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You searched for subject:(M thodologie exp rimentale). Showing records 1 – 30 of 5372 total matches.

[1] [2] [3] [4] [5] … [180]

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1. Yeryomenko, Nikita. Does the depth of client experiencing predict good psychotherapy outcomes? A meta-analysis of treatment outcomes.

Degree: MA, Psychology, 2012, National Library of Canada

 The Experiencing Scale (EXP), a measure of client's emotional processing, is often used in psychotherapy process research. While researchers agree that it predicts treatment outcomes,… (more)

Subjects/Keywords: Psychology; EXP; Experiencing Scale; Meta-analysis; Psychotherapy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yeryomenko, N. (2012). Does the depth of client experiencing predict good psychotherapy outcomes? A meta-analysis of treatment outcomes. (Masters Thesis). National Library of Canada. Retrieved from http://scholar.uwindsor.ca/etd/4847

Chicago Manual of Style (16th Edition):

Yeryomenko, Nikita. “Does the depth of client experiencing predict good psychotherapy outcomes? A meta-analysis of treatment outcomes.” 2012. Masters Thesis, National Library of Canada. Accessed October 16, 2019. http://scholar.uwindsor.ca/etd/4847.

MLA Handbook (7th Edition):

Yeryomenko, Nikita. “Does the depth of client experiencing predict good psychotherapy outcomes? A meta-analysis of treatment outcomes.” 2012. Web. 16 Oct 2019.

Vancouver:

Yeryomenko N. Does the depth of client experiencing predict good psychotherapy outcomes? A meta-analysis of treatment outcomes. [Internet] [Masters thesis]. National Library of Canada; 2012. [cited 2019 Oct 16]. Available from: http://scholar.uwindsor.ca/etd/4847.

Council of Science Editors:

Yeryomenko N. Does the depth of client experiencing predict good psychotherapy outcomes? A meta-analysis of treatment outcomes. [Masters Thesis]. National Library of Canada; 2012. Available from: http://scholar.uwindsor.ca/etd/4847


University of Windsor

2. Yeryomenko, Nikita. Does the depth of client experiencing predict good psychotherapy outcomes? A meta-analysis of treatment outcomes.

Degree: MA, Psychology, 2012, University of Windsor

 The Experiencing Scale (EXP), a measure of client's emotional processing, is often used in psychotherapy process research. While researchers agree that it predicts treatment outcomes,… (more)

Subjects/Keywords: Psychology; EXP; Experiencing Scale; Meta-analysis; Psychotherapy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yeryomenko, N. (2012). Does the depth of client experiencing predict good psychotherapy outcomes? A meta-analysis of treatment outcomes. (Masters Thesis). University of Windsor. Retrieved from https://scholar.uwindsor.ca/etd/4847

Chicago Manual of Style (16th Edition):

Yeryomenko, Nikita. “Does the depth of client experiencing predict good psychotherapy outcomes? A meta-analysis of treatment outcomes.” 2012. Masters Thesis, University of Windsor. Accessed October 16, 2019. https://scholar.uwindsor.ca/etd/4847.

MLA Handbook (7th Edition):

Yeryomenko, Nikita. “Does the depth of client experiencing predict good psychotherapy outcomes? A meta-analysis of treatment outcomes.” 2012. Web. 16 Oct 2019.

Vancouver:

Yeryomenko N. Does the depth of client experiencing predict good psychotherapy outcomes? A meta-analysis of treatment outcomes. [Internet] [Masters thesis]. University of Windsor; 2012. [cited 2019 Oct 16]. Available from: https://scholar.uwindsor.ca/etd/4847.

Council of Science Editors:

Yeryomenko N. Does the depth of client experiencing predict good psychotherapy outcomes? A meta-analysis of treatment outcomes. [Masters Thesis]. University of Windsor; 2012. Available from: https://scholar.uwindsor.ca/etd/4847


Louisiana State University

3. Liu, Chang. Paleoenvironmental Variation and Provenance Records from Neogene Deep Sea Sediment of the South China Sea.

Degree: PhD, Geochemistry, 2017, Louisiana State University

  I employed several paleoenvironmental proxies by utilizing deep sea sediment from the largest marginal basin in east Asia, namely the South China Sea (SCS),… (more)

Subjects/Keywords: chemical weathering; physical erosion; provenance; the South China Sea; IODP Exp 349

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APA (6th Edition):

Liu, C. (2017). Paleoenvironmental Variation and Provenance Records from Neogene Deep Sea Sediment of the South China Sea. (Doctoral Dissertation). Louisiana State University. Retrieved from https://digitalcommons.lsu.edu/gradschool_dissertations/4158

Chicago Manual of Style (16th Edition):

Liu, Chang. “Paleoenvironmental Variation and Provenance Records from Neogene Deep Sea Sediment of the South China Sea.” 2017. Doctoral Dissertation, Louisiana State University. Accessed October 16, 2019. https://digitalcommons.lsu.edu/gradschool_dissertations/4158.

MLA Handbook (7th Edition):

Liu, Chang. “Paleoenvironmental Variation and Provenance Records from Neogene Deep Sea Sediment of the South China Sea.” 2017. Web. 16 Oct 2019.

Vancouver:

Liu C. Paleoenvironmental Variation and Provenance Records from Neogene Deep Sea Sediment of the South China Sea. [Internet] [Doctoral dissertation]. Louisiana State University; 2017. [cited 2019 Oct 16]. Available from: https://digitalcommons.lsu.edu/gradschool_dissertations/4158.

