Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(M Music). Showing records 1 – 30 of 741 total matches.

[1] [2] [3] [4] [5] … [25]

Search Limiters

Last 2 Years | English Only

Degrees

Levels

Country

▼ Search Limiters


Cardiff University

1. Neff, Eoghan. At the vanguard of antiquity : seeking the avant-garde of the Irish Fiddle in C20th performance practices.

Degree: PhD, 2012, Cardiff University

 This thesis examines twentieth-century Irish fiddle performance practices in the search for the avant-garde of Irish traditional music. The central analysis focuses on processes of… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Neff, E. (2012). At the vanguard of antiquity : seeking the avant-garde of the Irish Fiddle in C20th performance practices. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/36644/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567343

Chicago Manual of Style (16th Edition):

Neff, Eoghan. “At the vanguard of antiquity : seeking the avant-garde of the Irish Fiddle in C20th performance practices.” 2012. Doctoral Dissertation, Cardiff University. Accessed September 23, 2018. http://orca.cf.ac.uk/36644/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567343.

MLA Handbook (7th Edition):

Neff, Eoghan. “At the vanguard of antiquity : seeking the avant-garde of the Irish Fiddle in C20th performance practices.” 2012. Web. 23 Sep 2018.

Vancouver:

Neff E. At the vanguard of antiquity : seeking the avant-garde of the Irish Fiddle in C20th performance practices. [Internet] [Doctoral dissertation]. Cardiff University; 2012. [cited 2018 Sep 23]. Available from: http://orca.cf.ac.uk/36644/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567343.

Council of Science Editors:

Neff E. At the vanguard of antiquity : seeking the avant-garde of the Irish Fiddle in C20th performance practices. [Doctoral Dissertation]. Cardiff University; 2012. Available from: http://orca.cf.ac.uk/36644/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567343


Cardiff University

2. Hall, Matthew. Portfolio of original compositions.

Degree: PhD, 2013, Cardiff University

 This portfolio of original works and commentary is submitted for the qualification of PhD in June 2013. Its intention is to give a representative account… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hall, M. (2013). Portfolio of original compositions. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/52335/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.585283

Chicago Manual of Style (16th Edition):

Hall, Matthew. “Portfolio of original compositions.” 2013. Doctoral Dissertation, Cardiff University. Accessed September 23, 2018. http://orca.cf.ac.uk/52335/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.585283.

MLA Handbook (7th Edition):

Hall, Matthew. “Portfolio of original compositions.” 2013. Web. 23 Sep 2018.

Vancouver:

Hall M. Portfolio of original compositions. [Internet] [Doctoral dissertation]. Cardiff University; 2013. [cited 2018 Sep 23]. Available from: http://orca.cf.ac.uk/52335/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.585283.

Council of Science Editors:

Hall M. Portfolio of original compositions. [Doctoral Dissertation]. Cardiff University; 2013. Available from: http://orca.cf.ac.uk/52335/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.585283


City University London

3. Goldberg, Tatjana. Maud Powell, Marie Hall & Alma Moodie : a gendered re-evaluation of three violinists.

Degree: PhD, 2015, City University London

Music as a reflection of a wider culture provides a fruitful area in which to investigate the complex relationship between gender, sexuality and culture. Bearing… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Goldberg, T. (2015). Maud Powell, Marie Hall & Alma Moodie : a gendered re-evaluation of three violinists. (Doctoral Dissertation). City University London. Retrieved from http://openaccess.city.ac.uk/14997/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687747

Chicago Manual of Style (16th Edition):

Goldberg, Tatjana. “Maud Powell, Marie Hall & Alma Moodie : a gendered re-evaluation of three violinists.” 2015. Doctoral Dissertation, City University London. Accessed September 23, 2018. http://openaccess.city.ac.uk/14997/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687747.

MLA Handbook (7th Edition):

Goldberg, Tatjana. “Maud Powell, Marie Hall & Alma Moodie : a gendered re-evaluation of three violinists.” 2015. Web. 23 Sep 2018.

Vancouver:

Goldberg T. Maud Powell, Marie Hall & Alma Moodie : a gendered re-evaluation of three violinists. [Internet] [Doctoral dissertation]. City University London; 2015. [cited 2018 Sep 23]. Available from: http://openaccess.city.ac.uk/14997/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687747.

Council of Science Editors:

Goldberg T. Maud Powell, Marie Hall & Alma Moodie : a gendered re-evaluation of three violinists. [Doctoral Dissertation]. City University London; 2015. Available from: http://openaccess.city.ac.uk/14997/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687747


City University London

4. Yim, Annie. A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version) : from musical aesthetics to modern performances.

Degree: PhD, 2016, City University London

 This thesis explores Robert Schumann's influence on the two very different versions of Johannes Brahms' Piano Trio in B major, Op. 8 – the first… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yim, A. (2016). A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version) : from musical aesthetics to modern performances. (Doctoral Dissertation). City University London. Retrieved from http://openaccess.city.ac.uk/15123/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.690983

Chicago Manual of Style (16th Edition):

Yim, Annie. “A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version) : from musical aesthetics to modern performances.” 2016. Doctoral Dissertation, City University London. Accessed September 23, 2018. http://openaccess.city.ac.uk/15123/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.690983.

