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You searched for subject:(ML Literature of music). Showing records 1 – 30 of 292091 total matches.

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City University London

1. Georgiou, Christina. The historical editing of Mozart’s keyboard sonatas: history, context and practice.

Degree: PhD, 2011, City University London

 This thesis investigates the editing and publishing of music from the late-eighteenth century until present day, with particular reference to W. A. Mozart’s sonatas for… (more)

Subjects/Keywords: 780; ML Literature of music

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APA (6th Edition):

Georgiou, C. (2011). The historical editing of Mozart’s keyboard sonatas: history, context and practice. (Doctoral Dissertation). City University London. Retrieved from http://openaccess.city.ac.uk/1117/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.537594

Chicago Manual of Style (16th Edition):

Georgiou, Christina. “The historical editing of Mozart’s keyboard sonatas: history, context and practice.” 2011. Doctoral Dissertation, City University London. Accessed January 29, 2020. http://openaccess.city.ac.uk/1117/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.537594.

MLA Handbook (7th Edition):

Georgiou, Christina. “The historical editing of Mozart’s keyboard sonatas: history, context and practice.” 2011. Web. 29 Jan 2020.

Vancouver:

Georgiou C. The historical editing of Mozart’s keyboard sonatas: history, context and practice. [Internet] [Doctoral dissertation]. City University London; 2011. [cited 2020 Jan 29]. Available from: http://openaccess.city.ac.uk/1117/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.537594.

Council of Science Editors:

Georgiou C. The historical editing of Mozart’s keyboard sonatas: history, context and practice. [Doctoral Dissertation]. City University London; 2011. Available from: http://openaccess.city.ac.uk/1117/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.537594


University of Nottingham

2. Cook, James Matthew. Mid-fifteenth-century English mass cycles in continental sources.

Degree: PhD, 2014, University of Nottingham

 Fifteenth-century English music had a profound impact on mainland Europe, with several important innovations (e.g. the cyclic cantus firmus Mass) credited as English in origin.… (more)

Subjects/Keywords: 782.32; ML Literature of music

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APA (6th Edition):

Cook, J. M. (2014). Mid-fifteenth-century English mass cycles in continental sources. (Doctoral Dissertation). University of Nottingham. Retrieved from http://eprints.nottingham.ac.uk/30778/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.663260

Chicago Manual of Style (16th Edition):

Cook, James Matthew. “Mid-fifteenth-century English mass cycles in continental sources.” 2014. Doctoral Dissertation, University of Nottingham. Accessed January 29, 2020. http://eprints.nottingham.ac.uk/30778/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.663260.

MLA Handbook (7th Edition):

Cook, James Matthew. “Mid-fifteenth-century English mass cycles in continental sources.” 2014. Web. 29 Jan 2020.

Vancouver:

Cook JM. Mid-fifteenth-century English mass cycles in continental sources. [Internet] [Doctoral dissertation]. University of Nottingham; 2014. [cited 2020 Jan 29]. Available from: http://eprints.nottingham.ac.uk/30778/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.663260.

Council of Science Editors:

Cook JM. Mid-fifteenth-century English mass cycles in continental sources. [Doctoral Dissertation]. University of Nottingham; 2014. Available from: http://eprints.nottingham.ac.uk/30778/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.663260


University of Nottingham

3. Pan, Li-Ming. The image and social status of female musicians in Taiwan.

Degree: PhD, 2014, University of Nottingham

 In Taiwan, female musicians who play Western classical music have often been considered a group with a fixed image regarding their appearance. The stereotype is… (more)

Subjects/Keywords: 780.82; ML Literature of music

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APA (6th Edition):

Pan, L. (2014). The image and social status of female musicians in Taiwan. (Doctoral Dissertation). University of Nottingham. Retrieved from http://eprints.nottingham.ac.uk/27887/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.639926

Chicago Manual of Style (16th Edition):

Pan, Li-Ming. “The image and social status of female musicians in Taiwan.” 2014. Doctoral Dissertation, University of Nottingham. Accessed January 29, 2020. http://eprints.nottingham.ac.uk/27887/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.639926.

MLA Handbook (7th Edition):

Pan, Li-Ming. “The image and social status of female musicians in Taiwan.” 2014. Web. 29 Jan 2020.

Vancouver:

Pan L. The image and social status of female musicians in Taiwan. [Internet] [Doctoral dissertation]. University of Nottingham; 2014. [cited 2020 Jan 29]. Available from: http://eprints.nottingham.ac.uk/27887/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.639926.

Council of Science Editors:

Pan L. The image and social status of female musicians in Taiwan. [Doctoral Dissertation]. University of Nottingham; 2014. Available from: http://eprints.nottingham.ac.uk/27887/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.639926


University of Warwick

4. Nelson, Katie M. Thomas Whythorne and Tudor musicians.

Degree: PhD, 2010, University of Warwick

 The autobiography of Tudor musician Thomas Whythorne (1528-1596) is rich with self-exploration, social commentary and intimate storytelling. His story begins at childhood, then progresses chronologically… (more)

Subjects/Keywords: 780; ML Literature of music

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APA (6th Edition):

Nelson, K. M. (2010). Thomas Whythorne and Tudor musicians. (Doctoral Dissertation). University of Warwick. Retrieved from http://wrap.warwick.ac.uk/36853/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.537755

Chicago Manual of Style (16th Edition):

Nelson, Katie M. “Thomas Whythorne and Tudor musicians.” 2010. Doctoral Dissertation, University of Warwick. Accessed January 29, 2020. http://wrap.warwick.ac.uk/36853/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.537755.

MLA Handbook (7th Edition):

Nelson, Katie M. “Thomas Whythorne and Tudor musicians.” 2010. Web. 29 Jan 2020.