Council of Science Editors:

Liu C. Paleoenvironmental Variation and Provenance Records from Neogene Deep Sea Sediment of the South China Sea. [Doctoral Dissertation]. Louisiana State University; 2017. Available from: https://digitalcommons.lsu.edu/gradschool_dissertations/4158


University of Victoria

4. Priest, Robert Eugene. Document 2003 : tracking yesterday's shadows : "EXP 2000 (Caboose 999)" evidentiaries.

Degree: School of Music, 2008, University of Victoria

Subjects/Keywords: Priest, Robert Eugene  – EXP 2000 (Caboose 999); Hendrix, Jimi

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Priest, R. E. (2008). Document 2003 : tracking yesterday's shadows : "EXP 2000 (Caboose 999)" evidentiaries. (Thesis). University of Victoria. Retrieved from http://hdl.handle.net/1828/344

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Priest, Robert Eugene. “Document 2003 : tracking yesterday's shadows : "EXP 2000 (Caboose 999)" evidentiaries.” 2008. Thesis, University of Victoria. Accessed October 16, 2019. http://hdl.handle.net/1828/344.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Priest, Robert Eugene. “Document 2003 : tracking yesterday's shadows : "EXP 2000 (Caboose 999)" evidentiaries.” 2008. Web. 16 Oct 2019.

Vancouver:

Priest RE. Document 2003 : tracking yesterday's shadows : "EXP 2000 (Caboose 999)" evidentiaries. [Internet] [Thesis]. University of Victoria; 2008. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/1828/344.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Priest RE. Document 2003 : tracking yesterday's shadows : "EXP 2000 (Caboose 999)" evidentiaries. [Thesis]. University of Victoria; 2008. Available from: http://hdl.handle.net/1828/344

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Cardiff University

5. Neff, Eoghan. At the vanguard of antiquity : seeking the avant-garde of the Irish Fiddle in C20th performance practices.

Degree: PhD, 2012, Cardiff University

 This thesis examines twentieth-century Irish fiddle performance practices in the search for the avant-garde of Irish traditional music. The central analysis focuses on processes of… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Neff, E. (2012). At the vanguard of antiquity : seeking the avant-garde of the Irish Fiddle in C20th performance practices. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/36644/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567343

Chicago Manual of Style (16th Edition):

Neff, Eoghan. “At the vanguard of antiquity : seeking the avant-garde of the Irish Fiddle in C20th performance practices.” 2012. Doctoral Dissertation, Cardiff University. Accessed October 16, 2019. http://orca.cf.ac.uk/36644/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567343.

MLA Handbook (7th Edition):

Neff, Eoghan. “At the vanguard of antiquity : seeking the avant-garde of the Irish Fiddle in C20th performance practices.” 2012. Web. 16 Oct 2019.

Vancouver:

Neff E. At the vanguard of antiquity : seeking the avant-garde of the Irish Fiddle in C20th performance practices. [Internet] [Doctoral dissertation]. Cardiff University; 2012. [cited 2019 Oct 16]. Available from: http://orca.cf.ac.uk/36644/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567343.

Council of Science Editors:

Neff E. At the vanguard of antiquity : seeking the avant-garde of the Irish Fiddle in C20th performance practices. [Doctoral Dissertation]. Cardiff University; 2012. Available from: http://orca.cf.ac.uk/36644/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567343


Cardiff University

6. Hall, Matthew. Portfolio of original compositions.

Degree: PhD, 2013, Cardiff University

 This portfolio of original works and commentary is submitted for the qualification of PhD in June 2013. Its intention is to give a representative account… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hall, M. (2013). Portfolio of original compositions. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/52335/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.585283

Chicago Manual of Style (16th Edition):

Hall, Matthew. “Portfolio of original compositions.” 2013. Doctoral Dissertation, Cardiff University. Accessed October 16, 2019. http://orca.cf.ac.uk/52335/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.585283.

MLA Handbook (7th Edition):

Hall, Matthew. “Portfolio of original compositions.” 2013. Web. 16 Oct 2019.

Vancouver:

Hall M. Portfolio of original compositions. [Internet] [Doctoral dissertation]. Cardiff University; 2013. [cited 2019 Oct 16]. Available from: http://orca.cf.ac.uk/52335/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.585283.

Council of Science Editors:

Hall M. Portfolio of original compositions. [Doctoral Dissertation]. Cardiff University; 2013. Available from: http://orca.cf.ac.uk/52335/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.585283


City University London

7. Goldberg, Tatjana. Maud Powell, Marie Hall & Alma Moodie : a gendered re-evaluation of three violinists.

Degree: PhD, 2015, City University London

 Music as a reflection of a wider culture provides a fruitful area in which to investigate the complex relationship between gender, sexuality and culture. Bearing… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Goldberg, T. (2015). Maud Powell, Marie Hall & Alma Moodie : a gendered re-evaluation of three violinists. (Doctoral Dissertation). City University London. Retrieved from http://openaccess.city.ac.uk/14997/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687747

Chicago Manual of Style (16th Edition):

Goldberg, Tatjana. “Maud Powell, Marie Hall & Alma Moodie : a gendered re-evaluation of three violinists.” 2015. Doctoral Dissertation, City University London. Accessed October 16, 2019. http://openaccess.city.ac.uk/14997/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687747.