MLA Handbook (7th Edition):

Yim, Annie. “A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version) : from musical aesthetics to modern performances.” 2016. Web. 23 Sep 2018.

Vancouver:

Yim A. A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version) : from musical aesthetics to modern performances. [Internet] [Doctoral dissertation]. City University London; 2016. [cited 2018 Sep 23]. Available from: http://openaccess.city.ac.uk/15123/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.690983.

Council of Science Editors:

Yim A. A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version) : from musical aesthetics to modern performances. [Doctoral Dissertation]. City University London; 2016. Available from: http://openaccess.city.ac.uk/15123/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.690983


Cardiff University

5. Pace, Ian. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).

Degree: PhD, 2018, Cardiff University

 This thesis is an analysis of the development of new music in occupied Germany from the end of World War Two, on 8 May 1945,… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pace, I. (2018). The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/111692/

Chicago Manual of Style (16th Edition):

Pace, Ian. “The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).” 2018. Doctoral Dissertation, Cardiff University. Accessed September 23, 2018. http://orca.cf.ac.uk/111692/.

MLA Handbook (7th Edition):

Pace, Ian. “The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).” 2018. Web. 23 Sep 2018.

Vancouver:

Pace I. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). [Internet] [Doctoral dissertation]. Cardiff University; 2018. [cited 2018 Sep 23]. Available from: http://orca.cf.ac.uk/111692/.

Council of Science Editors:

Pace I. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). [Doctoral Dissertation]. Cardiff University; 2018. Available from: http://orca.cf.ac.uk/111692/


University of Glasgow

6. Noltingk, Jacqueline Susan. The Scottish orchestras and new music, 1945-2015.

Degree: PhD, 2017, University of Glasgow

 This dissertation critically examines the presentation of new music in live concerts by three Scottish orchestras. It considers what they have commissioned, what performed, the… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Noltingk, J. S. (2017). The Scottish orchestras and new music, 1945-2015. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/8727/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739211

Chicago Manual of Style (16th Edition):

Noltingk, Jacqueline Susan. “The Scottish orchestras and new music, 1945-2015.” 2017. Doctoral Dissertation, University of Glasgow. Accessed September 23, 2018. http://theses.gla.ac.uk/8727/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739211.

MLA Handbook (7th Edition):

Noltingk, Jacqueline Susan. “The Scottish orchestras and new music, 1945-2015.” 2017. Web. 23 Sep 2018.

Vancouver:

Noltingk JS. The Scottish orchestras and new music, 1945-2015. [Internet] [Doctoral dissertation]. University of Glasgow; 2017. [cited 2018 Sep 23]. Available from: http://theses.gla.ac.uk/8727/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739211.

Council of Science Editors:

Noltingk JS. The Scottish orchestras and new music, 1945-2015. [Doctoral Dissertation]. University of Glasgow; 2017. Available from: http://theses.gla.ac.uk/8727/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739211


City University London

7. Ferraro, Mario. Contemporary opera in Britain, 1970-2010.

Degree: PhD, 2011, City University London

 This study of contemporary opera in Britain considers first, the theoretical aspects of the creation of an opera, then moves to a survey of British… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ferraro, M. (2011). Contemporary opera in Britain, 1970-2010. (Doctoral Dissertation). City University London. Retrieved from http://openaccess.city.ac.uk/1279/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555442

Chicago Manual of Style (16th Edition):

Ferraro, Mario. “Contemporary opera in Britain, 1970-2010.” 2011. Doctoral Dissertation, City University London. Accessed September 23, 2018. http://openaccess.city.ac.uk/1279/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555442.

MLA Handbook (7th Edition):

Ferraro, Mario. “Contemporary opera in Britain, 1970-2010.” 2011. Web. 23 Sep 2018.

Vancouver:

Ferraro M. Contemporary opera in Britain, 1970-2010. [Internet] [Doctoral dissertation]. City University London; 2011. [cited 2018 Sep 23]. Available from: http://openaccess.city.ac.uk/1279/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555442.

Council of Science Editors:

Ferraro M. Contemporary opera in Britain, 1970-2010. [Doctoral Dissertation]. City University London; 2011. Available from: http://openaccess.city.ac.uk/1279/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555442


University of Glasgow

8. McCluskey, Iain Robert. Marvelous Minutiae: in defence of the details.

Degree: 2017, University of Glasgow

 Previous studies of music and meaning largely focus on the effect of overarching musical forms and features on listener’s experiences or interactions between society and… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McCluskey, I. R. (2017). Marvelous Minutiae: in defence of the details. (Thesis). University of Glasgow. Retrieved from http://theses.gla.ac.uk/8592/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McCluskey, Iain Robert. “Marvelous Minutiae: in defence of the details.” 2017. Thesis, University of Glasgow. Accessed September 23, 2018. http://theses.gla.ac.uk/8592/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McCluskey, Iain Robert. “Marvelous Minutiae: in defence of the details.” 2017. Web. 23 Sep 2018.

