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You searched for subject:(Makiko Piano music Selections ). Showing records 1 – 30 of 28362 total matches.

[1] [2] [3] [4] [5] … [946]

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1. Nakayama, Yuka. A performance and pedagogical guide to the piano music by Makiko Kinoshita: Title of accompanying sound discs: Yuka Nakayama plays the complete solo piano works of Makiko Kinoshita.

Degree: Thesis (D.A.), 2011, Ball State University

Makiko Kinoshita, a living Japanese female composer, has gained attention in Asia with more than eighty published works. This includes a diverse array of piano(more)

Subjects/Keywords: Kinoshita; Makiko. Piano music. Selections.

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APA (6th Edition):

Nakayama, Y. (2011). A performance and pedagogical guide to the piano music by Makiko Kinoshita: Title of accompanying sound discs: Yuka Nakayama plays the complete solo piano works of Makiko Kinoshita. (Doctoral Dissertation). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/194713

Chicago Manual of Style (16th Edition):

Nakayama, Yuka. “A performance and pedagogical guide to the piano music by Makiko Kinoshita: Title of accompanying sound discs: Yuka Nakayama plays the complete solo piano works of Makiko Kinoshita.” 2011. Doctoral Dissertation, Ball State University. Accessed March 29, 2020. http://cardinalscholar.bsu.edu/handle/123456789/194713.

MLA Handbook (7th Edition):

Nakayama, Yuka. “A performance and pedagogical guide to the piano music by Makiko Kinoshita: Title of accompanying sound discs: Yuka Nakayama plays the complete solo piano works of Makiko Kinoshita.” 2011. Web. 29 Mar 2020.

Vancouver:

Nakayama Y. A performance and pedagogical guide to the piano music by Makiko Kinoshita: Title of accompanying sound discs: Yuka Nakayama plays the complete solo piano works of Makiko Kinoshita. [Internet] [Doctoral dissertation]. Ball State University; 2011. [cited 2020 Mar 29]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/194713.

Council of Science Editors:

Nakayama Y. A performance and pedagogical guide to the piano music by Makiko Kinoshita: Title of accompanying sound discs: Yuka Nakayama plays the complete solo piano works of Makiko Kinoshita. [Doctoral Dissertation]. Ball State University; 2011. Available from: http://cardinalscholar.bsu.edu/handle/123456789/194713


California State University – Northridge

2. Choe, Gyeseon. Graduate recital in piano.

Degree: M.M., Department of Music, 2013, California State University – Northridge

 This abstract is a review of my two piano recitals to fulfill the requirements for the degree of Master of Music at California State University… (more)

Subjects/Keywords: Ravel, Maurice, 1875-1937. Piano music. Selections; Dissertations, Academic  – CSUN  – Music.

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APA (6th Edition):

Choe, G. (2013). Graduate recital in piano. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.2/3257

Chicago Manual of Style (16th Edition):

Choe, Gyeseon. “Graduate recital in piano.” 2013. Masters Thesis, California State University – Northridge. Accessed March 29, 2020. http://hdl.handle.net/10211.2/3257.

MLA Handbook (7th Edition):

Choe, Gyeseon. “Graduate recital in piano.” 2013. Web. 29 Mar 2020.

Vancouver:

Choe G. Graduate recital in piano. [Internet] [Masters thesis]. California State University – Northridge; 2013. [cited 2020 Mar 29]. Available from: http://hdl.handle.net/10211.2/3257.

Council of Science Editors:

Choe G. Graduate recital in piano. [Masters Thesis]. California State University – Northridge; 2013. Available from: http://hdl.handle.net/10211.2/3257


University of Adelaide

3. Rickard-Ford, Paul. Portfolio of recorded performances and exegesis: the late piano works of Robert Schumann.

Degree: 2010, University of Adelaide

 This doctoral submission consists of 4 CD recordings of my performances of Schumann’s piano works (from Opus 72 to the last piece he composed) supported… (more)

Subjects/Keywords: musical performance; Robert Schumann; piano; Schumann, Robert, 1810-1856. Piano music. Selections

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APA (6th Edition):

Rickard-Ford, P. (2010). Portfolio of recorded performances and exegesis: the late piano works of Robert Schumann. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/63083

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rickard-Ford, Paul. “Portfolio of recorded performances and exegesis: the late piano works of Robert Schumann.” 2010. Thesis, University of Adelaide. Accessed March 29, 2020. http://hdl.handle.net/2440/63083.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rickard-Ford, Paul. “Portfolio of recorded performances and exegesis: the late piano works of Robert Schumann.” 2010. Web. 29 Mar 2020.

Vancouver:

Rickard-Ford P. Portfolio of recorded performances and exegesis: the late piano works of Robert Schumann. [Internet] [Thesis]. University of Adelaide; 2010. [cited 2020 Mar 29]. Available from: http://hdl.handle.net/2440/63083.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rickard-Ford P. Portfolio of recorded performances and exegesis: the late piano works of Robert Schumann. [Thesis]. University of Adelaide; 2010. Available from: http://hdl.handle.net/2440/63083

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

4. Kim, Jung-Ah. A Study of Franz Liszt's Concepts of Changing Tonality as Exemplified in Selected "Mephisto" Works.

Degree: 1999, University of North Texas

 The purpose of this study is to analyze four late solo piano works of Franz Liszt that all bear the name "Mephisto" in their titles,… (more)

Subjects/Keywords: Liszt, Franz, 1811-1886. Piano music Selections.; piano works; tonal and atonal composition

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APA (6th Edition):

Kim, J. (1999). A Study of Franz Liszt's Concepts of Changing Tonality as Exemplified in Selected "Mephisto" Works. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2246/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kim, Jung-Ah. “A Study of Franz Liszt's Concepts of Changing Tonality as Exemplified in Selected "Mephisto" Works.” 1999. Thesis, University of North Texas. Accessed March 29, 2020. https://digital.library.unt.edu/ark:/67531/metadc2246/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kim, Jung-Ah. “A Study of Franz Liszt's Concepts of Changing Tonality as Exemplified in Selected "Mephisto" Works.” 1999. Web. 29 Mar 2020.