MLA Handbook (7th Edition):

Goldberg, Tatjana. “Maud Powell, Marie Hall & Alma Moodie : a gendered re-evaluation of three violinists.” 2015. Web. 16 Oct 2019.

Vancouver:

Goldberg T. Maud Powell, Marie Hall & Alma Moodie : a gendered re-evaluation of three violinists. [Internet] [Doctoral dissertation]. City University London; 2015. [cited 2019 Oct 16]. Available from: http://openaccess.city.ac.uk/14997/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687747.

Council of Science Editors:

Goldberg T. Maud Powell, Marie Hall & Alma Moodie : a gendered re-evaluation of three violinists. [Doctoral Dissertation]. City University London; 2015. Available from: http://openaccess.city.ac.uk/14997/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687747


City University London

8. Yim, Annie. A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version) : from musical aesthetics to modern performances.

Degree: PhD, 2016, City University London

 This thesis explores Robert Schumann's influence on the two very different versions of Johannes Brahms' Piano Trio in B major, Op. 8 – the first… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Yim, A. (2016). A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version) : from musical aesthetics to modern performances. (Doctoral Dissertation). City University London. Retrieved from http://openaccess.city.ac.uk/15123/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.690983

Chicago Manual of Style (16th Edition):

Yim, Annie. “A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version) : from musical aesthetics to modern performances.” 2016. Doctoral Dissertation, City University London. Accessed October 16, 2019. http://openaccess.city.ac.uk/15123/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.690983.

MLA Handbook (7th Edition):

Yim, Annie. “A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version) : from musical aesthetics to modern performances.” 2016. Web. 16 Oct 2019.

Vancouver:

Yim A. A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version) : from musical aesthetics to modern performances. [Internet] [Doctoral dissertation]. City University London; 2016. [cited 2019 Oct 16]. Available from: http://openaccess.city.ac.uk/15123/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.690983.

Council of Science Editors:

Yim A. A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version) : from musical aesthetics to modern performances. [Doctoral Dissertation]. City University London; 2016. Available from: http://openaccess.city.ac.uk/15123/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.690983


City University London

9. Ferraro, Mario. Contemporary opera in Britain, 1970-2010.

Degree: PhD, 2011, City University London

 This study of contemporary opera in Britain considers first, the theoretical aspects of the creation of an opera, then moves to a survey of British… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ferraro, M. (2011). Contemporary opera in Britain, 1970-2010. (Doctoral Dissertation). City University London. Retrieved from http://openaccess.city.ac.uk/1279/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555442

Chicago Manual of Style (16th Edition):

Ferraro, Mario. “Contemporary opera in Britain, 1970-2010.” 2011. Doctoral Dissertation, City University London. Accessed October 16, 2019. http://openaccess.city.ac.uk/1279/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555442.

MLA Handbook (7th Edition):

Ferraro, Mario. “Contemporary opera in Britain, 1970-2010.” 2011. Web. 16 Oct 2019.

Vancouver:

Ferraro M. Contemporary opera in Britain, 1970-2010. [Internet] [Doctoral dissertation]. City University London; 2011. [cited 2019 Oct 16]. Available from: http://openaccess.city.ac.uk/1279/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555442.

Council of Science Editors:

Ferraro M. Contemporary opera in Britain, 1970-2010. [Doctoral Dissertation]. City University London; 2011. Available from: http://openaccess.city.ac.uk/1279/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555442


University of Glasgow

10. McCluskey, Iain Robert. Marvelous Minutiae: in defence of the details.

Degree: 2017, University of Glasgow

 Previous studies of music and meaning largely focus on the effect of overarching musical forms and features on listener’s experiences or interactions between society and… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McCluskey, I. R. (2017). Marvelous Minutiae: in defence of the details. (Thesis). University of Glasgow. Retrieved from http://theses.gla.ac.uk/8592/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McCluskey, Iain Robert. “Marvelous Minutiae: in defence of the details.” 2017. Thesis, University of Glasgow. Accessed October 16, 2019. http://theses.gla.ac.uk/8592/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McCluskey, Iain Robert. “Marvelous Minutiae: in defence of the details.” 2017. Web. 16 Oct 2019.

Vancouver:

McCluskey IR. Marvelous Minutiae: in defence of the details. [Internet] [Thesis]. University of Glasgow; 2017. [cited 2019 Oct 16]. Available from: http://theses.gla.ac.uk/8592/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McCluskey IR. Marvelous Minutiae: in defence of the details. [Thesis]. University of Glasgow; 2017. Available from: http://theses.gla.ac.uk/8592/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


City University London

11. Hammond, Clare. To conceal or reveal : left-hand pianism with particular reference to Ravel's 'Concerto pour la main gauche' and Britten's 'Diversions'.

Degree: 2012, City University London

 This thesis aims to explore both compositional and performance techniques associated with music for the left hand and the circumstances of its performance, thereby allowing… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hammond, C. (2012). To conceal or reveal : left-hand pianism with particular reference to Ravel's 'Concerto pour la main gauche' and Britten's 'Diversions'. (Doctoral Dissertation). City University London. Retrieved from http://openaccess.city.ac.uk/11671/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549254

Chicago Manual of Style (16th Edition):

Hammond, Clare. “To conceal or reveal : left-hand pianism with particular reference to Ravel's 'Concerto pour la main gauche' and Britten's 'Diversions'.” 2012. Doctoral Dissertation, City University London. Accessed October 16, 2019. http://openaccess.city.ac.uk/11671/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549254.