Vancouver:

McCluskey IR. Marvelous Minutiae: in defence of the details. [Internet] [Thesis]. University of Glasgow; 2017. [cited 2018 Sep 23]. Available from: http://theses.gla.ac.uk/8592/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McCluskey IR. Marvelous Minutiae: in defence of the details. [Thesis]. University of Glasgow; 2017. Available from: http://theses.gla.ac.uk/8592/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


City University London

9. Hammond, Clare. To conceal or reveal : left-hand pianism with particular reference to Ravel's 'Concerto pour la main gauche' and Britten's 'Diversions'.

Degree: 2012, City University London

 This thesis aims to explore both compositional and performance techniques associated with music for the left hand and the circumstances of its performance, thereby allowing… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hammond, C. (2012). To conceal or reveal : left-hand pianism with particular reference to Ravel's 'Concerto pour la main gauche' and Britten's 'Diversions'. (Doctoral Dissertation). City University London. Retrieved from http://openaccess.city.ac.uk/11671/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549254

Chicago Manual of Style (16th Edition):

Hammond, Clare. “To conceal or reveal : left-hand pianism with particular reference to Ravel's 'Concerto pour la main gauche' and Britten's 'Diversions'.” 2012. Doctoral Dissertation, City University London. Accessed September 23, 2018. http://openaccess.city.ac.uk/11671/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549254.

MLA Handbook (7th Edition):

Hammond, Clare. “To conceal or reveal : left-hand pianism with particular reference to Ravel's 'Concerto pour la main gauche' and Britten's 'Diversions'.” 2012. Web. 23 Sep 2018.

Vancouver:

Hammond C. To conceal or reveal : left-hand pianism with particular reference to Ravel's 'Concerto pour la main gauche' and Britten's 'Diversions'. [Internet] [Doctoral dissertation]. City University London; 2012. [cited 2018 Sep 23]. Available from: http://openaccess.city.ac.uk/11671/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549254.

Council of Science Editors:

Hammond C. To conceal or reveal : left-hand pianism with particular reference to Ravel's 'Concerto pour la main gauche' and Britten's 'Diversions'. [Doctoral Dissertation]. City University London; 2012. Available from: http://openaccess.city.ac.uk/11671/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549254


Cardiff University

10. Čurda, Martin. Analytical and hermeneutical perspectives on the music of Pavel Haas.

Degree: PhD, 2017, Cardiff University

 The Czech composer Pavel Haas (1899–1944) is commonly positioned in the history of twentieth-century music as a representative of Leoš Janáček‘s compositional school and as… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Čurda, M. (2017). Analytical and hermeneutical perspectives on the music of Pavel Haas. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/100017/

Chicago Manual of Style (16th Edition):

Čurda, Martin. “Analytical and hermeneutical perspectives on the music of Pavel Haas.” 2017. Doctoral Dissertation, Cardiff University. Accessed September 23, 2018. http://orca.cf.ac.uk/100017/.

MLA Handbook (7th Edition):

Čurda, Martin. “Analytical and hermeneutical perspectives on the music of Pavel Haas.” 2017. Web. 23 Sep 2018.

Vancouver:

Čurda M. Analytical and hermeneutical perspectives on the music of Pavel Haas. [Internet] [Doctoral dissertation]. Cardiff University; 2017. [cited 2018 Sep 23]. Available from: http://orca.cf.ac.uk/100017/.

Council of Science Editors:

Čurda M. Analytical and hermeneutical perspectives on the music of Pavel Haas. [Doctoral Dissertation]. Cardiff University; 2017. Available from: http://orca.cf.ac.uk/100017/


Cardiff University

11. Boleslawska-Lewandowska, Beata. Symphony and symphonic thinking in Polish music after 1956.

Degree: PhD, 2009, Cardiff University

 This thesis aims to contribute to the exploration and understanding of the development of the symphony and symphonic thinking in Polish music in the second… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Boleslawska-Lewandowska, B. (2009). Symphony and symphonic thinking in Polish music after 1956. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/54346/

Chicago Manual of Style (16th Edition):

Boleslawska-Lewandowska, Beata. “Symphony and symphonic thinking in Polish music after 1956.” 2009. Doctoral Dissertation, Cardiff University. Accessed September 23, 2018. http://orca.cf.ac.uk/54346/.

MLA Handbook (7th Edition):

Boleslawska-Lewandowska, Beata. “Symphony and symphonic thinking in Polish music after 1956.” 2009. Web. 23 Sep 2018.

Vancouver:

Boleslawska-Lewandowska B. Symphony and symphonic thinking in Polish music after 1956. [Internet] [Doctoral dissertation]. Cardiff University; 2009. [cited 2018 Sep 23]. Available from: http://orca.cf.ac.uk/54346/.

Council of Science Editors:

Boleslawska-Lewandowska B. Symphony and symphonic thinking in Polish music after 1956. [Doctoral Dissertation]. Cardiff University; 2009. Available from: http://orca.cf.ac.uk/54346/


Cardiff University

12. Caton, Anke Theresa. Disenchantment during the Biedermeier period: political subtexts in Schubert's songs.

Degree: PhD, 2011, Cardiff University

 Even today Franz Schubert is belittled by many music enthusiasts as a typical Biedermeier composer, whose works appear to be of a purely lyrical and… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Caton, A. T. (2011). Disenchantment during the Biedermeier period: political subtexts in Schubert's songs. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/54468/

Chicago Manual of Style (16th Edition):

Caton, Anke Theresa. “Disenchantment during the Biedermeier period: political subtexts in Schubert's songs.” 2011. Doctoral Dissertation, Cardiff University. Accessed September 23, 2018. http://orca.cf.ac.uk/54468/.