Vancouver:

Nelson KM. Thomas Whythorne and Tudor musicians. [Internet] [Doctoral dissertation]. University of Warwick; 2010. [cited 2020 Jan 29]. Available from: http://wrap.warwick.ac.uk/36853/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.537755.

Council of Science Editors:

Nelson KM. Thomas Whythorne and Tudor musicians. [Doctoral Dissertation]. University of Warwick; 2010. Available from: http://wrap.warwick.ac.uk/36853/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.537755


Cardiff University

5. Barlow, Rachelle Louise. The 'land of song' : gender and identity in Welsh choral music, 1872-1918.

Degree: PhD, 2015, Cardiff University

 This thesis concerns Wales as the ‘land of song’. In particular, it looks at choral singing in Wales which has long been considered a male… (more)

Subjects/Keywords: 782.5; ML Literature of music

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APA (6th Edition):

Barlow, R. L. (2015). The 'land of song' : gender and identity in Welsh choral music, 1872-1918. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/91290/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.685502

Chicago Manual of Style (16th Edition):

Barlow, Rachelle Louise. “The 'land of song' : gender and identity in Welsh choral music, 1872-1918.” 2015. Doctoral Dissertation, Cardiff University. Accessed January 29, 2020. http://orca.cf.ac.uk/91290/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.685502.

MLA Handbook (7th Edition):

Barlow, Rachelle Louise. “The 'land of song' : gender and identity in Welsh choral music, 1872-1918.” 2015. Web. 29 Jan 2020.

Vancouver:

Barlow RL. The 'land of song' : gender and identity in Welsh choral music, 1872-1918. [Internet] [Doctoral dissertation]. Cardiff University; 2015. [cited 2020 Jan 29]. Available from: http://orca.cf.ac.uk/91290/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.685502.

Council of Science Editors:

Barlow RL. The 'land of song' : gender and identity in Welsh choral music, 1872-1918. [Doctoral Dissertation]. Cardiff University; 2015. Available from: http://orca.cf.ac.uk/91290/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.685502


University of Nottingham

6. Mazman, Alper. Jazz talks : representations & self-representations of African American music and its musicians from bebop to free jazz.

Degree: PhD, 2010, University of Nottingham

 The main focus of this thesis is the representation of jazz music and its musicians, and the ways in which American (black and white) critics,… (more)

Subjects/Keywords: 780; ML Literature of music

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APA (6th Edition):

Mazman, A. (2010). Jazz talks : representations & self-representations of African American music and its musicians from bebop to free jazz. (Doctoral Dissertation). University of Nottingham. Retrieved from http://eprints.nottingham.ac.uk/12890/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523600

Chicago Manual of Style (16th Edition):

Mazman, Alper. “Jazz talks : representations & self-representations of African American music and its musicians from bebop to free jazz.” 2010. Doctoral Dissertation, University of Nottingham. Accessed January 29, 2020. http://eprints.nottingham.ac.uk/12890/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523600.

MLA Handbook (7th Edition):

Mazman, Alper. “Jazz talks : representations & self-representations of African American music and its musicians from bebop to free jazz.” 2010. Web. 29 Jan 2020.

Vancouver:

Mazman A. Jazz talks : representations & self-representations of African American music and its musicians from bebop to free jazz. [Internet] [Doctoral dissertation]. University of Nottingham; 2010. [cited 2020 Jan 29]. Available from: http://eprints.nottingham.ac.uk/12890/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523600.

Council of Science Editors:

Mazman A. Jazz talks : representations & self-representations of African American music and its musicians from bebop to free jazz. [Doctoral Dissertation]. University of Nottingham; 2010. Available from: http://eprints.nottingham.ac.uk/12890/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523600


University of Nottingham

7. Audus, Mark. The 1904 version of Leos Jancek's Jenufa : sources, reconstruction, commentary.

Degree: PhD, 2008, University of Nottingham

 The main part of the thesis comprises a two-volume reconstruction of the full score of the 1904 premiere version of Janacek's opera Jenufa (volumes II/1,… (more)

Subjects/Keywords: 782.1; ML Literature of music

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APA (6th Edition):

Audus, M. (2008). The 1904 version of Leos Jancek's Jenufa : sources, reconstruction, commentary. (Doctoral Dissertation). University of Nottingham. Retrieved from http://eprints.nottingham.ac.uk/10511/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514698

Chicago Manual of Style (16th Edition):

Audus, Mark. “The 1904 version of Leos Jancek's Jenufa : sources, reconstruction, commentary.” 2008. Doctoral Dissertation, University of Nottingham. Accessed January 29, 2020. http://eprints.nottingham.ac.uk/10511/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514698.

MLA Handbook (7th Edition):

Audus, Mark. “The 1904 version of Leos Jancek's Jenufa : sources, reconstruction, commentary.” 2008. Web. 29 Jan 2020.

Vancouver:

Audus M. The 1904 version of Leos Jancek's Jenufa : sources, reconstruction, commentary. [Internet] [Doctoral dissertation]. University of Nottingham; 2008. [cited 2020 Jan 29]. Available from: http://eprints.nottingham.ac.uk/10511/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514698.

Council of Science Editors:

Audus M. The 1904 version of Leos Jancek's Jenufa : sources, reconstruction, commentary. [Doctoral Dissertation]. University of Nottingham; 2008. Available from: http://eprints.nottingham.ac.uk/10511/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514698


University of Glasgow

8. Clements, Joanna. The creation of 'ancient' Scottish music history, 1720-1838.

Degree: 2013, University of Glasgow

 This thesis examines the writing of Scottish music history from the 1720s to 1838. It concludes that the Scottish music histories written over this period… (more)

Subjects/Keywords: ML Literature of music

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APA (6th Edition):

Clements, J. (2013). The creation of 'ancient' Scottish music history, 1720-1838. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/4699/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.586816

Chicago Manual of Style (16th Edition):

Clements, Joanna. “The creation of 'ancient' Scottish music history, 1720-1838.” 2013. Doctoral Dissertation, University of Glasgow. Accessed January 29, 2020. http://theses.gla.ac.uk/4699/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.586816.