MLA Handbook (7th Edition):

Hammond, Clare. “To conceal or reveal : left-hand pianism with particular reference to Ravel's 'Concerto pour la main gauche' and Britten's 'Diversions'.” 2012. Web. 16 Oct 2019.

Vancouver:

Hammond C. To conceal or reveal : left-hand pianism with particular reference to Ravel's 'Concerto pour la main gauche' and Britten's 'Diversions'. [Internet] [Doctoral dissertation]. City University London; 2012. [cited 2019 Oct 16]. Available from: http://openaccess.city.ac.uk/11671/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549254.

Council of Science Editors:

Hammond C. To conceal or reveal : left-hand pianism with particular reference to Ravel's 'Concerto pour la main gauche' and Britten's 'Diversions'. [Doctoral Dissertation]. City University London; 2012. Available from: http://openaccess.city.ac.uk/11671/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549254


University of Huddersfield

12. Flanagan, Beavan. Intersections between subjects and objects in my compositions from 2013 to 2016.

Degree: PhD, 2017, University of Huddersfield

 The following commentary details aspects of my recent compositions attempting to bring about intersections between subjects and objects. I demonstrate how my compositions highlight an… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Flanagan, B. (2017). Intersections between subjects and objects in my compositions from 2013 to 2016. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34417/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732930

Chicago Manual of Style (16th Edition):

Flanagan, Beavan. “Intersections between subjects and objects in my compositions from 2013 to 2016.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed October 16, 2019. http://eprints.hud.ac.uk/id/eprint/34417/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732930.

MLA Handbook (7th Edition):

Flanagan, Beavan. “Intersections between subjects and objects in my compositions from 2013 to 2016.” 2017. Web. 16 Oct 2019.

Vancouver:

Flanagan B. Intersections between subjects and objects in my compositions from 2013 to 2016. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2019 Oct 16]. Available from: http://eprints.hud.ac.uk/id/eprint/34417/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732930.

Council of Science Editors:

Flanagan B. Intersections between subjects and objects in my compositions from 2013 to 2016. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34417/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732930


University of Glasgow

13. Anderson, Robert. Strength in numbers: a social history of Glasgow's popular music scene (1979-2009).

Degree: PhD, 2015, University of Glasgow

 In 2004, US Time magazine named Glasgow Europe’s ‘capital of rock music’ and likened it to Detroit in its Motown heyday (Porter, 2004). In 2008… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Anderson, R. (2015). Strength in numbers: a social history of Glasgow's popular music scene (1979-2009). (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/6459/

Chicago Manual of Style (16th Edition):

Anderson, Robert. “Strength in numbers: a social history of Glasgow's popular music scene (1979-2009).” 2015. Doctoral Dissertation, University of Glasgow. Accessed October 16, 2019. http://theses.gla.ac.uk/6459/.

MLA Handbook (7th Edition):

Anderson, Robert. “Strength in numbers: a social history of Glasgow's popular music scene (1979-2009).” 2015. Web. 16 Oct 2019.

Vancouver:

Anderson R. Strength in numbers: a social history of Glasgow's popular music scene (1979-2009). [Internet] [Doctoral dissertation]. University of Glasgow; 2015. [cited 2019 Oct 16]. Available from: http://theses.gla.ac.uk/6459/.

Council of Science Editors:

Anderson R. Strength in numbers: a social history of Glasgow's popular music scene (1979-2009). [Doctoral Dissertation]. University of Glasgow; 2015. Available from: http://theses.gla.ac.uk/6459/


University of Glasgow

14. Keenan, Peter. Towards an understanding of Mozart’s use of tempo and proportion: Temporal strategies in the finales of Le nozze di Figaro.

Degree: 2017, University of Glasgow

 This dissertation uses the two chain finales from Le nozze di Figaro as a case study, exploring how Mozart uses tempo and proportion to manipulate… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Keenan, P. (2017). Towards an understanding of Mozart’s use of tempo and proportion: Temporal strategies in the finales of Le nozze di Figaro. (Thesis). University of Glasgow. Retrieved from http://theses.gla.ac.uk/8776/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Keenan, Peter. “Towards an understanding of Mozart’s use of tempo and proportion: Temporal strategies in the finales of Le nozze di Figaro.” 2017. Thesis, University of Glasgow. Accessed October 16, 2019. http://theses.gla.ac.uk/8776/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Keenan, Peter. “Towards an understanding of Mozart’s use of tempo and proportion: Temporal strategies in the finales of Le nozze di Figaro.” 2017. Web. 16 Oct 2019.

Vancouver:

Keenan P. Towards an understanding of Mozart’s use of tempo and proportion: Temporal strategies in the finales of Le nozze di Figaro. [Internet] [Thesis]. University of Glasgow; 2017. [cited 2019 Oct 16]. Available from: http://theses.gla.ac.uk/8776/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Keenan P. Towards an understanding of Mozart’s use of tempo and proportion: Temporal strategies in the finales of Le nozze di Figaro. [Thesis]. University of Glasgow; 2017. Available from: http://theses.gla.ac.uk/8776/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Cardiff University

15. Laghi, Simone. Italian string quartets and late eighteenth-century London : publication and production : with a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810).