Vancouver:

Kim J. A Study of Franz Liszt's Concepts of Changing Tonality as Exemplified in Selected "Mephisto" Works. [Internet] [Thesis]. University of North Texas; 1999. [cited 2020 Mar 29]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2246/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kim J. A Study of Franz Liszt's Concepts of Changing Tonality as Exemplified in Selected "Mephisto" Works. [Thesis]. University of North Texas; 1999. Available from: https://digital.library.unt.edu/ark:/67531/metadc2246/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

5. Goodchild, Meghan. Formal structures in the solo keyboard music of J.C. Bach and their influence on Mozart.

Degree: MA, Schulich School of Music., 2008, McGill University

During his lifetime, Johann Christian Bach (1739 – 1782) was considered the most famous musician of the Bach family throughout England and Europe. Although his music(more)

Subjects/Keywords: Mozart, Wolfgang Amadeus, 1756-1791. Piano music. Selections.; Bach, Johann .Christian. Piano music. Selections, 1735-1782.; Bach, Johann Christian, 1735-1782  – Influence.; Keyboard instrument music  – Analysis, appreciation.

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APA (6th Edition):

Goodchild, M. (2008). Formal structures in the solo keyboard music of J.C. Bach and their influence on Mozart. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile112339.pdf

Chicago Manual of Style (16th Edition):

Goodchild, Meghan. “Formal structures in the solo keyboard music of J.C. Bach and their influence on Mozart.” 2008. Masters Thesis, McGill University. Accessed March 29, 2020. http://digitool.library.mcgill.ca/thesisfile112339.pdf.

MLA Handbook (7th Edition):

Goodchild, Meghan. “Formal structures in the solo keyboard music of J.C. Bach and their influence on Mozart.” 2008. Web. 29 Mar 2020.

Vancouver:

Goodchild M. Formal structures in the solo keyboard music of J.C. Bach and their influence on Mozart. [Internet] [Masters thesis]. McGill University; 2008. [cited 2020 Mar 29]. Available from: http://digitool.library.mcgill.ca/thesisfile112339.pdf.

Council of Science Editors:

Goodchild M. Formal structures in the solo keyboard music of J.C. Bach and their influence on Mozart. [Masters Thesis]. McGill University; 2008. Available from: http://digitool.library.mcgill.ca/thesisfile112339.pdf

6. Halsey, Lauren Brooke. An examination of rhythmic practices and influences in the keyboard works of György Ligeti.

Degree: 2012, NC Docks

 Throughout his career, György Ligeti (1923-2006) was known for creating distinctive sonorities, including the creation and use of micropolyphony and the incorporation of traditional Hungarian… (more)

Subjects/Keywords: Ligeti, Gyo¨rgy, $d 1923-2006. $t Etudes, $m piano. $k Selections $x Analysis, appreciation; Musical meter and rhythm; Composition (Music) $y 20th century

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APA (6th Edition):

Halsey, L. B. (2012). An examination of rhythmic practices and influences in the keyboard works of György Ligeti. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Halsey_uncg_0154M_10960.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Halsey, Lauren Brooke. “An examination of rhythmic practices and influences in the keyboard works of György Ligeti.” 2012. Thesis, NC Docks. Accessed March 29, 2020. http://libres.uncg.edu/ir/uncg/f/Halsey_uncg_0154M_10960.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Halsey, Lauren Brooke. “An examination of rhythmic practices and influences in the keyboard works of György Ligeti.” 2012. Web. 29 Mar 2020.

Vancouver:

Halsey LB. An examination of rhythmic practices and influences in the keyboard works of György Ligeti. [Internet] [Thesis]. NC Docks; 2012. [cited 2020 Mar 29]. Available from: http://libres.uncg.edu/ir/uncg/f/Halsey_uncg_0154M_10960.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Halsey LB. An examination of rhythmic practices and influences in the keyboard works of György Ligeti. [Thesis]. NC Docks; 2012. Available from: http://libres.uncg.edu/ir/uncg/f/Halsey_uncg_0154M_10960.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Hwang, Hyunyoung. A musical discussion and analysis of romance sans paroles by three French composers : Charles-Francois Gounod, Camille Saint-Saens and Gabriel Faure.

Degree: Thesis (D.A.), 2013, Ball State University

 Contained in this study is a musical discussion and analysis of seven Romance Sans Paroles (song without words), written by three French composers, Charles-François Gounod,… (more)

Subjects/Keywords: Songs without words (Instrumental music)  – History and criticism; Piano music  – 19th century  – History and criticism; Fauré, Gabriel, 1845-1924. Romances sans paroles; Gounod, Charles, 1818-1893. Piano music. Selections; Saint-Saëns, Camille, 1835-1921. Romance sans paroles

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APA (6th Edition):

Hwang, H. (2013). A musical discussion and analysis of romance sans paroles by three French composers : Charles-Francois Gounod, Camille Saint-Saens and Gabriel Faure. (Doctoral Dissertation). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/197785

Chicago Manual of Style (16th Edition):

Hwang, Hyunyoung. “A musical discussion and analysis of romance sans paroles by three French composers : Charles-Francois Gounod, Camille Saint-Saens and Gabriel Faure.” 2013. Doctoral Dissertation, Ball State University. Accessed March 29, 2020. http://cardinalscholar.bsu.edu/handle/123456789/197785.

MLA Handbook (7th Edition):

Hwang, Hyunyoung. “A musical discussion and analysis of romance sans paroles by three French composers : Charles-Francois Gounod, Camille Saint-Saens and Gabriel Faure.” 2013. Web. 29 Mar 2020.