MLA Handbook (7th Edition):

Caton, Anke Theresa. “Disenchantment during the Biedermeier period: political subtexts in Schubert's songs.” 2011. Web. 23 Sep 2018.

Vancouver:

Caton AT. Disenchantment during the Biedermeier period: political subtexts in Schubert's songs. [Internet] [Doctoral dissertation]. Cardiff University; 2011. [cited 2018 Sep 23]. Available from: http://orca.cf.ac.uk/54468/.

Council of Science Editors:

Caton AT. Disenchantment during the Biedermeier period: political subtexts in Schubert's songs. [Doctoral Dissertation]. Cardiff University; 2011. Available from: http://orca.cf.ac.uk/54468/


University of Huddersfield

13. Paúl, Abel. Doubles and duplication : a study of their application as musical materials and compositional devices : mirrors, still lifes, echoes, displacements.

Degree: PhD, 2017, University of Huddersfield

 The submitted portfolio and accompanying thesis focus on the subject of doubles and duplication and their application as musical materials and compositional devices in my… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Paúl, A. (2017). Doubles and duplication : a study of their application as musical materials and compositional devices : mirrors, still lifes, echoes, displacements. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34444/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739415

Chicago Manual of Style (16th Edition):

Paúl, Abel. “Doubles and duplication : a study of their application as musical materials and compositional devices : mirrors, still lifes, echoes, displacements.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed September 23, 2018. http://eprints.hud.ac.uk/id/eprint/34444/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739415.

MLA Handbook (7th Edition):

Paúl, Abel. “Doubles and duplication : a study of their application as musical materials and compositional devices : mirrors, still lifes, echoes, displacements.” 2017. Web. 23 Sep 2018.

Vancouver:

Paúl A. Doubles and duplication : a study of their application as musical materials and compositional devices : mirrors, still lifes, echoes, displacements. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2018 Sep 23]. Available from: http://eprints.hud.ac.uk/id/eprint/34444/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739415.

Council of Science Editors:

Paúl A. Doubles and duplication : a study of their application as musical materials and compositional devices : mirrors, still lifes, echoes, displacements. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34444/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739415


University of Huddersfield

14. Rawbone, Trevor Mark. The butterfly schema as a product of the tendency for congruence and hierarchical selection in the instrumental musical grammar of the classical period.

Degree: PhD, 2017, University of Huddersfield

 Diverging explanations of local multiparametric schemata are found in music of the common practice period (c. 1600–c. 1900). Associative statistical theories describe schemata as situated… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rawbone, T. M. (2017). The butterfly schema as a product of the tendency for congruence and hierarchical selection in the instrumental musical grammar of the classical period. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34477/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739421

Chicago Manual of Style (16th Edition):

Rawbone, Trevor Mark. “The butterfly schema as a product of the tendency for congruence and hierarchical selection in the instrumental musical grammar of the classical period.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed September 23, 2018. http://eprints.hud.ac.uk/id/eprint/34477/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739421.

MLA Handbook (7th Edition):

Rawbone, Trevor Mark. “The butterfly schema as a product of the tendency for congruence and hierarchical selection in the instrumental musical grammar of the classical period.” 2017. Web. 23 Sep 2018.

Vancouver:

Rawbone TM. The butterfly schema as a product of the tendency for congruence and hierarchical selection in the instrumental musical grammar of the classical period. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2018 Sep 23]. Available from: http://eprints.hud.ac.uk/id/eprint/34477/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739421.

Council of Science Editors:

Rawbone TM. The butterfly schema as a product of the tendency for congruence and hierarchical selection in the instrumental musical grammar of the classical period. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34477/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739421


University of Huddersfield

15. Flanagan, Beavan. Intersections between subjects and objects in my compositions from 2013 to 2016.

Degree: PhD, 2017, University of Huddersfield

 The following commentary details aspects of my recent compositions attempting to bring about intersections between subjects and objects. I demonstrate how my compositions highlight an… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Flanagan, B. (2017). Intersections between subjects and objects in my compositions from 2013 to 2016. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34417/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732930

Chicago Manual of Style (16th Edition):

Flanagan, Beavan. “Intersections between subjects and objects in my compositions from 2013 to 2016.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed September 23, 2018. http://eprints.hud.ac.uk/id/eprint/34417/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732930.

MLA Handbook (7th Edition):

Flanagan, Beavan. “Intersections between subjects and objects in my compositions from 2013 to 2016.” 2017. Web. 23 Sep 2018.

Vancouver:

Flanagan B. Intersections between subjects and objects in my compositions from 2013 to 2016. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2018 Sep 23]. Available from: http://eprints.hud.ac.uk/id/eprint/34417/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732930.