Degree: PhD, 2017, Cardiff University

 This dissertation presents an overview of the situation of the printed string quartet output in London in the years between 1765 (year of publication of… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Laghi, S. (2017). Italian string quartets and late eighteenth-century London : publication and production : with a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810). (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/107709/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732258

Chicago Manual of Style (16th Edition):

Laghi, Simone. “Italian string quartets and late eighteenth-century London : publication and production : with a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810).” 2017. Doctoral Dissertation, Cardiff University. Accessed October 16, 2019. http://orca.cf.ac.uk/107709/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732258.

MLA Handbook (7th Edition):

Laghi, Simone. “Italian string quartets and late eighteenth-century London : publication and production : with a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810).” 2017. Web. 16 Oct 2019.

Vancouver:

Laghi S. Italian string quartets and late eighteenth-century London : publication and production : with a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810). [Internet] [Doctoral dissertation]. Cardiff University; 2017. [cited 2019 Oct 16]. Available from: http://orca.cf.ac.uk/107709/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732258.

Council of Science Editors:

Laghi S. Italian string quartets and late eighteenth-century London : publication and production : with a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810). [Doctoral Dissertation]. Cardiff University; 2017. Available from: http://orca.cf.ac.uk/107709/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732258


University of Glasgow

16. Eales, Alison Caroline. Bunting and blues : a critical history of Glasgow International Jazz Festival, 1987-2015.

Degree: PhD, 2017, University of Glasgow

 Glasgow International Jazz Festival first took place in 1987 and has run every year since, making it the city's longest-running cultural event. One of the… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Eales, A. C. (2017). Bunting and blues : a critical history of Glasgow International Jazz Festival, 1987-2015. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/8026/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712631

Chicago Manual of Style (16th Edition):

Eales, Alison Caroline. “Bunting and blues : a critical history of Glasgow International Jazz Festival, 1987-2015.” 2017. Doctoral Dissertation, University of Glasgow. Accessed October 16, 2019. http://theses.gla.ac.uk/8026/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712631.

MLA Handbook (7th Edition):

Eales, Alison Caroline. “Bunting and blues : a critical history of Glasgow International Jazz Festival, 1987-2015.” 2017. Web. 16 Oct 2019.

Vancouver:

Eales AC. Bunting and blues : a critical history of Glasgow International Jazz Festival, 1987-2015. [Internet] [Doctoral dissertation]. University of Glasgow; 2017. [cited 2019 Oct 16]. Available from: http://theses.gla.ac.uk/8026/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712631.

Council of Science Editors:

Eales AC. Bunting and blues : a critical history of Glasgow International Jazz Festival, 1987-2015. [Doctoral Dissertation]. University of Glasgow; 2017. Available from: http://theses.gla.ac.uk/8026/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712631


University of Glasgow

17. Fyffe, Jamie Robert. 'Kind of Blue' and the signifyin(g) voice of Miles Davis.

Degree: PhD, 2017, University of Glasgow

 Kind of Blue remains one of the most influential and successful jazz albums ever recorded, yet we know surprisingly few details concerning how it was… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Fyffe, J. R. (2017). 'Kind of Blue' and the signifyin(g) voice of Miles Davis. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/8066/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712648

Chicago Manual of Style (16th Edition):

Fyffe, Jamie Robert. “'Kind of Blue' and the signifyin(g) voice of Miles Davis.” 2017. Doctoral Dissertation, University of Glasgow. Accessed October 16, 2019. http://theses.gla.ac.uk/8066/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712648.

MLA Handbook (7th Edition):

Fyffe, Jamie Robert. “'Kind of Blue' and the signifyin(g) voice of Miles Davis.” 2017. Web. 16 Oct 2019.

Vancouver:

Fyffe JR. 'Kind of Blue' and the signifyin(g) voice of Miles Davis. [Internet] [Doctoral dissertation]. University of Glasgow; 2017. [cited 2019 Oct 16]. Available from: http://theses.gla.ac.uk/8066/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712648.

Council of Science Editors:

Fyffe JR. 'Kind of Blue' and the signifyin(g) voice of Miles Davis. [Doctoral Dissertation]. University of Glasgow; 2017. Available from: http://theses.gla.ac.uk/8066/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712648


University of Huddersfield

18. McLaughlin, Scott. Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music.

Degree: 2009, University of Huddersfield

 This commentary reflects on how indeterminacy has been used in the music I have written over the period of my doctoral studies, 2005-2008. Non-musical ideas… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

McLaughlin, S. (2009). Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/14530/1/scottMcLaughlin_PhD2009_Strange-Attractors.pdf

Chicago Manual of Style (16th Edition):

McLaughlin, Scott. “Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music.” 2009. Doctoral Dissertation, University of Huddersfield. Accessed October 16, 2019. http://eprints.hud.ac.uk/id/eprint/14530/1/scottMcLaughlin_PhD2009_Strange-Attractors.pdf.

MLA Handbook (7th Edition):

McLaughlin, Scott. “Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music.” 2009. Web. 16 Oct 2019.

Vancouver:

McLaughlin S. Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. [Internet] [Doctoral dissertation]. University of Huddersfield; 2009. [cited 2019 Oct 16]. Available from: http://eprints.hud.ac.uk/id/eprint/14530/1/scottMcLaughlin_PhD2009_Strange-Attractors.pdf.