MLA Handbook (7th Edition):

Clements, Joanna. “The creation of 'ancient' Scottish music history, 1720-1838.” 2013. Web. 29 Jan 2020.

Vancouver:

Clements J. The creation of 'ancient' Scottish music history, 1720-1838. [Internet] [Doctoral dissertation]. University of Glasgow; 2013. [cited 2020 Jan 29]. Available from: http://theses.gla.ac.uk/4699/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.586816.

Council of Science Editors:

Clements J. The creation of 'ancient' Scottish music history, 1720-1838. [Doctoral Dissertation]. University of Glasgow; 2013. Available from: http://theses.gla.ac.uk/4699/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.586816


University of Nottingham

9. Williams, Justin A. Musical borrowing in hip-hop music : theoretical frameworks and case studies.

Degree: 2010, University of Nottingham

 'Musical borrowing in hip-hop' begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and… (more)

Subjects/Keywords: 780; ML Literature of music

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APA (6th Edition):

Williams, J. A. (2010). Musical borrowing in hip-hop music : theoretical frameworks and case studies. (Doctoral Dissertation). University of Nottingham. Retrieved from http://eprints.nottingham.ac.uk/11081/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.519910

Chicago Manual of Style (16th Edition):

Williams, Justin A. “Musical borrowing in hip-hop music : theoretical frameworks and case studies.” 2010. Doctoral Dissertation, University of Nottingham. Accessed January 29, 2020. http://eprints.nottingham.ac.uk/11081/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.519910.

MLA Handbook (7th Edition):

Williams, Justin A. “Musical borrowing in hip-hop music : theoretical frameworks and case studies.” 2010. Web. 29 Jan 2020.

Vancouver:

Williams JA. Musical borrowing in hip-hop music : theoretical frameworks and case studies. [Internet] [Doctoral dissertation]. University of Nottingham; 2010. [cited 2020 Jan 29]. Available from: http://eprints.nottingham.ac.uk/11081/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.519910.

Council of Science Editors:

Williams JA. Musical borrowing in hip-hop music : theoretical frameworks and case studies. [Doctoral Dissertation]. University of Nottingham; 2010. Available from: http://eprints.nottingham.ac.uk/11081/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.519910


University of Nottingham

10. Wang, Juan. Classical music policy and practise in a British city.

Degree: 2011, University of Nottingham

 The argument in my thesis regarding cultural policy points out a fundamental contradiction about the nature of democracy. The impulse that should motivate public cultural… (more)

Subjects/Keywords: 353.77; ML Literature of music

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APA (6th Edition):

Wang, J. (2011). Classical music policy and practise in a British city. (Doctoral Dissertation). University of Nottingham. Retrieved from http://eprints.nottingham.ac.uk/12935/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555514

Chicago Manual of Style (16th Edition):

Wang, Juan. “Classical music policy and practise in a British city.” 2011. Doctoral Dissertation, University of Nottingham. Accessed January 29, 2020. http://eprints.nottingham.ac.uk/12935/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555514.

MLA Handbook (7th Edition):

Wang, Juan. “Classical music policy and practise in a British city.” 2011. Web. 29 Jan 2020.

Vancouver:

Wang J. Classical music policy and practise in a British city. [Internet] [Doctoral dissertation]. University of Nottingham; 2011. [cited 2020 Jan 29]. Available from: http://eprints.nottingham.ac.uk/12935/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555514.

Council of Science Editors:

Wang J. Classical music policy and practise in a British city. [Doctoral Dissertation]. University of Nottingham; 2011. Available from: http://eprints.nottingham.ac.uk/12935/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555514

11. Skrimsjö, Veronica A. M. "I, me, mine?" : an initial consideration of (popular music record) collecting aesthetics, identities & practices.

Degree: PhD, 2013, University of Liverpool

 Currently there is very little academic literature dealing with the topic of record collecting, and when the topic is broached it appears to be done… (more)

Subjects/Keywords: 780; ML Literature of music

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APA (6th Edition):

Skrimsjö, V. A. M. (2013). "I, me, mine?" : an initial consideration of (popular music record) collecting aesthetics, identities & practices. (Doctoral Dissertation). University of Liverpool. Retrieved from http://livrepository.liverpool.ac.uk/18477/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617491

Chicago Manual of Style (16th Edition):

Skrimsjö, Veronica A M. “"I, me, mine?" : an initial consideration of (popular music record) collecting aesthetics, identities & practices.” 2013. Doctoral Dissertation, University of Liverpool. Accessed January 29, 2020. http://livrepository.liverpool.ac.uk/18477/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617491.

MLA Handbook (7th Edition):

Skrimsjö, Veronica A M. “"I, me, mine?" : an initial consideration of (popular music record) collecting aesthetics, identities & practices.” 2013. Web. 29 Jan 2020.

Vancouver:

Skrimsjö VAM. "I, me, mine?" : an initial consideration of (popular music record) collecting aesthetics, identities & practices. [Internet] [Doctoral dissertation]. University of Liverpool; 2013. [cited 2020 Jan 29]. Available from: http://livrepository.liverpool.ac.uk/18477/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617491.

