemporary World. [Doctoral Dissertation]. York University; 2015. Available from: http://hdl.handle.net/10315/30128

.