Council of Science Editors:

McLaughlin S. Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. [Doctoral Dissertation]. University of Huddersfield; 2009. Available from: http://eprints.hud.ac.uk/id/eprint/14530/1/scottMcLaughlin_PhD2009_Strange-Attractors.pdf


University of Huddersfield

19. Karman, Gregorio. Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment.

Degree: 2014, University of Huddersfield

 This research advances the current state of knowledge in the field of early tape music both empirically and methodologically. The purpose of this study is… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Karman, G. (2014). Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/25442/1/ggarciakarmanfinalthesis.pdf

Chicago Manual of Style (16th Edition):

Karman, Gregorio. “Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment.” 2014. Doctoral Dissertation, University of Huddersfield. Accessed October 16, 2019. http://eprints.hud.ac.uk/id/eprint/25442/1/ggarciakarmanfinalthesis.pdf.

MLA Handbook (7th Edition):

Karman, Gregorio. “Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment.” 2014. Web. 16 Oct 2019.

Vancouver:

Karman G. Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment. [Internet] [Doctoral dissertation]. University of Huddersfield; 2014. [cited 2019 Oct 16]. Available from: http://eprints.hud.ac.uk/id/eprint/25442/1/ggarciakarmanfinalthesis.pdf.

Council of Science Editors:

Karman G. Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment. [Doctoral Dissertation]. University of Huddersfield; 2014. Available from: http://eprints.hud.ac.uk/id/eprint/25442/1/ggarciakarmanfinalthesis.pdf


University of Huddersfield

20. Richardson, Harriet. Approaching the Performance of Experimental Music on the Flute.

Degree: 2015, University of Huddersfield

 This dissertation serves as a commentary to two recitals: a recital of chamber music which took place in July 2014, and a solo recital in… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Richardson, H. (2015). Approaching the Performance of Experimental Music on the Flute. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/25444/1/Harriet%20Richardson%20Thesis%20-%20fianl.pdf

Chicago Manual of Style (16th Edition):

Richardson, Harriet. “Approaching the Performance of Experimental Music on the Flute.” 2015. Masters Thesis, University of Huddersfield. Accessed October 16, 2019. http://eprints.hud.ac.uk/id/eprint/25444/1/Harriet%20Richardson%20Thesis%20-%20fianl.pdf.

MLA Handbook (7th Edition):

Richardson, Harriet. “Approaching the Performance of Experimental Music on the Flute.” 2015. Web. 16 Oct 2019.

Vancouver:

Richardson H. Approaching the Performance of Experimental Music on the Flute. [Internet] [Masters thesis]. University of Huddersfield; 2015. [cited 2019 Oct 16]. Available from: http://eprints.hud.ac.uk/id/eprint/25444/1/Harriet%20Richardson%20Thesis%20-%20fianl.pdf.

Council of Science Editors:

Richardson H. Approaching the Performance of Experimental Music on the Flute. [Masters Thesis]. University of Huddersfield; 2015. Available from: http://eprints.hud.ac.uk/id/eprint/25444/1/Harriet%20Richardson%20Thesis%20-%20fianl.pdf


University of Huddersfield

21. Flatt, Nicholas. Investigating the Use of Audiovisual Elicitation on the Creative Enterprise.

Degree: 2014, University of Huddersfield

 Elicitation methods have been explored extensively in social science research, and in business contexts, to uncover unarticulated informant knowledge. This qualitative study investigates the use… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Flatt, N. (2014). Investigating the Use of Audiovisual Elicitation on the Creative Enterprise. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/25501/1/nflattfinalthesis.pdf

Chicago Manual of Style (16th Edition):

Flatt, Nicholas. “Investigating the Use of Audiovisual Elicitation on the Creative Enterprise.” 2014. Masters Thesis, University of Huddersfield. Accessed October 16, 2019. http://eprints.hud.ac.uk/id/eprint/25501/1/nflattfinalthesis.pdf.

MLA Handbook (7th Edition):

Flatt, Nicholas. “Investigating the Use of Audiovisual Elicitation on the Creative Enterprise.” 2014. Web. 16 Oct 2019.

Vancouver:

Flatt N. Investigating the Use of Audiovisual Elicitation on the Creative Enterprise. [Internet] [Masters thesis]. University of Huddersfield; 2014. [cited 2019 Oct 16]. Available from: http://eprints.hud.ac.uk/id/eprint/25501/1/nflattfinalthesis.pdf.

Council of Science Editors:

Flatt N. Investigating the Use of Audiovisual Elicitation on the Creative Enterprise. [Masters Thesis]. University of Huddersfield; 2014. Available from: http://eprints.hud.ac.uk/id/eprint/25501/1/nflattfinalthesis.pdf


University of Huddersfield

22. Flanagan, Beavan. Intersections Between Subjects and Objects in my Compositions from 2013 to 2016.

Degree: 2017, University of Huddersfield

 The following commentary details aspects of my recent compositions attempting to bring about intersections between subjects and objects. I demonstrate how my compositions highlight an… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Flanagan, B. (2017). Intersections Between Subjects and Objects in my Compositions from 2013 to 2016. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34417/1/FINAL%20THESIS%20-%20Flanagan.pdf

Chicago Manual of Style (16th Edition):

Flanagan, Beavan. “Intersections Between Subjects and Objects in my Compositions from 2013 to 2016.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed October 16, 2019. http://eprints.hud.ac.uk/id/eprint/34417/1/FINAL%20THESIS%20-%20Flanagan.pdf.