Council of Science Editors:

Flanagan B. Intersections between subjects and objects in my compositions from 2013 to 2016. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34417/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732930


University of Glasgow

16. Anderson, Robert. Strength in numbers: a social history of Glasgow's popular music scene (1979-2009).

Degree: PhD, 2015, University of Glasgow

 In 2004, US Time magazine named Glasgow Europe’s ‘capital of rock music’ and likened it to Detroit in its Motown heyday (Porter, 2004). In 2008… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Anderson, R. (2015). Strength in numbers: a social history of Glasgow's popular music scene (1979-2009). (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/6459/

Chicago Manual of Style (16th Edition):

Anderson, Robert. “Strength in numbers: a social history of Glasgow's popular music scene (1979-2009).” 2015. Doctoral Dissertation, University of Glasgow. Accessed September 23, 2018. http://theses.gla.ac.uk/6459/.

MLA Handbook (7th Edition):

Anderson, Robert. “Strength in numbers: a social history of Glasgow's popular music scene (1979-2009).” 2015. Web. 23 Sep 2018.

Vancouver:

Anderson R. Strength in numbers: a social history of Glasgow's popular music scene (1979-2009). [Internet] [Doctoral dissertation]. University of Glasgow; 2015. [cited 2018 Sep 23]. Available from: http://theses.gla.ac.uk/6459/.

Council of Science Editors:

Anderson R. Strength in numbers: a social history of Glasgow's popular music scene (1979-2009). [Doctoral Dissertation]. University of Glasgow; 2015. Available from: http://theses.gla.ac.uk/6459/


University of Glasgow

17. Keenan, Peter. Towards an understanding of Mozart’s use of tempo and proportion: Temporal strategies in the finales of Le nozze di Figaro.

Degree: 2017, University of Glasgow

 This dissertation uses the two chain finales from Le nozze di Figaro as a case study, exploring how Mozart uses tempo and proportion to manipulate… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Keenan, P. (2017). Towards an understanding of Mozart’s use of tempo and proportion: Temporal strategies in the finales of Le nozze di Figaro. (Thesis). University of Glasgow. Retrieved from http://theses.gla.ac.uk/8776/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Keenan, Peter. “Towards an understanding of Mozart’s use of tempo and proportion: Temporal strategies in the finales of Le nozze di Figaro.” 2017. Thesis, University of Glasgow. Accessed September 23, 2018. http://theses.gla.ac.uk/8776/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Keenan, Peter. “Towards an understanding of Mozart’s use of tempo and proportion: Temporal strategies in the finales of Le nozze di Figaro.” 2017. Web. 23 Sep 2018.

Vancouver:

Keenan P. Towards an understanding of Mozart’s use of tempo and proportion: Temporal strategies in the finales of Le nozze di Figaro. [Internet] [Thesis]. University of Glasgow; 2017. [cited 2018 Sep 23]. Available from: http://theses.gla.ac.uk/8776/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Keenan P. Towards an understanding of Mozart’s use of tempo and proportion: Temporal strategies in the finales of Le nozze di Figaro. [Thesis]. University of Glasgow; 2017. Available from: http://theses.gla.ac.uk/8776/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Cardiff University

18. Laghi, Simone. Italian string quartets and late eighteenth-century London : publication and production : with a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810).

Degree: PhD, 2017, Cardiff University

 This dissertation presents an overview of the situation of the printed string quartet output in London in the years between 1765 (year of publication of… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Laghi, S. (2017). Italian string quartets and late eighteenth-century London : publication and production : with a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810). (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/107709/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732258

Chicago Manual of Style (16th Edition):

Laghi, Simone. “Italian string quartets and late eighteenth-century London : publication and production : with a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810).” 2017. Doctoral Dissertation, Cardiff University. Accessed September 23, 2018. http://orca.cf.ac.uk/107709/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732258.

MLA Handbook (7th Edition):

Laghi, Simone. “Italian string quartets and late eighteenth-century London : publication and production : with a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810).” 2017. Web. 23 Sep 2018.

Vancouver:

Laghi S. Italian string quartets and late eighteenth-century London : publication and production : with a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810). [Internet] [Doctoral dissertation]. Cardiff University; 2017. [cited 2018 Sep 23]. Available from: http://orca.cf.ac.uk/107709/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732258.

Council of Science Editors:

Laghi S. Italian string quartets and late eighteenth-century London : publication and production : with a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810). [Doctoral Dissertation]. Cardiff University; 2017. Available from: http://orca.cf.ac.uk/107709/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732258


Cardiff University

19. Palidda, Alessandra. Milan 1790-1802 : music, society and politics in the city of many regimes.

Degree: PhD, 2017, Cardiff University

 Between the end of the eighteenth century and the beginning of the following one, the Napoleonic wars caused the whole of Northern Italy to live… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Palidda, A. (2017). Milan 1790-1802 : music, society and politics in the city of many regimes. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/111398/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742829

Chicago Manual of Style (16th Edition):

Palidda, Alessandra. “Milan 1790-1802 : music, society and politics in the city of many regimes.” 2017. Doctoral Dissertation, Cardiff University. Accessed September 23, 2018. http://orca.cf.ac.uk/111398/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742829.