Council of Science Editors:

Skrimsjö VAM. "I, me, mine?" : an initial consideration of (popular music record) collecting aesthetics, identities & practices. [Doctoral Dissertation]. University of Liverpool; 2013. Available from: http://livrepository.liverpool.ac.uk/18477/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617491


University of Nottingham

12. Shephard, Tim. Alfonso I d'Este : music and identity in Ferrara.

Degree: 2010, University of Nottingham

 Although a great deal of documentation on the patronage of Alfonso I d'Este has already been published, music historians and cultural historians have given little… (more)

Subjects/Keywords: 780; ML Literature of music

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APA (6th Edition):

Shephard, T. (2010). Alfonso I d'Este : music and identity in Ferrara. (Doctoral Dissertation). University of Nottingham. Retrieved from http://eprints.nottingham.ac.uk/13912/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523577

Chicago Manual of Style (16th Edition):

Shephard, Tim. “Alfonso I d'Este : music and identity in Ferrara.” 2010. Doctoral Dissertation, University of Nottingham. Accessed January 29, 2020. http://eprints.nottingham.ac.uk/13912/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523577.

MLA Handbook (7th Edition):

Shephard, Tim. “Alfonso I d'Este : music and identity in Ferrara.” 2010. Web. 29 Jan 2020.

Vancouver:

Shephard T. Alfonso I d'Este : music and identity in Ferrara. [Internet] [Doctoral dissertation]. University of Nottingham; 2010. [cited 2020 Jan 29]. Available from: http://eprints.nottingham.ac.uk/13912/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523577.

Council of Science Editors:

Shephard T. Alfonso I d'Este : music and identity in Ferrara. [Doctoral Dissertation]. University of Nottingham; 2010. Available from: http://eprints.nottingham.ac.uk/13912/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523577


University of Nottingham

13. Cochrane, Thomas. Shared emotions in music.

Degree: 2007, University of Nottingham

 In this thesis I show that groups can share token emotional states by performing music together. First I argue that emotions are perceptions, representing the… (more)

Subjects/Keywords: 781.11; ML Literature of music

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APA (6th Edition):

Cochrane, T. (2007). Shared emotions in music. (Doctoral Dissertation). University of Nottingham. Retrieved from http://eprints.nottingham.ac.uk/10286/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.438380

Chicago Manual of Style (16th Edition):

Cochrane, Thomas. “Shared emotions in music.” 2007. Doctoral Dissertation, University of Nottingham. Accessed January 29, 2020. http://eprints.nottingham.ac.uk/10286/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.438380.

MLA Handbook (7th Edition):

Cochrane, Thomas. “Shared emotions in music.” 2007. Web. 29 Jan 2020.

Vancouver:

Cochrane T. Shared emotions in music. [Internet] [Doctoral dissertation]. University of Nottingham; 2007. [cited 2020 Jan 29]. Available from: http://eprints.nottingham.ac.uk/10286/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.438380.

Council of Science Editors:

Cochrane T. Shared emotions in music. [Doctoral Dissertation]. University of Nottingham; 2007. Available from: http://eprints.nottingham.ac.uk/10286/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.438380


University of Nottingham

14. Ford, Fiona. The film music of Edmund Meisel (1894-1930).

Degree: 2011, University of Nottingham

 This thesis discusses the film scores of Edmund Meisel (1894–1930), composed in Berlin and London during the period 1926–1930. In the main, these scores were… (more)

Subjects/Keywords: 781.542092; ML Literature of music

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APA (6th Edition):

Ford, F. (2011). The film music of Edmund Meisel (1894-1930). (Doctoral Dissertation). University of Nottingham. Retrieved from http://eprints.nottingham.ac.uk/12271/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.548963

Chicago Manual of Style (16th Edition):

Ford, Fiona. “The film music of Edmund Meisel (1894-1930).” 2011. Doctoral Dissertation, University of Nottingham. Accessed January 29, 2020. http://eprints.nottingham.ac.uk/12271/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.548963.

MLA Handbook (7th Edition):

Ford, Fiona. “The film music of Edmund Meisel (1894-1930).” 2011. Web. 29 Jan 2020.

Vancouver:

Ford F. The film music of Edmund Meisel (1894-1930). [Internet] [Doctoral dissertation]. University of Nottingham; 2011. [cited 2020 Jan 29]. Available from: http://eprints.nottingham.ac.uk/12271/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.548963.

Council of Science Editors:

Ford F. The film music of Edmund Meisel (1894-1930). [Doctoral Dissertation]. University of Nottingham; 2011. Available from: http://eprints.nottingham.ac.uk/12271/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.548963


University of Nottingham

15. Kang, Angela. Musical chinoiserie.

Degree: 2012, University of Nottingham

 Chinoiserie remains relatively unexplored in the context of music and is usually isolated as a mid-eighteenth-century phenomenon characterized by the use of decorative Chinese motifs… (more)

Subjects/Keywords: 780.9409033; ML Literature of music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kang, A. (2012). Musical chinoiserie. (Doctoral Dissertation). University of Nottingham. Retrieved from http://eprints.nottingham.ac.uk/13707/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.575137

Chicago Manual of Style (16th Edition):

Kang, Angela. “Musical chinoiserie.” 2012. Doctoral Dissertation, University of Nottingham. Accessed January 29, 2020. http://eprints.nottingham.ac.uk/13707/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.575137.

MLA Handbook (7th Edition):

Kang, Angela. “Musical chinoiserie.” 2012. Web. 29 Jan 2020.

Vancouver:

Kang A. Musical chinoiserie. [Internet] [Doctoral dissertation]. University of Nottingham; 2012. [cited 2020 Jan 29]. Available from: http://eprints.nottingham.ac.uk/13707/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.575137.