Vancouver:

Hwang H. A musical discussion and analysis of romance sans paroles by three French composers : Charles-Francois Gounod, Camille Saint-Saens and Gabriel Faure. [Internet] [Doctoral dissertation]. Ball State University; 2013. [cited 2020 Mar 29]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/197785.

Council of Science Editors:

Hwang H. A musical discussion and analysis of romance sans paroles by three French composers : Charles-Francois Gounod, Camille Saint-Saens and Gabriel Faure. [Doctoral Dissertation]. Ball State University; 2013. Available from: http://cardinalscholar.bsu.edu/handle/123456789/197785


University of Oklahoma

8. Worcester, Lynn. Allison Nelson: Pianist, Teacher and Editor.

Degree: DMA, 2015, University of Oklahoma

 This study documents the varied and significant contributions of Allison Nelson (b. 1927) to the field of piano through her work as a solo and… (more)

Subjects/Keywords: Music; Piano

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APA (6th Edition):

Worcester, L. (2015). Allison Nelson: Pianist, Teacher and Editor. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/15477

Chicago Manual of Style (16th Edition):

Worcester, Lynn. “Allison Nelson: Pianist, Teacher and Editor.” 2015. Doctoral Dissertation, University of Oklahoma. Accessed March 29, 2020. http://hdl.handle.net/11244/15477.

MLA Handbook (7th Edition):

Worcester, Lynn. “Allison Nelson: Pianist, Teacher and Editor.” 2015. Web. 29 Mar 2020.

Vancouver:

Worcester L. Allison Nelson: Pianist, Teacher and Editor. [Internet] [Doctoral dissertation]. University of Oklahoma; 2015. [cited 2020 Mar 29]. Available from: http://hdl.handle.net/11244/15477.

Council of Science Editors:

Worcester L. Allison Nelson: Pianist, Teacher and Editor. [Doctoral Dissertation]. University of Oklahoma; 2015. Available from: http://hdl.handle.net/11244/15477

9. Magnone, Charles. Doctoral thesis recital (piano).

Degree: DMA, Piano performance, 2014, University of Texas – Austin

Lyric pieces / Edvard Grieg  – Memory pieces / David Lang  – March of progress / Stephen Freigenbaum  – Night visions / Andrew Davis  – Bagatelles, op.126 / Ludwig van Beethoven. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Piano music

Page 1

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APA (6th Edition):

Magnone, C. (2014). Doctoral thesis recital (piano). (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24500

Chicago Manual of Style (16th Edition):

Magnone, Charles. “Doctoral thesis recital (piano).” 2014. Doctoral Dissertation, University of Texas – Austin. Accessed March 29, 2020. http://hdl.handle.net/2152/24500.

MLA Handbook (7th Edition):

Magnone, Charles. “Doctoral thesis recital (piano).” 2014. Web. 29 Mar 2020.

Vancouver:

Magnone C. Doctoral thesis recital (piano). [Internet] [Doctoral dissertation]. University of Texas – Austin; 2014. [cited 2020 Mar 29]. Available from: http://hdl.handle.net/2152/24500.

Council of Science Editors:

Magnone C. Doctoral thesis recital (piano). [Doctoral Dissertation]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/24500

10. Severin, Steven. Master's thesis recital (piano).

Degree: MM, Piano performance, 2014, University of Texas – Austin

French suite no.2 in C minor, BWV 813 / Johann Sebastian Bach  – Songs without words, op.19b / Felix Mendelssohn  – Preludes, op.38 / Dmitry Kabalevsky  – Sonata in D minor, op.31, no.2 / Ludwig van Beethoven. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Piano music

Page 1

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APA (6th Edition):

Severin, S. (2014). Master's thesis recital (piano). (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24591

Chicago Manual of Style (16th Edition):

Severin, Steven. “Master's thesis recital (piano).” 2014. Masters Thesis, University of Texas – Austin. Accessed March 29, 2020. http://hdl.handle.net/2152/24591.

MLA Handbook (7th Edition):

Severin, Steven. “Master's thesis recital (piano).” 2014. Web. 29 Mar 2020.

Vancouver:

Severin S. Master's thesis recital (piano). [Internet] [Masters thesis]. University of Texas – Austin; 2014. [cited 2020 Mar 29]. Available from: http://hdl.handle.net/2152/24591.

Council of Science Editors:

Severin S. Master's thesis recital (piano). [Masters Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/24591

11. Dorsey, DeShazo Lamont. Franz Liszt "Consolation No. 3".

Degree: 2019, NC Docks

 This is a recording that is sound engineered by Deshazo L. Dorsey recorded and Ben Robichaux performed (piano). He explains his recording technique as: "In… (more)

Subjects/Keywords: Piano music.

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APA (6th Edition):

Dorsey, D. L. (2019). Franz Liszt "Consolation No. 3". (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/ecsu/f/Deshazo-Liszt Exerpt.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dorsey, DeShazo Lamont. “Franz Liszt "Consolation No. 3".” 2019. Thesis, NC Docks. Accessed March 29, 2020. http://libres.uncg.edu/ir/ecsu/f/Deshazo-Liszt Exerpt.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dorsey, DeShazo Lamont. “Franz Liszt "Consolation No. 3".” 2019. Web. 29 Mar 2020.