MLA Handbook (7th Edition):

Palidda, Alessandra. “Milan 1790-1802 : music, society and politics in the city of many regimes.” 2017. Web. 23 Sep 2018.

Vancouver:

Palidda A. Milan 1790-1802 : music, society and politics in the city of many regimes. [Internet] [Doctoral dissertation]. Cardiff University; 2017. [cited 2018 Sep 23]. Available from: http://orca.cf.ac.uk/111398/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742829.

Council of Science Editors:

Palidda A. Milan 1790-1802 : music, society and politics in the city of many regimes. [Doctoral Dissertation]. Cardiff University; 2017. Available from: http://orca.cf.ac.uk/111398/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742829


Cardiff University

20. Pace, Ian. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).

Degree: PhD, 2018, Cardiff University

 This thesis is an analysis of the development of new music in occupied Germany from the end of World War Two, on 8 May 1945,… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pace, I. (2018). The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/111692/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742887

Chicago Manual of Style (16th Edition):

Pace, Ian. “The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).” 2018. Doctoral Dissertation, Cardiff University. Accessed September 23, 2018. http://orca.cf.ac.uk/111692/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742887.

MLA Handbook (7th Edition):

Pace, Ian. “The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).” 2018. Web. 23 Sep 2018.

Vancouver:

Pace I. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). [Internet] [Doctoral dissertation]. Cardiff University; 2018. [cited 2018 Sep 23]. Available from: http://orca.cf.ac.uk/111692/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742887.

Council of Science Editors:

Pace I. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). [Doctoral Dissertation]. Cardiff University; 2018. Available from: http://orca.cf.ac.uk/111692/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742887

21. Venables, Philip. '4.48 Psychosis' : opera as music and text.

Degree: Thesis (D.Mus.), 2016, Guildhall School of Music and Drama

 This is a practice-based research project about a new operatic adaptation of Sarah Kane’s 4.48 Psychosis (Methuen, 2000). The opera was written and the research… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Venables, P. (2016). '4.48 Psychosis' : opera as music and text. (Doctoral Dissertation). Guildhall School of Music and Drama. Retrieved from http://openaccess.city.ac.uk/19415/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742935

Chicago Manual of Style (16th Edition):

Venables, Philip. “'4.48 Psychosis' : opera as music and text.” 2016. Doctoral Dissertation, Guildhall School of Music and Drama. Accessed September 23, 2018. http://openaccess.city.ac.uk/19415/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742935.

MLA Handbook (7th Edition):

Venables, Philip. “'4.48 Psychosis' : opera as music and text.” 2016. Web. 23 Sep 2018.

Vancouver:

Venables P. '4.48 Psychosis' : opera as music and text. [Internet] [Doctoral dissertation]. Guildhall School of Music and Drama; 2016. [cited 2018 Sep 23]. Available from: http://openaccess.city.ac.uk/19415/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742935.

Council of Science Editors:

Venables P. '4.48 Psychosis' : opera as music and text. [Doctoral Dissertation]. Guildhall School of Music and Drama; 2016. Available from: http://openaccess.city.ac.uk/19415/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742935

22. Weissenbrunner, Karin. Experimental turntablism : live performances with second hand technology : analysis and methodological considerations.

Degree: PhD, 2017, City, University of London

 In experimental turntablism, sound artists and musicians encounter not only the pre-recorded sound of the vinyl records, as is common in DJ culture and hip… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Weissenbrunner, K. (2017). Experimental turntablism : live performances with second hand technology : analysis and methodological considerations. (Doctoral Dissertation). City, University of London. Retrieved from http://openaccess.city.ac.uk/19919/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742954

Chicago Manual of Style (16th Edition):

Weissenbrunner, Karin. “Experimental turntablism : live performances with second hand technology : analysis and methodological considerations.” 2017. Doctoral Dissertation, City, University of London. Accessed September 23, 2018. http://openaccess.city.ac.uk/19919/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742954.

MLA Handbook (7th Edition):

Weissenbrunner, Karin. “Experimental turntablism : live performances with second hand technology : analysis and methodological considerations.” 2017. Web. 23 Sep 2018.

Vancouver:

Weissenbrunner K. Experimental turntablism : live performances with second hand technology : analysis and methodological considerations. [Internet] [Doctoral dissertation]. City, University of London; 2017. [cited 2018 Sep 23]. Available from: http://openaccess.city.ac.uk/19919/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742954.

Council of Science Editors:

Weissenbrunner K. Experimental turntablism : live performances with second hand technology : analysis and methodological considerations. [Doctoral Dissertation]. City, University of London; 2017. Available from: http://openaccess.city.ac.uk/19919/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742954

23. Beiert, Michael. Portfolio of Compositions with accompanying Composition Commentary.

Degree: PhD, 2015, University of Liverpool

 The following chapters describe compositional methods applied to the compositions of the portfolio (Volume I), which consists of eight works for instruments and electronic sound,… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Beiert, M. (2015). Portfolio of Compositions with accompanying Composition Commentary. (Doctoral Dissertation). University of Liverpool. Retrieved from http://livrepository.liverpool.ac.uk/2042979/1/BeiertMic_Dec2015_2042979.pdf

Chicago Manual of Style (16th Edition):

Beiert, Michael. “Portfolio of Compositions with accompanying Composition Commentary.” 2015. Doctoral Dissertation, University of Liverpool. Accessed September 23, 2018. http://livrepository.liverpool.ac.uk/2042979/1/BeiertMic_Dec2015_2042979.pdf.