Council of Science Editors:

Kang A. Musical chinoiserie. [Doctoral Dissertation]. University of Nottingham; 2012. Available from: http://eprints.nottingham.ac.uk/13707/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.575137


University of Nottingham

16. Williams, Katherine A. Valuing jazz : cross-cultural comparisons of the classical influence in jazz.

Degree: 2012, University of Nottingham

 ‘Valuing Jazz: Cross-cultural Comparisons of the Classical Influence in Jazz’ re-examines the interaction of Western classical music and jazz, focussing particularly on developments in North… (more)

Subjects/Keywords: 780; ML Literature of music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Williams, K. A. (2012). Valuing jazz : cross-cultural comparisons of the classical influence in jazz. (Doctoral Dissertation). University of Nottingham. Retrieved from http://eprints.nottingham.ac.uk/12622/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.559645

Chicago Manual of Style (16th Edition):

Williams, Katherine A. “Valuing jazz : cross-cultural comparisons of the classical influence in jazz.” 2012. Doctoral Dissertation, University of Nottingham. Accessed January 29, 2020. http://eprints.nottingham.ac.uk/12622/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.559645.

MLA Handbook (7th Edition):

Williams, Katherine A. “Valuing jazz : cross-cultural comparisons of the classical influence in jazz.” 2012. Web. 29 Jan 2020.

Vancouver:

Williams KA. Valuing jazz : cross-cultural comparisons of the classical influence in jazz. [Internet] [Doctoral dissertation]. University of Nottingham; 2012. [cited 2020 Jan 29]. Available from: http://eprints.nottingham.ac.uk/12622/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.559645.

Council of Science Editors:

Williams KA. Valuing jazz : cross-cultural comparisons of the classical influence in jazz. [Doctoral Dissertation]. University of Nottingham; 2012. Available from: http://eprints.nottingham.ac.uk/12622/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.559645

17. Albiez, Sean. Sounds of future past : the poetics of electronica.

Degree: 2013, Bath Spa University

 Electronica developed in the last decade of the twentieth century as an area of limited musical practice that breached the creative and institutional divides between… (more)

Subjects/Keywords: 786.7; ML Literature of music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Albiez, S. (2013). Sounds of future past : the poetics of electronica. (Doctoral Dissertation). Bath Spa University. Retrieved from http://researchspace.bathspa.ac.uk/1886/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.590825

Chicago Manual of Style (16th Edition):

Albiez, Sean. “Sounds of future past : the poetics of electronica.” 2013. Doctoral Dissertation, Bath Spa University. Accessed January 29, 2020. http://researchspace.bathspa.ac.uk/1886/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.590825.

MLA Handbook (7th Edition):

Albiez, Sean. “Sounds of future past : the poetics of electronica.” 2013. Web. 29 Jan 2020.

Vancouver:

Albiez S. Sounds of future past : the poetics of electronica. [Internet] [Doctoral dissertation]. Bath Spa University; 2013. [cited 2020 Jan 29]. Available from: http://researchspace.bathspa.ac.uk/1886/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.590825.

Council of Science Editors:

Albiez S. Sounds of future past : the poetics of electronica. [Doctoral Dissertation]. Bath Spa University; 2013. Available from: http://researchspace.bathspa.ac.uk/1886/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.590825


University of Warwick

18. Oda, Tomoo Thomas. Many spheres of music : hermeneutic interpretation of musical signification.

Degree: 2006, University of Warwick

 Considerable interest has been shown in the field of music aesthetics in recent years, not only by aestheticians but also by writers from diverse fields… (more)

Subjects/Keywords: 781.1; ML Literature of music

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APA (6th Edition):

Oda, T. T. (2006). Many spheres of music : hermeneutic interpretation of musical signification. (Doctoral Dissertation). University of Warwick. Retrieved from http://wrap.warwick.ac.uk/4456/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429753

Chicago Manual of Style (16th Edition):

Oda, Tomoo Thomas. “Many spheres of music : hermeneutic interpretation of musical signification.” 2006. Doctoral Dissertation, University of Warwick. Accessed January 29, 2020. http://wrap.warwick.ac.uk/4456/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429753.

MLA Handbook (7th Edition):

Oda, Tomoo Thomas. “Many spheres of music : hermeneutic interpretation of musical signification.” 2006. Web. 29 Jan 2020.

Vancouver:

Oda TT. Many spheres of music : hermeneutic interpretation of musical signification. [Internet] [Doctoral dissertation]. University of Warwick; 2006. [cited 2020 Jan 29]. Available from: http://wrap.warwick.ac.uk/4456/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429753.

Council of Science Editors:

Oda TT. Many spheres of music : hermeneutic interpretation of musical signification. [Doctoral Dissertation]. University of Warwick; 2006. Available from: http://wrap.warwick.ac.uk/4456/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429753


University of Nottingham

19. Wuttipong, N. The Thai popular music industry : industrial form and musical design.

Degree: 2012, University of Nottingham

 Popular music, as it is generally defined in its commercial existence, originated in the West and has been widely discussed in Anglophone academia. One of… (more)

Subjects/Keywords: 781.6309593; ML Literature of music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wuttipong, N. (2012). The Thai popular music industry : industrial form and musical design. (Doctoral Dissertation). University of Nottingham. Retrieved from http://eprints.nottingham.ac.uk/13708/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.574613

Chicago Manual of Style (16th Edition):

Wuttipong, N. “The Thai popular music industry : industrial form and musical design.” 2012. Doctoral Dissertation, University of Nottingham. Accessed January 29, 2020. http://eprints.nottingham.ac.uk/13708/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.574613.

MLA Handbook (7th Edition):

Wuttipong, N. “The Thai popular music industry : industrial form and musical design.” 2012. Web. 29 Jan 2020.