MLA Handbook (7th Edition):

Flanagan, Beavan. “Intersections Between Subjects and Objects in my Compositions from 2013 to 2016.” 2017. Web. 16 Oct 2019.

Vancouver:

Flanagan B. Intersections Between Subjects and Objects in my Compositions from 2013 to 2016. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2019 Oct 16]. Available from: http://eprints.hud.ac.uk/id/eprint/34417/1/FINAL%20THESIS%20-%20Flanagan.pdf.

Council of Science Editors:

Flanagan B. Intersections Between Subjects and Objects in my Compositions from 2013 to 2016. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34417/1/FINAL%20THESIS%20-%20Flanagan.pdf


University of Huddersfield

23. Daly, Andrew. A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music.

Degree: 2017, University of Huddersfield

 The purpose of this study is to find out the limitations of style and genre fusion. It asks how effectively can a composer achieve this… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Daly, A. (2017). A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34427/1/FINAL%20THESIS%20-%20Daly.pdf

Chicago Manual of Style (16th Edition):

Daly, Andrew. “A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music.” 2017. Masters Thesis, University of Huddersfield. Accessed October 16, 2019. http://eprints.hud.ac.uk/id/eprint/34427/1/FINAL%20THESIS%20-%20Daly.pdf.

MLA Handbook (7th Edition):

Daly, Andrew. “A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music.” 2017. Web. 16 Oct 2019.

Vancouver:

Daly A. A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music. [Internet] [Masters thesis]. University of Huddersfield; 2017. [cited 2019 Oct 16]. Available from: http://eprints.hud.ac.uk/id/eprint/34427/1/FINAL%20THESIS%20-%20Daly.pdf.

Council of Science Editors:

Daly A. A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music. [Masters Thesis]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34427/1/FINAL%20THESIS%20-%20Daly.pdf


University of Huddersfield

24. Martin, Darren. Within Worlds: Immersion and Subjectivity in Film Music.

Degree: 2017, University of Huddersfield

 Music and visuals have coexisted together in film for years, with millions of viewers and listeners attending film showings in a way of escaping their… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Martin, D. (2017). Within Worlds: Immersion and Subjectivity in Film Music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34431/1/FINAL%20THESIS%20-%20Martin.pdf

Chicago Manual of Style (16th Edition):

Martin, Darren. “Within Worlds: Immersion and Subjectivity in Film Music.” 2017. Masters Thesis, University of Huddersfield. Accessed October 16, 2019. http://eprints.hud.ac.uk/id/eprint/34431/1/FINAL%20THESIS%20-%20Martin.pdf.

MLA Handbook (7th Edition):

Martin, Darren. “Within Worlds: Immersion and Subjectivity in Film Music.” 2017. Web. 16 Oct 2019.

Vancouver:

Martin D. Within Worlds: Immersion and Subjectivity in Film Music. [Internet] [Masters thesis]. University of Huddersfield; 2017. [cited 2019 Oct 16]. Available from: http://eprints.hud.ac.uk/id/eprint/34431/1/FINAL%20THESIS%20-%20Martin.pdf.

Council of Science Editors:

Martin D. Within Worlds: Immersion and Subjectivity in Film Music. [Masters Thesis]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34431/1/FINAL%20THESIS%20-%20Martin.pdf


University of Huddersfield

25. Paúl, Abel. Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements.

Degree: 2017, University of Huddersfield

 The submitted portfolio and accompanying thesis focus on the subject of doubles and duplication and their application as musical materials and compositional devices in my… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Paúl, A. (2017). Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34444/1/FINAL%20THESIS%20-%20Paul.pdf

Chicago Manual of Style (16th Edition):

Paúl, Abel. “Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed October 16, 2019. http://eprints.hud.ac.uk/id/eprint/34444/1/FINAL%20THESIS%20-%20Paul.pdf.

MLA Handbook (7th Edition):

Paúl, Abel. “Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements.” 2017. Web. 16 Oct 2019.

Vancouver:

Paúl A. Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2019 Oct 16]. Available from: http://eprints.hud.ac.uk/id/eprint/34444/1/FINAL%20THESIS%20-%20Paul.pdf.

Council of Science Editors:

Paúl A. Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34444/1/FINAL%20THESIS%20-%20Paul.pdf


University of Huddersfield

26. Rawbone, Trevor Mark. The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period.

Degree: 2017, University of Huddersfield

 Diverging explanations of local multiparametric schemata are found in music of the common practice period (c. 1600–c. 1900). Associative statistical theories describe schemata as situated… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Rawbone, T. M. (2017). The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34477/1/FINAL%20THESIS%20-%20Rawbone.pdf

Chicago Manual of Style (16th Edition):

Rawbone, Trevor Mark. “The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed October 16, 2019. http://eprints.hud.ac.uk/id/eprint/34477/1/FINAL%20THESIS%20-%20Rawbone.pdf.

MLA Handbook (7th Edition):

Rawbone, Trevor Mark. “The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period.” 2017. Web. 16 Oct 2019.

Vancouver:

Rawbone TM. The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2019 Oct 16]. Available from: http://eprints.hud.ac.uk/id/eprint/34477/1/FINAL%20THESIS%20-%20Rawbone.pdf.