MLA Handbook (7th Edition):

Beiert, Michael. “Portfolio of Compositions with accompanying Composition Commentary.” 2015. Web. 23 Sep 2018.

Vancouver:

Beiert M. Portfolio of Compositions with accompanying Composition Commentary. [Internet] [Doctoral dissertation]. University of Liverpool; 2015. [cited 2018 Sep 23]. Available from: http://livrepository.liverpool.ac.uk/2042979/1/BeiertMic_Dec2015_2042979.pdf.

Council of Science Editors:

Beiert M. Portfolio of Compositions with accompanying Composition Commentary. [Doctoral Dissertation]. University of Liverpool; 2015. Available from: http://livrepository.liverpool.ac.uk/2042979/1/BeiertMic_Dec2015_2042979.pdf


Cardiff University

24. Laghi, Simone. Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810).

Degree: PhD, 2017, Cardiff University

 This dissertation presents an overview of the situation of the printed string quartet output in London in the years between 1765 (year of publication of… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Laghi, S. (2017). Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810). (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/107709/

Chicago Manual of Style (16th Edition):

Laghi, Simone. “Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810).” 2017. Doctoral Dissertation, Cardiff University. Accessed September 23, 2018. http://orca.cf.ac.uk/107709/.

MLA Handbook (7th Edition):

Laghi, Simone. “Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810).” 2017. Web. 23 Sep 2018.

Vancouver:

Laghi S. Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810). [Internet] [Doctoral dissertation]. Cardiff University; 2017. [cited 2018 Sep 23]. Available from: http://orca.cf.ac.uk/107709/.

Council of Science Editors:

Laghi S. Italian string quartets and late eighteenth-century London: publication and production. With a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810). [Doctoral Dissertation]. Cardiff University; 2017. Available from: http://orca.cf.ac.uk/107709/


University of Glasgow

25. Eales, Alison Caroline. Bunting and blues : a critical history of Glasgow International Jazz Festival, 1987-2015.

Degree: PhD, 2017, University of Glasgow

 Glasgow International Jazz Festival first took place in 1987 and has run every year since, making it the city's longest-running cultural event. One of the… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Eales, A. C. (2017). Bunting and blues : a critical history of Glasgow International Jazz Festival, 1987-2015. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/8026/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712631

Chicago Manual of Style (16th Edition):

Eales, Alison Caroline. “Bunting and blues : a critical history of Glasgow International Jazz Festival, 1987-2015.” 2017. Doctoral Dissertation, University of Glasgow. Accessed September 23, 2018. http://theses.gla.ac.uk/8026/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712631.

MLA Handbook (7th Edition):

Eales, Alison Caroline. “Bunting and blues : a critical history of Glasgow International Jazz Festival, 1987-2015.” 2017. Web. 23 Sep 2018.

Vancouver:

Eales AC. Bunting and blues : a critical history of Glasgow International Jazz Festival, 1987-2015. [Internet] [Doctoral dissertation]. University of Glasgow; 2017. [cited 2018 Sep 23]. Available from: http://theses.gla.ac.uk/8026/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712631.

Council of Science Editors:

Eales AC. Bunting and blues : a critical history of Glasgow International Jazz Festival, 1987-2015. [Doctoral Dissertation]. University of Glasgow; 2017. Available from: http://theses.gla.ac.uk/8026/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712631


University of Glasgow

26. Fyffe, Jamie Robert. 'Kind of Blue' and the signifyin(g) voice of Miles Davis.

Degree: PhD, 2017, University of Glasgow

 Kind of Blue remains one of the most influential and successful jazz albums ever recorded, yet we know surprisingly few details concerning how it was… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fyffe, J. R. (2017). 'Kind of Blue' and the signifyin(g) voice of Miles Davis. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/8066/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712648

Chicago Manual of Style (16th Edition):

Fyffe, Jamie Robert. “'Kind of Blue' and the signifyin(g) voice of Miles Davis.” 2017. Doctoral Dissertation, University of Glasgow. Accessed September 23, 2018. http://theses.gla.ac.uk/8066/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712648.

MLA Handbook (7th Edition):

Fyffe, Jamie Robert. “'Kind of Blue' and the signifyin(g) voice of Miles Davis.” 2017. Web. 23 Sep 2018.

Vancouver:

Fyffe JR. 'Kind of Blue' and the signifyin(g) voice of Miles Davis. [Internet] [Doctoral dissertation]. University of Glasgow; 2017. [cited 2018 Sep 23]. Available from: http://theses.gla.ac.uk/8066/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712648.

Council of Science Editors:

Fyffe JR. 'Kind of Blue' and the signifyin(g) voice of Miles Davis. [Doctoral Dissertation]. University of Glasgow; 2017. Available from: http://theses.gla.ac.uk/8066/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712648


University of Birmingham

27. Furse, Edward Niel. Perspectives on the reception of Haydn’s Cello Concerto in C, with particular reference to musicological writings in English on Haydn’s Concertos and the classical Concerto.