Vancouver:

Wuttipong N. The Thai popular music industry : industrial form and musical design. [Internet] [Doctoral dissertation]. University of Nottingham; 2012. [cited 2020 Jan 29]. Available from: http://eprints.nottingham.ac.uk/13708/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.574613.

Council of Science Editors:

Wuttipong N. The Thai popular music industry : industrial form and musical design. [Doctoral Dissertation]. University of Nottingham; 2012. Available from: http://eprints.nottingham.ac.uk/13708/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.574613


University of Nottingham

20. Butler, Jan. Record production and the construction of authenticity in the Beach Boys and late-sixties American rock.

Degree: 2010, University of Nottingham

 This thesis explores the paradox that occurred at the time that rock emerged as a new genre in America in the mid-1960s. Recordings were becoming… (more)

Subjects/Keywords: 780; ML Literature of music

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APA (6th Edition):

Butler, J. (2010). Record production and the construction of authenticity in the Beach Boys and late-sixties American rock. (Doctoral Dissertation). University of Nottingham. Retrieved from http://eprints.nottingham.ac.uk/13024/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523116

Chicago Manual of Style (16th Edition):

Butler, Jan. “Record production and the construction of authenticity in the Beach Boys and late-sixties American rock.” 2010. Doctoral Dissertation, University of Nottingham. Accessed January 29, 2020. http://eprints.nottingham.ac.uk/13024/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523116.

MLA Handbook (7th Edition):

Butler, Jan. “Record production and the construction of authenticity in the Beach Boys and late-sixties American rock.” 2010. Web. 29 Jan 2020.

Vancouver:

Butler J. Record production and the construction of authenticity in the Beach Boys and late-sixties American rock. [Internet] [Doctoral dissertation]. University of Nottingham; 2010. [cited 2020 Jan 29]. Available from: http://eprints.nottingham.ac.uk/13024/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523116.

Council of Science Editors:

Butler J. Record production and the construction of authenticity in the Beach Boys and late-sixties American rock. [Doctoral Dissertation]. University of Nottingham; 2010. Available from: http://eprints.nottingham.ac.uk/13024/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523116


University of Nottingham

21. Lessa, Ana Claudia. Brazil : "que país é esse"? : music and power in Legião Urbana.

Degree: 2011, University of Nottingham

 This thesis addresses, amongst other issues, the phenomenon of protest music with particular reference to Brazil within its pre- and post-dictatorship period. The time-frame being… (more)

Subjects/Keywords: 306.48420981; ML Literature of music

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APA (6th Edition):

Lessa, A. C. (2011). Brazil : "que país é esse"? : music and power in Legião Urbana. (Doctoral Dissertation). University of Nottingham. Retrieved from http://eprints.nottingham.ac.uk/12167/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550149

Chicago Manual of Style (16th Edition):

Lessa, Ana Claudia. “Brazil : "que país é esse"? : music and power in Legião Urbana.” 2011. Doctoral Dissertation, University of Nottingham. Accessed January 29, 2020. http://eprints.nottingham.ac.uk/12167/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550149.

MLA Handbook (7th Edition):

Lessa, Ana Claudia. “Brazil : "que país é esse"? : music and power in Legião Urbana.” 2011. Web. 29 Jan 2020.

Vancouver:

Lessa AC. Brazil : "que país é esse"? : music and power in Legião Urbana. [Internet] [Doctoral dissertation]. University of Nottingham; 2011. [cited 2020 Jan 29]. Available from: http://eprints.nottingham.ac.uk/12167/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550149.

Council of Science Editors:

Lessa AC. Brazil : "que país é esse"? : music and power in Legião Urbana. [Doctoral Dissertation]. University of Nottingham; 2011. Available from: http://eprints.nottingham.ac.uk/12167/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550149


University of Nottingham

22. Chambers, Carol. Song and metaphoric imagery in forensic music therapy.

Degree: 2008, University of Nottingham

 The present research study grew out of my professional practice as a music therapist, and seeks to put forward a new approach to the relationship… (more)

Subjects/Keywords: 615.85154; ML Literature of music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chambers, C. (2008). Song and metaphoric imagery in forensic music therapy. (Doctoral Dissertation). University of Nottingham. Retrieved from http://eprints.nottingham.ac.uk/10833/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.493122

Chicago Manual of Style (16th Edition):

Chambers, Carol. “Song and metaphoric imagery in forensic music therapy.” 2008. Doctoral Dissertation, University of Nottingham. Accessed January 29, 2020. http://eprints.nottingham.ac.uk/10833/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.493122.

MLA Handbook (7th Edition):

Chambers, Carol. “Song and metaphoric imagery in forensic music therapy.” 2008. Web. 29 Jan 2020.

Vancouver:

Chambers C. Song and metaphoric imagery in forensic music therapy. [Internet] [Doctoral dissertation]. University of Nottingham; 2008. [cited 2020 Jan 29]. Available from: http://eprints.nottingham.ac.uk/10833/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.493122.

Council of Science Editors:

Chambers C. Song and metaphoric imagery in forensic music therapy. [Doctoral Dissertation]. University of Nottingham; 2008. Available from: http://eprints.nottingham.ac.uk/10833/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.493122


University of Birmingham

23. Rodrigues, Ruth Elizabeth. Selected students of Leopold Auer: a study in violin performance-practice.

Degree: d_ph, College of Arts & Law, 2010, University of Birmingham

 This thesis investigates the teaching and legacy of Leopold Auer; it addresses, in particular to what extent his promulgation of the ‘German’ School of Violin… (more)

Subjects/Keywords: ML Literature of music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rodrigues, R. E. (2010). Selected students of Leopold Auer: a study in violin performance-practice. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/739/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rodrigues, Ruth Elizabeth. “Selected students of Leopold Auer: a study in violin performance-practice.” 2010. Thesis, University of Birmingham. Accessed January 29, 2020. http://etheses.bham.ac.uk//id/eprint/739/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rodrigues, Ruth Elizabeth. “Selected students of Leopold Auer: a study in violin performance-practice.” 2010. Web. 29 Jan 2020.