Vancouver:

Dorsey DL. Franz Liszt "Consolation No. 3". [Internet] [Thesis]. NC Docks; 2019. [cited 2020 Mar 29]. Available from: http://libres.uncg.edu/ir/ecsu/f/Deshazo-Liszt Exerpt.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dorsey DL. Franz Liszt "Consolation No. 3". [Thesis]. NC Docks; 2019. Available from: http://libres.uncg.edu/ir/ecsu/f/Deshazo-Liszt Exerpt.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan State University

12. Shantz, Bren. Organic relationships : motivic parallelisms between the first and second themes of sonata form.

Degree: M.Mus., Department of Music Theory, 2008, Michigan State University

Subjects/Keywords: Beethoven, Ludwig van, piano. Selections, 1770-1827; Sonatas; Mozart, Wolfgang Amadeus, piano. Selections, 1756-1791; Sonatas; Schubert, Franz, piano. Selections, 1797-1828; Sonatas; Sonata form; Musical analysis; Music theory; Schenkerian analysis

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APA (6th Edition):

Shantz, B. (2008). Organic relationships : motivic parallelisms between the first and second themes of sonata form. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:16629

Chicago Manual of Style (16th Edition):

Shantz, Bren. “Organic relationships : motivic parallelisms between the first and second themes of sonata form.” 2008. Masters Thesis, Michigan State University. Accessed March 29, 2020. http://etd.lib.msu.edu/islandora/object/etd:16629.

MLA Handbook (7th Edition):

Shantz, Bren. “Organic relationships : motivic parallelisms between the first and second themes of sonata form.” 2008. Web. 29 Mar 2020.

Vancouver:

Shantz B. Organic relationships : motivic parallelisms between the first and second themes of sonata form. [Internet] [Masters thesis]. Michigan State University; 2008. [cited 2020 Mar 29]. Available from: http://etd.lib.msu.edu/islandora/object/etd:16629.

Council of Science Editors:

Shantz B. Organic relationships : motivic parallelisms between the first and second themes of sonata form. [Masters Thesis]. Michigan State University; 2008. Available from: http://etd.lib.msu.edu/islandora/object/etd:16629


University of Southern California

13. Erikson, Matthew. Ivory dreams: the music critic as performer.

Degree: MA, Specialized Journalism (The Arts), 2010, University of Southern California

 By way of a daily journal first begun on the Internet, the author explores how preparation toward a piano recital has impacted personal perceptions of… (more)

Subjects/Keywords: music criticism; piano performance; piano

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APA (6th Edition):

Erikson, M. (2010). Ivory dreams: the music critic as performer. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/330376/rec/3675

Chicago Manual of Style (16th Edition):

Erikson, Matthew. “Ivory dreams: the music critic as performer.” 2010. Masters Thesis, University of Southern California. Accessed March 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/330376/rec/3675.

MLA Handbook (7th Edition):

Erikson, Matthew. “Ivory dreams: the music critic as performer.” 2010. Web. 29 Mar 2020.

Vancouver:

Erikson M. Ivory dreams: the music critic as performer. [Internet] [Masters thesis]. University of Southern California; 2010. [cited 2020 Mar 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/330376/rec/3675.

Council of Science Editors:

Erikson M. Ivory dreams: the music critic as performer. [Masters Thesis]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/330376/rec/3675


University of North Texas

14. Sukhina, Nataliya. Alexander Scriabin (1871-1915): Piano Miniature as Chronicle of his Creative Evolution; Complexity of Interpretive Approach and its Implications.

Degree: 2008, University of North Texas

 Scriabin's piano miniatures are ideal for the study of evolution of his style, which underwent an extreme transformation. They present heavily concentrated idioms and structural… (more)

Subjects/Keywords: interpretation; Alexander Scriabin; piano miniature; poem; symbolism; Scriabin, Aleksandr Nikolayevich, 1872-1915. Piano music. Selections.

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APA (6th Edition):

Sukhina, N. (2008). Alexander Scriabin (1871-1915): Piano Miniature as Chronicle of his Creative Evolution; Complexity of Interpretive Approach and its Implications. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc6048/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sukhina, Nataliya. “Alexander Scriabin (1871-1915): Piano Miniature as Chronicle of his Creative Evolution; Complexity of Interpretive Approach and its Implications.” 2008. Thesis, University of North Texas. Accessed March 29, 2020. https://digital.library.unt.edu/ark:/67531/metadc6048/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sukhina, Nataliya. “Alexander Scriabin (1871-1915): Piano Miniature as Chronicle of his Creative Evolution; Complexity of Interpretive Approach and its Implications.” 2008. Web. 29 Mar 2020.

Vancouver:

Sukhina N. Alexander Scriabin (1871-1915): Piano Miniature as Chronicle of his Creative Evolution; Complexity of Interpretive Approach and its Implications. [Internet] [Thesis]. University of North Texas; 2008. [cited 2020 Mar 29]. Available from: https://digital.library.unt.edu/ark:/67531/metadc6048/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sukhina N. Alexander Scriabin (1871-1915): Piano Miniature as Chronicle of his Creative Evolution; Complexity of Interpretive Approach and its Implications. [Thesis]. University of North Texas; 2008. Available from: https://digital.library.unt.edu/ark:/67531/metadc6048/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston University

15. Modaff, Jessica Lynne. Libby Larsen's The Birth Project: a sociological contextualization, analysis, and approach to performance interpretation.

Degree: DMA, Music Performance, 2019, Boston University

 Libby Larsen’s The Birth Project (2015) is a groundbreaking song cycle which centers around pregnancy and childbirth. Until this song cycle, no art song had… (more)

Subjects/Keywords: Music; Collaborative piano

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APA (6th Edition):

Modaff, J. L. (2019). Libby Larsen's The Birth Project: a sociological contextualization, analysis, and approach to performance interpretation. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/36042

Chicago Manual of Style (16th Edition):

Modaff, Jessica Lynne. “Libby Larsen's The Birth Project: a sociological contextualization, analysis, and approach to performance interpretation.” 2019. Doctoral Dissertation, Boston University. Accessed March 29, 2020. http://hdl.handle.net/2144/36042.

MLA Handbook (7th Edition):

Modaff, Jessica Lynne. “Libby Larsen's The Birth Project: a sociological contextualization, analysis, and approach to performance interpretation.” 2019. Web. 29 Mar 2020.