Council of Science Editors:

Rawbone TM. The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34477/1/FINAL%20THESIS%20-%20Rawbone.pdf


University of Huddersfield

27. Fell, Simon. A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75.

Degree: 2017, University of Huddersfield

 This thesis examines the activity of the British musicians developing a practice of freely improvised music in the mid- to late-1960s, in conjunction with that… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Fell, S. (2017). A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34533/1/Simon%20Fell%20FINAL%20THESIS.PDF

Chicago Manual of Style (16th Edition):

Fell, Simon. “A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed October 16, 2019. http://eprints.hud.ac.uk/id/eprint/34533/1/Simon%20Fell%20FINAL%20THESIS.PDF.

MLA Handbook (7th Edition):

Fell, Simon. “A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75.” 2017. Web. 16 Oct 2019.

Vancouver:

Fell S. A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2019 Oct 16]. Available from: http://eprints.hud.ac.uk/id/eprint/34533/1/Simon%20Fell%20FINAL%20THESIS.PDF.

Council of Science Editors:

Fell S. A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34533/1/Simon%20Fell%20FINAL%20THESIS.PDF


University of Huddersfield

28. Peabody, Anthony. Joe Morley, banjo player, his life, works, and his music.

Degree: 2018, University of Huddersfield

 This thesis examines the life, works and music of Joe Morley, who was one of the most wellknown and respected players of the banjo, and… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Peabody, A. (2018). Joe Morley, banjo player, his life, works, and his music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34585/1/FINAL%20THESIS.PDF

Chicago Manual of Style (16th Edition):

Peabody, Anthony. “Joe Morley, banjo player, his life, works, and his music.” 2018. Masters Thesis, University of Huddersfield. Accessed October 16, 2019. http://eprints.hud.ac.uk/id/eprint/34585/1/FINAL%20THESIS.PDF.

MLA Handbook (7th Edition):

Peabody, Anthony. “Joe Morley, banjo player, his life, works, and his music.” 2018. Web. 16 Oct 2019.

Vancouver:

Peabody A. Joe Morley, banjo player, his life, works, and his music. [Internet] [Masters thesis]. University of Huddersfield; 2018. [cited 2019 Oct 16]. Available from: http://eprints.hud.ac.uk/id/eprint/34585/1/FINAL%20THESIS.PDF.

Council of Science Editors:

Peabody A. Joe Morley, banjo player, his life, works, and his music. [Masters Thesis]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34585/1/FINAL%20THESIS.PDF


University of Huddersfield

29. Green-Mateu, Susan. The Tesseract: using the body’s movement to shape my compositional practice.

Degree: 2018, University of Huddersfield

 The aim of this research project is to challenge my practice as a popular music songwriter and producer. To achieve this, I have developed a… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Green-Mateu, S. (2018). The Tesseract: using the body’s movement to shape my compositional practice. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34597/1/Susan%20Green-Mateu%20FINAL%20THESIS.PDF

Chicago Manual of Style (16th Edition):

Green-Mateu, Susan. “The Tesseract: using the body’s movement to shape my compositional practice.” 2018. Masters Thesis, University of Huddersfield. Accessed October 16, 2019. http://eprints.hud.ac.uk/id/eprint/34597/1/Susan%20Green-Mateu%20FINAL%20THESIS.PDF.

MLA Handbook (7th Edition):

Green-Mateu, Susan. “The Tesseract: using the body’s movement to shape my compositional practice.” 2018. Web. 16 Oct 2019.

Vancouver:

Green-Mateu S. The Tesseract: using the body’s movement to shape my compositional practice. [Internet] [Masters thesis]. University of Huddersfield; 2018. [cited 2019 Oct 16]. Available from: http://eprints.hud.ac.uk/id/eprint/34597/1/Susan%20Green-Mateu%20FINAL%20THESIS.PDF.

Council of Science Editors:

Green-Mateu S. The Tesseract: using the body’s movement to shape my compositional practice. [Masters Thesis]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34597/1/Susan%20Green-Mateu%20FINAL%20THESIS.PDF


University of Huddersfield

30. Sundin, Paulina E. Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music.

Degree: 2010, University of Huddersfield

 Re-inventing Harmony in Electroacoustic Music reflects on research regarding structuring pitch-based material in my music written between 1999 and 2010. The selected works illustrates the… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sundin, P. E. (2010). Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/9289/1/psundinfinalthesis.pdf

Chicago Manual of Style (16th Edition):

Sundin, Paulina E. “Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music.” 2010. Doctoral Dissertation, University of Huddersfield. Accessed October 16, 2019. http://eprints.hud.ac.uk/id/eprint/9289/1/psundinfinalthesis.pdf.

MLA Handbook (7th Edition):

Sundin, Paulina E. “Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music.” 2010. Web. 16 Oct 2019.

Vancouver:

Sundin PE. Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music. [Internet] [Doctoral dissertation]. University of Huddersfield; 2010. [cited 2019 Oct 16]. Available from: http://eprints.hud.ac.uk/id/eprint/9289/1/psundinfinalthesis.pdf.

Council of Science Editors:

Sundin PE. Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music. [Doctoral Dissertation]. University of Huddersfield; 2010. Available from: http://eprints.hud.ac.uk/id/eprint/9289/1/psundinfinalthesis.pdf

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