Vancouver:

Rodrigues RE. Selected students of Leopold Auer: a study in violin performance-practice. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2020 Jan 29]. Available from: http://etheses.bham.ac.uk//id/eprint/739/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rodrigues RE. Selected students of Leopold Auer: a study in violin performance-practice. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/739/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

24. Sanders-Hewett, Martin. Context and analysis: an investigation of the sonata-form movements for piano by Joaquín Turina (1882-1949).

Degree: m_mmus, College of Arts & Law, 2015, University of Birmingham

 Composed between 1909 and 1946, Joaquín Turina’s five piano sonatas, (Sonata) (romántica), Op. 3, (Sanlúcar) (de) (Barrameda), Op. 24, (Sonata) (Fantasía), Op. 59, (Concierto) (sin)… (more)

Subjects/Keywords: ML Literature of music

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APA (6th Edition):

Sanders-Hewett, M. (2015). Context and analysis: an investigation of the sonata-form movements for piano by Joaquín Turina (1882-1949). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6365/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sanders-Hewett, Martin. “Context and analysis: an investigation of the sonata-form movements for piano by Joaquín Turina (1882-1949).” 2015. Thesis, University of Birmingham. Accessed January 29, 2020. http://etheses.bham.ac.uk//id/eprint/6365/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sanders-Hewett, Martin. “Context and analysis: an investigation of the sonata-form movements for piano by Joaquín Turina (1882-1949).” 2015. Web. 29 Jan 2020.

Vancouver:

Sanders-Hewett M. Context and analysis: an investigation of the sonata-form movements for piano by Joaquín Turina (1882-1949). [Internet] [Thesis]. University of Birmingham; 2015. [cited 2020 Jan 29]. Available from: http://etheses.bham.ac.uk//id/eprint/6365/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sanders-Hewett M. Context and analysis: an investigation of the sonata-form movements for piano by Joaquín Turina (1882-1949). [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/6365/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

25. Rodrigues, Ruth Elizabeth. Selected students of Leopold Auer : a study in violin performance-practice.

Degree: PhD, 2010, University of Birmingham

 This thesis investigates the teaching and legacy of Leopold Auer; it addresses, in particular to what extent his promulgation of the ‘German’ School of Violin… (more)

Subjects/Keywords: 780; ML Literature of music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rodrigues, R. E. (2010). Selected students of Leopold Auer : a study in violin performance-practice. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/739/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.512562

Chicago Manual of Style (16th Edition):

Rodrigues, Ruth Elizabeth. “Selected students of Leopold Auer : a study in violin performance-practice.” 2010. Doctoral Dissertation, University of Birmingham. Accessed January 29, 2020. http://etheses.bham.ac.uk//id/eprint/739/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.512562.

MLA Handbook (7th Edition):

Rodrigues, Ruth Elizabeth. “Selected students of Leopold Auer : a study in violin performance-practice.” 2010. Web. 29 Jan 2020.

Vancouver:

Rodrigues RE. Selected students of Leopold Auer : a study in violin performance-practice. [Internet] [Doctoral dissertation]. University of Birmingham; 2010. [cited 2020 Jan 29]. Available from: http://etheses.bham.ac.uk//id/eprint/739/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.512562.

Council of Science Editors:

Rodrigues RE. Selected students of Leopold Auer : a study in violin performance-practice. [Doctoral Dissertation]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/739/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.512562


University of Birmingham

26. Morimoto, Yota. Portfolio of compositions.

Degree: PhD, 2015, University of Birmingham

 The essay briefly contextualizes the field of my compositional interest and accordingly proceeds to examine sound, space, and time from different grounds. The intention of… (more)

Subjects/Keywords: 780; ML Literature of music

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APA (6th Edition):

Morimoto, Y. (2015). Portfolio of compositions. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5644/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.636829

Chicago Manual of Style (16th Edition):

Morimoto, Yota. “Portfolio of compositions.” 2015. Doctoral Dissertation, University of Birmingham. Accessed January 29, 2020. http://etheses.bham.ac.uk//id/eprint/5644/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.636829.

MLA Handbook (7th Edition):

Morimoto, Yota. “Portfolio of compositions.” 2015. Web. 29 Jan 2020.

Vancouver:

Morimoto Y. Portfolio of compositions. [Internet] [Doctoral dissertation]. University of Birmingham; 2015. [cited 2020 Jan 29]. Available from: http://etheses.bham.ac.uk//id/eprint/5644/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.636829.

Council of Science Editors:

Morimoto Y. Portfolio of compositions. [Doctoral Dissertation]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/5644/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.636829


University of Nottingham

27. Wong, Wendy H. W. Paul Wittgenstein in Great Britain.

Degree: PhD, 2016, University of Nottingham

 Most of the existing research on Paul Wittgenstein (1887–1961) focuses on his performing career in central Europe as a left-hand pianist and his commissions from… (more)

Subjects/Keywords: 786.2092; ML Literature of music

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APA (6th Edition):

Wong, W. H. W. (2016). Paul Wittgenstein in Great Britain. (Doctoral Dissertation). University of Nottingham. Retrieved from http://eprints.nottingham.ac.uk/33743/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.689979

Chicago Manual of Style (16th Edition):

Wong, Wendy H W. “Paul Wittgenstein in Great Britain.” 2016. Doctoral Dissertation, University of Nottingham. Accessed January 29, 2020. http://eprints.nottingham.ac.uk/33743/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.689979.