Vancouver:

Modaff JL. Libby Larsen's The Birth Project: a sociological contextualization, analysis, and approach to performance interpretation. [Internet] [Doctoral dissertation]. Boston University; 2019. [cited 2020 Mar 29]. Available from: http://hdl.handle.net/2144/36042.

Council of Science Editors:

Modaff JL. Libby Larsen's The Birth Project: a sociological contextualization, analysis, and approach to performance interpretation. [Doctoral Dissertation]. Boston University; 2019. Available from: http://hdl.handle.net/2144/36042


University of North Texas

16. Cao, Chenyi. A Pedagogical Analysis of Articulation, Balancing, Voicing, and Interpretation in Giuseppe Concone's "Vingt Études Chantantes," Op. 30, for Upper Intermediate Piano Students.

Degree: 2017, University of North Texas

 Giuseppe Concone's piano études number over a hundred, and are collected in seven various sets. They consist of pieces for elementary, intermediate, and advanced level… (more)

Subjects/Keywords: piano; Concone; Music

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APA (6th Edition):

Cao, C. (2017). A Pedagogical Analysis of Articulation, Balancing, Voicing, and Interpretation in Giuseppe Concone's "Vingt Études Chantantes," Op. 30, for Upper Intermediate Piano Students. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1062884/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cao, Chenyi. “A Pedagogical Analysis of Articulation, Balancing, Voicing, and Interpretation in Giuseppe Concone's "Vingt Études Chantantes," Op. 30, for Upper Intermediate Piano Students.” 2017. Thesis, University of North Texas. Accessed March 29, 2020. https://digital.library.unt.edu/ark:/67531/metadc1062884/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cao, Chenyi. “A Pedagogical Analysis of Articulation, Balancing, Voicing, and Interpretation in Giuseppe Concone's "Vingt Études Chantantes," Op. 30, for Upper Intermediate Piano Students.” 2017. Web. 29 Mar 2020.

Vancouver:

Cao C. A Pedagogical Analysis of Articulation, Balancing, Voicing, and Interpretation in Giuseppe Concone's "Vingt Études Chantantes," Op. 30, for Upper Intermediate Piano Students. [Internet] [Thesis]. University of North Texas; 2017. [cited 2020 Mar 29]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1062884/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cao C. A Pedagogical Analysis of Articulation, Balancing, Voicing, and Interpretation in Giuseppe Concone's "Vingt Études Chantantes," Op. 30, for Upper Intermediate Piano Students. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc1062884/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

17. Wen, Yanan. Two Chinese contemporary piano works. "Combination of Long and Short Meter” and "Thunder in a Drought".

Degree: DMA, Music, 2015, University of Kansas

 Abstract This paper will analyze two contrasting Chinese pieces written in the late twentieth century. The researcher will address related aspects of Chinese folk music(more)

Subjects/Keywords: Music; Chinese; contemporary; music; piano

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wen, Y. (2015). Two Chinese contemporary piano works. "Combination of Long and Short Meter” and "Thunder in a Drought". (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/21599

Chicago Manual of Style (16th Edition):

Wen, Yanan. “Two Chinese contemporary piano works. "Combination of Long and Short Meter” and "Thunder in a Drought".” 2015. Doctoral Dissertation, University of Kansas. Accessed March 29, 2020. http://hdl.handle.net/1808/21599.

MLA Handbook (7th Edition):

Wen, Yanan. “Two Chinese contemporary piano works. "Combination of Long and Short Meter” and "Thunder in a Drought".” 2015. Web. 29 Mar 2020.

Vancouver:

Wen Y. Two Chinese contemporary piano works. "Combination of Long and Short Meter” and "Thunder in a Drought". [Internet] [Doctoral dissertation]. University of Kansas; 2015. [cited 2020 Mar 29]. Available from: http://hdl.handle.net/1808/21599.

Council of Science Editors:

Wen Y. Two Chinese contemporary piano works. "Combination of Long and Short Meter” and "Thunder in a Drought". [Doctoral Dissertation]. University of Kansas; 2015. Available from: http://hdl.handle.net/1808/21599


University of North Texas

18. Wen, Bihe. Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay.

Degree: 2018, University of North Texas

 This paper presents the history and the theoretical study of mixed music and focuses on two piano solo works and two mixed electroacoustic compositions for… (more)

Subjects/Keywords: Piano; Mixed electroacoustic music; Music

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APA (6th Edition):

Wen, B. (2018). Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1248402/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wen, Bihe. “Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay.” 2018. Thesis, University of North Texas. Accessed March 29, 2020. https://digital.library.unt.edu/ark:/67531/metadc1248402/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wen, Bihe. “Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay.” 2018. Web. 29 Mar 2020.

Vancouver:

Wen B. Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay. [Internet] [Thesis]. University of North Texas; 2018. [cited 2020 Mar 29]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248402/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wen B. Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248402/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

19. SANTANGELO, ANGELA MARIE. The Orchestra Education Concert Survey (OECS): Contemporary Approaches to Creation and Presentation.

Degree: DMA, College-Conservatory of Music : Conducting, Orchestral Emphasis, 2008, University of Cincinnati

  The Orchestra Education Concert Survey (OECS) was an online survey designed to discover how American orchestras created and presented orchestra education concerts during the… (more)

Subjects/Keywords: Music; Music Education; orchestra; education; concert; survey; musical selections

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APA (6th Edition):

SANTANGELO, A. M. (2008). The Orchestra Education Concert Survey (OECS): Contemporary Approaches to Creation and Presentation. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211989035

Chicago Manual of Style (16th Edition):

SANTANGELO, ANGELA MARIE. “The Orchestra Education Concert Survey (OECS): Contemporary Approaches to Creation and Presentation.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed March 29, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211989035.