Degree: Music Department, 2010, University of Birmingham

 This thesis illustrates the extraordinary quality of Haydn’s Cello Concerto in C, Hob. VIIb: 1, and addresses the musicological literature in English that relates to… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Furse, E. N. (2010). Perspectives on the reception of Haydn’s Cello Concerto in C, with particular reference to musicological writings in English on Haydn’s Concertos and the classical Concerto. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/516/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Furse, Edward Niel. “Perspectives on the reception of Haydn’s Cello Concerto in C, with particular reference to musicological writings in English on Haydn’s Concertos and the classical Concerto.” 2010. Thesis, University of Birmingham. Accessed September 23, 2018. http://etheses.bham.ac.uk/516/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Furse, Edward Niel. “Perspectives on the reception of Haydn’s Cello Concerto in C, with particular reference to musicological writings in English on Haydn’s Concertos and the classical Concerto.” 2010. Web. 23 Sep 2018.

Vancouver:

Furse EN. Perspectives on the reception of Haydn’s Cello Concerto in C, with particular reference to musicological writings in English on Haydn’s Concertos and the classical Concerto. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2018 Sep 23]. Available from: http://etheses.bham.ac.uk/516/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Furse EN. Perspectives on the reception of Haydn’s Cello Concerto in C, with particular reference to musicological writings in English on Haydn’s Concertos and the classical Concerto. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/516/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

28. Garfield, Benjamin. Portfolio of compositions: (..) for solo tuba and off stage brass quartet : Raise your sticks and cry; on the Genealogy of Oneirology; In the eye.

Degree: Department of Music, 2010, University of Birmingham

A Portfolio of compositions investigating the diffusion of sound based on the movement of frequencies in the acousmatic medium, the relationships between traditional art music and acousmatic and popular music in the instrumental domain, and the interaction of sound and images in non-narrative works combining electroacoustic music with video.

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Garfield, B. (2010). Portfolio of compositions: (..) for solo tuba and off stage brass quartet : Raise your sticks and cry; on the Genealogy of Oneirology; In the eye. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/664/http://etheses.bham.ac.uk/664/12/Garfield_audio_files.rar

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Garfield, Benjamin. “Portfolio of compositions: (..) for solo tuba and off stage brass quartet : Raise your sticks and cry; on the Genealogy of Oneirology; In the eye.” 2010. Thesis, University of Birmingham. Accessed September 23, 2018. http://etheses.bham.ac.uk/664/http://etheses.bham.ac.uk/664/12/Garfield_audio_files.rar.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Garfield, Benjamin. “Portfolio of compositions: (..) for solo tuba and off stage brass quartet : Raise your sticks and cry; on the Genealogy of Oneirology; In the eye.” 2010. Web. 23 Sep 2018.

Vancouver:

Garfield B. Portfolio of compositions: (..) for solo tuba and off stage brass quartet : Raise your sticks and cry; on the Genealogy of Oneirology; In the eye. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2018 Sep 23]. Available from: http://etheses.bham.ac.uk/664/http://etheses.bham.ac.uk/664/12/Garfield_audio_files.rar.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Garfield B. Portfolio of compositions: (..) for solo tuba and off stage brass quartet : Raise your sticks and cry; on the Genealogy of Oneirology; In the eye. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/664/http://etheses.bham.ac.uk/664/12/Garfield_audio_files.rar

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

29. Hindmarch, David. A portfolio of acousmatic compositions.

Degree: Department of Music, 2010, University of Birmingham

 This portfolio charts my development as a composer during a period of three years. The works it contains are all acousmatic; they investigate sonic material… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hindmarch, D. (2010). A portfolio of acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/758/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hindmarch, David. “A portfolio of acousmatic compositions.” 2010. Thesis, University of Birmingham. Accessed September 23, 2018. http://etheses.bham.ac.uk/758/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hindmarch, David. “A portfolio of acousmatic compositions.” 2010. Web. 23 Sep 2018.

Vancouver:

Hindmarch D. A portfolio of acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2018 Sep 23]. Available from: http://etheses.bham.ac.uk/758/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hindmarch D. A portfolio of acousmatic compositions. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/758/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

30. Spearing, Robert. [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition].

Degree: Department of Music, 2010, University of Birmingham

Commentary Scores: 1 After Haydn’s ‘Farewell’ 2 She Solus 3 Two Pieces for clarinet and piano 4 Wings … dreams 5 Piano Symphony

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Spearing, R. (2010). [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition]. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/865/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Spearing, Robert. “[A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition].” 2010. Thesis, University of Birmingham. Accessed September 23, 2018. http://etheses.bham.ac.uk/865/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Spearing, Robert. “[A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition].” 2010. Web. 23 Sep 2018.

Vancouver:

Spearing R. [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition]. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2018 Sep 23]. Available from: http://etheses.bham.ac.uk/865/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Spearing R. [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition]. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/865/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2] [3] [4] [5] … [25]

.