MLA Handbook (7th Edition):

Wong, Wendy H W. “Paul Wittgenstein in Great Britain.” 2016. Web. 29 Jan 2020.

Vancouver:

Wong WHW. Paul Wittgenstein in Great Britain. [Internet] [Doctoral dissertation]. University of Nottingham; 2016. [cited 2020 Jan 29]. Available from: http://eprints.nottingham.ac.uk/33743/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.689979.

Council of Science Editors:

Wong WHW. Paul Wittgenstein in Great Britain. [Doctoral Dissertation]. University of Nottingham; 2016. Available from: http://eprints.nottingham.ac.uk/33743/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.689979


Cardiff University

28. Barlow, Rachelle Louise. The 'Land of Song': gender and identity in Welsh choral music, 1872-1918.

Degree: PhD, 2015, Cardiff University

 This thesis concerns Wales as the ‘land of song’. In particular, it looks at choral singing in Wales which has long been considered a male… (more)

Subjects/Keywords: ML Literature of music

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APA (6th Edition):

Barlow, R. L. (2015). The 'Land of Song': gender and identity in Welsh choral music, 1872-1918. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/91290/

Chicago Manual of Style (16th Edition):

Barlow, Rachelle Louise. “The 'Land of Song': gender and identity in Welsh choral music, 1872-1918.” 2015. Doctoral Dissertation, Cardiff University. Accessed January 29, 2020. http://orca.cf.ac.uk/91290/.

MLA Handbook (7th Edition):

Barlow, Rachelle Louise. “The 'Land of Song': gender and identity in Welsh choral music, 1872-1918.” 2015. Web. 29 Jan 2020.

Vancouver:

Barlow RL. The 'Land of Song': gender and identity in Welsh choral music, 1872-1918. [Internet] [Doctoral dissertation]. Cardiff University; 2015. [cited 2020 Jan 29]. Available from: http://orca.cf.ac.uk/91290/.

Council of Science Editors:

Barlow RL. The 'Land of Song': gender and identity in Welsh choral music, 1872-1918. [Doctoral Dissertation]. Cardiff University; 2015. Available from: http://orca.cf.ac.uk/91290/


University of Nottingham

29. Macgregor, Anne. Portrayals of identity in the romanser and reception of Ture Rangström.

Degree: PhD, 2017, University of Nottingham

 This thesis offers the first in-depth study of the Swedish composer Ture Rangström (1884-1947) in English-language scholarship. Although Rangström is well known in Sweden, particularly… (more)

Subjects/Keywords: ML Literature of music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Macgregor, A. (2017). Portrayals of identity in the romanser and reception of Ture Rangström. (Doctoral Dissertation). University of Nottingham. Retrieved from http://eprints.nottingham.ac.uk/42774/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.757356

Chicago Manual of Style (16th Edition):

Macgregor, Anne. “Portrayals of identity in the romanser and reception of Ture Rangström.” 2017. Doctoral Dissertation, University of Nottingham. Accessed January 29, 2020. http://eprints.nottingham.ac.uk/42774/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.757356.

MLA Handbook (7th Edition):

Macgregor, Anne. “Portrayals of identity in the romanser and reception of Ture Rangström.” 2017. Web. 29 Jan 2020.

Vancouver:

Macgregor A. Portrayals of identity in the romanser and reception of Ture Rangström. [Internet] [Doctoral dissertation]. University of Nottingham; 2017. [cited 2020 Jan 29]. Available from: http://eprints.nottingham.ac.uk/42774/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.757356.

Council of Science Editors:

Macgregor A. Portrayals of identity in the romanser and reception of Ture Rangström. [Doctoral Dissertation]. University of Nottingham; 2017. Available from: http://eprints.nottingham.ac.uk/42774/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.757356


University of Southampton

30. Alsaif, Sanaa. William Sterndale Bennett's preludes & lessons Op. 33 : a practical study and a critical edition.

Degree: PhD, 2014, University of Southampton

 William Sterndale Bennett (1816 –75), made a significant contribution to music education in Britain during the Victorian age. His special interest in pedagogy, particularly teaching… (more)

Subjects/Keywords: 780.92; ML Literature of music

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APA (6th Edition):

Alsaif, S. (2014). William Sterndale Bennett's preludes & lessons Op. 33 : a practical study and a critical edition. (Doctoral Dissertation). University of Southampton. Retrieved from https://eprints.soton.ac.uk/370188/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.640729

Chicago Manual of Style (16th Edition):

Alsaif, Sanaa. “William Sterndale Bennett's preludes & lessons Op. 33 : a practical study and a critical edition.” 2014. Doctoral Dissertation, University of Southampton. Accessed January 29, 2020. https://eprints.soton.ac.uk/370188/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.640729.

MLA Handbook (7th Edition):

Alsaif, Sanaa. “William Sterndale Bennett's preludes & lessons Op. 33 : a practical study and a critical edition.” 2014. Web. 29 Jan 2020.

Vancouver:

Alsaif S. William Sterndale Bennett's preludes & lessons Op. 33 : a practical study and a critical edition. [Internet] [Doctoral dissertation]. University of Southampton; 2014. [cited 2020 Jan 29]. Available from: https://eprints.soton.ac.uk/370188/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.640729.

Council of Science Editors:

Alsaif S. William Sterndale Bennett's preludes & lessons Op. 33 : a practical study and a critical edition. [Doctoral Dissertation]. University of Southampton; 2014. Available from: https://eprints.soton.ac.uk/370188/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.640729

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