MLA Handbook (7th Edition):

SANTANGELO, ANGELA MARIE. “The Orchestra Education Concert Survey (OECS): Contemporary Approaches to Creation and Presentation.” 2008. Web. 29 Mar 2020.

Vancouver:

SANTANGELO AM. The Orchestra Education Concert Survey (OECS): Contemporary Approaches to Creation and Presentation. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2020 Mar 29]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211989035.

Council of Science Editors:

SANTANGELO AM. The Orchestra Education Concert Survey (OECS): Contemporary Approaches to Creation and Presentation. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211989035


University of North Texas

20. Bennight, Bradley J. The Keyboard Music of Peter Philips.

Degree: 2010, University of North Texas

 The keyboard works of the English virginalist Peter Philips have been little studied in comparison with his more famous contemporaries, William Byrd, John Bull and… (more)

Subjects/Keywords: Keyboard; Peter Philips; music; Philips, Peter, 1561-1628. Keyboard music. Selections.

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APA (6th Edition):

Bennight, B. J. (2010). The Keyboard Music of Peter Philips. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc30436/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bennight, Bradley J. “The Keyboard Music of Peter Philips.” 2010. Thesis, University of North Texas. Accessed March 29, 2020. https://digital.library.unt.edu/ark:/67531/metadc30436/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bennight, Bradley J. “The Keyboard Music of Peter Philips.” 2010. Web. 29 Mar 2020.

Vancouver:

Bennight BJ. The Keyboard Music of Peter Philips. [Internet] [Thesis]. University of North Texas; 2010. [cited 2020 Mar 29]. Available from: https://digital.library.unt.edu/ark:/67531/metadc30436/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bennight BJ. The Keyboard Music of Peter Philips. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc30436/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Songer, Loralee S. A performer’s guide to selected solo vocal works of the Second Viennese School with a complete catalog.

Degree: Thesis (D.A.), 2010, Ball State University

 This study presents pertinent information for singers and teachers of singers about selected vocal works written by three significant composers who were active during the… (more)

Subjects/Keywords: Second Viennese school (Group of composers) – Bibliography.; Schoenberg, Arnold, 1874-1951. Vocal music. Selections.; Webern, Anton, 1883-1945. Vocal music. Selections.; Berg, Alban, 1885-1935. Vocal music. Selections.

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APA (6th Edition):

Songer, L. S. (2010). A performer’s guide to selected solo vocal works of the Second Viennese School with a complete catalog. (Doctoral Dissertation). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/194628

Chicago Manual of Style (16th Edition):

Songer, Loralee S. “A performer’s guide to selected solo vocal works of the Second Viennese School with a complete catalog.” 2010. Doctoral Dissertation, Ball State University. Accessed March 29, 2020. http://cardinalscholar.bsu.edu/handle/123456789/194628.

MLA Handbook (7th Edition):

Songer, Loralee S. “A performer’s guide to selected solo vocal works of the Second Viennese School with a complete catalog.” 2010. Web. 29 Mar 2020.

Vancouver:

Songer LS. A performer’s guide to selected solo vocal works of the Second Viennese School with a complete catalog. [Internet] [Doctoral dissertation]. Ball State University; 2010. [cited 2020 Mar 29]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/194628.

Council of Science Editors:

Songer LS. A performer’s guide to selected solo vocal works of the Second Viennese School with a complete catalog. [Doctoral Dissertation]. Ball State University; 2010. Available from: http://cardinalscholar.bsu.edu/handle/123456789/194628

22. Sasaki, Hiromi|c(Student at Ball State University : 2017). Playing Rameau on the piano : the Suite in A minor from Nouvelles suites de pieces de clavecin.

Degree: Thesis (D.A.), 2017, Ball State University

 While the keyboard music of J. S. Bach, Handel, and Domenico Scarlatti draws the attention of modern pianists, that of their French contemporary Jean-Philippe Rameau… (more)

Subjects/Keywords: Piano  – Performance.; Rameau, Jean-Philippe, 1683-1764. Pièces de clavecin (1729-1730). Selections; arranged.

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APA (6th Edition):

Sasaki, H. a. B. S. U. :. 2. (2017). Playing Rameau on the piano : the Suite in A minor from Nouvelles suites de pieces de clavecin. (Doctoral Dissertation). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/201044

Chicago Manual of Style (16th Edition):

Sasaki, Hiromi|c(Student at Ball State University : 2017). “Playing Rameau on the piano : the Suite in A minor from Nouvelles suites de pieces de clavecin.” 2017. Doctoral Dissertation, Ball State University. Accessed March 29, 2020. http://cardinalscholar.bsu.edu/handle/123456789/201044.

MLA Handbook (7th Edition):

Sasaki, Hiromi|c(Student at Ball State University : 2017). “Playing Rameau on the piano : the Suite in A minor from Nouvelles suites de pieces de clavecin.” 2017. Web. 29 Mar 2020.

Vancouver:

Sasaki HaBSU:2. Playing Rameau on the piano : the Suite in A minor from Nouvelles suites de pieces de clavecin. [Internet] [Doctoral dissertation]. Ball State University; 2017. [cited 2020 Mar 29]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/201044.

Council of Science Editors:

Sasaki HaBSU:2. Playing Rameau on the piano : the Suite in A minor from Nouvelles suites de pieces de clavecin. [Doctoral Dissertation]. Ball State University; 2017. Available from: http://cardinalscholar.bsu.edu/handle/123456789/201044


Louisiana State University

23. Oechsle, Nikie. An annotated catalogue of selected Cuban piano works from the 18th-20th centuries.

Degree: DMA, Music, 2010, Louisiana State University

 The piano music of Cuba encompasses a large body of valuable music that is yet to be explored fully on the international scene by performers… (more)

Subjects/Keywords: Cuban History; Cuban Piano Music; Piano Leveling

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APA (6th Edition):

Oechsle, N. (2010). An annotated catalogue of selected Cuban piano works from the 18th-20th centuries. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-10292010-135500 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3626

Chicago Manual of Style (16th Edition):

Oechsle, Nikie. “An annotated catalogue of selected Cuban piano works from the 18th-20th centuries.” 2010. Doctoral Dissertation, Louisiana State University. Accessed March 29, 2020. etd-10292010-135500 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3626.

MLA Handbook (7th Edition):

Oechsle, Nikie. “An annotated catalogue of selected Cuban piano works from the 18th-20th centuries.” 2010. Web. 29 Mar 2020.

Vancouver:

Oechsle N. An annotated catalogue of selected Cuban piano works from the 18th-20th centuries. [Internet] [Doctoral dissertation]. Louisiana State University; 2010. [cited 2020 Mar 29]. Available from: etd-10292010-135500 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3626.

Council of Science Editors:

Oechsle N. An annotated catalogue of selected Cuban piano works from the 18th-20th centuries. [Doctoral Dissertation]. Louisiana State University; 2010. Available from: etd-10292010-135500 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3626


University of Oklahoma

24. Downs, Leslie. SPANISH DANCES AND THE PIANO MUSIC OF ALBÉNIZ, GRANADOS, FALLA, TURINA, AND MOMPOU.

Degree: DMA, 2010, University of Oklahoma

 The goal of this text is to provide pianists who are interested in the Spanish repertoire with a reference manual that offers a brief history… (more)

Subjects/Keywords: Piano music – Analysis, appreciation; Piano music – Spain; Dance music – Spain

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APA (6th Edition):

Downs, L. (2010). SPANISH DANCES AND THE PIANO MUSIC OF ALBÉNIZ, GRANADOS, FALLA, TURINA, AND MOMPOU. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/319023

Chicago Manual of Style (16th Edition):

Downs, Leslie. “SPANISH DANCES AND THE PIANO MUSIC OF ALBÉNIZ, GRANADOS, FALLA, TURINA, AND MOMPOU.” 2010. Doctoral Dissertation, University of Oklahoma. Accessed March 29, 2020. http://hdl.handle.net/11244/319023.

MLA Handbook (7th Edition):

Downs, Leslie. “SPANISH DANCES AND THE PIANO MUSIC OF ALBÉNIZ, GRANADOS, FALLA, TURINA, AND MOMPOU.” 2010. Web. 29 Mar 2020.

Vancouver:

Downs L. SPANISH DANCES AND THE PIANO MUSIC OF ALBÉNIZ, GRANADOS, FALLA, TURINA, AND MOMPOU. [Internet] [Doctoral dissertation]. University of Oklahoma; 2010. [cited 2020 Mar 29]. Available from: http://hdl.handle.net/11244/319023.

Council of Science Editors:

Downs L. SPANISH DANCES AND THE PIANO MUSIC OF ALBÉNIZ, GRANADOS, FALLA, TURINA, AND MOMPOU. [Doctoral Dissertation]. University of Oklahoma; 2010. Available from: http://hdl.handle.net/11244/319023


Louisiana State University

25. Mamedov, Nikita. The Interval Dissonance Rate in Chopin’s Études Op. 10, Nos. 1-4: Dissecting Arpeggiation, Chromaticism, and Linear Progressions.

Degree: PhD, Music Theory, 2018, Louisiana State University

  Chopin’s twenty-seven piano études display the composer’s poetic musical language, uniting keyboard techniques, virtuosity, and artistic imagery, while preserving Romantic lyricism and songfulness. Each… (more)

Subjects/Keywords: Chopin; dissonance; music; piano; Schenkerian

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APA (6th Edition):

Mamedov, N. (2018). The Interval Dissonance Rate in Chopin’s Études Op. 10, Nos. 1-4: Dissecting Arpeggiation, Chromaticism, and Linear Progressions. (Doctoral Dissertation). Louisiana State University. Retrieved from https://digitalcommons.lsu.edu/gradschool_dissertations/4588

Chicago Manual of Style (16th Edition):

Mamedov, Nikita. “The Interval Dissonance Rate in Chopin’s Études Op. 10, Nos. 1-4: Dissecting Arpeggiation, Chromaticism, and Linear Progressions.” 2018. Doctoral Dissertation, Louisiana State University. Accessed March 29, 2020. https://digitalcommons.lsu.edu/gradschool_dissertations/4588.

MLA Handbook (7th Edition):

Mamedov, Nikita. “The Interval Dissonance Rate in Chopin’s Études Op. 10, Nos. 1-4: Dissecting Arpeggiation, Chromaticism, and Linear Progressions.” 2018. Web. 29 Mar 2020.

Vancouver:

Mamedov N. The Interval Dissonance Rate in Chopin’s Études Op. 10, Nos. 1-4: Dissecting Arpeggiation, Chromaticism, and Linear Progressions. [Internet] [Doctoral dissertation]. Louisiana State University; 2018. [cited 2020 Mar 29]. Available from: https://digitalcommons.lsu.edu/gradschool_dissertations/4588.

Council of Science Editors:

Mamedov N. The Interval Dissonance Rate in Chopin’s Études Op. 10, Nos. 1-4: Dissecting Arpeggiation, Chromaticism, and Linear Progressions. [Doctoral Dissertation]. Louisiana State University; 2018. Available from: https://digitalcommons.lsu.edu/gradschool_dissertations/4588


Duquesne University

26. Mazza, Jamie. Graduation Recital, Piano.

Degree: MM, Music Performance, 2012, Duquesne University

 This graduate recital features significant piano works from the major periods in music history. The opening pieces - the Scarlatti sonatas - are technically challenging… (more)

Subjects/Keywords: Piano; Debussy; Music; Schumann

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APA (6th Edition):

Mazza, J. (2012). Graduation Recital, Piano. (Thesis). Duquesne University. Retrieved from https://dsc.duq.edu/etd/896

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mazza, Jamie. “Graduation Recital, Piano.” 2012. Thesis, Duquesne University. Accessed March 29, 2020. https://dsc.duq.edu/etd/896.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mazza, Jamie. “Graduation Recital, Piano.” 2012. Web. 29 Mar 2020.

Vancouver:

Mazza J. Graduation Recital, Piano. [Internet] [Thesis]. Duquesne University; 2012. [cited 2020 Mar 29]. Available from: https://dsc.duq.edu/etd/896.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mazza J. Graduation Recital, Piano. [Thesis]. Duquesne University; 2012. Available from: https://dsc.duq.edu/etd/896

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Newcastle

27. Wett, Jordan James. Online keyboard harmony: creating and assessing an online introductory keyboard harmony class for undergraduate level keyboard music majors.

Degree: PhD, 2016, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

Online education is gaining momentum as a viable alternative to in-class tuition. However, the use of an exclusively… (more)

Subjects/Keywords: keyboard harmony; music; piano; online

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APA (6th Edition):

Wett, J. J. (2016). Online keyboard harmony: creating and assessing an online introductory keyboard harmony class for undergraduate level keyboard music majors. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1317450

Chicago Manual of Style (16th Edition):

Wett, Jordan James. “Online keyboard harmony: creating and assessing an online introductory keyboard harmony class for undergraduate level keyboard music majors.” 2016. Doctoral Dissertation, University of Newcastle. Accessed March 29, 2020. http://hdl.handle.net/1959.13/1317450.

MLA Handbook (7th Edition):

Wett, Jordan James. “Online keyboard harmony: creating and assessing an online introductory keyboard harmony class for undergraduate level keyboard music majors.” 2016. Web. 29 Mar 2020.

Vancouver:

Wett JJ. Online keyboard harmony: creating and assessing an online introductory keyboard harmony class for undergraduate level keyboard music majors. [Internet] [Doctoral dissertation]. University of Newcastle; 2016. [cited 2020 Mar 29]. Available from: http://hdl.handle.net/1959.13/1317450.

Council of Science Editors:

Wett JJ. Online keyboard harmony: creating and assessing an online introductory keyboard harmony class for undergraduate level keyboard music majors. [Doctoral Dissertation]. University of Newcastle; 2016. Available from: http://hdl.handle.net/1959.13/1317450


University of Cincinnati

28. Lin, Chia-Hsing. A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960.

Degree: DMA, College-Conservatory of Music: Piano, 2012, University of Cincinnati

  Franz Peter Schubert’s last three sonatas, D. 958, 959 and 960 attract modern scholars and performers with their personal, poetic style as well as… (more)

Subjects/Keywords: Music; Schubert; Piano Sonatas

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APA (6th Edition):

Lin, C. (2012). A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1330023742

Chicago Manual of Style (16th Edition):

Lin, Chia-Hsing. “A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960.” 2012. Doctoral Dissertation, University of Cincinnati. Accessed March 29, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1330023742.

MLA Handbook (7th Edition):

Lin, Chia-Hsing. “A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960.” 2012. Web. 29 Mar 2020.

Vancouver:

Lin C. A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960. [Internet] [Doctoral dissertation]. University of Cincinnati; 2012. [cited 2020 Mar 29]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1330023742.

Council of Science Editors:

Lin C. A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960. [Doctoral Dissertation]. University of Cincinnati; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1330023742


Bowling Green State University

29. Yeh, I-Chen. The Piano Etudes of David Rakowski.

Degree: DMA, Contemporary Music, 2010, Bowling Green State University

  Since the early history of piano music the etude has played an important role in the instrument’s repertoire. The genre has grown from technical… (more)

Subjects/Keywords: Music; David Rakowski; Piano Etudes

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yeh, I. (2010). The Piano Etudes of David Rakowski. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1288402170

Chicago Manual of Style (16th Edition):

Yeh, I-Chen. “The Piano Etudes of David Rakowski.” 2010. Doctoral Dissertation, Bowling Green State University. Accessed March 29, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1288402170.

MLA Handbook (7th Edition):

Yeh, I-Chen. “The Piano Etudes of David Rakowski.” 2010. Web. 29 Mar 2020.

Vancouver:

Yeh I. The Piano Etudes of David Rakowski. [Internet] [Doctoral dissertation]. Bowling Green State University; 2010. [cited 2020 Mar 29]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1288402170.

Council of Science Editors:

Yeh I. The Piano Etudes of David Rakowski. [Doctoral Dissertation]. Bowling Green State University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1288402170


Louisiana State University

30. Chen, Xi. Chinese piano music: an approach to performance.

Degree: DMA, Music, 2011, Louisiana State University

 Since the piano was introduced in China, in the nineteenth century, many Chinese composers have composed specifically for it. As a result of greater communication… (more)

Subjects/Keywords: chinese; piano music; performance

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chen, X. (2011). Chinese piano music: an approach to performance. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-01162012-122647 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2153

Chicago Manual of Style (16th Edition):

Chen, Xi. “Chinese piano music: an approach to performance.” 2011. Doctoral Dissertation, Louisiana State University. Accessed March 29, 2020. etd-01162012-122647 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2153.

MLA Handbook (7th Edition):

Chen, Xi. “Chinese piano music: an approach to performance.” 2011. Web. 29 Mar 2020.

Vancouver:

Chen X. Chinese piano music: an approach to performance. [Internet] [Doctoral dissertation]. Louisiana State University; 2011. [cited 2020 Mar 29]. Available from: etd-01162012-122647 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2153.

Council of Science Editors:

Chen X. Chinese piano music: an approach to performance. [Doctoral Dissertation]. Louisiana State University; 2011. Available from: etd-01162012-122647 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2153

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